Blue Bulls Quotes

We've searched our database for all the quotes and captions related to Blue Bulls. Here they are! All 66 of them:

He's a pit bull," Adam said. "I know some really nice pit bulls." "He's the kind of pit that makes the evening news. Gansey's trying to restrain him." "How noble.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Marriage is a wrestling match where you hold on tight while your mate changes into a hundred different things. The trick is that you're changing into a hundred other things, but you can't let go. You can only try to match up and never turn into a wolf while he's a rabbit, or a mouse while he's still busy being an owl, a brawny black bull while he's a little blue crab scuttling for shelter. It's harder than it sounds.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Soren huffed. “I saw her looking at me when we were changing into our uniforms.” “She was looking at you because you’re built like a bull.” Soren’s laugh was nervous, clipped. “Is that good?” “It’d be great if she were a cow.
Veronica Rossi (Into the Still Blue (Under the Never Sky, #3))
You have to not care whether they approve of your or not,” she said when I called. “We do what we do to express ourselves, not to coincide with what others like. You’re lucky if they like anything you do.
Debby Bull (Blue Jelly: Love Lost & the Lessons of Canning)
I closed the door. Other people got husbands and children; I got a bag of lettuce. I hurled myself on the floor and sobbed. The worst thing about trying to get myself undepressed were the days when it seemed like I hadn’t made any progress at all.
Debby Bull (Blue Jelly: Love Lost & the Lessons of Canning)
She shrugged. “Lucas gave me his laptop until the end of the tour.” Red cloth. Angry bull. Clenched fists. Don’t kill Lucas. He’s not worth the jail time.
L.J. Shen (Midnight Blue)
Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colours that it needs but somewhere else, hoist your memory on the ship of State like a pirate's sail, and aim yourself at the tinkly present.
Leonard Cohen (Beautiful Losers)
Canning is a whole world of a thing to do. It requires that you get out of your head. It's a Zen thing. You cannot be wondering about your inadequacies and how they drove Bob off and be making jelly. You'll wind up with big, cylindrical jujubes.
Debby Bull (Blue Jelly: Love Lost & the Lessons of Canning)
Your like Martha Stewart on crack,” my neighbor shouted as I stuck another cardinal in with the daisies.
Debby Bull (Blue Jelly: Love Lost & the Lessons of Canning)
i drank like nine red bulls to get through all those and ate a weed gummy to level back out, so I'm flying at fasten-seat-belts right now" page 366
Casey McQuiston (Red, White & Royal Blue)
Howdy, ma'am. You always talk to yourself?” Velia glanced up into bright eyes, as blue as the flame on a cigarette lighter, belonging to a man standing in front of her desk wearing a cowboy hat tipped back on his head.
Mary J. McCoy-Dressel (Howdy, Ma'am (Bull Rider, #1))
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
You can die trying to get along with a disagreeable man,” she said, and I put a star beside it when I wrote it down and then taped it to the rear-view mirror for the rest of the drive. She hadn’t said “abusive,” I noticed; she had said that just disagreeable could kill you.
Debby Bull (Blue Jelly: Love Lost & the Lessons of Canning)
Archie Henderson has won no awards, written no books and never played any representative sport. He was an under-11 tournament-winning tennis player as a boy, but left the game when he discovered rugby where he was one of the worst flyhalves he can remember. This did not prevent him from having opinions on most things in sport. His moment of glory came in 1970 when he predicted—correctly as it turned out—that Griquas would beat the Blue Bulls (then still the meekly named Noord-Transvaal) in the Currie Cup final. It is something for which he has never been forgiven by the powers-that-be at Loftus. Archie has played cricket in South Africa and India and gave the bowling term military medium a new and more pacifist interpretation. His greatest ambition was to score a century on Llandudno beach before the tide came in.
Archie Henderson
It was obvious that the woman was trying to turn over a new leaf, so we bought all her bowls. I got a gigantic stoneware one with a flat bottom, like you’d use if you were making bread for the whole army, and I knew I would have to change my whole life to have a use for this bowl.
Debby Bull (Blue Jelly: Love Lost & the Lessons of Canning)
I was still a boy when I left the Ozarks, only sixteen years old. Since that day, I’ve left my footprints in many lands: the frozen wastelands of the Arctic, the bush country of Old Mexico, and the steaming jungles of Yucatán. Throughout my life, I’ve been a lover of the great outdoors. I have built campfires in the Rocky Mountains of Colorado, and hunted wild turkey in the Smoky Mountains of Tennessee and the Blue Ridge Mountains of Virginia. I have climbed the Grand Tetons of Wyoming, and hunted bull elk in the primitive area of Idaho. I can truthfully say that, regardless of where I have roamed or wandered, I have always looked for the fairy ring. I have never found one, but I’ll keep looking and hoping. If the day ever comes that I walk up to that snow-white circle, I’ll step into the center of it, kneel down, and make one wish, for in my heart I believe in the legend of the rare fairy ring.
Wilson Rawls (Summer of the Monkeys)
the blue butterfly fluttered across her range of vision to land on the head of a butter yellow dandelion in Emma’s bouquet. The surprise and pleasure struck the three faces in that triangle under the white roses almost as one. Mac pressed the shutter. She knew, knew, the photograph wouldn’t be blurry and dark or fuzzy and washed out. Her thumb wouldn’t be blocking the lens. She knew exactly what the picture would look like, knew her grandmother had been wrong after all. Maybe happy ever after was bull, but she knew she wanted to take more pictures of moments that were happy. Because then they were ever after.
Nora Roberts (Vision in White (Bride Quartet, #1))
Early mornings were given over to Bartok and Schoenberg. Midmorning I treated myself to the vocals of Billy Eckstine, Billie Holiday, Nat Cole, Louis Jordan and Bull Moose Jackson. A piroshki from the Russian delicatessen next door was lunch and then the giants of bebop flipped through the air. Charlie Parker and Max Roach, Dizzy Gillespie, Sarah Vaughan and Al Haig and Howard McGhee. Blues belonged to late afternoons and the singers’ lyrics of lost love spoke to my solitude.
Maya Angelou (Singin' & Swingin' and Gettin' Merry Like Christmas)
Bring up the great bull-buffaloes, the blue-skinned herd-bulls with the angry eyes. Drive them to and fro as I order.
Rudyard Kipling (The Jungle Book)
In canning, the best stuff comes out of things that aren't so sweet, and you have to hope the analogy covers everything.
Debby Bull (Blue Jelly: Love Lost & the Lessons of Canning)
Elle n'est pas très à l'aise avec les étrangers. Après hier soir, elle a eu sa dose de socialisation pour la semaine. Elle a besoin de sa bulle.
Amandine Peter (Les Hextraordinaires (Blue Lake #1))
Inside me, there are two wolves. One is a bull. Both of them are assholes. Neither shares their ice cream. I’m the boss of everyone.
C.M. Nascosta (A Blue Ribbon Romance)
the victims are left wondering what they’re going to do with forty-five tons of canned beets and a thousand gallons of Red Bull.
John Dreese (Blue Hope (Red Hope, #2))
It is best if the guard is in love with America and wants to overawe the American by being a premium guard. This kind of guard thinks that he will encounter the American again one day in America, and that the American will offer to take him to a Chicago Bulls game, and buy him blue jeans and white bread and delicate toilet paper. This guard dreams of speaking English without an accent and obtaining a wife with an unmalleable bosom. This guard will confess that he does not love where he lives. The other kind of guard is also in love with America, but he will hate the American for being an American. This is worst. This guard knows he will never go to America, and knows that he will never meet the American again. He will steal from the American, and terror the American, only to teach that he can.
Jonathan Safran Foer (Everything is Illuminated)
233 - Answer to 82 - There is a lad in Missouri with afoot that's flat, with seeds in his pocket and a brick in his hat, with an eye that is blue and a No. 10 shoe - he's the "Bull of the Woods" and the boy for you.
Chris Enss (Object: Matrimony: The Risky Business of Mail-Order Matchmaking on the Western Frontier)
This morning, thanks to a controlled near-death experience, I was lucky enough to meet, at the far end of the blue tunnel, a man named Salvatore Biagini. Last July 8th, Mr. Biagini, a retired construction worker, age seventy, suffered a fatal heart attack while rescuing his beloved schnauzer, Teddy, from an assault by an unrestrained pit bull named Chele, in Queens. The pit bull, with no previous record of violence against man or beast, jumped a four-foot fence in order to have at Teddy. Mr. Biagini, an unarmed man with a history of heart trouble, grabbed him, allowing the schnauzer to run away. So the pit bull bit Mr. Biagini in several places and then Mr. Biagini's heart quit beating, never to beat again. I asked this heroic pet lover how it felt to have died for a schnauzer named Teddy. Salvador Biagini was philosophical. He said it sure as heck beat dying for absolutely nothing in the Viet Nam War.
Kurt Vonnegut Jr. (God Bless You, Dr. Kevorkian)
the split-strike conversion strategy. Option traders often referred to it as a “collar” or “bull spread.” Basically, it involved buying a basket of stocks, in Madoff’s case 30 to 35 blue-chip stocks that correlated very closely to the Standard & Poor’s (S&P) 100-stock index, and then protecting the stocks with put options. By bracketing an investment with puts and calls, you limit your potential profit if the market rises sharply; but in return you’ve protected yourself against devastating losses should the market drop. The calls created a ceiling on his gains when the market went up; the puts provided a floor to cut his losses when the market went down.
Harry Markopolos (No One Would Listen)
Her straight brown hair rarely covered her trademark earrings, which ranged from spoon-like appendages covered in sequins to hoops that a parrot could roost in. Today, she had selected a demure pair of feathers plucked from some species of bird that took mating rituals very seriously, as no fewer than ten shades of greens and blues created a pattern that could cause a seizure disorder if one stared at them too long. 
Terry Maggert (The Forest Bull)
I wasn't in a moment's danger. Ravenel was the one who held off a belligerent bull while I fetched the boy." Evie closed her eyes briefly at the thought of it and reached for the crystal glass in his hand. She downed what little was left and set the glass on the floor. "You suffered no injuries?" Two long, wet fingers hooked the top of her neckline and tugged her closer to the side of the bathtub. Sebastian's eyes were pale, lucent blue, sparkling like winter starlight. "I may have enough of a sprain to require your services." A smile curved her lips. "What services?" "I need a bath maid." Catching one of her hands, he drew it down into the water. "For my hard-to-reach places." Evie resisted with a throaty chuckle, tugging at her imprisoned wrist. "You can reach that by yourself." "My sweet," he said, nuzzling into her neck, "I married you so I wouldn't have to do it myself. Now... tell me where you think my sprain is." "Sebastian," she said, trying to sound severe as his wet hands roved over her bodice, "you're going to r-ruin my dress." "Unless you remove it." He gave her an expectant glance.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
Leonard Cohen (Beautiful Losers)
Matilda and Lavender saw the giant in green breeches advancing upon a girl of about ten who had a pair of plaited golden pigtails hanging over her shoulders. Each pigtail had a blue satin bow at the end of it and it all looked very pretty. The girl wearing the pigtails, Amanda Thripp, stood quite still, watching the advancing giant, and the expression on her face was one that you might find on the face of a person who is trapped in a small field with an enraged bull which is charging flat-out towards her. The girl was glued to the spot, terror-struck, pop-eyed, quivering, knowing for certain that the Day of Judgement had come for her at last.
Roald Dahl (Matilda)
Turn left here," I said about fifteen minutes later. "I know what you're doing," he told me, but he turned anyway. The road cut through thick bushes and red pine groves. The moon was bright enough to cast blue moonshadow over the snow. If I squinted I could just barely make out a house light through the trees, close to the mountains. We passed the familiar landmarks: the lightning-struck ash, the boulder shaped like a bull, the hill where wild daffodils grew in spring. My phone rang the very second we crossed onto Drake land. "Lucy Hamilton, you just keep on driving." I gulped at Helena's stern voice. "Oops. Bye!" I wrinkled my nose at Kieran. "Busted. Keep driving.
Alyxandra Harvey (Blood Prophecy (Drake Chronicles, #6))
Papaw had kind eyes and a little scratchy stubble on his cheeks that ticked when I gave him a kiss. He also had hair in his ears, and it was my job to help him trim it. He chewed tobacco from a little white bag and always kept a gold spittoon nearby. Papaw loved to sit around in his blue coveralls (the only thing I ever saw him wear) and shoot the bull with the boys. On Mamaw’s deathbed, she made us promise to make sure he always had clean coveralls. I’ll never forget my mamaw’s sewing room, filled with scraps and bolts of cloth, buttons, thread, and trimmings. In that room I felt like a little kid in the most beautiful toy store you could imagine, full of magic and possibilities. Mamaw kept busy making beautiful clothes and quilts, some of which I still have.
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
We gathered up the kids and sat up on the hill. We had no time to get our chickens and no time to get our horses out of the corral. The water came in and smacked against the corral and broke the horses' legs. The drowned, and the chickens drowned. We sat on the hill and we cried. These are the stories we tell about the river," said [Ladona] Brave Bull Allard. The granddaughter of Chief Brave Bull, she told her story at a Missouri River symposium in Bismark, North Dakota, in the fall of 2003. Before The Flood, her Standing Rock Sioux Tribe lived in a Garden of Eden, where nature provided all their needs. "In the summer, we would plant huge gardens because the land was fertile," she recalled. We had all our potatoes and squash. We canned all the berries that grew along the river. Now we don't have the plants and the medicine they used to make.
Bill Lambrecht (Big Muddy Blues: True Tales and Twisted Politics Along Lewis and Clark's Missouri River)
We almost began a perfect conversation, F. said as he turned on the six o'clock news. He turned the radio very loud and began to shout wildly against the voice of the commentator, who was reciting a list of disasters. Sail on, sail on, O Ship of State, auto accidents, births, Berlin, cures for cancer! Listen, my friend, listen to the present, the right now, it's all around us, painted like a target, red, white, and blue. Sail into the target like a dart, a fluke bull's eye in a dirty pub. Empty your memory and listen to the fire around you. Don't forget your memory, let it exist somewhere precious in all the colors that it needs but somewhere else, hoist your memory on the Ship of State like a pirate's sail, and aim yourself at the tinkly present. Do you know how to do this? Do you know how to see the akropolis like the Indians did who never even had one? Fuck a saint, that's how, find a little saint and fuck her over and over in some pleasant part of heaven, get right into her plastic altar, dwell in her silver medal, fuck her until she tinkles like a souvenir music box, until the memorial lights go on for free, find a little saintly faker like Teresa or Catherine Tekakwitha or Lesbia, whom prick never knew but who lay around all day in a chocolate poem, find one of these quaint impossible cunts and fuck her for your life, coming all over the sky, fuck her on the moon with a steel hourglass up your hole, get tangled in her airy robes, suck her nothing juices, lap, lap, lap, a dog in the ether, then climb down to this fat earth and slouch around the fat earth in your stone shoes, get clobbered by a runaway target, take the senseless blows again and again, a right to the mind, piledriver on the heart, kick in the scrotum, help! help! it's my time, my second, my splinter of the shit glory tree, police, fire men! look at the traffic of happiness and crime, it's burning in crayon like the akropolis rose! And so on.
Leonard Cohen (Beautiful Losers)
During the silence that followed, I didn’t move, speak, or change my facial expression in any way. The president of the United States just demanded the FBI director’s loyalty. This was surreal. To those inclined to defend Trump, they might consider how it would have looked if President Obama had called the FBI director to a one-on-one dinner during an investigation of senior officials in his administration, then discussed his job security, and then said he expected loyalty. There would undoubtedly be people appearing on Fox News calling for Obama’s impeachment in an instant. This, of course, was not something I could ever conceive of Obama doing, or George W. Bush, for that matter. To my mind, the demand was like Sammy the Bull’s Cosa Nostra induction ceremony—with Trump, in the role of the family boss, asking me if I have what it takes to be a “made man.” I did not, and would never. I was determined not to give the president any hint of assent to this demand, so I gave silence instead. We looked at each other for what seemed an eternity, but was maybe two seconds or so. I stared again at the soft white pouches under his expressionless blue eyes. I remember thinking in that moment that the president doesn’t understand the FBI’s role in American life or care about what the people there spent forty years building. Not at all.
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
Chelsea was something else. Like an unstoppable force of nature. Similar to a hurricane or a tornado. Or a pit bull. Violet admired that about her. And, in this instance, Chelsea had proven to be nothing less than formidable. So when Jay had mentioned earlier in the week that they might be able to go to the movies over the weekend, Chelsea held him to it. A time and a place were chosen. And word spread. And, somehow, Chelsea managed to unravel it all. She still wanted the Saturday night plans; she just didn’t want the crowd that came with them. She’d decided it should be more of a “double date.” With Mike. Except Mike would never see it coming. By the time the bell rang at the end of lunch on Friday, everyone had agreed to meet up for the seven o’clock showing the next night. But when they split up to go to their classes, Chelsea set her own plan into motion. She began to separate the others from the pack and, one by one, they all fell. She started with Andrew Lauthner. Poor Andrew didn’t know what hit him. “Hey, Andy, did you hear?” From the look on his face, he didn’t hear anything other than that Chelsea-his Chelsea-was talking to him. Out of the blue. Violet needed to get to class, but she was dying to see what Chelsea had up her sleeve, so she stuck it out instead. “What?” His huge frozen grin looked like it had been plastered there and dried overnight. Chelsea’s expression was apologetic, something that may have actually been difficult for her to pull off. “The movie’s been canceled. Plans are off.” She stuck out her lower lip in a disappointed pout. “But I thought…” He seemed confused. So was Violet. “…didn’t we just make the plans at lunch?” he asked. “I know.” Chelsea managed to sound as surprised as he did. “But you know how Jay is, always talking out of his ass. He forgot to mention that he has to work tomorrow night and can’t make it.” She looked at Violet and said, again apologetically, “Sorry you had to hear that, Vi.” Violet just stood there gaping and thinking that she should deny what Chelsea was saying, but she wasn’t even sure where to start. She knew Jules would have done it. Where was Jules when she needed her? “What about everyone else?” Andrew asked, still clinging to hope. Chelsea shrugged and placed a sympathetic hand on Andrew’s arm. “Nope. No one else can make it either. Mike’s got family plans. Jules has a date. Claire has to study. And Violet here is grounded.” She draped an arm around Violet’s shoulder. “Right, Vi?” Violet was saved from having to answer, since Andrew didn’t seem to need one. Apparently, if Chelsea said it, it was the gospel truth. But the pathetic look on his face made Violet want to hug him right then and there. "Oh," he finally said. And then, "Well, maybe next time." "Yeah. Sure. Of course," Chelsea called over her shoulder, already dragging Violet away from the painful scene. "Geez, Chels, break his heart, why don't you? Why didn't you just say you have some rare disease or something?" Violet made a face at her friend. "Not cool." Chelsea scoffed. "He'll be fine. Besides, if I said 'disease,' he would have made me some chicken soup and offered to give me a sponge bath or something." She wrinkled her nose. "Eww." The rest of the afternoon went pretty much the same way, with a few escalations: Family obligations. Big tests to study for. House arrests. Chelsea made excuses to nearly everyone who'd planned on going, including Clair. She was relentless. By Saturday night, it was just the four of them...Violet, Jay, Chelsea, and, of course, Mike. It was everything Chelsea had dreamed of, everything she'd worked for.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
In case you haven't noticed,rodeos are a serious business.Careless cowboys tend to break bones,or even their skulls,as hard as that may be to believe." She stared down at the hand holding her wrist. Despite his smile,she could feel the strength in his grip. If he wanted to,he could no doubt break her bone with a single snap. But she wasn't concerned with his strength,only with the heat his touch was generating. She felt the tingle of warmth all the way up her arm.It alarmed her more than she cared to admit. "My job is to minimize damage to anyone who is actually hurt." "I'm grateful." He sat up so his laughing blue eyes were even with hers. If possible,his were even bluer than the perfect Montana sky above them. "What do you think? Any damage from that fall?" Her instinct was to move back,but his fingers were still around her wrist,holding her close. "I'm beginning to wonder if you were actually tossed from that bull or deliberately fell." "I'd have to be a little bit crazy to deliberately fell." "I'd have to be a little bit crazy to deliberately jump from the back of a raging bull just to get your attention, wouldn't I?" "Yeah." She felt the pull of that magnetic smile that had so many of the local females lusting after Wyatt McCord. Now she knew why he'd gained such a reputation in such a short time. "I'm beginning to think maybe you are. In fact,more than a little.A whole lot crazy." "I figured it was the best possible way to get you to actually talk to me. You couldn't ignore me as long as there was even the slightest chance that I might be hurt." There was enough romance in her nature to feel flattered that he'd go to so much trouble to arrange to meet her. At least,she thought,it was original. And just dangerous enough to appeal to a certain wild-and-free spirit that dominated her own life. Then her practical side kicked in, and she felt an irrational sense of annoyance that he'd wasted so much of her time and energy on his weird idea of a joke. "Oh,brother." She scrambled to her feet and dusted off her backside. "Want me to do that for you?" She paused and shot him a look guaranteed to freeze most men. He merely kept that charming smile in place. "Mind if we start over?" He held out his hand. "Wyatt McCord." "I know who you are." "Okay.I'll handle both introductions. Nice to meet you,Marilee Trainor. Now that we have that out of the way,when do you get off work?" "Not until the last bull rider has finished." "Want to grab a bite to eat? When the last rider is done,of course." "Sorry.I'll be heading home." "Why,thanks for the invitation.I'd be happy to join you.We could take along some pizza from one of the vendors." She looked him up and down. "I go home alone." "Sorry to hear that." There was that grin again,doing strange things to her heart. "You're missing out on a really fun evening." "You have a high opinion of yourself, McCord." He chuckled.Without warning he touched a finger to her lips. "Trust me.I'd do my best to turn that pretty little frown into an even prettier smile." Marilee couldn't believe the feelings that collided along her spine. Splinters of fire and ice had her fighting to keep from shivering despite the broiling sun. Because she didn't trust her voice, she merely turned on her heel and walked away from him. It was harder to do than she'd expected. And though she kept her spine rigid and her head high, she swore she could feel the heat of that gaze burning right through her flesh. It sent one more furnace blast rushing through her system. A system already overheated by her encounter with the bold, brash,irritatingly charming Wyatt McCord.
R.C. Ryan (Montana Destiny)
Like noiseless nautilus shells, their light prows sped through the sea; but only slowly they neared the foe. As they neared him, the ocean grew still more smooth; seemed drawing a carpet over its waves; seemed a noon-meadow, so serenely it spread. At length the breathless hunter came so nigh his seemingly unsuspecting prey, that his entire dazzling hump was distinctly visible, sliding along the sea as if an isolated thing, and continually set in a revolving ring of finest, fleecy, greenish foam. He saw the vast, involved wrinkles of the slightly projecting head beyond. Before it, far out on the soft Turkish-rugged waters, went the glistening white shadow from his broad, milky forehead, a musical rippling playfully accompanying the shade; and behind, the blue waters interchangeably flowed over into the moving valley of his steady wake; and on either hand bright bubbles arose and danced by his side. But these were broken again by the light toes of hundreds of gay fowl softly feathering the sea, alternate with their fitful flight; and like to some flag-staff rising from the painted hull of an argosy, the tall but shattered pole of a recent lance projected from the white whale's back; and at intervals one of the cloud of soft-toed fowls hovering, and to and fro skimming like a canopy over the fish, silently perched and rocked on this pole, the long tail feathers streaming like pennons. A gentle joyousness—a mighty mildness of repose in swiftness, invested the gliding whale. Not the white bull Jupiter swimming away with ravished Europa clinging to his graceful horns; his lovely, leering eyes sideways intent upon the maid; with smooth bewitching fleetness, rippling straight for the nuptial bower in Crete; not Jove, not that great majesty Supreme! did surpass the glorified White Whale as he so divinely swam.
Herman Melville (Moby-Dick or, The Whale)
I’ll never forget the time I went duck-hunting with my buddy Mike Williams; you’ll read a lot about our adventures and shenanigans in this book. Mike and I were hunting blue-winged teal ducks, which tend to move en masse, so typically you’ll either shoot your limit or not see a duck. In other words, there is a lot of idle time involved with teal hunting, so we usually bring along our fishing poles. After a hunt with Mike one morning, in which we had not seen a single teal, I hooked a four-pound bass. Almost simultaneously, one lone blue-winged teal flew over our heads. As I was reeling in the bass, I reached for my shotgun, raised it with only my left hand, and shot the duck. Now, I’m right-handed but left-eye dominant. It was the first duck I ever shot left-handed, but it would be the first of many. I eventually made the switch to shooting left-handed permanently. It was the hardest obstacle I’ve ever had to overcome in hunting, but it made me a better shot because I’m left-eye dominant. When Mike and I went back to my dad’s house and told him what happened, Phil didn’t believe us, even though we had the teal and bass as evidence. He’d told us about a similar feat many times before, when his friend Hookin’ Bull Thompson pulled in a fish with one hand and shot a duck with the other. I had heard the story many time, but only then did I realize it had now been duplicated. No matter how many times we told Phil about what I did, he didn’t believe us. He thought we made the entire story up because of the countless times he’d bragged about witnessing his buddy’s epic feat. Now, Mike is one of the most honest people you’ll meet, so he couldn’t believe Phil thought we were lying to him. “I’m going to sign an affidavit about what you did,” Mike told me. “Maybe then he’ll believe us.” “Oh, drop it,” I said. “That’s just how my family rolls.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
What I have been doing lately from my WIP "In Hiding" is available on my website. *Strong language warning* Wayne sat in the hygienic emergency room trying to ignore the bitch of a headache that began radiating at the back of his skull. His worn jeans, a blood-stained t-shirt, and his makeshift bandage sat on a nearby chair. The hysteria created by his appearance in the small hospital ward had died down. A local cop greeted him as soon as he was escorted to the examination room. The conversation was brief, once he revealed he was a bail enforcer the topic changed from investigation to shooting the bull. The experienced officer shook his hand before leaving then joked he hoped this would be their only encounter. The ER doc was a woman about his age. Already the years of long hours, rotating shifts and the rarity of a personal life showed on her face. Her eyelids were pink-rimmed, her complexion sallow; all were earmarks of the effect of long-term exhaustion. Wayne knew it all too well as he rubbed his knuckle against his own grainy eyes. Despite this, she attended to him with an upbeat demeanor and even slid in some ribbing at his expense. He was defenseless, once the adrenaline dropped off Wayne felt drained. He accepted her volleys without a response. All he mustered was a smile and occasional nod as she stitched him up. Across the room, his cell toned, after the brief display of the number a woman’s image filled the screen. Under his breath, he mumbled, “Shit.” He intends for his exclamation to remain ignored, having caught it the doctor glanced his direction with a smile. Without invitation, she retrieved his phone handing it to him without comment. Wayne noted the raised eyebrow she failed to hide. The phone toned again as he glanced at the flat image on the device. The woman’s likeness was smiling brightly, her blue eyes dancing. Just looking at her eased the pain in his head. He swiped the screen and connected the call as the doctor finished taping his injury. Using his free uninjured arm, he held the phone away from him slightly, utilizing the speaker option. “Hey Baby.” “What the hell, Wayne!” Her voice filled the small area, in his peripheral vision he saw the doc smirk. Turning his head, he addressed the caller. “Babe, I was getting ready to call.” The excuse sounded lame, even to him. “Why the hell do I have to hear about this secondhand?” Wayne placed the phone to his chest, loudly he exclaimed; “F***!” The ER doc touched his arm, “I will give you privacy.” Wayne gave her a grateful nod. With a snatch, she grabbed the corner of the thin curtain suspended from the ceiling and pulled it close. Alone again, he refocused on the call. The woman on the other end had continued in her tirade without him. When he rejoined the call mid-rant, she was issuing him a heartfelt ass-chewing. “...bullshit Wayne that I have to hear about this from my cousin. We’ve talked about this!” “Honey...” She interrupts him before he can explain himself. “So what the hell happened?” Wisely he waited for silence to indicate it was his turn to speak. “Lou, Honey first I am sorry. You know I never meant to upset you. I am alright; it is just a flesh wound.” As he speaks, a sharp pain radiates across his side. Gritting his teeth, Wayne vows to continue without having the radiating pain affect his voice. “I didn’t want you to worry Honey; you know calling Cooper first is just business.” Silence. The woman miles away grits her teeth as she angrily brushes away her tears. Seated at the simple dining table, she takes a napkin from the center and dabs at her eyes. Mentally she reminds herself of her promise that she was done crying over this man. She takes an unsteady breath as she returns her attention to the call. “Lou, you still there?” There is something in his voice, the tender desperation he allows only her to see. Furrowing her brow she closes her eyes, an errant tear coursed down her cheek.
Caroline Walken
The kingdom of poetry" This is like light. This is light, Useful as light, as charming And enchanting… …Poetry is certainly More interesting, more valuable, and certainly more charming Than Niagara Falls, the Grand Canyon, the Atlantic Ocean And other much admired natural phenomena. It is useful as light, and as beautiful It is preposterous Precisely, making it possible to say One cannot carry a mountain, but a poem can be carried all over. It is monstrous. Pleasantly, for poetry can say, seriously or in play: “Poetry is better than hope, “For poetry is patience of hope, and all hope’s vivid pictures, “Poetry is better than excitement, it is far more delightful, “Poetry is superior to success, and victory, it endures in serene blessedness “Long after the most fabulous feat like fireworks has mounted and fallen. “Poetry is far more powerful and far more enchanting animal “Than any wood, jungle, ark, circus or zoo possesses.” For poetry magnifies and heighten reality: Poetry says of reality that if it is magnificent, it is also stupid: For poetry is, in a way, omnipotent; For reality is various and rich, powerful and vivid, but it is not enough Because it is disorderly and stupid or only at times, and erratically, intelligent: For without poetry, reality is speechless or incoherent: It is inchoate, like the pomp and the bombast of thunder: Its peroration verge upon the ceaseless oration of the ocean: For reality glows and glory, without poetry, Fake, like the red operas of sunset The blue rivers and the windows of morning. The arts of poetry makes it possible to say: Pandemonium. For poetry is gay and exact. It says: “The sunset resembles a bull-fight. “A sleeping arm feels like soda, fizzing.” Poetry resurrect the past from the sepulchre, like Lazarus. It transforms a lion into a sphinx and a girl. It gives a girl the splendor of Latin. It transforms the water into wine at each marriage in Cana of Galilee. For it is true that poetry invented the unicorn, the centaur and the phoenix. Hence it is true that poetry is an everlasting Ark. An omnibus containing, bearing and begetting all the mind’s animals. Whence it is that poetry gave and gives tongue to forgiveness Therefore a history of poetry would be a history of joy, and a history of the mystery of love For poetry provides spontaneously, abundantly and freely The petnames and the diminutives which love requires and without which the mystery of love cannot be mastered. For poetry is like light, and it is light. It shines over all, like the blue sky, with the same blue justice. For poetry is the sunlight of consciousness: It is also the soil of the fruits of knowledge In the orchards of being: It shows us the pleasures of the city. It lights up the structures of reality. It is a cause of knowledge and laughter: It sharpens the whistles of the witty: It is like morning and the flutes of morning, chanting and enchanted. It is the birth and the rebirth of the first morning forever. Poetry is quick as tigers, clever as cats, vivid as oranges, Nevertheless, it is deathless: it is evergreen and in blossom; long after the Pharaohs and the Caesars have fallen, It shines and endures more than diamonds, It is because poetry is the actuality of possibility, it is The reality of the imagination, The throat of exaltation, The processions of possessions, The motion of meaning and The meaning of morning and The mastery of meaning. The praise of poetry is like the clarity of the heights of the mountains. The heights of poetry are like the exaltation of the mountains. It is the consummation of consciousness in the country of the morning!
Delmore Schwartz
Too late she realized the boys weren’t motioning to her at all. They were looking past her, shouting at someone behind her. She had just started to turn around when a boy slammed into her with the force of a bull. “Accidempoli!” Cass hit the cobbled ground hard, her back landing in a dirty puddle, the palm of her left glove ripping on the rough stone street. Miraculously, she had not hit her head. Cass felt warm breath against her chin. She had clenched her eyes shut, but opened them now to find herself pinned underneath a boy a couple of years older than she was. She could feel his body radiating heat into hers. The boy wore a thin smock spattered with paint. Dots of blood red and bright yellow swam before Cass’s eyes. She struggled to focus. He had dark brown hair that curled under at the ends and eyes as blue as the Adriatic. His smile tilted a little to the right. It was the smile of someone who loved getting into trouble. “Molte scuse!” He hopped back onto his feet. “I didn’t see you at all, bella signorina.” He bowed, then reached out a hand and yanked Cass off the ground unceremoniously. She felt a little dizzy as she stood. “Though I can’t say it wasn’t a pleasure running into you.” Letting go of her hand, he brushed a droplet of dirty water from the side of her face. He leaned in close to murmur in her ear. “You should be more careful, you know.” Cass opened her mouth but no words came out. Again, she felt her stays crushing down on her chest. “Careful?” she managed to croak. “You’re the one who knocked me over.” “I couldn’t resist,” he said, and he actually had the nerve to wink at her. “It’s not often I get the chance to put my hands on such a beautiful woman.” Cass stared at him, speechless. Without another word, he turned away and followed the group of laughing artists into a crowded campo, his muscular form disappearing among merchants’ sacks of cabbages and potatoes. The scene blurred a little, like a painting, and for a second Cass wondered if maybe she had hit her head and had imagined the whole exchange.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
From the lip of the Ravine I could see the Deeps on the other side, hard gray and brown brick on wood on the nearest structures, shading further in to rose, bronze, black pearl, and verdigris in spires of stone, metals, and brilliant glass. The empress of it all, rising from the center, was Ego, the tallest building in the City, whose reflective flanks had no color of their own, but worse the sky instead--relentless, cloudless blue today. The towers of the Deeps, rising in angles or curves, were made more poignant by the occasional shattered forms of their ruined kin.
Emma Bull (Bone Dance)
Rafe told everyone he was from Texas. That was bull. I’d dated a summer guy from Texas, and Rafe’s drawl was all wrong. His last name suggested he was Latino, and he kind of looked it, but his high cheekbones and amber eyes said Native to me. He was a little taller than Daniel, lean, with black hair that hung just past the collar of his leather jacket. Worn blue jeans and low motorcycle boots completed the image: American Teen Rebel.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
People always say it’s hard to do the right thing, but it’s not. What’s hard is living with the consequences after you do the right thing.
Ryan McKaig (Bull City Blues)
that, instead of being fused to the skull, hangs loosely beneath the brain case. This enables the upper jaw to push forward and hyperextend open—wide enough to engulf, and crush, an adult bull elephant. As if the size and voraciousness of its feeding orifice were not enough, nature has endowed this monster with a predatory intelligence, honed by 400 million years of evolution. Six distinct senses expose every geological feature, every current, every temperature gradient … and every creature occupying its domain. The predator’s eyes contain a reflective layer of tissue situated behind the retina. When moving through the darkness of the depths, light is reflected off this layer, allowing the creature to see. In sunlight, the reflective plate is covered by a layer of pigment, which functions like a built-in pair of sunglasses. While black in normally pigmented members of the species, this particular male’s eyes are a cataract-blue—a trait found in albinos. As large as basketballs, the sight organs reflexively roll back into the skull as the creature launches its attack on its prey, protecting the eyeball from being damaged. Forward of the eyes, just beneath the snout, are a pair of directional nostrils so sensitive that they can detect one drop of blood or urine in a million gallons of water. The tongue and snout provide a sense of taste and touch, while two labyrinths within the skull function as ears. But it is two other receptor organs that make this predator the master of its liquid domain. The first of these mid-to-long-range detection systems is the lateral line, a hollow tube that runs along either flank just beneath the skin. Microscopic pores open these tubes to the sea. When another animal creates a vibration or turbulence in the water, the reverberations stimulate tiny hairs within these sensory cells that alert the predator to the source of the disturbance—miles away! Even more sensitive are the hunter’s long-range receptor cells, located along the top and underside
Steve Alten (Hell's Aquarium (Meg #4))
Matthew’s smile vanished as his gaze slid over her and lingered on the torn seam at her shoulder. “What happened to your dress?” “It was nothing. I had a sort of… well, a scuffle, you might call it, with Lord Llandrindon.” It was the most innocent way Daisy could think of to describe the encounter, which of course had been harmless. She was certain no lurid connotations could be attached to “scuffle.” However, it appeared that Swift’s definition of the word was far more expansive than hers. Suddenly his expression turned dark and frightening, and his blue eyes blazed. “I’m going to kill him,” he said in a guttural voice. “He dared to— where is he?” “No, no,” Daisy said hastily, “you misunderstood— it wasn’t like that—” Dropping the sketchbook, she threw her arms around him, using all her weight to restrain him as he headed toward the garden. She might as well have tried to hold back a charging bull. With the first few steps she was carried bodily with him. “Wait! What gives you the right to do anything where I’m concerned?” Breathing heavily, Matthew stopped and glared down into her flushed face. “Did he touch you? Did he force you to—” “You’re nothing but a dog in the manger,” Daisy cried hotly. “You don’t want me— why should you care if someone else does? Leave me alone and go back to your plans for building your big sodding factory and making mountains of money! I hope you become the richest man in the world. I hope you get everything you want, and then someday you’ll look around and wonder why no one loves you and why you’re so unh—” Her words were crushed into silence as he kissed her, his mouth hard and punishing. A wild thrill shot through her, and she turned her face away with a gasp. “— happy,” she managed to finish, just before he clasped her head in his hands and kissed her again.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
I'm getting soft! I need the sea! I miss its greens and blues and grays. Its singing whales. Its silent rays. Its shipwrecks resting on the sand. Undiscovered and unmanned Removed now from all history I miss the sea! Its mystery. Its kelp. Its creatures. Crabs and corals Devoid of complicating morals. Its secrets. All its saline riches. I'm going home.
David Elliott (Bull)
I reached the end of the street and turned right. There they were, about twelve meters away. The Japanese guy had his left side to me. He was talking to the American. The American was facing me, an unlit cigarette in his mouth. He was holding a lighter at waist level, flicking it, trying to get it going. I forced myself to keep my pace casual, just another pedestrian. My heart began to beat harder. I could feel it pounding in my chest, behind my ears. Ten meters. I popped the plastic lid off the paper cup with my thumb. I felt it tumble across the back of my hand. Seven meters. Adrenaline was slowing down my perception of the scene. The Japanese guy glanced in my direction. He looked at my face. His eyes began to widen. Five meters. The Japanese guy reached out for the American, the gesture urgent even through my adrenalized slow-motion vision. He grabbed the American’s arm and started pulling on it. Three meters. The American looked up and saw me. The cigarette dangled from his lips. There was no recognition in his eyes. Two meters. I stepped in and flung the cup forward. Its contents of ninety-eight degrees centigrade Earl Gray tea exited and caught the American directly in the face and neck. His hands flew up and he shrieked. I turned to the Japanese. His eyes were popped all the way open, his head rotating back and forth in the universal gesture of negation. He started to raise his hands as though to ward me off. I grabbed his shoulders and shoved him into the wall. Using the same forward momentum, I stepped in and kneed him squarely in the balls. He grunted and doubled over. I turned back to the American. He was bent forward, staggering, his hands clutching at his face. I grabbed the collar of his jacket and the back of his trousers and accelerated him headfirst into the wall like a matador with a bull. His body shuddered from the impact and he dropped to the ground. The Japanese guy was lying on his side, clutching his crotch, gasping. I hauled him up by the lapels and shoved his back against the wall. I looked left, then right. It was just the three of us. “Tell me who you are,” I said in Japanese. He made retching noises. I could see he was going to need a minute. Keeping my left hand pressed against his throat, I patted him down to confirm he didn’t have a weapon, then checked his ears and jacket to ensure he wasn’t wired for sound. He was clean. I reached into the inside pocket of his suit jacket and pulled out a wallet. I flipped it open. The ID was right in front, in a slip-in laminated protector. Tomohisa Kanezaki. Second Secretary, Consular Affairs, U.S. Embassy. The bald eagle logo of the U.S. Department of State showed blue and yellow in the background.
Barry Eisler (A Lonely Resurrection (John Rain #2))
Anxious to defend his adopted city—especially his side of town, the less fashionable west end—Eli considered giving Veronica a condensed lecture on the history of Asheville, North Carolina. 1880: the Western North Carolina Railroad completed a line from Salisbury to Asheville, which later enabled George Washington Vanderbilt to construct the Biltmore Estate, the largest private residence in America. Over time, that 179,000 square foot house transitioned into a multi- million dollar company. Which lured in tourists. Who created thousands of jobs. Which caused the sprawl flashing by Eli’s window at fifty-five miles per hour. But Eli refrained from being the Local Know-It-All, remembering all the times he’d traveled to new cities and some cabbie wanted to play docent, wanted to tell him about the real Cleveland or the hidden Miami. Instead, he let the air conditioner chase away the remnants of his jet lag and thought about Almario “Go Go” Gato. He waited for Veronica to say something about the Blue Ridge Mountains, which stood alongside the highway, hovering over the valley below like stoic parents waiting for their kids to clean up their messy bedrooms. Eli gave her points for her silence. And for ditching the phone, even if she kept glancing anxiously toward the glove compartment every time it buzzed. The car rode smooth, hardly a bump. For a resident of Los Angeles, she drove cautiously, obeying all traffic laws. Eli had a perfect driving record. Well, almost perfect. There was that time he drove the Durham Bulls’ chartered Greyhound into the right field fence during the seventh inning stretch. But that was history. Almost ancient.
Max Everhart
Many terribly quiet customers exist but none more terribly quiet than Man his footsteps pass so perilously soft across the sea in marble winter up the stiff blue waves and every Tuesday down he grinds the unastonishable earth with horse and shatter shatters too the cheeks of birds and traps them in his forest headlights salty silvers roll into his net, he weaves it just for that, this terribly quiet customer he dooms animals and mountains technically by yoke he makes the bull bend, the horse to its knees...
Sophocles Carson Anne
How do you feel, sw—Sarah?” He’d been about to call her sweetheart. The thought sent hot color racing up into her cheeks and her gaze dropped shyly into her lap against the earnest intensity of his blue gaze. “Like a butterfly left out in the desert after it’s been trampled by a maddened bull,” she confessed, smiling and raising her eyes to him again. “I hurt everywhere, Nolan, but not as bad as I did yesterday. And I can’t seem to get enough to drink,” she added, glancing longingly at the water pitcher on her bedside stand. He took the hint, and poured her a glass of water, sitting down in the nearby chair as if his knees were suddenly wobbly. “Thank God,” he breathed, his eyes suspiciously wet.
Laurie Kingery (The Doctor Takes a Wife (Brides of Simpson Creek, #2))
At school, Pablo found it hard to concentrate. Rather than completing classwork, he filled the margins of his notebook with pencil sketches of animals, birds, and people. His teacher grew exasperated with his lack of attention. She wrote a note to his mother saying: “Pablo should stop drawing in class and pay attention to his lessons.” It was clear that Pablo hated rules, and he took every opportunity to disobey them. When adults told him what to do, he did the opposite. He once got in trouble for coloring the sky a bright red instead of the “normal” blue. Pablo was often banished to the “calaboose,” a bare cell with white walls and a bench, which served as a holding pen for unruly students. “I liked it there, because I took along a sketch pad and drew incessantly,” Pablo later said. “I could have stayed there forever drawing without stopping.” He even began misbehaving on purpose so that he would be sentenced to detention and sent to the calaboose. The one person who understood that Pablo wasn’t acting out for no reason was his father. One day when Pablo’s mother caught him drawing on the wall with a nail, Don José took him to the beach to blow off steam. As Don José stretched out to take a nap, Pablo sat beside him and drew a dolphin in the wet sand. When Don José awoke, he was astonished by the beauty of his son’s drawing. “Could it be Pablo who drew this?” he wondered. That afternoon, Don José took a closer look at the image Pablo had drawn on their living room wall. What at first looked like random scratches soon took shape. Don José recognized a reindeer and a bison running away from a group of men on horseback who were armed with bows and arrows. At that moment, Don José knew what to do to get Pablo to stop misbehaving. He decided to take him into his studio and teach his son how to paint. From that day onward, Pablo and his father were inseparable art partners. In search of new subjects to portray, they began going to the bullfights. Pablo was mesmerized by the sight of the brave picadors as they charged ferocious bulls. He saw El Lagartijo—“The Lizard”—one of the most famous bullfighters in Spain, and he met Cara Ancha,
David Stabler (Kid Legends: True Tales of Childhood from the Books Kid Artists, Kid Athletes, Kid Presidents, and Kid Authors)
This just seems wrong,” Cody said, lifting green branches out of the way of the idling F-250. “It is wrong,” Bull Mitchell said, revving the motor on his chain saw to keep it running. He was haloed by oily blue smoke. “Breaking into a national park seems like breaking into a church,” Cody said. Mitchell snorted and said, “That’s a result of too much indoctrination in public school and too many Disney shows. It’s great country—you’ll see—but it isn’t all sweetness and light. Charlie the Lonesome Cougar would happily take a chunk out of Bambi’s tender throat. This place will eat you up and spit you out if you’re ever off your guard. Especially where we’re going.
C.J. Box (Back Of Beyond (Highway Quartet #1))
Indigenous Lives Holding Our World Together, by Brenda J. Child American Indian Stories, by Zitkala-Sa A History of My Brief Body, by Billy-Ray Belcourt The Falling Sky: Words of a Yanomami Shaman, by Davi Kopenawa and Bruce Albert Apple: Skin to the Core, by Eric Gansworth Heart Berries, by Terese Marie Mailhot The Blue Sky, by Galsan Tschinag Crazy Brave, by Joy Harjo Standoff, by Jacqueline Keeler Braiding Sweetgrass, by Robin Wall Kimmerer You Don’t Have to Say You Love Me, by Sherman Alexie Spirit Car, by Diane Wilson Two Old Women, by Velma Wallis Pipestone: My Life in an Indian Boarding School, by Adam Fortunate Eagle Split Tooth, by Tanya Tagaq Walking the Rez Road, by Jim Northrup Mamaskatch, by Darrel J. McLeod Indigenous Poetry Conflict Resolution for Holy Beings, by Joy Harjo Ghost River (Wakpá Wanági), by Trevino L. Brings Plenty The Book of Medicines, by Linda Hogan The Smoke That Settled, by Jay Thomas Bad Heart Bull The Crooked Beak of Love, by Duane Niatum Whereas, by Layli Long Soldier Little Big Bully, by Heid E. Erdrich A Half-Life of Cardio-Pulmonary Resuscitation, by Eric Gansworth NDN Coping Mechanisms, by Billy-Ray Belcourt The Invisible Musician, by Ray A. Young Bear When the Light of the World Was Subdued, Our Songs Came Through, edited by Joy Harjo New Poets of Native Nations, edited by Heid E. Erdrich The Failure of Certain Charms, by Gordon Henry Jr. Indigenous History and Nonfiction Everything You Know About Indians Is Wrong, by Paul Chaat Smith Decolonizing Methodologies, by Linda Tuhiwai Smith Through Dakota Eyes: Narrative Accounts of the Minnesota Indian War of 1862, edited by Gary Clayton Anderson and Alan R. Woodworth Being Dakota, by Amos E. Oneroad and Alanson B. Skinner Boarding School Blues, edited by Clifford E. Trafzer, Jean A. Keller, and Lorene Sisquoc Masters of Empire, by Michael A. McDonnell Like a Hurricane: The Indian Movement from Alcatraz to Wounded Knee, by Paul Chaat Smith and Robert Allen Warrior Boarding School Seasons, by Brenda J. Child They Called It Prairie Light, by K. Tsianina Lomawaima To Be a Water Protector, by Winona LaDuke Minneapolis: An Urban Biography, by Tom Weber
Louise Erdrich (The Sentence)
Checketts picked up on just how deeply Riley believed in being on the same page within months of working with him. During the team’s first training camp in Charleston, in 1991, Checketts and Riley were having lunch when Checketts’s cell phone rang, interrupting the talk. It was his wife, Deborah, who was about to buy a Chevy Suburban sport-utility vehicle, and wanted her husband’s input on color. Deborah had all but decided on the color green, and asked her husband if he was okay with that option. He was, and told her that would be a perfectly fine choice. But then Riley, who was sitting next to Checketts and had listened in enough to know the couple was choosing a color for a new vehicle, butted in. “What are you talking about? She can’t buy a green car, Dave. Green is the Celtics,” Riley said, referring to the team that had served as the archrival of his Showtime Lakers during the 1980s. Checketts laughed, before realizing Riley’s facial expression hadn’t changed. “I’m dead serious,” Riley said. So Checketts, still on the phone with his wife, told her she couldn’t get a green Suburban. When Deborah asked what other colors were available, the car salesman suggested red. So she asked Checketts how he felt about red. Again, Checketts was fine with that option. Again, Riley wasn’t. “What? Red is the Bulls,” said Riley, almost annoyed Checketts would even ask his take on the color. Checketts relented. “Don’t come home with anything but a blue one,” he told his wife, before hanging up. This was how Riley was wired. You were either all the way in on supporting his vision—down to the color of your car—or you weren’t.
Chris Herring (Blood in the Garden: The Flagrant History of the 1990s New York Knicks)
YOU COULD SWIM THROUGH THE VEINS OF A BLUE WHALE. It may sound crazy, but it’s true. The average blue whale has a heart that is approximately the size of a car, so it should come as no surprise that it has massive veins to match.
Shane Carley (True Facts that Sound Like Bulls#*t: 500 Insane-But-True Facts That Will Shock And Impress Your Friends)
There are halibut as big as doors in the ocean down below the town, flapskimming on the murky ocean floor with vast skates and rays and purple crabs and black cod large as logs, and sea lions slashing through the whip-forests of bull kelp and eelgrass and sugar wrack, and seals in the rockweed and giant perennial kelp and iridescent kelp and iridescent fish and luminous shrimp too small to see with the naked eye but billions of which feed the gray whales which slide hugely slowly by like rubbery zeppelins twice a year, north in spring and south in fall. Salmonberries, thimbleberries, black raspberries, gooseberries, bearberries, snowberries, salal berries, elderberries, blackberries along the road and by the seasonal salt marshes north and south. The ground squirrels burrow along the dirt banks of the back roads, their warren of mysterious holes, the thick scatter of fine brown soil before their doorsteps, the flash of silver-gray on their back fur as they rocket into the bushes; the bucks and does and fawns in the road in the morning, their springy step as they slip away from the gardens they have been eating; the bobcat seen once, at dusk, its haunches jacked up like a teenager's hot-rodding car; the rumor of cougar in the hills; the coyotes who use the old fire road in the hills; the tiny mice and bats one sometimes finds long dead and leathery like ancient brown paper; the little frenetic testy chittering skittering cheeky testy chickaree squirrels in the spruces and pines - Douglas squirrels, they are, their very name remembering that young gentleman botanist who wandered near these hills centuries ago. The herons in marshes and sinks and creeks and streams and on the beach sometimes at dusk; and the cormorants and pelicans and sea scoters and murres (poor things so often dead young on the beach after the late-spring fledging) and jays and crows and quorking haunted ravens (moaning Poe! Poe! at dusk) especially over the wooded hills, and the goldfinches mobbing thistles in the meadowed hills, and sometimes a falcon rocketing by like a gleeful murderous dream, and osprey of all sizes all along the Mink like an osprey police lineup, and the herring gulls and Caspian terns and arctic terns, and the varied thrushes in wet corners of thickets, and the ruffed grouse in the spruce by the road, and the quail sometimes, and red-tailed hawks floating floating floating; from below they look like kites soaring brownly against the piercing blue sky, which itself is a vast creature bluer by the month as summer deepens into crispy cold fall.
Brian Doyle (Mink River: A Novel)
1. Asithanga Bhairava Brahmi Swan Dark Blue 2. Ruru Bhairava Maheswari Bull Shining White 3. Chanda Bhairava Koumaari Peacock Golden 4. Kurothana Bhairava Vaishnavi Eagle Black 5. Unnmatha Bhairava Vaarahi Horse Gold 6. Kabaala Bhairava Indraani Elephant Pink 7. Bheeshaana Bhairava Chamundi Lion Red 8. Sarva Shatru Samhara Bhairava Chandiga Dog White
Sorna Sri Vembu Sidhar (Bhairava - The God of Protection: An Expedient to Lord Bairavar's Blessings)
overloaded horses bent backwards by the chisel of the mason who once sculpted an eternal now on the brow of the wingless archangel, time-deformed cherubim and the false protests, overweight bowels fallen from the barracks of the pink house carved with grey rain unfallen, never creaking, never opening door, with the mouth wide, darkened and extinguished like a burning boat floating in a voiceless sea, bottle of rum down threadbare socks, singing from pavement to pavement, bright iridescent flame, "Oh, my Annie, my heart is sore!", slept chin on the curb of the last star, the lintel illuminated the forgotten light cast to a different plane, ah the wick of a celestial candle. The piling up of pigeons, tram lines, the pickpocket boys, the melancholy silver, an ode to Plotinus, the rattle of cattle, the goat in the woods, and the retreat night in the railroad houses, the ghosts of terraces, the wine shakes, the broken pencils, the drunk and wet rags, the eucalyptus and the sky. Impossible eyes, wide avenues, shirt sleeves, time receded, 'now close your eyes, this will not hurt a bit', the rose within the rose, dreaming pale under sheets such brilliance, highlighting unreality of a night that never comes. Toothless Cantineros stomp sad lullabies with sad old boots, turning from star to star, following the trail of the line, from dust, to dust, back to dust, out late, wrapped in a white blanket, top of the world, laughs upturned, belly rumbling by the butchers door, kissing the idol, tracing the balconies, long strings of flowers in the shape of a heart, love rolls and folds, from the Window to Window, afflicting seriousness from one too big and ever-charged soul, consolidating everything to nothing, of a song unsung, the sun soundlessly rising, reducing the majesty of heroic hearts and observing the sad night with watery eyes, everything present, abounding, horses frolic on the high hazy hills, a ships sails into the mist, a baby weeps for mother, windows open, lights behind curtains, the supple avenue swoons in the blissful banality, bells ringing for all yet to come forgotten, of bursting beauty bathing in every bright eternal now, counteract the charge, a last turn, what will it be, flowers by the gate, shoe less in the park, burn a hole in the missionary door, by the moonlit table, reading the decree of the Rose to the Resistance, holding the parchment, once a green tree, sticking out of the recital and the solitaire, unbuttoning her coat sitting for a portrait, uncorking a bottle, her eyes like lead, her loose blouse and petticoat, drying out briefs by the stone belfry and her hair in a photo long ago when, black as a night, a muddy river past the weeds, carrying the leaves, her coffee stained photo blowing down the street. Train by train, all goes slow, mist its the morning of lights, it is the day of the Bull, the fiesta of magic, the castanets never stop, the sound between the ringing of the bells, the long and muted silence of the distant sea, gypsy hands full of rosemary, every sweet, deep blue buckets for eyes, dawn comes, the Brahmanic splendour, sunlit gilt crown capped by clouds, brazen, illuminated, bright be dawn, golden avenues, its top to bottom, green to gold, but the sky and the plaza, blood red like the great bleeding out Bull, and if your quiet enough, you can hear the heart weeping.
Samuel J Dixey (The Blooming Yard)
Blue razors, bulls, bronzes, green lilies, orange blazes, crimson dynamos, ivory sliders, yellow streaks, fire bites, grey scalers, and dozens of other colors attacked from all directions. It was an onslaught. They had the giants on the run.
Craig Halloran (Flight of the Dragon (The Chronicles of Dragon: Tail of the Dragon, #5))
Rafe told everyone he was from Texas. That was bull. I’d dated a summer guy from Texas, and Rafe’s drawl was all wrong. His last name suggested he was Latino, and he kind of looked it, but his high cheekbones and amber eyes said Native to me. He was a little taller than Daniel, lean, with black hair that hung just past the collar of his leather jacket. Worn blue jeans and low motorcycle boots completed the image: American Teen Rebel. It was a look we didn’t see a lot at our school, and the other girls loved it. Not that Rafe needed the added cachet. Considering we’d had the same guys in our class since kindergarten, Rafe’s novelty factor alone would have had the girls tripping over themselves. He was the hottest ticket in town. And he knew it. When I bumped into him, I said a polite, “Hey,” and tried to get past. “Hey, yourself.” He grinned and, in spite of myself, I felt a little flip in my stomach. Rafe wasn’t gorgeous, but he had a sexy, crooked smile and eyes that looked at a girl like she was the first one he’d ever seen. When he stood close, I swore I could feel heat radiating off him. And Rafe always stood close. As I backed up, he hooked a thumb toward the conference room. “Barnes in there?” he asked, meaning the principal. I shook my head. “Haven’t seen him. Ms. Morales was around, though.” “Yeah, I talked to her. She says I need to talk to Barnes. Late once too often this week.” That grin sparked again, like being late for school earned him a place in the bad boy hall of fame.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
BARGAIN-ISSUE PATTERN IN SECONDARY COMPANIES. We have defined a secondary company as one that is not a leader in a fairly important industry. Thus it is usually one of the smaller concerns in its field, but it may equally well be the chief unit in an unimportant line. By way of exception, any company that has established itself as a growth stock is not ordinarily considered “secondary.” In the great bull market of the 1920s relatively little distinction was drawn between industry leaders and other listed issues, provided the latter were of respectable size. The public felt that a middle-sized company was strong enough to weather storms and that it had a better chance for really spectacular expansion than one that was already of major dimensions. The depression years 1931–32, however, had a particularly devastating impact on the companies below the first rank either in size or in inherent stability. As a result of that experience investors have since developed a pronounced preference for industry leaders and a corresponding lack of interest most of the time in the ordinary company of secondary importance. This has meant that the latter group have usually sold at much lower prices in relation to earnings and assets than have the former. It has meant further that in many instances the price has fallen so low as to establish the issue in the bargain class. When investors rejected the stocks of secondary companies, even though these sold at relatively low prices, they were expressing a belief or fear that such companies faced a dismal future. In fact, at least subconsciously, they calculated that any price was too high for them because they were heading for extinction—just as in 1929 the companion theory for the “blue chips” was that no price was too high for them because their future possibilities were limitless. Both of these views were exaggerations and were productive of serious investment errors. Actually, the typical middle-sized listed company is a large one when compared with the average privately owned business. There is no sound reason why such companies should not continue indefinitely in operation, undergoing the vicissitudes characteristic of our economy but earning on the whole a fair return on their invested capital.
Benjamin Graham (The Intelligent Investor)
Deity Candle Colors Images and Symbols Pan Purple, brown, green Goat, pan pipes, caves, mountain forests Gaia Green, blue, brown Serpent, bees, harvested crops, green calcite, amber, honeysuckle Hecate Black, orange Snake, black dog, raven Venus Pink, white Spring flowers, pine cones Bacchus Red, purple Chalice, lion, bull Diana Silver, white Bow and arrow, forest animals, vegetation
Lisa Chamberlain (Wicca Magical Deities: A Guide to the Wiccan God and Goddess, and Choosing a Deity to Work Magic With (Wicca for Beginners Series))
Her Honda bucked sharply left. Red Bull splashed in her lap. The steering wheel went rigid in her grip and she fought it for a stomach-fluttery second (turn into the skid, turn into the skid) before twisting the vehicle back under control, still moving forward and uphill — but losing speed. Losing traction. “No, no, no.” She pumped the gas. The all-weather tires gripped and released in the sludgy snow, heaving the car in violent contractions. Steam sizzled off the hood. “Come on, Blue—
Taylor Adams (No Exit)