Blowing Cake Quotes

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What she did have were Bertie Bott's Every Flavor Beans, Drooble's Best Blowing Gum, Chocolate Frogs, Pumpkin Pasties, Cauldron Cakes, Licorice Wands, and a number of other strange things Harry had never seen in his life.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
I laugh, and it was amazing! I swear I could see my laughter floating around me like puffy things you blow off a dandelion, only instead of being white it was birthday-cake-frosting-blue. wow! Who knew hitting my head and passing out would be so much fun? I wonder if this was what it was like to be high.
P.C. Cast
A few minutes later, he said suddenly: 'Kath, can we stop? I'm sorry, I need to get out a minute.' ...I could make out in the mid-distance, near where the field began to fall away, Tommy's figure, raging, shouting, flinging his fists and kicking out. I caught a glimpse of his face in the moonlight, caked in mud and distorted with fury, then I reached for his failing arms and held on tight. He tried to shake me off, but I kept holding on, until he stopped shouting and I felt the fight go out of him. Then I realised he too had his arms around me. And so we stood together like that, at the top of the field, for what seemed like ages, not saying anything, just holding each other, while the wind kept blowing and blowing at us, tugging our clothes, and for a moment, it seemed like we were holding onto each other because that was the only way to stop us being swept away into the night.
Kazuo Ishiguro (Never Let Me Go)
It's not that you have lost touch with these people. You haven't. It's just that they have kept in such close touch with each other. When scrolling through your cell phone, you generally let their numbers be highlighted for a second, hovering, and then move along to people you have spoken to within the last month. It's not that you're a bad friend to these people. It's just that you're not a great one. They know the names of each other's coworkers and the blow-by-blow nature of each other's dramas; they go camping in the Berkshires together and have such sentences in their conversational arsenal as "you left your lip gloss in my bathroom." You have no such sentences. Your connection to your friends is half-baked and you are starting to forget their siblings' names, never mind their coworkers. But you're still in the play even if you're no longer a main character.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
I don’t think our humanity is on some switch. I think it’s more like candles on a cake. It takes a lot to blow them all out at once.
Jewel E. Ann (Middle of Knight (Jack & Jill, #2))
Birthday marks the beginning of a new year, new hopes and new dreams! So, we should never blow out the candle before cutting the cake on such a day. Let the candle burn! Let it spread light everywhere!
Ziaul Haque
The more candles on my cake means I get a little more exercise in blowing them out.
Donna Lynn Hope
Before she cut her birthday cake, she cast a wish, then blew the candles out from his eyes.
Anthony Liccione
Here is something I never expected to feel: love at first sight for an entire family. But life suprises you. It tells you to close your eyes and blow out the candles, and then sometimes smashes your face into the cake before you can even make a wish. But! Sometimes, every once in a while, you get your wish in. You wish for a boy to spend the summer with, and instead life gives you his whole beauiful family.
Emery Lord (When We Collided)
I’m about two seconds from pulling you into the bathroom and forcing you onto your knees, so if you blow up at me or flip out about the dress or ring or the flooded lawn now, you will only convince me you need a dick in your mouth, and you’ll completely derail the agenda for our wedding day: pictures, dancing, food, dancing, cake, long hard fucking. Watch what you say next, Ryan.
Christina Lauren (Beautiful Beginning (Beautiful Bastard, #3.5))
Last year, Terry threw a little “baby shower” for the entire staff, all eight of them, when the seahorses spawned. Mackenzie had stayed after her admissions shift to blow up balloons and paint a banner that read GIDDY-UP, LITTLE COWBOYS! Dr. Santiago, the veterinarian, had dropped by with a cake that read, in cursive icing: HIP-HIP-HOORAY FOR HIPPOCAMPUS BABIES!
Shelby Van Pelt (Remarkably Bright Creatures)
I’d closed my ears to my friends’ horror stories about married life. “Ha! Now you get to argue about who should change the diapers.” Or “What kind of food makes a woman stop giving blow jobs? Wedding cake!” Or “Oh boy, wait until she hits menopause.” I paid no attention to any of that. “Just let me stumble into it,” I told them. “I don’t want to be forewarned.
Arnold Schwarzenegger (Total Recall: My Unbelievably True Life Story)
Mind-blowing sex?" I couldn't believe I'd asked, but how could I not? It was like dangling a giant slice of chocolate cake in front of a hungry person on a diet and telling them not to take a bite.
Cindi Madsen (Getting Lucky Number Seven (Taking Shots, #1))
In other languages, you are beautiful- mort, muerto- I wish I spoke moon, I wish the bottom of the ocean were sitting in that chair playing cards and noticing how famous you are on my cell phone- picture of your eyes guarding your nose and the fire you set by walking, picture of dawn getting up early to enthrall your skin- what I hate about stars is they’re not those candles that make a joke of cake, that you blow on and they die and come back, and you you’re not those candles either, how often I realize I’m not breathing, to be like you or just afraid to move at all, a lung or finger, is it time already for inventory, a mountain, I have three of those, a bag of hair, box of ashes, if you were a cigarette I’d be cancer, if you were a leaf, you were a leaf, every leaf, as far as this tree can say.
Bob Hicok
I was in a temper fit to blow the lid off a kettle of boiling water. And who wouldn't be? Since sunup, I'd been doing chores. I'd milked the cow, hauled two buckets of water from the well, fed the chickens, and then fought the hens for their eggs. Now I was down on my knees, sweat-soaked and bug-bitten, yanking weeds from the vegetable patch. My hands were caked with mud, and my nose was burned as red as a strawberry.
Mary Downing Hahn (Guest: A Changeling Tale)
He stops his conversation with Grom and leans over to kiss my forehead. “How do you feel?” “Hungry.” Rachel sets a plate full of eggs, jalapenos, bacon, cheese, and a bunch of other ingredients that a less-famished person might care about. I don’t even blow on it before I spoon it into my mouth. As soon as I do, of course, Grom says, “Good morning, Emma.” I nod politely. “Goo monig,” I tell him around my good. Galen winks at me, then takes a bite of his own breakfast, which looks like a crab cake the size of his face. Also, it smells like dirty socks and sauerkraut.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Celebration is the sparkle in the eye of the one who glows. It is the song that plays in the house of freedom. Celebration is the dance of life, it’s the one dancing to the drumbeat of the heart, it’s your birthday cake, it’s you blowing out the trick candles, it’s you delighting in the fire of life.
Tehya Sky (A Ceremony Called Life: When Your Morning Coffee Is as Sacred as Holy Water)
In her mind, her Dad was like a knight taking a birthday cake to a dragon and inviting it to blow out the candles.
Nate Hamon (Terra Dark)
That was when I saw their hate come out. They fought on the front lawn. Balloons and my birthday cake stood witness as I watched every regretful blow from my mother. I knew my sister was at war with my mother, but I never knew what her cruelty was capable of. My mother’s military was larger than Jayme’s. My mother already had my father, and she had her five children, including me.
Joseph McGinnis (This Shadow Follows Me)
The crumbs blow free down the pointless sea To the beat of a cakey heart And the sensitive steel of the knife can feel That love is a race apart In the speed of the lingering light are blown The crumbs to the hake above, And the tropical air vibrates to the drone Of a cake in the throes of love.
Mervyn Peake (Titus Groan (Gormenghast, #1))
Humans can’t fly. The Earth isn’t flat. Her mother couldn’t lie. Three facts Aisha Malik would have been willing to bet her life on. Good thing she hadn’t, because her mother, in an attempt to secure a marriage proposal for her, had just told a lie. Aisha was an adequate cook as far as preparing normal, everyday meals was concerned, but making mind-blowing desserts, like the delicious chocolate cake everyone was generously praising? That was far beyond her culinary expertise. Contrary to what her mother had just said to impress their guests, that chocolate cake was not baked by Aisha. It was made in a bakery.
Ramla Zareen Ahmad (The One for Me)
Thirty today, I saw The trees flare briefly like The candles upon a cake As the sun went down the sky, A momentary flash, Yet there was time to wish Before the light could die, If I had known what to wish, As once I must have known, Bending above the clean, Candlelit tablecloth To blow them out with a breath.
John Irving (The Hotel New Hampshire)
Winter-Time" Late lies the wintry sun a-bed, A frosty, fiery sleepy-head; Blinks but an hour or two; and then, A blood-red orange, sets again. Before the stars have left the skies, At morning in the dark I rise; And shivering in my nakedness, By the cold candle, bathe and dress. Close by the jolly fire I sit To warm my frozen bones a bit; Or with a reindeer-sled, explore The colder countries round the door. When to go out, my nurse doth wrap Me in my comforter and cap; The cold wind burns my face, and blows Its frosty pepper up my nose. Black are my steps on silver sod; Thick blows my frosty breath abroad; And tree and house, and hill and lake, Are frosted like a wedding-cake.
Robert Louis Stevenson
I turn to Peter and say, “I can’t believe you did this.” “I baked that cake myself,” he brags. “Box, but still.” He takes off his jacket and pulls a lighter out of his jacket pocket and starts lighting the candles. Gabe pulls out a lit candle and helps him. Then Peter hops his butt on the table and sits down, his legs hanging off the edge. “Come on.” I look around. “Um…” That’s when I hear the opening notes of “If You Were Here” by the Thompson Twins. My hands fly to my cheeks. I can’t believe it. Peter’s recreating the end scene from Sixteen Candles, when Molly Ringwald and Jake Ryan sit on a table with a birthday cake in between them. When we watched the movie a few months ago, I said it was the most romantic thing I’d ever seen. And now he’s doing it for me. “Hurry up and get up there before all the candles melt, Lara Jean,” Chris calls out. Darrell and Gabe help hoist me onto the table, careful not to set my dress on fire. Peter says, “Okay, now you look at me adoringly, and I lean forward like this.” Chris comes forward and puffs out my skirt a bit. “Roll up your sleeve a little higher,” she instructs Peter, looking from her phone to us. Peter obeys, and she nods. “Looks good, looks good.” Then she runs back to her spot and starts to snap. It takes no effort on my part at all to look at Peter adoringly tonight. When I blow out the candles and make my wish, I wish that I will always feel for Peter the way I do right now.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
The unforgiving November wind blows me toward the building. Pointy snowflakes spiral down from the cake-frosting clouds overhead. The first snow. Magic. Everybody stops and looks up. The bus exhaust freezes,trapping all the noise in a gritty cloud. The doors to the school freeze, too. We tilt our heads back and open wide. The snow drifts into our zombie mouths crawling with grease and curses and tobacco flakes and cavities and boyfriend/girlfriend juice. For one moment we are not failed tests and broken condoms and cheating on essays; we are crayons and lunch boxes and swinging so high our sneakers punch holes in the clouds. For one breath everything feels better. Then it melts. The bus drivers rev their engines and the ice cloud shatters. Everyone shuffles forward. They don't know what just happened. They can't remember.
Laurie Halse Anderson
Something new is blowing. On a downtown Kingston wall: IMF—Is Manley Fault. General election called for October 30, 1980. Somebody is driving you through Bavaria, near the Austrian border. A hospital sprouting out of the forest like magic. Hills in the background tipped with snow like cake icing. You meet the tall and frosty Bavarian, the man who helps the hopeless. He smiles but his eyes are set too far back and they vanish in the shadow of his brow. Cancer is a red alert that the whole body is in danger, he says. Thank God the food he forbids, Rastafari had forbidden long time. A sunrise is a promise. Something new is blowing. November 1980. A new party wins the general election and the man who killed me steps up to the podium with his brothers to take over the country. He has been waiting for so long he leaps up the stairs and trips.
Marlon James (A Brief History of Seven Killings)
And tell your mama I’ll come later, as soon as I can. Tell her to wait for me to have dinner, because she has a cake for you. It’s your birthday today. I wanted to show you everything today, but she stopped me. She said to me, “Bit by bit, Francisco.” And she was right: bit by bit. But I’m tired now. Look at me lying here. You go, but stay in the shade. Let me rest in my shade. Run so you reach the cake before the candles go out—they don’t last long. You’d better blow them out, blow hard, because I can’t now. I’ll stay to water the trees, soon as I can, because if you don’t irrigate them as soon as they’re planted, the roots don’t take. The roots are important, Francisco. Water the roots. Come on, Francisco, we’re a long way from home. Run now, or the candles will go out. I’ll watch you go, Francisco. Go on. Where are you? Have you gone?
Sofía Segovia (The Murmur of Bees)
He had never had any money for candy with the Dursleys, and now that he had pockets rattling with gold and silver he was ready to buy as many Mars Bars as he could carry- but the woman didn't have Mars Bars. What she did have were Bertie Bott's Every Flavor Beans, Drooble's Best Blowing Gum, Chocolate Frogs, Pumpkin Pasties, Cauldron Cakes, Licorice Wands and a number of other strange things Harry had never seen in his life.
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
My son was something of a disciple of flying things. On his bedroom wall were posters of fighter planes and wild birds. A model of a helicopter was chandeliered to his ceiling. His birthday cake, which sat before me on the picnic table, was decorated with a picture of a rocket ship - a silver-white missile with discharging thrusters. I had been hoping that the baker would place a few stars in the frosting as well (the cake in the catalog was dotted with yellow candy sequins), but when I opened the box I found that they were missing. So this is what I did: as Joshua stood beneath the swing set, fishing for something in his pocket, I planted his birthday candles deep in the cake. I pushed them in until each wick was surrounded by only a shallow bracelet of wax. Then I called the children over from the swing set. They came, tearing up divots in the grass. We sang happy birthday as I held a match to the candles. Joshua closed his eyes. "Blow out the stars," I said, and his cheeks rounded with air.
Kevin Brockmeier (The United States of McSweeney's: Ten Years of Lucky Mistakes and Accidental Classics)
Epictetus explained what becoming a Cynic would entail: “You must utterly put away the will to get, and must will to avoid only what lies within the sphere of your will: you must harbour no anger, wrath, envy, pity: a fair maid, a fair name, favourites, or sweet cakes, must mean nothing to you.” A Cynic, he explained, “must have the spirit of patience in such measure as to seem to the multitude as unfeeling as a stone. Reviling or blows or insults are nothing to him.”2 Few people, one imagines, had the courage and endurance to live the life of a Cynic. The
William B. Irvine (A Guide to the Good Life: The Ancient Art of Stoic Joy)
The earliest birthday I remember is my fourth; I remember blowing out the candles on my cake, the thrill of tearing the wrapping paper off the presents. There’s no video of the event, but there are snapshots in the family album, and they are consistent with what I remember. In fact, I suspect I no longer remember the day itself. It’s more likely that I manufactured the memory when I was first shown the snapshots, and over time, I’ve imbued it with the emotion I imagine I felt that day. Little by little, over repeated instances of recall, I’ve created a happy memory for myself.
Ted Chiang (The Truth of Fact, The Truth of Feeling (Exhalation))
On your left you can see the Stationary Circus in all its splendor! Not far nor wide will you find dancing bears more nimble than ours, ringmasters more masterful, Lunaphants more buoyant!” September looked down and leftward as best she could. She could see the dancing bears, the ringmaster blowing peonies out of her mouth like fire, an elephant floating in the air, her trunk raised, her feet in mid-foxtrot—and all of them paper. The skin of the bears was all folded envelopes; they stared out of sealing-wax eyes. The ringmaster wore a suit of birthday invitations dazzling with balloons and cakes and purple-foil presents; her face was a telegram. Even the elephant seemed to be made up of cast-off letterheads from some far-off office, thick and creamy and stamped with sure, bold letters. A long, sweeping trapeze swung out before them. Two acrobats held on, one made of grocery lists, the other of legal opinions. September could see Latin on the one and lemons, ice, bread (not rye!), and lamb chops on the other in a cursive hand. When they let go of the trapeze-bar, they turned identical flips in the air and folded out into paper airplanes, gliding in circles all the way back down to the peony-littered ring. September gasped and clapped her hands—but the acrobats were already long behind them, bowing and catching paper roses in their paper teeth.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
We ride hard each day,” Draven barked. “We don’t dawdle or take breaks. We don’t stop to sightsee.” “I’d never dream of asking you to sightsee,” Vesper said with an impressively straight face. “A man like you? Never.” “Fine,” Drave said darkly. “Since you won’t leave when asked and as my only other option is to kill you, which I know she won’t like…” “Your sister?” “My companion,” Draven growled. “Since my companion would evidently prefer I didn’t kill you.” “That would be very nice,” I said, as calmly as I could, my heart beating fast. “Especially when he’s so talented with breakfast.” Were they really going to come to blows? I imagined exaggerating the story when I retold it to Galahad and saying two half-naked griddle-cake-scented, dazzlingly handsome men had been fighting over me.
Briar Boleyn (Queen of Roses (Blood of a Fae, #1))
Good Mistake" Blood on your hands And your hands still roam But your secret is safe with the garden gnome Those marks on your neck never seem to fade Bring a marching band For the masquerade Oh lonely man You know you can A pocket knife Will serve you well Remember what you're good for There's much more to life Under the sun It's not what they can see Until it's done Your secret's safe with me Blow out the candles on your cake It's another year due with the same mistakes Blind like a bat When you hit that wall Now who's gonna come Who you gonna call Oh lonely man You know you can A pocket knife Will serve you well Remember what you're good for There's much more to life Under the sun It's not what they can see Until it's done Your secret's safe with me I can see you run I can see you're undone Shadow to the sun Shadow to the sun See a rule to break See another rule to make It's a good mistake Shadow next to none Broken bones in a walking man It's a trick to the eye It's a rubber band Don't let it go Let it fall a part It's a heavy load For a tender heart
Mr. Little Jeans
You are the third bride wed for peace," Cymbra said with a smile. "And to be frank, it has not been an easy road for the two of us who went before. Yet knowing what we do now, neither Krysta nor I would ever have chosen a different path." "How much choice did you have?" To Rycca's surprise, Cymbra laughed. "In my case, none." She sighed in mocking languor. "I still remember Wolf's deeply romantic proposal. He told me that if I did not wed him, he would kill my brother." "He what?" "Oh,don't worry, he's gotten much better." She laughed again, fondly. "Much, much better.Besides, Dragon is the one who was always good with women." Rycca could not dispute that but neither could she ignore what she had just been told.Shocked, she asked, "What did you do?" "Do? Why,I punched him,of course. What else could I do? He went to our wedding worried that the blow still showed." "You...punched him?" The ethereal beauty beside her had struck the fierce Wolf? "Rycca,dear sister, something you must learn at once.Wolf and Dragon are both wonderful men but they are also overwhelming. It is part of their charm. Nontheless,with them it is always best to be firm. For that matter, the same can be said of my brother, as Krysta learned readily enough." "She and Lord Hawk seem devoted to each other." "As are Wold and I. That doesn't mean one should be a meek little woman rubbing feet." "What a horrible notion! However did you think of it?" "Oh,didn't you know? That's the kind of wife Dragon always said he wanted." Too many more shocks of this sort and she was going to turn to stone right where she stood. "He said that? Whatever could he have been thinking? Any such woman would drive him mad." "Which is more or less what Wolf told him, only he said she would kill him with boredom. No, Dragon needs someone who can match his spirit, which I am now reassured you can do. Come, let us seek out Magda, who will serve us cool milk and cakes and give us a snug place to talk while the men amuse themselves." "Dragon has a sword for his brother." "The Moorish sword? Perfect, they will be occupied for hours.We won't see them again until they are satisfied neither is stronger or more agile than the other.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
We end up at an outdoor paintball course in Jersey. A woodsy, rural kind of place that’s probably brimming with mosquitos and Lyme disease. When I find out Logan has never played paintball before, I sign us both up. There’s really no other option. And our timing is perfect—they’re just about to start a new battle. The worker gathers all the players in a field and divides us into two teams, handing out thin blue and yellow vests to distinguish friend from foe. Since Logan and I are the oldest players, we both become the team captains. The wide-eyed little faces of Logan’s squad follow him as he marches back and forth in front of them, lecturing like a hot, modern-day Winston Churchill. “We’ll fight them from the hills, we’ll fight them in the trees. We’ll hunker down in the river and take them out, sniper-style. Save your ammo—fire only when you see the whites of their eyes. Use your heads.” I turn to my own ragtag crew. “Use your hearts. We’ll give them everything we’ve got—leave it all on the field. You know what wins battles? Desire! Guts! Today, we’ll all be frigging Rudy!” A blond boy whispers to his friend, “Who’s Rudy?” The kid shrugs. And another raises his hand. “Can we start now? It’s my birthday and I really want to have cake.” “It’s my birthday too.” I give him a high-five. “Twinning!” I raise my gun. “And yes, birthday cake will be our spoils of war! Here’s how it’s gonna go.” I point to the giant on the other side of the field. “You see him, the big guy? We converge on him first. Work together to take him down. Cut off the head,” I slice my finger across my neck like I’m beheading myself, “and the old dog dies.” A skinny kid in glasses makes a grossed-out face. “Why would you kill a dog? Why would you cut its head off?” And a little girl in braids squeaks, “Mommy! Mommy, I don’t want to play anymore.” “No,” I try, “that’s not what I—” But she’s already running into her mom’s arms. The woman picks her up—glaring at me like I’m a demon—and carries her away. “Darn.” Then a soft voice whispers right against my ear. “They’re already going AWOL on you, lass? You’re fucked.” I turn to face the bold, tough Wessconian . . . and he’s so close, I can feel the heat from his hard body, see the small sprigs of stubble on that perfect, gorgeous jaw. My brain stutters, but I find the resolve to tease him. “Dear God, Logan, are you smiling? Careful—you might pull a muscle in your face.” And then Logan does something that melts my insides and turns my knees to quivery goo. He laughs. And it’s beautiful. It’s a crime he doesn’t do it more often. Or maybe a blessing. Because Logan St. James is a sexy, stunning man on any given day. But when he laughs? He’s heart-stopping. He swaggers confidently back to his side and I sneer at his retreating form. The uniformed paintball worker blows a whistle and explains the rules. We get seven minutes to hide first. I cock my paintball shotgun with one hand—like Charlize Theron in Fury fucking Road—and lead my team into the wilderness. “Come on, children. Let’s go be heroes.” It was a massacre. We never stood a chance. In the end, we tried to rush them—overpower them—but we just ended up running into a hail of balls, getting our hearts and guts splattered with blue paint. But we tried—I think Rudy and Charlize would be proud
Emma Chase (Royally Endowed (Royally, #3))
I look back now and can see how much my father also found his own freedom in the adventures we did together, whether it was galloping along a beach in the Isle of Wight with me behind him, or climbing on the steep hills and cliffs around the island’s coast. It was at times like these that I found a real intimacy with him. It was also where I learned to recognize that tightening sensation, deep in the pit of my stomach, as being a great thing to follow in life. Some call it fear. I remember the joy of climbing with him in the wintertime. It was always an adventure and often turned into much more than just a climb. Dad would determine that not only did we have to climb a sheer hundred-and-fifty-foot chalk cliff, but also that German paratroopers held the high ground. We therefore had to climb the cliff silently and unseen, and then grenade the German fire position once at the summit. In reality this meant lobbing clumps of manure toward a deserted bench on the cliff tops. Brilliant. What a great way to spend a wet and windy winter’s day when you are age eight (or twenty-eight, for that matter). I loved returning from the cliff climbs totally caked in mud, out of breath, having scared ourselves a little. I learned to love that feeling of the wind and rain blowing hard on my face. It made me feel like a man, when in reality I was a little boy. We also used to talk about Mount Everest, as we walked across the fields toward the cliffs. I loved to pretend that some of our climbs were on the summit face of Everest itself. We would move together cautiously across the white chalk faces, imagining they were really ice. I had this utter confidence that I could climb Everest if he were beside me. I had no idea what Everest would really involve but I loved the dream together. These were powerful, magical times. Bonding. Intimate. Fun. And I miss them a lot even today. How good it would feel to get the chance to do that with him just once more. I think that is why I find it often so emotional taking my own boys hiking or climbing nowadays. Mountains create powerful bonds between people. It is their great appeal to me. But it wasn’t just climbing. Dad and I would often go to the local stables and hire a couple of horses for a tenner and go jumping the breakwaters along the beach. Every time I fell off in the wet sand and was on the verge of bursting into tears, Dad would applaud me and say that I was slowly becoming a horseman. In other words, you can’t become a decent horseman until you fall off and get up again a good number of times. There’s life in a nutshell.
Bear Grylls (Mud, Sweat and Tears)
The man was naked. He was all bones and ribs and snarling mouth. The front of him was caked in blood, a smear of charcoal black in the dim red glow of Palmer’s dive light. There was just a flash of this grisly image before the man crashed into Palmer, knocking him to the ground, desperate hands clenching around his throat. Palmer saw pops of bright light as his head hit the floor. He couldn’t breathe. He heard his own gurgles mix with the raspy hisses from the man on top of him. A madman. A thin, half-starved, and full-crazed madman. Palmer fought for a breath. His visor was knocked from his head. Letting go of the man’s wrists, he reached for his dive knife, but his leg was pinned, his boot too far away. He pawed behind himself and felt his visor, had some insane plan of getting it to his temples, getting his suit powered on, overloading the air around him, trying to shake the man off. But as his fingers closed on the hard plastic—and as the darkness squeezed in around his vision—he instead swung the visor at the snarling man’s face, a final act before the door to that king’s crypt sealed shut on him. A piercing shriek returned Palmer to his senses. Or it was the hands coming off his neck? The naked man howled and lunged again, but Palmer got a boot up, caught the man in the chest, kicked him. He scrambled backward while the man reeled. The other diver. Brock’s diver. Palmer turned and crawled on his hands and knees to get distance, got around a desk, moving as fast as he could, heart pounding. Two divers. There had been two divers. He waited for the man’s partner to jump onto his back, for the two men to beat him to death for his belly full of jangling coin— —when he bumped into the other diver. And saw by his dive light that he was no threat. And the bib of gore on the man chasing him was given sudden meaning. Palmer crawled away, sickened. He wondered how long the men had been down here, how long one had been eating the other. Hands fell onto his boots and yanked him, dragging him backward. A reedy voice yelled for him to be still. And then he felt a tug as his dive knife was pulled from its sheath, stolen. Palmer spun onto his back to defend himself. His own knife flashed above him traitorously, was brought down by those bone-thin arms, was meant to skewer him. There was a crunch against his belly. A painful blow. The air came out of Palmer. The blade was raised to strike him again, but there was no blood. His poor life had been saved by a fistful of coin. Palmer brought up his knee as the man struck again—and shin met forearm with a crack. A howl, and the knife was dropped. Palmer fumbled for it, his dive light throwing the world into pale reds and deep shadows. Hand on the hilt, his knife reclaimed, he slashed at the air, and the man fell back, hands up, shouting, “Please, please!” Palmer scooted away, keeping the knife in front of him. He was weak from fitful sleep and lack of food, but this poor creature before him seemed even weaker. Enraged and with the element of surprise, the man had nearly killed him, but it had been like fighting off a homeless dune-sleeper who had jumped him for some morsel of bread. Palmer dared to turn his dive light up so he could see the man better. “Sorry. I’m sorry,” the man said. “Thought you were a ghost.” The
Hugh Howey (Sand (The Sand Chronicles, #1))
She fell asleep within minutes, unaware that the rain that had been falling since evening had turned to sleet, or that the roads were becoming impassable. As she slept, she began to dream, but instead of a continuous scene, it consisted of images flashing through her mind, like looking at old pictures in an album. Cat was sitting at the kitchen table. Her mother was standing beside her, laughing as she set a birthday cake in front of her. There were four candles on her cake, and her daddy was taking a picture. “Smile,” he’d said. She looked up just as the flash went off. She was still blinking from the flash when the image shifted. It was cold. The blowing wind burned her skin. She was at a cemetery, staring down at a small, flat marker. Cat couldn’t read, but somehow she knew it bore hermother’s name. She could hear her father crying. It scared her worse than the fact that her mother had gone away. “Daddy…where did she go?” “Heaven.” “Is it far?” “Yes.” “Can we go, too?” She never heard his answer, because the image shifted again. This time, she was being led through a long series of hallways. The smell of orange oil from wood polish burned her nose. The sound of her footsteps echoed on the tiled floors. Yesterday she’d been in the hospital. She’d asked to go home. But someone had told her she couldn’t go home because there was no one left to take care of her. The horror of that knowledge had frightened her so much that she’d been afraid to ask what came next. She walked through an open door as a woman said her name. The woman took her by the hand, and they walked away. She couldn’t see the woman’s face. She never remembered the faces, and it didn’t matter, because they never stayed the same.
Sharon Sala (Nine Lives (Cat Dupree, #1))
That’s the problem with being human. We have brains capable of figuring out the universe to a thousand decimal places, we can build machines as tall as mountains or as tiny as specks of dust, we can prise open atoms like walnuts, we can calculate the weights of distant stars, manipulate nature, ride on super-sophisticated fireworks out beyond the atmosphere, we could blow up our own planet in the time it takes to blow your nose; there’s practically nothing we can’t do, except choose our relatives. Everything else: no bother, piece of cake. But the one thing that’d do more to alleviate stress and grief and give us a head start in the pursuit of happiness is entirely beyond us, further than the Andromeda galaxy, more elusive than the Higgs-Boson. No wonder there isn’t a Nobel prize for putting up with your family. They wouldn’t be able to find anyone to give it to.
Anonymous
One woman’s recipe for laundry day included this 11-step routine that’s exhausting even to read: bild fire in back yard to het kettle of rain water. set tubs so smoke won’t blow in eyes if wind is peart. shave 1 hole cake lie sope in bilin water. sort things. make 3 piles. 1 pile white, 1 pile cullord, 1 pile work briches and rags. stur flour in cold water to smooth then thin down with bilin water [for starch]. rub dirty spots on board. scrub hard. then bile. rub cullord but don’t bile just rench [rinse] and starch. take white things out of kettle with broom stick handle then rench, blew [whitener] and starch. pore rench water in flower bed. scrub porch with hot sopy water turn tubs upside down go put on a cleen dress, smooth hair with side combs, brew cup of tee, set and rest and rock a spell and count blessings.
Brandon Marie Miller (Women of the Frontier: 16 Tales of Trailblazing Homesteaders, Entrepreneurs, and Rabble-Rousers (Women of Action Book 3))
For Swan's birthday, Calla made pineapple upside-down cake, which is not the kind of cad you put candles on. So there was nothing to blow and make wishes on. Nobody missed the candles, because when you're eating pineapple upside-down cake, there is nothing much left to wish for
Jenny Wingfield (The Homecoming of Samuel Lake)
And something in her heart lurched painfully when she entered the house one afternoon and found her husband lying on his stomach on the floor, both he and Charlotte giggling as the infant crawled all over his back — for all it would take was one blow, and her baby would grow up without the gentle man who was, in every way but one, her father. He had turned into a diamond after all, her Wild One, and as she watched him cheerfully making a cake of himself over their daughter, she wondered how she could ever have preferred Charles. The
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
This dramatic wine has the burnish of torched sienna, that hint of Tuscan chickens, perhaps even pullets, that gamey, feathery aroma; a dishy first impression of guppies spawning and bracken roasting in the Castilian sun, and the high wind blowing from offshore when a garbage scow has recently run aground, not exactly fresh passion fruit, but passion fruit after it has been chewed by a horse that's just run through a heathery dale, you know, sort of sopping wet fetlocks and old dogs; and the finish, oh, just a portrait of nasturtium, or shuttlecocks dipped in quince jelly, or the stench on a fox's muzzle after he's eaten a number of small rodents or the ice caked in a refrigerator in a Paris apartment, or like new sandals, especially if the feet in them have been soaked in a bromide solution” and revisiting the nose is all rotty mulch sluicing out of a bilge pipe in a fetid stream of sweetly blooming hawthorn in a flighty perfume of freshly starched uniforms of a flight attendant in the first-class cabin in a manly swill of gassy medicinal opaline mordant porcine gratuitous acetate begonia-laden air freshener or like the fannings from a fire of souchong tea or like…Somebody make him stop! Just one more thing: Am I the only one who finds this wine a bit hirsute?
Terry Theise (Reading between the Wines, With a New Preface)
No! Please no," she feels the cool metal of the handcuffs again. "Please, I'm Madison, I'm Madison!" Her arms lock into place above her head. She jerks her body, pain snapping at her muscles. "You can stay like this for the day." He rises from the bed, bends down, and blows out the candles on her birthday cake. "Night, night, Rosie." "No!" He opens the door, letting a stream of sunlight into the room. "Please don't leave me here, please!" And then the door closes, and the sunlight is gone.
Kay Botha (Hush)
The funny thing is that we know well that we learn through repetition. We need to practice songs before we can sing them. We need to try something over and over before we have mastered it. We have accepted that part of being human. What we appear not to have accepted is the subject matter. I don’t want to cook for the family again. I don’t want to do the laundry again. I don’t want to vacuum, to make a birthday cake, to blow a nose, to change a diaper, to pick up toys. I don’t want to practice this work that God gave me because, frankly, I’d rather not be good at it. Because, somewhere in there, we don’t like what God has called us to do.
Rachel Jankovic (Fit to Burst: Abundance, Mayhem, and the Joys of Motherhood)
We find a restaurant and order one martini and two steaks. “It’s my mother’s birthday,” Simone tells the waiter. “She’s turning one hundred. Can we have free cake?” She turns to me. “You should have ordered her a salad. You’re out of shape, old lady.” She’s having fun criticizing our mother in front of her face. I lift my dress and show her the thighs. I grab a handful and shake. “Please put those away. I would like to eat again.” Mother craves rye. Mother craves the men at the bar who throw soldierlike nods. The heaviness in mother’s bones spreads. She has to go to bed soon. The dark voice says, rest, idiot. “Mom and I both have the slut gene,” I say. “She’s pulled toward every man.” “I don’t enjoy that thought.” Simone discards the potatoes from her plate onto a napkin she slides over to me, a leftover tradition from childhood that pleases me. Later, I blow out a sputtering candle on a cupcake.
Marie-Helene Bertino (Parakeet)
When my firstborn turned six months old, I decided that this milestone was definitely worth celebrating. And what started as a one-off event quickly became a family tradition: For my kids' half birthdays I make half a cake (it looks like someone just cut a cake down the middle and made the other half disappear), and we sing every other syllable of the "Happy Birthday" song (I'm really good at complicating things, and singing only the first half of the song seemed unfair to the second half). We don't do gifts or a big bash, and we don't blow out candles and make wishes, because wishes should be made only full throttle. We just end the day with a little celebration after dinner, something kind of silly and fun. And cake. Because everything in life should end with sugar.
Kristina Kuzmic (Hold On, But Don't Hold Still)
Bertie Bott’s Every-Flavour Beans, Drooble’s Best Blowing Gum, Chocolate Frogs, Pumpkin Pasties, Cauldron Cakes, Liquorice Wands and a number of other strange things Harry had never seen in his life.
J.K. Rowling (Harry Potter and the Philosopher's Stone (Harry Potter, #1))
He had never had any money for candy with the Dursleys, and now that he had pockets rattling with gold and silver he was ready to buy as many Mars Bars as he could carry — but the woman didn’t have Mars Bars. What she did have were Bertie Bott’s Every Flavor Beans, Drooble’s Best Blowing Gum, Chocolate Frogs, Pumpkin Pasties, Cauldron Cakes, Licorice Wands, and a number of other strange things Harry had never seen in his life. Not wanting to miss anything, he got some of everything and paid the woman eleven silver Sickles and seven bronze Knuts.
J.K. Rowling (Harry Potter and the Sorcerer’s Stone (Harry Potter, #1))
Can one of you do a piercing?” Friday calls. Friday is really pretty in a Katy Perry kind of way. She has tattoos on her shoulders and across her back and up her legs. I know about the ones on her legs because I put them there. She has skulls and cross bones and turtles and some really weird shit. And she dresses all retro, like a pinup girl from the sixties. “What kind of piercing?” I ask. Every gaze in the place turns to the woman, and she flushes. “One of those piercings!” Friday yells dramatically. “Pete can do it,” Paul says. Reagan’s mouth falls open. She walks over close to me. “You are not doing a private piercing,” she hisses. I do them all the time, but I don’t even want to do them anymore. She cups her hand around my ear. “The only private places you’re touching are mine.” My heart swells. I like this. I like it a lot. “Sorry,” I say. “The little lady has spoken.” I lift my face, and she bends down to kiss me. Paul looks at Logan, but Emily signs something to him really quickly and he grins. He shakes his head. “Can’t do it,” he says. “Why not?” Paul blows out a heavy breath. “Because I want to have sex tonight,” Logan says. “And tomorrow night. And the night after.” Sam’s not here. He’s probably baking a cake somewhere. And we all know where Matt is. Paul throws down the pencil on the table where he was drawing a tattoo. “You guys are worthless,” he complains. “And pussy whipped.” I’m happy to be pussy whipped. Logan walks over and high-fives me, and Emily grins at Reagan. “Thanks for taking one for the team,” I say to Paul. It won’t be hard on him. The girl is gorgeous. “The things I have to do so you guys can have sex.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Can one of you do a piercing?” Friday calls. Friday is really pretty in a Katy Perry kind of way. She has tattoos on her shoulders and across her back and up her legs. I know about the ones on her legs because I put them there. She has skulls and cross bones and turtles and some really weird shit. And she dresses all retro, like a pinup girl from the sixties. “What kind of piercing?” I ask. Every gaze in the place turns to the woman, and she flushes. “One of those piercings!” Friday yells dramatically. “Pete can do it,” Paul says. Reagan’s mouth falls open. She walks over close to me. “You are not doing a private piercing,” she hisses. I do them all the time, but I don’t even want to do them anymore. She cups her hand around my ear. “The only private places you’re touching are mine.” My heart swells. I like this. I like it a lot. “Sorry,” I say. “The little lady has spoken.” I lift my face, and she bends down to kiss me. Paul looks at Logan, but Emily signs something to him really quickly and he grins. He shakes his head. “Can’t do it,” he says. “Why not?” Paul blows out a heavy breath. “Because I want to have sex tonight,” Logan says. “And tomorrow night. And the night after.” Sam’s not here. He’s probably baking a cake somewhere. And we all know where Matt is. Paul throws down the pencil on the table where he was drawing a tattoo. “You guys are worthless,” he complains. “And pussy whipped.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Deep, fluting emotions were a form of weakness. She'd seen the softening in her work over the years, she'd started making the lazy, homey treats like apple crumble, chocolate muffins, butterscotch pudding, and lemon bars. They were fast and cheap and they pleased her children. But she'd trained at one of the best pastry programs in the country. Her teachers were French. She'd learned the classical method of making fondant, of making real buttercream with its spun-candy base and beating the precise fraction off egg into the pate a choux. She knew how to blow sugar into glassine nests and birds and fountains, how to construct seven-tiered wedding cakes draped with sugar curtains copied from the tapestries at Versailles. When the other students interned at the Four Seasons, the French Laundry, and Dean & Deluca, Avis had apprenticed with a botanical illustrator in the department of horticulture at Cornell, learning to steady her hand and eye, to work with the tip of the brush, to dissect and replicate in tinted royal icing and multihued glazes the tiniest pieces of stamen, pistil, and rhizome. She studied Audubon and Redoute. At the end of her apprenticeship, her mentor, who pronounced the work "extraordinary and heartbreaking," arranged an exhibition of Avis's pastries at the school. "Remembering the Lost Country" was a series of cakes decorated in perfectly rendered sugar olive branches, cross sections of figs, and frosting replicas of lemon leaves. Her mother attended and pronounced the effect 'amusant.
Diana Abu-Jaber (Birds of Paradise)
After blowing out the candle in one puff once the song was over, she took a careful bite. He waited for her to spit it back out, but she actually swallowed, then took a second bite. "Try it," she said around the mouthful. "It's pretty good." Sailor figured she was pulling his leg, but it was her birthday after all. He took a bite. And felt his eyes widen. "I'm a culinary genius." Actually, the cake was chewy and dense, but there was no salt instead of sugar, which, in his book made this a win. But even better was seeing Ísa smile with open happiness.
Nalini Singh (Cherish Hard (Hard Play, #1))
All rituals are grounded in repetition and rigidly fixed action sequences.17 But they differ from habits in one important way. Rituals lack a direct, immediate reward. Instead, we have to invent a meaning and impose it on them. We lift our glasses to toast, blow out candles on a birthday cake, and wear caps and gowns at graduation. The act of standing silently for a song, singing while candles burn, or wearing a ceremonial costume acts as feedback, reinforcing our belief that something meaningful is taking place—an act of respect for our country, a celebration of another year, or an educational accomplishment.
Wendy Wood (Good Habits, Bad Habits: The Science of Making Positive Changes That Stick)
I can’t read anymore. Not that I need to. I’ve read each poem, each note countless times since he mailed this book to me. By then I understood the curse I carried in my blood. Loving too deeply, too fiercely, too wholly. A love like that for the wrong man would ruin you. I’m about to replace the book of poems when something silver in the drawer caches my eye. It’s a cheap whistle, tarnished by age. I pull it out by the discolored string from which it dangles. I don’t have to blow it to hear its piercing shrill. It’s as sharp and clear in my head as the smell of funnel cake and the cool night air on my face at the top of a Ferris wheel. I fall back into my bed, placing the whistle and the book of poems on the pillow beside me. They’re like artifacts from another age that was marked with the promise of love. Marred with the agony of loss. It wasn’t eons ago. It wasn’t a light year away. It was eight years, and now the man who scrawled in these margins and presented this whistle to me like a piece of his heart, is cutting me out completely. This is all I have left of that night, of those days. Of the man who begged me to never forget.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
With a small smile, she pushed open the door. Immediately, a rush of warm, delicious air hit her in the face--the most welcome knockout blow she could imagine. She breathed deep. Interesting how two businesses with similar wares could smell so distinct. Sugar Fair was caramel, candyfloss, popcorn. De Vere's was dark chocolate and bourbon---deep, indulgent, sensual.
Lucy Parker (Battle Royal (Palace Insiders, #1))
There’s cake, too. There might even be dinner.” “No,” Simon says, “we’re fine. Thanks.
Rainbow Rowell (Any Way the Wind Blows (Simon Snow, #3))
guessed she’d been something in her day. And if he’d known they were going to show up at the club, he’d have told the cocky bastards to fuck off out of it and take a taxi. Not smart. Despite that, Bishop recognised the deal with the Giordanos was the best chance he was likely to get to make the south London mob eat some of the same shit they’d dished out to his family. Until every Glass was history and he was standing at the bar in LBC, drinking Luke’s champagne and getting ready to fuck his hookers, Calum wouldn’t relax. The crew from New Orleans had their own reasons for being in London. He had no interest in them; they could cut off the sister’s tits and leave her to bleed out for all he cared, then with Glass beaten and broken he’d step in and deliver the final blow. And when her celebrated brother was history anybody who objected to the new arrangement was dead. The Giordanos were convinced he was on a mission to settle his uncle’s unfinished business. Wrong! To hell with revenge! He wanted what was good for Calum Bishop. As simple as that. George Ritchie was another name high on Calum’s hit list. The Geordie was a legend in his own right: he’d had a good innings, but his time was up. Persuading him to jump ship and join forces would’ve been the cherry on the cake. Not happening; he was Luke’s man. Yet, coming face to face with the old fucker, it was impossible not to have a sneaking pang of regret. In The North Star on Finchley Road, despite being outnumbered, Ritchie hadn’t flinched. Glass
Owen Mullen (Thief (The Glass Family #4))
Yule log (the cake kind), cover it with melted chocolate and sprinkle with icing sugar.  Place one candle on the Yule log for each of the celebrants (birthday candles work the best for this).  Each celebrant then lights the candle as they make a wish.  Once everyone has made a wish, the celebrants blow out the candles and eat the Yule log.  Yule
Jo Green (Queer Paganism: A Spirituality That Embraces All Identities)
I’m not spiteful, I don’t hold grudges. There’s no time for it—a grudge will eat up your whole life and leave you on your deathbed, realizing you never lifted your head to the sun or had a second piece of cake. I let in the light. I eat the cake.
Rainbow Rowell (Any Way the Wind Blows (Simon Snow, #3))
But that’s the thing I’ve only recently come to understand about birthdays. They’re not about presents or streamers. They’re not about parties or pictures or petite pastel candles on your cake. They’re about having a brief sense of hope. For that one day, we’re able to close the door on our mistakes and cling to the false idea that we’ll approach the next year wiser. We make wishes. We blow out candles. We tell ourselves this will be our year.
Angela Brown (Olivia Strauss Is Running Out of Time)
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You have to pretend, when speaking to the ladies in the cake store, that the cake is for a friend, pretend that you’re giving a big party so you need the cake that serves twenty, and you sit at the kitchen table with this enormous and elaborate cake for twenty with your name written in fondant on the top, and you feel worse about yourself than you ever have in your life, but, after the sushi box has been thrown out and the stray drops of soy sauce have been wiped from the Formica table top and the dishes, what few there are, have been washed and put away because you have to hold on to some kind of order or you are lost altogether, you sit down and put a single candle on the cake you bought for yourself and light it and make a wish before blowing it out, and then you cut a big piece of the immense cake and you eat it and you sob as the too-sweet dessert goes into your mouth.
Robert Goolrick (The Fall of Princes)
carried the Makarov outside to watch the fireworks. Thirty yards beyond the spot where Brendan Magill lay dead was a rock wall running on a north-south axis. Gabriel took cover behind it after a 7.62x39mm round shredded the air a few inches from his right ear. Keller hit the ground next to him as rounds exploded against the stones of the wall, sending sparks and fragments flying. The source of the fire was silenced, so Gabriel had only a vague idea of the direction from which it was coming. He poked his head above the wall to search for a muzzle flash, but another burst of rounds drove him downward. Keller was now crawling northward along the base of the wall. Gabriel followed after him, but stopped when Keller suddenly opened up with the dead man’s AK-47. A distant scream indicated that Keller’s rounds had found their mark, but in an instant they were taking fire from several directions. Gabriel flattened himself on the ground at Keller’s side, the Glock in one hand, the dead man’s phone in the other. After a few seconds he realized it was pulsing with an incoming text. The text was apparently from Eamon Quinn. It read KILL THE GIRL . . . 79 CROSSMAGLEN, SOUTH ARMAGH A MID THE HEAP OF BROKEN and dismembered farm implements in Jimmy Fagan’s shed, Katerina had found a scythe, rusted and caked in mud, a museum piece, perhaps the last scythe in the whole of Ireland, north or south. She held it tightly in her hands and listened to the sound of men pounding up the track at a sprint. Two men, she thought, perhaps three. She positioned herself against the shed’s sliding door. Madeline was at the opposite end of the space, hooded, hands bound, her back to the bales of hay. She was the first and only thing the men would see upon entry. The latch gave way, the door slid open, a gun intruded. Katerina recognized its silhouette: an AK-47 with a suppressor attached to the barrel. She knew it well. It was the first weapon she had ever fired at the camp. The great AK-47! Liberator of the oppressed! The gun was pointed upward at a forty-five-degree angle. Katerina had no choice but to wait until the barrel sank toward Madeline. Then she raised the scythe and swung it with every ounce of strength she had left in her body. Two hundred yards away, crouched behind a stone wall at the western edge of Jimmy Fagan’s property, Gabriel showed the text message to Christopher Keller. Keller immediately poked his head above the wall and saw muzzle flashes in the doorway of the shed. Four flashes, four shots, more than enough to obliterate two lives. A burst of AK-47 fire drove him downward again. Eyes wild, he grabbed Gabriel savagely by the front of his coat and shouted, “Stay here!” Keller hauled himself over the wall and vanished from sight. Gabriel lay there for a few seconds as the rounds rained down on his position. Then suddenly he was on his feet and running across the darkened pasture. Running toward a car in a snowy square in Vienna. Running toward death. The blow that Katerina delivered to the neck of the man holding the AK-47 resulted in a partial decapitation. Even so, he had managed to squeeze off a shot before she wrenched the gun from his grasp—a shot that struck the hay bales a few inches from Madeline’s head. Katerina shoved the dying man aside and quickly fired two shots into the chest of the second man. The fourth shot she fired into the partially decapitated creature twitching at her feet. In the lexicon of the SVR, it was a control shot. It was also a shot of
Daniel Silva (The English Spy (Gabriel Allon, #15))
I’m blowing this harder than an emphysemic octogenarian in front of a birthday cake.
Brea Brown (Let's Be Frank (Nurse Nate Trilogy Book 1))
Brittany has been wary this whole week. She’s waiting for me to play a joke on her, to get her back for tossing my keys into the woods. After school, as I’m at my locker picking books to take home, she storms up to me wearing her sexy pom uniform. “Meet me in the wrestling gym,” she orders. Now I can do two things: meet her like she told me to or leave the school. I take my books and enter the small gym. Brittany is standing, holding out her keychain without keys dangling from it. “Where have my keys magically disappeared to?” she asks. “I’m going to be late for the game if you don’t tell me. Ms. Small will kick me off the squad if I’m not at the game.” “I tossed them somewhere. You know, you should really get a purse that has a zipper. You never know when someone will reach in and grab somethin’.” “Glad to know you’re a klepto. Wanna give me a hint as to where you’ve hidden them?” I lean against the wall of the wrestling gym, thinking about what people would think if they caught us in here together. “It’s in a place that’s wet. Really, really wet,” I say, giving her a clue. “The pool?” I nod. “Creative, huh?” She tries to push me into the wall. “Oh, I’m going to kill you. You better go get them.” If I didn’t know her better, I’d think she was flirting with me. I think she likes this game we have going on. “Mamacita, you should know me better than that. You’re all on your own, like I was when you left me in the library parking lot.” She cocks her head, gives me sad eyes, and pouts. I shouldn’t concentrate on her pouty lips, it’s dangerous. But I can’t help it. “Show me where they are, Alex. Please.” I let her sweat it out a minute before I give in. By now most of the school is deserted. Half of the students are on their way to the football game. The other half is glad they’re not on their way to the football game. We walk to the pool. The lights are off, but sunlight is still shining through the windows. Brittany’s keys are where I threw ‘em--in the middle of the deep end. I point to the shiny pieces of silver under the water. “There they are. Have at it.” Brittany stands with her hands on her short skirt, contemplating how she’s going to get them. She struts over to the long stick hanging on the wall that’s used to pull drowning people from the water. “Piece of cake,” she tells me. But as she sticks the pole into the water, she finds out it’s not a piece of cake. I suppress a laugh as I stand at the edge of the pool and watch her attempt the impossible. “You can always strip and go in naked. I’ll watch to make sure nobody comes in.” She walks up to me, the pole gripped firmly in her fingers. “You’d like that, wouldn’t you?” “Uh, yeah,” I say, stating the obvious. “I have to warn you, though. If you have granny undies on, you’ll blow my fantasy.” “For your information, they’re pink satin. As long as we’re sharing personal info, are you a boxers or briefs guy?” “Neither. My boys go free, if you know what I mean.” Okay, I don’t let my boys go free. She’ll just have to figure that out herself. “Gross, Alex.” “Don’t knock it till you try it,” I tell her, then walk toward the door. “You’re leaving?” “Uh…yeah.” “Aren’t you going to help me get the keys?” “Uh…nope.” If I stay, I’ll be tempted to ask her to ditch the football game to be with me. I’m definitely not ready to hear the answer to that question. Toying with her I can handle. Showing my true colors like I did the other day made me take my guard down. I’m not about to do that again. I push the door open after taking one last glance at Brittany, wondering if leaving her right now makes me an idiot, a jerk, a coward, or all of the above.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
You are like a stick of dynamite waiting to blow
Celia Aaron (Christmas Cake)
I figured that it wouldn’t take me all that long to walk the steep incline from the docks, past the warehouses, up to Congress Street and then down to State Street. I was on my way, snow or no snow! Bundled up in my gloves, woolen thirteen-button bell-bottomed uniform pants, navy blue shirt and pea coat, with the flaps up, I negotiated the slippery steep incline of High Street. I knew that I was in Maine, known for adverse weather, but this was unreal. It was all I could do to hang onto this precious cargo with my cold fingers in my wet gloves, and put one foot in front of the other. Little by little, I made progress against the elements but, the longer it took to walk the distance, the more I looked like a snowman. Now the white stuff was getting heavier, and started to pile up. It stuck to my uniform, turning the dark blue to white. By the time I got as far as Congress Street, my feet and fingers were totally numb again, and my ears frozen. The box was getting heavier by the moment and I couldn’t even cover my ears with my hands. Finally I just put the box down into the snow, crouched down against a building, and pulled my pea coat over my head. Breathing into it, I managed to generate a little heat. I pressed the flaps of the coat against my ears until I could feel them again. Aside from my frozen feet, I warmed up enough this way to be able to continue. Picking up the box, I got up and once again faced the harsh elements. There was little sign of life, and with this cold wind, I could easily have gotten frostbite. Most people who lived in Maine had better sense than to be out under these arctic conditions. The plows had not cleared the streets yet, and behind me I could see a lone car spinning its wheels, trying in vain to make the steep grade. Once again I had to put down the box. I took off my gloves and tried to warm my hands by blowing onto them, as I did a little dance stomping my feet, but nothing helped anymore; my hands and feet were numb. When I picked the box up again, the bottom was caked with snow, making matters even worse! With only a short distance left I thought about Ann and so I continued trudging on.
Hank Bracker
THE KINGDOM OF HEAVEN. ITS CITIZENS ARE DRUNK ON WONDER. Consider the case of Sarai.1 She is in her golden years, but God promises her a son. She gets excited. She visits the maternity shop and buys a few dresses. She plans her shower and remodels her tent . . . but no son. She eats a few birthday cakes and blows out a lot of candles . . . still no son. She goes through a decade of wall calendars . . . still no son. So Sarai decides to take matters into her own hands. (“Maybe God needs me to take care of this one.”) She convinces Abram that time is running out. (“Face it, Abe, you ain’t getting any younger, either.”) She commands her maid, Hagar, to go into Abram’s tent and see if he needs anything. (“And I mean ‘anything’!”) Hagar goes in a maid. She comes out a mom. And the problems begin. Hagar is haughty. Sarai is jealous. Abram is dizzy from the dilemma. And God calls the baby boy a “wild donkey”—an appropriate name for one born out of stubbornness and destined to kick his way into history. It isn’t the cozy family Sarai expected. And it isn’t a topic Abram and Sarai bring up very often at dinner. Finally, fourteen years later, when Abram is pushing a century of years and Sarai ninety . . . when Abram has stopped listening to Sarai’s advice, and Sarai has stopped giving it . . . when the wallpaper in the nursery is faded and the baby furniture is several seasons out of date . . . when the topic of the promised child brings sighs and tears and long looks into a silent sky . . . God pays them a visit and tells them they had better select a name for their new son. Abram and Sarai have the same response: laughter. They laugh partly because it is too good to happen and partly because it might. They laugh because they have given up hope, and hope born anew is always funny before it is real. They laugh at the lunacy of it all. Abram looks over at Sarai—toothless and snoring in her rocker, head back and mouth wide open, as fruitful as a pitted prune and just as wrinkled. And he cracks up. He tries to contain it, but he can’t. He has always been a sucker for a good joke. Sarai is just as amused. When she hears the news, a cackle escapes before she can contain it. She mumbles something about her husband’s needing a lot more than what he’s got and then laughs again. They laugh because that is what you do when someone says he can do the impossible. They laugh a little at God, and a lot with God—for God is laughing too. Then, with the smile still on his face, he gets busy doing what he does best—the unbelievable.
Max Lucado (The Applause of Heaven: Discover the Secret to a Truly Satisfying Life)
Finally I just put the box containing the brownie mix down into the snow, crouched down against a building, and pulled my pea coat over my head. Breathing into it, I managed to generate a little heat. I pressed the flaps of the coat against my ears until I could feel them again. Aside from my frozen feet, I warmed up enough this way to be able to continue. Picking up the box, I got up and once again faced the harsh elements. There was little sign of life, and with this cold wind, I could easily have gotten frostbite. Most people who lived in Maine had better sense than to be out under these arctic conditions. The plows had not cleared the streets yet, and behind me I could see a lone car spinning its wheels, trying in vain to make the steep grade. Once again I had to put down the box. I took off my gloves and tried to warm my hands by blowing onto them, as I did a little dance stomping my feet, but nothing helped anymore; my hands and feet were numb. When I picked the box up again, the bottom was caked with snow, making matters even worse! With only a short distance left I thought about Ann and the aroma from baking brownies, so I continued trudging on. I could now see the statue of Longfellow, slouched in his massive chair. “Hi, Henry. What do you think of this glorious weather?” Not getting an answer was answer enough. I was convinced that his bronze butt was frozen to the chair, but in spite of the weather, he still looked comfortable!
Hank Bracker
Bundled up in my gloves, woolen thirteen-button bell-bottomed uniform pants, navy blue shirt and pea coat, with the flaps up, I negotiated the slippery steep incline of High Street. I knew that I was in Maine, known for adverse weather, but this was unreal. It was all I could do to hang onto this precious cargo with my cold fingers in my wet gloves, and put one foot in front of the other. Little by little, I made progress against the elements but, the longer it took to walk the distance, the more I looked like a snowman. Now the white stuff was getting heavier, and started to pile up. It stuck to my uniform, turning the dark blue to white. By the time I got as far as Congress Street, my feet and fingers were totally numb again, and my ears frozen. The box was getting heavier by the moment and I couldn’t even cover my ears with my hands. Finally I just put the box down into the snow, crouched down against a building, and pulled my pea coat over my head. Breathing into it, I managed to generate a little heat. I pressed the flaps of the coat against my ears until I could feel them again. Aside from my frozen feet, I warmed up enough this way to be able to continue. Picking up the box, I got up and once again faced the harsh elements. There was little sign of life, and with this cold wind, I could easily have gotten frostbite. Most people who lived in Maine had better sense than to be out under these arctic conditions. The plows had not cleared the streets yet, and behind me I could see a lone car spinning its wheels, trying in vain to make the steep grade. Once again I had to put down the box. I took off my gloves and tried to warm my hands by blowing onto them, as I did a little dance stomping my feet, but nothing helped anymore; my hands and feet were numb. When I picked the box up again, the bottom was caked with snow, making matters even worse! With only a short distance left I thought about Ann and the aroma from baking brownies, so I continued trudging on. I could now see the statue of Longfellow, slouched in his massive chair. “Hi, Henry. What do you think of this glorious weather?” Not getting an answer, was answer enough. I was convinced that his bronze butt was frozen to the chair, but in spite of the weather, he still looked comfortable!
Hank Bracker