Blue Stripes Quotes

We've searched our database for all the quotes and captions related to Blue Stripes. Here they are! All 100 of them:

Blue does not go with everything," Will told her. "It does not go with red, for instance." "I have a red and blue striped waistcoat," Henry interjected, reaching for the peas. "And if that isn't proof that those two colors should never be seen together under Heaven, I don't know what is.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
I love you," Ty said out of the blue, his voice almost sing-song. Zane laughed. "You're drunk." "I loved you before I was drunk.
Abigail Roux (Stars & Stripes (Cut & Run, #6))
Do you know that moment when you paint a landscape as a child and, when you’re maybe under seven or something, the sky is just a blue stripe across the top of the paper? And then there’s that somewhat disappointing moment when the teacher tells you that the sky actually comes down in amongst all the branches. And it’s like life changes at that moment and becomes much more complicated and a little bit more boring, as it’s rather tedious to fill in the branches…
Alan Rickman
Let me guess, Jessie. You ran across some poor woman in the park who had the misfortune of wearing a gown that clashed with yours, so you slit her throat with that clever little parasol of yours. Do I have it right?” Jessamine bared her teeth at him. “You’re being ridiculous.” “You are, you know,” Charlotte told him. “I mean, I’m wearing blue. Blue goes with everything,” Jessamine went on. “Which, really, you ought to know. You’re vain enough about your own clothes.” “Blue does not go with everything,” Will told her. “It does not go with red, for instance.” “I have a red and blue striped waistcoat,” Henry interjected, reaching for the peas. “And if that isn’t proof that those two colors should never be seen together under Heaven, I don’t know what is.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
Surely, he was all real things to us: our blue-striped unicorn, our double-lensed burning glass, our consultant genius, our portable conscience, our supercargo and our one full poet.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
Bubble-gum angels swooped from top margins, or scraped their wings between teeming paragraphs. Maidens with golden hair dripped sea-blue tears into the books spine. Grape-colored whales spouted blood around a newspaper item (pasted in) listing arrivals to the endangered species list. Six hatchlings cried from shattered shells near an entry made on Easter. Cecilia had filled the pages with a profusion of colors and curlicues, Candyland ladders and striped shamrocks.
Jeffrey Eugenides (The Virgin Suicides)
The stars and stripes were fluttering bright against the rain, clear blue overhead, and their minds were saying the words before their ears heard them.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
How then does light return to the world after the eclipse of the sun? Miraculously. Frailly. In thin stripes. It hangs like a glass cage. It is a hoop to be fractured by a tiny jar. There is a spark there. Next moment a flush of dun. Then a vapour as if earth were breathing in and out, once, twice, for the first time. Then under the dullness someone walks with a green light. Then off twists a white wraith. The woods throb blue and green, and gradually the fields drink in red, gold, brown. Suddenly a river snatches a blue light. The earth absorbs colour like a sponge slowly drinking water. It puts on weight; rounds itself; hangs pendent; settles and swings beneath our feet.
Virginia Woolf (The Waves)
He grimaced and went after her. “I’m not a trainer. Just spent a lot of time working out.”  “Misspent youth, clearly.” She held the door open, standing just outside.  “My application to princess school was rejected.” Callan exited the building and fell into step alongside her. “Working out was how I coped.” Sunlight peeked out from behind striped clouds and lit the early-morning sky. Autumn weather chilled the perspiration on his skin.  “Such a shame.” Meridian glanced up at him out of the corner of her eye.  “What is?”  “That you didn’t go to princess school. Could have learned some manners.” Her blue-green eyes sparked in the sunlight. And her mouth . . . Her lips set in some smart-looking, lopsided grin, with a small dimple.  I should definitely kiss that look off her face. “Overrated. Inefficient. And I look terrible in a tiara.
J. Rose Black (Losing My Breath)
Raoden regarded himself in a small piece of polished steel. His shirt was yellow dyed with blue stripes, his trousers were bright red, and his vest a sickly green. Over all, he looked like some kind of confused tropical bird. His only consolation was that as silly he looked, Galladon was much worse. The large, dark-skinned Dula looked down at his pink and light green clothing with a resigned expression. "Don't look so sour, Galladon." Raoden said with a laugh. "Aren't you Dulas supposed to be fond of garish clothing?“ "That's the aristocracy—the citizens and republicans. I'm a farmer; pink isn't exactly what I consider a flattering color."Then he looked up at Raoden with narrow eyes. "If you make even one comment about my resembling a kathari fruit, I will take off this tunic and hang you with it." Raoden chuckled. "Someday I'm going to find that scholar who told me all Dulas were even-tempered, then force him to spend a week locked in a room with you, my friend.
Brandon Sanderson (Elantris (Elantris, #1))
Hair brushed and face washed, Holly put her jeans and top on, a plain, blue, cotton shirt with cute thin stripes. She had no bra because she had no boobs. She didn’t even have her period yet. Such a little kid. The other girls talked a lot about bras and boobs and periods.
Michael Grigsby (Segment of One)
Matthew sighed as he set the bottle on the mantel. “You know what they say,” he said, as he and James left the room and began to wend their way back toward the party. “Drink, and you will sleep; sleep, and you will not sin; do not sin, and you will be saved; therefore, drink and be saved.” “Matthew, you could sin in your sleep,” said a languorous voice. “Anna,” said Matthew, sagging against James’s shoulder. “Have you been sent to fetch us?” Lounging against the wall was James’s cousin Anna Lightwood, gorgeously dressed in fitted trousers and a pin-striped shirt. She had the Herondale blue eyes, always disconcerting for James to see, as it felt a bit as if his father were looking at him. “If by ‘fetch,’ you mean ‘drag you back to the ballroom by any means possible,’  ” Anna said. “There are girls who need someone to dance with them and tell them they look pretty, and I cannot do it all on my own.” The musicians in the ballroom suddenly struck up a tune—a lively waltz. “Crikey, not waltzing,” said Matthew, in despair. “I loathe waltzing.” He began to back away. Anna seized him by the back of the coat. “Oh, no, you don’t,” she said, and firmly herded both of them toward the ballroom.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
It’s like watching a James Bond movie. Morpheus—in a black trench-coat-style blazer that hangs to his thighs, gray tweed pants, a dark gray vest, skinny red tie, and black pin-striped dress shirt—could pass for a punk-fae secret agent who’s captured his villain. His thick blue waves touch his shoulders from under a gray tweed flat cap, and his wings drape down his back and across the floor, fluttering sporadically as he keeps his balance against Jeb’s resistance.
A.G. Howard (Unhinged (Splintered, #2))
Magnus had animated one of his magnificent Chinese fans, and it flapped ineffectively at him, barely stirring the breeze. It was, if he was completely honest with himself (and he did not want to be), a bit too hot for this new striped blue-and-rose-colored coat, made of taffeta and satin, and the silk faille waistcoat embroidered with a scene of birds and cherubs. The wing collar, and the wig, and the silk breeches, the wonderful new gloves in the most delicate lemon yellow . . . it was all a bit warm. Still. If one could look this fabulous, one had an obligation to. One should wear everything, or one should wear nothing at all.
Cassandra Clare (The Bane Chronicles)
I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles. This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear. But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God. ...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
I’m trying to paint an underwater ocean scene. It’s just not working. My queen angelfish is supposed to have these bright yellow eyes and electric-blue stripes along the edge of her fin. Instead, it looks like I’m trying to paint a fried egg with some blue bacon. Maybe I can pass it off as postmodern.
Susane Colasanti (Something Like Fate)
I don't care a hang for any cat that hasn't stripes.
L.M. Montgomery (The Blue Castle)
For the wood was full of light, entirely different from the light she was used to. It was green and amber and alive, quivering in splotches on the padded ground, fanning into sturdy stripes between the tree trunks. There were little flowers she did not recognize, white and palest blue; and endless, tangled vines; and here and there a fallen log, half rotted but soft with patches of sweet green-velvet moss.
Natalie Babbitt (Tuck Everlasting)
It turns out, my suitcase was vibrating on departure from Dulles, according to the security task force guy, so the police took it off the flight. Everything was in that bag. My contact lens stuff. One red tie with blue strips. One blue tie with red stripes. These are regimental stripes, not club tie stripes. And one solid red tie.
Chuck Palahniuk (Fight Club)
When I take my hand out of this blanket," he thought, "my nail will be grown back, my hands will be clean. My body will be clean. I'll have on clean shorts, clean undershirt, a white shirt. A blue polka-dot tie. A gray suit with a stripe, and I'll be home, and I'll bolt the door. I'll put some coffee on the stove, some records on the phonograph, and I'll bolt the door. I'll read my books and I'll drink coffee and I'll listen to music, and I'll bolt the door. I'll open the window, I'll let in a nice, quiet girl--not Frances, not anyone I've ever known--and I'll bolt the door. I'll ask her to read some Emily Dickinson to me--that one about being chartless--and I'll ask her to read some William Blake to me--that one about the little lamb that made thee--and I'll bolt the door. She'll have an American voice, and she won't ask me if I have any chewing gum or bonbons, and I'll bolt the door.
J.D. Salinger (A Boy in France (Babe Gladwaller, #2))
Daemon poked me in the back with his pen. Lesa’s brows arched, but she wisely said nothing as I twisted around. “Yes?” His half grin was all too familiar. “Reindeer socks today?” “No. Polka dots.” “Sock mittens?” “Regular”, I said, fighting a stupid grin. “I’m not sure how I feel about that.” He tapped his pen on the edge of his desk. “Regular socks just seem so boring after seeing the reindeer socks.” Lesa cleared her throar. “Reindeer socks?” “She has these socks that have reindeers on them and are kind of like mitten for the toes.” He explained. “Oh, I have a pair like that,” Carissa said, grinning. “But mine have stripes on them. Love them in the winter.” I passed Daemon a smug look. My socks were cool. “Am I the only person who is wondering how you saw her socks”? Lesa asked. Carissa punched her on the arm. “We live next door to each other,” he reminded her. “I see lots of things.” I shook my head frantically. “No, he doesn’t. He hardly sees anything.” “Blushing,” he said, pointing at my cheeks with the blue cap of his pen.
Jennifer L. Armentrout (Onyx (Lux, #2))
Above his head at street level, he saw an angled aileron of a scarlet Porsche, its jaunty fin more or less at the upper edge of his window frame. A pair of very soft, clean glistening black shoes appeared, followed by impeccably creased matt charcoal pinstriped light woollen legs, followed by the beautifully cut lower hem of a jacket, its black vent revealing a scarlet silk lining, its open front revealing a flat muscular stomach under a finely-striped red and white shirt. Val’s legs followed, in powder-blue stockings and saxe-blue shoes, under the limp hem of a crêpey mustard-coloured dress, printed with blue moony flowers. The four feet advanced and retreated, retreated and advanced, the male feet insisting towards the basement stairs, the female feet resisting, parrying. Roland opened the door and went into the area, fired mostly by what always got him, pure curiosity as to what the top half looked like.
A.S. Byatt (Possession)
His blue-and-white striped robe ballooning out in the wind, he rode directly to me and fell off the donkey. Gasping theatrically, he handed me a note and then collapsed face down in the sand. Since the donkey had been doing all the work, I ignored this demonstration. While John bent over the fallen man with expressions of concern I opened the note.
Elizabeth Peters (The Mummy Case)
The blue jay threads a flight-path through stripes of brightness and stripes of mossy dark.
David Mitchell (The Bone Clocks)
One illusory stripe of a rainbow contains an infinite number of frequencies, but your concepts for “Red,” “Blue,” and other colors cause your brain to ignore the variability.
Lisa Feldman Barrett (How Emotions Are Made: The Secret Life of the Brain)
The tarps Ken Weinrich's crew used has yellow and royal blue stripes, not unlike those for a circus, and this had lent a festive yet undignified mood to the proceedings.
Curtis Sittenfeld (Eligible: A Modern Retelling of Pride & Prejudice)
The American flag doesn't give her glory on a peaceful, calm day. It's when the winds pick up and become boisterous, do we see her strength. When she unfolds her hand, and shows her frayed fingers, where we see the stretch of red-blood lines of man that fought for this land. The purity of white stripes that strips our sins, and the stars of Abraham's covenant, broad in a midnight blue sky. The rights our forefathers established. As it waves high in the currents of freedom, where the Torch of Liberty shines over the sea, does she give meaning to unity. When we strive as one nation, or when it drops half-mast, to a fallen soldier.
Anthony Liccione
She was wearing a skirt and a big-shouldered jacket of a royal blue that was fashionable in France, a blue-and-white-striped silk blouse, and electric-blue lizard pumps with white calf caps on the toes.
Tom Wolfe (The Bonfire of the Vanities)
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
All you need to know about Antarctica is it’s three horizontal stripes. On the bottom, there’s the stripe for the water, which is anywhere from black to dark gray. And on top of that, there’s a stripe for the land, which is usually black or white. Then there’s a stripe for the sky, which is some kind of gray or blue.
Maria Semple (Where'd You Go, Bernadette)
And not in the crazy fuck’s normal bizarre-drobe of zebra stripes and feather boas. The angel had a flannel shirt tied around his waist. Blue jeans that were one trip through the wash away from losing their structural integrity. And a Nirvana shirt from the Saint Andrew’s Hall performance in Detroit on October 11, 1991. That
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
There were fat cats and skinny cats. The long-tailed and the bobbed. The daring young leapers, and the old windowsill sleepers. Balls of waddling fluff, smooth-coated prowlers, and hairless ones that looked fragile and wise. The tiger-striped, the ring-tailed, and the ones with matching coloured socks and mittens. There were tabbies and calicos. Manx and Persians. Siamese and Bombay. Ragdolls and Birmans. Maine Coons and Russian Blues. There were Snowshoes and Somalis, Tonkinese and Turkish, and many, many more. Brown and beige and orange and grey and black and white and silver cats, each with gleaming eyes of emerald, or sapphire, or amber. A rainbow of precious stones.
Brooke Burgess (The Cat's Maw (The Shadowland Saga, #1))
The gnome did indeed have a flag, but not an American one. Not even the Maine flag with the moose on it. The one the gnome was holding had a vertical blue stripe and two fat horizontal stripes, the top one white and the bottom one red. It also had a single star. I gave the gnome a pat on his pointy hat as I went past and mounted the front steps of Al’s little house on Vining Street, thinking about an amusing song by Ray Wylie Hubbard: “Screw You, We’re from Texas.
Stephen King (11/22/63)
Morgon of Hed met the High One's harpist one autumn day when the trade-ships docked at Tol for the season's exchange of goods. A small boy caught sight of the round-hulled ships with their billowing sails striped red and blue and green, picking their way among the tiny fishing boats in the distance, and ran up the coast from Tol to Akren, the house of Morgon, Prince of Hed. There he disrupted an argument, gave his message, and sat down at the long, nearly deserted tables to forage whatever was left of breakfast. The Prince of Hed, who was recovering slowly from the effects of loading two carts of beer for trading the evening before, ran a reddened eye over the tables and shouted for his sister.
Patricia A. McKillip (Riddle-Master (Riddle-Master, #1-3))
Ruhn read the words on each wooden door: Year Three. Year Seven. Year Five. She skidded to a halt, gripping a doorjamb. Ruhn reached her side as she shoved her face up to the glass. Year Nine. A group of teenagers—most of them mer, with striped skin and various coloring—sat in rows of desks in the classroom. Lidia pressed a hand against the door. Tears rolled down her cheeks. And then a boy, golden-haired and blue-eyed, looked away from his teacher and toward the window. The kid wasn’t mer. The ground slid out from under Ruhn. The boy had Lidia’s face. Her coloring. Another boy to his left, also not mer, had dark hair and golden eyes. Lidia’s eyes. Behind them, Flynn grunted with surprise. “You’ve got brothers on this ship?” “They’re not my brothers,” Lidia whispered. Her fingers curled on the glass. “They’re my sons.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
It is a three-piece affair, everything quilted, long jacket, waistcoat, and trousers, which have Feet at the ends of them, all in striped silk, a double stripe of some acidick Rose upon Celadon for the Trousers and Waistcoat, and for the Jacket, whose hem touches the floor when, as now, he is seated, a single stripe of teal-blue upon the same color, which is also that of the Revers. . . . It is usually not wise to discuss matters of costume with people who dress like this, -- politics or religion being far safer topicks.
Thomas Pynchon (Mason & Dixon)
The special was a tomato salad with bacon, basil, and blue cheese. It was a work of art. Fiona had found a rainbow of heirloom tomatoes- red, orange, yellow, green, purple, yellow with green stripes- and she stacked them on the plate in a tower as colorful as children's blocks.
Elin Hilderbrand (The Blue Bistro)
It was higher than a big scythe blade and a very pale lavender above the dark blue water. It raked back and as the fish swam just below the surface the old man could see his huge bulk and the purple stripes that banded him. His dorsal fin was down and his huge pectorals were spread wide.
Ernest Hemingway (The Old Man and the Sea)
Miscavige keeps a number of dogs, including five beagles. He had blue vests made up for each of them, with four stripes on the shoulder epaulets, indicating the rank of Sea Org Captain. He insists that people salute the dogs as they parade by. The dogs have a mini-treadmill where they work out.
Lawrence Wright (Going Clear: Scientology, Hollywood, and the Prison of Belief)
I am putting out the brown suit, sir.' 'No, I think I'll wear the blue with the faint red stripe.' 'Not the blue with the faint red stripe, sir.' 'But I rather fancy myself in it.' 'Not the blue with the faint red stripe, sir.' 'Oh, all right, have it your own way.' 'Very good, sir. Thank you, sir.
P.G. Wodehouse
Her hair was well brushed that day and sheened darkly in contrast with the lusterless pallor of her neck and arms. She wore the striped tee shirt which in his lone fantasies he especially liked to peel off her twisting torso. The oilcloth was divided into blue and white squares. A smear of honey stained what remained of the butter in its cool crock. 'All right. And the third Real Thing?' She considered him. A fiery droplet in the wick of her mouth considered him. A three-colored velvet violet, of which she had done an aquarelle on the eve, considered him from its fluted crystal. She said nothing. She licked her spread fingers, still looking at him. Van, getting no answer, left the balcony. Softly her tower crumbled in the sweet silent sun.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
Hey,’ I yell, through the closed door. ‘Why is the water in your toilet bowl blue?’ ‘Because orange stripes are so last year,’ she yells back.
Toni Jordan (Nine Days)
With stripes of red, white, and blue, the
Peter Golden (Wherever There Is Light)
He had on a double-breasted suit of the type then known as the pillbox; it was chalk-striped, pink on blue; the trousers hugged his ankles.
Saul Bellow (Seize the Day)
Gray mattresses with red and blue stripes in something that looks like a hallway or an overly long waiting room. In any case, his memory is frozen in immediate past like a faceless man in a dentist's chair. There are houses and streets that run down to the sea, dirty windows and shadows on staircase landings. We hear someone say "a long time ago it was noon," the light bounces off the center of immediate past, something that's neither a screen nor attempts to offer images. Memory slowly dictates soundless sentences. We imagine that all of this has been done to avoid confusion, a layer of white paint covers the film on the floor. Fleeing together long ago became living together and thus the integrity of the gesture was lost; the shine of immediate past.
Roberto Bolaño (Antwerp)
Please, I know you understand heartbreak. Stop Luc from marrying Marisol. Save my heart from breaking again.” “Now, that was a pathetic speech.” Two slow claps followed the indolent voice, which sounded just a few feet away. Evangeline spun around, all the blood draining from her face. She didn’t expect to see him—the young man who’d been tearing his clothes in the back of the church. Although it was difficult to believe this was the same person. She had thought that boy was in agony, but he must have ripped away his pain along with the sleeves of his jacket, which now hung in tatters over a striped black-and-white shirt that was only halfway tucked into his breeches. He sat on the dais steps, lazily leaning against one of the pillars with his long, lean legs stretched out before him. His hair was golden and messy, his too-bright blue eyes were bloodshot, and his mouth twitched at the corner as if he didn’t enjoy much, but he found pleasure in the brief bit of pain he’d just inflicted upon her. He looked bored and rich and cruel. “Would you like me to stand up and turn around so that you can take in the rest of me?” he taunted. The color instantly returned to Evangeline’s cheeks. “We’re in a church.” “What does that have to do with anything?” In one elegant move, the young man reached into the inner pocket of his ripped burgundy coat, pulled out a pure white apple, and took one bite. Dark red juice dripped from the fruit to his long, pale fingers and then onto the pristine marble steps. “Don’t do that!” Evangeline hadn’t meant to yell. Although she wasn’t shy with strangers, she generally avoided quarrelling with them. But she couldn’t seem to help it with this crass young man. “You’re being disrespectful.” “And you’re praying to an immortal who kills every girl he kisses. You really think he deserves any reverence?” The awful young man punctuated his words with another wide bite of his apple.
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
The Queen coined new money specifically for the Company {East India}. Minted at the Tower of London and bearing her arms on one side and a portcullis on the other, it soon became know as the portcullis money. She also granted the merchants a new flag which, with its blue field and background of thirteen red and white stripes, prefigured the one adopted by the Thirteen Colonies of America some 175 years later.
Giles Milton (Nathaniel's Nutmeg: How One Man's Courage Changed the Course of History)
Nevertheless, we react to one a bit differently than we do to Rothko’s hovering panels or Barnett Newman’s stripes, though Whistler does approach their extremity of abstraction; part of our pleasure lies in recognizing bridges and buildings in the mist, and in sensing the damp riverine silence, the glimmering metropolitan presence. … The painting - a single blurred stripe of urban shore - is additionally daring in that the sky and sea are no shade of blue, but, instead, an improbable, pervasive cobalt green. Human vision is here taken to its limits, and modern painting, as a set of sensations realized in paint, is achieved.
John Updike (Still Looking: Essays on American Art)
There are other women with baskets, some in red, some in the dull green of the Marthas, some in the striped dresses, red and blue and green and cheap and skimpy, that mark the women of the poorer men. Econowives,
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
They gathered around the living room TV and the media woman plugged a thumb drive into the digital port and brought the advertisement up: Smalls was dressed in a gray pin-striped suit, bankerish, but with a pale blue shirt open at the collar. He was in his Minnesota Senate office, with a hint of the American flag to his right, a couple of red and white stripes—not enough of a flag display to invite sarcasm, but it was there.
John Sandford (Silken Prey (Lucas Davenport #23))
Shortcake.” I ignore him. “Shortcake.” “I do not know anyone by that name.” “Play with me for a minute,” he says it softly, right in my ear. I turn my face to his and try to regulate my breathing. “HR,” I manage. His face is so close to mine I can taste his breath, hot mint sweetness. I can see the tiny stripes in his irises, tiny unexpected sparks of yellow and green. There are so many blues I think of galaxies. Little stars.
Sally Thorne (The Hating Game)
My God, don’t they know? This stuff is simulacra of simulacra of simulacra. A diluted tincture of Ralph Lauren, who had himself diluted the glory days of Brooks Brothers, who themselves had stepped on the product of Jermyn Street and Savile Row, flavoring their ready-to-wear with liberal lashings of polo knit and regimental stripes. But Tommy surely is the null point, the black hole. There must be some Tommy Hilfiger event horizon, beyond which it is impossible to be more derivative, more removed from the source, more devoid of soul. Or so she hopes, and doesn’t know, but suspects in her heart that this in fact is what accounts for his long ubiquity.
William Gibson (Pattern Recognition (Blue Ant, #1))
In this city, the victors had delusions of grandeur. It was visual. Across the street from the hotel stood City Hall, sporting an oversized Serb flag that hung from the roof to the ground, a hundred feet tall, fifty feet wide, three horizontal stripes of blue, white and red, so large that only a strong breeze could make it flap. The flag, hanging over a building where, fifty years earlier, Kurt Waldheim worked as a lieutenant in the Wehrmacht, was meant as a projection of Serb nationalism, as though size were all that mattered, rather than content. I had never thought of flags as weapons, but in Bosnia, as in the rest of Europe, they were becoming the deadliest weapons of all. p. 80
Peter Maass (Love Thy Neighbor: A Story of War)
How else could we identify another weirdo or outlier? These symbols intimated a belief system, a way of thinking not just about music but about school and friends and politics and society. It was also a way to separate yourself, to feel bold or try on boldness without yet possessing it. A little inkling of the nonconformist person you could be—you wanted to be—but weren’t quite ready to commit to. I papered my walls with band posters and what little I could find in mainstream magazines about alternative and punk, maybe a picture of Babes in Toyland from Spin or Fugazi from Option. The iconoclast images and iconography covered my room, a jarring contrast to the preppy blue-and-white-striped wallpaper I’d insisted on in elementary school. I resented the parts of myself that were late to adopt coolness, late to learn—I wanted to have always possessed a savviness and sophistication, even though I clearly had neither.
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
She bought me betta fish when I was six, after I kept telling her the same story, every day, about the tanks we had in my class at school, the betta fish, red and purple and blue and green, swimming lazily in the tanks, flashing brilliant and then dull. She came home with one on a Sunday, after she'd been out all weekend. I hadn't seen her since Friday, since she told Mam she was going to the store to buy some milk and some sugar and didn't come back. When she came back, her skin was dry and flaking at the corners of her mouth, her hair stuck out in a bushy halo, and she smelled like wet hay. The fish was green, the color of pine needles, and he had stripes down his tail the color of red mud. I called him Bubby Bubbles, since he blew bubbles all day, and when I leaned over his tank, I could hear him crunching on the fish food Leonie had brought home in a sample-size bag. I imagined even then that one day I could lean over his bowl, and instead of crunching, little words would pop out the bubbles that fizzed up to the surface. Big face. Light. And love. But when the sample size of fish food ran out, and I asked Leonie to buy me more, she said she would, and then forgot, again and again, until old day she said: Give him sold old bread. I figured he couldn't crunch like needed on some old bread, so I kept bugging her about it, and Bubby got skinnier and skinnier, his bubbles smaller and smaller, until I walked into the kitchen one day and he was floating on top of the water, his eyes white, a slimy scrim like fat, no voice in his bubbles. Leonie kill things.
Jesmyn Ward (Sing, Unburied, Sing)
Now he’d bought a new suit to go back in; blue with pencil stripes, vest and all—eleven dollars on Third Avenue, with a watch and watch chain, and a portable typewriter with which he was going to start writing in a Denver rooming house as soon as he got a job there.
Jack Kerouac (On the Road)
Today, the medium contains multitudes and man needs only pick one thing he likes and feast exclusively on a stream dedicated to it. There’s twenty-four hours of blues, surf music, left-wing whining, right-wing badgering, any stripe of belief imaginable. There are stories as interesting as lemming suicides and totally true, like the fact that whale songs have inexplicably lowered in pitch 30 percent since the sixties. But these stories are buried on animal documentary channels, where they will probably never capture the general public’s imagination.
Bob Dylan (The Philosophy of Modern Song)
Then, all of a sudden, those pea-green lawns where the first scarlet poppies were flowering, those canary-yellow fields which striped the tawny hills sloping down to a sea full of azure glints, all seemed so trivial to me, so banal, so false, so much in contrast with Ayl's person, with Ayl's world, with Ayl's idea of beauty, that I realized her place could never have been out here. And I realized, with grief and fear, that I had remained out here, that I would never again be able to escape those gilded and silvered gleams, those little clouds that turned from pale blue to pink, those green leaves that yellowed every autumn, and that Ayl's perfect world was lost forever, so lost I couldn't even imagine it any more, and nothing was left that could remind me of it, even remotely, nothing except perhaps that cold wall of gray stone.
Italo Calvino (Cosmicomics)
As I write these lines I lift my eyes and look seaward.  I am on the beach of Waikiki on the island of Oahu.  Far, in the azure sky, the trade-wind clouds drift low over the blue-green turquoise of the deep sea.  Nearer, the sea is emerald and light olive-green.  Then comes the reef, where the water is all slaty purple flecked with red.  Still nearer are brighter greens and tans, lying in alternate stripes and showing where sandbeds lie between the living coral banks.  Through and over and out of these wonderful colours tumbles and thunders a magnificent surf.
Jack London (The Cruise of the Snark (Illustrated) (Annotated))
Mr. Wonderful was probably taking his sweet time, right?” “No, it was actually my fault this morning. I was busy with…paperwork.” “Oh. Well, that’s alright. Don’t worry about it. What kind of paperwork?” He smiled. “Nothing important.” Mr. Kadam held the door for me, and we walked out into an empty hallway. I was just starting to relax at the elevator doors when I heard a hotel room door close. Ren walked down the hall toward us. He’d purchased new clothes. Of course, he looked wonderful. I took a step back from the elevator and tried to avoid eye contact. Ren wore a brand new pair of dark-indigo, purposely faded, urban-destruction designer jeans. His shirt was long-sleeved, buttoned-down, crisp, oxford-style and was obviously of high quality. It was blue with thin white stripes that matched is eyes perfectly. He’d rolled up the sleeves and left his shirt untucked and open at the collar. It was also an athletic cut, so it fit tightly to his muscular torso, which made me suck in an involuntary breath in appreciation of his male splendor. He looks like a runway model. How in the world am I going to be able to reject that? The world is so unfair. Seriously, it’s like turning Brad Pitt down for a date. The girl who could actually do it should win an award for idiot of the century. I again quickly ran through my list of reasons for not being with Ren and said a few “He’s not for me’s.” The good thing about seeing his mouthwatering self and watching him walk around like a regular person was that it tightened my resolve. Yes. It would be hard because he was so unbelievably gorgeous, but it was now even more obvious to me that we didn’t belong together. As he joined us at the elevator, I shook my head and muttered under my breath, “Figures. The guy is a tiger for three hundred and fifty years and emerges from his curse with expensive taste and keen fashion sense too. Incredible!” Mr. Kadam asked, “What was that, Miss Kelsey?” “Nothing.” Ren raised an eyebrow and smirked. He probably heard me. Stupid tiger hearing. The elevator doors opened. I stepped in and moved to the corner hoping to keep Mr. Kadam between the two of us, but unfortunately, Mr. Kadam wasn’t receiving the silent thoughts I was projecting furiously toward him and remained by the elevator buttons. Ren moved next to me and stood too close. He looked me up and down slowly and gave me a knowing smile. We rode down the elevator in silence. When the doors opened, he stopped me, took the backpack off my shoulder, and threw it over his, leaving me with nothing to carry. He walked ahead next to Mr. Kadam while I trialed along slowly behind, keeping distance between us and a wary eye on his tall frame.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
His eye was caught by the iridescent back of a beetle that had been standing on the windowsill but that was now advancing steadily into his room. Two reddish purple stripes ran the length of its brilliant oval shell of green and gold. ...In the midst of time's dissolving whirlpool, how absurd that this tiny dot of richly concentrated brilliance should endure in a secure world of its own. ...At that moment, he almost persuaded himself that all its surroundings--leafy trees, blue sky, clouds, tiled roofs--were there purely to serve this beetle which in itself was the very hub, the very nucleus of the universe.
Yukio Mishima (Spring Snow (The Sea of Fertility, #1))
What looks good to you?” he asked as if we were out for ice cream. Rocky road or pistachio? Like my Corvette sitting back in the shop, he had a penchant for American-made classics, the ones Detroit had long-since forgotten it once knew how to make. Slowly, I walked around looking at each one—the acid green Shelby Mustang with white racing stripes, the powder blue Ford Fairlane, the black Chevy Bel-Air— each in pristine condition and only because his blood and sweat coursed through them as surely as gasoline. But if he was serious that I could take my pick and drive it out of here, there was only one choice for me: the cherry red 1955 Ford Bronco.
Leesa Freeman
That chair -shall I ever forget it? Where the shadows fell on the canvas upholstery, stripes of a deep but glowing indigo alternated with stripes of an incandescence so intensely bright that it was hard to believe that they could be made of anything but blue fire. For what seemed an immensely long time I gazed without knowing, even without wishing to know, what it was that confronted me. At any other time I would have seen a chair barred with alternate light and shade. Today the percept had swallowed up the concept. I was so completely absorbed in looking, so thunderstruck by what I actually saw, that I could not be aware of anything else. Garden furniture, laths, sunlight, shadow - these were no more than names and notions, mere verbalizations, for utilitarian or scientific purposes, after the event. The event was this succession of azure furnace doors separated by gulfs of unfathomable gentian. It was inexpressibly wonderful, wonderful to the point, almost, of being terrifying.
Aldous Huxley (The Doors of Perception & Heaven and Hell)
Sam had dark curly hair that he wore parted in the middle and bluntly cut, just above his shoulders. He wore cheap John Lennon–style wire-rimmed glasses and one of those rough hemp striped parkas that are sold in Mexico. His blue jeans were holey and faded to almost white, and he paired his Teva sandals with thick white athletic socks.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Poppy is wearing a loose-fitting dress made of blue and white striped cotton, with navy woolen tights and a pair of navy leather pumps. Her brown hair is tied back and has two small red clips in it. It’s a very formal outfit for a young girl, Laurel feels. The sort of thing she’d have had to bribe both her girls to wear when they were that age
Lisa Jewell (Then She Was Gone)
The actors in this scene, so full of interest, commonplace as it seems, were provided with bits of pasteboard striped in many colors and numbered, and with counters of blue glass, and they appeared to be listening to the jokes of the notary, who never drew a number without making a remark, while in fact they were all thinking of Monsieur Grandet’s millions.
Honoré de Balzac (Works of Honore de Balzac)
The massage session ended with both of us soaked, covered in glittery dripping oil. I felt like a Greek salad sloppily drenched in extra virgin. But James was not going to stop. The kisses came thick and fast. And extra massages. “Lie back, wench,” he said. I lay back and stared up at him and above his head at the striped white and blue awning, which was rippling under the pounding impact of the rain. I’d almost forgotten about the rain, though it was coming down heavier than ever, a glittering silver wall, just a few feet away from us. James had decided that the most intimate p[art of my delicate self needed a delicate multi-facetted many-sided feathery back and forth up and down and sideways type of ecstatic slow-and-fast motion massage and which involved his index finger and his little finger and the palm of his hand and then his tongue, so and it began to build, and build … “You are being quite intimate, Master,” I gulped, trying to put on a dignified face and control my panting, the deepening huski¬ness of my voice, and the flood of saliva that had filled my mouth and was dribbling out of one corner. I think, given the circum¬stances, that I did quite a good job. “Really?” he glanced up at me, and then disappeared between my legs, back to work, his tongue darting, hither and thither, truly a busy little bee, harvesting honey here, there, and everywhere. “Really …” I sobbed, in a choked desperate voice, “Very ex¬tremely intimate, oh, oh, oh ... Master, Master, Pity, Master …
Gwendoline Clermont (Gwendoline Goes To School)
He was back at me like a cat, and he swung a hard chunk of wood from one of the smashed chairs. I caught the first one on the shoulder and I cleverly caught the next one right over the left ear. It broke a big white bell in my head, and he side-stepped, grunting for breath, and let me go down. I landed on my side, and he punted me in the belly like Groza trying for one from the mid-field stripe.
John D. MacDonald (The Deep Blue Good-By)
I had started “hibernating” as best I could in mid-June of 2000. I was twenty-six years old. I watched summer die and autumn turn cold and gray through a broken slat in the blinds. My muscles withered. The sheets on my bed yellowed, although I usually fell asleep in front of the television on the sofa, which was from Pottery Barn and striped blue and white and sagging and covered in coffee and sweat stains.
Ottessa Moshfegh (My Year of Rest and Relaxation)
Campbell was an ordinary-looking man, but he was extravagantly costumed in a uniform of his own design. He wore a white ten-gallon hat and black cowboy boots decorated with swastikas and stars. He was sheathed in a blue body stocking which had yellow stripes running from his armpits to his ankles. His shoulder patch was a silhouette of Abraham Lincoln’s profile on a field of pale green. He had a broad armband which was red, with a blue swastika in a circle of white.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
I wore a purple dress--not my mother’s finery this time, but something cheap that I didn’t mind ruining--and I had painted my face to disguise it, with a thick diagonal stripe that covered all of one eye and most of the other. I had bound my hair back tightly, painting it blue to keep it in place. Without the currentshadows, I wouldn’t look like the Cyra Noavek that the city of Voa knew. Akos was dressed in black and green, but since he wasn’t recognizable, he hadn’t bothered with any disguise. When he saw me, he stared. For a long time. I knew how I looked. My face was not a relief to the eyes, the way the faces of uncomplicated people were; it was a challenge, like the blinding color of the currentstream. How I looked wasn’t important, particularly as my appearance was always obscured by the shifting veins of the current. But it was strange to see him notice at all. “Put your eyes back in your head, Kereseth,” I said. “You’re embarrassing yourself.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
Eddie Felson, with the ball bearings in his elbow, with eyes for the green and the colored balls, for the shiny balls, the purple, orange, blue and red, the stripes and solids, with geometrical rolls and falling, lovely spinning, with whiffs and clicks and tap-tap-taps, with scrapings of chalk, and the fingers embracing the polished shaft, the fingers on felt, the ever and always ready arena, the long, bright rectangle. The rectangle of lovely, mystical green, the color of money.
Walter Tevis (The Hustler (Eddie Felson, #1))
The small pergola that Michael had built was covered in loops of jasmine, and Lara's flower beds were blazing with color. Blowsy white peonies, dusky purple irises with golden stripes, pale orange poppies with sooty centers. The first tea roses of the year were budding. Elinas, pink petals tipped with crimson, and the ivory Jeanne Moreaus that smelled faintly of lemons. Lara wanted to pick one and put it on the breakfast tray, but Michael hated cut flowers. She went back inside and began to set the tray. Her mother's blue Venetian glass dish filled with raspberries. Orange juice in a white jug. A honey pot with a wooden dipper. Sunshine streamed in through the window, warming the terra-cotta tiles beneath her bare feet. She could not have cut flowers in the house so she had pictures of them instead. Two huge framed Georgia O'Keefe poppy prints. An apron with a pattern of climbing roses. A wooden clock that Phil had given her with a pendulum in the shape of a red rose.
Ella Griffin (The Flower Arrangement)
About sexuality of English mice. A warm perfume is growing little by little in the room. An orchard scent, a caramelized sugar scent. Mrs. MOUSE roasts apples in the chimney. The apple fruits smell grass of England and the pastry oven. On a thread drawn in the flames, the apples, from the buried autumn, turn a golden color and grind in tempting bubbles. But I have the feeling that you already worry. Mrs. MOUSE in a Laura Ashley apron, pink and white stripes, with a big purple satin bow on her belt, Mrs. MOUSE is certainly not a free mouse? Certainly she cooks all day long lemon meringue tarts, puddings and cheese pies, in the kitchen of the burrow. She suffocates a bit in the sweet steams, looks with a sigh the patched socks trickling, hanging from the ceiling, between mint leaves and pomegranates. Surely Mrs. MOUSE just knows the inside, and all the evening flavours are just good for Mrs. MOUSE flabbiness. You are totally wrong - we can forgive you – we don’t know enough that the life in the burrow is totally communal. To pick the blackberries, the purplish red elderberries, the beechnuts and the sloes Mr. and Mrs. MOUSE escape in turn, and glean in the bushes the winter gatherings. After, with frozen paws, intoxicated with cold wind, they come back in the burrow, and it’s a good time when the little door, rond little oak wood door brings a yellow ray in the blue of the evening. Mr. and Mrs. MOUSE are from outside and from inside, in the most complete commonality of wealth and climate. While Mrs. MOUSE prepares the hot wine, Mr. MOUSE takes care of the children. On the top of the bunk bed Thimoty is reading a cartoon, Mr. MOUSE helps Benjamin to put a fleece-lined pyjama, one in a very sweet milky blue for snow dreams. That’s it … children are in bed …. Mrs. MOUSE blazes the hot wine near the chimney, it smells lemon, cinnamon, big dry flames, a blue tempest. Mr. and Mrs. MOUSE can wait and watch. They drink slowly, and then .... they will make love ….You didn’t know? It’s true, we need to guess it. Don’t expect me to tell you in details the mice love in patchwork duvets, the deep cherry wood bed. It’s just good enough not to speak about it. Because, to be able to speak about it, it would need all the perfumes, all the silent, all the talent and all the colors of the day. We already make love preparing the blackberries wine, the lemon meringue pie, we already make love going outside in the coldness to earn the wish of warmness and come back. We make love downstream of the day, as we take care of our patiences. It’s a love very warm, very present and yet invisible, mice’s love in the duvets. Imagine, dream a bit ….. Don’t speak too badly about English mice’s sexuality …..
Philippe Delerm
Markers to look like a Book of Hours or a medieval Bible. Miniature designs crowded the pages. Bubblegum angels swooped from top margins, or scraped their wings between teeming paragraphs. Maidens with golden hair dripped sea-blue tears into the book's spine. Grape-colored whales spouted blood around a newspaper item (pasted in) listing arrivals to the endangered species list. Six hatchlings cried from shattered shells near an entry made on Easter. Cecilia had filled the pages with a profusion of colors and curlicues, Candyland ladders and striped shamrocks
Jeffrey Eugenides (The Virgin Suicides)
He remembered the time hi fished the female of a pair of swordfish. The male always lets the female eat first, and she, by biting the hook, struggled in a wild, desperate and panicky battle that soon exhausted her. All the time the male stayed with her, crossing the line and circling her partner on the surface. He was so close that the old man had been afraid that he would cut the rope with his tail, which was sharpened like a scythe and almost of that shape and size. The old man put the hook in, hit her, caught the sword, edge like sandpaper and pounded on the tip of the head until her color became almost like the back of a mirror, and then, with the boy's help, lifted her up to put her on board. The male stayed on the side of the boat. Later, when the old man cleaned the strings and prepared the harpoon, the male jumped very high in the air, next to the boat, to see where his partner where, and finally he plunged into the deepest, with blue-reddish wings, that were his pectoral fins, spread wide and with all stripes of the same color in sight. "He was beautiful," recalled the old man, "and he stayed until the end.
Ernest Hemingway
It was readily apparent that Millie was fond of geometric patterns. Today she wore double diamond checks. Her blouse in black and white, her skirt in bright teal. Around her neck she wore a scarf printed with random blocks of gray and gold. Out of sight, hanging in the tiny wardrobe of her room, were five striped blouses, two sweaters knit in intricate cables of intersecting colors. Also three tartan plaid skirts and one pair of unusual trousers, blue and yellow. She wore brown-and-white saddle shoes, which she constantly thought of decorating with fine black lines.
Louise Erdrich (The Night Watchman)
Let’s each take a Sailfish and have a race,” George cried, running over to a pretty light-blue boat, with a yellow sail wrapped neatly around the mast. The mast and rudder had been placed carefully next to the hull. “That sounds like fun,” Nancy said enthusiastically. “Which boat would you like, Bess?” Nancy was eying a dark-green one with a red stripe around it. Its white sail, mast, and rudder were placed exactly like the others. “Someone keeps things shipshape around here,” she thought admiringly. “These boats look like painted wooden soldiers all lined up.” “I’ll stick to the rowboat, thanks,” Bess said. “I’d rather be under my own steam. If I took a sailboat, the wind might blow me somewhere I didn’t want to go,” she added, glancing at a breakwater of rocks not far away. “Don’t worry, Bess,” said Nancy. “Why don’t you come with me? We can always tack back when you say the word. It’s a light offshore wind,” she added, looking up at the pennant on the boathouse. “And I promise to head up into the wind, whenever you’re scared, although I don’t relish getting in irons. Oh well, if we do, you can jump out and push!” Nancy laughed.
Carolyn Keene (The Whispering Statue (Nancy Drew, #14))
He was back at me like a cat, and he swung a hard chunk of wood from one of the smashed chairs. I caught the first one on the shoulder and I cleverly caught the next one right over the left ear. It broke a big white bell in my head, and he side-stepped, grunting for breath, and let me go down. I landed on my side, and he punted me in the belly like Groza trying for one from the mid-field stripe. I had that fractional part of consciousness left which gave me a remote and unimportant view of reality. The world was a television set at the other end of a dark auditorium, with blurred sound and a fringe area picture.
John D. MacDonald (The Deep Blue Good-By)
Always remember... We are engaged in a battle for the continuation of our capitalist, free-market economic model; our way of life; and our liberty. The enemy is anticapitalist, believes in big government, embraces collectivist ideologies, and has, over the past century, infiltrated every level of our government and most of the banking industry. They don’t care about patriotism, although they may sport the red, white, and blue and the stars and stripes on their bumper stickers. They don’t care about personal responsibility or civic duty. They don’t share your sense of honor. All they care about is power and control over your money and every aspect of your life.
Ziad K. Abdelnour
Alwasy remember.... We are engaged in a battle for the continuation of our capitalist, free-market economic model; our way of life; and our liberty. The enemy is anticapitalist, believes in big government, embraces collectivist ideologies, and has, over the past century, infiltrated every level of our government and most of the banking industry. They don’t care about patriotism, although they may sport the red, white, and blue and the stars and stripes on their bumper stickers. They don’t care about personal responsibility or civic duty. They don’t share your sense of honor. All they care about is power and control over your money and every aspect of your life.
Ziad K. Abdelnour
he found a palpitating snake, Bright, and cirque-couchant in a dusky brake.  She was a gordian shape of dazzling hue, Vermilion-spotted, golden, green, and blue; Striped like a zebra, freckled like a pard, Eyed like a peacock, and all crimson barr’d; 50 And full of silver moons, that, as she breathed, Dissolv’d, or brighter shone, or interwreathed Their lustres with the gloomier tapestries — So rainbow-sided, touch’d with miseries, She seem’d, at once, some penanced lady elf, Some demon’s mistress, or the demon’s self. Upon her crest she wore a wannish fire Sprinkled with stars, like Ariadne’s tiar: Her head was serpent, but ah, bitter-sweet! She had a woman’s mouth with all its pearls complete: 60
John Keats (Complete Works of John Keats)
When I got to the gig I was told I would be singing for a male vocalist. In walked this sexy, serene, toasted-almond-colored artsy young man—he just looked like the definition of an artist. His thick, dark hair was just in the beginning phases of dreadlocks. He had a perfect five o’clock shadow, with a thick stripe of goatee down the center of his chin. He was dressed rock star casual: heavy black leather vintage motorcycle jacket, black jeans, black T-shirt. He had a thin ring in his nose and smelled how I imagined ancient Egyptian oils would smell. His face was kind and fine, with a boyish smile. He went by the name of Romeo Blue. His friends called him Lenny. And about a year later, the world would know him as Lenny Kravitz.
Mariah Carey (The Meaning of Mariah Carey)
The sharpie uniform is perhaps the most unlikely fashion statement you will ever see, a Frankenstein’s monster of baby-doll plucked eyebrows, skinhead-meets-mullet hair, 1970s fat ties and just a hint of bovver boy. Clothes worn too tight and too small. Kerry had prepared a shopping list: • bluebird earrings • three-inch Mary Jane corkie platform shoes • treads (shoes made using recycled tyres for the sole with suede thonging for the upper) • Lee canvas jeans • beachcombers • short white bobby socks • ribbed tights • a short, flared, preferably panelled skirt • satin baggies • a striped Golden Breed t-shirt or a KrestKnit polo shirt • a tight coral necklace from the surf shop • a Conti brand striped cardigan • blue metallic eye shadow from a small pot or a crayon
Magda Szubanski (Reckoning: A powerful memoir from an Australian icon)
When people wrap their point of view in the flag, notice the number of stars in which they have clothed themselves. There are fifty. There are no versions of the Stars and Stripes that eliminate conservative states or liberal ones. There are fifty stars. The blue field on which those stars shine isn’t called “the Union” for nothing. If you honor the flag, if you like to stand during the national anthem, you are adopting all the stars. Our flag is the very image of compromise. If you chose America, you chose all of America, “Indivisible with Liberty and Justice for all.” No democracy has survived any other way. It is easier to listen to the drone of confirming information, to reject, out of hand, ideas that question what we believe. But democracy is not for the lazy.
Scott Pelley (Truth Worth Telling: A Reporter's Search for Meaning in the Stories of Our Times)
take tuna. Among the other 145 species regularly killed — gratuitously — while killing tuna are: manta ray, devil ray, spotted skate, bignose shark, copper shark, Galapagos shark, sandbar shark, night shark, sand tiger shark, (great) white shark, hammerhead shark, spurdog fish, Cuban dogfish, bigeye thresher, mako, blue shark, wahoo, sailfish, bonito, king mackerel, Spanish mackerel, longbill spearfish, white marlin, swordfish, lancet fish, grey triggerfish, needlefish, pomfret, blue runner, black ruff, dolphin fish, bigeye cigarfish, porcupine fish, rainbow runner, anchovy, grouper, flying fish, cod, common sea horse, Bermuda chub, opah, escolar, leerfish, tripletail, goosefish, monkfish, sunfish, Murray eel, pilotfish, black gemfish, stone bass, bluefish, cassava fish, red drum, greater amberjack, yellowtail, common sea bream, barracuda, puffer fish, loggerhead turtle, green turtle, leatherback turtle, hawksbill turtle, Kemp’s ridley turtle, Atlantic yellow-nosed albatross, Audouin’s gull, balearic shearwater, black-browed albatross, great black-backed gull, great shearwater, great-winged petrel, grey petrel, herring gull, laughing gull, northern royal albatross, shy albatross, sooty shearwater, southern fulmar, Yelkouan shearwater, yellow-legged gull, minke whale, sei whale, fin whale, common dolphin, northern right whale, pilot whale, humpback whale, beaked whale, killer whale, harbor porpoise, sperm whale, striped dolphin, Atlantic spotted dolphin, spinner dolphin, bottlenose dolphin, and goose-beaked whale. Imagine being served a plate of sushi. But this plate also holds all of the animals that were killed for your serving of sushi. The plate might have to be five feet across.
Jonathan Safran Foer (Eating Animals)
Maybe it’s not a coincidence that I’ve always been interested in heroes, starting with my dad, Phil Robertson, and my mom, Miss Kay. My other heroes are my pa and my granny, who taught me how to play cards and dominoes and everything about fishing (which was a lot), and my three older brothers, who teased me, beat me up, and sometimes let me follow them around. Not much has changed in that department. I’ve always loved movies, and when I was about seven or eight years old, I watched Rocky, Sylvester Stallone’s movie about an underdog boxer who used his fists, along with sheer will, determination, and the ability to endure pain, to make a way for himself. He fought hard but played fair and had a soft spot for his friends. I fell in love with Rocky. He was my hero, and I became obsessed. When I decide to do something, I’m all in; so I found a pair of red shorts that looked like Rocky’s boxing trunks and a navy blue bathrobe with two white stripes on the sleeve and no belt. I took off my shirt and ran around bare-chested in my robe and shorts. Most kids I knew went through a superhero phase, but they picked DC Comics guys, like Batman or Superman. Not me. I was Rocky Balboa, the Italian Stallion, and proud of it. Mom let me run around like that for a couple of years, even when we went in to town. Rocky had a girlfriend, Adrian, who was always there, always by his side. When he was beaten and blinded in a bad fight, he called out for her before anybody else. “Yo, Adrian!” he shouted in his Philly-Italian accent. He needed her. Eventually, I grew up, and the red shorts and blue bathrobe didn’t fit anymore, but I always remembered Rocky’s kindness and his courage. And that every Rocky needs an Adrian.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
My mother rebelled, cautiously and craftily, as thwarted women will. She gave me lessons in the stolen time while Father was away at business. I remember her standing before me in a bluebell-striped dress, her tired face suddenly shining as she opened A Ladies Instructor For Painting Diverse Delights, so we might copy its hand-colored plates. "Grace, you have a fine eye," Mother said. I wanted to dissect the heart of my subjects, to catch the shadow of the wilting rose in cadmium red, and conjure the snow tumbling like thistledown outside the window in washes of cerulean blue. One day, when painting the gleaming sphere of an apple, a black wriggling creature punctured the skin from the inside. Mother was bemused that I carried on painting, recording the creature's ugly pointed head and shiny segments. "That is the truth," I insisted, proud of my picture.
Martine Bailey (A Taste for Nightshade)
Devin was the most gorgeous, unique creature Kate had ever known. She'd come out of the womb an individual, refusing to be defined by anyone. She didn't even look like anyone on either side of their families. Matt's family was so proud of their dark hair, a blue-black that had been the envy of generations, the way it caught the sun like a spiderweb. From Kate's own side of the family, there was a gene that made their eyes so green that they could trick people into thinking that even the most unattractive Morris woman was pretty. And yet here was Devin, with fine cotton-yellow hair and light blue eyes, the left of which was a lazy eye. She'd had to wear an eye patch when she was three. And she'd loved it. She loved her knotted yellow hair. She loved wearing stripes with polka dots, and tutus, and pink and green socks with orange patent-leather shoes. Devin could care less what other people thought about her.
Sarah Addison Allen (Lost Lake (Lost Lake, #1))
THE sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow, spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woollen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp reused it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue fingerprint of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.
Virginia Woolf (The Waves)
After twenty minutes of hard swimming, his muscles were burning. He hoisted himself out of the water, breathing heavily, and went to fetch a towel from a stack on a table. As he dried himself vigorously, he caught a glimpse of someone standing by the other end of the swimming bath. He went very still at the sight of rose-copper hair... pink cheeks and round blue eyes... and lavish curves contained in a fashionable striped wool dress. Every filament of his nervous system sparked with an infusion of joy. "Evie?" he asked huskily, afraid he was imagining her. She glanced at the water, remarking innocently, "You were swimming so hard, I thought there might be a sh-shark." It took all Sebastian's concentration to reply casually, "You know better than that, pet." He wrapped the towel around his waist and tucked in the overlapping edge to fasten it. "I am the shark." He went to his wife in no apparent hurry, but as he drew closer his stride quickened, and he snatched her up with an ardor that nearly lifted her feet from the floor. She gasped and clutched his shoulders, and lifted her smiling mouth to his. Glorying in the taste and feel of her, Sebastian kissed her thoroughly, eventually finishing with a soft, provocative bite at her lower lip.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Right when Marston and Peter must have been meeting with Gaines and Mayer to talk about what Wonder Woman ought to look like, a new superhero made his debut. Captain America.19 He quickly became Timely Comics’ most popular character. Captain America Comics #1 (March 1941) (illustration credit 23.7) Marston wanted his comic book’s “under-meaning,” about “a great movement now under way—the growth in the power of women,” to be embodied in the way Wonder Woman carried herself, how she dressed, and what powers she wielded. She had to be strong, and she had to be independent. Everyone agreed about the bracelets (inspired by Olive Byrne’s): it helped Gaines with his public relations problem that she could stop bullets with them; that was good for the gun problem. Also, this new superhero had to be uncommonly beautiful; she’d wear a tiara, like the crown awarded at the Miss America pageant. Marston wanted her to be opposed to war, but she had to be willing to fight for democracy. In fact, she had to be superpatriotic. Captain America wore an American flag: blue tights, red gloves, red boots, and, on his torso, red and white stripes and a white star. Like Captain America—because of Captain America—Wonder Woman would have to wear red, white, and blue, too. But, ideally, she’d also wear very little. To sell magazines, Gaines wanted his superwoman to be as naked as he could get away with.
Jill Lepore (The Secret History of Wonder Woman)
The sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woolen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp raised it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue finger-print of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.
Virginia Woolf (The Waves)
Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.
Kevin Phan (How to Be Better by Being Worse)
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
Sky's The Limit" [Intro] Good evening ladies and gentlemen How's everybody doing tonight I'd like to welcome to the stage, the lyrically acclaimed I like this young man because when he came out He came out with the phrase, he went from ashy to classy I like that So everybody in the house, give a warm round of applause For the Notorious B.I.G The Notorious B.I.G., ladies and gentlemen give it up for him y'all [Verse 1] A nigga never been as broke as me - I like that When I was young I had two pair of Lees, besides that The pin stripes and the gray The one I wore on Mondays and Wednesdays While niggas flirt I'm sewing tigers on my shirts, and alligators You want to see the inside, I see you later Here comes the drama, oh, that's that nigga with the fake, blaow Why you punch me in my face, stay in your place Play your position, here come my intuition Go in this nigga pocket, rob him while his friends watching And hoes clocking, here comes respect His crew's your crew or they might be next Look at they man eye, big man, they never try So we rolled with them, stole with them I mean loyalty, niggas bought me milks at lunch The milks was chocolate, the cookies, butter crunch 88 Oshkosh and blue and white dunks, pass the blunts [Hook: 112] Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want Sky is the limit and you know that you keep on Just keep on pressing on Sky is the limit and you know that you can have What you want, be what you want, have what you want, be what you want [Verse 2] I was a shame, my crew was lame I had enough heart for most of them Long as I got stuff from most of them It's on, even when I was wrong I got my point across They depicted me the boss, of course My orange box-cutter make the world go round Plus I'm fucking bitches ain't my homegirls now Start stacking, dabbled in crack, gun packing Nickname Medina make the seniors tote my Niñas From gym class, to English pass off a global The only nigga with a mobile can't you see like Total Getting larger in waists and tastes Ain't no telling where this felon is heading, just in case Keep a shell at the tip of your melon, clear the space Your brain was a terrible thing to waste 88 on gates, snatch initial name plates Smoking spliffs with niggas, real-life beginner killers Praying God forgive us for being sinners, help us out [Hook] [Verse 3] After realizing, to master enterprising I ain't have to be in school by ten, I then Began to encounter with my counterparts On how to burn the block apart, break it down into sections Drugs by the selections Some use pipes, others use injections Syringe sold separately Frank the Deputy Quick to grab my Smith & Wesson like my dick was missing To protect my position, my corner, my lair While we out here, say the Hustlers Prayer If the game shakes me or breaks me I hope it makes me a better man Take a better stand Put money in my mom's hand Get my daughter this college grant so she don't need no man Stay far from timid Only make moves when your heart's in it And live the phrase sky's the limit Motherfuckers See you chumps on top [Hook]
The Notorious B.I.G
After each outing, I spent hours looking through a huge volume called The Fishes of the Great Barrier Reef and the Coral Sea. Among the fish that I think I may have spotted were: tiger sharks, lemon sharks, gray reef sharks, blue-spine unicorn fish, yellow boxfish, spotted boxfish, conspicuous angelfish, Barrier Reef anemonefish, Barrier Reef chromis, minifin parrotfish, Pacific longnose parrotfish, somber sweetlips, fourspot herring, yellowfin tuna, common dolphinfish, deceiver fangblenny, yellow spotted sawtail, barred rabbitfish, blunt-headed wrasse, and striped cleaner wrasse. Reefs are
Elizabeth Kolbert (The Sixth Extinction: An Unnatural History)
The wolf’s fur was speckled with drops of blood that had beaded on it like rain. The gravel in the alley shone in the half-light from the distant street lamps. The wolf’s muzzle, a little shorter and broader than I had seen on Wild Kingdom, was drawn back, black lips from fangs striped white and red like peppermints. Its eyes were blue, rather than any proper lupine shade, and gleamed with a sort of demented awareness.
Jim Butcher (Fool Moon (The Dresden Files, #2))
Chase located North in the break room. Instead of a flight suit or cammies, he was dressed in a white T-shirt and his dress blue trousers with the blood stripe running along the outer legs. Blood stripes represented the bloodshed of Marines during the Mexican-American battle at Chapultepec in 1847.
Carver Greene (An Unlawful Order (The Chase Anderson Series Book 1))
Her dreamlike trance was shattered by a Lenape war cry as Cain swooped down on her, seized her wrists in an iron grip, and pinned her to the ground. “Oh!” she gasped. He crouched over her and stared into her eyes. Cain’s cheekbones bore stripes of blue and red paint, and his features gave no hint of a smile. Excitement tinged with fear bubbled up in Elizabeth’s throat, and she attempted a giggle. “Where did you find the paint?” “Silence woman,” he ordered. “You are my prisoner. I tell you when you can speak.” Elizabeth swallowed and moistened her lips. He’s teasing me, she thought, to get back at me for laughing at him. But an inner voice cautioned, Are you certain? She wiggled in his grasp, and he tightened the pressure on her wrists. “Lie still.” “I would have thought you were too sore to move so fast,” she ventured. His nearness was both frightening and intoxicating. Her mouth felt dry, and her heart was hammering as though she’d been running. She could feel the heat of his body through her clothing. “Let me up before you wrinkle my riding habit.” “If Wishemenetoo had wanted his children to ride on the backs of beasts, he would have made horses that did not come away from the rider,” Cain answered huskily. His eyes narrowed. “And I am certain he did not mean for keequa to make joke at husband’s pain.” “Cain,” she persisted, fighting her own rising desire, “let me go. Someone may see us.” “Robert and your woman go into the forest. This one does not think they will return soon.” A shiver passed through her. Wasn’t this what I had in mind when they wandered off? Didn’t I intend for us to . . . “It’s not safe,” she said. “Edward might—” “He will do nothing. He will lie in his room and drink the fire liquid until his body dies. Can a man who cannot walk alone ride a horse?” “He has spies to watch me. He could—” Cain silenced her with his lips. “I like the taste of you, English equiwa,” he murmured. “I think I keep you.
Judith E. French (Lovestorm)