Blue Streak Quotes

We've searched our database for all the quotes and captions related to Blue Streak. Here they are! All 100 of them:

Have you ever heard of Blue Streak?" I blink at him. "That's the name of a movie?" "Romeo Must Die? Bad Boys? Rush Hour? Rush Hour 2? Rush Hour 3? Actually, Rush Hour 3 wasn't that great. Tangled? "That last one, I believe, is a cartoon about a girl with very long hair, inspired by the German fairy tale Rapunzel." Kenji looks like he might be choking. "A cartoon?" he says, outraged. "Tangled is not a cartoon. Tangled is one of the greatest movies of all time. It's about fighting for freedom and true love.
Tahereh Mafi (Defy Me (Shatter Me, #5))
Gansey stepped in then, putting his phone neatly into his pocket, fetching out his keys instead. There was still something stretched thin about his expression. He looked, in fact, like he had in the cave, his face streaked and unfamiliar. It was so strange to see him without his Richard Campbell Gansey III guise on in public that Blue couldn't stop staring at his face. No — it wasn't his face. It was the way he stood, his shoulder shrugged, chin ducked, gaze from below uncertain eyebrows. "SHE WAS ALL RIGHT," Jesse assured him. "My head knew that," Gansey said. "But the rest of me didn't.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
I warn't never meant to be a lady, I know that now. I got streaks of wildness in me that trip me up every time, and just like streaks in clothes, there's some dirt that just won't wash out.
L.A. Meyer (Curse of the Blue Tattoo: Being an Account of the Misadventures of Jacky Faber, Midshipman and Fine Lady (Bloody Jack, #2))
Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by ten food steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant in the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.
William Faulkner (Light in August)
When you go out to paint, try to forget what objects you have before you, a tree, a house, a field or whatever. Merely think here is a little square of blue, here an oblong of pink, here a streak of yellow, and paint it just as it looks to you, the exact color and shape.
Claude Monet
Hold your finger to the sky with so much force it lengthens like a spine. Look up to the point of it and beyond. There. That tiny patch of the world, no bigger than the tip of your finger. At first glance, it might look like one flat color. Blue, or gray, or maybe even orange. But it's much more complex than that. Squint. See the daubs of lilac. The streak of sage no wider than a hyphen. That butterscotch smear and the faint wash of carnelian. All of them coming together to swirl at the point just above your finger. Breathe them in. Let them settle in your lungs. Those are the colors of right now.
Emily X.R. Pan (The Astonishing Color of After)
Everyone was pointing upward at the sky, which was turning into a symphony of color. First, orange streaks appeared in the blue, like an oboe joining a flute, turning a solo into a duet. That harmony built into a crescendo of colors as yellow and then pink added their voices to the chorus. The sky darkened, throwing the array of colors into even sharper relief. The word sunset couldn't possibly contain the meaning of the beauty above them, and for the millionth time since they'd landed, Wells found that the words they'd been taught to describe Earth paled in comparison to the real thing.
Kass Morgan (The 100 (The 100, #1))
Without noticing, I slip into a light yet lingering malaise. Not a depression, more like a fascination for melancholia, which I turn in my hand as if it were a small planet, streaked in shadow, impossibly blue.
Patti Smith
Outside the window, there slides past that unimaginable and deserted vastness where night is coming on, the sun declining in ghastly blood-streaked splendour like a public execution across, it would seem, half a continent, where live only bears and shooting stars and the wolves who lap congealing ice from water that holds within it the entire sky. All white with snow as if under dustsheets, as if laid away eternally as soon as brought back from the shop, never to be used or touched. Horrors! And, as on a cyclorama, this unnatural spectacle rolls past at twenty-odd miles an hour in a tidy frame of lace curtains only a little the worse for soot and drapes of a heavy velvet of dark, dusty blue.
Angela Carter (Nights at the Circus)
Streaks of dark, wet pink and glistening blue seep through the sky like spilled watercolor, while floating lanterns rise gently over the horizon like ghosts. A soft breeze drifts over my skin, carrying with it the fragrance of chrysanthemums and fresh-baked pastries from the snack stalls below. Then there’s Henry.
Ann Liang (If You Could See the Sun)
I put both hands on his chest and backed him up a pace. The black sky behind him was filled with color. I said, “Go. Hurry. You can still help. You’re missing it.” He pulled me close again and gazed down at me, tracing one finger so tenderly along my cheekbone. His finger was black, and he might be leaving an attractive black streak across my skin. I didn’t mind. The way he was looking at me with those light blue eyes, I had never felt more beautiful. He bent his head close to my ear again so I could hear him whisper, “I’m not missing anything
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
I looked at the baby in the lap of the woman opposite. I had no idea how old it was, I never did, with babies—for all I knew it could talk a blue streak and had twenty teeth behind its pursed, pink lips.
Sylvia Plath (The Bell Jar)
How do you tell your mom you're following your dream when it's the one that warned you to befriend a psychotic boy before he shoots up your school? -- from the upcoming "Streaks of Blue
Jack Chaucer
You’re beautiful,” Archer murmured, his husky voice rolling over my skin. He reached up with his other hand to touch the blue streak in my hair. “You’re like a creature from some exotic land that no one has discovered yet.
Nina Lane (Break the Sky)
We have to reach out to kids sooner. Everybody needs to step outside of their comfort zone and become friends with someone who is different, no matter what that difference is. And we all have to do it much sooner then senior year of high school.
Jack Chaucer (Streaks of Blue)
The sky was a fresh-swept blue, with only a trace of white cloud clinging to the dome of heaven like a thin streak of test paint
Haruki Murakami (Norwegian Wood)
My arms are light and free and my body is outstretched, kissing the blue streaks. I can breathe freely here. It is soothing this moment, an elation I treasure.
Susan L. Marshall (Fleur of Yesterday)
Suddenly Adam (Upton) hated death just as much as he hated life, and now he had absolutely no idea how to unsolve that equation. -- From my upcoming novel "Streaks of Blue: How the Angels of Newtown Inspired One Girl to Save Her School.
Jack Chaucer
I looked up then, out the far window, and there, just within sight, the sun was going down across the river. It was dull red, no longer shining over the land, its ray brought home to roost, contained within its sphere. The sky was streaked with lavendar, a pulsing pale blue, purple and smudged pink and orange melding into one another all the way to the horizon.
Jane Hamilton (A Map of the World)
That something is everywhere and always amiss is part of the very stuff of creation. It is as though each clay form had baked into it, a blue streak of nonbeing, a shaded emptiness like a bubble that not only shapes its very structure but that also causes it to list and ultimately explode. We could have planned things more mercifully, perhaps, but our plan would never get off the drawing board until we agreed to the very comprising terms that are the only ones that being offers.
Annie Dillard (Pilgrim at Tinker Creek)
Dear God... I, I have caused a miracle. I gave her the eyes. I gave her the blue, blue, two blue eyes. Cobalt blue. A streak of it right out of your own blue heaven. No one else will see her blue eyes. But she will. And she will live happily ever after.
Toni Morrison (The Bluest Eye)
Honestly, I'd rather be anywhere else. Even home, where my dad begins almost every conversation with, "You should lose the black clothes and wear something with color." Puh-lease. Like I want to look like every Barbie clone in Hell High, a.k.a. Oklahoma's insignificant Haloway High School. Ironically, Dad doesn't appreciate the bright blue streaks in my originally blond/now-dyed-black hair. Go figure. That's color, right?
Gena Showalter
At daybreak, my face still turned to the wall, and before I had seen above the big window-curtains what shade of colour the first streaks of light assumed, I could already tell what the weather was like. The first sounds from the street had told me, according to whether they came to my ears deadened and distorted by the moisture of the atmosphere or quivering like arrows in the resonant, empty expanses of a spacious, frosty, pure morning; as soon as I heard the rumble of the first tramcar, I could tell whether it was sodden with rain or setting forth into the blue.
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
My father’s rasping whistle caught my ears from down the line and I searched the dirt-smeared faces until I found a pair of bright blue eyes fixed on me. His gray-streaked beard hung braided down his chest behind the axe clutched in his huge fist. He tipped his chin up at me and I whistled back—our way of telling each other to be careful. To try not to die.
Adrienne Young (Sky in the Deep (Sky and Sea, #1))
More like a fascination for melancholia, which I turn in my hand as if it were a small planet, streaked in shadow, impossibly blue.
Patti Smith (M Train)
Pixies never fail,” the little blue creature informed her imperiously. He turned and disappeared in a blue glowing streak into the woods.
Jennifer Blackstream (Before Midnight (Blood Prince, #1))
Here it comes," Niten said. The whites of his eyes,his teeth and his tongue had turned blue. "Ready," Prometheus said. Nicholas Flamel touched the green scarab he now wore around his neck and felt it grow warm in his hand.The spell was a simple one,something he had performed a thousand times before, though never on such a large scale. A red-skinned head broke the surface of the water...followed by a second...and a third...and then a fourth head,black and twice as large as the others appeared. Suddenly there were seven heads streaking toward them. "Let's hope no one if filming this," Niten murmered. "No one would believe it anyway." Prometheus grinned. "Seven-headed monsters simply do not exist.If anyone saw it,they'd say it was Photoshopped.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
There, sitting cross-legged on the floor, he stared absently at his legs. They began to look strange. They no longer seemed to grow from his trunk at all, but rather, completely unconnected, they sprawled rudely before him. When he got this far, he realized something he had never noticed before—that his legs were unbearably hideous. With hair growing unevenly and blue streaks running rampant, they were terribly strange creatures.
Natsume Sōseki (And Then)
On the fifth night of our search, I see a plesiosaur. It is a megawatt behemoth, bronze and blue-white, streaking across the sea floor like a torpid comet. Watching it, I get this primordial deja vu, like I'm watching a dream return to my body. It wings towards me with a slow, avian grace. Its long neck is arced in an S-shaped curve; its lizard body is the size of Granana's carport. Each of its ghost flippers pinwheels colored light. I try to swim out of its path, but the thing's too big to avoid. That Leviathan fin, it shivers right through me. It's a light in my belly, cold and familiar. And I flash back to a snippet from school, a line from a poem or a science book, I can't remember which: 'There are certain prehistoric things that swim beyond extinction'.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
I’d been expecting someone so nondescript he was practically invisible, maybe the Cancer Man from The X Files, but this guy had rough, blunt features and wide blue eyes, and the kind of presence that leaves heat streaks on the air where he’s been.
Tana French (The Likeness (Dublin Murder Squad #2))
I told him he must treat the political audience as one coming, not to see an etching, but a poster,” he said to Jusserand and Archie Butt. “He must, therefore, have streaks of blue, yellow, and red to catch the eye, and eliminate all fine lines and soft colors.
Edmund Morris (Theodore Rex)
Purple snow capped mountains marched off in either direction, with clouds floating around their middles like fluffy belts. In a massive valley between two of the largest peaks, a ragged wall of ice rose out of the sea, filling the entire gorge. The glacier was blue and white with streaks of black, so that it looked a hedge of dirty snow left behind on a sidewalk after a snowplow had gone by, only four million times as large.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Most of the trees were covered in leaves, some streaked with pink in the first hints of autumn. But we passed under one dead tree, leafless but still standing, and I looked up through its branches, which intersected to fracture the cloud-less blue sky into all kings of irregular polygons.
John Green (Turtles All the Way Down)
Recently I've been working very hard and quickly; in this way I try to express the desperately fast passage of things in modern life. Yesterday, in the rain, I painted a large landscape with fields as far as the eye can see, viewed from a height, different kinds of greenery, a dark green field of potatoes, the rich purple earth between the regular rows of plants, to one side a field of peas white with bloom, a field of clover with pink flowers and the little figure of a mower, a field of tall, ripe, fawn-coloured grass, then some wheat, some poplars, on the horizon a last line of blue hills at the foot of which a train is passing, leaving an immense trail of white smoke over the greenery. A white road crosses the canvas, on the road a little carriage and some white houses with bright red roofs alongside a road. Fine drizzle streaks the whole with blue or grey lines.
Vincent van Gogh (The Letters of Vincent van Gogh)
Josey?” She heard her mother’s voice in the hall, then the thud of her cane as she came closer. “Please don’t tell her I’m here,” the woman in the closet said, with a strange sort of desperation. Despite the cold outside, she was wearing a cropped white shirt and tight dark blue jeans that sat low, revealing a tattoo of a broken heart on her hip. Her hair was bleached white-blond with about an inch of silver-sprinkled dark roots showing. Her mascara had run and there were black streaks on her cheeks. She looked drip-dried, like she’d been walking in the rain, though there hadn’t...
Sarah Addison Allen (The Sugar Queen)
A pretty vampire woman in a cheongsam came flying down the hallway, ribbons waving from her purple-streaked hair like a silken flag. Her face was familiar. Alec had seen her at Taki’s, and around the city more generally, usually with Raphael. “Save us, oh fearless leader,” said Raphael’s lady friend. “Elliott’s in a huge aquarium puking blue and green. He tried to drink mermaid blood. He tried to drink selkie blood. He tried to—” “Ahem,” said Raphael, with a savage jerk of his head in Alec’s direction. Alec waved. “Shadowhunter,” he said. “Right here. Hi.” “He tried to keep to the Accords and obey all the known Laws!” the woman declared. “Because that’s the New York clan’s idea of a truly festive good time.” Alec remembered Magnus and tried not to look like he was here to ruin the Downworlder party. There was one thing he and this woman had in common. He recognized the bright purple she was wearing. “I think I saw you earlier,” said Alec hesitantly. “You were—making out with a faerie girl?” “Yeah, you’re gonna have to be more specific than that,” said the vampire woman. “This is a party. I’ve made out with six faerie girls, four faerie boys, and a talking toadstool whose gender I’m unsure about. Pretty sexy for a toadstool, though.” Raphael covered his face briefly with his non-texting hand. “Why, you want to make something of it?” The woman bristled. “How happy I am to see the Nephilim constantly crashing our parties. Were you even invited?” “I’m a plus-one,” said Alec. The vampire girl relaxed slightly. “Oh, right, you’re Magnus’s latest disaster,” she said. “That’s what Raphael calls you. I’m Lily.” She lifted a hand in a halfhearted wave. Alec glanced at Raphael, who arched his eyebrow at Alec in an unfriendly way. “Didn’t realize Raphael and I were on pet name terms,” said Alec. He continued to study Raphael. “Do you know Magnus well?” “Hardly at all,” said Raphael. “Barely acquainted. I don’t think much of his personality. Or his dress sense. Or the company he keeps. Come away, Lily. Alexander, I hope I never see you again.” “I’ve decided I detest you,” Lily told Alec. “It’s mutual,” Alec said dryly. Unexpectedly, that made Lily smile, before Raphael dragged her away.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
I couldn’t compete with Honesty, With her dark blonde hair streaked with auburn, With her captivating blue eyes, With her legs that stretched into forever. She had the brains, The body, The perfect resume for girlfriend. And me? I had the perfect resume for Best friend. All the boys said so.
Elana Johnson (Elevated)
The sky was a fresh-swept blue, with only a trace of white cloud clinging to the dome of heaven like a thin streak of test paint.
Haruki Murakami (Norwegian Wood)
The fair one was the prettier, round and soft, but Magnus noticed the dark one first; her black hair was streaked with luminescent blue.
Ann Cleeves (Raven Black (Shetland Island, #1))
One of my teeth won’t bleach there's a brown streak and a blue one I've never seen anything like it. I think of both Niles of the person I drowned there.
K. Eltinaé (The Moral Judgement of Butterflies)
Even though I am told that my name is Ruby, I still didn't know who the blue eye brunette with red streaks through her hair was. She was a stranger to me.
Jessica Madden (Silent Love)
The sky was a brilliant azure blue clear of clouds except for a few wispy strips of white that streaked up high in the atmosphere
Eleanor Webb (The Job Offer)
Lydia can't see it from the dark place where she is, but she can sense it. She knows that it's the perfect time of day out there in the desert. She imagines the colors making a show of themselves outside. The glittering gray pavement, the aching red land. The colors streaking flamboyantly across the sky. When she closes her eyes, she can see them, the paint in the firmament. Dazzling. Purple, yellow, orange, pink, and blue. She can see those perfect colors, hot and bright, a feathered headdress. Beneath, the landscape stretches out its arms.
Jeanine Cummins (American Dirt)
Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
Annie Dillard (Pilgrim at Tinker Creek)
Without noticing, I slip into a light yet lingering malaise. Not a depression, more like a fascination of melancholia, which I turn in my hand as if it were a small blue planet, streaked in shadow, impossibly blue.
Patti Smith (M Train)
In pale blue fog, a far, white sailboat Through mist and sea, sails all alone What lures him to distant countries? What drives him out, so far from home? The waves are mad, the wind is whistling Mast, creaking, moans without cease Alas, not happiness it’s seeking And not from happiness it flees Beneath, the azure current flows Above, the golden sunlight streaks But restlessly, it prays for storms As if in storms it may find peace
Mikhail Lermontov
She had streaked blonde hair, long and straight, parted in the middle framing high cheek bones, an aquiline nose and beautiful deep blue eyes. She was young, around 30, tall and lithe with a good body, athletic, not skinny. She wore a sleeveless black dress that exposed her toned arms and shoulders, indicating regular workouts or yoga. There was a hint of vein running the length of her lean muscle. This girl stood out like an arabian in a corral full of draft horses.
Nick Hahn
I might not like what you do, but you’re not going to lose me, Gin.” “Why not?” I said, forcing the words out through the lump of emotion that clogged my throat. “What’s changed?” Bria looked at me. “Because we came down here, and I saw how Donovan treated you. How he thought he was so much better than you, so much more righteous, and I realize that it’s the same way I’ve been treating you for months now, when you’ve done nothing but save my life over and over again. With no question, no hesitation, and nothing asked in return. Not one damn thing.” Tears streaked down her cheeks, and her blue eyes were agonizingly bright in her face. “The truth is that I’m ashamed of myself for acting like him and most especially for taking you for granted. When we found out that Callie was in trouble, you were the first one to do anything about it. You immediately stepped up and offered to help her. If it wasn’t for you, Callie would be dead now and probably Donovan along with her. You saved her not because I asked you to and not even because she was my friend but because you saw someone who was in trouble and you realized you could help her. Maybe you are an assassin, maybe you are one of the bad guys, but you know what? I don’t give a damn anymore. You’re my sister first, and that’s all that matters to me.” I blinked and was surprised to find hot tears sliding down my own cheeks, one after another in a torrent that I couldn’t control. She . . . she . . . understood. She actually understood who and what I was and that I would probably never change or give up being the Spider. She knew it all, and she was still here with me. All sorts of emotions surged through my heart then, but there was one that drowned out all the others—relief. Pure, sweet relief that she wasn’t going to walk out of my life, that she was going to stick with me through the good and the bad and whatever else the world threw at us. I reached forward and wrapped my arms around Bria, and she did the same to me. We stood like that for several minutes, still and quiet, with silent sobs shaking both of our bodies. Just letting out all the fear and anger and guilt that had crept up on us both and had created this gulf between us. But we’d overcome those emotions, and I’d be damned if we’d ever grow apart like this again.
Jennifer Estep (By a Thread (Elemental Assassin #6))
Hell, a man can lie there and want something so bad and be so full of wanting it he just plain forgets what it is he wants. Just like when you are a boy and the sap first rises and you think you will go crazy some night wanting something and you want it so bad and get so near sick wanting it you near forget what it is. It’s something inside you–” he leaned at me, with his eyes on my face, and grabbed the front of his sweat-streaked blue shirt to make me think he was going to snatch the buttons loose to show me something.
Robert Penn Warren (All the King's Men)
Leo had landed was already healed, his code perfectly intact. Alongside him streaked a white blur, which was avoiding the bolts of blue light being thrown by Leo. Sage looked perfectly intact again, his damage already healed up, and he was holding his own against Leo,
Bella Forrest (The Girl Who Dared to Fight (The Girl Who Dared #7))
As they came together in a rush of steel and shadow, he could hear Lyanna screaming. “Eddard!” she called. A storm of rose petals blew across a blood-streaked sky, as blue as the eyes of death. “Lord Eddard,” Lyanna called again. “I promise,” he whispered. “Lya, I promise
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
She was wearing blue jeans and a dark blue peasant blouse, the ties of the neck open. She looked so beautiful and soft, with her big brown eyes and her light brown hair shining in the afternoon light. He couldn't see the pink streak, and he had an incredible urge to find it.
Sarah Addison Allen (The Girl Who Chased the Moon)
Those who visited that exhibition-room found an auto-de-fé of immense skies in ignition, globes blotted out by bleeding suns; hemorrhages of stars, flowing down in purple cataracts over tumbling tufts of clouds. Against this background of terrible din, silent women passed, nude or appareled in jeweled stuffs, like the bindings of the old Evangelists; women with hair of shaggy silk, with pale blue eyes, hard and fixed, and flesh of the frozen whiteness of milk; Salomes holding, motionless upon a platter, the head of the Baptist, which shone, soaked in phosphorus, under the quincunxes with shorn leaves, of a green that was almost black; goddesses galloping on hippogriffs and streaking, with the lapis lazuli of their wings, the agony of the clouds; feminine idols, in tiaras, upright on thrones, at the top of stairs submerged in extraordinary flowers, or seated, in rigid poses, upon the backs of elephants with green-mantled foreheads and breasts strung with pearl-ropes like cavalry bells, stamping about upon their own heavy image, reflected in a sheet of water and splashed by the columns of the ring-circled legs!
Joris-Karl Huysmans (Downstream and Other Works)
With other black boys the strife was not so fiercely sunny: their youth shrunk into tasteless sycophancy, or into silent hatred of the pale world about them and mocking distrust of everything white; or wasted itself in a bitter cry, Why did God make me an outcast and a stranger in mine own house? The shades of the prison-house closed round about us all: walls strait and stubborn to the whitest, but relentlessly narrow, tall, and unscalable to sons of night who must plod darkly on in resignation, or beat unavailing palms against the stone, or steadily, half hopelessly, watch the streak of blue above.
W.E.B. Du Bois (The Souls of Black Folk)
The shades of the prison house closed round about us all: walls strait and stubborn to the whitest, but relentlessly narrow, tall, and unscalable to sons of night who must plod darkly on in resignation, or beat unavailing palms against the stone, or steadily, half hopelessly, watch the streak of blue above.
W.E.B. Du Bois (The Souls of Black Folk)
I drummed my fingers on the steering wheel as I looked around the empty lot. I wavered on getting out when a giant lightning bolt painted a jagged streak across the rainy lavender-gray sky. Minutes passed and still he didn’t come out of the Three Hundreds’ building. Damn it. Before I could talk myself out of it, I jumped out of the car, cursing at myself for not carrying an umbrella for about the billionth time and for not having waterproof shoes, and ran through the parking lot, straight through the double doors. As I stomped my feet on the mat, I looked around the lobby for the big guy. A woman behind the front desk raised her eyebrows at me curiously. “Can I help you with something?” she asked. “Have you seen Aiden?” “Aiden?” Were there really that many Aidens? “Graves.” “Can I ask what you need him for?” I bit the inside of my cheek and smiled at the woman who didn’t know me and, therefore, didn’t have an idea that I knew Aiden. “I’m here to pick him up.” It was obvious she didn’t know what to make of me. I didn’t exactly look like pro-football player girlfriend material in that moment, much less anything else. I’d opted not to put on any makeup since I hadn’t planned on leaving the house. Or real pants. Or even a shirt with the sleeves intact. I had cut-off shorts and a baggy T-shirt with sleeves that I’d taken scissors to. Plus the rain outside hadn’t done my hair any justice. It looked like a cloud of teal. Then there was the whole we-don’t-look-anything-alike thing going on, so there was no way we could pass as siblings. Just as I opened my mouth, the doors that connected the front area with the rest of the training facility swung open. The man I was looking for came out with his bag over his shoulder, imposing, massive, and sweaty. Definitely surly too, which really only meant he looked the way he always did. I couldn’t help but crack a little smile at his grumpiness. “Ready?” He did his form of a nod, a tip of his chin. I could feel the receptionist’s eyes on us as he approached, but I was too busy taking in Grumpy Pants to bother looking at anyone else. Those brown eyes shifted to me for a second, and that time, I smirked uncontrollably. He glared down at me. “What are you smiling at?” I shrugged my shoulders and shook my head, trying to give him an innocent look. “Oh, nothing, sunshine.” He mouthed ‘sunshine’ as his gaze strayed to the ceiling. We ran out of the building side by side toward my car. Throwing the doors open, I pretty much jumped inside and shivered, turning the car and the heater on. Aiden slid in a lot more gracefully than I had, wet but not nearly as soaked. He eyed me as he buckled in, and I slanted him a look. “What?” With a shake of his head, he unzipped his duffel, which was sitting on his lap, and pulled out that infamous off-black hoodie he always wore. Then he held it out. All I could do was stare at it for a second. His beloved, no-name brand, extra-extra-large hoodie. He was offering it to me. When I first started working for Aiden, I remembered him specifically giving me instructions on how he wanted it washed and dried. On gentle and hung to dry. He loved that thing. He could own a thousand just like it, but he didn’t. He had one black hoodie that he wore all the time and a blue one he occasionally donned. “For me?” I asked like an idiot. He shook it, rolling his eyes. “Yes for you. Put it on before you get sick. I would rather not have to take care of you if you get pneumonia.” Yeah, I was going to ignore his put-out tone and focus on the ‘rather not’ as I took it from him and slipped it on without another word. His hoodie was like holding a gold medal in my hands. Like being given something cherished, a family relic. Aiden’s precious.
Mariana Zapata (The Wall of Winnipeg and Me)
Streaks of dark, wet pink and glistening blue seep through the sky like spilled watercolour, while floating lanterns rise gently over the horizon like ghosts. A soft breeze drifts over my skin, carrying with it the fragrance of chrysanthemums and fresh-baked pastries from the snack stalls below. Then there’s Henry.
Ann Liang (If You Could See the Sun)
She is a Weyward. And she carries another Weyward inside her. She gathers herself together, every cell blazing, and thinks: Now. The window breaks, a waterfall of sharp sounds. The room grows dark with feathered bodies, shooting through the broken window, the fireplace. Beaks, claws, and eyes flashing. Feathers brushing her skin. Simon yells, his hand loosening on her throat. She sucks in the air, falling to her knees, one hand cradling her stomach. Something touches her foot, and she sees a dark tide of spiders spreading across the floor. Birds continue to stream through the window. Insects, too: the azure flicker of damselflies, moths with orange eyes on their wings. Tiny, gossamer mayflies. Bees in a ferocious golden swarm. She feels something sharp on her shoulder, its claws digging into her flesh. She looks up at blue-black feathers, streaked with white. A crow. The same crow that has watched over her since she arrived. Tears fill her eyes, and she knows in that moment that she is not alone in the cottage. Altha is there, in the spiders that dance across the floor. Violet is there, in the mayflies that glisten and undulate like some great silver snake. And all the other Weyward women, from the first of the line, are there, too. They have always been with her, and always will be.
Emilia Hart (Weyward)
Well, at first I did; I was restless; I didn't know however I should manage to support life--you know there are such moments, especially in solitude. There was a waterfall near us, such a lovely thin streak of water, like a thread but white and moving. It fell from a great height, but it looked quite low, and it was half a mile away, though it did not seem fifty paces. I loved to listen to it at night, but it was then that I became so restless. Sometimes I went and climbed the mountain and stood there in the midst of the tall pines, all alone in the terrible silence, with our little village in the distance, and the sky so blue, and the sun so bright, and an old ruined castle on the mountain-side, far away. I used to watch the line where earth and sky met, and longed to go and seek there the key of all mysteries, thinking that I might find there a new life, perhaps some great city where life should be grander and richer--and then it struck me that life may be grand enough even in a prison.
Fyodor Dostoevsky (El Idiota)
Look at that sky,” Livvie said. “Uh-huh,” I said. “Ain’t it marvelous?” “Yeah, it’s marvelous.” “No, chile o’ mine, you ain’t understanding what I’m telling you.” Her voice was so soft and loving, it was hard to keep my worries on my mind. “What do ya mean?” “See them stars starting to twinkle? They’s Gawd’s diamonds. You ’eah me? And the night sky turning so blue? That’s He sapphires for us. And see that streak of red across the horizon? They’s a field of rubies. Whenever you feel troubled and poor in the spirit, just go look at the sunset and all Gawd’s riches just be a-waiting for you.” “Yeah, sure, Livvie,” I said. “I ain’t lying to you, chile. I is telling you for true.
Dorothea Benton Frank (Sullivan's Island (Lowcountry Tales #1))
Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
Annie Dillard (Pilgrim at Tinker Creek)
Living there [Horse Mesa] was like living in a natural cathedral. Waking up every morning, you walked outside and looked down at the blue lake, then up at the sandstone cliffs--those awe-inspiring layers of red and yellow rock shaped over the millennia, with dozens of black-streaked crevices that temporarily became waterfalls after rainstorms.
Jeannette Walls
MEMORY believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by a ten foot steel-and-wire fence like a penitentiary or a zoo, where in random erratic surges, with sparrowlike childtrebling, orphans in identical and uniform blue denim in and out of remembering but in knowing constant as the bleak walls, the bleak windows where in rain soot from the yearly adjacenting chimneys streaked like black tears.
William Faulkner (Light in August)
She’ll kill me, or herself, or Elizabeth. And yet I’m still not going to kill her. Even to save myself. Once upon a time, I thought she was nothing like me. Now, as I look down at her wretched face, I see tiny facets of myself in her. Survivor of a poisoned childhood, someone who put themselves back together and came out stronger for it. She’s got hidden reserves of toughness that I never even glimpsed. And she’s got a mean streak in her too. I like that about her. I like it a lot. I like everything about her. If I were a normal man, I’d say that I love everything about her. She makes me wish that I could be what she needs, what she deserves. But I am the man that I am, hard and unchanging and incurable.
Ginger Talbot (Tamara, Taken (Blue Eyed Monsters #1))
They all stood unwilling on the sandbar, holding to the net. In the eastern sky were the familiar castles and the round towers to which they were used, gray, pink, and blue, growing darker and filling with thunder. Lightning flickered in the sun along their thick walls. But in the west the sun shone with such a violence that in an illumination like a long-prolonged glare of lightning the heavens looked black and white; all color left the world, the goldenness of everything was like a memory, and only heat, a kind of glamor and oppression, lay on their heads. The thick heavy trees on the other side of the river were brushed with mile-long streaks of silver, and a wind touched each man on the forehead. At the same time there was a long roll of thunder that began behind them, came up and down mountains and valleys of air, passed over their heads, and left them listening still. With a small, near noise a mockingbird followed it, the little white bars of its body flashing over the willow trees. 'We are here for a storm now,' Virgil said. 'We will have to stay till it’s over.' ("The Wide Net")
Eudora Welty (The Collected Stories)
One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light
Émile Zola (Delphi Complete Works of Emile Zola)
As Angelique spoke, light laced with ribbons of pale blue and green streaked around Dylan like falling stars. The light closed in on her neck, encircling it like a necklace. There was no pain, but Dylan felt pressure in her throat. The magic warmed her neck as it soaked into her skin, making her glow for a few moments. There was the sound of a great door closing, and the magic was gone.
K.M. Shea (The Little Selkie (Timeless Fairy Tales, #5))
The relief of being clasped firmly, held close by his hands, was so great that Amanda couldn't hold back a sudden gasp. He nuzzled into her bare throat, kissing, tasting, and her knees wobbled at the sensations that streaked through her. "Beautiful Amanda," he muttered, his breath rushing fast and hot against her skin. "A chuisle mo chroi... I said that to you once before, remember?" "You didn't tell me what it meant," she managed to say, resting her soft cheek on his shaven, faintly scratchy one. He pulled his head back and stared down at her with shadowed eyes that looked black instead of blue. His broad chest moved jerkily from the force of his breathing. "The very pulse of my heart," he whispered. "From the first moment we met, Amanda, I knew how it would be between us.
Lisa Kleypas (Suddenly You)
Eighteen years have gone by, and still I can bring back every detail of that day in the meadow. Washed clean of summer’s dust by days of gentle rain, the mountains wore a deep, brilliant green. The October breeze set white fronds of head-high grasses swaying. One long streak of cloud hung pasted across a dome of frozen blue. It almost hurt to look at that far-off sky. A puff of wind swept across the meadow and through her hair before it slipped into the woods to rustle branches and send back snatches of distant barking – a hazy sound that seemed to reach us from the doorway to another world. We heard no other sounds. We met no other people. We saw only two bright red birds leap startled from the centre of the meadow and dart into the woods. As we ambled along, Naoko spoke to me of wells.
Haruki Murakami (Norwegian Wood)
Merritt stared in bemusement at the big, wrathful Scotsman. He was an extraordinary sight, more than six feet of muscle and brawn dressed in a thin wet shirt and trousers that clung as if they'd been glued to his skin. An irritable shiver, almost certainly from the chill of evaporating alcohol, ran over him. Scowling, he reached up to remove his flat cap, revealing a shaggy mop of hair, several months past a good cut. The thick locks were a beautiful cool shade of amber shot with streaks of light gold. He was handsome despite his unkempt state. Very handsome. His blue eyes were alert with the devil's own intelligence, the cheekbones high, the nose straight and strong. A tawny beard obscured the line of his jaw- perhaps concealing a weak chin?- she couldn't tell. Regardless, he was a stunner.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
A girl about her own age reached out and took hold of her hand. The girl was tall and thin. She had long black hair streaked with red, and the whites of her green eyes stood out against the black coal dust that covered her face. Her blue and white dress hung in tatters, and was blackened by coal dust and smeared with blood. The girl smiled and Rosie could see that in her other hand she was holding her red umbrella.
Denny Taylor (Rosie's Umbrella)
Simon had never forgotten the first moment that he had seen her standing outside the panorama, digging through her purse with a little pucker on her forehead. The sun had picked out streaks of gold and champagne in her light brown hair and made her skin glow. There had been something so delicious... so touchable... about her, the velvety skin and shining blue eyes, and the slight frown that he had longed to soothe away.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Let us have Men, Men who will say a word to their souls and keep it—keep it not when it is easy, but keep it when it is hard—keep it when the storm roars and there is a white-streaked sky and blue thunder before, and one’s eyes are blinded and one’s ears deafened with the war of opposing things; and keep it under the long leaden sky and the gray dreariness that never lifts. Hold unto the last: that is what it means to have a Dominant Idea.
George H. Smith (Individualism: A Reader)
They were described variously as majestic, Herculean, and as one of the Smithsonian Institution’s first ethnographers put it, “as fine a race of men physically, perhaps, as there is in existence.”14 They painted their faces coal black, with a red streak from the hairline to the chin, and were known for their tattooing and face painting, on both men and women, which communicated everything from military might to grief over the loss of a child.
Margot Mifflin (The Blue Tattoo: The Life of Olive Oatman (Women in the West))
The sky is a virginal blue translucence as though bereft for a fleeting moment of the effects of both light and darkness. A crimson streak smoulders over the outline of the hills, a simmering bloodline. There is a solitary canoe on the water. A cold white sheen rises from the water. She holds her breath. As if to stop any more time from passing, to stop the future happening. The peacefulness of the morning is almost heartbreaking in its fragility.
Glenn Haybittle (The Way Back to Florence)
Sure, there are good things, lots, sure, blow jobs, chocolate mousse, winning streaks, the warm fire in your enemy’s house, good book, hunk of cheese, flagon of ale, office raise, championship ring, the misfortunes of others, sure, good things, beyond count, queens, kings, old clocks, comfy clothes, lots, innumerable items in stock, baseball cards and bingo buttons, pot-au-feu, listen, we could go on and on like a long speech, sure it’s a great world, sights to see, canyons full of canyon, corn on the cob, the eroded great pyramids, contaminated towns, eroded hillsides, deleafed trees, those whitened limbs stark and noble in the evening light, geeeez, what gobs of good things, no shit, service elevators, what would we do without, and all the inventions of man, Krazy Glue and food fights, girls wrestling amid mounds of Jell-O, drafts of dark beer, no end of blue sea, formerly full of fish, eroded hopes, eruptions of joy, because we’re winning, have won, won, won what? the . . . the Title.
William H. Gass (Tests of Time)
Oh no,” she breathed. “Not the Highwoods.” She called after the coach as it rumbled off into the distance. “Mrs. Highwood, wait! Come back. I can explain everything. Don’t leave!” “They seem to have already left.” She turned on Bram, flashing him an angry blue glare. The force of it pushed against his sternum. Not nearly sufficient to move him, but enough to leave an impression. “I do hope you’re happy, sir. If tormenting innocent sheep and blowing ruts in our road weren’t enough mischief for you today, you’ve ruined a young woman’s future.” “Ruined?” Bram wasn’t in the habit of ruining young ladies-that was his cousin’s specialty-but if he ever decided to take up the sport, he’d employ a different technique. He edged closer, lowering his voice. “Really, it was just a little kiss. Or is this about your frock?” His gaze dipped. Her frock had caught the worst of their encounter. Grass and dirt streaked the yards of shell-pink muslin. A torn flounce drooped to the ground, limp as a forgotten handkerchief. Her neckline had likewise strayed. He wondered if she knew her left breast was one exhortation away from popping free of her bodice altogether. He wondered if he should stop staring at it. No, he decided. He would do her a favor by staring at it, calling her attention to what needed to be repaired. Indeed. Staring at her half-exposed, emotion-flushed breast was his solemn duty, and Bram was never one to shirk responsibility. “Ahem.” She crossed her arms over her chest, abruptly aborting his mission. “It’s not about me,” she said, “or my frock. The woman in that carriage was vulnerable and in need of help, and…” She blew out a breath, lifting the stray wisps of hair from her brow. “And now she’s gone. They’re all gone.” She looked him up and down. “So what is it you require? A wheelwright? Supplies? Directions to the main thoroughfare? Just tell me what you need to be on your way, and I will happily supply it.” “We won’t put you to any such trouble. So long as this is the road to Summerfield, we’ll-“ “Summerfield? You didn’t say Summerfield.” Vaguely, he understood that she was vexed with him, and that he probably deserved it. But damned if he could bring himself to feel sorry. Her fluster was fiercely attractive. The way her freckles bunched as she frowned at him. The elongation of her pale, slender neck as she stood straight in challenge. She was tall for a woman. He liked his women tall. “I did say Summerfield,” he replied. “That is the residence of Sir Lewis Finch, is it not?” Her brow creased. “What business do you have with Sir Lewis Finch?” “Men’s business, love. The specifics needn’t concern you.” “Summerfield is my home,” she said. “And Sir Lewis Finch is my father. So yes, Lieutenant Colonel Victor Bramwell”-she fired each word as a separate shot-“you concern me.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
Are you a good human being, Gerry? I mean good in the sense that if you put everything in the scales, they’d tip that way?” It startled her. “I don’t know. I haven’t thought of myself that way. I think I like the lush life a little too much. That’s why I married George. I’m vain. I like men to admire me. I’ve got a coarse streak that comes out at the wrong times. But I do try to live up to … some kind of a better image of myself. And I try to improve. I came from nothing, Trav, from a little raggedy-ass spread in the Panhandle with too many kids and too few rooms.
John D. MacDonald (The Deep Blue Good-By)
It was Horace. He’d squeezed out of his cage again. He could make himself quite runny when he wanted to. There was a broken butter dish on the floor, but although it had been full of butter, there was none there now. There was just a greasy patch. And, from the darkness under the sink, there came a sort of high-speed grumbling noise, a kind of mnnamnamnam.... “Oh, you’re after butter now, are you, Horace?” said Tiffany, picking up the dairy broom. “That’s practically cannibalism, you know.” Still, it was better than mice, she had to admit. Finding little piles of mouse bones on the floor was a bit distressing. Even Miss Treason had not been able to work that one out. A mouse she happened to be looking through would be trying to get at the cheeses and then it would all go dark. That was because Horace was a cheese. Tiffany knew that Lancre Blue cheeses were always a bit on the lively side, and sometimes had to be nailed down, but...well, she was highly skilled at cheese making, even though she said it herself, and Horace was definitely a champion. The famous blue streaks that gave the variety its wonderful color were really pretty, although Tiffany wasn’t sure they should glow in the dark.
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
A Rakshasi did not live here. A princess did. I was staring into the most dazzling garden I had ever seen. Cobblestone pathways meandered between rows of salmon-hued hibiscus, regal hollyhock, delicate impatiens, wild orchids, thorny rosebushes, and manicured shrubs starred with jasmine. Bunches of bougainvillea cascaded down the sides of the wall, draped across the stone like extravagant shawls. Magnolia trees, cotton-candy pink, were interspersed with coconut trees, which let in streaks of purplish light through their fanlike leaves. A rock-rimmed pond glistened in a corner of the garden, and lotus blossoms sprouting from green discs skimmed its surface. A snow white bird that looked like a peacock wove in and out through a grove of pomegranate trees, which were set aflame by clusters of deep orange blossoms. I had seen blue peacocks before, but never a white one. An Ashoka tree stood at one edge of the garden, as if on guard, near the door. A brief wind sent a cluster of red petals drifting down from its branches and settling on the ground at my feet. A flock of pale blue butterflies emerged from a bed of golden trumpet flowers and sailed up into the sky. In the center of this scene was a peach stucco cottage with green shutters and a thatched roof, quaint and idyllic as a dollhouse. A heavenly perfume drifted over the wall, intoxicating me- I wanted nothing more than to enter.
Kamala Nair (The Girl in the Garden)
The baron had one hand pressed to the nape of his neck, and the chest of his shirt was speckled with drops of blood. 'Were you bitten?' 'Yes' His face was pale, his lips colorless, and from them poked a pair of bloody red fangs - Taki's throat had been torn open. 'And that awoke it in you, too?' D's ears caught a distant voice. *You were my only success.* Taki's voice came back to him. *Save me D.* D heard the blue voice. 'D - destroy me.' 'No one has hired me.' 'I'll be the client.' 'I see.' For an instant, two streaks of light adorned the transparent morn. The light from the baron skimmed by D as the Hunter bent back far, imbedding itself in the floor, while D's blade pinned the Nobleman's chest to the wall.
Hideyuki Kikuchi (Vampire Hunter D Volume 12: Pale Fallen Angels - Parts Three and Four)
The light stayed wan, but reached further, every new minute, until the whole sky was gold, but pale, not enough to see by, too weak to cast the faintest shadow. Then warmer streaks bloomed, and lit the horizon, and finally the sun rose, unstoppable, for a second as red and angry as a sunset, then settling to a hot yellow blaze, half-clearing the horizon, and throwing immediate shadows, at first perfectly horizontal, then merely miles long. The sky washed from pale gold to pale blue, down through all the layers, so the world above looked newly deep as well as infinitely high and infinitely wide. The night dew had settled the dust, and until it dried the air was crystal. The view was pure and clear in every direction.
Lee Child (Make Me (Jack Reacher, #20))
We didn’t talk any more about Boris’s love interest, at least not that day, but then a few days later when I came out of math I saw him looming over this girl by the lockers. While Boris wasn’t especially tall for his age, the girl was tiny, despite how much older than us she seemed: flat-chested, scrawny-hipped, with high cheekbones and a shiny forehead and a sharp, shiny, triangle-shaped face. Pierced nose. Black tank top. Chipped black fingernail polish; streaked orange-and-black hair; flat, bright, chlorine-blue eyes, outlined hard, in black pencil. Definitely she was cute – hot, even; but the glance she slid over me was anxiety-provoking, something about her of a bitchy fast-food clerk or maybe a mean babysitter.
Donna Tartt (The Goldfinch)
Soli looked up to the sky. Same blue as the Mexican sky. She looked through the truck's slats. This was California. The United States of America. She had arrived. And here's what she discovered. This place, this America? This new place, this streets-of-gold place? Looked a hell of lot like the old place. America streaked by her, stripped and tender with heat. She watched it all rush past through the slats of the old truck: the tin roofs, seas of broken glass, glinting and breathless like a fever dream. America was the dust in her hair, the wind in her throat, the sun that shouted against her eyelids. Between the slates of this truck, America was nothing but a high-tech, high-speed dream of trees and houses and fences, a sliver of interrupted light.
Shanthi Sekaran (Lucky Boy)
For a week the sun had been nothing but a puffy, seamless sheet of white, and this Tuesday had begun the same. But as the day progressed, the grayness receded like a mist, the sky’s white became more illumined from behind, then occasionally a patch of blue would open. Then another here and there, until blue touched blue and they became background for streaks and wisps of cloud. Sunlight, rays of it, gave a brightness like spring, a direct and golden-yellow brightness unlike the trapped, refracted glow of a winter’s day, and to that homogeneous cityscape that lay so inert and wide and flat, just a few spring rays of sunshine gave a sudden depth and dimension to everything. Individual things came alive, as if each stood brightly before you, each with its own story.
Geoffrey Wood (The God Cookie)
going on. Models had always been different each year, but consistently solid and square, usually black or dark green. Suddenly a completely new generation was on gleaming display – wider and softer than ever. I’ve looked at the advertisements for that year. The earthy colours of previous decades were replaced by pastels, pinks and pale blues. The Chevrolet Bel Air and the Pontiac Star Chief, with their Strato-Streak V8 engines, were available in ‘Avalon Yellow’ as well as ‘Raven Black’. The new models had rounded, panoramic windscreens and, in the case of the new Cadillac, a strange rear end with tail fins like a fighter plane. Sales soared, rising by thirty-seven per cent between 1954 and 1955 alone. People were no longer so concerned about technology and durability; it was more
Geert Mak (In America: Travels with John Steinbeck)
Laila grinned widely. “My hero.” She kissed him on the cheek, and Enrique beamed. He wasn’t quite like the heroes he’d dreamed of becoming. He hadn’t saved a country from oppression or rescued anyone on his white horse … but he still felt rather impressive. He turned to Zofia, about to congratulate her, when she crossed her arms over her chest. “I’m not going to kiss you like Laila did.” Black ash streaked Zofia’s arms and the tops of her cheekbones. It made her eyes look like blue fire, her hair a wisp of candlelight. The farthest thing from his mind was her mouth on his, but when she said it, he couldn’t help but look at her lips. They were red as candy. Abruptly, Enrique pinched the bridge of his nose. He must have hit his head because the strangest thoughts kept darting through it.
Roshani Chokshi (The Gilded Wolves (The Gilded Wolves, #1))
The King of Hell was everything they said he was, both less and more. He was reputed to have the ability to seduce an abbess or the pope himself, and she could see why. It wasn't his physical beauty, which was considerable. He had dark blue eyes behind a fringe of ridiculously long lashes, pale, beautiful skin, the kind of mouth that could bring despair and delight- and what the hell was she doing, thinking about such things? He looked younger than his reputed age, around forty, and while his long dark hair was streaked with silver it only made him seem more leonine, more dangerous. He was tall, and he moved with an elegant grace that put dancers to shame. He was standing far too close to her, to the gun she'd stolen from Jacobs while he was busy with the carriage, and he was looking at her with far too much interest and absolutely no fear.
Anne Stuart (Ruthless (The House of Rohan, #1))
cabin for a long moment. Just looking at it made her smile. It was tiny and whimsical – a cedar sided A-frame with a bright green roof and purple trim, complete with a purple star at the point of the A-frame. It sat in a small open area amongst spruce and alder. The hill tumbled down behind it, offering a wide-open view of Kachemak Bay. She’d been in Diamond Creek, Alaska for almost three years. The sun was rising behind the mountains across the bay, streaks of gold and pink reaching into the sky and filtering through the wispy clouds that sat above the mountains this morning. The air was cool and crisp, typical for an Alaskan summer morning. When the sun was high, the chill would dissipate. A faded blue Subaru pulled into the driveway. Susie climbed out of her car, grabbed some fishing gear and walked to Emma’s truck. “Morning! Sorry I’m late,” Susie said. Emma reached over and took a fishing rod out of Susie’s hands.
J.H. Croix (Love Unbroken (Diamond Creek, Alaska #3))
He frowned down at her. “You need to settle down and listen to me.” “You need to fuck off and—” She never got the next word out because he flipped her over on her stomach. While she cursed and tried to move him he tied her hands together with something, then wrapped some silky cloth around her head, forcing it between her lips. Bound and gagged, he moved her back over so she was on her back again. Beyond pissed, she struggled against her bindings, trying to get free so she could kill him. To her disgust he just grinned and watched her writhe on her mattress until she finally lay there in a sweaty, panting heap, with her hands still bound and her mouth still gaged. “Done with your tantrum?” he asked in a quiet voice. “Fuck you,” she said, or at least tried to say. It must have come through loud and clear because he smiled at her, a predatory smile that actually made her wet. Damn her hormones had bad taste and timing. He licked his lips and her pussy throbbed. “Oh, you’ll be begging me to fuck you by the time I’m done with you.” She glared, then rolled over on her stomach so she could flip him off with both bound hands. “See, this is why I love you. I love you, Amanda. You’re it for me. All I want, the only woman I want.” He leaned down and brushed her hair back from her face with a gentle touch. “Hold still and I’ll let you up. I’m sorry if I scared you.” “Wait,” she said in a garbled voice. “You love me?” He smiled and began to unbutton his shirt, slowly, revealing his magnificent body an inch at a time. “That’s right, I love you. I love how brave you are, how smart, how classy and yet at the same time you can cuss up a blue streak. I love how you take care of me, how I’m the only one who gets to see the soft, feminine side of you that comes out when you make love. I love your temper, your kindness, and how you devour me with your eyes, like you want to eat me alive. Kind of like you’re doing right now.” “I don’t love you,” she mumbled through the gag. “Liar,” he whispered into her ear, tracing the shell with the tip of his tongue.
Ann Mayburn (The Fighter's Secretary)
She didn't look up, her gaze focused entirely on the paper before her as she drew what looked like a wing. He picked up one of the papers from the floor, and on it was a butterfly, the colors a blending of vibrant yellows and oranges. He held out the paper. "What's this one called?" "Golden Shimmer," she said. "She loves the sunlight." He picked up a picture of a light-purple butterfly with a string of pearls around her neck. "And this one?" "Lavender Lace. She has the power to heal all sorts of wounds." He scanned the room, all the pictures on the floor. "Do they each have a name?" Finally she looked at him, her bright-blue eyes meeting his. "Of course." And he realized with a pang of sadness that these were Libby's friends for life. "They are beautiful." A glint of a smile. "Thank you." He picked up another butterfly, this one a dark violet shade, a silver streak bleeding across the edge of its wings. "What is she called?" "Silver Shadow." "Does she have a story?" Libby's smile faded. "She's lost and can't seem to find her way home.
Melanie Dobson (Shadows of Ladenbrooke Manor)
There were many skies. The sky was invaded by great white clouds, flat on the bottom but round and billowy on top. The sky was completely cloudless, of a blue quite shattering to the senses. The sky was a heavy, suffocating blanket of grey cloud, but without promise of rain. The sky was thinly overcast. The sky was dappled with small, white, fleecy clouds. The sky was streaked with high, thin clouds that looked like a cotton ball stretched a part. The sky was a featureless milky haze. The sky was a density of dark and blustery rain clouds that passed by without delivering rain. The sky was painted with a small number of flat clouds that looked like sandbars. The sky was a mere block to allow a visual effect on the horizon: sunlight flooding the ocean, the vertical edges of between light and shadow perfectly distinct. The sky was a distant black curtain of falling rain. The sky was many clouds at many levels, some thick and opaque, others looking like smoke. The sky was black and spitting on my smiling face. The sky was nothing but falling water, a ceaseless deluge that wrinkled and bloated my skin and froze me stiff.
Yann Martel (Life of Pi)
The reason was not hard to discern. The head of the body was also shaven with the tonsure of Columba. What remained of his clothing proclaimed it to have once consisted of the habit of a religieux, though there was no sign of the crucifix, leather belt and satchel that a peregrinus pro Christo would have carried. The leading traveller had drawn near on his mule and gazed up with a terrified expression on his white features. Another of the party, one of the two women, urged her mount nearer and gazed up at the corpse with a steady eye. She rode a horse, a fact that signified that she was no ordinary religieuse but a woman of rank. There was no fear on her pale features, just a slight expression of repulsion and curiosity. She was a young woman, tall but well proportioned, a fact scarcely concealed by her sombre dress. Rebellious strands of red hair streaked from beneath her headdress. Her pale-skinned features were attractive and her eyes were bright and it was difficult to discern whether they were blue or green, so changeable with emotion were they. ‘Come away, Sister Fidelma,’ muttered her male companion in agitation. ‘This is not a sight for your eyes.
Peter Tremayne (Absolution By Murder (Sister Fidelma, #1))
Tresses of lustrous, snow-white hair tumbled from their cloth-bound imprisonment, streaming like a waterfall down the young woman’s back. In an effort to make his student more at ease, Alexi did his best to appear wholly disinterested as she carefully removed her protections with delicate, private ceremony. But then she turned to face him, clutching those items that had held her unusual features in mystery : glasses, gloves, long scarf. "As you would have it so, Professor, here is your pupil in all her ghastliness." Though Miss Parker's hands clearly trembled, her voice did not. Luminous crystal eyes held streaks of pale blue shooting from tiny black pupils. A face youthful but devoid of color, smooth and unblemished like porcelain, had graceful lines as well-defined and proportioned as a marble statue. Her long, blanched locks shimmered in the candlelight like spider silk. Upon high cheekbones lay hints of rouge : any more would have appeared garish against her blindingly white skin, but she had been artful in her application. Her rosebud lips were tinted in the same manner. "You see, Professor, even you, so stern and stoic, cannot hide your shock, surprise, distaste-" "Distaste ?" he interrupted quietly. "Is that what you see ?
Leanna Renee Hieber (The Strangely Beautiful Tale of Miss Percy Parker (Strangely Beautiful, #1))
A BLESSING FROM MY SIXTEEN YEARS’ SON I have this son who assembled inside me during Hurricane Gloria. In a flash, he appeared, in a tiny blaze. Outside, pines toppled. Phone lines snapped and hissed like cobras. Inside, he was a raw pearl: microscopic, luminous. Look at the muscled obelisk of him now pawing through the icebox for more grapes. Sixteen years and not a bone broken, not a single stitch. By his age, I was marked more ways, and small. He’s a slouching six foot two, with implausible blue eyes, which settle on the pages of Emerson’s “Self Reliance” with profound belligerence. A girl with a navel ring could make his cell phone buzz, or an Afro’d boy leaning on a mop at Taco Bell— creatures strange as dragons or eels. Balanced on a kitchen stool, each gives counsel arcane as any oracle’s. Dante claims school is harshing my mellow. Rodney longs to date a tattooed girl, because he wants a woman willing to do stuff she’ll regret. They’ve come to lead my son into his broadening spiral. Someday soon, the tether will snap. I birthed my own mom into oblivion. The night my son smashed the car fender, then rode home in the rain-streaked cop cruiser, he asked, Did you and Dad screw up so much? He’d let me tuck him in, my grandmother’s wedding quilt from 1912 drawn to his goateed chin. Don’t blame us, I said. You’re your own idiot now. At which he grinned. The cop said the girl in the crimped Chevy took it hard. He’d found my son awkwardly holding her in the canted headlights, where he’d draped his own coat over her shaking shoulders. My fault, he’d confessed right off. Nice kid, said the cop.
Mary Karr (Now Go Out There (and Get Curious))
I am a Carpathian male, long in the world of darkness. It is true that I feel very little, that my nature revels in the hunt, in the kill. To overcome the wild beast we have to find our one mate, our other half, the light to our darkness. You are my light, Raven, my very life. That does not take away my obligations to my people. I must hunt those who prey on mortals, those who prey on our people. I cannot feel while I do so, or madness would be my fate. Kiss me and merge your mind with mine. Love me for who I am.” Raven’s body ached and burned. Needed. Hungered. His heart beat so strongly. His skin felt so temptingly hot, his muscles hard against her softness. Every touch of his lips sent a jolt of electricity sizzling through her. “I cannot lie to you,” he whispered. “You know my thoughts. You know the beast that dwells inside. I try to be gentle with you, to listen to you. Always that wildness breaks free, but you tame me. Raven, please, I need you. And you need me. Your body is weak, I can feel your hunger. Your mind is fragmented--allow me to heal you. Your body cries out for mine as mine does for yours. Kiss me, Raven. Do not give up on us.” Her blue eyes continued to search his face and then came to rest on his sensual mouth. A small sigh escaped. His lips hovered over hers, waited for her answer. It was in her eyes first, that moment of complete recognition. Tenderness rushed over her, and she caught his head in her hands. “I think I’m afraid I made you up, Mikhail. That something so much a part of me, so perfect, can’t be real. I don’t want you to be what I dreamed of and the nightmare to be real.” She brought his face the inch separating them and fastened her mouth to his. Thunder pounded in her ears, in his. White-hot heat streaked and danced, consumed her, consumed him. His hand touched hers gently, tentatively, found no resistance, and he merged them together so that his burning need became hers, so that the wild, unbridled passion in him fed hers. So that she knew he was real and would never leave her alone, could never leave her alone.
Christine Feehan (Dark Prince (Dark, #1))
Bobby ran up on the deck and skidded to a stop in front of them. “It’s time for the Kowalski Fourth of July Football Game of Doom!” Cat laughed and pushed herself out of her seat. “We’ll talk about this some other time, Emma. Go have fun.” “I’m not sure I want to play football. Especially if there’s doom involved,” she said, but Bobby grabbed her hand and dragged her off the deck. They were divvied up into teams roughly by size, each with an assortment of men, women and children. Emma was on Sean’s team, which was good. She’d just hide behind him, because the only thing she knew about football was that it involved a lot of hitting. It only took a few plays to see that the Kowalskis played by their own rules and the few they had were fluid. Mostly they served to ensure the smaller kids didn’t get plowed over, victims of the adults’ competitive streak. Five minutes into the game, Emma somehow ended up with the ball. She squealed and looked around for somebody—anybody—to hand it off to, but there was nobody. Well, there was Danny, but he was doubled over in laughter. “Run, Emma,” Lisa yelled. She ran in the direction her friend was frantically waving her hand, but she only went a few feet before two very strong arms wrapped around her waist and then she was falling. Luckily, she landed on a body instead of the ground. “I love football,” Mitch said, grinning up at her. Emma grimaced and managed to get one of her knees on solid ground so she could push herself to her feet. He was quicker and freed himself to stand and help her up. “They should give you the ball more often,” he said, his blue eyes sparkling and the grin so like Sean’s—but not quite as naughty—in full force. “Hands off my girl,” Sean told him, pulling on Emma’s elbow. “You should do a better job of blocking for her. “Let’s go,” Brian shouted. The very next play, Mitch intercepted Mike’s pass to Evan and turned to run toward the other end zone. He was halfway there when Sean took him down hard. They hit the ground with a bone-jarring thud that made Emma wince, and came up pushing and shoving. When Sean drew back his arm to throw the first punch, Mary blew her whistle from the sidelines. “Boys! Enough!” Instead of heading straight for the huddle, Sean walked to Emma and pulled her into his arms for a hard, almost punishing caveman kiss that made her skin sizzle and her knees go wobbly. Then he glared at his brother for a few long seconds and went back to his team, leaving Emma standing there breathless and discombobulated.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
Raven paced restlessly across the floor of the cabin, sending Jacques a little self-mocking smile. “I’m very good at waiting.” “I can see that,” Jacques agreed dryly. “Come on, Jacques”— Raven made the length of the room again, turned to face him—“ don’t you find this even a little bit nerve-racking?” He leaned lazily back in his chair, flashing a cocky grin. “Being caged up with a beautiful lunatic, you mean?” “Ha, ha, ha. Do all Carpathian males think they’re stand-up comedians?” “Just those of us with sisters-in-law who bounce off walls. I feel like I am watching a Ping-Pong ball. Settle down.” “Well, how long does something like this take? I thought he implied he’d be in and out of the hospital in two minutes, Jacques. What could have gone wrong? Mikhail was very upset.” “Mikhail did not actually say anything went wrong, did he?” Jacques asked, blankly innocent. Raven’s large blue-violet eyes settled on Jacques’s face thoughtfully. Jacques squirmed under her suspicious, steady gaze. There was far too much intelligence in her enormous eyes to suit him. He held up a placating hand. “Now, Raven.” “Don’t you now-Raven me. That brother of yours, worm that he is, male chauvinist unequaled in modern times, told you something he didn’t tell me, didn’t he?” Leaning back with studied casualness, Jacques tipped his chair to a precarious angle and raised an eyebrow. “Women have vivid imaginations. I think you have a suspicious nature due to your American upbringing.” “Intellect, Jacques, not imagination,” she corrected sweetly. “My American upbringing made me incredibly intelligent, and believe me, I can spot one of your pathetic Carpathian plots to protect the helpless woman from information you consider would make her fragile little delicate self unnecessarily fearful.” He grinned at her. “Carpathian males understand the fragile nature of women’s nerves. Women— especially American women— just cannot take the adversity that we men can.” “I think I should have enjoyed meeting your mother. How a woman could manage to raise two domineering tyrants like you and Mikhail is beyond me.” His dark eyes laughed at her. “But we are charismatic, sexy, handsome, and always right.” Raven hooked her foot around his chair and sent him crashing to the floor. Hands on hips, she regarded him with a superior glint. “Carpathian men are vain, dear brother-in-law,” she proclaimed, “but not too bright.” Jacques glared up at her with mock ferocity. “You have a mean streak in you, woman. Whatever happened to a soft, sweet, Yes, my lord, you’re always right?” “Try the Dark Ages.
Christine Feehan (Dark Prince (Dark, #1))
The madness surged around him, and Rhy tore himself away from the breaking city and turned his sights again to his quest for the captain of the Night Spire. There were only two places Alucard Emery would go: his family estate or his ship. Logic said he’d go to the house, but something in Rhy’s gut sent him in the opposite direction, toward the docks. He found the captain on his cabin floor. One of the chairs by the hearth had been toppled, a table knocked clean of glasses, their glittering shards scattered in the rug and across the wooden floor. Alucard—decisive, strong, beautiful Alucard—lay curled on his side, shivering with fever, his warm brown hair matted to his cheeks with sweat. He was clutching his head, breath escaping in ragged gasps as he spoke to ghosts. “Stop … please …” His voice—that even, clear voice, always brimming with laughter—broke. “Don’t make me …” Rhy was on his knees beside him. “Luc,” he said, touching the man’s shoulder. Alucard’s eyes flashed open, and Rhy recoiled when he saw them filled with shadows. Not the even black of Kell’s gaze, but instead menacing streaks of darkness that writhed and coiled like snakes through his vision, storm blue irises flashing and vanishing behind the fog. “Stop,” snarled the captain suddenly. He struggled up, limbs shaking, only to fall back against the floor. Rhy hovered over him, helpless, unsure whether to hold him down or try to help him up. Alucard’s eyes found his, but looked straight through him. He was somewhere else. “Please,” the captain pleaded with the ghosts. “Don’t make me go.” “I won’t,” said Rhy, wondering who Alucard saw. What he saw. How to free him. The captain’s veins stood out like ropes against his skin. “He’ll never forgive me.” “Who?” asked Rhy, and Alucard’s brow furrowed, as if he were trying to see through the fog, the fever. “Rhy—” The sickness tightened its hold, the shadows in his eyes streaking with lines of light like lightning. The captain bit back a scream. Rhy ran his fingers over Alucard’s hair, took his face in his hands. “Fight it,” he ordered. “Whatever’s holding you, fight it.” Alucard folded in on himself, shuddering. “I can’t….” “Focus on me.” “Rhy …” he sobbed. “I’m here.” Rhy Maresh lowered himself onto the glass-strewn floor, lay on his side so they were face-to-face. “I’m here.” He remembered, then. Like a dream flickering back to the surface, he remembered Alucard’s hands on his shoulders, his voice cutting through the pain, reaching out to him, even in the dark. I’m here now, he’d said, so you can’t die. “I’m here now,” echoed Rhy, twining his fingers through Alucard’s. “And I’m not letting go, so don’t you dare.” Another scream tore from Alucard’s throat, his grip tightening as the lines of black on his skin began to glow. First red, then white. Burning. He was burning from the inside out. And it hurt—hurt to watch, hurt to feel so helpless. But Rhy kept his word. He didn’t let go.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
Everywhere you look with this young lady, there’s a purity of motivation,” Shultz told him. “I mean she really is trying to make the world better, and this is her way of doing it.” Mattis went out of his way to praise her integrity. “She has probably one of the most mature and well-honed sense of ethics—personal ethics, managerial ethics, business ethics, medical ethics that I’ve ever heard articulated,” the retired general gushed. Parloff didn’t end up using those quotes in his article, but the ringing endorsements he heard in interview after interview from the luminaries on Theranos’s board gave him confidence that Elizabeth was the real deal. He also liked to think of himself as a pretty good judge of character. After all, he’d dealt with his share of dishonest people over the years, having worked in a prison during law school and later writing at length about such fraudsters as the carpet-cleaning entrepreneur Barry Minkow and the lawyer Marc Dreier, both of whom went to prison for masterminding Ponzi schemes. Sure, Elizabeth had a secretive streak when it came to discussing certain specifics about her company, but he found her for the most part to be genuine and sincere. Since his angle was no longer the patent case, he didn’t bother to reach out to the Fuiszes. — WHEN PARLOFF’S COVER STORY was published in the June 12, 2014, issue of Fortune, it vaulted Elizabeth to instant stardom. Her Journal interview had gotten some notice and there had also been a piece in Wired, but there was nothing like a magazine cover to grab people’s attention. Especially when that cover featured an attractive young woman wearing a black turtleneck, dark mascara around her piercing blue eyes, and bright red lipstick next to the catchy headline “THIS CEO IS OUT FOR BLOOD.” The story disclosed Theranos’s valuation for the first time as well as the fact that Elizabeth owned more than half of the company. There was also the now-familiar comparison to Steve Jobs and Bill Gates. This time it came not from George Shultz but from her old Stanford professor Channing Robertson. (Had Parloff read Robertson’s testimony in the Fuisz trial, he would have learned that Theranos was paying him $500,000 a year, ostensibly as a consultant.) Parloff also included a passage about Elizabeth’s phobia of needles—a detail that would be repeated over and over in the ensuing flurry of coverage his story unleashed and become central to her myth. When the editors at Forbes saw the Fortune article, they immediately assigned reporters to confirm the company’s valuation and the size of Elizabeth’s ownership stake and ran a story about her in their next issue. Under the headline “Bloody Amazing,” the article pronounced her “the youngest woman to become a self-made billionaire.” Two months later, she graced one of the covers of the magazine’s annual Forbes 400 issue on the richest people in America. More fawning stories followed in USA Today, Inc., Fast Company, and Glamour, along with segments on NPR, Fox Business, CNBC, CNN, and CBS News. With the explosion of media coverage came invitations to numerous conferences and a cascade of accolades. Elizabeth became the youngest person to win the Horatio Alger Award. Time magazine named her one of the one hundred most influential people in the world. President Obama appointed her a U.S. ambassador for global entrepreneurship, and Harvard Medical School invited her to join its prestigious board of fellows.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)