Blossom Girl Quotes

His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed like a flower and the incarnation was complete.

Cindy Divine and her parents paused by their boat to take in the natural beauty. Lake Barkley could have been a top-paid model for a glossy postcard company that morning. It lay between little hills all dressed up in new green, and its mirror-like water reflected a cloudless sky everywhere except along the shoreline where the hills were upside down. Clusters of blossoms, dogwood and redbud, were scattered here and there on the hillsides, and a brightening red was coloring the sky along the eastern hilltops.

When evening fell the boy would bring the girl a glass of tea, a slice of lemon cake, an apple blossom floating in a blue cup. He would kiss her neck and whisper new names in her ear: beauty, beloved, cherished, my heart.

I miss the Stella girls telling me what I am. That I'm sweet and placid and accommodating and loyal and nonthreatening and good to have around. And Mia. I want her to say, "Frankie, you're silly, you're lazy, you're talented, you're passionate, you're restrained, you're blossoming, you're contrary." I want to be an adjective again. But I'm a noun. A nothing. A nobody. A no one.

If he’d been any other man and i'd been any other girl, I’d have called the narrowing of his heavy-lidded dark eyes lust. But he was Barrons and I was Mac, and a blossoming of lust was about as likely as orchids blooming in Antarctica

When we never miss a beat on the many unsuspected details that revamp our dreams and imbue our minds, we can hear our hearts sing and feel each bud of hope blossom. (“Girl in Blue”)

...her hand closes on smooth metal. Her fingers test the sharpness of the edge. Perfect. It's a fresh blade. The girls' voices rustle in her head. Their clamoring pushes out all rational thought. She rolls up her sleeve. The bite of the blade kills the noise. It wipes out the memory of those staring faces. Willow looks at her arm, at the life springing from her. Tiny pinpricks of red that blossom into giant peonies.

And your life,' Katie said to Christy, 'is turning into a rather predictable romance. Girl meets boy. Boy is a dork for four years. Girl blossoms into a gorgeous woman. Boy finds his brain. Girl turns into starry-eyed mush head.

Most girls prefer flowers over trees.' I brush my fingers on the petals." These orange flowers blossom quickly. They speak of passion. Of beauty." I take a witheting flower that had dropped to the ground and worry it between my fingers. "But they don't last; they wither so easily. Flowers have limited growth. A tree might not speak of passion but sturdiness. Yet it grows higher and lasts more. Some of these trees have been here before I was born and they'll be here once I'm gone.

Father loved the fact that a lilac only blossoms after a harsh winter.

The girls I dream of are the gentle ones, wistful by high windows or singing sweet old songs at a piano, long hair drifting, tender as apple blossom. But a girl who goes into battle beside you and keeps your back is a different thing, a thing to make you shiver. Think of the first time you slept with someone, or the first time you fell in love: that blinding explosion that left you cracking to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other's hands.

In every breeze exhales the promise of spring, Each sleeping tree dreams green dreams; the barren mountain wakes in blossom.

The ancients waited for cherry blossoms, grieved when they were gone, and lamented their passing in countless poems. How very ordinary the poems had seemed to Sachiko when she read them as a girl, but now she knew, as well as one could know, that grieving over fallen cherry blossoms was more than a fad or convention.

The girl, Maggie, blossomed in a mud puddle.

Briars, brambles, bones, and blossom, I smell a girl who can’t be forgotten.

Out of the corner of his eye Gatsby saw that the blocks of the sidewalks really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete. Through all he said, even through his appalling sentimentality, I was reminded of something—an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.

Her eyes were glittering like the eyes of a child when you give a nice surprise, and she laughed with a sudden throaty, tingling way. It is the way a woman laughs for happiness. They never laugh that way just when they are being polite or at a joke. A woman only laughs that way a few times in her life. A woman only laughs that way when something has touched her way down in the very quick of her being and the happiness just wells out as natural as breath and the first jonquils and mountain brooks. When a woman laughs that way it always does something to you. It does not matter what kind of a face she has got either. You hear that laugh and feel that you have grasped a clean and beautiful truth. You feel that way because that laugh is a revelation. It is a great impersonal sincerity. It is a spray of dewy blossom from the great central stalk of All Being, and the woman’s name and address hasn’t got a damn thing to do with it. Therefore, the laugh cannot be faked. If a woman could learn to fake it she would make Nell Gwyn and Pompadour look like a couple of Campfire Girls wearing bifocals and ground-gripper shoes with bands on their teeth. She could get all society by the ears. For all any man really wants is to hear a woman laugh like that.

I might be 30 years old, but a girl never outgrows the need for her mother.

Coming forward with a placating smile, Win handed him a piece of paper. "Of course we would never want to force you into a loveless marriage, dear. But we have put together a list of prospective brides, all of them lovely girls. Won't you take a glance and see if any of them appeals to you?" Deciding to humor her, Leo looked down at the list. "Marietta Newbury?" "Yes," Amelia said. "What's wrong with her?" "I don't like her teeth." "What about Isabella Charrington?" "I don't like her mother." "Lady Blossom Tremaine?" "I don't like her name." "Oh, for heaven's sake, Leo, that's not her fault." "I don't care. I can't have a wife named Blossom. Every night I would feel as if I were calling in one of the cows." Leo lifted his gaze heavenward. "I might as well marry the first woman off the street. Why, I'd be better off with Marks." Everyone was silent.

There used to be two of us always on the look-out for life, talking to Miss Blossom at night, wondering, hoping; two Bronte-Jane Austen girls, poor but spirited, two Girls of Godsend Castle.

From a memory deep inside her, so faint it only held sounds and slips of color, a tiny, three-year-old Azalea wailed, "Papa." "Papa," said Azalea to the lifeless form of the King. The word was so forgein, it choked her throat. "Papa... you can't leave us, Papa... It would be very...out of order-" Bramble knelt opposite her, grasping the King's bandaged hand. "She's-she's right, Papa," Bramble stuttered. "We have...rules..." Clover fell to her knees and pressed her handkerchief to his chest. Blood soaked through. "Papa," she whispered. The girls knelt around the King, their skirts spead out like forlorn blossoms, swallowing , and whispering one word. "Papa." "Papa." "Papa.

Beginning when we are girls, most of us are taught to deflect praise. We apologize for our accomplishments. We try to level the field with our family and friends by downplaying our brilliance. We settle for the passenger’s seat when we long to drive. That’s why so many of us have been willing to hide our light as adults. Instead of being filled with all the passion and purpose that enable us to offer our best to the world, we empty ourselves in an effort to silence our critics. The truth is that the naysayers in your life can never be fully satisfied. Whether you hide or shine, they’ll always feel threatened because they don’t believe they are enough. So stop paying attention to them. Every time you suppress some part of yourself or allow others to play you small, you are ignoring the owner’s manual your Creator gave you. What I know for sure is this: You are built not to shrink down to less but to blossom into more. To be more splendid. To be more extraordinary. To use every moment to fill yourself up.

But it’s fitting in a way—Father loved the fact that a lilac only blossoms after a harsh winter.

God what an outfield,' he says. 'What a left field.' He looks up at me, and I look down at him. 'This must be heaven,' he says. No. It's Iowa,' I reply automatically. But then I feel the night rubbing softly against my face like cherry blossoms; look at the sleeping girl-child in my arms, her small hand curled around one of my fingers; think of the fierce warmth of the woman waiting for me in the house; inhale the fresh-cut grass small that seems locked in the air like permanent incense; and listen to the drone of the crowd, as below me Shoelss Joe Jackson tenses, watching the angle of the distant bat for a clue as to where the ball will be hit. I think you're right, Joe,' I say, but softly enough not to disturb his concentration.

Life is fragile Grace – it is no more than a petal of cherry blossom; thriving and in full bloom one minute and blown to the ground by a sudden gust of wind the next. We shouldn’t take our life for granted and we should do whatever we can to make ourselves happy.

And everywhere girls, tumbling from trees like orange blossoms and hitting the earth with sickening thuds. They crack open.

When evening fell, the boy would bring the girl a glass of tea, a slice of lemon cake, an apple blossom floating in a blue cup. He would kiss her neck and whisper new names in her ear: beauty, beloved, cherished, my heart. They had an ordinary life, full of ordinary things—if love can ever be called that.

I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.

The Song of Wandering Aengus I went out to the hazel wood, Because a fire was in my head, And cut and peeled a hazel wand, And hooked a berry to a thread; And when white moths were on the wing, And moth-like stars were flickering out, I dropped the berry in a stream And caught a little silver trout. When I had laid it on the floor I went to blow the fire a-flame, But something rustled on the floor, And someone called me by my name: It had become a glimmering girl With apple blossom in her hair Who called me by my name and ran And faded through the brightening air. Though I am old with wandering Through hollow lands and hilly lands, I will find out where she has gone, And kiss her lips and take her hands; And walk among long dappled grass, And pluck till time and times are done, The silver apples of the moon, The golden apples of the sun.

And so it goes, day after day. Every sharp word and every angry, impure thought. You press them down, pretending they’re not a part of who you really are – the sweet, good girl, the smiling, happy person but the truth is, that anger is more real than anything. It burns and blooms and blossoms, twisting tighter with every faked smile until you wonder, what would it be like to just let it free? Stop pretending. Stop hiding. Stop being the girl they all said you should be. Imagine that freedom. God, can’t you feel it? What harm could it do?

What a face this girl possessed!—could I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender Psyché and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!—almost foul, with so many odors. Ô, that and the spicy night! …Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl too—the moon! And once a month it will make the face of this tender girl bloom.

I was a girl alone in a house of men, quickly becoming a woman. It was like blossoming in a bank of snow.

A Blessing Just off the highway to Rochester, Minnesota, Twilight bounds softly forth on the grass. And the eyes of those two Indian ponies Darken with kindness. They have come gladly out of the willows To welcome my friend and me. We step over the barbed wire into the pasture Where they have been grazing all day, alone. They ripple tensely, they can hardly contain their happiness That we have come. They bow shyly as wet swans. They love each other. There is no loneliness like theirs. At home once more, They begin munching the young tufts of spring in the darkness. I would like to hold the slenderer one in my arms, For she has walked over to me And nuzzled my left hand. She is black and white, Her mane falls wild on her forehead, And the light breeze moves me to caress her long ear That is delicate as the skin over a girl's wrist. Suddenly I realize That if I stepped out of my body I would break Into blossom.

When love has been in your life you see that the only true, real pleasure of life is love. Every other thrill arises from that basic source of pleasure. The most meaningful songs are those your lover hums in your presence, the prettiest blossoms are the ones he offers and the only praise that counts is your beloved's. In a word or two, life only goes Technicolor in the very moment love's fingers caress it.

Suffering has brought clarity into my life. Maybe the things that have happened to me are punishment for what I did in a previous life, maybe they were fate or destiny, and maybe they're all just part of a natural cycle - like the short but spectacular lives of cherry blossoms in spring or leaves falling away in autumn.

Why do you want to keep this beauty for yourself? Why don’t you want to share it? The world is made of shared grace and harmony. Look at the sun shining, at the bees flying, the flowers blossoming. What would happen if they were ashamed like you are? No beauty would be revealed. We would live in an eternal shadow of what could exist.

L.A. kills people.' Jacaranda said. 'You're lucky you're leaving. You'll be able to write.' She looked paler, going through another depression, smoking in bed in her lilac room. The walls were the color of her veins. She was getting too thin, even for the modeling. . .Jacaranda died last winter when the flowering trees were bare. You couldn't even tell which ones once cried the purple blossoms she named herself after.

Spring had come once more to Green Gables-the beautiful, capricious Canadian spring, lingering along through April and may in a succession of sweet, fresh, chilly days, with pink sunsets and miracles of resurrection and growth. The maples in Lover's Lane were red-budded and little curly ferns pushed up around the Dryad's Bubble. Away in the barrens, behind Mr. Silas Sloane's place, the mayflowers blossomed out, pink and white stars of sweetness under their brown leaves. All the school girls and boys had one golden afternoon gathering them, coming home in the clear, echoing twilight with arms and baskets full of flowery spoil.

After vindictive winter, apple blossoms seem all the more heaven-sent. Among flashing forsythia and budding rose, dogwood and daffodil, The allure of magnolia, azalea and wisteria to lovers’ dreams are lent. Resolve is recompense as seedtime’s blush dispenses with the chill, How sweet-scented is New England now as winter tempests are through. My darling girl, the divinest bloom in cherry blossom time just happens to be you.

I don't care whether you're a guy or a girl. I'll always like you.

Crape Myrtle trees line our streets. They awaken at the onset of Irans mid-day heat. They turn their leaves up, lifting their branches to give the azure Middle-Eastern sky an open-mouth kiss. Row after row blushes with red blossoms of ecstasy. Noshahr--where every hill has its own story, every valley its own poem, every girl her own heartache . . . that's for certain.

From the east a spring breeze is touching us, passing by, And so in the goblet in the green wine tiny ripples are formed. The blossoms stolen by the whirl are falling to the earth. My fair girl will be drunken soon with her blushed cheeks. Beside the blue pavilion the peach tree - Do you know, how long it will bloom? It’s a trembling shine, a dream: it cheats us and steals away. Rise and dance! The sun is fading! Who never was full of demanding live and crazy in his young days will vainly - when the hair is white - sigh and wail.

Five girls sat beside, and upon the branches of, the oldest apple tree in the orchard, its huge trunk making a fine seat and support; and whenever the May breeze blew, the pink blossoms tumbled down like snow, coming to rest in their hair and on their skirts. The afternoon sunlight dappled green and silver and gold through the leaves in the apple orchard.

As I pen these words to leave a lasting record, I wonder myself where it all began.

Fate is a girl with scissors

Caroline wiped her cheek with the back of her gardening glove, leaving a dark smudge below one eye, then pulled off her gloves. 'But it's fitting in a way - Father loved the fact that a lilac only blossoms after a harsh winter.' Caroline reached over and smoothed the hair back from my brow with a light touch. How many times had my mother done that? 'It's a miracle all of this beauty emerges after such hardship, don't you think?

He wants to tear down the sky, he wants to rip every blossom from that tree, he wishes to take a burning branch and drive that pink-clad girl and her nag over a cliff, just to be rid of them, to clear them all out of his way. So many miles, so much road stands between him and his child, and so few hours left.

When I had laid it on the floor I went to blow the fire a-flame, But something rustled on the floor, And someone called me by my name: It had become a glimmering girl With apple blossoms in her hair Who called me by my name and ran And faded through the brightening air. . . .

I think true love transcends tiem. The thunderbolt does not. Not if it strkes men the way you described." I start a sprint toward a glade where my favorite orange flowers grow. He catches up with me easily. "Most girls prefer flowers over trees." I brush my fingers on the petals."These flowers blossom quickly. They speak of passion, of beauty." I take a witheting flower that had dropped to the ground and fondle it between my fingers. "But flowers don't last. They wither easily and have limited growth. A tree might not speak of passion but sturdiness. Yet, it grows higher and lasts longer. Some of these trees were here before I was born and they'll be here once I'm gone." My heads falls back as I look at the highest tree. "Real love ought to be more like a tree and less like a flower. That's the kind of love my parents had. It wasn't as consuming as it was everlasting. And you see that tree over there? Now it's showing only green leaves, but in spring it's covered in flowers. Because as reliable as trees are, they can also speak of beauty and passion.

Well what I was going to say was that it reminds me of us because a cactus can grow and thrive without a lot of water and attention. Even if it gets neglected on a shelf, it can blossom and still develop into something beautiful.

I bent my head and breathed the fresh new scent of her. I looked into her deep blue eyes and saw reflected there the dawn of my own new life. This little girl seemed to me, at that moment, answer enough to all my questions. To have saved this small, singular one—this alone seemed reason enough that I lived. I knew then that this was how I was meant to go on: away from death and toward life, from birth to birth, from seed to blossom, living my life amongst wonders.

nearer:breath of my breath:take not they tingling limbs from me:make my pain their crazy meal letting they tigers of smooth sweetness steal slowly in dumb blossoms of new mingling: deeper:blood of my blood:with upwardcringing swiftness plunge these leopards of white ream this pith of darkness:carve an evilfringing flower of madness on gritted lips and on sprawled eyes squirming with light insane chisel the killing flame that dizzily grips. Querying greys between mouthed houses curl thirstily. Dead stars stink. dawn. Inane, the poetic carcass of a girl

There she goes. How strange she is: my winter child; my changeling. Wild as an armful of birds, she flies everywhere in an instant. There is no keeping her inside, no making her sit quietly. She has never been like other girls, never like other children. Rosette is a force of nature, like the jackdaws that sit on the steeple and laugh, like a fall of unseasonal snow, like the blossom on the wind.

A Faint Music by Robert Hass Maybe you need to write a poem about grace. When everything broken is broken, and everything dead is dead, and the hero has looked into the mirror with complete contempt, and the heroine has studied her face and its defects remorselessly, and the pain they thought might, as a token of their earnestness, release them from themselves has lost its novelty and not released them, and they have begun to think, kindly and distantly, watching the others go about their days— likes and dislikes, reasons, habits, fears— that self-love is the one weedy stalk of every human blossoming, and understood, therefore, why they had been, all their lives, in such a fury to defend it, and that no one— except some almost inconceivable saint in his pool of poverty and silence—can escape this violent, automatic life’s companion ever, maybe then, ordinary light, faint music under things, a hovering like grace appears. As in the story a friend told once about the time he tried to kill himself. His girl had left him. Bees in the heart, then scorpions, maggots, and then ash. He climbed onto the jumping girder of the bridge, the bay side, a blue, lucid afternoon. And in the salt air he thought about the word “seafood,” that there was something faintly ridiculous about it. No one said “landfood.” He thought it was degrading to the rainbow perch he’d reeled in gleaming from the cliffs, the black rockbass, scales like polished carbon, in beds of kelp along the coast—and he realized that the reason for the word was crabs, or mussels, clams. Otherwise the restaurants could just put “fish” up on their signs, and when he woke—he’d slept for hours, curled up on the girder like a child—the sun was going down and he felt a little better, and afraid. He put on the jacket he’d used for a pillow, climbed over the railing carefully, and drove home to an empty house. There was a pair of her lemon yellow panties hanging on a doorknob. He studied them. Much-washed. A faint russet in the crotch that made him sick with rage and grief. He knew more or less where she was. A flat somewhere on Russian Hill. They’d have just finished making love. She’d have tears in her eyes and touch his jawbone gratefully. “God,” she’d say, “you are so good for me.” Winking lights, a foggy view downhill toward the harbor and the bay. “You’re sad,” he’d say. “Yes.” “Thinking about Nick?” “Yes,” she’d say and cry. “I tried so hard,” sobbing now, “I really tried so hard.” And then he’d hold her for a while— Guatemalan weavings from his fieldwork on the wall— and then they’d fuck again, and she would cry some more, and go to sleep. And he, he would play that scene once only, once and a half, and tell himself that he was going to carry it for a very long time and that there was nothing he could do but carry it. He went out onto the porch, and listened to the forest in the summer dark, madrone bark cracking and curling as the cold came up. It’s not the story though, not the friend leaning toward you, saying “And then I realized—,” which is the part of stories one never quite believes. I had the idea that the world’s so full of pain it must sometimes make a kind of singing. And that the sequence helps, as much as order helps— First an ego, and then pain, and then the singing

[You for] the fragrant-blossomed Muses’ lovely gifts [be zealous,] girls, [and the] clear melodious lyre: [but my once tender] body old age now [has seized;] my hair’s turned [white] instead of dark; my heart’s grown heavy, my knees will not support me, that once on a time were fleet for the dance as fawns. This state I oft bemoan; but what’s to do? Not to grow old, being human, there’s no way. Tithonus once, the tale was, rose-armed Dawn, love-smitten, carried off to the world’s end, handsome and young then, yet in time grey age o’ertook him, husband of immortal wife.

Being a failed teenager is not a crime, but a predicament and a secret crucible. It is a fun-house mirror where distortion and mystification led to the bitter reflection that sometimes ripens into self knowledge. Time is the only ally of the humiliated teenager, who eventually discovers the golden boy of the senior class is a bloated, bald drunk at the twentieth reunion, and that the homecoming queen married a wife-beater and philanderer and died in a drug rehabilitation center before she was thirty. The prince of acne rallied in college and is now head of neurology, and the homeliest girl blossoms in her twenties, marries the chief financial officer of a national bank, and attends her reunion as president of the Junior League. But since a teenager is denied a crystal ball that will predict the future, there is a forced march quality to this unspeakable rite of passage. It is an unforgivable crime for teenagers not to be able to absolve themselves for being ridiculous creatures at the most hazardous time of their lives.

a lilac only blossoms after a harsh winter.

The reason I'm keeping her secret for her, pretending that I don't know she's a girl is because I don't want to lose her. And that's exactly why I can't let her know that I know.

We’ve known each other for a while,” I said. “And our feelings just ... blossomed.” “Like fungus off rotted meat?” Josh snarked.

Say a woman is more than the sum of her parts and I'll listen. Say she is more than fruit and blossom and branch and I'll nod my head yes. But say the body does not want and I will fall to the floor under the weight of a world that does not need the sweet talk of a heartbeat.

But everyone had to begin there: girl. Girl was the alpha. Even in the womb, the healers had said, the start was there before anything might change. Circles came before lines; that was what had to be honored. When the babies arrived, they were girls irrespective of whatever peace blossomed between the legs. Girls, until after the ceremony where you could then choose: woman, man, free, or all.

Everyone would believe her because at the back of their minds, everyone thinks that twin brothers and sisters grow up magnetized towards each other, the prince at the foot of Rapunzel’s tower before the tower is even built, the lover you can get at all the fucking time, the one who is you but a girl, or you but a boy, whose bed you know as well as your own. How could you endure that without falling in love? The question is, were they born in love with each other, these twins, or did it blossom? At any rate it’s already happened, the onlookers agree. It must have. Ask them when they fell. The brother and sister say no, no, it’s nothing like that, but what they mean is that they can’t remember when.

Love is the world’s infinite mutability; lies, hatred, murder even, are all knit up in it; it is the inevitable blossoming of its opposites, a magnificent rose smelling faintly of blood. Tony Kushner, THE ILLUSION

Years ago, I felt that I couldn't die until I became a mangaka. But now, I don't feel that achieving a goal in itself is all that important. When I achieve goals to satisfy my ambitions, only a moment later, that achievement has become simply a part of my normal life. And there are people who are more important to me than any such goals. I think choosing people over goals will make my life better and leave the least regrets.

We are all, in the last analysis, alone. And this basic state of solitude is not something we have any choice about. It is, as the poet Rilke says, "not something that one can take or leave. We are solitary. We may delude ourselves and act as though this were not so. That is all. But how much better it is to realize that we are so, yes, even to begin by assuming it. Naturally," he goes on to say, "we will turn giddy." Naturally. How one hates to think of oneself as alone. How one avoids it. It seems to imply rejection or unpopularity. An early wallflower panic still clings to the world. One will be left, one fears, sitting in a straight-backed chair alone, while the popular girls are already chosen and spinning around the dance floor with their hot-palmed partners. We seem so frightened today of being alone that we never let it happen. Even if family, friends and movies should fail, there is still the radio or the television to fill up the void. Women, who used to complain of loneliness, need never be alone any more. We can do our housework with soap-opera heroes at our side. Even day-dreaming was more creative than this; it demanded something of oneself and it fed the inner life. Now, instead of planting our solitude with our own dream blossoms, we choke the space with continuous music, chatter and companionship to which we do not even listen. It is simply there to fill the vacuum. When the noise stops there is no inner music to take its place. We must re-learn to be alone.

The scent of linden blossoms hung heavy on the air. Dortchen made a sharp, jerking movement, as if to walk away. But she hesitated, then turned and went down the long, winding path, past the tangle of briar roses and into the secret grove of linden trees. She picked a blossom and held it to her nose, inhaling deeply. Then she sat on the grass, the blossom cupped in her hand, leant her head back against the tree and closed her eyes. All she could hear was the soft sough of the wind in the leaves, and the humming of innumerable bees as they gathered the nectar from the creamy-white flowers.

(At a health and fitness fair) Though normally superconfident, I am not prepared for the judgmental stares of the ultrafit. They don't know me and have no idea of my prowess in the boardroom. They're unfamiliar with my shoe collection and unaware that I live in the Dot-Com Palace. And they didn't notice me pulling up in the Caddy. All they can see is how much space I occupy. With each step I take, I feel cellulite blossoming on my arms, my stomach, my calves. Stop it! I think my chin just multiplied and my thighs inflated. No! Deflate! Deflate! And I'm pretty sure I can see my own ass out of the corner of my eye. Gah! Cut it out!! Am I imagining things, or do my footsteps sound like those of the giant who stomped through the city in the beginning of Underdog? And how did I go from aging-but-still-kind-of-hot ex-sorority girl to horrific, stompy cartoon monster in less than an hour? My sleek and sexy python sandals have morphed into cloven hooves by the time I reach the line for the race packet. While I wait, the air is abuzz with tales of other marathons while many sets of eyes cut in my direction. Eventually an asshat in a JUST DO IT T-shirt asks me, "How's your training going?

Sweet for a little even to fear, and sweet, O love, to lay down fear at love’s fair feet; Shall not some fiery memory of his breath Lie sweet on lips that touch the lips of death? Yet leave me not; yet, if thou wilt, be free; Love me no more, but love my love of thee. Love where thou wilt, and live thy life; and I, One thing I can, and one love cannot—die. Pass from me; yet thine arms, thine eyes, thine hair, Feed my desire and deaden my despair. Yet once more ere time change us, ere my cheek Whiten, ere hope be dumb or sorrow speak, Yet once more ere thou hate me, one full kiss; Keep other hours for others, save me this. Yea, and I will not (if it please thee) weep, Lest thou be sad; I will but sigh, and sleep. Sweet, does death hurt? thou canst not do me wrong: I shall not lack thee, as I loved thee, long. Hast thou not given me above all that live Joy, and a little sorrow shalt not give? What even though fairer fingers of strange girls Pass nestling through thy beautiful boy’s curls As mine did, or those curled lithe lips of thine Meet theirs as these, all theirs come after mine; And though I were not, though I be not, best, I have loved and love thee more than all the rest. O love, O lover, loose or hold me fast, I had thee first, whoever have thee last; Fairer or not, what need I know, what care? To thy fair bud my blossom once seemed fair. Why am I fair at all before thee, why At all desired? seeing thou art fair, not I. I shall be glad of thee, O fairest head, Alive, alone, without thee, with thee, dead; I shall remember while the light lives yet, And in the night-time I shall not forget. Though (as thou wilt) thou leave me ere life leave, I will not, for thy love I will not, grieve; Not as they use who love not more than I, Who love not as I love thee though I die; And though thy lips, once mine, be oftener prest To many another brow and balmier breast, And sweeter arms, or sweeter to thy mind, Lull thee or lure, more fond thou wilt not find.

When the first blooms came they were like the single big flower Oriental prostitutes wear on the sides of their heads…But when the hemispheres of blossom appear in crowds they remind him of nothing so much as hats worn by cheap girls to church on Easter.

As though on a seedling whose blossoms ripen at different times, I had seen in old ladies, on that beach at Balbec, the dried-up seeds and sagging tubers that my girl-friends would become. But, now that it was time for buds to blossom, what did that matter?

Blah!' Oglivy yells, pushing Emma and me into a pile of wet leaves. We roll around, a red flail of limbs and hysterical laughter. We are all raccoon-drunk on moonlight and bloodshed and the heady, under blossom smell of the forest. I breathe in the sharp odor of cold stars and skunk, thinking, 'This is the happiest I have ever been'. I wish somebody would murder a sheep every night of my life. It feels like we are all embarking on a nightmare together. 'And will stop it in progress!' I think, yanking Emma and Ogli to their feet and hurting towards the lake. We will make sure that the rest of the herd escapes Heimdall's fate, we will....

Three Haiku, Two Tanka (Kyoto) CONFIDENCE (after Bashō) Clouds murmur darkly, it is a blinding habit— gazing at the moon. TIME OF JOY (after Buson) Spring means plum blossoms and spotless new kimonos for holiday whores. RENDEZVOUS (after Shiki) Once more as I wait for you, night and icy wind melt into cold rain. FOR SATORI In the spring of joy, when even the mud chuckles, my soul runs rabid, snaps at its own bleeding heels, and barks: “What is happiness?” SOMBER GIRL She never saw fire from heaven or hotly fought with God; but her eyes smolder for Hiroshima and the cold death of Buddha.

Tell me of the flower-touched girl hidden at the ends of the earth; of betrayal and vengeance, of blossoming and blame. Tell me of heartbreak and healing, tell me what it means to forgive, to plant a seed, to watch it grow. Tell me what happens next, Muse. Sing.

People didn’t understand that after all this time she was still mine. We were only fifteen, but since the day I kissed her in the blossom grove, aged eight, there had never been anyone else. I had blinkers on to any other girl. I only saw Poppy. In my world, only she existed.

It never occurred to me that somehow women did know about it. It just never occurred to me. Yes I am wearing sneakers too. You are in a suit, I am comfortable. So when she explained to me that this was the first event really of its kind, it floored me. So I called my daughter who is in her 30s now and I said “do you know what endometriosis is?” She said, “what? Have to pack the pack the busters.” I said “no man, you have never heard of it?” No she said. I do not know what it is, and it occurred to me that my 30-year-old daughter who I told about endometriosis and it didn’t stick. If she didn’t know, and she is one of the hippest people I know, and her daughter doesn’t know, she has 19-year-old and she is a 13-year-old. The boy, we don’t care much about if he knows about it so much. There is other stuff for him to learn. Like how to roll a condom, things like that. You know, and it occurred to me that if they didn’t know that there were hundreds of thousands girls out there that don’t know. It is not because their mothers don’t want to tell them, because it’s not religion, it’s pure ignorance. We don’t know, we don’t have the information, we have it now, and so now is why this very first gathering is happening. Now is why we’re all sitting here looking really fabulous as you are... [Whoopi Goldberg on endometriosis awareness from the 2009 Blossom Ball]

Dortchen ducked through a gap in the trees, following a winding path to a small grove of old linden trees, their branches hanging with heavy creamy-white flowers. A hedge of briar roses, with delicate pink-white flowers blooming among the thorns, shielded them from the eyes of anyone walking past. The garden was alive with birdsong. A blackbird looked at her with a cheeky eye, then hopped away to search for worms. The scent of the linden blossoms was intoxicating.

By Jove, it's great! Walk along the streets on some spring morning. The little women, daintily tripping along, seem to blossom out like flowers. What a delightful, charming sight! The dainty perfume of violet is everywhere. The city is gay, and everybody notices the women. By Jove, how tempting they are in their light, thin dresses, which occasionally give one a glimpse of the delicate pink flesh beneath! "One saunters along, head up, mind alert, and eyes open. I tell you it's great! You see her in the distance, while still a block away; you already know that she is going to please you at closer quarters. You can recognize her by the flower on her hat, the toss of her head, or her gait. She approaches, and you say to yourself: 'Look out, here she is!' You come closer to her and you devour her with your eyes. "Is it a young girl running errands for some store, a young woman returning from church, or hastening to see her lover? What do you care? Her well-rounded bosom shows through the thin waist. Oh, if you could only take her in your arms and fondle and kiss her! Her glance may be timid or bold, her hair light or dark. What difference does it make? She brushes against you, and a cold shiver runs down your spine. Ah, how you wish for her all day! How many of these dear creatures have I met this way, and how wildly in love I would have been had I known them more intimately. "Have you ever noticed that the ones we would love the most distractedly are those whom we never meet to know? Curious, isn't it? From time to time we barely catch a glimpse of some woman, the mere sight of whom thrills our senses. But it goes no further. When I think of all the adorable creatures that I have elbowed in the streets of Paris, I fairly rave. Who are they! Where are they? Where can I find them again? There is a proverb which says that happiness often passes our way; I am sure that I have often passed alongside the one who could have caught me like a linnet in the snare of her fresh beauty.

I am still waiting to find the boys intimidating. Often, I find my own girls more intimidating than them. Until I became the bridge between us all, I thought that I was a shy person, a sort of trembling leaf. Now I know that I am not a leaf, but a strong branch. I connect the blossom to the bark. Thanks to the girls’ weak hearts, I have realised my own bravery. Perhaps it’s just that I don’t give to swooning as easily as the others. These days the girls let themselves crumble when the boys come around. I’m hoping that I’m just late developing, and in a month or two, I’ll start to crumble as well. I can’t stand being on the outside of what everyone else is feeling.

Her reflection's hair was short, but she wore a simple violet robe tied at the waist with a blue sash. At her hip was her father's sword, and tucked in her hair- a blossom from their family's cherry tree. Mulan knelt and lowered her fingers to the glass. It rippled at her touch. "This one. This is me." A beat. Are you sure? asked the girl in the mirror. "Yes," said Mulan firmly. "It doesn't matter whether I'm a girl dressed like a bride, or a girl dressed like a soldier. I know my heart." Mulan flattened her hand against the glass, facing her reflection. Together, they said, "I am Fa Mulan, a girl who would sacrifice her life for her family and for China. I am a girl who journeyed into the Underworld to save her friend from dying. I am a girl who has fought battle after battle to finally recognize herself in the mirror. And now I do.

Buy flowers — or if you are poor, steal one from someone’s garden; the world owes you that much at least: a blossom — and put them at the end of the bed. When you wake, look at them, and tell yourself you are the kind of person who wakes up and sees flowers. This stops your first thought being, “I fear today. Today is the day maybe I cannot survive anymore,” which I know is what you would otherwise think. Thinking about blossoms before you think about terror is what girls must always do, in the Bad Years.

My girl got sick. She was constantly nervous because of problems at work, personal life, her failures and children. She lost 30 pounds and weighted about 90 pounds. She got very skinny and was constantly crying. She was not a happy woman. She had suffered from continuing headaches, heart pain and jammed nerves in her back and ribs. She did not sleep well, falling asleep only in the mornings and got tired very quickly during the day. Our relationship was on the verge of a break up. Her beauty was leaving her somewhere, she had bags under her eyes, she was poking her head, and stopped taking care of herself. She refused to shoot the films and rejected any role. I lost hope and thought that we’ll get separated soon… But then I decided to act. After all I’ve got the MOST Beautiful Woman on earth. She is the idol of more than half of men and women on earth, and I was the one allowed to fall asleep next to her and to hug her. I began to shower her with flowers, kisses and compliments. I surprised and pleased her every minute. I gave her a lot of gifts and lived just for her. I spoke in public only about her. I incorporated all themes in her direction. I praised her in front of her own and our mutual friends. You won’t believe it, but she blossomed. She became better. She gained weight, was no longer nervous and loved me even more than ever. I had no clue that she CAN love that much. And then I realized one thing: the woman is the reflection of her man. If you love her to the point of madness, she will become it.

I wake with tears in my eyes. I wake to Jeanine’s scream of frustration. “What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me. “What is it that clues you in? Tell me. Tell me or I will kill you.” I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel. “You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?” “You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!” I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face. A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter. “Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.” Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling. “You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.” I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her. I broke her.

But the three hundred and sixty-five authors who try to write new fairy tales are very tiresome. They always begin with a little boy or girl who goes out and meets the fairies of polyanthuses and gardenias and apple blossoms: 'Flowers and fruits, and other winged things.' These fairies try to be funny, and fail; or they try to preach, and succeed.

I dreamed I stood upon a little hill, And at my feet there lay a ground, that seemed Like a waste garden, flowering at its will With buds and blossoms. There were pools that dreamed Black and unruffled; there were white lilies A few, and crocuses, and violets Purple or pale, snake-like fritillaries Scarce seen for the rank grass, and through green nets Blue eyes of shy peryenche winked in the sun. And there were curious flowers, before unknown, Flowers that were stained with moonlight, or with shades Of Nature's willful moods; and here a one That had drunk in the transitory tone Of one brief moment in a sunset; blades Of grass that in an hundred springs had been Slowly but exquisitely nurtured by the stars, And watered with the scented dew long cupped In lilies, that for rays of sun had seen Only God's glory, for never a sunrise mars The luminous air of Heaven. Beyond, abrupt, A grey stone wall. o'ergrown with velvet moss Uprose; and gazing I stood long, all mazed To see a place so strange, so sweet, so fair. And as I stood and marvelled, lo! across The garden came a youth; one hand he raised To shield him from the sun, his wind-tossed hair Was twined with flowers, and in his hand he bore A purple bunch of bursting grapes, his eyes Were clear as crystal, naked all was he, White as the snow on pathless mountains frore, Red were his lips as red wine-spilith that dyes A marble floor, his brow chalcedony. And he came near me, with his lips uncurled And kind, and caught my hand and kissed my mouth, And gave me grapes to eat, and said, 'Sweet friend, Come I will show thee shadows of the world And images of life. See from the South Comes the pale pageant that hath never an end.' And lo! within the garden of my dream I saw two walking on a shining plain Of golden light. The one did joyous seem And fair and blooming, and a sweet refrain Came from his lips; he sang of pretty maids And joyous love of comely girl and boy, His eyes were bright, and 'mid the dancing blades Of golden grass his feet did trip for joy; And in his hand he held an ivory lute With strings of gold that were as maidens' hair, And sang with voice as tuneful as a flute, And round his neck three chains of roses were. But he that was his comrade walked aside; He was full sad and sweet, and his large eyes Were strange with wondrous brightness, staring wide With gazing; and he sighed with many sighs That moved me, and his cheeks were wan and white Like pallid lilies, and his lips were red Like poppies, and his hands he clenched tight, And yet again unclenched, and his head Was wreathed with moon-flowers pale as lips of death. A purple robe he wore, o'erwrought in gold With the device of a great snake, whose breath Was fiery flame: which when I did behold I fell a-weeping, and I cried, 'Sweet youth, Tell me why, sad and sighing, thou dost rove These pleasent realms? I pray thee speak me sooth What is thy name?' He said, 'My name is Love.' Then straight the first did turn himself to me And cried, 'He lieth, for his name is Shame, But I am Love, and I was wont to be Alone in this fair garden, till he came Unasked by night; I am true Love, I fill The hearts of boy and girl with mutual flame.' Then sighing, said the other, 'Have thy will, I am the love that dare not speak its name.

Out of the corner of his eye Gatsby saw that the blocks of the sidewalks really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete.

Providence, in the person of this little girl, had assigned to Hester’s charge the germ and blossom of womanhood, to be cherished and developed amid a host of difficulties.

Our words were like the eucalyptus blossoms of spring tossed away on the wind.

Wilder wrote, 'The roses scented the wind, and along the road the fresh blossoms, with their new petals and golden centers, looked up like little faces.

fact that a lilac only blossoms after a harsh winter.

Obviously, it's a huge deal when your little girl starts to turn into a woman, but the change has a gentle fluidity, so it seems to happen like time-lapse photography of a flower blooming.

Something wild was going on in that coffin….I was growing shoots and leaves and blossoms. Moss. Bugs. Worms. She leaned over my corpse to kiss my lips, but they were warm instead of cold, and then she realized the dead girl wasn't me at all. Who was that? Who was that dead girl squirming with life? And then she realized- That was her. Our bodies had been switched. Mine for hers.

After I escaped to South Korea, I was surprised to hear that the blossoms and green shoots of spring symbolize life and renewal in other parts in the world. In North Korea, spring is the season of death. It is the time of year when our stores of food are gone, but the farms produce nothing to eat because new crops are just being planted. Spring is when most people died of starvation

By the age of thirteen, any blossoming girl knows the power she possesses over boys. By the time she's thirty she's come to realize men would stoop to fucking chickens under the right circumstances.

Nevertheless, ere long, the warm, warbling persuasiveness of the pleasant, holiday weather we came to, seemed gradually to charm him from his mood. For, as when the red-cheeked, dancing girls, April and May, trip home to the wintry, misanthropic woods; even the barest, ruggedest, most thunder-cloven old oak will at least send forth some few green sprouts, to welcome such gladhearted visitants; so Ahab did, in the end, a little respond to the playful allurings of that girlish air. More than once did he put forth the faint blossom of a look, which, in any other man, would have soon flowered out in a smile.

I went out to the hazel wood, Because a fire was in my head, And cut and peeled a hazel wand, And hooked a berry to a thread; And when white moths were on the wing, And moth-like stars were flickering out, I dropped the berry in a stream And caught a little silver trout. When I had laid it on the floor I went to blow the fire a-flame, But something rustled on the floor, And someone called me by my name: It had become a glimmering girl With apple blossom in her hair Who called me by my name and ran And faded through the brightening air. Though I am old with wandering Through hollow lands and hilly lands, I will find out where she has gone, And kiss her lips and take her hands; And walk among long dappled grass, And pluck till time and times are done, The silver apples of the moon, The golden apples of the sun.

We continued dancing as a swift gale wheeled through the hills of Santa Cruz. Xuan leaned down to whisper into my ear, his lips lightly brushing the helix. “Once upon a time there was a boy, and he loved a girl very much. He was sad because he didn’t think the girl noticed him. Until one day the uni- verse intervened and a beautiful comet brought them together after a tragic accident occurred that day. The boy and the girl found comfort and friendship in each other that night. And something new and extraordinary began to blossom under the heavens, something that would burn with such bright- ness that all the stars would be in awe. And the boy fell madly in love with the girl and promised to always find her, in this life and the next.” “That’s my favorite story.” Xuan smiled. “It’s the best one I’ve ever told, Ms. Steel.

Someone once said that there's nothing more poetic than the death of a beautiful woman, but I think that's only true until the women get revenge. And I'm done with spending my days hidden away behind heavy curtains and wrought-iron gates. I want to burst forth into the sun and unfold and blossom there, like a waterfall cutting through rock. No more beautiful dead girls. No more sculptures made of women's bones. Never again.

Love is the world’s infinite mutability; lies, hatred, murder even, are all knit up in it; it is the inevitable blossoming of its opposites, a magnificent rose smelling faintly of blood. —Tony Kushner, THE ILLUSION

Chiara, one of the girls who three years ago was shorter than I and who just last summer couldn’t leave me alone, had now blossomed into a woman who had finally mastered the art of not always greeting me whenever we met.

Perhaps that cruel girl was right? I should be a good girl, and my friend will be fine. I am too dramatic, always seeing the end in a flower blossom, the destruction in a raindrop. I must accept the things I cannot change.

Her cheeks blushed a shade of cherry-blossom pink I wanted to capture in watercolors, a wash of spring on snowy paper. I wanted to see that blush on the rest of her skin too, wanted to follow its path with my hands and my mouth.

Yes, girls like you. The beautiful, yet broken kind that seem to blossom in the darkness of lust. They want to experience a scream ripping from their fucking throat rather than releasing a soft moan. They crave to feel the bite of pain rather than a gentle, loving touch. They possess an insatiable hunger to be violently screwed against the shower wall while being choked the fuck out until they can no longer stand it, rather than having to endure a slow, pathetic fuck.

So, Logan thought. This is the girl. At last he had her in his grasp. Madeline Eloise Gracechurch. In her own words, the greatest ninny to ever draw breath in England. The lass wasn't in England now. And pale as she'd grown in the past few seconds, he suspected she might not be breathing, either. He gave her hand a little squeeze, and she drew in a gasp. Color flooded her cheeks. There, that was better. To be truthful, Logan needed a moment to locate his own composure. She'd knocked the breath from him, too. He'd spent a great deal of time wondering how she looked. Too much time over the years. Of course she'd sent him sketches of every blessed mushroom, moth, and blossom in existence-but never any likeness of herself. By the gods, she was bonny. Far prettier than her letters had led him to imagine. Also smaller, more delicate. "So..." she said, "this means...you...I...gack." Much less articulate, too. -Logan's thoughts & Maddie

Some car had hit it after all, because it hadn’t had the courage to honor its own correct instinct. And I began to cry because I had this thought about people, that they do this all the time, deny the wise voice inside them telling them the right thing to do because it is different. I remembered once seeing a tea party some little girls had set up outside, mismatched china, decorations of a plucked pansy blossom and a seashell and a shiny penny and a small circle of red berries and a fern, pressed wetly into the wooden table, the damp outline around it a beautiful bonus. They didn’t consult the Martha Stewart guide for entertainment and gulp a martini before their guests arrived. They pulled ideas from their hearts and minds about the things that gave them pleasure, and they laid out an offering with loving intent. It was a small Garden of Eden, the occupants making something out of what they saw was theirs. Out of what they truly saw.

Come again as of old and dance with us in the high wild places. Put to flight the powers of man. Give us fair weather and green fields, blossoming orchards and ripening corn. Bring us to stand upon the hilltop, and show us your subtle paths.

The little girl dipped her pipette in the water, then held it up to the lightbulb dangling over the table. In the liquid drop that was slowly stretching, she had captured the entire room: the window and its four panes with the waning daylight, the chest covered with a red rug, the sink with the handle of a saucepan poking out, the big photo tacked to the wall showing an almond tree bowed under a storm, its blossoms torn off, blown away, tiny angel flights or sacrificed lives. 'The world's tiny... it's a pity we can't keep droplets for all the beautiful things we see. And for people. I'd love that. I'd put them in...' Zaide broke off, shaking her head. 'No. You can't put them anywhere. But it's beautiful.' I whispered, 'Yes, the world is beautiful.

Once upon a time, there was a girl who was not afraid. The girl ran as people run who do not fear falling. Her small, strong, nimble feet sped over the rocks and stumps. On the soles of her feet, she felt the soft moss, the sun-warmed sand, the prickly pine needles, the dewy grass. She trusted that her legs would carry her wherever she wished to go. The girl laughed as those laugh who have not yet known humiliation. Her laughter started deep in her belly. It filled her chest, gurgled in her throat, and bubbled on her tongue. Finally, it wriggled out of her mouth, shot through the air, and burst into apple blossoms on the trees. Her laughter warmed and brightened all that surrounded her. Often it ended in hiccuping, but that did not matter because the hiccuping only made her laugh all the more. The girl trusted as those trust for whom the earth has never given way, whom no one has ever betrayed. She hung upside down and trusted that she would not fall. Or if she fell, someone would catch her before she hit the ground. Once upon a time, there was a girl who learned fear. Fairy tales do not begin this way. Other, darker stories do.

It seldom is, at first, and thirty seems the end of all things to five-and-twenty. But it's not as bad as it looks, and one can get on quite happily if one has something in one's self to fall back upon. At twenty-five, girls begin to talk about being old maids, but secretly resolve that they never will be. At thirty they say nothing about it, but quietly accept the fact, and if sensible, console themselves by remembering that they have twenty more useful, happy years, in which they may be learning to grow old gracefully. Don't laugh at the spinsters, dear girls, for often very tender, tragic romances are hidden away in the hearts that beat so quietly under the sober gowns, and many silent sacrifices of youth, health, ambition, love itself, make the faded faces beautiful in God's sight. Even the sad, sour sisters should be kindly dealt with, because they have missed the sweetest part of life, if for no other reason. And looking at them with compassion, not contempt, girls in their bloom should remember that they too may miss the blossom time. That rosy cheeks don't last forever, that silver threads will come in the bonnie brown hair, and

A small grove of linden trees grew on the far side of the lake, below the palace. Dortchen made her way there carefully, not wanting to be seen so close to the King's residence. The trees were in full blossom, bees reeling drunkenly from the pale-yellow flowers that hung down in clusters below the heart-shaped leaves. Dortchen harvested what she could reach, breathing the sweet scent deeply, then picked handfuls of the wild roses that grew in a tangled hedge along the path. She would crystallise the petals with sugar when she got home, or make rose water to sell in her father's shop. She plucked some dandelions she found growing wild in a clearing, and then some meadowsweet, and at last reached the ancient old oak tree she knew from her last foray into the royal park. Here she found handfuls of the sparse grey moss, and she hid it deep within her basket, beneath the flowers and herbs and leaves.

COME HOME, TENAR! COME HOME!” In the deep valley, in the twilight, the apple trees were on the eve of blossoming; here and there among the shadowed boughs one flower had opened early, rose and white, like a faint star. Down the orchard aisles, in the thick, new, wet grass, the little girl ran for the joy of running; hearing the call she did not come at once, but made a long circle before she turned her face toward home. The mother waiting in the doorway of the hut, with the firelight behind her, watched the tiny figure running and bobbing like a bit of thistledown blown over the darkening grass beneath the trees.

Her eyes were glittering like the eyes of a child when you give a nice surprise, and she laughed with a sudden throaty, tingling way. It is the way a woman laughs for happiness. They never laugh that way just when they are being polite or at a joke. A woman only laughs that way a few times in her life. A woman only laughs that way when something has touched her way down in the very quick of her being and the happiness just wells out as natural as breath and the first jonquils and mountain brooks. When a woman laughs that way it always does something to you. It does not matter what kind of a face she has got either. You hear that laugh and feel that you have grasped a clean and beautiful truth. You feel that way because that laugh is a revelation. It is a great impersonal sincerity. It is a spray of dewy blossom from the great central stalk of All Being, and the woman’s name and address hasn’t got a damn thing to do with it. Therefore, the laugh cannot be faked. If a woman could learn to fake it she would make Nell Gwyn and Pompadour look like a couple of Campfire Girls wearing bifocals and ground-gripper shoes with bands on their teeth. She could get all society by the ears. For all any man really wants is to hear a woman laugh like that.

To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.

Forget Tir-nan-Og?' he exclaimed. 'Forget Tir-nan-Og! With the young men walking with the gold low light on their limbs, and the young girls with radiance in their faces, and the young blossom bursting along the apple-boughs, and all that is young there glorying in the morning, and it morning forever over all the land of youth. Forget Tir-nan-Og!

He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete.

He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete.

Your mother gives birth to you only once and only once do you die,' the witcher said calmly. 'An appropriate philosophy for a louse, don't you agree? And your longevity? I pity you, Filavandrel.' The elf raised his eyebrows. 'Why?' 'You're pathetic, with your little stolen sacks of seeds on pack horses, with your handful of grain, that tiny crumb thanks to which you plan to survive. And with that mission of yours which is supposed to turn your thoughts from imminent annihilation. Because you know this is the end. Nothing will sprout or yield crops on the plateaux, nothing will save you now. But you live long, and you will live very long in arrogant isolation, fewer and fewer of you, growing weaker and weaker, more and more bitter. And you know what'll happen then, Filavandrel. You know that desperate young men with the eyes of hundred-year-old men and withered, barren and sick girls like Toruviel will lead those who can still hold a sword and bow in their hands, down into the valleys. You'll come down into the blossoming valleys to meet death, wanting to die honourably, in battle, and not in sick beds of misery, where anaemia, tuberculosis and scurvy will send you. Then, long-living Aen Seidhe, you'll remember me. You'll remember that I pitied you. And you'll understand that I was right.' 'Time will tell who was right,' said the elf quietly. 'And herein lies the advantage of longevity. I've got a chance of finding out, if only because of that stolen handful of grain. You won't have a chance like that. You'll die shortly.

How many miles have we done in her?” she asked. “More than a hundred and fifty thousand,” said Arthur. “Have you checked we’ve got enough fuel?” “She’s as ready for us as we are for her.” “Then let’s go.” Arthur opened the boot and placed the suitcases inside. Then, from the workbench, he picked up the hosepipe and, using parcel tape, attached one end to the exhaust pipe and the other to a crack in the side window, padding the rest of the gap with an old beach towel. Finally, he climbed into the van to join June and turned on the ignition. “Where do you fancy going then?” June asked as the engine chugged. “We never made it to Barcelona and I always wanted to climb the steps up La Sagrada Família. It looks so beautiful in photographs.” “Then let’s go there first.” She reached out her hand to entwine her fingers around his. His eyes welled as he offered his wife a grin as broad as any he had given her during their lifetime together. Then he wiped the tears away and closed his eyes. “It’s you and me to the end, girl,” Arthur whispered. “You and me,” she repeated, and he could smell her apple blossom shampoo as she leaned her head onto his shoulder. And together, they set off on their final adventure together.

The Song of the Wandering Aengus: I went out to the hazel wood Because a fire was in my head And I cut and peeled a hazel wand And hooked a berry with a thread And when white moths were on the wing And moth-like stars were flickering out I dropped a berry in a stream And caught a little silver trout. When I had laid it on the floor I went to blow the fire aflame But something rustled on the door And someone called me by by name. It had become a glimmering girl With apple blossoms in her hair Who called me by my name and ran And faded through the brightening air. Though I am old with wandering Through hollow lands and hilly lands I will find out where she has goner And kiss her lips and take her hands And walk among long dappled grass And pluck till time and times are done The silver apples of the moon, The golden apples of the sun.

Girl dancer! Oh you shifting Of all that passes into steps: how you manage that! And the eddy at the end, a tree made from a vortex, Does it not take full possession of the swirling year? And the tip of your tree, does it not blossom Quietly above you, from your spinning? Is it not Your limitless warmth, the sun, The summer, its heat? But your tree of ecstasy bears, Gives quiet fruit: the flagon streaked with ripeness, And the vase riper still.

As a child I had loved the legend of the cowherd and the spinning girl. They were so in love that they neglected their work and so the God of Heaven placed them in the sky as constellations, separated by the Silver River of Heaven—the Milky Way. Once a year, on the seventh evening of the seventh month, a flock of magpies, taking pity on the lovesick couple, fly to the sky and form a bridge so that they can meet. On this night all over China, women make offerings to these stars, hoping for love.

I am neither beautiful or a woman, Angus. I am merely an ugly girl.” He shook his head side to side slowly. “Now you are a liar.” I couldn’t help but smile, it was the kindest thing anyone had said to me in a long time. “If only everyone inside the ball was as nice as you, there would be no need for tears or lies.” “It seems to me that if they bring you tears, they are not worthy of your time.” His green eyes sparkled with the glint of the moon high in the sky. “Try telling my mother that.” “Oh, I wouldn’t dare, she would have my tongue cut out.” I nodded in agreement, she probably would. I let the moments pass until I was certain my tears had dried up. “Do you really think I’m beautiful?” “As beautiful as a thousand rosebuds just ready to blossom in the springtime.” The smile could not be torn from my lips. I settled into the seat and watched glimpses of the ball through the open doors. Without looking at Angus for fear I may die of embarrassment, I mumbled: “You’re pretty wonderful yourself.

Kore stood amidst the the sheaves of barley to wave Demeter over, then crouched again and poked her finger into the soil. Dark green leaves shot out in every direction, and she circled her wrist upward, raising a stalk out of the earth. She stood slowly. The plant crept toward her hand. Kore splayed her fingers wide and a purple blossom sprang from the thorny stalk. "Oh, Kore, if you grow a thistle in the barley field, someone might prick their finger." "Wait," Kore said, smiling. "Just watch." A fiery copper butterfly fluttered on the warm breeze and alighted on the blossom. Demeter smiled. "You see? I saw her wandering in the barley and made her a home. You don't mind, do you?" "My sweet, clever girl, of course I don't." Demeter hugged Kore. The butterfly folded its wings, fed and content. "My thistle won't interfere with the harvest, will it?" Kore knit her brows. "Not in the slightest." The butterfly spread its wings, sunlight catching them as they fanned. "I don't think she will be alone for long. Surely a good mate will come looking for her.

A girl and a boy, sitting lazily cross-legged under a pale green willow, picking at the grass. She is lying with her head in his lap, long red hair fanned against his knee. Her skin is not my unnatural red but like honeyed cream. She grins up at him, his eyes the color of an evergreen forest, of dragonfly wings, his corn-gold, too-long hair falling over his forehead. And she laughs. When she does her back, her throat arches slightly, and he blushes. He smells of wheat fields and fallen autumn apples soft against the earth, and it is a smell she knows like her own. Under the filmy reed-curtain of the old willow tree, they hold hands and talk quietly, shoes discarded like peach pits. The sun is low in the sky, warm and orange-gold on their young faces, their strong white smiles and freshly washed hair. The light spills onto their shoulders like water from a well. There are sharp-smelling rosemary branches braided into her hair, with their little blue blossoms, and the oil is on their brown fingers. The boy whispers something in the girl’s ear, and she closes her eyes, lashes smoking cheekbones like bundles of sage.

my pleasure in having Albertine living with me now was much less a positive pleasure than satisfaction at having removed from the world, where everyone could enjoy her in turn, the blossoming young girl who, even if she caused no great joy to me, at least could not offer it to anyone else. Ambition, glory could never have meant anything to me. Still less was I capable of experiencing hatred. All the same, carnal love for me was above all the joy of triumphing over so many competitors. I cannot repeat it too often, more than anything else it was relief from pain.

In the distance, I could see Skanda sitting on a pavilion wreathed in lotus blossoms and flanked with serving girls. He was, as I had guessed, fat. And in his golden jacket, he indeed looked like a toad. “Ah, I remember him,” muttered Kamala. “He’s my half-brother.” “Nasty, nasty.” “I know.” “Would you like me to eat him?” “Definitely not,” I said, a little too quickly. I patted Kamala’s neck. “But I appreciate your offer. It was almost nice.” “It is nice to be nice,” said Kamala with a sage nod. “And it is also nice to eat people,” she added as an afterthought.

The girls I dream of are the gentle ones, wistful by high windows or singing sweet old songs at a piano, long hair drifting, tender as apple blossom. But a girl who goes into battle beside you and keeps your back is a different thing, a thing to make you shiver. Think of the first time you slept with someone, or the first time you fell in love: that blinding explosion that left you crackling to the fingertips with electricity, initiated and transformed. I tell you that was nothing, nothing at all, beside the power of putting your lives, simply and daily, into each other’s hands.

Shocked?” Juliet queried, the light pink tint on her cheeks the only telling sign of her discomfort with the conversation. He nodded. “Yes. I had no idea my little girl knew what fluffies were.” Juliet opened her mouth to respond but was cut off by more misguided innocence from Kate. “They’re the fluffy things Juliet keeps hidden in her dress here and here,” she said proudly, tapping her chest to indicate just where these fluffy objects were located. Patrick blinked. “That’s quite enough, Katie love. Why don’t you go paint some flowers or something. I need to have a word alone with Juliet.

...an image of a great agony -- the agony of the Cross. It has stood perhaps by the clustering apple-blossoms, or in the broad sunshine by the cornfield, or at a turning by the wood where a clear brook was gurgling below; and surely, if there came a traveller to this world who knew nothing of the story of man's life upon it, this image of agony would seem to him strangely out of place in this joyous nature. He would not know that hidden behind the apple-blossoms, or among the golden corn, or under the shrouding boughs of the wood, there might be a human heart beating heavily with anguish -- perhaps a young blooming girl, not knowing where to turn for refuge from swift-advancing shame, understanding no more of this life of ours than a foolish lost lamb wandering farther and farther in the nightfall on the lonely heath, yet tasting the bitterest of life's bitterness. Such things are sometimes hidden among the sunny fields and behind the blossoming orchards; and the sound of the gurgling brook, if you came close to one spot behinda small bush, would be mingled for your ear with a despairing human sob. No wonder mans religion has much sorrow in it: no wonder he needs a suffering God.

You asked for honesty.” He chuckled, but kept her close. “This . . . this struggle is precisely my point. No, you don’t fit the beautiful, elegant, predictable mold. But take heart, Marissa. Some men like to be surprised.” Marissa? She stared at him, horrified. And thrilled. And horrified at being thrilled. “You. Are. The most—” A bell jingled. The Bull and Blossom’s door swung open, and a handful of giggling village girls tumbled forth, riding a wave of music and warmth. Minerva’s breath caught. If the girls turned this way, she and Payne would be seen. Together. “Surprise,” she whispered. Then she pressed her lips to his.

They were interrupted as a young girl walked along the pavement in front of the sessions house, calling, "Flowers! Fresh-cut flowers!" She stopped in front of them. "Posy for the lady, sir?" Ransom turned to the girl, who wore a colorful scarf over her long dark hair and a patchwork apron over her black dress. She carried a flat basket filled with posyes, their stems wrapped with bits of colored ribbon. "There's no need-" Garrett began, but Ransom ignored her, browsing over the tiny bouquets of roses, narcissus, violets, forget-me-nots, and dianthus. "How much?" he asked the flower girl. "A farthing, sir." He glanced at Garrett over his shoulder. "Do you like violets?" "I do," she said hesitantly. Ransom gave the flower-girl a sixpence and picked out one of the posyes. "Thank you, sir!" The girl scurried away as if fearing he might change his mind. Ransom turned to Garrett with the cluster of purple blossoms. Reaching for the lapel of her walking jacket, he deftly tucked the ribbon-wrapped stem of the posy into a buttonhole. "Violets make an excellent blood-purifying tonic," Garrett said awkwardly, feeling the need to fill the silence. "And they're good for treating cough or fever." The elusive dimple appeared in his cheek. "They're also becoming to green-eyed women.

Then, halfway down the little lane, I stood still, as the soft flutter of a childhood memory brushed my heart: I had just recognized, from the indentations of the shiny leaves overhanging the threshold, a hawthorn bush, which since the end of spring, alas, had been bare of all blossom. A fragrance of forgotten months of Mary and long-lost Sunday afternoons, beliefs, and fallacies surrounded me. I wished I could grasp it as it passed. Andrée, seeing me pause, showed her charming gift of insight by letting me commune for a moment with the leaves of the little tree: I asked after its blossom, hawthorn flowers like blithe young girls, a little silly, flirtatious, and faithful.

Flowers, you who end in close affinity to the arrangers’ hands (Hands of girls then, hands of girls now), You who cover the garden table from end to end, Grown weak, gently injured, Waiting for water which revives you once more From a death already commenced - and now Again taken up between the opposing, sorting Fingers and their feeling of you, and which can so well Show you favour, give ease more than you had imagined, As you recover yourselves in a jug, Cooling slowly, and the ardour of the girls like confessions Given up by you, seeping forth like muddy and tiresome sins You committed by being plucked, - these are another tie between you, So joined in alliance by both your blossomings.

A Rakshasi did not live here. A princess did. I was staring into the most dazzling garden I had ever seen. Cobblestone pathways meandered between rows of salmon-hued hibiscus, regal hollyhock, delicate impatiens, wild orchids, thorny rosebushes, and manicured shrubs starred with jasmine. Bunches of bougainvillea cascaded down the sides of the wall, draped across the stone like extravagant shawls. Magnolia trees, cotton-candy pink, were interspersed with coconut trees, which let in streaks of purplish light through their fanlike leaves. A rock-rimmed pond glistened in a corner of the garden, and lotus blossoms sprouting from green discs skimmed its surface. A snow white bird that looked like a peacock wove in and out through a grove of pomegranate trees, which were set aflame by clusters of deep orange blossoms. I had seen blue peacocks before, but never a white one. An Ashoka tree stood at one edge of the garden, as if on guard, near the door. A brief wind sent a cluster of red petals drifting down from its branches and settling on the ground at my feet. A flock of pale blue butterflies emerged from a bed of golden trumpet flowers and sailed up into the sky. In the center of this scene was a peach stucco cottage with green shutters and a thatched roof, quaint and idyllic as a dollhouse. A heavenly perfume drifted over the wall, intoxicating me- I wanted nothing more than to enter.

Out of the corner of his eye Gatsby saw that the blocks of the sidewalk really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete.

To My Favorite 17-Year-Old High School Girl Do you realize that if you had started building the Parthenon on the day you were born you would be all done in only one more year? Of course, you couldn’t have done it alone, so never mind, you’re fine just as you are. You are loved simply for being yourself. But did you know that at your age Judy Garland was pulling down $150,000 a picture, Joan of Arc was leading the French army to victory, and Blaise Pascal had cleaned up his room? No wait, I mean he had invented the calculator. Of course, there will be time for all that later in your life after you come out of your room and begin to blossom, or at least pick up all your socks. For some reason, I keep remembering that Lady Jane Grey was Queen of England when she was only fifteen, but then she was beheaded, so never mind her as a role model. A few centuries later, when he was your age, Franz Schubert was doing the dishes for his family but that did not keep him from composing two symphonies, four operas, and two complete Masses as a youngster. But of course that was in Austria at the height of romantic lyricism, not here in the suburbs of Cleveland. Frankly, who cares if Annie Oakley was a crack shot at 15 or if Maria Callas debuted as Tosca at 17? We think you are special by just being you, playing with your food and staring into space. By the way, I lied about Schubert doing the dishes, but that doesn’t mean he never helped out around the house.

This garden was peaceful and calm. Pink cherry blossoms and violet plum blossoms graced the sweeping trees. The petals fell like snowflakes, dancing and swirling until they touched the soft, verdant grass. There was something familiar about this place. Her eyes traveled down the flat stone steps. She knew this path, knew those stones. The third one from the bottom had a crack in the middle- from when she was five and the neighbor's boy convinced her there were worms on the other side of the stones. She'd hammered the stone in half, eager to catch a few worms to play with. There weren't any, of course, but her mother had helped her find some dragonflies by the pond instead, and they'd spent an afternoon counting them in the garden. Mulan smiled wistfully at the memory. This can't be the same garden. I'm in Diyu. Yet no painter could have re-created what she saw more convincingly. Every detail was as she remembered. At the bottom of the stone-cobbled path was a pond with rose-flushed lilies, and a marble bench under the cherry tree. She used to play by the pond when she was a little girl, catching frogs and fireflies in wine jugs and feeding the fish leftover rice husks and sesame seeds until her mother scolded her. And beyond the moon gate was- Mulan's hand jumped to her mouth. Home. That smell of home- of Baba's incense from the family temple, sharp with amber and cedar; of noodles in Grandmother Fa's special pork broth; of jasmine flowers that Mama used to scent her skin.

The tattooed face of a cat, blue and grinning, covered his right hand; on one shoulder a blue rose blossomed. More markings, self-designed and self-executed, ornamented his arms and torso: the head of a dragon with a human skull between its open jaws; bosomy nudes; a gremlin brandishing a pitchfork; the word PEACE accompanied by a cross radiating, in the form of crude strokes, rays of holy light; and two sentimental concoctions—one a bouquet of flowers dedicated to MOTHER-DAD, the other a heart that celebrated the romance of DICK and CAROL, the girl whom he had married when he was nineteen, and from whom he had separated six years later in order to “do the right thing” by another young lady, the mother of his youngest child. (“I have three boys who

In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.

He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete. Through all he said, even through his appalling sentimentality, I was reminded of something—an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.

Sitting on the grass by the doorway, sheltered by the breadfruit shade, yet with the hot rays of the afternoon sun just touching her naked feet, was a girl. A girl of fifteen or sixteen, naked, except for a kilt of gaily-striped material reaching from her waist to her knees. Her long black hair was drawn back from the forehead, and tied behind with a loop of the elastic vine. A scarlet blossom was stuck behind her right ear, after the fashion of a clerk’s pen. Her face was beautiful, powdered with tiny freckles; especially under the eyes, which were of a deep, tranquil blue-grey. She half sat, half lay on her left side; whilst before her, quite close, strutted up and down on the grass, a bird, with blue plumage, coral-red beak, and bright, watchful eyes. The girl was Emmeline Lestrange.

This charming custom of ‘speeding the fairies’ is a special favourite with the fair sex, and in Prospect Garden all the girls were up betimes on this day making little coaches and palanquins out of willow-twigs and flowers and little banners and pennants from scraps of brocade and any other pretty material they could find, which they fastened with threads of coloured silk to the tops of flowering trees and shrubs. Soon every plant and tree was decorated and the whole garden had become a shimmering sea of nodding blossoms and fluttering coloured streamers. Moving about in the midst of it all, the girls in their brilliant summer dresses, beside which the most vivid hues of plant and plumage became faint with envy, added the final touch of brightness to a scene of indescribable gaiety and colour.

Because this tea kaiseki would be served so soon after breakfast, it would be considerably smaller than a traditional one. As a result, Stephen had decided to serve each mini tea kaiseki in a round stacking bento box, which looked like two miso soup bowls whose rims had been glued together. After lifting off the top dome-shaped cover the women would behold a little round tray sporting a tangle of raw squid strips and blanched scallions bound in a tahini-miso sauce pepped up with mustard. Underneath this seafood "salad" they would find a slightly deeper "tray" packed with pearly white rice garnished with a pink salted cherry blossom. Finally, under the rice would be their soup bowl containing the wanmori, the apex of the tea kaiseki. Inside the dashi base we had placed a large ball of fu (wheat gluten) shaped and colored to resemble a peach. Spongy and soft, it had a savory center of ground duck and sweet lily bulb. A cluster of fresh spinach leaves, to symbolize the budding of spring, accented the "peach," along with a shiitake mushroom cap simmered in mirin, sake, and soy. When the women had finished their meals, we served them tiny pink azuki bean paste sweets. David whipped them a bowl of thick green tea. For the dry sweets eaten before his thin tea, we served them flower-shaped refined sugar candies tinted pink. After all the women had left, Stephen, his helper, Mark, and I sat down to enjoy our own "Girl's Day" meal. And even though I was sitting in the corner of Stephen's dish-strewn kitchen in my T-shirt and rumpled khakis, that soft peach dumpling really did taste feminine and delicate.

Busy in the business of day— my storming blood has just met a pair of eyes rainswept sand…. That face, again, that face like sunken sand— the sand, sunken, of a face that ancient…. More worn than my face unborn— contours I have known in the bones of her cheeks a recognition— a pair of orphans unmasked at morn…. Because only, only a girl borne of remembering could wear that countenance of mourning…. Across the wash pale soft of dawn float close weighty blossoms on thresholds unknown— for the fragile, delicate tenderness of her composure just-holding, achingly, on the edge of things…. A world of raindrops floating in her eyes— in her eyes sand grains softly settle…. Although to one another we are only a presence in the room and all's silence between us— still, hers is a presence I’ve known: of age more somehow than the day I was born a relation there remains nose kissed to nose…. Slaving in the sweat of the sun I’m back at it in the beds— as, over all the grounds, waxing with the sun personalities of sheds, tines, the animals, define themselves…. Heading now to the meal hall to eat and talk, after digging— when my momentum stalled: by hedges of the wall's the visage of her in the sunny landscape a teardrop of midnight…. Tearing's the flesh of my heart on my cheeks in tears— for her fragile chin and the wrinkles of her eyes when she smiles so glassy I could cry…. Commotion of knives and forks— today the commons are aloud with cups and conversation: a wisp here, a leap of voices there the day’s news bounces its way through the crowd…. Splashing up a laughter of glasses the guys devour their stories about girls at the party— and when we eat our fill glad in our stomachs there’s lots of chin in it we raise each other’s grins sitting in satisfaction and stimulating to the sun…. Tense in the laughter of friends and companions— lines of my age un-wrinkle: by portals of the door her expression there's more sober than smiling: for guile am I un-abled…. Not the friction of sticks, no, nor some feverish itch that must until exhaustion consume— but a long blue flame, slow and fluidly moving will our relation be: a translucent vein loose in the midnight river…. Now— into the doings of day: but to approach her my eyes can't meet my walkingʻs fallen dead at the knees and thoughts of my head now drown in blood— blackness and oblivion...

His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete. Through all he said, even through his appalling sentimentality, I was reminded of something — an elusive rhythm, a fragment of lost words, that I had heard somewhere a long time ago. For a moment a phrase tried to take shape in my mouth and my lips parted like a dumb man’s, as though there was more struggling upon them than a wisp of startled air. But they made no sound, and what I had almost remembered was uncommunicable forever.

Her first really great role, the one that cemented the “Jean Arthur character,” was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra’s Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra’s rendition of Kaufman and Hart’s You Can’t Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). “Jean Arthur is my favorite actress,” said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. “. . . push that neurotic girl . . . in front of the camera . . . and that whining mop would magically blossom into a warm, lovely, poised and confident actress.” Capra obviously recognized that Jean was often frustrated in her career choice.

Now into the small ceramic pan I grate the block of couverture. Almost at once the scent rises, the dark and loamy scent of bitter chocolate from the block. At this concentration it is slow to melt; the chocolate is very low in fat, and I will have to add butter and cream to the mixture to bring it to truffle consistency. But now it smells of history; of the mountains and forests of South America' of felled wood and spilled sap and campfire smoke. It smells of incense and patchouli; of the black gold of the Maya and the red gold of the Aztec; of stone and dust and of a young girl with flowers in her hair and a cup of pulque in her hand. It is intoxicating; as it melts, the chocolate becomes glossy; steam rises from the copper pan, and the scent grows richer, blossoming into cinnamon and allspice and nutmeg; dark undertones of anise and espresso; brighter notes of vanilla and ginger. Now it is almost melted through. A gentle vapor rises from the pan. Now we have the true Theobroma, the elixir of the gods in volatile form, and in the steam I can almost see- A young girl dancing with the moon. A rabbit follows at her heels. Behind her stands a woman with her head in shadow, so that for a moment she seems to look three ways- But now the steam is getting too thick. The chocolate must be no warmer than forty-six degrees. Too hot, and the chocolate will scorch and streak. Too cool, and it will bloom white and dull. I know by the scent and the level of steam that we are close to the danger point. Take the copper off the heat and stand the ceramic in cold water until the temperature has dropped. Cooling, it acquires a floral scent; of violet and lavender papier poudré. It smells of my grandmother, if I'd had one, and of wedding dresses kept carefully boxed in the attic, and of bouquets under glass.

Then the bitterness came to darken his soul. So, too, had Cress seemed fair and bright, but it had still been a city of greedy, grasping, men. He turned his back on it and slid down to sit flat on the deck. “It’s all a trick,” he observed. “All a rotten trick men play on themselves. They get together and they create this beautiful thing and then they stand back and say, ‘See, we have souls and insight and holiness and joy. We put it all in this building so we don’t have to bother with it in our everyday lives. We can live as stupidly and brutally as we wish, and to stamp down any inclination to spirituality or mysticism that we see in our neighbors or ourselves. Having set it in stone, we don’t have to bother with it anymore.’ It’s a trick men play on themselves. Just one more way we cheat ourselves.” Vivacia spoke softly. If he had been standing, he might not have heard the words. But he was sitting, his palms flat against her deck, and so they rang through his soul. “Perhaps men are a trick Sa played on this world. ‘All other things I shall make vast and beautiful and true to themselves,’ perhaps he said. ‘Men alone shall be capable of being petty and vicious and self-destructive. And for my cruelest trick of all, I shall put among them men capable of seeing these things in themselves.’ Do you suppose that is what Sa did?” “That is blasphemy,” Wintrow said fervently. “Is it? Then how do you explain it? All the ugliness and viciousness that is the province of humanity, whence comes it?” “Not from Sa. From ignorance of Sa. From separation from Sa. Time and again I have seen children brought to the monastery, boys and girls with no hint as to why they are there. Angry and afraid, many of them, at being sent forth from their homes at such a tender age. Within weeks, they blossom, they open to Ada’s light and glory. In every single child, there is at least a spark of it. Not all stay; some are sent home, not all are suited to a life of service. But all of them are suited to being creations of light and thought and love. All of them.

Why are you doing this? I don’t want you. Is that the problem? Is your ego so big you can’t handle a woman rejecting you?” “Oh, you want me alright, my sexy little witch. Want me so bad it scares you. Well, I’ve got news for you. It scares the fuck out of me, too. But I don’t care. When the options are settling down with you for life and popping out little demonlings or watching you walk away, I know what I choose.” For a moment, she couldn’t answer, could only gape at him as his words penetrated. Surely, she misunderstood. “What did you say?” “I want you as my mate.” No misunderstanding that time. She tamped down her elation by slapping it with the cold, hard truth. “You’ll hurt me.” “Trust me.” He asked too much. “I’m not the right woman.” “You’re all I want.” She shook her head lest his words weave a spell around her and make her believe. Yet despite all the warnings in her head, hope blossomed and love warmed her. How nice it would be to allow herself to love him. To trust him. Sadness entered his expression at her rejection. “I know it’s hard for you, little witch, but I promise you’ve nothing to fear. Unless the thought of too many orgasms in a row freaks you out.” And that quickly, he changed from pensive male to the one she’d grown to love with the mischievous smile. He lunged. She squealed like a little girl and ran. Not far though. With his ridiculously long stride, he quickly caught her and tossed her over his shoulder. He laughed as she beat at his broad back with her fists. “Save some of that energy for the bedroom because you are not leaving until you admit you care for me.” “I’ll kill you first.” “I like a girl who’s kinky.” “You’re impossible.” “No, but I am horny.” “How are we supposed to catch those souls if we’re fooling around here?” “Some things are more important.” “How can having sex with me be more important than ensuring you don’t burst into flame tomorrow?” “I would let someone beat me with a cat-o-nine too, if you’d just admit you like me.” “I hate you.” “Close. I see we’ll need to work on that.” -Ysabel & Remy

Anyone who’s spent time below the Mason-Dixon line knows this truth: Southern women are anything but ordinary. Our unique, often unspoken code of conduct has allowed us to survive good times and bad, and never lose the sense of who we are. Margaret Mitchell, the belle of Southern female writers, got it right when she had Scarlett O’Hara come down the stairs in a dress made out of curtains: a Southern girl knows that pride and endurance always come before vanity. Our character is both created by, and essential to, the fabric of our society. Without the strength of the Southern girl, the South couldn’t have survived its rich and rocky history; without history, on the other hand, the Southern girl wouldn’t be who she is today. It’s sometimes suggested (by Yankees, we’d wager) that Grits are one-dimensional. This is not surprising: those who don’t understand us see only our outward devotion to femininity and charm. What they are missing is the fact that, like the magnolia tree, our beautiful blossoms are the outward expression of the strength that lies beneath.

walking down the street when the leaves were falling, and they came to a place where there were no trees and the sidewalk was white with moonlight. They stopped here and turned toward each other. Now it was a cool night with that mysterious excitement in it which comes at the two changes of the year. The quiet lights in the houses were humming out into the darkness and there was a stir and bustle among the stars. Out of the corner of his eye Gatsby saw that the blocks of the sidewalk really formed a ladder and mounted to a secret place above the trees—he could climb to it, if he climbed alone, and once there he could suck on the pap of life, gulp down the incomparable milk of wonder. His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for

On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky. Someone screamed. The scream drew others. The others screamed, too, not because a girl was dead, but because the girl was blue, and this meant something in the city of Weep. Even after the sky stopped reeling, and the earth settled, and the last fume spluttered from the blast site and dispersed, the screams went on, feeding themselves from voice to voice, a virus of the air. The blue girl’s ghost gathered itself and perched, bereft, upon the spearpoint-tip of the projecting finial, just an inch above her own still chest. Gasping in shock, she tilted back her invisible head and gazed, mournfully, up. The screams went on and on. And across the city, atop a monolithic wedge of seamless, mirror-smooth metal, a statue stirred, as though awakened by the tumult, and slowly lifted its great horned head.

At that time Eugene had quite reached the conclusion that there was no hereafter—there was nothing save blind, dark force moving aimlessly—where formerly he had believed vaguely in a heaven and had speculated as to a possible hell. His reading had led him through some main roads and some odd by-paths of logic and philosophy. He was an omnivorous reader now and a fairly logical thinker. He had already tackler Spencer's 'First Principles,' which had literally torn him up by the roots and set him adrift and from that had gone back to Marcus Aurelius, Epictetus, Spinoza and Schopenhauer—men who ripped out all his private theories and wonder what life really was. He had walked the streets for a long time after reading some of these things, speculating on the play of forces, the decay of matter, the fact that thought-forms had no more stability than cloud-forms. Philosophies came and went, governments came and went, races arose and disappeared. He walked into the great natural history museum of New York once to discover enormous skeletons of prehistoric animals—things said to have lived two, three, five millions of years before his day and he marvelled at the forces which produced them, the indifference, apparently, with which they had been allowed to die. Nature seemed lavish of its types and utterly indifferent to the persistence of anything. He came to the conclusion that he was nothing, a mere shell, a sound, a leaf which had no great significance, and for the time being it almost broke his heart. It tended to smash his egotism, to tear away his intellectual pride. He wandered about dazed, hurt, moody, like a lost child. But he was thinking persistently. ¶ Then came Darwin, Huxley, Tyndall, Lubbock—a whole string of British thinkers who fortified the original conclusions of the others, but showed him a beauty, a formality, a lavishness of form and idea in nature's methods which fairly transfixed him. He was still reading—poets, naturalists, essayists, but he was still gloomy. Life was nothing save dark forces moving aimlessly. ¶ The manner in which he applied this thinking to his life was characteristic and individual. To think that beauty should blossom for a little while and disappear for ever seemed sad. To think that his life should endure but for seventy years and then be no more was terrible. He and Angela were chance acquaintances—chemical affinities—never to meet again in all time. He and Christina, he and Ruby—he and anyone—a few bright hours were all they could have together, and then would come the great silence, dissolution, and he would never be anymore. It hurt him to think of this, but it made him all the more eager to live, to be loved while he was here. If he could only have a lovely girl's arms to shut him in safely always!

She hadn’t always been obsessed with babies. There was a time she believed she would change the world, lead a movement, follow Dolores Huerta and Sylvia Mendez, Ellen Ochoa and Sonia Sotomayor. Where her bisabuela had picked pecans and oranges in the orchards, climbing the tallest trees with her small girlbody, dropping the fruit to the baskets below where her tías and tíos and primos stooped to pick those that had fallen on the ground, where her abuela had sewn in the garment district in downtown Los Angeles with her bisabuela, both women taking the bus each morning and evening, making the beautiful dresses to be sold in Beverly Hills and maybe worn by a movie star, and where her mother had cared for the ill, had gone to their crumbling homes, those diabetic elderly dying in the heat in the Valley—Bianca would grow and tend to the broken world, would find where it ached and heal it, would locate its source of ugliness and make it beautiful. Only, since she’d met Gabe and become La Llorona, she’d been growing the ugliness inside her. She could sense it warping the roots from within. The cactus flower had dropped from her when she should have been having a quinceañera, blooming across the dance floor in a bright, sequined dress, not spending the night at her boyfriend’s nana’s across town so that her mama wouldn’t know what she’d done, not taking a Tylenol for the cramping and eating the caldo de rez they’d made for her. They’d taken such good care of her. Had they done it for her? Or for their son’s chance at a football scholarship? She’d never know. What she did know: She was blessed with a safe procedure. She was blessed with women to check her for bleeding. She was blessed with choice. Only, she hadn’t chosen for herself. She hadn’t. Awareness must come. And it did. Too late. If she’d chosen for herself, she would have chosen the cactus spines. She would’ve chosen the one night a year the night-blooming cereus uncoils its moon-white skirt, opens its opalescent throat, and allows the bats who’ve flown hundreds of miles with their young clutching to their fur as they swim through the air, half-starved from waiting, to drink their fill and feed their next generation of creatures who can see through the dark. She’d have been a Queen of the Night and taught her daughter to give her body to no Gabe. She knew that, deep inside. Where Anzaldúa and Castillo dwelled, where she fed on the nectar of their toughest blossoms. These truths would moonstone in her palm and she would grasp her hand shut, hold it tight to her heart, and try to carry it with her toward the front door, out onto the walkway, into the world. Until Gabe would bend her over. And call her gordita or cochina. Chubby girl. Dirty girl. She’d open her palm, and the stone had turned to dust. She swept it away on her jeans. A daughter doesn’t solve anything; she needed her mama to tell her this. But she makes the world a lot less lonely. A lot less ugly.  

What did she say that has you so eager to take a beating?" Bourne ignored the question, the explosion of pain in his cheek not doing its job, failing to take away all thought of what had happened earlier with his wife. Of how her blue eyes had flashed as she'd accused him of using her body to secure his interests. Of how she'd squared her shoulders and defended her own honor- something he should have done for her. Of how she'd looked at him, truth and tears in her eyes, and told him that she'd missed him. The words had taken his breath away- the idea that pure, perfect Penelope had thought of him, had worried about him. Because he had missed her, too. It had taken him years to forget- years that were erased in one moment of honesty, when she'd looked into his eyes and accused him of leaving her. Of dishonoring her. And there, in the pit of his stomach, still unmasked by the pain of Temple's beating, was the emotion he'd feared since the beginning of this charade. Guilt. She'd been right. He'd misused her. He'd treated her as less than she deserved. And she'd defended herself with strength and pride. Remarkably. And even as he'd tried to let her go, to push her from him, he'd known that he wanted her. He didn't fool himself into thinking that the desire was new. He'd wanted her in Surrey, when she'd stood in the darkness with nothing but a lantern to protect her. But now... want had become something more serious. More visceral. More dangerous. Now, he wanted her- his strong, intelligent, kindhearted wife, who became more tempting every day as she shifted and blossomed into someone new and different than the girl he'd met on that dark Surrey evening.

On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky. Her skin was blue, her blood was red. She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair. Later, they would say these had been hummingbird hearts and not blossoms at all. They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away. That was true. Only that. They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky. Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead. She was also blue. Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky.

I begin to sing of Demeter, the holy goddess with the beautiful hair. And her daughter [Persephone] too. The one with the delicate ankles, whom Hadês[1] seized. She was given away by Zeus, the loud-thunderer, the one who sees far and wide. Demeter did not take part in this, she of the golden double-axe, she who glories in the harvest. 5 She [Persephone] was having a good time, along with the daughters of Okeanos, who wear their girdles slung low. She was picking flowers: roses, crocus, and beautiful violets. Up and down the soft meadow. Iris blossoms too she picked, and hyacinth. And the narcissus, which was grown as a lure for the flower-faced girl by Gaia [Earth]. All according to the plans of Zeus. She [Gaia] was doing a favor for the one who receives many guests [Hadês]. 10 It [the narcissus] was a wondrous thing in its splendor. To look at it gives a sense of holy awe to the immortal gods as well as mortal humans. It has a hundred heads growing from the root up. Its sweet fragrance spread over the wide skies up above. And the earth below smiled back in all its radiance. So too the churning mass of the salty sea. 15 She [Persephone] was filled with a sense of wonder, and she reached out with both hands to take hold of the pretty plaything.[2] And the earth, full of roads leading every which way, opened up under her. It happened on the Plain of Nysa. There it was that the Lord who receives many guests made his lunge. He was riding on a chariot drawn by immortal horses. The son of Kronos. The one known by many names. He seized her against her will, put her on his golden chariot, 20 And drove away as she wept. She cried with a piercing voice, calling upon her father [Zeus], the son of Kronos, the highest and the best. But not one of the immortal ones, or of human mortals, heard her voice.

I think it’s important to reiterate here that I didn’t start out wanting to be a gardener, or a designer for that matter. It was all trial and error and figuring things out. And sometimes you’ve got to try something outside of your comfort zone to figure out what it is that you truly love. Well, you could say that about you and me right from the start. You were never looking for the loud guy, and I certainly wasn’t looking for the quiet girl. Now I look back and go, “If I would’ve ended up with that quiet guy or that stable guy or that safe guy, I would never have been able to pursue any of these dreams, because no one would have pushed me to these new places I discovered in myself.” Those other types of guys might have allowed me to stay in that safe place. They wouldn’t have drawn you out. That’s interesting. And if I had wound up with some cheerleader who was always the life of the party, I don’t think I would have found my way, either. I needed you for that. Nowadays when I think about the name Magnolia, I think about it in terms that refer to much more than the blossoming of our business. I think about the buds on the three, and how they really are just the tightest buds--they look like rocks, almost. And I feel like when Chip and I met, that tight little bud was me. I was risk averse, and in some ways, I don’t think I saw the beauty or the potential in myself. Then I wound up with Chip Gaines and-- You bloomed? I did. If I hadn’t married Chip, I might not have ever bloomed. I can’t imagine what my life would be if we hadn’t traveled this road. We celebrated our twelfth anniversary recently, and my dad said something that I thought was really beautiful. He said, “Chip, I always thought, when I was out on the baseball field hitting you those grounders, that I was training you to be the next greatest baseball player. But now, looking back and seeing the person you’ve become, I was really training you to be the next greatest dad.

There was an infinity of firmest fortitude, a determinate unsurrenderable wilfulness, in the fixed and fearless, forward dedication of that glance. Not a word he spoke; nor did his officers say aught to him; though by all their minutest gestures and expressions, they plainly showed the uneasy, if not painful, consciousness of being under a troubled master-eye. And not only that, but moody stricken Ahab stood before them with a crucifixion in his face; in all the nameless regal overbearing dignity of some mighty woe. Ere long, from his first visit in the air, he withdrew into his cabin. But after that morning, he was every day visible to the crew; either standing in his pivot-hole, or seated upon an ivory stool he had; or heavily walking the deck. As the sky grew less gloomy; indeed, began to grow a little genial, he became still less and less a recluse; as if, when the ship had sailed from home, nothing but the dead wintry bleakness of the sea had then kept him so secluded. And, by and by, it came to pass, that he was almost continually in the air; but, as yet, for all that he said, or perceptibly did, on the at last sunny deck, he seemed as unnecessary there as another mast. But the Pequod was only making a passage now; not regularly cruising; nearly all whaling preparatives needing supervision the mates were fully competent to, so that there was little or nothing, out of himself, to employ or excite Ahab, now; and thus chase away, for that one interval, the clouds that layer upon layer were piled upon his brow, as ever all clouds choose the loftiest peaks to pile themselves upon. Nevertheless, ere long, the warm, warbling persuasiveness of the pleasant, holiday weather we came to, seemed gradually to charm him from his mood. For, as when the red-cheeked, dancing girls, April and May, trip home to the wintry, misanthropic woods; even the barest, ruggedest, most thunder-cloven old oak will at least send forth some few green sprouts, to welcome such glad-hearted visitants; so Ahab did, in the end, a little respond to the playful allurings of that girlish air. More than once did he put forth the faint blossom of a look, which, in any other man, would have soon flowered out in a smile.

He went straight to ‘his alley,’ and when he reached the end of it he perceived, still on the same bench, that wellknown couple. Only, when he approached, it certainly was the same man; but it seemed to him that it was no longer the same girl. The person whom he now beheld was a tall and beautiful creature, possessed of all the most charming lines of a woman at the precise moment when they are still combined with all the most ingenuous graces of the child; a pure and fugitive moment, which can be expressed only by these two words,— ‘fifteen years.’ She had wonderful brown hair, shaded with threads of gold, a brow that seemed made of marble, cheeks that seemed made of rose-leaf, a pale flush, an agitated whiteness, an exquisite mouth, whence smiles darted like sunbeams, and words like music, a head such as Raphael would have given to Mary, set upon a neck that Jean Goujon would have attributed to a Venus. And, in order that nothing might be lacking to this bewitching face, her nose was not handsome— it was pretty; neither straight nor curved, neither Italian nor Greek; it was the Parisian nose, that is to say, spiritual, delicate, irregular, pure,— which drives painters to despair, and charms poets. When Marius passed near her, he could not see her eyes, which were constantly lowered. He saw only her long chestnut lashes, permeated with shadow and modesty. This did not prevent the beautiful child from smiling as she listened to what the white-haired old man was saying to her, and nothing could be more fascinating than that fresh smile, combined with those drooping eyes. For a moment, Marius thought that she was another daughter of the same man, a sister of the former, no doubt. But when the invariable habit of his stroll brought him, for the second time, near the bench, and he had examined her attentively, he recognized her as the same. In six months the little girl had become a young maiden; that was all. Nothing is more frequent than this phenomenon. There is a moment when girls blossom out in the twinkling of an eye, and become roses all at once. One left them children but yesterday; today, one finds them disquieting to the feelings. This child had not only grown, she had become idealized. As three days in April suffice to cover certain trees with flowers, six months had sufficed to clothe her with beauty. Her April had arrived. One sometimes sees people, who, poor and mean, seem to wake up, pass suddenly from indigence to luxury, indulge in expenditures of all sorts, and become dazzling, prodigal, magnificent, all of a sudden. That is the result of having pocketed an income; a note fell due yesterday. The young girl had received her quarterly income. And then, she was no longer the school-girl with her felt hat, her merino gown, her scholar’s shoes, and red hands; taste had come to her with beauty; she was a well-dressed person, clad with a sort of rich and simple elegance, and without affectation. She wore a dress of black damask, a cape of the same material, and a bonnet of white crape. Her white gloves displayed the delicacy of the hand which toyed with the carved, Chinese ivory handle of a parasol, and her silken shoe outlined the smallness of her foot. When one passed near her, her whole toilette exhaled a youthful and penetrating perfume.

But There're Somewhere..." 1915 But there’re, somewhere, the simple life and light, Warm, gay and absolutely clear… There, speaks a neighbor through the fences, light, With a sweet girl, and only bees can hear – The gentlest talking of this kind. But here we live – the solemn ones and toilsome – And honor rites of our meetings, sad, When our speech, just as a bud to blossom, Is cut by wind, the cold and mad. But we shall never seek a substitution For this grand city – our woe and prize – The widest rivers’ ever glaring ice, The gloomy gardens, hidden from beams sun’s And the Muse voice’s slim illusion.

Leo stared at them all blankly in the expectant silence. A disbelieving laugh escaped him. “You’re all mad if you think I’m going to be forced into a loveless marriage just so the family can continue living at Ramsay House.” Coming forward with a placating smile, Win handed him a piece of paper. “Of course we would never want to force you into a loveless marriage, dear. But we have put together a list of prospective brides, all of them lovely girls. Won’t you take a glance and see if any of them appeals to you?” Deciding to humor her, Leo looked down at the list. “Marietta Newbury?” “Yes,” Amelia said. “What’s wrong with her?” “I don’t like her teeth.” “What about Isabella Charrington?” “I don’t like her mother.” “Lady Blossom Tremaine?” “I don’t like her name.” “Oh, for heaven’s sake, Leo, that’s not her fault.” “I don’t care. I can’t have a wife named Blossom. Every night I would feel as if I were calling in one of the cows.” Leo lifted his gaze heavenward. “I might as well marry the first woman off the street. Why, I’d be better off with Marks.” Everyone was silent. Still tucked in the corner of the room, Catherine Marks looked up slowly as she realized that she was the focus of the Hathaways’ collective gaze. Her eyes turned huge behind the spectacles, and a tide of pink rushed over her face. “That is not amusing,” she said sharply. “It’s the perfect solution,” Leo said, taking perverse satisfaction in annoying her. “We argue all the time. We can’t stand each other. It’s like we’re already married.” Catherine sprang to her feet, staring at him in outrage. “I would never consent to marry you.” “Good, because I wasn’t asking. I was only making a point.” “Do not use me to make a point!” She fled the room, while Leo stared after her. “You know,” Win said thoughtfully, “we should have a ball.” “A ball?” Merripen asked blankly. “Yes, and invite all the eligible young women we can think of. It’s possible one of them will strike Leo’s fancy, and then he could court her.” “I’m not going to court anyone,” Leo said. They all ignored him. “I like that idea,” Amelia said. “A bride-hunting ball.” “It would be more accurate,” Cam pointed out dryly, “to call it a groom-hunting ball. Since Leo will be the item of prey.” “It’s just like Cinderella,” Beatrix exclaimed. “Only without the charming prince

I don’t know what made me think of this…oh, oh, I actually do know. My mom and I got here a little early tonight, so I went over to the, uh…the Foot Locker, just to look around, kill time…and you know how they have all the different sections for the different kinds of sneakers, like a running section, a basketball section, etc.…So I saw this sign for cross-training sneakers, and that’s what made me think of this…I don’t know if you guys have ever run into people who do this cute sort of thing when you’re talking to them, where if you say, “XYZ,” they’ll say, “You’re XYZ”…I knew this girl who used to do it all the time…like I’d say something like “There’s a hegemonic imperative in cross-training,” and she’d say, “You’re a hegemonic imperative in cross-training.” Or we’d be out at a restaurant, and I’d say, “That pasta looks like a bowl of infant foreskins,” and she’d say, “You’re a bowl of infant foreskins.” So once, the Imaginary Intern said to me—and I don’t remember what the context was—but he said that “memory (and, in a sense, autobiography) is like a rash that blossoms and fades,” and I said to him, “You’re like a rash that blossoms and fades.” And then, after he was gone, I realized that he actually was like a rash that had blossomed and faded…an ache that time won’t assuage.

Florianna Flamingo’s Flowers is the second book in a series entitled Friends on Pinfeather Street. This book is about a young girl, Florianna, named after her grandmother Flora, a woman who fancies flowers. Like her grandmother, Florianna develops a fascination with blossoms and buds of every size and shape. Grandma Flora presents her granddaughter with a book of flowers for her birthday. Florianna is mesmerized by the pictures of flowers in the book and begins to employ them as a method of bringing good cheer to other people. With her grandmother as a role model, Florianna draws on the enchantment of her flower book to foster kindness. The book helps children learn how they can model positive behavior and take steps toward growth and development. The author/illustrator conveys an endearing story in rhyme that is both enjoyable and educational for children. Featuring pictures, painted by the author/illustrator, this book is a must for children who like to have fun while they learn!

I buttoned my own shirt reluctantly though there wasn't much I could do about my throbbing hard on aside from plan a trip back to my room as soon as I could possibly get out of this training session so that I could jerk off repeatedly with all of the new spank bank material she'd just gifted me. Tory remained on the desk in front of me and I was hoping that was because her legs weren't working right yet. The thirst prickled at me again as I eyed her throat and she sighed loudly as she noticed. “You’re still going to bite me, aren’t you?” she asked, her fingers curling around the edge of the desk. “You could look at it as rewarding me for my efforts,” I teased, because there was no fucking way she was getting out of here without me drinking from her and we both knew it. “Well that makes me feel a little better about leaving you with blue balls,” she taunted and I almost groaned in frustration as my dick throbbed in agreement. “Next time, I’ll be sure to carve out a few hours to dedicate to you,” I told her. “And then neither of us will be left wanting.” “Next time?” she asked, raising an eyebrow like that wasn't at all likely to happen. But I could hear her heartbeat pounding and I knew she was wondering how hard I could make her come with several hours at our disposal and my cock a whole lot more involved in the act. I found myself smiling again but then my mood dipped as I realised there wasn't likely to be a next time if the other Heirs succeeded with their plans for the dance. I didn't even really want to go along with the damn plan and in a moment of madness, I suddenly wondered if I could just save her from it. They would still strike at Darcy and maybe that would be enough to force the twins to leave the academy. But if I was being honest, I didn't even really want them to leave anyway. I moved closer to her again, tucking a lock of dark hair behind her ear. “Are you going to the dance on Friday?” I murmured and her pulse scattered, making my smile deepen in satisfaction. “Err, yeah,” she said, that suspicious look returning to her eyes. “Why don’t you blow it off?” I suggested, wondering if I could just convince her to stay away from it all together. She was my Source after all so the others couldn't even really get mad at me for protecting her - that was kinda in the job description anyway. She blinked at me in surprise and I realised she'd probably thought I was going to ask her to go to the dance with me as her date. But I couldn't do that, if I wanted to save her from the other Heirs and their plans then I needed to keep her away from the whole thing. “What possible reason would I have to do that?” she asked, shifting just enough to make my hand fall from her face. I felt the rejection before she could even voice it, but I wasn't going to give up that easily. I ran my dislodged hand down her arm instead, raising goosebumps along her skin and hopefully reminding her of just how good I'd made her feel with these fingers. “Because then I could sneak out and come to your room. We could have the whole House and an entire evening to ourselves." “That’s pretty presumptuous of you, Earth boy.” “Earth boy?” I asked in amusement, refusing to back down no matter how hard she was trying to resist me. I held a hand out to her, bringing earth magic to my fingertips and causing a dark blue flower to blossom in my palm. Girls fucking loved that trick. “Perhaps I’ve gotten what I wanted from you now,” she said, shifting forward to get up without reaching for the flower. Okay, so maybe this girl didn't love that trick after all. I let the flower dissolve into nothing again and stepped forward to stop her from getting to her feet, smiling darkly. “I’m confident you’ll come back for more,” I promised her and I could tell she was at least a little tempted by the prospect.(Caleb POV)

Oliver…” I say in the most pathetic, longing breath. “What are you doing here?” Those dimples blossom even more as he situates himself on a barstool, eyes darting around curiously before focusing on me. “I couldn’t wait until tomorrow.” I’m swooning. And it’s so obvious I’m swooning, I swear everyone in the club is staring at me, pointing, laughing at the swooning girl who forgot how to talk again.

I am sitting alone in my old English classroom at my old desk, reading from Shakespeare’s Macbeth. The only sounds in the room are the ticking of the clock and the occasional rustling of the pages of the book. Then, Martina Reynaud, the most beautiful girl in the Class of ’83, walks in. She’s tall, graceful, and absolutely breathtaking. She’s wearing a black dress, one that shows off her long dancer’s legs. Her peaches-and-cream complexion is flawless; there is no sign of a pimple anywhere. Her long chestnut hair cascades down over her shoulders. In short, she is the personification of feminine elegance from the top of her head to her high-heeled shoes. I try to get back to my reading assignment, but the scent of her perfume, a mixture of jasmine and orange blossoms, is beguiling. I look to my right; she is sitting at the desk right next to mine. She gives me a smile. My heart skips a beat. I know guys who would kill for one of Marty’s smiles. She has that effect on most men. Her smile is full of genuine warmth and affection; I can tell by the look in her hazel eyes. “Hi, Jimmy,” she says. Her voice is soft and melodious; she speaks with a lilting British accent. From what I’ve heard, her family is from England. London, actually. “Hi,” I reply, feeling about as articulate as your average mango. Then, mustering my last reserves of willpower, I focus my attention on Shakespeare’s play.

Elara inspected the locket in her hand. It was silver with cherry blossoms carved into the front. It looked like it had been hand-made, worn, and handled for a long time. The inside held an inscription, reading: FOR THE DRAGONWITCH—WHO WILL ONE DAY BRING PEACE, PROSPERITY, AND HOPE TO ALL KINDS.

This girl has no idea how easy she is to read. She’s never learned to put up walls, to protect herself. She’s as vulnerable as a bed of tulips. I intend to stomp through her garden, ripping the blossoms from the ground one by one.

The girls attend Oak River Elementary; the boys and I build an empire; our love blossoms and amplifies and turns the entire world into a dream that I never, ever want to wake up from.

Already I was imagining how we would get married, make love, and live happily ever after in a home of our own. I couldn't take my mind off the time I'd seen her in the doorway: her quick gestures, her little hands, her tall frame, the curve of her lips, and her tender, sorrowful expression - and, most of all, the teasing look that had crossed her face as she laughed. Such dreams blossomed all over my mind like wildflowers. Sometimes I pictured us reading a book together, before at last kissing and making love. According to my father, the greatest happiness in life was to marry the girl you'd spent your youth reading books with in the passionate pursuit of a shared ideal.

I know a girl who literally thought that we are an angel but she was wrong. We’re monsters and that girl was literally like a sister to me… died in front of me and I was just looking at her, even though I wanted to heal her but can’t. So no, we’re everything but an angel." ― Maira Imran, Topaz

I know a girl who literally thought that we are an angel but she was wrong. We’re monsters and that girl was literally like a sister to me… died in front of me and I was just looking at her, even though I wanted to heal her but can’t. So no, we’re everything but an angel.

Girl, he was about to kill that boy for you and when you talk to him Archie listened to you. He never listens to anyone, not even a teacher.

Teasdale doesn't have money for an attorney," he said. "Especially one from Boston. Who are you, really?" Sidney lifted her chin. "An attorney from Boston." "You don't sound like it." She lifted an eyebrow. "Like an attorney?" He scoffed. "No, you have that droning drivel down. You don't sound Boston." She shrugged. "I didn't start out there." "You sound like Sawyer," he said with a nod toward wherever Sawyer had headed. She refused to turn around to find out. "Well, I'm sure there are more than just two of us from---" "You know him," Crane said, narrowing his eyes. Sidney's tongue faltered, and she cleared her throat. "You're from the same place, aren't you?" he asked. "The same little hick town." "Because we both have an accent?" she asked, laughing, hoping it would cover up her lie. "Because of how I just saw him look at you," Crane said, studying Sidney with a grin. "Like a lovesick schoolboy. Holy shit, you're her>." Sidney's breath felt trapped in her chest, unable to move in or out, just held captive there. Sawyer had a her? And she was it? "I---I'm who?" "The girl he came to town all messed up over," Crane said, crossing his own arms. "A hundred years ago. Well, well, well." All messed up over. After punching out his own father. Defending her. Damn it if all her carefully constructed and ancient defenses weren't crumbling around her regarding him. The boy who shattered her already shaky confidence. The reason she bitterly swore off love and dove into work, into making herself a hard and formidable beast. A beast without people skills but still. And now... "We were friends in high school, yes," Sidney managed to push out, her voice sounding decidedly wobbly. "That has no bearing on Mr. Teasdale's case." "Which came to you how, again?" Crane asked. Sidney smiled. "I'll ask the questions." Crane winked, and she so much wanted to slug him. "Nice deflection. What firm are you with?" "Finley and Blossom." "Blossom?" he asked. And it wasn't about the name. It was recognition. Shit. "Yes, sir." "His damn niece," Crane said, slapping a big hand against the ladder. "I forgot she was a lawyer. Damn it. She sent you." Oh, seven kinds of hell, now this wall was disintegrating, too. She needed a suit of armor. "Everything okay?" said a voice from directly behind her. A voice that sent shock waves to all her nether regions, especially coupled with thee hand that rested on the back of her neck. Crap, she needed more than armor. Sidney needed a force field. "I work for her," Sidney said, ignoring Sawyer's question and fighting the urge to settle back against him. "And you need to bring back the win," Crane said, chuckling. God help her if she was ever up against this asshole in court.

At first I felt something like an oppressed anxiety when I was near the little sick girl, which later changed into pious and reverential awe in face of this dumb and strangely moving suffering. Whenever I saw her, an obscure sensation would arise in me that she must surely die. And then I grew afraid to look her in the face. Whenever I roamed the forests during the day, feeling so joyful in this solitude and peace, when I stretched out wearily on the moss and gazed for hours together into the bright, shimmering sky, into whose very depths one could see, when a strange and profound sense of joy thrilled me, I would suddenly think of the sick Maria - then I would get up and roam aimlessly about, overwhelmed by inexplicable thoughts and feel a dull pressure in my head and my heart which brought me to the verge of tears. At times when I walked in the evening along the dusty main street which was filled with the scent of the blossoming lime and watched whispering couples as they stood in the shadows of the trees; when I saw two people pressed close together as though they were one being, sauntering slowly beside the fountain as it quietly played in the moolight, and a feverish thrill of presentiment coursed through me as I thought of poor sick Maria; then I was seized by a quiet yearning for something inexplicable and all at once I saw myself strolling arm in arm with her in the shade of the fragrant lime trees. And a strange radiance shone from Maria's great dark eyes, and the moon made her slender little face appear still paler and more transparent. Then I fled upstairs into my attic, leaned against the window, looked up into the deep dark heavens where the stars appeared to have gone out and for hours abandoned myself to formless and confusing dreams until overcome by sleep. And yet - and yet I did not exchange so much as ten words with poor sick Maria. She never spoke. I would only sit at her side for hours gazing into her sick, suffering face, feeling ever and again that she must die. In the garden I lay in the grass and breathed in the fragrance of a thousand flowers; my eye was intoxicated by the gleaming colours of blossoms flooded with sunlight, and I listened too for the silence in the air above, interrupted only by the mating call of a bird. I sensed the ferment of the fruitful, torrid earth, that mysterious sound of ever-creative life. I could then darkly feel the greatness and beauty of life. Then it semed to me as if life belonged to me. But then my eye lit upon the bay-window of the house. I could see the sick Maria sitting there - silent and motionless and with closed eyes. And all my thinking was again drawn to the suffering of this being and remained there - became a painful but shyly conceded yearning which struck me as puzzling and confusing. And I left the garden timidly, silently, as though I had no right to linger in this temple.

Since that night…my hourglass has been stopped, since that night…won’t someone break my hourglass?

Your high principles are nothing more than a convenient rationalization for your denial.

At last, she’s come…to break my hourglass…and set me free.

In a realm of soft hues and blooming blossoms, a young girl lay amidst a field of flowers, a celestial veil gracing her features with a gentle, translucent touch. Her arms extended gracefully above her, eyes closed, she seemed to dance on the edge of dreams. The flowers painted the canvas in shades of blue, purple, and pink, their petals swaying in a tender breeze. Dew-kissed blades of grass formed a sea of diamonds, reflecting the soft glow of an unseen moon. As the girl stirred in her slumber, a distant echo of horse steps reached her ears, a melody that danced through the flowered meadow. Slowly, she rose from her flowery bed, the veil slipping away like morning mist to unveil her enchanting presence. Her gown, a masterpiece of celestial elegance, cascaded around her. A floor-length creation in light blue, it cradled her form with a sweetheart neckline, the bodice adorned in gold, floral designs. Layers of tulle formed the flowing skirt, adorned with accents of blueish flowers, and a train that trailed behind her like a comet's tail. Around her neck hung a pendant, a crescent moon cradling a star, both crafted from silver and adorned with blue gemstones, a twin to the one she wore in the enchanted garden. Her golden locks, a cascade of loose curls, framed her face with ethereal grace, flowing like strands of sunlight. Awakening from the meadow's embrace, her deep blue eyes sought the source of the approaching steps. With a sense of dreamlike purpose, she floated towards the sound, the forest mist enveloping her like a lover's caress. In the heart of the foggy woodland, a clearing revealed itself, trees standing sentinel in the distance. From the shroud of mist emerged a figure on horseback, a man in the regalia of a medieval warrior. The horse, a noble steed of white, carried him forward with determined grace. His attire, a tapestry of dark fabric and gilded accents, spoke of a history steeped in honor and battle. High collars and embroidered shoulder pads, buttons, and chains of gold, all adorned his form. His cape billowed behind him, a canvas of golden threads dancing in the breeze. Their eyes met innocence and determination woven together in the tapestry of fate. As he approached, still astride his noble mount, he extended a hand, a silent invitation. With an innocence that matched the morning dew, she lifted her hand to meet his, and at that moment, the world seemed to swirl and dance around them.

In a realm of soft hues and blooming blossoms, a young girl lay amidst a field of flowers, a celestial veil gracing her features with a gentle, translucent touch. Her arms extended gracefully above her, eyes closed, she seemed to dance on the edge of dreams. The flowers painted the canvas in shades of blue, purple, and pink, their petals swaying in a tender breeze. Dew-kissed blades of grass formed a sea of diamonds, reflecting the soft glow of an unseen moon. As the girl stirred in her slumber, a distant echo of horse steps reached her ears, a melody that danced through the flowered meadow. Slowly, she rose from her flowery bed, the veil slipping away like morning mist to unveil her enchanting presence. Her gown, a masterpiece of celestial elegance, cascaded around her. A floor-length creation in light blue, it cradled her form with a sweetheart neckline, the bodice adorned in gold, floral designs. Layers of tulle formed the flowing skirt, adorned with accents of blueish flowers, and a train that trailed behind her like a comet's tail. Around her neck hung a pendant, a crescent moon cradling a star, both crafted from silver and adorned with blue gemstones, a twin to the one she wore in the enchanted garden. Her golden locks, a cascade of loose curls, framed her face with ethereal grace, flowing like strands of sunlight. Awakening from the meadow's embrace, her deep blue eyes sought the source of the approaching steps. With a sense of dreamlike purpose, she floated towards the sound, the forest mist enveloping her like a lover's caress. In the heart of the foggy woodland, a clearing revealed itself, trees standing sentinel in the distance. From the shroud of mist emerged a figure on horseback, a man in the regalia of a medieval warrior. The horse, a noble steed of white, carried him forward with determined grace. His attire, a tapestry of dark fabric and gilded accents, spoke of a history steeped in honor and battle. High collars and embroidered shoulder pads, buttons, and chains of gold, all adorned his form. His cape billowed behind him, a canvas of golden threads dancing in the breeze. Their eyes met innocence and determination woven together in the tapestry of fate. As he approached, still astride his noble mount, he extended a hand, a silent invitation. With an innocence that matched the morning dew, she lifted her hand to meet his, and at that moment, the world seemed to swirl and dance around them. Yet, just as the dance was about to begin, Princess Mehjabeen's eyes fluttered open, the enchanting dream slipping away like mist beneath the twilight.

And running through his story, from adolescence to adulthood, always by moonlight, but bright as the sun, there was Charissa. But this was a different Charissa to the one he thought he knew; that fierce and cynical Moth girl, loyal only to herself. Here was Charissa as a girl, hopeful and filled with laughter. Here, as an adolescent, wise one moment, childish the next. Here, she glanced out from the pages as an adult, a lover, a friend; dancing in the firelight, poised against the starry sky. Here, she was trusting, loving, unmasked, gentle and filled with confidences. Here, by the light of the full moon, she was not only beautiful, she was by far the most beautiful woman Tom had ever seen. And now Tom Argent realized what he should have guessed before, what he should have seen in her eyes while he had been dazzled by someone else. She was the girl on the bridge, the one who had kissed him so tenderly. Hers was the shine he had recognized, reflected in Vanessa. She had been the memory contained in the flower seller's gift, the flower that only blossoms once, like innocence--- Like true love.

Nothing changed with age when it came to blossoming attraction. It was always timeless.

MY WIFE'S GREY HAIR The beautiful rainbow that follows the storm, The red glow at sunset, so rich and warm- There are beautiful flowers with perfume so rare, And the beauty of my girl, tho’ she now has grey hair. Note the beauty of the autumn leaves Their colours more tranquil than the blossoming trees- Tho’ summer’s gone the beauty will stay, Like a beautiful lady when her hair has turned grey Some may see you now as old, But I see silver next to gold. The young green peach upon the tree Holds no desire for boys like me- I’ll bide my time to maturity And pick ripe peaches off the tree! The changing times, as youth to man, The flowing stream from gravel to sand, So life flows by with seldom a care- “cos in the end, love, we’ll all have grey hair.

MY WIFE'S GREY HAIR The beautiful rainbow that follows the storm, The red glow at sunset, so rich and warm- There are beautiful flowers with perfume so rare, And the beauty of my girl, tho’ she now has grey hair. Note the beauty of the autumn leaves Their colours more tranquil than the blossoming trees- Tho’ summer’s gone the beauty will stay, Like a beautiful lady when her hair has turned grey Some may see you now as old, But I see silver next to gold. The young green peach upon the tree Holds no desire for boys like me- I’ll bide my time to maturity And pick ripe peaches off the tree! The changing times, as youth to man, The flowing stream from gravel to sand, So life flows by with seldom a care- 'Cos in the end, love, we’ll all have grey hair.

There is little room in my paradigm for NOT working on something I know the Lord wants for me. But in a sense, I have to. I can't be continually frustrated with the myopia of singles. It's not helping me in my goals to be more charitable, for one thing. And as much as it satisfies me on one level to say, "See, Lord? I'm doing all I can do, now it's up to Thee," I think it's keeping me from being His disciple, which is more important than marrying, even though it IS what He wants for me. . . . It would be easy enough for me to marry, if that's all I wanted. The singles wards, sadly, are well stocked with people who need rescuing. All you have to do is meet their needs, and the "relationship" would blossom. But I want more. I want someone who will be a good male role model for my girls, someone who can look beyond himself and his needs. I am pretty sure that won't be found by watching movies with singles or playing volleyball. If the Church won't provide a venue for me to engage in worthwhile activities—to serve—while meeting other singles, than [sic] I choose to serve OVER meeting other singles.

Miss Minton, what on earth made you let a young girl travel up the Amazon and spend weeks living with savages? What made you do it? The British consul thinks that you must all have been drugged.” “Perhaps. Yes, perhaps we were drugged. Not by the things the Xanti smoked--none of us touched them--but by…peace…by happiness. By a different sense of time.” “I don’t think you have explained why you let Maia--” Miss Minton interrupted him. “I will explain. At least I will try to. You see, I have looked after some truly dreadful children in my time, and it was easy not to get fond of them. After all, a governess is not a mother. But Maia…well, I’m afraid I grew to love her. And that meant I began to think what I would do if she were my child.” “And you would let her--” began Mr. Murray. But Miss Minton stopped him. “I would let her…have adventures. I would let her…choose her path. It would be hard…it was hard…but I would do it. Oh, not completely, of course. Some things have to go on. Cleaning one’s teeth, arithmetic. But Maia fell in love with the Amazon. It happens. The place was for her--and the people. Of course there was some danger, but there is danger everywhere. Two years ago, in this school, there was an outbreak of typhus, and three girls died. Children are knocked down and killed by horses every week, here in these streets--” She broke off, gathering her thoughts. “When she was traveling and exploring…and finding her songs, Maia wasn’t just happy, she was…herself. I think something broke in Maia when her parents died, and out there it was healed. Perhaps I’m mad--and the professor, too--but I think children must lead big lives…if it is in them to do so. And it is in Maia.” The old lawyer was silent, rolling his silver pencil over and over between his fingers. “You would take her back to Brazil?” “Yes.” “To live among savages?” “No. To explore and discover and look for giant sloths and new melodies and flowers that only blossom once every twenty years. Not to find them necessarily, but to look--” She broke off, remembering what they had planned, the four of them, as they sailed up the Agarapi. To build a proper House of Rest near the Carters’ old bungalow and live there in the rainy season, studying hard so that if Maia wanted to go to music college later, or Finn to train as a doctor, they would be prepared. And in the dry weather, to set off and explore. Mr. Murray had risen to his feet. He walked over to the window and stood with his back to her, looking out at the square. “It’s impossible. It’s madness.” There was a long pause. “Or is it?” the old man said.

Wyatt’s lips flatten into a serious line. His voice goes low, laced with passion. “Marrying one woman doesn’t mean spending your life with one woman, because the funny girl you fall in love with on a first date at twenty-eight eventually becomes the fascinating creature you propose to at thirty, then evolves into the stunning bride you wait for at the end of an aisle at thirty-two, and finally grows into the astounding mother to your children at thirty-four. By forty, she has blossomed into the businesswoman, the force to be reckoned with. By the time you’re fifty or sixty or seventy or a hundred, she’s been everything — your wife, your lover, your friend, your companion, your sous-chef, your travel partner, your life coach, your confidant, your cheerleader, your critic, your most stalwart advisor. She grows with you. She changes with you. She is always stable, but never stagnant. She is not one woman. She is a thousand versions of herself, a multitude of layers, an infinite ocean whose depths you plumb over a lifetime, whose many treasures and intricacies, quirks and idiosyncrasies you need an entire marriage to explore.” His voice softens. “A man should be so lucky to spend his life stuck with one woman such as that.” -Julie Johnson, "The Monday Girl

Marrying one woman doesn’t mean spending your life with one woman, because the funny girl you fall in love with on a first date at twenty-eight eventually becomes the fascinating creature you propose to at thirty, then evolves into the stunning bride you wait for at the end of an aisle at thirty-two, and finally grows into the astounding mother to your children at thirty-four. By forty, she has blossomed into the businesswoman, the force to be reckoned with. By the time you’re fifty or sixty or seventy or a hundred, she’s been everything — your wife, your lover, your friend, your companion, your sous-chef, your travel partner, your life coach, your confidant, your cheerleader, your critic, your most stalwart advisor. She grows with you. She changes with you. She is always stable, but never stagnant. She is not one woman. She is a thousand versions of herself, a multitude of layers, an infinite ocean whose depths you plumb over a lifetime, whose many treasures and intricacies, quirks and idiosyncrasies you need an entire marriage to explore.” His voice softens. “A man should be so lucky to spend his life stuck with one woman such as that.

You’re all mad if you think I’m going to be forced into a loveless marriage just so the family can continue living at Ramsay House.” Coming forward with a placating smile, Win handed him a piece of paper. “Of course we would never want to force you into a loveless marriage, dear. But we have put together a list of prospective brides, all of them lovely girls. Won’t you take a glance and see if any of them appeals to you?” Deciding to humor her, Leo looked down at the list. “Marietta Newbury?” “Yes,” Amelia said. “What’s wrong with her?” “I don’t like her teeth.” “What about Isabella Charrington?” “I don’t like her mother.” “Lady Blossom Tremaine?” “I don’t like her name.” “Oh, for heaven’s sake, Leo, that’s not her fault.” “I don’t care. I can’t have a wife named Blossom. Every night I would feel as if I were calling in one of the cows.” Leo lifted his gaze heavenward. “I might as well marry the first woman off the street. Why, I’d be better off with Marks.” Everyone was silent. Still tucked in the corner of the room, Catherine Marks looked up slowly as she realized that she was the focus of the Hathaways’ collective gaze. Her eyes turned huge behind the spectacles, and a tide of pink rushed over her face. “That is not amusing,” she said sharply. “It’s the perfect solution,” Leo said, taking perverse satisfaction in annoying her. “We argue all the time. We can’t stand each other. It’s like we’re already married.” Catherine sprang to her feet, staring at him in outrage. “I would never consent to marry you.” “Good, because I wasn’t asking. I was only making a point.

She was surprised because she was Emily, and she did not share Jonathan's frank assessment of coworkers as losers, whiners, bozos, sharks. No, she imagined people were rational and courteous, as she was, and when they proved otherwise, she assumed that she could influence them to become that way. Dangerous thinking. When she was truthful, she expected to hear the truth. Reasonable, she expected reasonable behavior in return. She was young, inventive, fantastically successful. She trusted in the world, believing in poetic justice- that good ideas blossomed and bore fruit, while dangerous schemes were meant to wither on the vine. She had passions and petty jealousies like everybody else, but she was possessed of a serene rationality. At three, she had listened while her mother sang "Greensleeves" in the dark, and she'd asked: "Why are you singing 'Greensleeves' when my nightgown is blue?" Then Gillian had changed the song to "Bluesleeves," and Emily had drifted off. Those songs were over now, Gillian long gone. Despite this loss- because of it- Emily was still that girl, seeking consonance and symmetry, logic, light.

April watched the rain a beat. “You need a lift to California, and you need money to do that. I’ve got a guy who can help you.” “But you don’t know me. I don’t know you.” “Yeah, but that’s how everyone starts out,” April said.

Don’t try to figure him out. Just tell him how you feel. You can’t make him love you. That’s up to him,” April said.

he said this turning his strong body to face the beautiful, stunning, breathtaking, astonishing, bewildering girl who was a princess and his one true love, Eodwyn. she had hair like raven wings and skin like snow that the dogs haven’t peed on yet and cheeks like cherry blossoms and eyes like a magnificent summer sky.

You call that a kiss?” “Yep.” Okay, so I’m in shock the girl put my hand on her creamy cheek. Damn, you’d think I was on drugs by the way my body reacted. She had me totally under her spell a minute ago. Then the pretty witch turned my game around so she was the one with the upper hand. She surprised me, that’s for sure. I laugh, deliberately calling attention to us because I know it’s exactly what she doesn’t want. “Shh,” Brittany says, hitting me on the shoulder to shut me up. When I laugh louder, she whacks my arm with the heavy chem book. My bad arm. I wince. “Ow!” The cut on my biceps feels like a million little bees are stinging it. ¡Cabrón me dolioǃ She bites her Bobbi Brown Sandwash Petal’d frosted bottom lip, which in my opinion looks fine on her. Though I wouldn’t mind seeing her in the Pink Blossom color, too. “Did I hurt you?” she asks. “Yes,” I say through gritted teeth as I concentrate on her lip gloss instead of the pain. “Good.” I lift my sleeve to examine my wound, which now (thanks to my chem partner) has blood trickling from one of the staples the doc at the free clinic put in it after the fight at the park with the Satin Hoods. Brittany’s got a pretty good whack for someone who probably weighs a buck ten soaking wet. She sucks in her breath and scoots away. “Oh my God! I didn’t mean to hurt you, Alex. Really, I didn’t. When you threatened to show me the scar, you lifted your left sleeve.” “I wasn’t really gonna show you,” I say. “I was fuckin’ with you. It’s okay,” I tell her. Geez, you’d think the girl never saw red blood before. Then again, her blood probably runs blue. “No, it’s not okay,” she insists while shaking her head. “Your stitches are bleeding.” “They’re staples,” I correct her, trying to lighten the mood. The girl is even whiter than she usually is. And she’s breathing heavy, almost panting. If she passes out, I swear I’m losing the bet with Lucky. If she can’t handle a little streak of my blood, how’s she gonna handle having sex with me? Unless we’re not naked, so she doesn’t have to see my various scars. Or if it’s dark, then she can pretend I’m someone white and rich. Fuck that, I want the lights on…I want to feel all of her against me and want her to know it’s me she’s with and not some other culero. “Alex, are you okay?” Brittany asks, looking totally concerned. Should I tell her I was spacing out while thinking about us having sex?

The first page held a picture of a hazel blossom that Catherine had drawn. It had been pulled from its file, laminated with clear plastic, and secured to the album with gold photo corners. Below the drawing was my daughter's name, Hazel Jones-Hastings, in Elizabeth's elegant script, and her birthday, March 1, which wasn't her birthday at all.

My little girl was no longer a little girl. She’d grown—blossomed into the most beautiful woman, one I never thought I’d end up raising. By me, the man who was once a fuck-up and a loner. Me, the man that had once broken her heart by sweeping her best friend right off her feet and not giving a damn about it.

The walnut tree told me when Emeline Margulies turned eighteen. Law-wise in Pennsylvania, a girl burns her ships at eighteen. Her daddy was dead and she was alone, so I bound her with spells, talk of blue spruce situated off the front porch, small-mouth bass jumping bugs at the lake, and how sunshine bounces from the water to the orchard and turns pear blossoms gold. She bought every word and wiggled close. I took her wrist and got my hand on her neck and I couldn’t think of nothing save the bones inside her.

I used to think my sister and I were just two nice southern girls who would get married in a few years, have babies, and settle down to a life of sipping sweet tea on a porch swing under the shade of waxy-blossomed magnolias, raising our children together near Mom and Dad and each other. Then I discovered Alina and I descend not from good, wholesome southern stock but from an ancient Celtic bloodline of powerful sidhe-seers, people who can see the Fae, a terrifying race of otherworldly beings that have lived secretly among us for thousands of years, cloaked in illusions and lies. Governed loosely by a queen, and even more loosely by a Compact few support and many ignore, they have preyed on humans for millennia.

I wake with tears in my eyes. I wake to Jeanine’s scream of frustration. “What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me. “What is it that clues you in? Tell me. Tell me or I will kill you.” I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel. “You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?” “You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!” I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face. A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter. “Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.” Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling. “You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.” I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her. I broke her.

What happened today, can’t happen again,” he murmured into my hair. I nodded against his chest. “I will pack tonight.” His whole body tensed against mine. “Why?” I drew in a breath and with it his scent. The soft cloth of his coat brushed my cheek as I pulled back, but did not look up. “I thought you would want me to leave after what I did.” I felt him draw in a breath. “No,” he whispered. “I don’t want you to leave me, us, the girls.” I sensed him shake his head. “That’s the last thing I want. You are what's best for them. I have watched Amelia blossom and Brianne smiles all the time…it is good with you here.” Damn! Here came the tears! They began their trickle. I was breaking his rules. “I’m sorry to cry…” I felt my tummy explode with butterflies when one of his scarred thumbs brushed a tear from my cheek. It felt like a brand and again I was holding my breath and trying to breath at the same time. “If I ever talk to you again like I did in my office this morning…you have my permission to slap me across my face. You are not just under my employ, Miss Meadows. You feel like family.” His fingers made quick work of the other tears. “Can I get that in writing?” I choked on a laugh. He chuckled, too. “You can’t hide anything anymore from me…about the girls. I have to know certain things,” I said softly. “Is there anything else I should know?” “I will tell you if there is.” “Are you sure?” “You will stay?” I smiled and swallowed hard. “So, I’m not fired?” “Just don’t do it again,” he growled. He leaned down in his signature manner and his lips were at my ear. “I may not be able to fire you…but I may have to find a way to punish you.