Blue Tick Quotes

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Now Blue looked promptly judgmental, which was about two ticks off from her ordinary expression and one tick off from Ronan's.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I cleared my throat and spoke into his kiss. “Sorry, it’s been a while.” “You should expect to hear the same thing from me in about five minutes,” he murmured. “Five minutes, huh?” “I’ll make it the best five minutes of your life.” I bit his lip, hard, then released him and looked into those intense blues. “Clock’s ticking.
Karina Halle (Sins & Needles (The Artists Trilogy, #1))
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in blurry, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as a starfish loves a coral reef and as a kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fettuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. i will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and as an eraser loves to leave dust in the hairdos of people who talk too much. I will love you as a cufflink loves to drop from its shirt and explore the party for itself and as a pair of white gloves loves to slip delicately into the punchbowl. I will love you as the taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock.
Lemony Snicket
The Blue Jay's Lullaby— Spiders and sowbugs and beetles and crickets,  Slugs from the roses and ticks from the thickets,   Grasshoppers, snails, and a quail's egg or two—    All to be regurgitated for you. Lullaby, lullaby, swindles and schemes,  Flying's not near as much fun as it seems.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
The sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine.
Charlotte Eriksson
I used to get really ticked about preachers who talked too much about grace, because they tempted me to not be disciplined. I figured what people needed was a kick in the butt, and if I failed at godliness it was because those around me weren’t trying hard enough.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
He was wearing a blue tracksuit that had a white tick mark embroidered at the hip, as if he approved of something.
Manu Joseph (Serious Men)
[Australia] is the home of the largest living thing on earth, the Great Barrier Reef, and of the largest monolith, Ayers Rock (or Uluru to use its now-official, more respectful Aboriginal name). It has more things that will kill you than anywhere else. Of the world's ten most poisonous snakes, all are Australian. Five of its creatures - the funnel web spider, box jellyfish, blue-ringed octopus, paralysis tick, and stonefish - are the most lethal of their type in the world. This is a country where even the fluffiest of caterpillars can lay you out with a toxic nip, where seashells will not just sting you but actually sometimes go for you. ... If you are not stung or pronged to death in some unexpected manner, you may be fatally chomped by sharks or crocodiles, or carried helplessly out to sea by irresistible currents, or left to stagger to an unhappy death in the baking outback. It's a tough place.
Bill Bryson (In a Sunburned Country)
There was nowhere to go, but I turned to go and met Atticus's vest front. I buried my head in it and listened to the small internal noises that went on behind the light blue cloth: his watch ticking, the faint crackle of his starched shirt, the soft sound of his breathing. 'Your stomach's growling,' I said. 'I know it,' he said.
Harper Lee (To Kill a Mockingbird)
My mama always said piecing quilts is like making friends.' She kept her eyes on the scissors as she cut up a piece of blue ticking. 'Sometimes the more different fabrics - and people - are,' she said, 'the stronger the pattern.' I looked up at her. She smiled a sad, sweet smile at me. I felt as if she'd looked right into my heart and seen all my warts and flaws, and held her own heart out to me anyway.
Kirby Larson (Hattie Big Sky (Hattie, #1))
She lost much of her appetite. At night, an invisible hand kept shaking her awake every few hours. Grief was physiological, a disturbance of the blood. Sometimes a whole minute would pass in nameless dread - the bedside clock ticking, the blue moonlight coating the window like glue - before she`d remember the brutal fact that had caused it.
Jeffrey Eugenides (The Marriage Plot)
The sun, like a boil on the bright blue ass of day, rolled gradually forward and spread its legs wide to reveal the pubic thatch of night, a hairy darkness in which stars crawled like lice, and the moon crabbed slowly upward like an albino dog tick striving for the anal gulch.
Joe R. Lansdale
The fancy things I like are sheets. Pots and pans. And the things I really like aren't fancy at all: old aprons and hankies. Butter wrappers from one pound blocks. Peony bushes, hardback books of poetry. And I like things less than that; the sticky remains at the bottom of the apple crisp dish. The way cats sometimes run sideways. The presence of a rainbow in a puddle of oil. Mayonaise jars. Pussy willows. Wash on a line. The tick-tock of clocks, the blue of the neon sign at the local movie house. The fact that there is a local movie house.
Elizabeth Berg
Take now the clockworks... The clockworks, being genuine and not much to look at, don't generate the drama of an Earth-tilt or a flying saucer, nor do they seem to offer any immediate panacea for humanity's fifty-seven varieties of heartburn. But suppose that you're one of those persons who feels trapped, to some degree, trapped matrimonially, occupationally, eductionally or geographically, or trapped in something larger than all those; trapped in a system, or what you might descrbie as an "incresingly deadening technocracy" or a "theater of paranoia and desperation" or something like that. Now, if you are one of those persons... wouldn't the very knowledge that there are clockworks ticking away behind the wallpaper of civilization, unbeknownst to leaders, organizers and managers (the President included), wouldn't that knowledge, suggesting as it does the possibility of unimaginable alternatives, wouldn't that knowledge be a bubble bath for your heart?
Tom Robbins (Even Cowgirls Get the Blues)
Slow, tick decides. Thinks happen slow. she isn't quite sure why this understanding of the world's movement should be important, but she thinks it is. ...Take her parents- At the time, their separation had seemed a bolt from the blue, though she now realizes it had been a slow process, rooted in dissatisfaction and need....Mybe
Richard Russo (Empire Falls)
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud, but I walked numbly through the park, round and round, 40 times for 4 hours just wanting to make it through the day. There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine. This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways but you can not let it. I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use. the smoking and the starving, the running, the madness, thinking it will help but it only feeds the fire and I don't want to hurt myself anymore. I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all. And I have people around that I like and can laugh with, and it's spring again. It will always be spring again. And there will always be a new day.
Charlotte Eriksson
If you could buckle your Bugs Bunny wristwatch to a ray of light, your watch would continue ticking but the hands wouldn't move. That's because at the speed of light there is no time. Time is relative to velocity. At high speeds, time is literally stretched. Since light is the ultimate in velocity, at light-speed time is stretched to its absolute and becomes static. Albert Einstein figured that one out.
Tom Robbins (Even Cowgirls Get the Blues)
The current Pandora's box of revelations about sexual crimes committed within the walls of so many of America's families reveals the nuclear family to be cruelly, aptly named. Patriarchy, sexism, and the culture of capitalism have created a "family" that too often is no more than a ticking time bomb waiting to explode.
Marita Golden (Wild Women Don't Wear No Blues: Black Women Writers on Love, Men and Sex)
Tides Every day the sea blue gray green lavender pulls away leaving the harbor’s dark-cobbled undercoat slick and rutted and worm-riddled, the gulls walk there among old whalebones, the white spines of fish blink from the strandy stew as the hours tick over; and then far out the faint, sheer line turns, rustling over the slack, the outer bars, over the green-furred flats, over the clam beds, slippery logs, barnacle-studded stones, dragging the shining sheets forward, deepening, pushing, wreathing together wave and seaweed, their piled curvatures spilling over themselves, lapping blue gray green lavender, never resting, not ever but fashioning shore, continent, everything. And here you may find me on almost any morning walking along the shore so light-footed so casual.
Mary Oliver (A Thousand Mornings: Poems)
The prompt Paris morning struck its cheerful notes—in a soft breeze and a sprinkled smell, in the light flit, over the garden-floor, of bareheaded girls with the buckled strap of oblong boxes, in the type of ancient thrifty persons basking betimes where terrace-walls were warm, in the blue-frocked brass-labelled officialism of humble rakers and scrapers, in the deep references of a straight-pacing priest or the sharp ones of a white-gaitered red-legged soldier. He watched little brisk figures, figures whose movement was as the tick of the great Paris clock, take their smooth diagonal from point to point; the air had a taste as of something mixed with art, something that presented nature as a white-capped master-chef. The
Henry James (The Ambassadors)
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.
Lemony Snicket (The Beatrice Letters)
There is a wonderful word for this sensory bubble—Umwelt. It was defined and popularized by the Baltic-German zoologist Jakob von Uexküll in 1909. Umwelt comes from the German word for “environment,” but Uexküll didn’t use it simply to refer to an animal’s surroundings. Instead, an Umwelt is specifically the part of those surroundings that an animal can sense and experience—its perceptual world. Like the occupants of our imaginary room, a multitude of creatures could be standing in the same physical space and have completely different Umwelten. A tick, questing for mammalian blood, cares about body heat, the touch of hair, and the odor of butyric acid that emanates from skin. These three things constitute its Umwelt. Trees of green, red roses too, skies of blue, and clouds of white—these are not part of its wonderful world. The tick doesn’t willfully ignore them. It simply cannot sense them and doesn’t know they exist.
Ed Yong (An Immense World: How Animal Senses Reveal the Hidden Realms Around Us)
They all seem infected with a vivaciousness that isn't common in our compound, and there are more smiles on their faces than I've ever seen at once. And yet as I watch them, I feel more intensely than ever the knowledge that I'm not one of them. For these moral humans, birthdays are a kind of countdown to the end, the ticking clock of a dwindling life. For me, birthdays are notches on an infinite timeline. Will I grow tired of parties one day? Will my birthday become meaningless? I imagine myself centuries from now, maybe at my three-hundredth birthday, looking all the way back to my seventeenth. How will I possibly be happy, remembering the light in my mother's eyes? The swiftness of Uncle Antonio's steps as he dances? The way my father stands on edge of the courtyard, smiling in that vague, absent way of his? The scene shifts and blues in my imagination. As if brushed away by some invisible broom, these people whom I've known my entire life disappear. The courtyard is empty, bare, covered in decaying leaves. I imagine Little Cam deserted, with everyone dead and gone and only me left in the shadows. Forever.
Jessica Khoury (Origin (Corpus, #1))
The siren soared again, closer at hand, and then, with no anticipatory roar and clamour, a dark and sinuous body curved into view against the shadows far down the high-banked track, and with no sound but the rush of the cleft wind and the clock like tick of the rails, moved towards the bridge - it was an electric train. Above the engine two vivid blurs of blue light formed incessantly a radiant crackling bar between them, which, like a spluttering flame in a lamp beside a corpse, lit for an instant the successive rows of trees and caused Gloria to draw back instinctively to the far side of the road. The light was tepid - the temperature of warm blood... The clicking blended suddenly with itself in a rush of even sound, and then, elongating in sombre elasticity, the thing roared blindly by her and thundered onto the bridge, racing the lurid shaft of fire it cast into the solemn river alongside. Then it contracted swiftly, sucking in its sound until it left only a reverberant echo, which died upon the farther bank.
F. Scott Fitzgerald (The Beautiful and Damned)
The minutes tick by, and though it feels like an eternity, she appears. Her blue eyes find mine, and like every time before, I'm home.
Alexa Riley (Her Touch)
He knew it would take as many years as he could think of now to forget the tracks, no matter how deeply buried. Some morning in autumn, spring, or winter he knew he’d wake and, if he didn’t go near the window, if he just lay deep and snug and warm, in his bed, he would hear it, faint and far away. And around the bend of the morning street, up the avenue, between the even rows of sycamore, elm and maple, it the quietness before the start of living, past his house he would hear the familiar sounds. Like the ticking of a clock, the rumble of a dozen metal barrels rolling, the hum of single immense dragonfly at dawn. Like a merry-go-round like a small electrical storm, the color of blue lightning, coming, here, and gone. The trolley’s chime! The hiss like a soda-fountain spigot as it let down and took up its step, and the starting of the dream again, as on it sailed along its way, traveling a hidden and buried track to some hidden and buried destination.
Ray Bradbury (Dandelion Wine)
Reality, at first glance, is a simple thing: the television speaking to you now is real. Your body sunk into that chair in the approach to midnight, a clock ticking at the threshold of awareness. All the endless detail of a solid and material world surrounding you. These things exist. They can be measured with a yardstick, a voltammeter, a weighing scale. These things are real. Then there’s the mind, half-focused on the TV, the settee, the clock. This ghostly knot of memory, idea and feeling that we call ourself also exists, though not within the measurable world our science may describe. Consciousness is unquantifiable, a ghost in the machine, barely considered real at all, though in a sense this flickering mosaic of awareness is the only true reality that we can ever know. The Here-and-Now demands attention, is more present to us. We dismiss the inner world of our ideas as less important, although most of our immediate physical reality originated only in the mind. The TV, sofa, clock and room, the whole civilisation that contains them once were nothing save ideas. Material existence is entirely founded on a phantom realm of mind, whose nature and geography are unexplored. Before the Age of Reason was announced, humanity had polished strategies for interacting with the world of the imaginary and invisible: complicated magic-systems; sprawling pantheons of gods and spirits, images and names with which we labelled powerful inner forces so that we might better understand them. Intellect, Emotion and Unconscious Thought were made divinities or demons so that we, like Faust, might better know them; deal with them; become them. Ancient cultures did not worship idols. Their god-statues represented ideal states which, when meditated constantly upon, one might aspire to. Science proves there never was a mermaid, blue-skinned Krishna or a virgin birth in physical reality. Yet thought is real, and the domain of thought is the one place where gods inarguably ezdst, wielding tremendous power. If Aphrodite were a myth and Love only a concept, then would that negate the crimes and kindnesses and songs done in Love’s name? If Christ were only ever fiction, a divine Idea, would this invalidate the social change inspired by that idea, make holy wars less terrible, or human betterment less real, less sacred? The world of ideas is in certain senses deeper, truer than reality; this solid television less significant than the Idea of television. Ideas, unlike solid structures, do not perish. They remain immortal, immaterial and everywhere, like all Divine things. Ideas are a golden, savage landscape that we wander unaware, without a map. Be careful: in the last analysis, reality may be exactly what we think it is.
Alan Moore
I don’t want to talk about me. We never talk about you. I probably don’t know anything about you. He laces his fingers into mine and rests our hands on his stomach. I move my fingertips in tiny circles and he sighs indulgently. “Sure you do. Go on, list everything.” “I know surface things. The color of your shirts. Your lovely blue eyes. You live on mints and make me look like a pig in comparison. You scare three-quarters of B and G employees absolutely senseless, but only because the other quarter haven’t met you yet.” He smirks. “Such a bunch of delicate sissies.” I keep ticking things off. “You’ve got a pencil you use for secret purposes I think relate to me. You dry clean on alternate Fridays. The projector in the boardroom strains your eyes and gives you headaches. You’re good at using silence to scare the shit out of people. It’s your go-to strategy in meetings. You sit there and stare with your laser-eyes until your opponent crumbles.” He remains silent. “Oh, and you’re secretly a decent human being.” “You definitely know more about me than anyone else.” I can feel a tension in him. When I look at his face, he looks shaken. My stalking has scared the ever-loving shit out of him. Unfortunately, the next thing I say sounds deranged. I want to know what’s going on in your brain. I want to juice your head like a lemon.
Sally Thorne (The Hating Game)
I bet Mrs Snapperly had no teeth and talked to herself, right?” said Miss Tick. “Yes. And she had a cat. And a squint,” said Tiffany. And then it all came out in a rush: “And so after he vanished, they went to her cottage and they looked in the oven and they dug up her garden and they threw stones at her old cat until it died and they turned her out of her cottage and piled u pall her old books in the middle of the room and set fire to them and burned the place to the ground and everyone said she was an old witch.” “They burned the books,” said Miss Tick in a flat voice. “Because they said they had old writing in them,” said Tiffany. “And pictures of stars.” “And when you went to look, did they?” said Miss Tick. Tiffany suddenly felt cold. “How did you know?” she said. “I’m good at listening. Well, did they?” Tiffany sighed. “Yes, I went to the cottage next day, and some of the pages, you know, had kind of floated up in the heat? And I found a part of one, and it had all old lettering and gold and blue edging. And I buried her cat.” “You buried the cat?” “Yes! Someone had to!
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Time must be such a patient fellow to put up with the monotony of each moment. Each second ticking away with ungodly precision, reminding itself that it cannot escape its own perfection. And those wretched blue bells were like a pain in my side. I waited and waited for their ring and then I cursed them when they finally came and did not sing the number of rings that would signify the end to my struggles. Each second was like a weight being added to my shoulders, asking me why I had left comfort for starvation, certainty for uncertainty, security for freedom. --From Of Mind Or Matter
Sreejit Poole
In the silence of the ticking of the clock’s minute hand, I found you. In the echoes of the reverberations of time, I found you. In the tender silence of the long summer night, I found you. In the fragrance of the rose petals, I found you. In the orange of the sunset, I found you. In the blue of the morning sky, I found you. In the echoes of the mountains, I found you. In the green of the valleys, I found you. In the chaos of this world, I found you. In the turbulence of the oceans, I found you. In the shrill cries of the grasshopper at night, I found you. In the gossamer sublimity of the silken cobweb, I found you.
Avijeet Das
Presents are made for the pleasure of the one who gives them, not for the merits of those who receive them,' said my father. 'Besides, it can't be returned. Open it.' I undid the carefully wrapped package in the dim light of dawn. It contained a shiny carved wooden box, edged with gold rivets. Even before opening it, I was smiling. The sound of the clasp when it unlocked was exquisite, like the ticking of a watch. Inside, the case was lined with dark blue velvet. Victor Hugo's fabulous Montblanc Meisterstuck rested in the centre. It was a dazzling sight. I took it and gazed at it by the light of the balcony. The gold clip of the pen top had an inscription. Daniel Sempere, 1950 I stared at my father, dumbfounded. I don't think I had ever seen him look as happy as he seemed to me at that moment. Without saying anything, he got up from his armchair and held me tight. I felt a lump in my throat and, lost for words, fell utterly silent.
Carlos Ruiz Zafón (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
Camilla Stewart stared at the rhinestone brooches pinned to a piece of blue velvet, but she was not really seeing them. All around her the dusty little junk shop was silent except for the incessant ticking of eighteen clocks on the wall. Eighteen. She'd had plenty of time to count them. She tried to keep her hands from shaking.
Barbara Cool Lee (The Honeymoon Cottage (Pajaro Bay, #1))
I am watching a girl dressed in a light green sweater, blue shorts, long black stockings; there is a necklace of some sort but her breasts are small, poor thing, and she watches her nails as her dirty white dog sniffs the grass in erratic circles; a pigeon is there too, circling, half dead with a tick of a brain and I am upstairs in my underwear, 3 day beard, pouring a beer and waiting for something literary or symphonic to happen;
Charles Bukowski (Essential Bukowski: Poetry)
LONDON. TRINITY TERM one week old. Implacable June weather. Fiona Maye, a High Court judge, at home on Sunday evening, supine on a chaise longue, staring past her stockinged feet toward the end of the room, toward a partial view of recessed bookshelves by the fireplace and, to one side, by a tall window, a tiny Renoir lithograph of a bather, bought by her thirty years ago for fifty pounds. Probably a fake. Below it, centered on a round walnut table, a blue vase. No memory of how she came by it. Nor when she last put flowers in it. The fireplace not lit in a year. Blackened raindrops falling irregularly into the grate with a ticking sound against balled-up yellowing newsprint. A Bokhara rug spread on wide polished floorboards. Looming at the edge of vision, a baby grand piano bearing silver-framed family photos on its deep black shine. On the floor by the chaise longue, within her reach, the draft of a judgment.
Ian McEwan (The Children Act)
least.” “I don’t remember you complaining.” “Yes, well, I’d only been fantasizing about it for ages.” “See, there’s a thing,” Alex points out. “You just told me that. You can tell me other stuff.” “It’s hardly the same.” He rolls over onto his stomach, considers, and very deliberately says, “Baby.” It’s become a thing: baby. He knows it’s become a thing. He’s slipped up and accidentally said it a few times, and each time, Henry positively melts and Alex pretends not to notice, but he’s not above playing dirty here. There’s a slow hiss of an exhale across the line, like air escaping through a crack in a window. “It’s, ah. It’s not the best time,” he says. “How did you put it? Nutso family stuff.” Alex purses his lips, bites down on his cheek. There it is. He’s wondered when Henry would finally start talking about the royal family. He makes oblique references to Philip being wound so tight as to double as an atomic clock, or to his grandmother’s disapproval, and he mentions Bea as often as Alex mentions June, but Alex knows there’s more to it than that. He couldn’t tell you when he started noticing, though, just like he doesn’t know when he started ticking off the days of Henry’s moods. “Ah,” he says. “I see.” “I don’t suppose you keep up with any British tabloids, do you?” “Not if I can help it.” Henry offers the bitterest of laughs. “Well, the Daily Mail has always had a bit of an affinity for airing our dirty laundry. They, er, they gave my sister this nickname years ago. ‘The Powder Princess.’” A ding of recognition. “Because of the…” “Yes, the cocaine, Alex.” “Okay, that does sound familiar.” Henry sighs. “Well, someone’s managed to bypass security to spray paint ‘Powder Princess’ on the side of her car.” “Shit,” Alex says. “And she’s not taking it well?” “Bea?” Henry laughs, a little more genuinely this time. “No, she doesn’t usually care about those things. She’s fine. More shaken up that someone got past security than anything.
Casey McQuiston (Red, White & Royal Blue)
one day, the boy with a difficult name laid with a boy who shall remain nameless in the sun & they rolled a round waiting for something to burn. the next day, the boy with the difficult name woke up in a blue sweat, walked the rim of the lake & though nothing burned, something was growing from the ashes, for mosquitos flew away from his skin, ticks latched onto his ankle & turned to smoke, weeds & willows bowed green spines to him & he swore he heard the dirt singing his name saying it right
Danez Smith (Don't Call Us Dead)
One can distinguish several types of inspiration, which intergrade, as all things do in this fluid and interesting world of ours, while yielding gracefully to a semblance of classification. A prefatory glow, not unlike some benign variety of the aura before an epileptic attack, is something the artist learns to perceive very early in life. This feeling of tickly well-being branches through him like the red and the blue in the picture of a skinned man under Circulation. As it spreads, it banishes all awareness of physical discomfort — youth’s toothache as well as the neuralgia of old age. The beauty of it is that, while completely intelligible (as if it were connected with a known gland or led to an expected climax), it has neither source nor object. It expands, glows, and subsides without revealing its secret. In the meantime, however, a window has opened, an auroral wind has blown, every exposed nerve has tingled. Presently all dissolves: the familiar worries are back and the eyebrow redescribes its arc of pain; but the artist knows he is ready.
Vladimir Nabokov
Back home, we can't kill them fast enough," he says. "Even Grahamites offer blue bills for their skins. Probably the only thing they've ever done that I agreed with." "Mmm, yes." Emiko's brow wrinkles thoughtfully. "They are too much improved for this world, I think. A natural bird has so little chance, now." She smiles slightly. "Just think if they had made New People first." Is it mischief in her eyes? Or melancholy? "What do you think would have happened?" Anderson asks. Emiko doesn't meet his gaze, looks out instead at the circling cats amongst the diners. "Generippers learned too much from cheshires." She doesn't say anything else, but Anderson can guess what's in her mind. If her kind had come first, before the generippers knew better, she would not have been made sterile. She would not have the signature tick-tock motions that make her so physically obvious. She might have even been designed as well as the military windups now operating in Vietnam—deadly and fearless. Without the lesson of the cheshires, Emiko might have had the opportunity to supplant the human species entirely with her own improved version. Instead, she is a genetic dead end. Doomed to a single life cycle, just like SoyPRO and TotalNutrient Wheat. Another shadow cat bolts across the street, shimmering and shading through darkness. A high-tech homage to Lewis Carroll, a few dirigible and clipper ship rides, and suddenly entire classes of animals are wiped out, unequipped to fight an invisible threat. "We would have realized our mistake," Anderson observes. "Yes. Of course. But perhaps not soon enough.
Paolo Bacigalupi (The Windup Girl)
But I didn’t feel safer. Maybe it had nothing to do with Australia. Maybe it was just because the clock was ticking down on our mission and we were closer to Tuvalu than we’d ever been. Still, I’d noticed that in spite of the stress, I wasn’t ticking as much as usual. Instead of blinking or gulping, I was sparking more. I wondered if it was just because I was becoming more electric or if my Tourette’s was taking a different form. The weather might have had something to do with my anxiety as well. I think I might have a bit of SAD—seasonal affective disorder—which is just an Ostin way of saying I get blue when the skies aren’t blue. And the skies were definitely not blue. I don’t think that I’d ever seen it rain so hard in my life. Not in Idaho, at least. The rain was practically horizontal. It was a challenge getting Zeus off the plane. First, we couldn’t land because the runways were backed up because of lightning striking the tarmac. Then there was no hangar for the plane—so even if we had wanted to make a run for the terminal, Zeus still had to wait for a break in the weather, which, unfortunately, didn’t come until about
Richard Paul Evans (Fall of Hades (Michael Vey, #6))
In the silence of the ticking of the clock's minute hand, I found you. In the tender silence of the night, I found you. In the fragrance of the rose petals, I found you. In the orange of the sunset, I found you. In the blue of the morning sky, I found you. In the green of the valleys, I found you. In the chaos of this world, I found you. In the echoes of the mountains, I found you. In the turbulence of the oceans, I found you. In the shrill cries of the grasshopper at night, I found you. In the echoes of the reverberations of time, I found you. In the gossamer sublimity of the silken cobweb, I found you.
Avijeet Das
In the silence of the ticking of the clock's minute hand, I found you. In the echoes of the reverberations of time, I found you. In the tender silence of the long summer night, I found you. In the fragrance of the rose petals, I found you. In the orange of the sunset, I found you. In the blue of the morning sky, I found you. In the echoes of the mountains, I found you. In the green of the valleys, I found you. In the chaos of this world, I found you. In the turbulence of the oceans, I found you. In the shrill cries of the grasshopper at night, I found you. In the gossamer sublimity of the silken cobweb, I found you.
Avijeet Das
Papaw had kind eyes and a little scratchy stubble on his cheeks that ticked when I gave him a kiss. He also had hair in his ears, and it was my job to help him trim it. He chewed tobacco from a little white bag and always kept a gold spittoon nearby. Papaw loved to sit around in his blue coveralls (the only thing I ever saw him wear) and shoot the bull with the boys. On Mamaw’s deathbed, she made us promise to make sure he always had clean coveralls. I’ll never forget my mamaw’s sewing room, filled with scraps and bolts of cloth, buttons, thread, and trimmings. In that room I felt like a little kid in the most beautiful toy store you could imagine, full of magic and possibilities. Mamaw kept busy making beautiful clothes and quilts, some of which I still have.
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
For my thirtieth birthday, I was given a watch by a dear one who assumed with cheerful lovingness that, since I had never worn a watch, I would now like to start. I smiled and appreciated, but deep down I felt uneasy. Wear a watch? Early on in my adult life I tried to wear a watch, but I didn't lke the feel of time ticking itself away on my wrist, as if in a mortal race with my own pulse. I tried to tell time by the length of light, but I was always late. I resorted to keeping the watch in my pocket, where it was easy to forget. Even now, I only wear a watch to travel and to keep appointment with friends...Fortunately, not long after I received the time piece I developed an allergy to metal and broke out in red bumps where the watch touched my wrist. Perhaps it is true I'm allergic to time itself
Louise Erdrich (The Blue Jay's Dance: A Birth Year)
The Routine… ...is not a scene from Alfonso Cuarón’s movie nor a part in Roger Waters “The Wall” Orson Welles might have come close with Kafkaesque nightmares But I beg to differ Routine is ungraspable, unexplainable It is more than just a row of robotic, faceless humanoid figures and less Panem-like It is the tick of an imaginary clock the unprecedented passing time The lure behind the lore Gravitational, earthquake-ish and magnanimous I look at the world and there it is going around in constant rhythms But here I am trapped in the tiniest corner of the tightest corners working my brains out, my fingers, my nimble soul Each to his own Each to his back David and Goliath style How do you wait when the wait is the fate of the unsure? How do you pretend to dream? How do you live in the now when the NOW is all there is to live
جيلان صلاح - Jaylan Salah (Workstation Blues)
he revealed nothing. He nodded gravely. “I suppose it might be, ma’am, but I was hired to do the job and take the risks.” “Figured I’d offer,” Thomas said, unwilling to let the matter drop. “You tell me what you figure to do, and I’ll be glad to help.” “Another time.” The marshal tasted his coffee again and looked directly at the girl. “You are new in Sentinel. Will you be staying long?” “No.” “Do you have relatives here?” “No.” He waited, but no explanation was offered. Fitz Moore was puzzled and he studied her from the corners of his eyes. There was no sound in the room but the ticking of the big, old-fashioned clock. The girl sat very still, the delicate line of her profile bringing to him a faint, lost feeling, a nostalgia from his boyhood when such women as she rode to hounds, when there was perfume on the air, blue grass, picket fences . . .
Louis L'Amour (The Strong Shall Live: Stories)
Mysterious My paper shines White, like snow, but the paper looks empty. I could decorate it with tiny spiders or stars or sketches of me looking at a blank page, but the clock ticks, and somehow I must write. I like the sight of untouched snow. Gentle, slow, silent, it drifts and swirls, layers itself, and I see a new world of mysterious, inviting shapes. I walk in its white whispers, susurrus. I drift back to this paper that feels hard on the disk, and I begin to listen- to the story I tell myself. The paper is a white, patient place, my private space for remembering, saving: spring sun on my face venting and inventing, arguing with my mother, wondering: who am I, wandering through cobwebs of old dreams, crying, sighing at people who don't see me, hoping to write music so blue listeners forget to breathe, playing the sounds, jamming with myself, changing ....into the me I can't quite see.
Pat Mora (Dizzy in Your Eyes: Poems about Love)
Lately I wake in the night, and a few panicked seconds pass in which I can't locate myself. I could tell you my name, certainly, but not which version of me I'm dealing with. Once, I was sure I was back in my teenage bed. I could almost hear the creak of its metal frame as I ticked over my timetable in my head (...). Unstable reality that it was, the illusion dissipated, and for a few floundering moments I was no one at all, just someone who remembered being that girl. Then I was me again, the me that exists now, in our blue upholstered bed with sea air surging through the window. That was unusual. Mostly I am nobody when I wake up, just a consciousness in the darkness trying to piece it all together. It is a strange, free-floating moment, an unanchoring of the self. It is an interlude, like held breath. Eventually it releases, the lungs fill, the world floods in. A reassuring upload of facts. A reboot. I am back.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
Hating the Rain She hates the ever-falling winter rain, the gray and endless humidity that bites to the bone and stings even after the hot bath and stiff struggle into bed and under the quilts, but the winter ferns, and the way they wave in a slight breeze as though happy like grandmother’s lace curtains can’t be abandoned or lived without. She hates the endless dripping like a clock ticking away life and the heavy fog that swallows light as though life itself were vanishing, but the tree frogs with their songs and their clinging to matching green like family holding together stitch her thoughts back to July picnics. She hates her complaining voice that discourages her children’s calls and encourages their urgings that she move, maybe to Florida citrus sun, but gray day softness steeps her patience and quiets her fear of loss into something like gratitude clinging like green to summer moss and this she knows: she loves the rain.
Marian Blue (How Many Words for Rain)
Laughter greeted Clint’s ears at the open doorway—rich, soft laughter, like the creamy center of a melted caramel. The kind of laughter that made you want to wrap yourself up in it and stay a while. Clint stopped in the doorway, spellbound. The boys sat on different sides of an antique four-poster bed, sunk knee-deep in patchwork quilts, sheets and what he would swear was an old fashioned feather-tick mattress. But it was the vision between the little boys that held Clint’s attention. Emma Lewis had the same rich, dark, burnt-copper hair as her sons, and the burns-if-she’s-out-in-the-sun-longer-than-one-hour skin of most redheads. Beneath the wrinkled T-shirt and jeans she’d fallen asleep in, he could tell she was neither too thin nor too heavy, just the luscious type of figure Clint decided long ago he liked on women. She also possessed that wonderful laughter that had stirred more than his heart to life. But when she raised the deepest cornflower-blue eyes to him, Clint nearly moaned. If he let himself, he could get lost in that open, clear gaze forever. “Can I help you?” The remnants of sleep in her voice brought on visions of hearing her voice after a night of endless passion.
Suzanne Ferrell
I push my eye farther into the crack, smushing my cheek. The door rattles. Her arm freezes. The needle stops. Instantly, her shadow fills the room, a mountain on the wall. “Leidah?” I hold my breath. No hiding in the wood-box this time. Before I even have time to pull my eye away, the door opens. My mother's face, like the moon in the dark hallway. She squints and takes a step toward me. “Lei-lee?” I want to tell her I’ve had a nightmare about the Sisters, that I can’t sleep with all this whispering and worrying from her—and what are you sewing in the dark, Mamma? I try to move my lips, but I have no mouth. My tongue is gone; my nose is gone. I don’t have a face anymore. It has happened again. I am lying on my back, flatter than bread. My mother’s bare feet slap against my skin, across my belly, my chest. She digs her heel in, at my throat that isn’t there. I can see her head turning toward her bedroom. Snores crawl under the closed door. The door to my room is open, but she can’t see my bed from where she stands, can’t see that my bed is empty. She nods to herself: everything as it should be. Her foot grinds into my chin. The door to the sewing room closes behind her. I struggle to sit up. I wiggle my hips and jiggle my legs. It is no use. I am stuck, pressed flat into the grain of wood under me. But it’s not under me. It is me. I have become the floor. I know it’s true, even as I tell myself I am dreaming, that I am still in bed under the covers. My blood whirls inside the wood knots, spinning and rushing, sucking me down and down. The nicks of boot prints stomp and kick at my bones, like a bruise. I feel the clunk of one board to the next, like bumps of a wheel over stone. And then I am all of it, every knot, grain, and sliver, running down the hall, whooshing like a river, ever so fast, over the edge and down a waterfall, rushing from room to room. I pour myself under and over and through, feeling objects brush against me as I pass by. Bookshelves, bedposts, Pappa’s slippers, a fallen dressing gown, the stubby ends of an old chair. A mouse hiding inside a hole in the wall. Mor’s needle bobbing up and down. How is this possible? I am so wide, I can see both Mor and Far at the same time, even though they are in different rooms, one wide awake, the other fast asleep. I feel my father’s breath easily, sinking through the bed into me, while Mor’s breath fights against me, against the floor. In and out, each breath swimming away, away, at the speed of her needle, up up up in out in out outoutout—let me out, get me out, I want out. That’s what Mamma is thinking, and I hear it, loud and clear. I strain my ears against the wood to get back into my own body. Nothing happens. I try again, but this time push hard with my arms that aren’t there. Nothing at all. I stop and sink, letting go, giving myself into the floor. Seven, soon to be eight… it’s time, time’s up, time to go. The needle is singing, as sure as stitches on a seam. I am inside the thread, inside her head. Mamma is ticking—onetwothreefourfivesix— Seven. Seven what? And why is it time to go? Don’t leave me, Mamma. I beg her feet, her knees, her hips, her chest, her heart, my begging spreading like a big squid into the very skin of her. It’s then that I feel it. Something is happening to Mamma. Something neither Pappa nor I have noticed. She is becoming dust. She is drier than the wood I have become. - Becoming Leidah Quoted by copying text from the epub version using BlueFire e-reader.
Michelle Grierson (Becoming Leidah)
Pokémon with a blue glow surrounding it in your menu simply indicates that you have caught this Pokémon in the last 24 hours. If you tap on a Pokémon, you can check its name, HP below the Pokémon, CP above the Pokémon, various traits, different attacks and the location and date you caught this particular Pokémon. You can rename your Pokémon by tapping the pencil next to its name.   You may also want to give your Pokémon a power up to boost its maximum health and CP, and thus making your Pokémon more powerful. This will cost you Stardust and Pokémon candy. If you wish to get rid of a Pokémon, you will want to tap the “Transfer” button in order to transfer your Pokémon to the Professor. Note that once you transfer a Pokémon to the Professor, this Pokémon will be lost forever and cannot be retrieved.   The last category features your items. In your items you will find all the items with their quantities you currently own. Pressing the trash allows you to toss an item if you wish to do so. Your maximum capacity is 350 items, but you can buy an upgrade in the Shop if you wish to expand your capacity.   An additional feature of the main menu is the Settings panel, which you will find in the upper right of your screen. If you open up the Settings, you can toggle the Music, Sound Effects, Vibration and Battery Saver. You may also revisit Professor Willow if you missed any of his speeches using the Quick Start option. Another feature is being able to sign out. This could be useful in case you wish to log in via another account. You can check the version of the application in the Settings too.   Toggling the Battery Save option will allow you to enter the Battery Save state. To enter this state simply tick the box and hold your device upside down. Your device will enter a battery saving state, indicated by a dark screen featuring the Pokémon Go logo, until held in its authentic state again. This feature is especially useful when your device is below 5% of its battery life. To utilize the remaining battery life to the fullest extent, simply hold your device upside down and put your device where it’s most comfortable for you. Mind that you may want to have your device in a position where you can still notice vibration, because whenever a Pokémon approaches you, your device will notify you through vibration, if you’ve enabled vibration in the Settings. Whenever your device vibrates, you can turn around your device with ease to continue playing without having to unlock your device. Note that you will not be notified when passing a gym or PokéStop.   The
Jeremy Tyson (Pokemon Go: The Ultimate Game Guide: Pokemon Go Game Guide + Extra Documentation (Android, iOS, Secrets, Tips, Tricks, Hints))
In my youth . . . my sacred youth . . . in eaves sole sparowe sat not more alone than I . . . in my youth, my saucer-deep youth, when I possessed a mirror and both a morning and an evening comb . . . in my youth, my pimpled, shame-faced, sugared youth, when I dreamed myself a fornicator and a poet; when life seemed to be ahead somewhere like a land o’ lakes vacation cottage, and I was pure tumescence, all seed, afloat like fuzz among the butterflies and bees; when I was the bursting pod of a fall weed; when I was the hum of sperm in the autumn air, the blue of it like watered silk, vellum to which I came in a soft cloud; O minstrel galleons of Carib fire, I sang then, knowing naught, clinging to the tall slim wheatweed which lay in a purple haze along the highway like a cotton star . . . in my fumbling, lubricious, my uticated youth, when a full bosom and a fine round line of Keats, Hart Crane, or Yeats produced in me the same effect—a moan throughout my molecules—in my limeade time, my uncorked innocence, my jellybelly days, when I repeated Olio de Oliva like a tenor; then I would touch the page in wonder as though it were a woman, as though I were blind in my bed, in the black backseat, behind the dark barn, the dim weekend tent, last dance, date's door, reaching the knee by the second feature, possibly the thigh, my finger an urgent emissary from my penis, alas as far away as Peking or Bangkok, so I took my heart in my hand, O my love, O my love, I sighed, O Christina, Italian rose; my inflated flesh yearning to press against that flesh becoming Word—a word—words which were wet and warm and responsive as a roaming tongue; and her hair was red, long, in ringlets, kiss me, love me up, she said in my anxious oral ear; I read: Milton! thou shouldst be living at this hour; for I had oodles of needs, if England didn't; I was nothing but skin, pulp, and pit, in my grapevine time, during the hard-on priesthood of the poet; because then—in my unclean, foreskinned, and prurient youth—I devoutly believed in Later Life, in Passion, in Poetry, the way I thought only fools felt about God, prayer, heaven, foreknowledge, sin; for what was a poem if not a divine petition, a holy plea, a prophecy: [...] a stranger among strangers, myself the strangest because I could never bring myself to enter adolescence, but kept it about like a bit of lunch you think you may eat later, and later come upon at the bottom of a bag, dry as dust, at the back of the refrigerator, bearded with mold, or caked like sperm in the sock you've fucked, so that gingerly, then, you throw the mess out, averting your eyes, just as Rainer complained he never had a childhood—what luck!—never to have suffered birthpang, nightfear, cradlecap, lake in your lung; never to have practiced scales or sat numb before the dentist's hum or picked your mother up from the floor she's bled and wept and puked on; never to have been invaded by a tick, sucked by a leech, bitten by a spider, stung by a bee, slimed on by a slug, seared by a hot pan, or by paper or acquaintance cut, by father cuffed; never to have been lost in a crowd or store or parking lot or left by a lover without a word or arrogantly lied to or outrageously betrayed—really what luck!—never to have had a nickel roll with slow deliberation down a grate, a balloon burst, toy break; never to have skinned a knee, bruised a friendship, broken trust; never to have had to conjugate, keep quiet, tidy, bathe; to have lost the chance to be hollered at, bullied, beat up (being nothing, indeed, to have no death), and not to have had an earache, life's lessons to learn, or sums to add reluctantly right up to their bitter miscalculated end—what sublime good fortune, the Greek poet suggested—because Nature is not accustomed to life yet; it is too new, too incidental, this shiver in the stone, never altogether, and would just as soon (as Culp prefers to say) cancer it; erase, strike, stamp it out— [...]
William H. Gass (The Tunnel)
Great, but maybe you should mind your own damn business,” I snap. He’s standing there in his normal, causal stance with his hands in his pockets, his stupid sexy glasses hanging off his stupid sexy nose. “Wow, someone’s uptight this morning. Monday blues? You know, I know of something that can ease that tension.” God the nerve. How does he get away with it? I take a few menacing steps towards him, but he never drops that smile. “You know. You may have everyone fooled here. But not me. Ohhhh no! I see right through you. The ‘I’m just this nice innocent science teacher, who compliments old ladies’ cardigans and plays with baking soda and test tubes’. But nope. I know the real you. The condescending type. Thinks all highly of himself. With his big bad muscles and fake—” Peter grabs for me, pulling me into his classroom. The door shuts behind him and my back is thrown against the wall and his mouth is on mine. I spend a half-second thinking of fighting him off before I fight him in a different way, kissing him just as aggressively. God this is so hot. What is wrong with me!? His movement is quick and brutal. He doesn’t bother asking, but takes, as he spreads my legs with his knees, his hands hiking up my skirt. His mouth breaks from mine, his breath caressing my earlobe as he speaks. “We have exactly three minutes before that bell rings. Now you can waste it, or you can enjoy what I’m most definitely going to.” I don’t say a word, because his hand on my thigh is burning a hole through my skin. My silence is his green light, and he raises his hand, pushing my panties aside. The smirk on his face has a lot to do with the realization that I’m already soaking wet. He uses my juices to spread me open then pushing a thick finger inside. His mouth back on mine abusing my lips with his touch while his finger fucks me, in and out, the pleasure, heavenly. “Two minutes,” he says between nips and licks, his finger pulling out and two entering me. God, this is messed up, but so hot. I’m so turned on; my hands are pulling at his hair. “One minute,” he moans into my mouth and I find myself riding his hand thrust for thrust. It’s like I can hear the seconds ticking by, knowing that if I don’t come before that minute ends I will die. “Thirty seconds,” he murmurs across my lips and his pressure increases, his pumps wild, my back riding up and down the wall. He starts counting down from ten, the numbers getting louder and louder in my brain as he slams a third finger inside me and hooks, putting pressure on just the right spot. I explode. I squeeze his fingers so tight and come all over his hand, just as he grunts out the number one. We both hear the bell sound and he pulls out, adjusting my skirt. Taking his fingers into his mouth, he sucks off my juices, never taking his eyes off me. Before I can say anything, the doorknob begins to jiggle. Light appears from the outside and the door opens as a sea of children scatter in. “Thank you Ms. Gretchen, I will most definitely try out three finger servings of baking soda in today’s explosion experiment.” Smiling heftily at me, “But, you should really be getting to class now. The precious youth is waiting for you.” With that he holds his door open, and in a daze, I walk past him. What the fuck…
J.D. Hollyfield (Passing Peter Parker)
Mysterious My paper shines white, like snow, but the paper looks empty. I could decorate it with tiny spiders or stars or sketches of me looking at a blank page, but the clock ticks, and somehow I must write. I like the sight of untouched snow. Gentle, snow, silent, it drifts and swirls, layers itself, and I see a new world of mysterious, inviting shapes. I walk in its white whispers, susurrus. I drift back to this paper that feels hard on the desk, and I begin to listen– to the story I tell myself. The paper is a white, patient place, my private space for remembering, saving, spring sun on my face, venting and inventing, arguing with my mother, wonder: who am I, wandering through cobwebs of old dreams, crying, sighing at people who don't see me, hoping to write music so blue listeners forget to breathe, playing the sounds, jamming with myself, changing into the me I can't quite see.
Pat Mora (Dizzy in Your Eyes: Poems about Love)
the right kind of a clock. One that did not hurry the hours away but ticked them off deliberately.
L.M. Montgomery (The Blue Castle)
spent the rest of the afternoon in my room. A faucet was ticking in the bathroom as loudly as a mechanical clock, with the same sense of urgency and waste. I tried to tighten the
James Lee Burke (The New Iberia Blues (Dave Robicheaux #22))
5th May 2016 The first final day 10.39 p.m. –March train station, England Eight minutes. Chris looked up at the analogue dials of the train station clock, its ticking unperturbed by what was about to happen. It read ten thirty-nine. He stood and watched the seconds pass by slowly. Eight minutes, that was all he had to wait. Looking around the station he noted how dilapidated it was. The benches that were once sky blue were now covered with an assortment of profanities –as were the walls behind them. Pictures of male genitals and insults to people’s mothers were lit by a dull orange light in the roof of the old station and the flickering of a half-empty vending machine. The old Chris might have had an opinion about it. Not now. Not anymore. Instead, reading the walls
Darren O'Sullivan (Our Little Secret)
Liking yourself is a radical act,’ Clem had instructed Jo and myself. ‘Never more so than when you’ve had a crap time from a man.’ So when you get turned down for a second date, when you find out you were one of seven options, when your texts have the Read receipt, when the WhatsApp shows two blue ticks and your Facebook messages say SEEN – Clem says do the opposite of wallowing. She prescribes: spend an entire day treating yourself as you’d wish to be treated. Take yourself for margaritas, see a film you fancy, have a long walk. Buy something frivolous which brings you joy, order a takeaway. Get sheets with high thread count and lie like a starfish on them, naked. ‘It’s like aggressive hygge. Celebrate how great you are and what a nice time you have by yourself. Refuse to partake in the self-loathing we’re virtually commanded to, in this sick society.
Mhairi McFarlane (Don't You Forget About Me)
And at that moment, that very moment, in dances Tiffany Aching,” said Granny Weatherwax. “A witch who won’t wear black. No, it’s blue and green for her, like green grass under a blue sky. She calls to the strength of her hills, all the time. An’ they calls to her! Hills that was once alive, Miss Tick! They feels the rhythm of the Dance, an’ so in her bones does she, if she did but know it. And this shapes her life, even here! She could not help but tap her feet! The land taps its feet to the Dance of the Seasons!
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
Red Elephant" When am I supposed to say so long? When am I supposed to say so long? When I fall in love 'fore dusk is dawn When you take my hand across the lawn With the eyes so sweet they're like a fawn Red elephant is wet & long... How am I supposed to wash you off? Rungs of bad poems I've hacked & coughed But I have to spare a breath for you Which I'll take, before we make anew Our hearts will take a stroll for two Our feet will take the avenue & Walk in unison, so cute Red elephant is turning blue Why am I here when you're over there? Let's meet at the fountains In Dundas Square Who am I supposed to be with you? I'll wait 'til you say & pretend I knew Because if it's true that walls can talk How mine would brag of tears I've sobbed When thinking of the way we walked Along the paths of sideway chalk Forever under ticking clock Where you & I are free to flock What can I write when I know it's wrong? Slapping my knee to my own damn song Where can we go when the sinking stops? To the pit of my chest As it drops and drops... Put your head upon my chest, it breathes & My fingers through your hair they weave & Your shoulders are the perfect sea In which I get lost invariably Oh the elephant is up to sea If it meets the peach fish underneath & When I am you and you are me We are stirred as spoons in lover's tea
Born Ruffians
In portraiture I look for people that I recognise - 'Look, it's Uncle Tony' - or for the faces of film stars. The Madame Tussaud's school of art appreciation. In realist works I look for detail; 'Look at the eyelashes!' I say, in idiotic admiration at the fineness of the brush. 'Look at the reflection in his eye!' In abstract art I look for colour - 'I love the blue' as if the works of Rothko and Mondrian were little more than immense paint charts. I understand the superficial thrill of seeing the object in the flesh, so to speak; the sightseeing approach that lumps together the Grand Canyon, the Taj Mahal and the Sistine Chapel as items to tick off. I understand rarity and uniqueness, the 'how much?' school of criticism.
David Nicholls
If and when I found him and he hadn’t got his danger fix, he’d be way more than just disgruntled. More like royally ticked off. Not the best time to share my recent revelation. One that shocked the heck out of me. One I wasn’t sure how to phrase. “Jake, you’re the love of my life.” Ugh. “You complete me.” Too Jerry Maguire. “I want to spend the rest of my life with you.” Gawd, no. I felt my lip curl as I pictured him fixing his intense blue eyes on mine, waiting for me to explain. As if I could. This sudden about-face didn’t even make sense to me. I just wanted him, dammit, even with his insane stunts, like hang glider tag.
Betsy Cook Speer
A country Sabbath is suggestive of rest and peace and quiet--sleepy blue skies, shadows golden and green, sunny fields, and the pink and snow of apple blossoms. June is at her height of radiant loveliness now. What a pity it is such a short time. I am here in my old room--my little absolute kingdom. Here I read, write and dream. My favourite pictures adorn the walls, my well read books are on their shelves and my clock ticks me cheerful company.
L.M. Montgomery
Tick could feel his eyes start to droop again, so he pressed the stereo unit and turned up the volume. His and Sally’s favorite song was burned on every inch of the CD, so he could play it over and over. “Mustang Sally.” He started to sing along with Wilson Pickett at the top of his lungs, “Ride, Sally, ride!” He was two streets away from where he lived on David Court when he saw the strobe lights shooting upward to the sky. Blue, red, and white just like it was the Fourth of July. But it wasn’t the Fourth of July. He knew what the lights meant. Good cop that he was, he knew he was going to have to stop to offer any assistance if needed. Sally, the kids, and sleep would have to wait just a bit longer. He turned off the CD player and turned the corner, and his world came to a screeching halt. He saw the barricade, the yellow tape, the crazy arcing lights, the crowds of people, and too many police cars to count. All parked in front of his house, in
Anonymous
You’ve got your hands full with Ayla.  The clock is ticking Pierce.  You’re the only one that can’t hear it yet.” “I’ve got perfect hearing.” Pierce looked over at his companion who was watching him and wondering what he’d say next.  He’d stopped just short of insulting her on several occasions this evening and she wondered when he’d cross the line.  He was a Sloan and it was coming, she could feel it.  “Tell them Ayla.  Tell them how things are between us.  They obviously don’t believe me.” God only knows what possessed her. She bowed in deference to Pierce and then smiled serenely at Deacon and Dorothy. “Gladly Pierce.” She winked at Dorothy before saying, “I wouldn’t marry a Sloan if every other man on the planet had the last name of Marconi.” Dorothy erupted in a giggling fit and Deacon fought to stay in control of his own laughter. Pierce was the only one at the table that found no humor in her remark.  His eyes darkened to a violet shade of blue and he tilted his head slightly towards her.  Ayla knew that look and knew it well.  Her skin grew hot and her hands itched to touch him.  She wouldn’t though.  Not unless he gave her permission.  Even though he’d never caused her one second of pain, he was still Dominant to her Submissive.  He might be her big Teddy Bear, but she still called him Sir.
Jo Willow (Designing Woman (The Sloan Brothers Book 2))
The figure is in a wash of blue because it is dark. His hands are on the edge of the table, fiddling with nothing at all, a nervous tick from when he was alive. He finally looks at me under the thatch of his hair, eyebrows raised in a somewhat worried expression. “Hi,” he says, close to a whisper. It stays silent because I can’t move my damn mouth. He tilts his head ever so slightly. “Nita?” “I think,” I manage, “I need a drink.
Mahika Mukherjee (Another Word for Goodbye)
A genuine person or celebrity doesn't need a certificate or blue tick. Such ways are blackmailing your passion, emotion, or willingness. Criminals and money-mongers misuse and try to earn in an ugly and easy way. This trend also discriminates against others who cannot afford such an awkward notion.
Ehsan Sehgal
Note: I am sure that now they will approach Medium to stop me from writing. Let’s see what happens. “A genuine person or celebrity doesn’t need a certificate or blue tick. Such ways are blackmailing your passion, emotion, or willingness. Criminals and money-mongers misuse and try to earn in an ugly and easy way. This trend also discriminates against others who cannot afford such an awkward notion.” Istay determined every day. I cannot tolerate liars and those who misuse their authority and attempt to victimize the righteous for their will and purpose in an illegitimate way to please their godfathers of the mafia and international criminal intelligence agencies. I am pretty sure, after reviewing again the replies from the Twitter team that mirror and endorse the Twitter team, that someone works for intelligence agencies or criminal and mafia groups. Since the beginning months of this year, I have been continuously victimized without specifying why I was posting the wrong things. I am going to publish a few emails that will exhibit the picture of how I was being victimized, harassed, and even threatened about things that I was neither aware of nor that the team explained. I was already under the attacks of criminals and even the gang of filthy-minded gays who were suffering from mental issues and sexual frustration; knowing it, I am not gay. In the Twitter team, the presence of such ones is not excluded since I felt a similar style of victimization. How do they dare to adopt such mean tactics to gain their will and desire? This reply email shows that a screenshot article has been displayed since 2020. After four years, it became an issue for someone in the Twitter team who continued to lock my account and tag the restriction flag. Text of my emails; “I am still uncertain about what to post and what not to post. You didn’t specify why my account was locked, whether it was because of the content I removed or something else. Is it permissible for me to share media and social media links in which my quotes are mentioned? My writings do not contain any personal attacks; nonetheless, thank you.” “You locked my Twitter, @EhsanSehgal, again; you know why you are doing it. Now, I can say only goodbye to my locked account and enjoy your terror. It is not a protection of my account; it is victimization. No more requests to unlock my account. Someone of angelic character will do it without my request. Shame on you all, involved ones.” Team replied; Hello, “We had a look at your account, and it appears that everything is now resolved! If that’s not the case, please reply to this message, and we’ll continue to help. Thanks,” X Support This was a screenshot article from Wikipedia about me on my profile that was illegitimately removed by such people as the Twitter team forced me to remove. Despite that, they continued locking my account to identify and provide an ID or passport. I did that twice and identified several times, but the team seemed not satisfied since their goal was something else; they would not approach nor be able to do it. To stop such criminal torture, I deactivated my account and decided never to come back there again.
Ehsan Sehgal
Vodka,” Maggie said airily, ticking the ingredients off on her fingers. “Coconut rum. Blue curaçao. Tequila. Pineapple juice. A splash of regular rum. Do you like it?
Emily Henry (Beach Read)
Now, I stood beside him ticking through the past few months of success and failure. Toni Cade Bambara and Ishiguro, yes, all of Murakami, yes, Philip Roth, James Baldwin and Colson Whitehead (Get out. Read these a hundred times). Yaa Gyasi, yes, Rachel Kushner, yes, and W. G. Sebald, but no more mysteries because he complains that he becomes compulsive. A month ago, I gave him Denis Johnson’s Angels, which he liked well enough. He tried Tree of Smoke and excoriated Johnson for enervating him with the evidence of hard research, although, he said, he could see where in fact the book was pretty good. I had then pressed Train Dreams into his hands. He came back and faced me, teeth gritted. ‘What else you got by this guy?’ Which told me he’d been extremely moved. This lasted a week. He has now finished all of Johnson. We are in trouble. If I sell him a book he dislikes, my favorite customer will return with an injured air, his voice cheated and tattered. What shall it be? I pull The Beginning of Spring, by Penelope Fitzgerald, off the shelf. He grumpily buys it. Much later that day, just before the store closes, Dissatisfaction returns. The Beginning of Spring is a short book, after all. He shuts his hands violently on a copy of Fitzgerald’s masterpiece, The Blue Flower, and bears it away.
Louise Erdrich (The Sentence)
A strange calmness had overcome her with her realization that she no longer cared. A tension inside her head had been released, an enigmatic, ticking mechanism had ceased to operate, and now she floated in the pool of circumstances that had drowned her desires, was held fast in it, like scum on the surface of a pond.
John Franklin Bardin (Devil Take the Blue-tail Fly)
Good afternoon, boys!” called an old man seated in a rocking chair on the front porch. “Hot weather.” “Sure is,” Frank agreed. “Are you Mr. Nichols?” “Yes sirree.” The old man was very thin and weak looking, but his light-blue eyes were lively. “I’ve been Henry Nichols seventy-nine years, now; eighty next April. Never minded it either, ‘cept when I was young. Then I used to wish I was somebody famous—” “Henry!” called a voice just inside the screen door. “That’s enough!” A small, white-haired woman stood there. “What is it you boys want?
Franklin W. Dixon (While the Clock Ticked (Hardy Boys, #11))
But so much has gone wrong…” “And a lot went right.” I made a face at her. “You graduated high school,” she said, ticking it off on her fingers. “You got your first kiss. Went to your first dance. Proved to some douchebags how fucking awesome you are. You reunited with Tracy, you helped Pen, you helped your mom…” I sighed. “You fell in love for the first, the second, and I’m pretty sure the third time.
Heather Long (Money Shot (Blue Ivy Prep #4))
left alone. The camel-ticks, which had drunk themselves (with blood from our tethered camels) into tight slaty-blue cushions, thumbnail wide, and thick, used to creep under us, hugging the leathern underside of the sheepskins: and if we rolled on them in the night, our weight burst them to brown mats of blood and dust.
T.E. Lawrence (Seven Pillars of Wisdom)
Off to the right, the flat lake and majestic foothills of the Catskill Mountains glowed in the soft morning light like a priceless Hudson River School landscape come to life. Mary Catherine stood for a moment, mesmerized by the exhilarating vista, the distant golden hills, the mile-long expanse of silvery blue water, smooth and
James Patterson (Tick Tock (Michael Bennett, #4))
Your only real control is to withhold your expertise. And although withholding expertise is the only leverage real experts have, it can be a powerful one, indeed. Let me show you how this relates to the second basic component of positioning: Good positioning makes you noninterchangeable. Imagine a somewhat difficult conversation with one of your existing clients. You’re uncomfortable with the direction they want to pursue, particularly since you know they’ll be holding you partly responsible for the results. You make your case carefully but passionately. You feel strongly that this is a mistake, for all sorts of reasons. The client presses and presses, but you don’t relent. There’s an honest disagreement. It’s not that you don’t know where the other party stands. No, you are both clear about that and just disagree. Eventually, the client says — after three years of working together, no less — that they are noticing an increasingly different perspective on how to impact the future and maybe it’s time for a fresh approach. Essentially they want to sever the relationship and move on. This usually doesn’t come out of the blue. It’s likely to have built up over time until the client gets to this place where they seem to be looking for opportunities to disagree with you. Nevertheless, the expert (you) has reached a turning point with the other controlling party (the client). As this crack in the surface widens, and it looks less reparable than earlier disagreements, the client entertains the possibility of replacing your expertise. They’ve surveyed the landscape of firms like yours and they aren’t that worried about finding an expert who will be a little more cooperative and helpful (as they read the disagreement). So what has seemed increasingly likely does, in fact, occur, and the client severs the relationship with your firm. That point is when the stopwatch starts. Tick, tick, tick. It keeps running until that same client finds a suitable (or even better) substitute for your expertise. But here’s the thing: The client is the one who defines success in that venture. When you hear about who they found to replace your firm, you may scoff and mutter about how inadequate the substitute expert is, but you don’t get to do that. “They hired who? [Snicker.] I saw their work for XYZ and was not impressed. The client will quickly find out that we weren’t so bad after all and that what we’ve been saying makes sense. There will be an initial honeymoon and then it’ll be just like it was with us.” It doesn’t matter.
David C. Baker (The Business of Expertise: How Entrepreneurial Experts Convert Insight to Impact + Wealth)
A unique trade: It was a free blue tick Twitter, and now it is a paid or prepaid blue tick Twitter. Buy and become blue.
Ehsan Sehgal
Since I stand as a fake one, despite that, I want Twitter should verify the Fakeness with a blue tick as a genuine fake. Can I qualify if I also create a fake website to prove precisely that?
Ehsan Sehgal
Since I am a fake one; despite that, I want Twitter should verify the Fakeness with a blue tick, as a genuine fake. Can I qualify if I also create my fake website to prove precisely that?
Ehsan Sehgal
Since I stand as a fake one; despite that, I want Twitter should verify the Fakeness with a blue tick, as a genuine fake. Can I qualify if I also create a fake website to prove precisely that?
Ehsan Sehgal
It was perhaps the sound of Smith, giving himself a body in the darkness; or Faubion, coming up out of the unfathomable with a short sigh; or Silberstein, muttering as he clove the cobweb of oblivion in which he found himself enshrouded; or Cynthia, waking from granite into starlight. It was perhaps only the little sound of the atom falling in his mind, the atom falling like a star from one constellation to another, molecular disaster, infinitesimal tick, which, in its passage, created, illuminated and then destroyed this night, this ship, the corposants.
Conrad Aiken (Blue Voyage)
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and Rapskal, who had attached himself to them like a tick on a monkey, added enthusiastically, “My blanket’s blue. My favorite color. How lucky is that?” “They’re all blue,” Tats replied, and Rapskal nodded again. “Like I said. I’m lucky my favorite color is blue.” Thymara tried not to roll her eyes. It was well known that some who were heavily marked by the Rain Wilds had mental problems as well. Rapskal might be a bit simple, or simply have an aggressively optimistic outlook.
Robin Hobb (Dragon Keeper (Rain Wilds Chronicles #1))
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