Blue Goggles Quotes

We've searched our database for all the quotes and captions related to Blue Goggles. Here they are! All 16 of them:

As we headed out toward the parking lot, Dan said "Why don't we take the truck? It's less conspicuous." He had a point. With Fang sitting on the back of my motorcycle in his goggles we were more likely to draw attention than divert it. YEAH, THAT'S 'CAUSE I'M SMOKIN'!
Parker Blue (Bite Me (Demon Underground, #1))
I don’t know the derivation of this comfort craving, but there’s a quote from Cookie Monster that’s always inhabited my head: 'Today me will live in the moment, unless it’s unpleasant, in which case me will eat a cookie.' While I don’t take all of my mantras from goggle-eyed blue monsters with questionable grammar, this one has taken root. Lately I’ve been craving cookies a lot.
Steven Rowley (Lily and the Octopus)
If you are wearing yellow goggles, every blue thing will appear green to you. It is your perception, and it is your reality.
Naved Abdali
We’re all doing VR, every time we look at a screen. We have been for decades now. We just do it. We didn’t need the goggles, the gloves. It just happened.
William Gibson (Spook Country (Blue Ant, #2))
Blue approaches the temple in pilgrim’s guise: hair shorn to show the shine of circuitry curling around ears and up to scalp, eyes goggled, mouth a smear of chrome sheen, eyelids chrome hooded. She wears antique typewriter keys on her fingertips in veneration of the great god Hack, and her arms are braceleted in whorls of gold, silver, palladium, glinting brighter than bright against her dark skin.
Amal El-Mohtar (This is How You Lose the Time War)
God bless her, but the child is wild. It’s not her fault. But she’ll never be normal. At least let her enjoy her childhood. You read the report, didn’t you? There was rotten food in the fridge, clothes all over the floor. She came here wearing one of her father’s T-shirts and his baseball cap. You just wanted to throw out all the things that she had in her suitcase and give her a chance to start all over again. And the child’s fingernails were long. Who ever heard of long fingernails on a twelve-year-old? And she smelled!’ ‘Is she worse than Rodney?’ ‘Rodney? No, God no. She doesn’t need psychiatric help. I’m just saying that she needs a couple extra things like a sweater or some new toys of her own.’ Later that afternoon, Isabelle came into my room with a box filled with girls’ toys. I pulled out a blue pony with long yellow hair and pink seashells on its butt. ‘Who was Rodney?’ I asked her. A little boy who lived here and used to wear swimming goggles all the time. Who’s been talking to you about Rodney?’ ‘You mentioned him to the social worker.’ ‘Lord! Don’t worry what I say to the social worker. I have to make you sound like a real sorrowful case to be able to get you more things. See, I got you a pretty pony, didn’t I?’ I guess it was worth having your self-esteem destroyed if there was a free toy involved. Isabelle told me that she was trying to get us a subscription to Ranger Rick magazine. I didn’t want to hear what she was going to say about me to get it.
Heather O'Neill (Lullabies for Little Criminals)
Excuse me, are you wanting ze bouillabaisse?" It was the girl from Beauxbatons who had laughed during Dumbledore's speech. She had finally removed her muffler. A long sheet of silvery-blonde hair fell almost to her waist. She had large, deep blue eyes, and very white, even teeth. Ron went purple. He stared up at her, opened his mouth to reply, but nothing came out except a faint gurgling noise. "Yeah, have it," said Harry, pushing the dish toward the girl. "You 'ave finished wiz it?" "Yeah," Ron said breathlessly. "Yeah, it was excellent." The girl picked up the dish and carried it carefully off to the Ravenclaw table. Ron was still goggling at the girl as though he had never seen one before. Harry started to laugh. The sound seemed to jog Ron back to his senses. "She's a veela!" he said hoarsely to Harry. "Of course she isn't!" said Hermione tartly. "I don't see anyone else gaping at her like an idiot!" But she wasn't entirely right about that. As the girl crossed the Hall, many boys' heads turned, and some of them had become temporarily speechless, just like Ron.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
They stood on tiptoe, strained their eyes. “Let me look.” “Well, look then.” “What you see?” That was the question. No one saw anything. Then, simultaneously, three distinct groups of marchers came into view. One came up 125th Street from the east, on the north side of the street, marching west towards the Block. It was led by a vehicle the likes of which many had never seen, and as muddy as though it had come out of East River. A bare-legged black youth hugged the steering-wheel. They could see plainly that he was bare-legged for the vehicle didn’t have any door. He, in turn, was being hugged by a bare-legged white youth sitting at his side. It was a brotherly hug, but coming from a white youth it looked suggestive. Whereas the black had looked plain bare-legged, the bare-legged white youth looked stark naked. Such is the way those two colors affect the eyes of the citizens of Harlem. In the South it’s just the opposite. Behind these brotherly youths sat a very handsome young man of sepia color with the strained expression of a man moving his bowels. With him sat a middle-aged white woman in a teen-age dress who looked similarly engaged, with the exception that she had constipation. They held a large banner upright between them which read: BROTHERHOOD! Brotherly Love Is The Greatest! Following in the wake of the vehicle were twelve rows of bare-limbed marchers, four in each row, two white and two black, in orderly procession, each row with its own banner identical to the one in the vehicle. Somehow the black youths looked unbelievably black and the white youths unnecessarily white. These were followed by a laughing, dancing, hugging, kissing horde of blacks and whites of all ages and sexes, most of whom had been strangers to each other a half-hour previous. They looked like a segregationist nightmare. Strangely enough, the black citizens of Harlem were scandalized. “It’s an orgy!” someone cried. Not to be outdone, another joker shouted, “Mama don’t ’low that stuff in here.” A dignified colored lady sniffed. “White trash.” Her equally dignified mate suppressed a grin. “What else, with all them black dustpans?” But no one showed any animosity. Nor was anyone surprised. It was a holiday. Everyone was ready for anything. But when attention was diverted to the marchers from the south, many eyes seemed to pop out in black faces. The marchers from the south were coming north on the east side of Seventh Avenue, passing in front of the Scheherazade bar restaurant and the interdenominational church with the coming text posted on the notice-board outside: SINNERS ARE SUCKERS! DON’T BE A SQUARE! What caused the eyes of these dazed citizens to goggle was the sight of the apparition out front. Propped erect on the front bumper of a gold-trimmed lavender-colored Cadillac convertible driven by a fat black man with a harelip, dressed in a metallic-blue suit, was the statue of the Black Jesus, dripping black blood from its outstretched hands, a white rope dangling from its broken neck, its teeth bared in a look of such rage and horror as to curdle even blood mixed with as much alcohol as was theirs. Its crossed black feet were nailed to a banner which read: THEY LYNCHED ME! While two men standing in the back of the convertible held aloft another banner reading: BE NOT AFRAID!
Chester Himes (Blind Man with a Pistol (Harlem Cycle, #8))
The top surface of the computer is smooth except for a fisheye lens, a polished glass dome with a purplish optical coating. Whenever Hiro is using the machine, this lens emerges and clicks into place, its base flush with the surface of the computer. The neighborhood loglo is curved and foreshortened on its surface. Hiro finds it erotic. This is partly because he hasn't been properly laid in several weeks. But there's more to it. Hiro's father, who was stationed in Japan for many years, was obsessed with cameras. He kept bringing them back from his stints in the Far East, encased in many protective layers, so that when he took them out to show Hiro, it was like watching an exquisite striptease as they emerged from all that black leather and nylon, zippers and straps. And once the lens was finally exposed, pure geometric equation made real, so powerful and vulnerable at once, Hiro could only think it was like nuzzling through skirts and lingerie and outer labia and inner labia. . . . It made him feel naked and weak and brave. The lens can see half of the universe -- the half that is above the computer, which includes most of Hiro. In this way, it can generally keep track of where Hiro is and what direction he's looking in. Down inside the computer are three lasers -- a red one, a green one, and a blue one. They are powerful enough to make a bright light but not powerful enough to burn through the back of your eyeball and broil your brain, fry your frontals, lase your lobes. As everyone learned in elementary school, these three colors of light can be combined, with different intensities, to produce any color that Hiro's eye is capable of seeing. In this way, a narrow beam of any color can be shot out of the innards of the computer, up through that fisheye lens, in any direction. Through the use of electronic mirrors inside the computer, this beam is made to sweep back and forth across the lenses of Hiro's goggles, in much the same way as the electron beam in a television paints the inner surface of the eponymous Tube. The resulting image hangs in space in front of Hiro's view of Reality. By drawing a slightly different image in front of each eye, the image can be made three-dimensional. By changing the image seventy-two times a second, it can be made to move. By drawing the moving three-dimensional image at a resolution of 2K pixels on a side, it can be as sharp as the eye can perceive, and by pumping stereo digital sound through the little earphones, the moving 3-D pictures can have a perfectly realistic soundtrack. So Hiro's not actually here at all. He's in a computer-generated universe that his computer is drawing onto his goggles and pumping into his earphones. In the lingo, this imaginary place is known as the Metaverse. Hiro spends a lot of time in the Metaverse. It beats the shit out of the U-Stor-It.
Neal Stephenson (Snow Crash)
A tall woman strode over to them, shouldering her rifle. Her helmet hid her hair, but her goggles were up, showing blazing blue eyes. “I’m Valkyrie, the team leader.” She waved a hand at the dark-skinned soldier holding him up. “Doc’s our medic, he’ll see to your leg.” Rhys didn’t move and the woman’s face turned harsher than the mountains surrounding them. “Do you have a problem, sailor?” She knew they were SEALs, even without identifying insignia. “No, sir,” Rhys said. “I mean, ma’am.” She rolled her eyes before facing Jake. “My team can handle this from here. Get on the bird.” Jake shook his head in confusion, pain making his thinking slow. “You’re a woman.” Her voice hardened. “I’m a captain, and you’re done here. This is now my mission.” “You’re not spec ops.” Jake’s leg might be screaming at him, but no American woman was allowed in special operations. “We’re better than spec ops,” she said. “We’re E.D.G.E. operators. Now get your ass onboard.” She walked away. “I think I’m in love,” Rhys said, staring after her.
Trish Loye (Edge of Control (Edge Security, #1))
While Sean was pulling on his fins, Lily had pretended to be busy herself. She’d made a show of tugging on her goggles, just in case he happened to glance up, and saw her staring like an obsessed ninny. Through the tinted blue of her goggles, she watched him surface. Oh my god. Her knees went weak, threatened to buckle. Sean was doing a butterfly kick on his back. Her eyes traveled down the length of his torso, and stopped, transfixed. She swallowed convulsively. Yet she couldn’t have torn her eyes away from the sight of Sean’s narrow hips if someone had screamed, Fire! Encased in black Lycra, they moved in a suggestive rhythm, breaking the surface of the water, sinking, and then rising again, over and over. Unbearably erotic, an answering beat drummed deep inside Lily. Helplessly, she conjured endless hours of sex, Sean’s body driving into her with the same relentless, unbroken rhythm, each flex of his hips thrusting to her very womb. “Something wrong, Lily?” Hal’s impatient voice demanded. Lily nearly leaped out of her skin. She was the only one left on deck besides Hal. “No, nothing,” she said hurriedly, hyperconscious that her voice was reedy thin. “Just about to jump in.” To clear her mind of the sexual fog that lay thick and heavy, she blinked rapidly—only to mutter a soft curse when she realized what had happened. Yanking her goggles off, she dropped to a kneel and swished them viciously in the water. “What’s the problem now?” Hal’s patience was obviously wearing thin. Embarrassed, resentful, and praying Hal wouldn’t guess the real reason why, Lily ground out her explanation. “My glasses fogged.” “They broken? I’ve got—” “No, no . . .” she interrupted tersely, and felt immediately guilty. It wasn’t Hal’s fault her goggles had literally fogged from the heat of her aroused body. It was hers. That’s what she got from staring at Sean McDermott’s groin for too long: fogged mind, fogged goggles. Determined to ignore the sight of Sean moving like a bold lover through the water next to her, that incredible, muscled body within touching distance, Lily gritted her teeth and dove in.
Laura Moore (Night Swimming: A Novel)
He continued to move forward, skirting a pocket of radiation that had not died in the four years since last he had come this way. They came upon a place where the sands were fused into a glassy sea, and he slowed as he began its passage, peering ahead after the craters and chasms it contained. Three more rockfalls assailed him before the heavens split themselves open and revealed a bright-blue light, edged with violet. The dark curtains rolled back toward the Poles, and the roaring and the gunfire reports diminished. A lavender glow remained in the north, and a green sun dipped toward the horizon at his back. They had ridden it out, and he killed the infras, pushed back his goggles, and switched on the normal night lamps. The desert would be bad enough, all by itself. Something big and batlike swooped through the tunnel of his lights and was gone. He ignored its passage. Five minutes later it made a second pass, this time much closer, and he fired a magnesium flare. A black shape, perhaps forty feet across, was illuminated, and he gave it two five-second bursts from the fifty-calibers, and it fell to the ground and did not return again. To the squares, this was Damnation Alley. To Hell Tanner, this was still the parking lot.
Roger Zelazny
Dry ash and waxy lust. Language was caked to the roof of his mouth. He snorted in derision. To his left Mickey-san, in brilliant tasai coloration, greeted another artificial lemon-yellow day and asian-blue 'skies'. The protective corneal bubble over the area glowed softly with artificial lightning. He adjusted his goggles to see through the brown air. Tiny insects roped across the bubble's exterior.
Misha (Red Spider White Web)
...she first looked worried and then burst out laughing at his dumbstruck, goggle-eyed expression, and then stepped back so that he sagged helplessly down against her, and kissed him on the mouth. He had absolutely no idea what she was doing at first, but apparently there was some sense, some kind of protocol, built into this impossible totally completely impossible new body and somehow it did, because before he knew what was going on he was doing it as well, and back and-- It was somewhere in the middle of this--right bang in the middle of their very first, gloriously fiddly, uncertain, awkward, amazing kiss--that the full meaning of what Chell had just, actually, said finally slammed into Wheatley's battered, overloaded mind. It was a toss-up as to which factor did it--the kiss or the words--but it was probably a combination of both. He made a small, shocked sort of noise, and passed out.
Waffles (Blue Sky)
We’re all doing VR, every time we look at a screen. We have been for decades now. We just do it. We didn’t need the goggles, the gloves. It just happened. VR was an even more specific way we had of telling us where we were going. Without scaring us too much, right? The locative, though, lots of us are already doing it. But you can’t just do the locative with your nervous system. One day, you will. We’ll have internalized the interface. It’ll have evolved to the point where we forget about it. Then you’ll just walk down the street…” He spread his arms, and grinned at her.
William Gibson (Spook Country (Blue Ant, #2))
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