Blue's Clues Quotes

We've searched our database for all the quotes and captions related to Blue's Clues. Here they are! All 86 of them:

I’m not going to pretend I know how this ends, and I don’t have a freaking clue if it’s possible to fall in love over email. But I would really like to meet you, Blue. I want to try this. And I can’t imagine a scenario where I don’t want to kiss your face off as soon as I see you.
Becky Albertalli (Simon vs. the Homo Sapiens Agenda (Simonverse, #1))
I have no clue what happened to my best friend, the one who played with me on the playground when no one else would. But this Logan…” She gestured from my shoes on up. “This Logan can kiss my ass.
Lisa Kessler (Blue Moon (Moon, #6))
Dan was heading for the blue car in the driveway. He tossed Amy the car keys. "Don't drive like you! Make it fast!
Peter Lerangis (The Dead of Night (The 39 Clues: Cahills vs. Vespers, #3))
Black Beauty" I paint my nails black, I dye my hair a darker shade of brown 'Cause you like your women Spanish, dark, strong and proud I paint the sky black You said if you could have your way You'd make a night time of today So it'd suit the mood of your soul Oh, what can I do? Nothing, my sparrow blue Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh I paint the house black My wedding dress black leather too You have no room for light Love is lost on you I keep my lips red The same like cherries in the spring Darling, you can't let everything Seem so dark blue Oh, what can I do? To turn you on or get through to you Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, ah ah Black beauty, ah ah Black beauty, ah ah ah ah Black beauty, baby Black beauty, baby Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, oh oh oh
Lana Del Rey
And then there’s Blue, with his perfect grammar, who has no freaking clue how many times I proofread every email I send to him. Blue, who is so guarded and yet so surprisingly flirtatious sometimes. Who thinks about sex, and thinks about it with me.
Becky Albertalli (Simon vs. the Homo Sapiens Agenda (Simonverse, #1))
An inch, maybe two, separated our bodies. That tiny gap crackled, the electricity between us just as strong as it had been at Willie’s. She was more beautiful than I’d realized sitting in that dark, musty bar. Winn’s blue eyes broke from mine, and the moment her gaze dropped to my mouth, I was done for. I leaned closer. “What are you doing?” she whispered. “I have no fucking clue.” Then my lips were on hers.
Devney Perry (Indigo Ridge (The Edens, #1))
If you think about the world of a preschooler, they are surrounded by stuff they don't understand-things that are novel. So the driving force for a preschooler is not a search for novelty, like it is with older kids, it's a search for understanding and predictability," says Anderson. "For younger kids, repetition is really valuable. They demand it. When they see a show over and over again, the not only are understanding it better, which is a form of power, but just by predicting what is going to happen, I think they feel a real sense of affirmation and self-worth. And Blue's Clues doubles that feeling, because they also feel like they are participating in something. They feel like they are helping Steve.
Malcolm Gladwell (The Tipping Point: How Little Things Can Make a Big Difference)
As is so often the case, the supposedly insignificant understood the psychology of the strong, while the strong didn't have a clue about the other.
Jacqueline Novogratz (The Blue Sweater: Bridging the Gap Between Rich and Poor in an Interconnected World)
Oh, Daniel,” his mother exclaimed, catching him before he could make his escape, “do come join us. We’re trying to decide if Honoria should be married in lavender-blue or blue-lavender.” He opened his mouth to ask the difference, then decided against it. “Blue-lavender,” he said firmly, not having a clue as to what he was talking about. “Do you think so?” his mother responded, frowning. “I really think lavender-blue would be better.” The obvious question would have been why she’d asked his opinion in the first place, but once again, he decided that the wise man did not make such queries.
Julia Quinn (A Night Like This (Smythe-Smith Quartet, #2))
From: bluegreen118@gmail.com To: hourtohour.notetonote@gmail.com Date: Jan 7 at 7:23 AM Subject: Re: Really? On the Tumblr-you mean creeksecrets? ..... But I really don't think I'm wrong. Jacques a dit. Right? -Blue So, Yeah, I've been careless. I guess I left a trail of clues. and I shouldn't be surprised that Blue put them together. Maybe I kind of wanted him to. Jacques a dit is "Simon Says" in French, by the way, And it's obviously not as clever as I thought it was.
Becky Albertalli (Simon vs. the Homo Sapiens Agenda (Simonverse, #1))
Fucking Blue could have picked up these clues.
Onley James (Moonstruck (Necessary Evils, #3))
Sit down,” his mother tells him, and Alex feels dread coil deep in his stomach. He has no clue what to expect—knowing your parent as the person who raised you isn’t the same as being able to guess their moves as a world leader. He sits, and the silence hovers over them, his mother’s hands folded in a considering pose against her lips. She looks exhausted. “Are you okay?” she says finally. When he looks up in surprise, there’s no anger in her eyes.
Casey McQuiston (Red, White & Royal Blue)
I sniffed as a few tears escaped, lifting my hands to wipe them away. It was then that I caught the only clues I’d been given by whoever had left me here. On one wrist someone had written You are Kahlen. The other said He is Akinli. I flipped my hands over and searched up and down my arms, hoping there was more. “Look,” I begged, holding out my arms. “Pretty handwriting,” Ben commented. Julie hit him, but in a way that seemed playful. “Seriously?” “That’s all you have?” Akinli asked. “Apparently. So, all I know is who I am and who you are.” I looked into his eyes, the glowing blue, and sensed that was all that mattered.
Kiera Cass (The Siren)
I see you look at me when you think I'm not aware You're searching for clues of just how deep my feelings are How do you prove the sky is blue, the oceans wide? All I know is what I feel when I look into your eyes I promise you from the bottom of my heart I will love you till death do us part I promise you as a lover and a friend I will love you like I never love again With everything that I am
Backstreet Boys (Backstreet Boys -- The Hits, Chapter One: Piano/Vocal/Chords)
And should Armageddon come, should a foreign enemy someday shower the United States with nuclear warheads, laying waste to the whole continent, entombed within Cheyenne Mountain, along with the high-tech marvels, the pale blue jumpsuits, comic books, and Bibles, future archeologists may find other clues to the nature of our civilization—Big King wrappers, hardened crusts of Cheesy Bread, Barbeque Wing bones, and the red, white, and blue of a Domino’s pizza box.
Eric Schlosser (Fast Food Nation: The Dark Side of the All-American Meal)
I think it is easier to do bad things than to do good things. And there is something in that basic fact, some little clue to the meaning of the universe.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
It doesn’t matter what you look like,” said the brave Bumbo McBlue. “It only matters that what you say and that what you say is true!
JSB Morse (Bumbo McBlue Gets a Clue!)
Understanding the eternal formula,” Anna replied, “is the clue to win any game, and if you desire power you’ll get it.
J.M.K. Walkow (Blue Earth: The Body)
What must underlie successful epidemics, in the end, is a bedrock belief that change is possible, that people can radically transform their behavior or beliefs in the face of the right kind of impetus. This, too, contradicts some of the most ingrained assumptions we hold about ourselves and each other. We like to think of ourselves as autonomous and inner-directed, that who we are and how we act is something permanently set by our genes and our temperament. But if you add up the examples of Salesmen and Connectors, of Paul Revere's ride and Blue's Clues, and the Rule of 150 and the New York subway cleanup and the Fundamental Attribution Error, they amount to a very different conclusion about what it means to be human. We are actually powerfully influenced by our surroundings, our immediate context, and the personalities of those around us. Taking the graffiti off the walls of New York's subways turned New Yorkers into better citizens. Telling seminarians to hurry turned them into bad citizens. The suicide of a charismatic young Micronesian set off an epidemic of suicides that lasted for a decade. Putting a little gold box in the corner of a Columbia Record Club advertisement suddenly made record buying by mail seem irresistible. To look closely at complex behaviors like smoking or suicide or crime is to appreciate how suggestible we are in the face of what we see and hear, and how acutely sensitive we are to even the smallest details of everyday life. That's why social change is so volatile and so often inexplicable, because it is the nature of all of us to be volatile and inexplicable.
Malcolm Gladwell (The Tipping Point: How Little Things Can Make a Big Difference)
It is safe to assume that, no matter how it appears, the attempt probably did not come out of the blue. Look for clues. Some possibilities include a family history of mental illness, a history of abuse, unusual or stressful family dynamics, prior diagnosis or evidence of a psychiatric disorder and/or bizarre behavior long before or in the days or weeks immediately preceding the crisis. Part of your job is to be a detective, assembling the pieces in the puzzle that is depression.
Andrew Slaby
There is no shame in what you are feeling, Harry,' said Dumbledore's voice. 'On the contrary ... the fact that you can feel pain like this is your greatest strength.' Harry felt the white-hot anger lick his insides, blazing in the terrible emptiness, filling him with the desire to hurt Dumbledore for his calmness and his empty words. 'My greatest strength, is it?' said Harry, his voice shaking as he stared out at the Quidditch stadium, no longer seeing it. 'You haven't got a clue ... you don't know ...' 'What don't I know?' asked Dumbledore calmly. It was too much. Harry turned around, shaking with rage. 'I don't want to talk about how I feel, all right?' 'Harry, suffering like this proves you are still a man! This pain is part of being human--' 'THEN--I--DON'T --WANT--TO--BE--HUMAN!' Harry roared, and he seized the delicate silver instrument from the spindle-legged table beside him and flung it across the room; it shattered into a hundred tiny pieces against the wall. Several of the pictures let out yells of anger and fright, and the portrait of Armando Dippet said, 'Really!' 'I DON'T CARE!' Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. 'I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANY MORE--' He seized the table on which the silver instrument had stood and threw that, too. It broke apart on the floor and the legs rolled in different directions. 'You do care,' said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. 'You care so much you feel as though you will bleed to death with the pain of it.' 'I--DON'T!' Harry screamed, so loudly that he felt his throat might tear, and for a second he wanted to rush at Dumbledore and break him, too; shatter that calm old face, shake him, hurt him, make him feel some tiny part of the horror inside himself. 'Oh, yes, you do,' said Dumbledore, still more calmly. 'You have now lost your mother, your father, and the closest thing to a parent you have ever known. Of course you care.' 'YOU DON'T KNOW HOW I FEEL!' Harry roared. 'YOU--STANDING THERE--YOU--' But words were no longer enough, smashing things was no more help; he wanted to run, he wanted to keep running and never look back, he wanted to be somewhere he could not see the clear blue eyes staring at him, that hatefully calm old face.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
What's Toraf's favorite color?" She shrugs. "Whatever I tell him it is." I raise a brow at her. "Don't know, huh?" She crosses her arms. "Who cares anyway? We're not painting his toenails." "I think what's she's trying to say, honey bunches, is that maybe you should paint your nails his favorite color, to show him you're thinking about him," Rachel says, seasoning her words with tact. Rayna sets her chin. "Emma doesn't paint her nails Galen's favorite color." Startled that Galen has a favorite color and I don't know it, I say, "Uh, well, he doesn't like nail polish." That is to say, he's never mentioned it before. When a brilliant smile lights up her whole face, I know I've been busted. "You don't know his favorite color!" she says, actually pointing at me. "Yes, I do," I say, searching Rachel's face for the answer. She shrugs. Rayna's smirk is the epitome of I know something you don't know. Smacking it off her face is my first reflex, but I hold back, as I always do, because of the kiss I shared with Toraf and the way it hurt her. Sometimes I catch her looking at me with that same expression she had on the beach, and I feel like fungus, even though she deserved it at the time. Refusing to fold, I eye the buffet of nail polish scattered before me. Letting my fingers roam over the bottles, I shop the paints, hoping one of them stands out to me. To save my life, I can't think of any one color he wears more often. He doesn't have a favorite sport, so team colors are a no-go. Rachel picked his cars for him, so that's no help either. Biting my lip, I decide on an ocean blue. "Emma! Now I'm just ashamed of myself," he says from the doorway. "How could you not know my favorite color?" Startled, I drop the bottle back on the table. Since he's back so soon, I have to assume he didn't find what or who he wanted-and that he didn't hunt them for very long. Toraf materializes behind him, but Galen's shoulders are too broad to allow them both to stand in the doorway. Clearing my throat, I say, "I was just moving that bottle to get to the color I wanted." Rayna is all but doing a victory dance with her eyes. "Which is?" she asks, full of vicious glee. Toraf pushes past Galen and plops down next to his tiny mate. She leans into him, eager for his kiss. "I missed you," she whispers. "Not as much as I missed you," he tells her. Galen and I exchange eye rolls as he walks around to prop himself on the table beside me, his wet shorts making a butt-shaped puddle on the expensive wood. "Go ahead, angelfish," he says, nodding toward the pile of polish. If he's trying to give me a clue, he sucks at it. "Go" could mean green, I guess. "Ahead" could mean...I have no idea what that could mean. And angelfish come in all sorts of colors. Deciding he didn't encode any messages for me, I sigh and push away from the table to stand. "I don't know. We've never talked about it before." Rayna slaps her knee in triumph. "Ha!" Before I can pass by him, Galen grabs my wrist and pulls me to him, corralling me between his legs. Crushing his mouth to mine, he moves his hand to the small of my back and presses me into him. Since he's still shirtless and I'm in my bikini, there's a lot of bare flesh touching, which is a little more intimate than I'm used to with an audience. Still, the fire sears through me, scorching a path to the furthest, deepest parts of me. It takes every bit of grit I have not to wrap my arms around his neck. Gently, I push my hands against his chest to end the kiss, which is something I never thought I'd do. Giving him a look that I hope conveys "inappropriate," I step back. I've spent enough time in their company to know without looking that Rayna's eyes are bugging out of their sockets and Toraf is grinning like a nutcracker doll. With any luck, Rachel didn't even see the kiss. Stealing a peek at her, she meets my gaze with openmouthed shock. Okay, it looked as bad as I thought it did.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I liked the way the boats looked, but I didn’t do anything about it. After a blowup with the feculent Times bloater—lying there on his waterbed playing the paper comb and drinking black rum—I flew up to Houston, Texas— don’t ask me why—and bought a touring bike. A bicycle, not a motorcycle. And I pedaled it to Los Angeles. The most terrible trip in the world. I mean Apsley Cherry-Garrard with Scott at the pole didn’t have a clue. I endured sandstorms, terrifying and lethal heat, thirst, freezing winds, trucks that tried to kill me, mechanical breakdowns, a Blue Norther, torrential downpours and floods, wolves, ranchers in single-engine planes dropping flour bombs. And Quoyle, the only thing that kept me going through all this was the thought of a little boat, a silent, sweet sailboat slipping through the cool water. It grew on me. I swore if I ever got off that fucking bicycle seat which was, by that time, welded into the crack of me arse, if ever I got pried off the thing I’d take to the sea and never leave her.
Annie Proulx (The Shipping News)
My visage high above your city, Shines like gold, but half as pretty. Arms I've none, but hands I've two: Mondo, mini, black not blue. Climb my stairs and have no fears, All that threatens are my gears. Tucked beneath the mightly wheel, An envelpe shall truth reveal.
Megan Frazer Blakemore (The Friendship Riddle)
Last-Minute Message For a Time Capsule I have to tell you this, whoever you are: that on one summer morning here, the ocean pounded in on tumbledown breakers, a south wind, bustling along the shore, whipped the froth into little rainbows, and a reckless gull swept down the beach as if to fly were everything it needed. I thought of your hovering saucers, looking for clues, and I wanted to write this down, so it wouldn't be lost forever - - that once upon a time we had meadows here, and astonishing things, swans and frogs and luna moths and blue skies that could stagger your heart. We could have had them still, and welcomed you to earth, but we also had the righteous ones who worshipped the True Faith, and Holy War. When you go home to your shining galaxy, say that what you learned from this dead and barren place is to beware the righteous ones.
Philip Appleman
Also, don’t touch anything, and if you can help it, try not to look at anything either—not for longer than a second or two. Otherwise you might trigger some educational minigame or side quest that you’ll be forced to complete, and we’ll have to go on without you. We don’t have time to stop and play Blue’s Clues.
Ernest Cline (Ready Player Two (Ready Player One, #2))
A long time ago, psychopathy used to be called simply ‘evil’. People who were evil – who took a delight in hurting or killing others – were written about ever since Medea took an axe to her children, and probably long before that. The word ‘psychopath’ was coined by a German psychiatrist in 1888 […] from the German word psychopastiche, literally meaning ‘suffering soul’. For Mariana this was the clue – the suffering – the sense that these monsters were also in pain. […] Psychopathy or sadism never appeared from nowhere. It was not a virus, infecting someone out of the blue. It had a long prehistory in childhood. […] Yet many children grow up in terribly abusive environments – and they don’t end up as murderers. Why? Well, as Mariana’s old supervisor used to say, ‘It doesn’t take much to save a childhood.’ A little kindness, some understanding or validation: someone to recognise and acknowledge a child’s reality – and save his sanity.
Alex Michaelides (The Maidens)
Mr. Douglas told us true. He knows why the sky is blue. Why the earth spins round and round, And where the next clue can be found. Ask him, maybe, will he tell you? His radio, those ads will sell you. Peppy song will make you wonder, If the world is going under. Bring him something from the doctor- -Nothing spicy-while he proctors. It may be those fizzy bubbles, Let him help you with your troubles.
Megan Frazer Blakemore (The Friendship Riddle)
Fitzgerald still has that doe-eyed innocent look about him, but Mike's seen him on the ice, seen what he can do and he knows the kid's as vicious, deep down as the rest of them. He's got big blue eyes and hair constantly falling in his face and an ass that's spectacular even compared to the average hockey player and Mike wants him so bad, his teeth hurt, but Fitzgerald has no clue what he's playing with, so Mike keeps his goddamn hands to himself.
Taylor Fitzpatrick (Thrown Off the Ice)
When we’d all settled down from that first night, Julie found a bag on the porch, which we thought must have been left by the same three girls who had brought me to them. Just like the clues on my skin, I’d only been left with two worldly possessions. The first was a wad of cash that I immediately handed to Ben and Julie as compensation for giving me a home. Most of it went to pay for Akinli’s medical bills, which was fine with me. I didn’t know if there was a word bigger than soul mates, something that meant the feeling of being so connected that it was hard to tell where one person ended and the other began. If there was, that word belonged to Akinli and me. The second thing was a bottle of water. It was so peculiar, this water, a blue that was both dark and brilliant, too thick to see through but still carrying light. No matter the season, it was always cold, and there were tiny shells in it that never settled. Sometimes I slept with it, even though it was cold enough to wake me up if I rolled on it the wrong way. It was the only clue I had to tell me who I had been before the night I was left on the porch, and I loved it second only to Akinli. Somehow, I knew that this love was important, as if treasuring the water meant I treasured myself. And I did. I loved my recovering body, I loved my blue-eyed soul mate, I loved my adopted family. I held the water to my chest, and I loved.
Kiera Cass (The Siren)
The last time I’d been unwell, suicidally depressed, whatever you want to call it, the reactions of my friends and family had fallen into several different camps: The Let’s Laugh It Off merchants: Claire was the leading light. They hoped that joking about my state of mind would reduce it to a manageable size. Most likely to say, ‘Feeling any mad urges to fling yourself into the sea?’ The Depression Deniers: they were the ones who took the position that since there was no such thing as depression, nothing could be wrong with me. Once upon a time I’d have belonged in that category myself. A subset of the Deniers was The Tough Love people. Most likely to say, ‘What have you got to be depressed about?’ The It’s All About Me bunch: they were the ones who wailed that I couldn’t kill myself because they’d miss me so much. More often than not, I’d end up comforting them. My sister Anna and her boyfriend, Angelo, flew three thousand miles from New York just so I could dry their tears. Most likely to say, ‘Have you any idea how many people love you?’ The Runaways: lots and lots of people just stopped ringing me. Most of them I didn’t care about, but one or two were important to me. Their absence was down to fear; they were terrified that whatever I had, it was catching. Most likely to say, ‘I feel so helpless … God, is that the time?’ Bronagh – though it hurt me too much at the time to really acknowledge it – was the number one offender. The Woo-Woo crew: i.e. those purveying alternative cures. And actually there were hundreds of them – urging me to do reiki, yoga, homeopathy, bible study, sufi dance, cold showers, meditation, EFT, hypnotherapy, hydrotherapy, silent retreats, sweat lodges, felting, fasting, angel channelling or eating only blue food. Everyone had a story about something that had cured their auntie/boss/boyfriend/next-door neighbour. But my sister Rachel was the worst – she had me plagued. Not a day passed that she didn’t send me a link to some swizzer. Followed by a phone call ten minutes later to make sure I’d made an appointment. (And I was so desperate that I even gave plenty of them a go.) Most likely to say, ‘This man’s a miracle worker.’ Followed by: ‘That’s why he’s so expensive. Miracles don’t come cheap.’ There was often cross-pollination between the different groupings. Sometimes the Let’s Laugh It Off merchants teamed up with the Tough Love people to tell me that recovering from depression is ‘simply mind over matter’. You just decide you’re better. (The way you would if you had emphysema.) Or an All About Me would ring a member of the Woo-Woo crew and sob and sob about how selfish I was being and the Woo-Woo crew person would agree because I had refused to cough up two grand for a sweat lodge in Wicklow. Or one of the Runaways would tiptoe back for a sneaky look at me, then commandeer a Denier into launching a two-pronged attack, telling me how well I seemed. And actually that was the worst thing anyone could have done to me, because you can only sound like a self-pitying malingerer if you protest, ‘But I don’t feel well. I feel wretched beyond description.’ Not one person who loved me understood how I’d felt. They hadn’t a clue and I didn’t blame them, because, until it had happened to me, I hadn’t a clue either.
Marian Keyes
Most remember Hitchcock as a skilled storyteller, but what few know is that the director shot his movies using two separate scripts. The first, known as “the Blue Script,” was entirely functional. In it were all the tangible onscreen components, including dialogue, props, camera angles and set descriptions. The second script, which Hitchcock referred to as “the Green Script,” chronicled in fine detail the emotional arc, or “beats,” of the film he was shooting. Hitchcock relied on both scripts, but the Green Script reminded him how he wanted moviegoers to feel, and at what point,
Martin Lindstrom (Small Data: The Tiny Clues That Uncover Huge Trends)
It was a calm summer evening, with no wind in the air. The endless chirping of the crickets and the light pouring out from the numberless stars into the dark and deep blue sky enhanced the sheikh’s state of Hurufi intoxication. Life and meaning, signs and objects, darkness and absence, made up the universe of clues. Light and Soul, Loneliness and Beauty, Strength and Illusion, composed the poetry of the heart. And so the union of Love and God followed a trail of ink winding through the stars, the branches, the scent of flowers, the sound of birds (owls and crows), and the scuttling march of the hedgehogs in the plague-struck night.
Orhan Pamuk (Nights of Plague)
We had good reason to be anxious, beginning anew without a clue or map, but on our backs in that unnatural whiteness, we lay peaceful as waterfront sunbathers. Our plan was loose and as undefined as the path across a beach—any route seemed possible, all effective in crossing. And a calm energy lit my heart, perceptible in my movements, which seemed slower. Justin switched off the light; momentarily spooked, I wanted to hear his voice. I spoke into dim space: “I bet you’ll do big things here too—” “I never want to work again,” he cut me off, his unexpected decree like stardust in the darkness. For a moment, the blankness of New York’s canvas took on an energetic tone of backstage butterflies.
Aspen Matis (Your Blue Is Not My Blue: A Missing Person Memoir)
You really are sort of a basic person, aren’t you, except for that blue stratospheric veneer of crust you wrap yourself around. I was going to ask you, with your usual never-ending broadside complaints of lack and wearisome bushwa ‘nonsensical’ humdrum excuses, just exactly what kind of person are you? You must have had it easy growing up. Now, as per your habit, tonight when you hit the hay, percle on this: There are 7even basic types of people—: 1. People who make things happen. 2. People who talk about making things happen. 3. People who start to make things happen but never finish. 4. People who watch things happen. 5. People who wonder what just happened. 6. People who don’t have the faintest idea that anything happened. 7. People who need a stout “clue-by-four” of hickory smacked up alongside their head to make them happen. — As for an eighth— —Which one are you? Puzȥle it out. . . . -- Thomas Kannon, Instructor to Brickley. The Lady and the Samurai
Douglas M. Laurent
Vern did not trust humans was the long and short of it. Not a single one. He had known many in his life, even liked a few, but in the end they all sold him out to the angry mob. Which was why he holed up in Honey Island Swamp out of harm's way. Vern liked the swamp okay. As much as he liked anything after all these years. Goddamn, so many years just stretching out behind him like bricks in that road old King Darius put down back in who gives a shit BC. Funny how things came back out of the blue. Like that ancient Persian road. He couldn't remember last week, and now he was flashing back a couple thousand years, give or take. Vern had baked half those bricks his own self, back when he still did a little blue-collar. Nearly wore out the internal combustion engine. Shed his skin two seasons early because of that bitch of a job. That and diet. No one had a clue about nutrition in those days. Vern was mostly ketogenic now, high fat, low carbs, apart from his beloved breakfast cereals. Keto made perfect sense for a dragon, especially with his core temperature. Unfortunately, it meant that beer had to go, but he got by on vodka. Absolut was his preferred brand. A little high on alcohol but easiest on the system.
Eoin Colfer (Highfire)
Harper walked over to her reception desk. “What’s with the Tyson look-alikes out there? I almost couldn’t get in here.” Pixie frowned. “Better go ask your boy-o. Famous rock star in the house.” Pixie accentuated her comment with the poke of her pen. Jeez, he was huge. And built. And shirtless. Okay, enough staring. Well, maybe just for another second. Trent was leaning over the guy, and she could tell from the wide-reaching spread of purple transfer lines that he was just beginning a sleeve on the other man’s lower arm. The guy in the chair might well be a rock star— although Harper would never admit she had no clue who he was— but he was wincing. Harper could totally feel for him. Trent was in his usual position— hat on backward, gloves on, and perched on a stool. Harper approached them nervously. The big guy’s size and presence were a little intimidating. “I don’t bite.” Oh God. He was talking to her. “Excuse me?” He sucked air in between clenched teeth. “I said I don’t bite. You can come closer.” His blue eyes were sparkling as he studied her closely. Trent looked up. “Hey, darlin’,” he said, putting the tattoo machine down and reaching for her hand. “Dred, this is my girl, Harper. Harper, this is Dred Zander from the band Preload. He’s one of the other judges I told you about.” Wow. Not that she knew much about the kind of music that Trent listened to, but even she had heard of Preload. That certainly explained the security outside. Dred reached out his hand and shook hers. “Nice to meet you, Harper. And a pity. For a minute, I thought you were coming over to see me.” “No,” Harper exclaimed quickly, looking over at Trent, who was grinning at her. “I mean, no, I was just bringing Trent some cookies.” Holy shit. Was she really that lame? It was like that moment in Dirty Dancing when Baby told Johnny she carried a watermelon. Dred turned and smiled enigmatically at Trent. “I see what you mean, man.” “Give.” Smiling, Trent held out his hand. Reaching inside her bag, she pulled out the cookies and handed the container to him. “Seriously, dude, she’s the best fucking cook on the planet.” Trent paused to take a giant bite. “You got to try one,” he mumbled, offering the container over. Harper watched, mortified, as a modern-day rock legend bit into one of her cookies. Dred chewed and groaned. “These are almost as good as sex.” Harper laughed. “Not quite,” Trent responded, giving her a look that made her burn. “You should try her pot roast. Could bring a grown man to his knees.
Scarlett Cole (The Strongest Steel (Second Circle Tattoos, #1))
Oskar Schell: My father died at 9-11. After he died I wouldn't go into his room for a year because it was too hard and it made me want to cry. But one day, I put on heavy boots and went in his room anyway. I miss doing taekwondo with him because it always made me laugh. When I went into his closet, where his clothes and stuff were, I reached up to get his old camera. It spun around and dropped about a hundred stairs, and I broke a blue vase! Inside was a key in an envelope with black written on it and I knew that dad left something somewhere for me that the key opened and I had to find. So I take it to Walt, the locksmith. I give it to Stan, the doorman, who tells me keys can open anything. He gave me the phone book for all the five boroughs. I count there are 472 people with the last name black. There are 216 addresses. Some of the blacks live together, obviously. I calculated that if I go to 2 every Saturday plus holidays, minus my hamlet school plays, my minerals, coins, and comic convention, it's going to take me 3 years to go through all of them. But that's what I'm going to do! Go to every single person named black and find out what the key fits and see what dad needed me to find. I made the very best possible plan but using the last four digits of each phone number, I divide the people by zones. I had to tell my mother another lie, because she wouldn't understand how I need to go out and find what the key fits and help me make sense of things that don't even make sense like him being killed in the building by people that didn't even know him at all! And I see some people who don't speak English, who are hiding, one black said that she spoke to God. If she spoke to god how come she didn't tell him not to kill her son or not to let people fly planes into buildings and maybe she spoke to a different god than them! And I met a man who was a woman who a man who was a woman all at the same time and he didn't want to get hurt because he/she was scared that she/he was so different. And I still wonder if she/he ever beat up himself, but what does it matter? Thomas Schell: What would this place be if everyone had the same haircut? Oskar Schell: And I see Mr. Black who hasn't heard a sound in 24 years which I can understand because I miss dad's voice that much. Like when he would say, "are you up yet?" or... Thomas Schell: Let's go do something. Oskar Schell: And I see the twin brothers who paint together and there's a shed that has to be clue, but it's just a shed! Another black drew the same drawing of the same person over and over and over again! Forest black, the doorman, was a school teacher in Russia but now says his brain is dying! Seamus black who has a coin collection, but doesn't have enough money to eat everyday! You see olive black was a gate guard but didn't have the key to it which makes him feel like he's looking at a brick wall. And I feel like I'm looking at a brick wall because I tried the key in 148 different places, but the key didn't fit. And open anything it hasn't that dad needed me to find so I know that without him everything is going to be alright. Thomas Schell: Let's leave it there then. Oskar Schell: And I still feel scared every time I go into a strange place. I'm so scared I have to hold myself around my waist or I think I'll just break all apart! But I never forget what I heard him tell mom about the sixth borough. That if things were easy to find... Thomas Schell: ...they wouldn't be worth finding. Oskar Schell: And I'm so scared every time I leave home. Every time I hear a door open. And I don't know a single thing that I didn't know when I started! It's these times I miss my dad more than ever even if this whole thing is to stop missing him at all! It hurts too much. Sometimes I'm afraid I'll do something very bad.
Eric Roth
There’s more, Anna. When we first got to California,” she says, “you asked me if I remembered your birthday party.” I nod, picking at a thread on her comforter. “I did remember. Matt was acting like such a space cadet that night after we got home – like he was floating. I can’t believe I didn’t figure it out, but of all the things that he could have been thinking about, you were the last – I mean, my mind just didn’t even go there. You were like our sister.” “But I–” “Wait – let me get this out.” She looks at me hard, her broken wing eyebrow trembling to keep the tears back. “After I brushed my teeth, I walked into his room. He was sitting on his bed, playing with that blue glass necklace he always wore, a big smile on his face. Remember the necklace?” The necklace. “Of course.” “I asked him what was so funny. He jumped a little, not knowing I’d been watching him smile there like a goofy little kid. He said it was nothing – just that he had fun at the party. And I believed him, all the way up until the day I read your journal. That’s when it all made sense. All the times he’d ask me about who you liked at school, or who wanted to take you to whatever dance.” She’s quiet as I digest her story, putting the pieces together to form a complete whole from the missing half that’s haunted me since that night – how did he really feel about me? Was it just one stupid moment, perpetuated a little too long, only to be forgotten as quickly as it came? As soon as he went away to school? “I was in love with him forever – since I was, like, ten,” I confess. “Yeah,” she says. “You both were in love. I know that now. We were all so close, you know? I just didn’t see it coming until I read your – I’m sorry, Anna.” I close my eyes, fighting back the image of her hand on my journal. “It’s okay.
Sarah Ockler (Twenty Boy Summer)
Back in bed I listen to every sound. The plastic tarp over the table on the balcony crunching in the cold wind. the two short clicks in the walls before the heat comes on with a low whoosh. I hear a constant base hum all around, the nervous system of the building, carrying electricity and gas and phone conversations to all our respective little boxes. I listen to it all, the constant, the rhythmic, and the random. It's hard to measure the night by sound, but it can be done. I know that when the traffic noise is quietest, it's about 4:30 in the morning. I know that when the 'Times' hits the door, it's around 5. Now the clock says it's morning, 5:45, but the November sky still says midnight. I hear the elevator ding twenty yards down the hall outside our door. Seven seconds later, I hear his keys in our lock, then his heavy backpack hitting the floor. I hear the refrigerator door open, the unsealing vacuum wheezing as the cold inside air meets the dry heat in the apartment. The cupboard door. A glass. The crescendoing fizz of a new two-liter Diet Coke bottle opening. It's a one-sided conversation with no one actually talking. I lie in the dark, close my eyes, and try not to listen to his movements around apartment. these are the sounds of our life together before it got so messy. I want to say something back. Anything, anything that sounds like things sounded last summer. Even just to myself. Just something out loud. The inside of my eyelids turn pink. My door has been opened and the light from the hallway shines through them. I won't open them. There is no noise. Like an eclipse, the world behind my closed eyes goes dark again. For just one second, before I feel a kiss on my right eye. I keep them closed. A kiss on the left one. I open them. Jack looks down at me and closes his eyes. He leans forward and puts his forehead on my chest and goes limp. ''Blues Clues' is on,' he says softly into my tee shirt. His muffled voice vibrating only a half inch away from my heart.
Josh Kilmer-Purcell (I Am Not Myself These Days)
EVEN BEFORE HE GOT ELECTROCUTED, Jason was having a rotten day. He woke in the backseat of a school bus, not sure where he was, holding hands with a girl he didn’t know. That wasn’t necessarily the rotten part. The girl was cute, but he couldn’t figure out who she was or what he was doing there. He sat up and rubbed his eyes, trying to think. A few dozen kids sprawled in the seats in front of him, listening to iPods, talking, or sleeping. They all looked around his age…fifteen? Sixteen? Okay, that was scary. He didn’t know his own age. The bus rumbled along a bumpy road. Out the windows, desert rolled by under a bright blue sky. Jason was pretty sure he didn’t live in the desert. He tried to think back…the last thing he remembered… The girl squeezed his hand. “Jason, you okay?” She wore faded jeans, hiking boots, and a fleece snowboarding jacket. Her chocolate brown hair was cut choppy and uneven, with thin strands braided down the sides. She wore no makeup like she was trying not to draw attention to herself, but it didn’t work. She was seriously pretty. Her eyes seemed to change color like a kaleidoscope—brown, blue, and green. Jason let go of her hand. “Um, I don’t—” In the front of the bus, a teacher shouted, “All right, cupcakes, listen up!” The guy was obviously a coach. His baseball cap was pulled low over his hair, so you could just see his beady eyes. He had a wispy goatee and a sour face, like he’d eaten something moldy. His buff arms and chest pushed against a bright orange polo shirt. His nylon workout pants and Nikes were spotless white. A whistle hung from his neck, and a megaphone was clipped to his belt. He would’ve looked pretty scary if he hadn’t been five feet zero. When he stood up in the aisle, one of the students called, “Stand up, Coach Hedge!” “I heard that!” The coach scanned the bus for the offender. Then his eyes fixed on Jason, and his scowl deepened. A jolt went down Jason’s spine. He was sure the coach knew he didn’t belong there. He was going to call Jason out, demand to know what he was doing on the bus—and Jason wouldn’t have a clue what to say. But Coach Hedge looked away and cleared his throat. “We’ll arrive in five minutes! Stay with your partner. Don’t lose your worksheet. And if any of you precious little cupcakes causes any trouble on this trip, I will personally send you back to campus the hard way.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Marriage meant jointures and pin money and siring an heir to continue the dynasty. A cottage meant just him and Maria. What a fool he was. Even a woman with Maria’s low connections wanted more. And he couldn’t give it. The very thought of attempting it made him ill, because he could never make her happy. He would muck it up, and the legacy of misery would go on. But he’d be damned if he’d watch her throw herself away on that fool Hyatt. She deserved better than an indifferent fiancé who had no clue how to make her eyes darken in passion as she shuddered and trembled and gave her mouth so sweetly… He groaned. He shouldn’t have gone so far with her. It had frightened her. Worse yet, his reaction to it bloody well terrified him-because he’d give a great deal to be able to do it again. He’d never felt that way for any other woman. Freddy was still blathering on, and suddenly a word arrested him. “What was that you said?” Oliver asked. “The beefsteak needed a bit more salt-“ “Before that,” he ground out. “Oh. Right. There was a chap in that club claiming he was your cousin. Mr. Desmond Plumtree, I think.” His stomach sank. When had Desmond gained membership at such a selective club? Did it mean the bastard was finally becoming accepted in society? “Though if you ask me,” Freddy went on, “with family like him, who needs enemies? Insulting fellow. Told me a bunch of nonsense about how you’d killed your father and everybody knew it.” Freddy sniffed. “I told him he was a scurrilous lout, and if he couldn’t see that you were a good sort of chap, then he was as blind as a town crier with a broken lantern. And he didn’t belong in the Blue Swan with all those amiable gents, neither.” For a moment, speech utterly failed Oliver. He could only imagine Desmond’s reaction to that little lecture. “And…er…what did he say?” “He looked surprised, then muttered something about playing cards and trotted off to a card room. Good riddance, too-he was eating up all the macaroons.” Oliver gaped at him, then began to laugh. “What’s so funny?” “You and Maria-don’t you Americans ever pay attention to gossip?” “Well, sure, if it makes sense. But that didn’t make sense. If everybody knew you’d killed your father, you’d have been hanged by now. Since you’re sitting right here, you can’t have done it.” Freddy tapped his forehead. “Simple logic is all.” “Right,” Oliver said. “Simple logic.” A lump caught in his throat. Maria’s defending him was one thing; she was a woman and softhearted, though that had certainly never kept any other woman from gossiping about him. But to have an impressionable pup like Freddy defend him…he didn’t know whether to scoff at the fellow’s naivete or clap him on the shoulder and pronounce him a “good sort of chap” as well.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
EVEN BEFORE HE GOT ELECTROCUTED, Jason was having a rotten day. He woke in the backseat of a school bus, not sure where he was, holding hands with a girl he didn’t know. That wasn’t necessarily the rotten part. The girl was cute, but he couldn’t figure out who she was or what he was doing there. He sat up and rubbed his eyes, trying to think. A few dozen kids sprawled in the seats in front of him, listening to iPods, talking, or sleeping. They all looked around his age…fifteen? Sixteen? Okay, that was scary. He didn’t know his own age. The bus rumbled along a bumpy road. Out the windows, desert rolled by under a bright blue sky. Jason was pretty sure he didn’t live in the desert. He tried to think back…the last thing he remembered… The girl squeezed his hand. “Jason, you okay?” She wore faded jeans, hiking boots, and a fleece snowboarding jacket. Her chocolate brown hair was cut choppy and uneven, with thin strands braided down the sides. She wore no makeup like she was trying not to draw attention to herself, but it didn’t work. She was seriously pretty. Her eyes seemed to change color like a kaleidoscope—brown, blue, and green. Jason let go of her hand. “Um, I don’t—” In the front of the bus, a teacher shouted, “All right, cupcakes, listen up!” The guy was obviously a coach. His baseball cap was pulled low over his hair, so you could just see his beady eyes. He had a wispy goatee and a sour face, like he’d eaten something moldy. His buff arms and chest pushed against a bright orange polo shirt. His nylon workout pants and Nikes were spotless white. A whistle hung from his neck, and a megaphone was clipped to his belt. He would’ve looked pretty scary if he hadn’t been five feet zero. When he stood up in the aisle, one of the students called, “Stand up, Coach Hedge!” “I heard that!” The coach scanned the bus for the offender. Then his eyes fixed on Jason, and his scowl deepened. A jolt went down Jason’s spine. He was sure the coach knew he didn’t belong there. He was going to call Jason out, demand to know what he was doing on the bus—and Jason wouldn’t have a clue what to say. But Coach Hedge looked away and cleared his throat. “We’ll arrive in five minutes! Stay with your partner. Don’t lose your worksheet. And if any of you precious little cupcakes causes any trouble on this trip, I will personally send you
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
DJ, are you awake? Freaking elf. “Go home, Rand.” I am home. Where are you? I frowned and burrowed my face into the soft down pillow. Which wasn’t my pillow. Holy crap. What had happened? I sat up and took in several observations at once, none of which made sense and all of which sent my heart rate jack-rabbiting hard enough to send my blood pressure into the ozone. First, I was lying beneath a heavy bedspread woven in a rich blue-and-cream print. The bed was an elaborate confection made to look like an antique half-tester, and a brass chandelier hung overhead. I recognized the Hotel Monteleone. I recognized Jean Lafitte’s bedroom in the posh Eudora Welty Suite in the Monteleone. I didn’t have a clue as to how I got here. Second, I wore only underwear. My clothes were thrown across a chair in the corner. I had no recollection of removing them. Third, the pillow next to mine still held the clear indentation of a head, and there was water running behind the closed bathroom door. What in God’s name had I done? Rand! Where are you? So help me, if that elf was behind this, I’d splay him open like a catfish and watch his guts fall on the floor. Then I’d batter and deep-fry him. God, Dru. Stop shrieking like an elven shrew. I think you got too cold and went into a survival state.
Suzanne Johnson (Pirate's Alley (Sentinels of New Orleans, #4))
Secrets Of Love You have heard a lot about love. You have seen a lot about love. Your five senses speaks all time about love. Still there are simple misunderstandings about love. May be I am wrong to some of you. Then experience it and get the clue. Love is not a color green or blue. Love is transparent like crystal clear. Love is not attachment to your near or dear. Love brings freedom and takes away your fear. If love comes from mind, it is attachment. If love comes from thoughts, it is not permanent. Love is eternal and infinite. Love exists, begins at first site We do not think when we fall in love. We do not shrink but we expand in love. Love flows from heart through your soul. Love flows like a river from a waterfall. Love connects you all as a whole. Love connects you with every soul. Love is not mine, not yours. Love is not his, not hers. If love is there it is for everyone. If love is personnel that is your attachment. This will bring you pain or harassment. This will bound you into stupid agreement. If love was sex we were mere animals. If sex was love we were mere animals. - Just a chemical reaction and fun for a while. Or to get tie up with the partner for a while. Animals are slaves of there five senses. Man are the leader of there five senses. Love will not lead you in pain or momentary pleasure. Love will lead you to eternal joy of beautiful texture. This is my experience about love, let it be your. Believe it, fine if not suffer and see the truth for sure
Ramesh Kavdia
You!” she snarled, her glower intended for Narian. He walked unflinchingly toward her, keeping me close to his side. “You knew of this plot! Confess the part you have played and I will perhaps spare your life.” Narian put a hand on my shoulder, telling me to stay where I was, then took a few steps closer to the woman who had been like a mother to him. I stood frozen, waiting along with her to hear his answer. What was going on? What had Narian done? “I am not a part of this,” he declared. Nantilam quickly closed the remaining distance between them. She was infuriated, her green eyes flaring as vividly as the flames outside. “But you know more than you have told me.” Her voice was low, dangerous, rumbling with anger. “I know that the Hytanicans’s first rebellion was meant to distract us, and that those captured willingly sacrificed their lives. I know that right now, the men you wanted to execute are waging one last fight to reclaim their kingdom.” My head was spinning, both at the news and at my own idiocy. How could I have failed to see this? How could I not have known it would happen? I had chosen to be blind, even when Narian had all but begged me to come to Cokyri with him. I hadn’t wanted to see it. But the clues had been there. Now people were dying in Hytanica. Someone, probably London, had set the fires here in Cokyri to hinder the arrival of messengers from the province with word of the revolt and to forestall the High Priestess from sending reinforcements. We were trapped and helpless, able only to imagine the battle taking place on the other side of the river. “I knew something was amiss,” the High Priestess simmered. “I knew it the moment I saw Alera with you. You’re a traitor, Narian.” He shook his head, his expression hard. “I am no traitor. I did everything you asked of me. I conquered Hytanica for you and the Overlord, I administered the province as you wanted for months, and I did not plot against you.” Narian’s voice dropped to a fierce whisper. “I am not to blame for what is happening today--for giving the Hytanicans a fair chance at retaking what is rightfully theirs. My only sin is that I did not try to stop them.” Nantilam scrutinized him for what seemed an eternity. “I listened to you,” she vehemently said at last. “I loved you, and I trusted you, and I fought not to lose you after my brother’s death.” “You never trusted me,” Narian contradicted, interrupting whatever else she had intended to say. “And with good reason. You believe the only way to repay a betrayal if with a betrayal. You betrayed me in the worst way imaginable. You lied to me my entire life, trained me and used me as a weapon, never telling me the real reason I was of value to you.” His blue eyes flashed, their sapphire brilliance rivaling the ever-changing emerald sparks in hers. “But I will no longer be manipulated for your causes, and I will not become another warlord. You can consider yourself repaid.
Cayla Kluver (Sacrifice (Legacy, #3))
This is my father’s story. I am writing it to find him. But to get to where you’re going you have to first go backwards. That’s directions in Ireland, it’s also T. S. Eliot. My father was named Virgil by his father who was named Abraham by his father who once upon a time was the Reverend Absalom Swain in Salisbury, Wiltshire. Who the Reverend’s father was I have no clue, but sometimes when I’m on the blue tablets I take off into a game of extreme Who Do You Think You Are? and go Swain-centuries deep. I follow the trail in reverse, Reverends and Bishops, past the pulpit-thumpers, the bible-wavers, the sideburn and eyebrow-growers. I keep going, pass long-ago knights, crusaders and other assorted do-lallies, eventually going as far back as The Flood. Then in the final segment, ad-breaks over and voiceover dropped to a whisper, I trace all the way back to God Himself and say Who Do You Think You Are?
Niall Williams (History of the Rain)
was wrong, but what could I do? A man has needs. After work at the station, I need relief and Sujata is too tired or asleep by the time I’m home. You’re not married, and have no clue. Girls throw themselves at you.
Damyanti Biswas (The Blue Bar (Blue Mumbai, #1))
The jetliner winged its way down the coast and the four boys finally dozed. They slept through the night. At sunup they were over the Caribbean, nearing the eastern coast of Guatemala. “There’s the shoreline!” Joe cried. The boys noticed that the vivid blue sea water was changing to a lighter hue and caught a glimpse of the white strip of beach and the mountains beyond.
Franklin W. Dixon (The Clue in the Embers (Hardy Boys, #35))
leading to higher-than-normal levels of methemoglobin in the blood—a form of hemoglobin—that overwhelms the normal hemoglobin, which reduces oxygen capacity. Less oxygen in the blood makes it a chocolate-brown color instead of red, causing the skin to appear blue. Doctors can easily diagnose congenital methemoglobinemia because the color of the blood provides the unique clue. The mutation is hereditary and carried in a recessive gene, whereas acquired methemoglobinemia is life-threatening and derives from heart disease, airway obstruction, or taking too much of certain drugs.
Kim Michele Richardson (The Book Woman's Daughter (The Book Woman of Troublesome Creek, #2))
TRUE STORIES Don't ask for the true story; why do you need it? It's not what I set out with or what I carry. What I'm sailing with, a knife, blue fire, luck, a few good words that still work and the tide. The true story was lost on the way down to the beach, it's something I never had, that black tangle of branches in a shifting light, my blurred footprints filling with salt water, this handful of tiny bones, this owl's kill. a moon, crumpled papers, a coin, the glint of an old picnic, the hollows made by lovers in the sand a hundred years ago: no clue The true story lies among the other stories; a mess of colors, like jumbled clothing, thrown off or away, like hearts on marble, like syllables like butchers' discards. The true story is vicious and multiple and untrue after all. Why do you need it? Don't ever ask for the true story.
Margaret Atwood (Eating Fire : Selected Poetry, 1965-95)
The red-state/blue-state divide also helped conservatives perform one of their dearest rhetorical maneuvers, which we will call the latte libel: the suggestion that liberals are identifiable by their tastes and consumer preferences and that these tastes and preferences reveal the essential arrogance and foreignness of liberalism. While a more straightforward discussion of politics might begin by considering the economic interests that each party serves, the latte libel insists that such interests are irrelevant. Instead it’s the places that people live and the things that they drink, eat, and drive that are the critical factors, the clues that bring us to the truth. In particular, the things that liberals are said to drink, eat, and drive: the Volvos, the imported cheese, and above all, the lattes.*
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
His laugh comes easily now, and when those blue eyes turn my way, whether it’s in lust or levity, I immediately fall slave to the power he holds over me. He has thoroughly possessed me, and he has no clue. He has no idea the power he holds, and he clearly has no idea that my heart is now involved too. I only wish it weren’t so, because I have a feeling I’m going to be destroyed when he goes.
Sawyer Bennett (Uncivilized (Uncivilized, #1))
It seemed that every time he closed his eyes of late to conjure her image, another would appear in its place. Instead of hair like golden silk, hair the blue-black of a raven’s wing entered his mind’s eye. Instead of eyes like limpid pools of violet, eyes of the deepest forest green would materialize. “Radin?” A soft voice spoke behind him. If he closed his eyes, he could almost imagine it was she. He had recognized some time ago, that Keilah bore an uncanny resemblance to his dead wife, but now for the first time, he realized they even sounded alike. He turned and ran his gaze over the woman before him. “Why are you staring at me like that? As if you have never truly seen me.” “Perhaps I haven’t,” he replied solemnly, continuing his perusal, peering deep into the green of her eyes. Perhaps if he looked long and hard enough, he would find something in those emerald depths. Something which would give him a clue as to why she attracted him so, even as he knew she despised him.
Julie A. D'Arcy
It doesn't matter if your hair’s curly or straight, Or your fur is blue or pink. It doesn't matter if you're tall or short, It just matters what you think!
JSB Morse (Bumbo McBlue Gets a Clue!)
Maybe it’s because she just called me daddy and I have no fucking clue how to feel about it. Lie. I know how I feel about it, I’m just not going to fucking admit it to myself.
Sarah Blue (Swallow Your Pride (The Carlson Brothers, #1))
My heart is racing like a speed boat Her hands around me is like a sheep’s coat She looks at me and smiles long And I melt like candy in the fire Our heart always seems to hum the same song The silence echoes the other’s desires Each stare searching the soul for clues Yet the sea only reflects the shade of blue.
Paul Bamikole (Renegades And Other Soulful Poems)
The absurdity of that sentence. I’ve seen what those navy-blue joggers do to his bounce-a-quarter-off-it ass, and now I see how they hug his long legs and the muscles of his thighs. His sweatshirt is a heather-gray crewneck with i my cats in bold font across the chest, perfectly pushed up to reveal his forearms. What’s worse, he’s oblivious. He has no clue how obscene this all is.
Chloe Liese (Two Wrongs Make a Right (The Wilmot Sisters #1))
Winn’s blue eyes broke from mine, and the moment her gaze dropped to my mouth, I was done for. I leaned closer. “What are you doing?” she whispered. “I have no fucking clue.” Then my lips were on hers.
Devney Perry (Indigo Ridge (The Edens, #1))
Adam scoffed. “Dad was day-drinking. Fucking Blue could have picked up these clues.
Onley James (Moonstruck (Necessary Evils, #3))
A long time passed before I discovered what had happened to her. Months went by as I built up the image of her in my mind. I vividly remembered the days in Serria, the harmless sea seen through the thick glass windows, her discreet but sincere smile, and the blue-eyed pool I thought loved me. No drug could lift my morale as she did. She overlooked my weaknesses. She never mentioned Eleonor, knowing just the name would destabilize me. We entrusted many things to each other. Of course, I sought accurate reports of her stay on Planet Babylon and kept all digital records of her treatment. I read them exhaustively, searching for an explanation, but nothing could explain what followed. From that fateful day, I managed only to gather disconnected fragments of her supposed life on the peripheral planets. Clues that might lead to her. An incomplete puzzle of information. I was sure something must have happened to her DNA. There were so many rumors about the glass-eyed woman that until the day I finally saw her, it seemed impossible to know for sure whether Serena, the one in my memory, ever really existed.
S. Zuppardi (The Black Shila)
He always said the best chance for a hands-on killer to leave a clue was at the last moment of contact, when the deed had been done. Before that, the murderer was likely on high alert, conscious of every move, waiting for the moment to strike. Then, with the victim dead or dying, the killer might let down his guard if he was overconfident or relieved. Who knew what a guy who’d just knifed a kid and twisted the blade felt? Or a woman?
James R. Benn (Blue Madonna (A Billy Boyle WWII #11))
The way I see it,” she went on, “our friendship, and our working relationship, were solid foundations we built over time. Now you’re here wanting more, and the way we started that next step was with a kiss. So I feel like we’ve done just about everything two people can do in getting to know each other except…finish that kiss. It seemed to me that the logical next step, the next piece of information we needed to know, was what comes next when we let that kiss go to its natural conclusion.” She did smile then, and her emerald green eyes blazed as she let down a guard he didn’t know she’d still had erected, letting him see for the first time the rest of what she was feeling. “Or at least that was my rationale for finally letting myself have what I fantasized about having, all those months I worked next to you.” He opened his mouth, then shut it again when her words sank in. “I--what did you just say?” Her smile remained, but there was a new light flickering in the depths of her eyes now, one that somehow managed to look bold, excited, and endearingly nervous all at the same time. “You weren’t alone, Cooper, in wanting…what you wanted. At least the physical attraction part anyway. I should have been more forthright about that when you showed up at the pub, or afterward. But at least try to see this from my perspective. Suddenly, out of the blue, the man I lusted after all those months was standing, quite improbably, right in front of me, in his full, Technicolor gorgeousness, looking even better than the guy I was sure I’d exaggerated and romanticized. Right there, in the flesh. And before I could even begin to get a grip on that, you went all going down on bended knee on me, and--it was all so much, too much, to even begin to process.” She let out a short, disbelieving laugh. “Maybe if you’d just dragged me into your arms and not given me a chance to think, I might have surrendered right there on the spot, and the rest of the Cove be damned. But instead you’re all sincere, with your big, beautiful heart hanging on your sleeve, all earnest and lovely, and I so didn’t deserve anything like that, not after the way I left things between me and your entire family. I didn’t have the first clue what to do with that. With you.” Her smile turned decidedly rueful. “So, naturally, I resorted to form. I shut you down, told you to go away. If I couldn’t run away, I was going to make damn sure you did. I mean, it was one thing to leave Cameroo, then insult you and your family by not keeping in touch. It was another thing entirely to do it again, right to your face.” “I hate to interrupt,” he said, trying like hell not to grin, then drag her into his lap to do what he apparently should have done the moment he’d laid eyes on her again. “But I haven’t heard a word you’ve said since that part where you’ve been lusting after me for two years.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Some areas were stuck with only red pins, some with green or blue, some with several colors. “She’s been doing voodoo on the world!” Dan said. “No, dummy,” Amy said. “Those must be
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
Humans can intuitively sense through a variety of subtle clues (i.e., dress, accent, gestures) when another person possesses a mix of cultural and psychological characteristics that is so substantially different to our own that political discord is also likely. Put otherwise, a liberal can usually smell a conservative, and vice versa. Moreover, the smell is not a pleasant one. -- Red Genes, Blue Genes: Exposing Political Irrationality
Guillermo Jiménez (Red Genes, Blue Genes: Exposing Political Irrationality)
That’s generally the way things go. The States has cool stuff, but we don’t know it until Europe clues us in. Like the blues.
J.W. Ocker (Poe-Land: The Hallowed Haunts of Edgar Allan Poe)
Why is it that men want their own way in all things?” she asked, her tone exquisitely mild, but her blue eyes turbulently stormy. Player hoped this was one of those moments when a woman didn’t really want an answer. She wanted someone to listen. He did his best to look very interested in all she had to say. Any woman who floated teapots in the air commanded his respect. Jonas Harrington, whether he carried a gun or not, was crazy to annoy this woman on any level. The silence stretched between them until Player realized it was very possible Hannah required an answer. He cleared his throat. “You do realize I came to you because I totally fucked up my relationship with my woman, right? I don’t have a clue why men do half the bullshit things we do, Hannah. I came here to learn from you, not to advise you. I’m trying to get the brothers to ask a few questions so they don’t ruin what they have.” “You so deserve a cookie. They’re really good too. Take two.” Hannah beamed at him.
Christine Feehan (Reckless Road (Torpedo Ink, #5))
Sometimes I utilize a form of bibliomancy, or dictionariomancy, to give me a clue as to what in the foggy blue hell is going to happen next. My method is this: I make myself a pot of Evening in Missoula tea, pretend that I’m in Missoula, where I’ve never been. I light a wand of Nag Champa incense, pretend that I’m uncountable, which is the meaning of Nag Champa. I light whatever candle is handy. I am alone when I do this, not only out of respect for Pollux’s sensibilities. I would be embarrassed for anybody else to know that this is how I make rational decisions. It was a warm winter day, so Hetta and Pollux were out strolling with Jarvis, who was bundled and wrapped like a tiny mummy. The time was now. In an aura of ceremonial gravity, I set the dictionary down on the coffee table. I cleared my mind. I closed my eyes, opened up the dictionary, and let my finger drift until it touched down on a word. Divination n. 1. The art or act of foretelling future events or revealing occult knowledge by means of augury or alleged supernatural agency. 2. An inspired guess or a presentiment. 3. That which has been divined. My source confirmed my instinct and my finger landed on exactly what I was doing. My augur told me that something was coming. But I was annoyed. I thought the dictionary got it wrong because that something, the wraith of Flora, was already here. I was wrong. Something else was definitely on its way.
Louise Erdrich (The Sentence)
Two weeks.  He’d only been here two weeks.  Five weeks ago, he was a cop.  Now he was staring at the manicured toes of a pretty decent looking cougar as they swayed back and forth three feet off the ground.  She was wearing that light blue silk robe.  Maybe it was silk.  He didn’t really have a clue.  But she had looked good in it.
Matt Orlando (Westgate: A Nick Marino Mystery)
I sensed that if I were ever to meet [Senator Orrin] Hatch face-to-face there would be little that we could agree upon. There was something about watching Hatch that reminded me of unpleasant, futile political arguments I had had in my life. I wondered whether such political disagreements did not issue from underlying, perhaps even innate. characteristics. Certainly, experience teaches us that when we encounter another person whom we instinctively dislike, constructive political dialogue is not likely to follow. Humans can intuitively sense through a variety of subtle clues (i.e., dress, accent, gestures) when another person possesses a mix of cultural and psychological characteristics that is so substantially different to our own that political discord is also likely. Put otherwise, a liberal can usually smell a conservative, and vice versa. Moreover, the smell is not a pleasant one. -- Red Genes, Blue Genes: Exposing Political Irrationality
Guillermo Jiménez
I sensed that if I were ever to meet [Senator Orrin] Hatch face-to-face there would be little that we could agree upon. There was something about watching Hatch that reminded me of unpleasant, futile political arguments I had had in my life. I wondered whether such political disagreements did not issue from underlying, perhaps even innate characteristics. Certainly, experience teaches us that when we encounter another person whom we instinctively dislike, constructive political dialogue is not likely to follow. Humans can intuitively sense through a variety of subtle clues (i.e., dress, accent, gestures) when another person possesses a mix of cultural and psychological characteristics that is so substantially different to our own that political discord is also likely. Put otherwise, a liberal can usually smell a conservative, and vice versa. Moreover, the smell is not a pleasant one. -- Red Genes, Blue Genes: Exposing Political Irrationality
Guillermo Jiménez
Bruno returns, still clad in only his green towel, hair poofing out a little as it dries. “Everything all right?” I ask, with a stupid smile. I fight my line of sight to stay above the shoulders, but despite my best efforts, my eyes dart down a few times as he strides across the room to his closet. “Yes, clothes. Please,” I say too fast. “Good idea.” Shut. Up. The corner of his mouth hitches up, and his head turns toward my open suitcase on the floor. He bends over and I realize I’m still watching, both to see what he’s doing, and to see if his towel can hang on for the ride. He pulls out a few of my shirts and flings them onto the bed, digging deeper into my suitcase until he pulls out a coral-colored sundress. “Oh, that’s going to look fabulous on you,” I say. “I do not doubt it.” He laughs, turning and holding the dress up to himself, one hip jutting out, then closes the distance between us in a couple of steps. I take the dress from him and do my best to avoid eye contact. But now I’m looking at his chest. His bare chest. His tan, bare chest. And he smells clean, like almonds and oats. A feast for all the senses. Maybe eye contact would be better. I look up into them and immediately regret it. They’re big and golden and deep, and they’re looking at me. I have no clue what’s happening. “You will wear this for me today, yes?” I nod. “Bene.” He walks back to the closet and pulls out a thin white button-down shirt and a pair of navy-blue shorts, then heads for the door. “Wait,” I say, shaking my head out of my daze. He stops just before he passes me. “What’s so special about today? Aren’t we just working?” Darren said he was coming back today and would pop by the restaurant, but we didn’t set a specific time. I assumed I’d be at work all day. “Later, yes,” he says quietly, leaning in like we’re coconspirators. “First, I am taking you on my boat.” I get pulled into the conspiracy and lean in too. “Your boat?” “My boat.” He’s even closer now, still shirtless. His clothes are just an afterthought of wadded-up laundry in his hands. It’s probably such a chore for him to put them on every day. He’s clearly in his element without them. Chiara did say that I had to see Cinque Terre from the sea, that there’s nothing else like it. The anticipation of the photo ops alone is enough to make my answer “Si, si, si,” forget about the half-naked guy standing in front of me. Forget about his lips, inches from mine. Forget that he has his own boat in Italy. “Where are we going?” I stare at his mouth, waiting for an answer. He smirks and I’m pretty sure I’ll follow him anywhere. Bruno traces my jaw with a fingertip and lightly taps the tip of my nose. “You will see.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
...His fancy foreign accent shattered her soul. Emeka sounded so genuine, and this struck Chioma lifeless. Her hair swayed and rustled in the air as her heart pounded its way out of her chest. The air tasted sweeter and her eyes glittered in matchless pleasure. Her lips flashed a winning smile... Emeka drew closer to Chioma, slowly and gracefully, panicking her a little. If Uche caught them, it wouldn’t end well. Her face was starting to flush as his came quite closer to hers, not having the slightest clue what he was about to do... His face wore a self-satisfied smirk, and she flustered. She had no idea what to say or what to do... She subsequently fell into his arms and their eyes locked again as they stared hard into each other's smiling eyes, drawing not a single breath. She could remember them perfectly—they were black brown in color under the full moon that shined so bright. His eyes were so clear, too beautiful and just perfect, more like the blue ocean or the morning sun, or the twilight sky. His orbs danced and sparkled just like the stars twinkling above them...
Nick Nwaogu (The Almost Kiss)
Lego Motorcycle. The toy Lego motorcycle is shown assembled (A) and in pieces (B). It has fifteen pieces so cleverly constructed that even an adult can put them together. The design exploits constraints to specify just which pieces fit where. Physical constraints limit alternative placements. Cultural and semantic constraints provide the necessary clues for further decisions. For example, cultural constraints dictate the placement of the three lights (red, blue, and yellow) and semantic constraints stop the user from putting the head backward on the body or the pieces labeled “police” upside down.
Donald A. Norman (The Design of Everyday Things)
When I wake up in the afternoon Which it pleases me to do Don't nobody bring me no bad news 'Cause I wake up already negative And I've wired up my fuse So don't nobody bring me no bad news If we're going to be buddies Better bone up on the rules 'Cause don't nobody bring me no bad news You can be my best of friends As opposed to payin' dues But don't nobody bring me no bad news No bad news No bad news Don't you ever bring me no bad news 'Cause I'll make you an offer, child That you cannot refuse So don't nobody bring me no bad news When you're talking to me Don't be cryin' the blues 'Cause don't nobody bring me no bad news You can verbalize and vocalize But just bring me the clues But don't nobody bring me no bad news Bring some message in your head Or in something you can't lose But don't you ever bring me no bad news If you're gonna bring me something Bring me, something I can use But don't you bring me no bad news (Evillene, The Wiz)
Charlie Smalls (The Wiz (French's Musical Library))
Any clues might have been impossible to comprehend from his vantage point
Blue Balliett (Hold Fast)
But Charles, at that very moment, was roving the house in search of Amy.  He had stayed at the ball only long enough to claim the first dance with his sister; then, when the dancing was in full swing, he'd melted into the crush, strode through the doors leading back to the main part of the castle, and gone looking for Amy. But she was not in her rooms.  She was not in the dining room, the library, or wandering the halls.  It wasn't until he strode into the Gold Parlor and found Juliet — who would not, of course, be attending the ball in her advanced condition — quietly working on a piece of embroidery, that Charles got the first clue to her whereabouts. He bowed to his sister-in-law, who looked up at him in some surprise. "Why, hello, Charles.  What are you doing out here?  You look most annoyed." "Amy.  I can't find her anywhere, haven't seen her all day and I'm sick to death of everyone monopolizing her time.  You haven't seen her, have you?" Juliet looked at him peculiarly, then lowered her needlework, a little smile touching her lips.  "Actually, I have.  You might try checking the ballroom." "She wouldn't be in there." Juliet's eyes sparkled with mirth.  "Oh, I wouldn't be so sure." At that moment Gareth, who was dividing his time between his wife and the ball, entered the room, fashionably splendid in raspberry silk, tight breeches, and shoes sporting huge Artois buckles.  In his hand were two glasses, one of sherry, the other of cider, the latter of which he handed to his wife.  He had caught the tail end of the conversation. "Yes, you really should check the ballroom, Charles," he said, his own blue eyes twinkling. Was there some damned conspiracy going on here? 
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
An old Chevy, I think,” he was going on now. “It’s supposed to be back soon, though. Not really the same without it, is it?” He actually sounded genuinely mournful. I was surprised to find myself battling back a quick, involuntary smile. He did seem to be more interesting than your average, run-of-the-mill BMOC. I had to give him that. Get a grip, O’Connor, I chastised myself. “Absolutely not,” I said, giving my head a semi-vigorous nod. That ought to move him along, I thought. You may not be aware of this fact, but agreeing with people is often an excellent way of getting them to forget all about you. After basking in the glow of agreement, most people are then perfectly content to go about their business, remembering only the fact that someone agreed and allowing the identity of the person who did the actual agreeing to fade into the background. This technique almost always works. In fact, I’d never known it not to. There was a moment of silence. A silence in which I could feel the BMOC’s eyes upon me. I kept my own eyes fixed on the top of the carless column. But the longer the silence went on, the more strained it became. At least it did on my side. This guy was simply not abiding by the rules. He was supposed to have basked and moved on by now. “You don’t have the faintest idea what I’m talking about, do you?” he said at last. I laughed before I quite realized what I’d done. “Not a clue,” I said, turning to give him my full attention for the very first time, an action I could tell right away spelled trouble. You just had to do it, didn’t you? I thought. He was even better looking when I took a better look. He flashed me a smile, and I felt my pulse kick up several notches. My brain knew perfectly well that that smile had not been invented just for me. My suddenly-beating-way-too-fast heart wasn’t paying all that much attention to my brain, though. “You must be new, then,” he commented. “I’d remember you if we’d met before.” All of a sudden, his face went totally blank. “I cannot believe I just said that,” he said. “That is easily the world’s oldest line.” “If it isn’t, it’s the cheesiest,” I said. He winced. “I’d ask you to let me make it up to you, but I’m thinking that would make things even worse.” “You’d be thinking right.” This time he was the one who laughed, the sound open and easy, as if he was genuinely enjoying the joke on himself. In retrospect I think it was that laugh that did it. That finished the job his smile had started. You just didn’t find all that many guys, all that many people, who were truly willing to laugh at themselves. “I’m Alex Crawford,” he said. “Jo,” I said. “Jo O’Connor.” At this Alex actually stuck out his hand. His eyes, which I probably don’t need to tell you were this pretty much impossible shade of blue, focused directly on my face. “Pleased to meet you, Jo O’Connor.” I watched my hand move forward to meet his, as if it belonged to a stranger and was moving in slow motion. At that exact moment, an image of the robot from the movie Lost in Space flashed through my mind. Arms waving frantically in the air, screaming, “Danger! Danger!” at the top of its inhuman lungs. My hand kept moving anyhow. Our fingers connected. I felt the way Alex’s wrapped around mine, then tightened. Felt the way that simple action caused a flush to spread across my cheeks and a tingle to start in the palm of my hand and slowly begin to work its way up my arm. To this day, I’d swear I heard him suck in a breath, saw his impossibly blue eyes widen. As if, at the exact same moment I looked up at him, he’d discovered something as completely unexpected as I had, gazing down. He released me. I stuck my hand behind my back. “Pleased to meet you, Jo O’Connor,” he said again. Not quite the way he had the first time.
Cameron Dokey (How Not to Spend Your Senior Year (Simon Romantic Comedies))
Phelps and Hirst surveyed several hundred people about their September 11 recollections over a period of ten years, observing the subjects’ memories deteriorate even as the subjects exhibited no clue that their deeply felt stories were morphing. All the participants whom Phelps and Hirst surveyed had formed a flashbulb memory of the 9/11 attacks. It turned out that most of the forgetting, which was manifested in errors of either omission or commission, occurred in the first year after the event. The deviations ranged from simple tweaks to wholesale revisions, and even in the case of extreme changes, the subjects were unaware that they were deconstructing and reconstructing what seemed, to them, a very stable story. Researchers believe that the act of repeating a narrative somehow contaminates it, meaning that nowhere in our brains do any permanent, unmarred memories reside, no matter how much it may feel that way.
Lauren Slater (Blue Dreams: The Science and the Story of the Drugs that Changed Our Minds)
The next morning a squawking Fuzzbucket awoke Michele from her tossing and turning. Her head hurt from dreaming a series of chasing, getting-caught, getting-away dreams. She felt exhausted and not ready to hear about anymore crises from the three kids standing at the foot of her bed. "Michael! Move that drippy bottle," she grumbled. "It's a clue," Michael told her. "Big deal," Michele said, feeling ill at her brother and more ill at herself for taking it out on him. "Sorry, Mike," she added, reaching for the limp note he held out to her. She yawned. Rubbing the sleep from the corners of her eyes, she read the clue in a mumbled monotone: If not finding the head is what you fear, You'd better check out the Van . . ." "What the heck does this mean?" Michele asked irritably. "The rest of the word is washed away. It's just a smear of blue ink." She tossed the note back at them. "We know what it means!" Jo Dee squealed. "At least Brian does." Michele rubbed her tangled hair. The top of her head felt like a pile of pinestraw and she wasn't sure she liked Brian seeing her all messy. He just stood there in his neat jeans and tee shirt looking smart. "Oh, all right," she grumbled. "I give up. What does it mean?" "Well," said Brian. "I thought at first Van might be the beginning of the word "Vandyke" which is a pointy kind of beard like the artist Van Gogh wore." Michele yawned again and stretched back on her pillow as though she were bored and could doze off. "I know that," she barked. Brian sighed and turned on his heels. "C'mon, kids, let's leave Sleeping Ugly alone and start on this clue ourselves." "Wait!" Michele said, sitting upright. "I'm sorry. My head just hurts," she said, rubbing it dramatically as evidence. "Throbs—or rings?" Brian asked with a smile. "Clangs like a bell," Michele said, grinning back at him.
Carole Marsh (The Mystery of Blackbeard the Pirate (Real Kids! Real Places! Book 3))
If you believe something, passionately, people will follow you. People hardly care what you believe, as long as you believe something. If you are passionate about something, people will follow you because they think you know something they don’t, some clue to the meaning of the universe.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
Oh, you say you love me; is it true? The sky, it appears, is blue; is it blue? I lived a long life without a damn clue, If I ever find God anywhere, I’ll sue. Methinks, it’s the devil I better pursue Set aside holy water and beer I brew. Go and pick a gang of disgruntled crew to steal the Dog Star its brilliant hue, And garner the dawn’s glistening dew. Live a lot dandy if all the knowledge I knew and up from the sky get a bird’s-eye view, or obtain from the Mystic a divine cue. Maybe put aside my search and quietly rue and at long last bid to the world my adieu!
Abdul Malik Mandani
But if he really knows where they are,” Buster countered, “he’ll be suspicious of us showing up out of the blue. I’ve never met him and you haven’t seen him in twenty years or so. He’ll know we’re after our parents. That’s why we have to rough him up a little.” “No,” Annie said emphatically. “We cannot beat up a ninety-year-old man.” “Rough him up,” Buster said, correcting her. “Just get up in his business and make him see that we’re not playing around.” “Just, okay, just try to think of something else,” Annie said. “How about this? One of us talks to him, keeps him busy. The other one pretends to use the restroom and then starts searching the house for clues. If we find something, then we’ve got him nailed. He’ll have to play ball with us.” “That’s not bad,” Buster admitted. “I like that.” “Poor guy won’t even know what hit him,” Annie said.
Kevin Wilson (The Family Fang)
on the border itself, the US immigration officer answered one of my questions by saying, “I have no idea. I don’t have a clue. I have never been there”—and raised his blue arm and the yellow nail of his hairy finger to point across fifty feet of sunny road to Mexico.
Paul Theroux (On The Plain Of Snakes: A Mexican Journey)
I pledge allegiance to the flag, ’cause if I don’t it’s such a drag. Flags are red and white and blue. Why they are I have no clue.
Dan Gutman (Ms. Cuddy Is Nutty! (My Weirdest School #2))
Whatever its pros and cons, the invention and dissemination of Thorazine is ultimately as significant for what it did not do as for what it did. Yes, the drug reversed states of psychosis so severe they had trapped patients for years. Yes, by doing so, the drug helped to birth the deinstitutionalization movement and the corresponding rise of the community mental health center. And the drug finally put a dent in the deeply held American affinity for psychoanalysis, as even the clinicians most dedicated to “the talking cure” had to concede that this capsule could clear the mind more effectively and efficiently than could any leather couch and conversation. But the drug did not, at least initially, spur anyone to ask how or why it was working. No one had the slightest idea. It was simply enough for everyone that it was working. Clearly the capsule suggested that mental illness, at least in some respects, was a brain-based phenomenon, but beyond that, few had a clue.
Lauren Slater (Blue Dreams: The Science and the Story of the Drugs that Changed Our Minds)