Blooming Person Quotes

We've searched our database for all the quotes and captions related to Blooming Person. Here they are! All 100 of them:

She's my person, and I am hers, and that's something I've known since the first week we met.
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
When we see the Beloved in each person, it's like walking through a garden, watching flowers bloom all around us.
Ram Dass
Oh, what a catastrophe, what a maiming of love when it was made personal, merely personal feeling. This is what is the matter with us: we are bleeding at the roots because we are cut off from the earth and sun and stars. Love has become a grinning mockery because, poor blossom, we plucked it from its stem on the Tree of Life and expected it to keep on blooming in our civilized vase on the table.
D.H. Lawrence
In desperate times, much more than anything else, folks need perspective. For perspective brings calm. Calm leads to clear thinking. Clear thinking yields new ideas. And ideas produce the bloom...of an answer. Keep your head and heart clear. Perspective can just as easily be lost as it can be found.
Andy Andrews (The Noticer: Sometimes, All a Person Needs Is a Little Perspective)
I think it takes an amazing amount of energy to convince oneself that the Forever Person isn't just around the corner. In the end I believe we never do convince ourselves. I know that I found it increasingly hard to maintain the pose of emotional self-sufficiency lying on my bed and sitting at my desk, watching the gulls cartwheeling in the clouds over the bridges, cradling myself in my own arms, breathing warm chocolate-and-vodka breath on a rose I had found on a street corner, trying to force it to bloom.
Douglas Coupland (Life After God)
...the representation of human character and personality remains always the supreme literary value, whether in drama, lyric or narrative. I am naive enough to read incessantly because I cannot, on my own, get to know enough people profoundly enough.
Harold Bloom (Shakespeare: The Invention of the Human)
I'm probably the only person on earth who had to be committed to a mental hospital to find a date.
Julie Halpern (Get Well Soon (Anna Bloom, #1))
The liberally educated person is one who is able to resist the easy and preferred answers, not because he is obstinate but because he knows others worthy of consideration.
Allan Bloom (The Closing of the American Mind)
She felt a little betrayed and sad, but presently a moving object came into sight. It was a huge horse-chestnut tree in full bloom bound for the Champs Elysees, strapped now into a long truck and simply shaking with laughter - like a lovely person in an undignified position yet confident none the less of being lovely. Looking at it with fascination, Rosemary identified herself with it, and laughed cheerfully with it, and everything all at once seemed gorgeous.
F. Scott Fitzgerald (Tender Is the Night)
Love is a crowded theater, for as Harold Bloom remarks, “We can never embrace (sexually or otherwise) a single person, but embrace the whole of her or his family romance.
Camille Paglia (Sexual Personae)
Fury ignited behind my breastbone , a hot glow like coals blooming into something sharp and dangerous. It was the same old crap- someone thinking they can push you around because you're young, because you're helpless. You had to just sit there and take it because you were under a certain number , because you weren't a real person yet; you could be picked up and dropped like a toy, left behind or thrown away...
Lili St. Crow (Strange Angels (Strange Angels, #1))
No: the years which had destroyed her youth and bloom had only given him a more glowing, manly, open look, in no respect lessening his personal advantages.
Jane Austen (Persuasion)
One of the most painful moments in a person’s life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone’s hand clutched in one’s own. The fragrance of flowerbeds in fresh bloom. Sundays in a café.
Fredrik Backman (A Man Called Ove)
Aesthetic criticism returns us to the autonomy of imaginative literature and the sovereignty of the solitary soul, the reader not as a person in society but as the deep self, our ultimate inwardness.
Harold Bloom (The Western Canon: The Books and School of the Ages)
Love is a gross exaggeration of the difference between one person and everybody else.
Paul Bloom (How Pleasure Works: Why we like what we like)
My full name is Lauren Lee Smith. Of all the names I could have been given, that's the one I got. Lauren Lee Smith. It has all the personality of a toaster.
Elizabeth Scott (Bloom)
Each soul, each person, has to find their own way - learn their own lessons ... It's all those rough bits that make us stronger.
Alyson Noel (Dreamland (Riley Bloom, #3))
Time is a curious thing. Most of us only live for the time that lies right ahead of us. A few days, weeks, years. One of the most painful moments in a person's life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone's hand clutched in one's own. The fragrance of flowerbeds in fresh bloom. Sundays in a cafe. Grandchildren, perhaps. One finds a way of living for the sake of someone else's future.
Fredrik Backman (A Man Called Ove)
Intimacy is being seen and known as the person you truly are.
Amy Bloom
In a true partnership, the kind worth striving for, the kind worth insisting on and even, frankly, worth divorcing over, both people try to give as much or even a little more than they get. "Deserves" is not the point. And "owes" is certainly not the point. The point is to make the other person as happy as we can, because their happiness adds to ours. The point is, that in the right hands, everything that you give, you get.
Amy Bloom
True love blooms when we care more about another person than we care about ourselves. That is Christ's great atoning example for us, and it ought to be more evident in the kindness we show, the respect we give, and the selflessness and courtesy we employ in our personal relationships.
Jeffrey R. Holland (Created for Greater Things)
No tree tries to become a certain kind of tree. No flower tries to become a certain kind of flower. The tree and the flower open up to the sun and soak up water. Thus, they grow into themselves. No judgment. No expectations. No commentary. Your task is the same. If you can stop trying so hard to become who you think you should be, and instead commit to understanding and nourishing yourself, you will bloom into whatever kind of person you are.
Vironika Tugaleva (The Art of Talking to Yourself)
No matter what a person does to cover up and conceal themselves, when we write and lose control, I can spot a person from Alabama, Florida, South Carolina a mile away even if they make no exact reference to location. Their words are lush like the land they come from, filled with nine aunties, people named Bubba. There is something extravagant and wild about what they have to say — snakes on the roof of a car, swamps, a delta, sweat, the smell of sea, buzz of an air conditioner, Coca-Cola — something fertile, with a hidden danger or shame, thick like the humidity, unspoken yet ever-present. Often when a southerner reads, the members of the class look at each other, and you can hear them thinking, gee, I can't write like that. The power and force of the land is heard in the piece. These southerners know the names of what shrubs hang over what creek, what dogwood flowers bloom what color, what kind of soil is under their feet. I tease the class, "Pay no mind. It's the southern writing gene. The rest of us have to toil away.
Natalie Goldberg
Of all the misconceptions about love the most powerful and pervasive is the belief that "falling in love" is love or at least one of the manifestations of love. It is a potent misconception, because falling in love is subjectively experienced in a very powerful fashion as an experience of love. When a person falls in love what he or she certainly feels is "I love him" or "I love her." But two problems are immediately apparent. The first is that the experience of falling in love is specifically a sex-linked erotic experience. We do not fall in love with our children even though we may love them very deeply. We do not fall in love with our friends of the same sex-unless we are homosexually oriented-even though we may care for them greatly. We fall in love only when we are consciously or unconsciously sexually motivated. The second problem is that the experience of falling in love is invariably temporary. No matter whom we fall in love with, we sooner or later fall out of love if the relationship continues long enough. This is not to say that we invariably cease loving the person with whom we fell in love. But it is to say that the feeling of ecstatic lovingness that characterizes the experience of falling in love always passes. The honeymoon always ends. The bloom of romance always fades.
M. Scott Peck (The Road Less Traveled: A New Psychology of Love, Traditional Values and Spiritual Growth)
And so it goes, day after day. Every sharp word and every angry, impure thought. You press them down, pretending they’re not a part of who you really are – the sweet, good girl, the smiling, happy person but the truth is, that anger is more real than anything. It burns and blooms and blossoms, twisting tighter with every faked smile until you wonder, what would it be like to just let it free? Stop pretending. Stop hiding. Stop being the girl they all said you should be. Imagine that freedom. God, can’t you feel it? What harm could it do?
Abigail Haas (Dangerous Boys)
She was part of a group that helped tilt the world just a tiny bit the right way. Yes, she, one tiny person, was part of it. Hardly noticeable, true, but “hardly” was more than nothing. “Hardly” made all the difference in the world in how she saw herself.
Ray Smith (The Magnolia That Bloomed Unseen)
It’s horribly cliché, but his smile is beaming—far brighter than the sun. I feel myself bloom with it, as if it’s my own personal version of photosynthesis.
Hannah Bonam-Young (Out on a Limb)
I always wanted to know about my family," Suraya said quietly, and her voice was small and sad. "But all I've learned of my grandmother so far is that she was a horrible, mean person. And I have her blood. What does that say about me?" "It says that the most beautiful blooms come from the darkest soil.
Hanna Alkaf (The Girl and the Ghost)
The correct relationship will make a person bloom. He becomes more himself, his talents deepen, his personality grows, and he thrives. But the wrong relationship will produce the opposite. The things that were once so vital no longer matter. His talents disappear, his individuality fades, and he wilts.
Jennifer Moore (Miss Burton Unmasks a Prince)
In Plaster I shall never get out of this! There are two of me now: This new absolutely white person and the old yellow one, And the white person is certainly the superior one. She doesn't need food, she is one of the real saints. 
At the beginning I hated her, she had no personality -- She lay in bed with me like a dead body 
And I was scared, because she was shaped just the way I was 
 Only much whiter and unbreakable and with no complaints. I couldn't sleep for a week, she was so cold. I blamed her for everything, but she didn't answer. 
I couldn't understand her stupid behavior! 
When I hit her she held still, like a true pacifist. 
Then I realized what she wanted was for me to love her: She began to warm up, and I saw her advantages. 

Without me, she wouldn't exist, so of course she was grateful. 
I gave her a soul, I bloomed out of her as a rose 
Blooms out of a vase of not very valuable porcelain, And it was I who attracted everybody's attention, 
Not her whiteness and beauty, as I had at first supposed. 
I patronized her a little, and she lapped it up -- 
You could tell almost at once she had a slave mentality. 

I didn't mind her waiting on me, and she adored it. 
In the morning she woke me early, reflecting the sun 
From her amazingly white torso, and I couldn't help but notice 
Her tidiness and her calmness and her patience: She humored my weakness like the best of nurses, 
Holding my bones in place so they would mend properly. In time our relationship grew more intense. 

She stopped fitting me so closely and seemed offish. 
I felt her criticizing me in spite of herself, 
As if my habits offended her in some way. She let in the drafts and became more and more absent-minded. 
And my skin itched and flaked away in soft pieces 
Simply because she looked after me so badly. Then I saw what the trouble was: she thought she was immortal. She wanted to leave me, she thought she was superior, 
And I'd been keeping her in the dark, and she was resentful -- Wasting her days waiting on a half-corpse! 
And secretly she began to hope I'd die. Then she could cover my mouth and eyes, cover me entirely, 
And wear my painted face the way a mummy-case Wears the face of a pharaoh, though it's made of mud and water. 

I wasn't in any position to get rid of her. She'd supported me for so long I was quite limp -- I had forgotten how to walk or sit, So I was careful not to upset her in any way 
Or brag ahead of time how I'd avenge myself. Living with her was like living with my own coffin: Yet I still depended on her, though I did it regretfully. I used to think we might make a go of it together -- 
After all, it was a kind of marriage, being so close. 
Now I see it must be one or the other of us. She may be a saint, and I may be ugly and hairy, 
But she'll soon find out that that doesn't matter a bit. I'm collecting my strength; one day I shall manage without her, 
And she'll perish with emptiness then, and begin to miss me. --written 26 Feburary 1961
Sylvia Plath (The Collected Poems)
Miss Ingram was a mark beneath jealousy: she was too inferior to excite feeling. Pardon the seeming paradox; I mean what I say. She was very showy, but she was not genuine; she had a fine person, many brilliant attainments, but her mind was poor, her heart barren by nature; nothing bloomed spontaneously on that soil; no unforced natural fruit delighted by its freshness. She was not good; she was not original; she used to repeat sounding phrases from books; she never offered, nor had, an opinion of her own. She advocated a high tone of sentiment, but she did not know the sensations of sympathy and pity; tenderness and truth were not in her
Charlotte Brontë (Jane Eyre)
The living are always trying to find the shortcuts to happiness in life. But look what happens when someone achieves premature success: they bloom too early and spend the rest of their lives dying....Success without struggle warps a person.
Susan Wells Bennett
This is the only negative aspect to finally being with the person you’re meant to be with. You go years aching to be with them, and when they finally become a significant part of your life, it somehow hurts even more.
Colleen Hoover (It Starts with Us (It Ends with Us, #2))
The true use of Shakespeare or of Cervantes, of Homer or of Dante, of Chaucer or of Rabelais, is to augment one’s own growing inner self. Reading deeply in the Canon will not make one a better or a worse person, a more useful or more harmful citizen. The mind’s dialogue with itself is not primarily a social reality. All that the Western Canon can bring one is the proper use of one’s own solitude, that solitude whose final form is one’s confrontation with one’s own mortality.   W
Harold Bloom (The Western Canon: The Books and School of the Ages)
Bloom concludes, “After forty years of intensive research on school learning in the United States as well as abroad, my major conclusion is: What any person in the world can learn, almost all persons can learn, if provided with the appropriate prior and current conditions of learning.
Carol S. Dweck (Mindset: The New Psychology of Success)
In fact, if we do what our hearts tell us to do, we will pervert and impoverish every desire, every beauty, every person, every wonder, every joy. Our hearts want to consume these things for our own self-glory and self-indulgence. No, our hearts will not save us. We need to be saved from our hearts.
Jon Bloom (Don't Follow Your Heart: God's Ways Are Not Your Ways)
. . . Little one, you are the person you are meant to be. The years you worked diligently at the monastery will always be part of you. As will the years after, when you felt lost and afraid. And so will all years yet to come, when the seeds you have been planting with your kindness and friendship will come into bloom. Everything that happens is part of your wholeness. The sadness, the loss, the hurt, as well as the joy, the love, the friendship--it is all part of your tapestry. Minette . . . remember ,that you are already whole.
Kay O'Neill (The Tea Dragon Tapestry (Tea Dragon, #3))
It seems that by the time the singular beauty of a flower in bloom can no longer pierce the veil of black or obsessive thoughts in a person's mind, that mind's connection to the sensual world has grown dangerously frayed.
Michael Pollan (The Botany of Desire: A Plant's-Eye View of the World)
The spotlight hadn’t dimmed as Molly aged but had changed its glow instead. It had grown more intense with each new experience, had become more personalized and distinguished. It was no longer the bland whitish light of youth, a light dictated by a ceaselessly shallow society and therefore able to be seen by everyone in such a society. No, hers at present was a spotlight with highly individualized rays that could no longer be seen by most men simply because most men’s eyes weren’t good enough to see them.
Ray Smith (The Magnolia That Bloomed Unseen)
When I look down into this fucked-out cunt of a whore I feel the whole world beneath me, a world tottering and crumbling, a world used up and polished like a leper's skull. If there were a man who dared to say all that he thought of this world there would not be left him a square foot of ground to stand on. When a man appears the world bears down on him and breaks his back. There are always too many rotten pillars left standing, too much festering humanity for man to bloom. The superstructure is a lie and the foundation is a huge quaking fear. If at intervals of centuries there does appear a man with a desperate, hungry look in his eye, a man that would turn the world upside down in order to create a new race, the love that he brings to the world is turned to bile and he becomes a scourge. If now and then we encounter pages that explode, pages that wound and sear, that wring groans and tears and curses, know that they come from a man with his back up, a man whose only defenses left are his words and his words are always stronger than the lying, crushing weight of the world, stronger than all the racks and wheels which the cowardly invent to crush out the miracle of personality. If any man ever dared to translate all that is in his heart, to put down what is really his experience, what is truly his truth, I think then the world would go to smash, that it would be blown to smithereens and no god, no accident, no will could ever again assemble the pieces, the atoms, the indestructible elements that have gone to make up the world.
Henry Miller (Tropic of Cancer (Tropic, #1))
The potion drunk by lovers is prepared by no one but themselves. The potion is the sum of one's whole existence. Every word spoken in the past accumulated forms and color in the self. What flows through the veins besides blood is the distillation of every act committed, the sediment of all the visions, wishes, dreams, and experiences. All the past emotions converge to tint the skin and flavor the lips, to regulate the pulse and produce crystals in the eyes. The fascination exerted by one human being over another is not what he emits of his personality at the present instant of encounter but a summation of his entire being which gives off this powerful drug capturing the fancy and attachment. No moment of charm without long roots in the past, no moment of charm is born on bare soil, a careless accident of beauty, but is the sum of great sorrows, growths, and efforts. But love, the great narcotic, was the hothouse in which all the selves burst into their fullest bloom . . .
Anaïs Nin
The news did not trouble her particularly; all news was bad, like wage demands, strikes, or war, and the wise person paid no attention to it. What was important was that it was a bright, sunny day; her first narcissi were in bloom, and the daffodils behind them were already showing flower buds.
Nevil Shute (On the Beach)
If I had been a more realistic and reasonable person, if I had not been twenty-one and still fooling myself, I would have said, Wait.
Amy Bloom (Lucky Us)
At eighty-four, I can only write the way I go on teaching, personally and passionately.
Harold Bloom (The Daemon Knows: Literary Greatness and the American Sublime)
But Hamlet is death's ambassador while Falstaff is the embassy of life.
Harold Bloom (Falstaff: Give Me Life (1) (Shakespeare's Personalities))
I don’t want to end my life, he said, but I’d rather end it while I am still myself, rather than become less and less of a person.
Amy Bloom (In Love: A Memoir of Love and Loss)
As long as we ourselves are real, as long as we are truly ourselves, God can be present and can do something with us. But the moment we try to be what we are not, there is nothing left to say or have; we become a fictitious personality, an unreal presence, and this unreal presence cannot be approached by God.
Anthony Bloom (Beginning to Pray)
My fairytale was full of witches, pixies, pirates, dementors, princesses, clowns, true love, betrayal, battles and kings. Yet, I stood on the edge of never and with the bravery of a queen I could see across forever....and I whisphered to the wind, "Morals of great stories didn’t live in kindness. They bloomed from the ashes of who you were to where you were meant to be."
Shannon L. Alder
The tiny bud the parents nurtured does not seem to have bloomed into the magnificent flower they expected. Parents feel as if they have been cheated or robbed; their family seems irretrievably lost to them.
Valerie Porr (Overcoming Borderline Personality Disorder: A Family Guide for Healing and Change)
Food of Love Eating is touch carried to the bitter end. -Samuel Butler II I'm going to murder you with love; I'm going to suffocate you with embraces; I'm going to hug you, bone by bone, Till you're dead all over. Then I will dine on your delectable marrow. You will become my personal Sahara; I'll sun myself in you, then with one swallow Drain you remaining brackish well. With my female blade I'll carve my name In your most aspiring palm Before I chop it down. Then I'll inhale your last oasis whole. But in the total desert you become You'll see me stretch, horizon to horizon, Opulent mirage! Wisteria balconies dripping cyclamen. Vistas ablaze with crystal, laced in gold. So you will summon each dry grain of sand And move towards me in undulating dunes Till you arrive at sudden ultramarine: A Mediterranean to stroke your dusty shores; Obstinate verdue, creeping inland, fast renudes Your barrens; succulents spring up everywhere, Surprising life! And I will be that green. When you are fed and watered, flourishing With shoots entwining trellis, dome and spire, Till you are resurrected field in bloom, I will devour you, my natural food, My host, my final supper on the earth, And you'll begin to die again.
Carolyn Kizer
real freedom is not liberty to do what we want or the absence of distress. Real freedom is the deep-seated confidence that God really will provide everything we need. The person who believes this is the freest of all persons on earth, because no matter what situation he finds himself in, he has nothing to fear. 
Jon Bloom (Not by Sight: A Fresh Look at Old Stories of Walking by Faith)
I wanted to describe to him how the emotional intimacy growing between us was shattering my heart in the most life-affirming ways, but I didn’t have the right words, except to say that I loved him, which wasn’t nearly enough. We spent that night, and every night together after, in a closeness I had never known, or even thought possible with another person. I was happy. Truly content. Drifting to sleep in Bilal’s arms, I thought about the hills beyond the terrace. Soon wild plum, peach, pear, fig, medlar, mulberry, date, and almond trees would bloom.
Susan Abulhawa (Against the Loveless World)
There are also other factors that make a person attractive to us, which have to do with what we sense we can experience with them, and how think they can enhance the quality of our life. We may feel that they have the capacity to bring more healing, passion, peace, exuberance, ease, fulfillment, or joy into our life.
Linda Bloom
Well, you have adventures. All start out with troubles, but then you admit your problems and become a better person by working really hard, which is what fertilizes the happy ending and allows it to bloom—just like the end of all the Rocky films, Rudy, The Karate Kid, the Star Wars and Indiana Jones trilogies, and The Goonies, which are my favorite films, even though I have sworn off movies until Nikki returns, because now my own life is the movie I will watch, and well, it’s always on.
Matthew Quick (The Silver Linings Playbook)
Shakespeare will not allow Falstaff to die upon stage. We see and hear the deaths of Hamlet, Cleopatra, Antony, Othello, and Lear. Iago is led away to die silently under torture. Macbeth dies offstage but he goes down fighting. Falstaff dies singing the Twenty-third Psalm, smiling upon his fingertips, playing with flowers, and crying aloud to God three or four times. That sounds more like pain than prayer. We do not want Sir John Falstaff to die. And of course he does not. He is life itself.
Harold Bloom (Falstaff: Give Me Life (1) (Shakespeare's Personalities))
And time is a curious thing. Most of us only live for the time that lies right ahead of us. A few days, weeks, years. One of the most painful moments in a person’s life probably comes with the insight that an age has been reached when there is more to look back on than ahead. And when time no longer lies ahead of one, other things have to be lived for. Memories, perhaps. Afternoons in the sun with someone’s hand clutched in one’s own. The fragrance of flower beds in fresh bloom. Sundays in a café. Grandchildren, perhaps. One finds a way of living for the sake of someone else’s future. And it wasn’t as if Ove also died when Sonja left him. He just stopped living. Grief is a strange thing.
Fredrik Backman (A Man Called Ove)
Stories of her children when they were small, their round little bodies barely containing their personalities, which bloomed and glittered and melted into her.
Erica Bauermeister (The Lost Art of Mixing)
Strange trails are good places to bloom.
Paul J. Pastor (The Face of the Deep: Exploring the Mysterious Person of the Holy Spirit)
If you have to lose yourself to please your partner, you're with the wrong person.
Beau Taplin (Bloom)
Rain is one of the most ambiguous states of nature. Each person interprets it in his own way and revives it in a unique manner.
Elena Paolino (Valencia in Bloom)
Late-blooming success can be complicated. As people age, they are more likely to judge their accomplishments on their own terms; however, late bloomers often use the benefits of broader acknowledgment and publicity to help them meet their personal and professional goals.
J.M. Orend (Successful Late Bloomers: The story of late-in-life achievement)
[Lear] is the universal image of the unwisdom and destructiveness of paternal love at its most ineffectual, implacably persuaded of its own benignity, totally devoid of self-knowledge, and careening onward until it brings down the person it loves best, and its world as well.
Harold Bloom
Thus Milton refines the question down to a matter of faith," said Coleridge, bringing the lecture to a close, "and a kind of faith more independent, autonomous - more truly strong, as a matter of fact - than the Puritans really sought. Faith, he tells us, is not an exotic bloom to be laboriously maintained by the exclusion of most aspects of the day to day world, nor a useful delusion to be supported by sophistries and half-truths like a child's belief in Father Christmas - not, in short, a prudently unregarded adherence to a constructed creed; but rather must be, if anything, a clear-eyed recognition of the patterns and tendencies, to be found in every piece of the world's fabric, which are the lineaments of God. This is why religion can only be advice and clarification, and cannot carry any spurs of enforcement - for only belief and behavior that is independently arrived at, and then chosen, can be praised or blamed. This being the case, it can be seen as a criminal abridgement of a person's rights willfully to keep him in ignorance of any facts - no piece can be judged inadmissible, for the more stones, both bright and dark, that are added to the mosaic, the clearer is our picture of God.
Tim Powers (The Anubis Gates)
Allan Bloom, in his book The Closing oftheAmerican Mind, chronicled the epidemic rise of moral relativism that reduces ethics to personal preferences rather than to objective norms for what is right and wrong.
R.C. Sproul (Abortion: A Rational Look at An Emotional Issue)
And Kay and Gerda looked in each other’s eyes, and all at once they understood the old hymn: “The rose in the valley is blooming so sweet, And angels descend there the children to greet.” There sat the two grown-up persons; grown-up, and yet children; children at least in heart; and it was summer-time; summer, glorious summer!
Hans Christian Andersen (Hans Christian Andersen's Fairy Tales)
I like to think that love is like a rose. A rose that is beginning to sprout is like a person feeling love for the first time. It will grow in time as the couples interact and along the way, they may hurt themselves by the thorns of pain and misunderstanding. But it is all worth it to see the rose in full bloom as the two share their true love. What happens after that is unknown. The rose may last forever and create others, or it may wither away and start anew.
Michelle Goncalves
She was very showy, but she was not genuine: she had a fine person, many brilliant attainments; but her mind was poor, her heart barren by nature: nothing bloomed spontaneously on that soil; no unforced natural fruit delighted by its freshness. She was not good; she was not original: she used to repeat sounding phrases from books: she never offered, nor had, an opinion of her own. She advocated a high tone of sentiment; but she did not know the sensations of sympathy and pity; tenderness and truth were not in her
Charlotte Brontë (Jane Eyre)
Jai, she pleaded quietly, if you hadn’t noticed, I’m a guts and glory kind of girl. I think I’d die trying to protect anyone I care about. It’s just the way I’m wired, I guess. I would die trying to protect Charlie because I love him. He’s my family, and I don’t want to lose any more family." She took another step so her body pressed flushed to him, her fingers falling to his lips. The sound of his shallow breathing emboldened her. "But Jai… I would die a hundred deaths to save you… because the thought of being here without you now, the thought of losing you… is unimaginable." Their eyes locked and heat bloomed in her cheeks as Jai pressed closer to her, his hand sliding across her lower back and gently guiding her even more tightly against him. "Jai, you have no idea how much I’ve fallen in love with you. I don’t think a person could fall any harder.
Samantha Young (Borrowed Ember (Fire Spirits, #3))
A troubling reality in much of evangelical life is that convincing someone they are saved seems to take precedence over making sure someone actually is saved. This must change. Somehow questioning another person’s salvation became taboo in evangelical culture, when it could possibly be one of the most loving things you can do for another; it could mean the difference between seeds that sprout and bloom and seeds that are snatched away.
Dean Inserra (The Unsaved Christian: Reaching Cultural Christianity with the Gospel)
The only person who should be able to make you cry like that is yourself. People can betray you all they want and you’ll survive. Even if it hurts and a few tears come, it will be over soon. Betray yourself and everything inside of you will die. That’s something worth crying about. Do you understand me?
Marilyn Grey (Bloom (Unspoken #5))
Every person sees the world through lenses of his or her own design—individual goggles that alter focus and perspective as desired. For those who wish the world to be dark and ugly and unapproachable, it is. But for those who wish it to be beautiful, it is a garden playground blooming with bright, happy colors.
Richelle E. Goodrich
(First lines) Now a traveler must make his way to Noon City by the best means he can, for there are no trains or buses headed in that direction, though six days a week a truck from the Chuberry Turpentine Company collects mail and supplies at the nextdoor town of Paradise Chapel; occasionally a person bound for Noon City can catch a ride with the driver of the truck, Sam Ratcliffe. It's a rough trip no matter how you come, for these washboard roads will loosen up even brandnew cars pretty fast, and hitchhikers always find the going bad. Also, this is lonesome country, and here in the sunken marshes where tiger lilies bloom the size of a man's head there are luminous green logs that shine under the dark water like drowned corpses. Often the only movement on the landscape is a broken spiral of smoke from a sorry-looking farmhouse on the horizon, or a wing-stiffened bird, silent and arrow-eyed, circling endlessly over the bleak deserted pinewoods.
Truman Capote (Other Voices, Other Rooms)
On the hearth, in front of a back-brand to give substance, blazed a fire of thorns, that crackled 'like the laughter of the fool.' Nineteen persons were gathered here. Of these, five women, wearing gowns of various bright hues, sat in chairs along the wall; girls shy and not shy filled the window-bench; four men, including Charley Jake the hedge-carpenter, Elijah New the parish-clerk, and John Pitcher, a neighboring dairyman, the shepherd's father-in-law, lolled in the settle; a young man and maid, who were blushing over tentative pourparlers on a life companionship, sat beneath the corner-cupboard; and an elderly engaged man of fifty or upward moved restlessly about from spots where his betrothed was not to the spot where she was. Enjoyment was pretty general, and so much the more prevailed in being unhampered by conventional restrictions. Absolute confidence in each other's good opinion begat perfect ease, while the finishing stroke of manner, amounting to a truly princely serenity, was lent to the majority by the absence of any expression or trait denoting that they wished to get on in the world, enlarge their minds, or do any eclipsing thing whatever - which nowadays so generally nips the bloom and bonhomie of all except the two extremes of the social scale. ("The Three Strangers")
Thomas Hardy (Great Tales of Terror and the Supernatural (Modern Library))
Into these pavilions he admitted the elect, and there, says Marco Polo, gave them to eat a certain herb, which transported them to Paradise, in the midst of ever-blooming shrubs, ever-ripe fruit, and ever-lovely virgins. What these happy persons took for reality was but a dream; but it was a dream so soft, so voluptuous, so enthralling, that they sold themselves body and soul to him who gave it to them, and obedient to his orders as to those of a deity, struck down the designated victim, died in torture without a murmur, believing that the death they underwent was but a quick transition to that life of delights of which the holy herb, now before you, had given them a slight foretaste.” “Then,” cried Franz, “it is hashish! I know that—by name at least.
Alexandre Dumas (The Count of Monte Cristo)
There was nothing to cool or banish love in these circumstances, though much to create despair. Much, too, you will think, reader, to engender jealousy: if a woman, in my position, could presume to be jealous of a woman in Miss Ingram's. But I was not jealous...Miss Ingram was a mark beneath jealousy: she was too inferior to excite the feeling. Pardon the seeming paradox; I mean what I say. She was very showy, but she was not genuine; she had a fine person, many brilliant attainments; but her mind was poor, her heart barren by nature: nothing bloomed spontaneously on that soil; no unforced natural fruit delighted by its freshness. She was not good; she was not original: she used repeat sounding phrases from books: she never offered, nor had, any opinion of her own. She advocated a high tone of sentiment; but she did not know the sensations of sympathy and pity; tenderness and truth were not in her. Too often she betrayed this...Other eyes besides mine watched these manifestations of character--watched them closely, keenly shrewdly. Yes; the future bridegroom, Mr. Rochester himself, exercised over his intended a ceaseless surveillance; and it was from this sagacity--this guardedness of his--this perfect, clear conciousness of his fair one's defects--this obvious absence of passion in his sentiments towards her, that ever-toturing pain arose. I saw he was going to marry her, for family, perhaps political reasons, because her rank and connecions suited him; I felt he had not given her his love, and that her qualifications were ill adapted to win from him that treasure. This was the point--this was where the nerve was touched and teased--this was where the fever was sustained and fed: she could not charm him. If she had managed the victory at once, and he had yielded and sincerely laid his heart at her feet, I should have covered my face, turned to the wall, and have died to them.
Charlotte Brontë (Jane Eyre)
You will never find Jesus so precious, as when the world is one vast howling wilderness. Then He is like a rose blooming in the midst of the desolation, or a rock rising above the storm! Do not set your hearts on any of the flowers of this world. They shall all fade and die. Prize the Rose of Sharon and the Lily of the Valley. Jesus never changes! Live nearer to Christ than to any person on this earth; so that when they are taken away, you may have Him to love and lean upon. “Yes, He is altogether lovely. This is my Beloved, and this is my Friend!” (Song of Solomon 5:16)
Robert Murray M'Cheyne
Somehow you don't question things until you come face to face with the person and suddenly- suddenly you realize that behind all them stories it have a flesh- and- blood, breathing, feeling person who capable of hurting, yes! Well, ask her, na. Ask her if she want to garden. I think about starting a plot for the old people to have something to do. Some people say that gardening good for old people. I am proof of that!
Shani Mootoo (Cereus Blooms at Night)
When we see an indistinct flower rise to full bloom through an inconspicuous split in the rock, this inspires hope, faith, and highlights the strength of the gentle flower over the seemingly mighty rock. Suddenly we view the impossible as possible again. Your challenges and tough times may appear as the rigid, prominent and oppressive rocks that force you down, but the splendour of the rose is born through the power of inner wisdom, natural law, and tenacity over tribulation as she ascends toward glory. Even the most beautiful roses lay dormant during winter; life’s darkness is simply a shadow that we can seek our light through.
Christine Evangelou (Rocks Into Roses: Life Lessons and Inspiration for Personal Growth)
Our role is not our reward, Jesus is. Roles will begin and they will end. The only way for us to end well is to have our hearts recalibrated. Jesus must increase and we must decrease. What rises in your heart at the thought of Jesus giving another person a more prominent role in his Wedding? How much do you long to have a more prominent role? How well are you prepared to let go of the role he has given you? What if he gives another your role? In our individual and temporary earthly roles, the Wedding is not about us. It’s about Jesus and his bride. And we should never compete with the Bridegroom for the bride’s attention and affection.
Jon Bloom (Things Not Seen: A Fresh Look at Old Stories of Trusting God's Promises)
The worst thing about being underweight or overweight; too dark or too white – in short too plain and bland in someone’s perception is the fact that most people just end up talking to you because they feel you can be a good stepping stone. And guess what – it sucks! It sucks being the ladder to so many, helping everyone grow and bloom, only to find yourself splayed upon the mud to be used as a path from one person to another. Not moving an inch. Just lying there on the sticky dirt infused ground – hoping someone would help you up – no one ever comes. The only person who can help you crawl out is yourself. Get up. Try. Just try. You ARE Enough!
Sijdah Hussain (Red Sugar, No More)
The pre-Socratic aphorism—ethos is the daemon—can be translated as “character is fate.” In drama, character is action. Shakespeare, too capacious for any formula, leads me to a rival aphorism: Pathos also is the daemon, which could be rendered as “personality is our destiny.” In Shakespearean theatricalism, personality is suffering. Action, Wordsworth wrote, is momentary, while suffering is permanent, obscure, dark, and shares the nature of infinity.
Harold Bloom (The Daemon Knows: Literary Greatness and the American Sublime)
When a person falls in love what he or she certainly feels is ‘I love him’ or ‘I love her.’ But two problems are immediately apparent. The first is that the experience of falling in love is specifically a sex-linked erotic experience. We do not fall in love with our children even though we may love them very deeply. We do not fall in love with our friends of the same sex – unless we are homosexually oriented – even though we may care for them greatly. We fall in love only when we are consciously or unconsciously sexually motivated. The second problem is that the experience of falling in love is invariably temporary. No matter whom we fall in love with, we sooner or later fall out of love if the relationship continues long enough. This is not to say that we invariably cease loving the person with whom we fell in love. But it is to say that the feeling of ecstatic lovingness that characterizes the experience of falling in love always passes. The honeymoon always ends. The bloom of romance always fades. To
M. Scott Peck (The Road Less Travelled: A New Psychology of Love, Traditional Values and Spiritual Growth (Classic Edition))
It seemed to him that she looked completely at home in the classic truck, but then, he supposed that spoke more of her personality than of the vehicle. She was probably at home...wherever she was planted. Ha! That thought had come straight from his wife. She was always admonishing the boys, "Bloom where you're planted." By the time they were in high school, they'd learned it did no good complaining to their mother about teachers, coaches, or chores. Her response was consistent throughout their road to adulthood.
Vannetta Chapman (Murder Simply Brewed (Amish Village Mystery #1))
Miss Ingram was a mark beneath jealousy: she was too inferior to excite the feeling.  Pardon the seeming paradox; I mean what I say.  She was very showy, but she was not genuine: she had a fine person, many brilliant attainments; but her mind was poor, her heart barren by nature: nothing bloomed spontaneously on that soil; no unforced natural fruit delighted by its freshness.  She was not good; she was not original: she used to repeat sounding phrases from books: she never offered, nor had, an opinion of her own. 
Charlotte Brontë (Jane Eyre)
Literary criticism, as I attempt to practice it, is in the first place 'literary', which is to say personal and passionate. It is not philosophy, politics, or institutionalised religion. At its strongest - Johnson, Hazlitt, Charles Augustin Sainte-Beuve, and Paul Valéer, among others - it is a kind of wisdom literature, and so a meditation upon life. Yet any distinction between literature and life is misleading. Literature for me is not merely the best part of life; it is itself the form of life, which has no other form.
Harold Bloom (The Anatomy of Influence: Literature as a Way of Life)
Yes, Phebe was herself now, and it showed in the change that came over her at the first note of music. No longer shy and silent, no longer the image of a handsome girl, but a blooming woman, alive and full of the eloquence her art gave her, as she laid her hands softly together, fixed her eye on the light, and just poured out her song as simply and joyfully as the lark does soaring toward the sun. "My faith, Alec! that's the sort of voice that wins a man's heart out of his breast!" exclaimed Uncle Mac, wiping his eyes after one of the plaintive ballads that never grow old. "So it would!" answered Dr. Alec, delightedly. "So it has," added Archie to himself; and he was right: for just at that moment he fell in love with Phebe. He actually did, and could fix the time almost to a second: for at a quarter past nine, he thought merely thought her a very charming young person; at twenty minutes past, he considered her the loveliest woman he ever beheld; at five and twenty minutes past, she was an angel singing his soul away; and at half after nine he was a lost man, floating over a delicious sea to that temporary heaven on earth where lovers usually land after the first rapturous plunge. If anyone had mentioned this astonishing fact, nobody would have believed it; nevertheless, it was quite true: and sober, business-like Archie suddenly discovered a fund of romance at the bottom of his hitherto well-conducted heart that amazed him. He was not quite clear what had happened to him at first, and sat about in a dazed sort of way; seeing, hearing, knowing nothing but Phebe: while the unconscious idol found something wanting in the cordial praise so modestly received, because Mr. Archie never said a word.
Louisa May Alcott (Rose in Bloom (Eight Cousins, #2))
There ought to be a different word for it once you’ve been married for enough years. When you’ve long since passed the point where it stopped feeling like a choice. I no longer choose you every morning, that was a beautiful thing we said on our wedding day, I just can’t imagine life without you now. We aren’t freshly blooming flowers, we’re two trees with intertwined roots, you’ve grown old within me. When you’re young you believe that love is infatuation, but infatuation is simple, any child can become infatuated, fall in love. But real love? Love is a job for an adult. Love demands a whole person, all the best of you, all the worst. It has nothing to do with romance, because the hard part of a marriage isn’t that I have to live seeing all your faults, but that you have to live with me seeing them. That I know everything about you now. Most people aren’t brave enough to live without secrets. Everyone dreams about being invisible sometimes, no one dreams of being transparent. Marriage? There ought to be a different word for it after a while. Because there’s no such thing as “eternal infatuation,” only love lasts that long, and it’s never simple. It requires a whole person, everything you have. The whole lot.
Fredrik Backman (The Winners (Beartown, #3))
It wasn’t until the 2016 election that I knew the time had come. As I watched the US I thought I knew devolve, seemingly overnight, into an unrecognizable landscape—a place where political pundits threw up Nazi salutes in front of news cameras, unafraid—a place where swastikas bloomed like fetid flowers on the walls of synagogues and mosques—I knew the time had come. I called Jodi Warshaw, my first editor at Lake Union Publishing, and told her I’d finally found a World War II subject I wanted to write . . . and I wanted to write it now. Jodi agreed that the time was right for a story of resistance—of an ordinary person taking a stand against hate.
Olivia Hawker (The Ragged Edge of Night)
There ought to be a different word for it once you’ve been married for enough years. When you’ve long since passed the point where it stopped feeling like a choice. I no longer choose you every morning, that was a beautiful thing we said on our wedding day, I just can’t imagine life without you now. We aren’t freshly blooming flowers, we’re two trees with intertwined roots, you’ve grown old within me. When you’re young you believe that love is infatuation, but infatuation is simple, any child can become infatuated, fall in love. But real love? Love is a job for an adult. Love demands a whole person, all the best of you, all the worst. It has nothing to do with romance, because the hard part of a marriage isn’t that I have to live seeing all your faults, but that you have to live with me seeing them. That I know everything about you now. Most people aren’t brave enough to live without secrets. Everyone dreams about being invisible sometimes, no one dreams of being transparent.
Fredrik Backman (The Winners (Beartown, #3))
Absent a supernatural creator, though, we have to give up on the question “What’s the meaning of life?” This position is nicely expressed by Viktor Frankl: To put the question in general terms would be comparable to the question posed to a chess champion: “Tell me, Master, what is the best move in the world?” There simply is no such thing as the best or even a good move apart from a particular situation in a game and the particular personality of one’s opponent. The same holds for human existence. One should not search for an abstract meaning of life. Everyone has his own specific vocation or mission in life to carry out a concrete assignment which demands fulfillment.
Paul Bloom (The Sweet Spot: The Pleasures of Suffering and the Search for Meaning)
Ideology, n. An imaginary relationship to a real situation. In common usage, what the other person has, especially when systematically distorting the facts. But it seems to us that an ideology is a necessary feature of cognition, and if anyone were to lack one, which we doubt, they would be badly disabled. There is a real situation, that can't be denied, but it is too big for any individual to know in full, and so we must create our understanding by way of an act of the imagination. So we all have an ideology, and this is a good thing. So much information pours into the mind, ranging from sensory experience to discursive and mediated inputs of all kinds, that some kind of personal organizing system is necessary to make sense of things in ways that allow one to decide and to act. Worldview, philosophy, religion, these are all synonyms for ideology as defined above; and so is science, although it's a different one, the special one, by way of its perpetual cross-checking with reality tests of all kinds, and its continuous sharpening of focus. That surely makes science central to a most interesting project, which is to invent, improve, and put to use an ideology that explains in a coherent and useful way as much of the blooming buzzing inrush of the world as possible. What one would hope for in an ideology is clarity and explanatory breadth, and power. We leave the proof of this as an exercise for the reader.
Kim Stanley Robinson (The Ministry for the Future)
You are the least sane person I’ve had the misfortune to meet.” The corners of her eyes pinched a little, just for the barest second, then cleared. “Well, there are plenty more people for you to meet, Mr. Merrick, so do not give up hope yet.” But the tone of her voice was far too cheerful. He watched her for a moment. Watched as her face cleared of anything remotely hurt or upset. “Do you object to being called insane or my saying that I had the misfortune of meeting you?” “Neither, of course.” He drummed his finger on the desk, irritated and, God, how did people live feeling guilty about things? “You are just fine as you are,” he said gruffly. Her expression froze for a moment, then bloomed into a smile that would slay demons.
Anne Mallory
I was mortified that I could spend a lifetime with someone and not know them at all—that I could love someone so blindly and never question who they really were. Was it stupidity? Or is that merely what love actually is—to see the good, to love the good and wonderful and ignore the rest? I think that is what I used to believe…I don’t believe that anymore. Love is seeing every damn rotten thing about someone and loving them anyway. It’s not being too afraid to look deep inside another person and still being able to see all the good messed up in with the bad. Love is accepting the shit as well as the roses. I think I failed to ever smell the bullshit. I only smelled the roses and never realized that it is the shit that makes the roses bloom.
Monika Basile (The Queen of Broken Things)
Go away,” she said voicelessly. Aureliano, smiled, picked her up by the waist with both hands like a pot of begonias, and dropped her on her back on the bed. With a brutal tug he pulled off her bathrobe before she had time to resist and he loomed over an abyss of newly washed nudity whose skin color, lines of fuzz, and hidden moles had all been imagined in the shadows of the other rooms. Amaranta Úrsula defended herself sincerely with the astuteness of a wise woman, weaseling her slippery, flexible, and fragrant weasel’s body as she tried to knee him in the kidneys and scorpion his face with her nails, but without either of them giving a gasp that might not have been taken for that”“breathing of a person watching the meager April sunset through the open window. It was a fierce fight, a battle to the death, but it seemed to be without violence because it consisted of distorted attacks and ghostly evasions, slow, cautious, solemn, so that during it all there was time for the petunias to bloom and for Gaston to forget about his aviator’s dream in the next room, as if they were two enemy lovers seeking reconciliation at the bottom of an aquarium. In the heat of that savage and ceremonious struggle, Amaranta Úrsula understood that her meticulous silence was so irrational that it could awaken the suspicions of her nearby husband much more than the sound of warfare that they were trying to avoid. Then she began to laugh with her lips tight together, without giving up the fight, but defending herself with false bites and deweaseling her body little by little until they both were conscious of being adversaries and accomplices at the same time and the affray degenerated into a conventional gambol and the attacks became”“caresses. Suddenly, almost playfully, like one more bit of mischief, Amaranta Úrsula dropped her defense, and when she tried to recover, frightened by what she herself had made possible, it was too late. A great commotion immobilized her in her center of gravity, planted her in her place, and her defensive will was demolished by the irresistible anxiety to discover what the orange whistles and the invisible globes on the other side of death were like. She barely had time to reach out her hand and grope for the towel to put a gag between her teeth so that she would not let out the cat howls that were already tearing at her insides.
Gabriel García Márquez (One Hundred Years of Solitude)
Do these past days mean nothing?” he asked, so gently that my weak self curled around his words. But I would no longer be weak. I tapped into that power in my veins and a shimmering wall of flames sprang up between us. Amar jumped back, shocked and then…amused. “A little ruthlessness is to be admired, but it’s cruel to play with a powerless heart.” “Crueler still to promise equality and hide a person’s true self.” “I thought it was best for you,” he repeated. “Strange how something that only affected me was decided by you.” Amar’s smile turned cold. “My promises were true. You seek to punish an illusion without fully knowing. What were your kisses, then? Vengeance?” The wall of flames shimmered away. Anger still flared inside me, but now it was mixed with something else. Something I couldn’t push away, despite fury. Want. “They were nothing,” I lied. “They meant nothing.” I didn’t look at him. And then, a bloom of cold erupted beside me and Amar was at my side. His fingers traced a secret calligraphy along my arms. “Nothing at all?” My heart twisted. I reached forward, my hands tangling in his hair as I kissed him. It was a kiss meant to devour, to summon war. And when I broke it, my voice was harsh: “My kisses mean nothing.” “Cruel queen,” he murmured, tilting my head back. His lips skimmed down my neck. Amar’s hands gripped my waist, before tracing the outline of my hips. Heat flared through my body. But just as I pulled him closer, a sudden clash echoed in the hallway, and we sprang apart.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
I charge you with a phrase from the gospel of John, Updike that is: Your only duty is to give the mundane its beautiful due. You step from this moment with scripture and stole ordained to the ordinary. Ours is an existence in something more than the husk it once was but not yet the bloom it shall be; in other words, you are charged to the in-between, middle-earth, us. Yes, our lives are sewn on occasion with a texture of joy unmistakable, the foretastes. But many days, if not most hours, reek of repetition, a mundane rising and falling punctuated with what the old hymn writer penned as “seasons of distress and grief.” The relief you are charged to bring to our souls in times like these is beauty – nothing more, nothing less. It is your only duty. Give up all other ambitions for the dross they are. Give the mundane its beautiful due. Bear witness to the truth we so often bury, that our lives are shot through with drama, interest, relevance, importance, and poetry. Live among us, story by story, with both precision and surprisingness. Help us to believe in God by startling us with the kicker – God believes in us. Know this, that yours is not so much a high calling as it is a careful attention; you are to be a person of prayer, not big britches. Once you begin a gesture it's often fatal not to go through with it, so please, for the love of God and us and you, go through with this. The world for you may be even harder from here on in, but most things worth doing are hard. So break and bless and preach and teach and laugh and sing and weep and rage and whisper at the altar of this astonishingly splendid fallen world. Give the mundane its beautiful due. Amen and amen.
John Blase
The poulterers' shops were still half open, and the fruiterers' were radiant in their glory. There were great, round, pot-bellied baskets of chestnuts, shaped like the waistcoats of jolly old gentleman, lolling at the doors, and tumbling out into the street in their apoplectic opulence. There were ruddy, brown-faced broad-girthed Spanish onions, shining in the fatness of their growth like Spanish friars, and winking from their shelves in wanton slyness at the girls as they went by, and glanced demurely at the hung-up mistletoe. There were pears and apples, clustered high in blooming pyramids; there were bunches of grapes, made, in the shopkeepers' benevolence, to dangle from conspicuous hooks, that people's mouths might water gratis as they passed; there were piles of filberts, mossy and brown, recalling, in their fragrance, ancient walks among the woods, and pleasant shufflings ankle deep through withered lanes; there were Norfolk Biffins, squab and swarthy, setting off the yellow of the oranges and lemons, and, in the great compactness of their juicy persons, urgently entreating and beseeching to be carried home in paper bags and eaten after dinner.
Charles Dickens (A Christmas Carol)
Are the religious individuals in a society more moral than the secular ones? Many researchers have looked into this, and the main finding is that there are few interesting findings. There are subtle effects here and there: some studies find, for instance, that the religious are slightly more prejudiced, but this effect is weak when one factors out other considerations, such as age and political attitudes, and exists only when religious belief is measured in certain ways. The only large effect is that religious Americans give more to charity (including nonreligious charities) than atheists do. This holds even when one controls for demographics (religious Americans are more likely than average to be older, female, southern, and African American). To explore why this relationship exists, the political scientists Robert Putnam and David Campbell asked people about life after death, the importance of God to morality, and various other facets of religious belief. It turns out that none of their answers to such questions were related to behaviors having to do with volunteering and charitable giving. Rather, participation in the religious community was everything. As Putnam and Campbell put it, “Once we know how observant a person is in terms of church attendance, nothing that we can discover about the content of her religious faith adds anything to our understanding or prediction of her good neighborliness.… In fact, the statistics suggest that even an atheist who happened to become involved in the social life of the congregation (perhaps through a spouse) is much more likely to volunteer in a soup kitchen than the most fervent believer who prays alone. It is religious belongingness that matters for neighborliness, not religious believing.” This importance of community, and the irrelevance of belief, extends as well to the nastier effects of religion. The psychologist Jeremy Ginges and his colleagues found a strong relationship between religiosity and support for suicide bombing among Palestinian Muslims, and, again, the key factor was religious community, not religious belief: mosque attendance predicted support for suicide attacks; frequency of prayer did not. Among Indonesian Muslims, Mexican Catholics, British Protestants, Russian Orthodox in Russia, Israeli Jews, and Indian Hindus, frequency of religious attendance (but again, not frequency of prayer) predicts responses to questions such as “I blame people of other religions for much of the trouble in this world.
Paul Bloom (Just Babies: The Origins of Good and Evil)
When Benjamin Bloom studied his 120 world-class concert pianists, sculptors, swimmers, tennis players, mathematicians, and research neurologists, he found something fascinating. For most of them, their first teachers were incredibly warm and accepting. Not that they set low standards. Not at all, but they created an atmosphere of trust, not judgment. It was, “I’m going to teach you,” not “I’m going to judge your talent.” As you look at what Collins and Esquith demanded of their students—all their students—it’s almost shocking. When Collins expanded her school to include young children, she required that every four-year-old who started in September be reading by Christmas. And they all were. The three- and four-year-olds used a vocabulary book titled Vocabulary for the High School Student. The seven-year-olds were reading The Wall Street Journal. For older children, a discussion of Plato’s Republic led to discussions of de Tocqueville’s Democracy in America, Orwell’s Animal Farm, Machiavelli, and the Chicago city council. Her reading list for the late-grade-school children included The Complete Plays of Anton Chekhov, Physics Through Experiment, and The Canterbury Tales. Oh, and always Shakespeare. Even the boys who picked their teeth with switchblades, she says, loved Shakespeare and always begged for more. Yet Collins maintained an extremely nurturing atmosphere. A very strict and disciplined one, but a loving one. Realizing that her students were coming from teachers who made a career of telling them what was wrong with them, she quickly made known her complete commitment to them as her students and as people. Esquith bemoans the lowering of standards. Recently, he tells us, his school celebrated reading scores that were twenty points below the national average. Why? Because they were a point or two higher than the year before. “Maybe it’s important to look for the good and be optimistic,” he says, “but delusion is not the answer. Those who celebrate failure will not be around to help today’s students celebrate their jobs flipping burgers.… Someone has to tell children if they are behind, and lay out a plan of attack to help them catch up.” All of his fifth graders master a reading list that includes Of Mice and Men, Native Son, Bury My Heart at Wounded Knee, The Joy Luck Club, The Diary of Anne Frank, To Kill a Mockingbird, and A Separate Peace. Every one of his sixth graders passes an algebra final that would reduce most eighth and ninth graders to tears. But again, all is achieved in an atmosphere of affection and deep personal commitment to every student. “Challenge and nurture” describes DeLay’s approach, too. One of her former students expresses it this way: “That is part of Miss DeLay’s genius—to put people in the frame of mind where they can do their best.… Very few teachers can actually get you to your ultimate potential. Miss DeLay has that gift. She challenges you at the same time that you feel you are being nurtured.
Carol S. Dweck (Mindset: The New Psychology of Success)
When the card came back you couldn't have found any red on it with a microscope. The pitchman handed down a ponderous mohair Teddybear and Ballard slapped down three dimes again. When he had won two bears and a tiger and a small audience the pitchman took the rifle away from him. That's it for you, buddy, he hissed. You never said nothin about how many times you could win. Step right up, sang the barker. Who's next now. Three big grand prizes per person is the house limit. Who's our next big winner. Ballard loaded up his bears and the tiger and started off through the crowd. They lord look at what all he's won, said a woman. Ballard smiled tightly. Young girls' faces floated past, bland and smooth as cream. Some eyed his toys. The crowd was moving toward the edge of a field and assembling there, Ballard among them, a sea of country people watching into the dark for some midnight contest to begin. A light sputtered off in the field and a blue tailed rocket went skittering toward Canis Major. High above their upturned faces it burst, sprays of lit glycerine flaring across the night, trailing down the sky in loosely falling ribbons of hot spectra soon. burnt to naught. Another went up, a long whishing sound, fishtailing aloft. In the bloom of its opening you could see like its shadow the image of the rocket gone before, the puff of black smoke and ashen trails arcing out and down like a huge and dark medusa squatting in the sky. In the bloom of light too you could see two men out in the field crouched over their crate of fireworks like assassins or bridge blowers. And you could see among the faces a young girl with candy apple on her lips and her eyes wide. Her pale hair smelled of soap, woman child from beyond the years, rapt below the sulphur glow and pitch light of some medieval fun fair. A lean sky long candle skewered the black pools in her eyes. Her fingers clutched. In the flood of this breaking brimstone galaxy she saw the man with the bears watching her and she edged closer to the girl by her side and brushed her hair with two fingers quickly.
Cormac McCarthy (Child of God)