Bloom With Grace Quotes

We've searched our database for all the quotes and captions related to Bloom With Grace. Here they are! All 100 of them:

Do not stand at my grave and weep, I am not there, I do not sleep. I am in a thousand winds that blow, I am the softly falling snow. I am the gentle showers of rain, I am the fields of ripening grain. I am in the morning hush, I am in the graceful rush Of beautiful birds in circling flight, I am the starshine of the night. I am in the flowers that bloom, I am in a quiet room. I am in the birds that sing, I am in each lovely thing. Do not stand at my grave bereft I am not there. I have not left.
Mary Elizabeth Frye
How could you give me life, and take from me all the inappreciable things that raise it from the state of conscious death? Where are the graces of my soul? Where are the sentiments of my heart? What have you done, oh, Father, What have you done with the garden that should have bloomed once, in this great wilderness here? Said louisa as she touched her heart.
Charles Dickens (Hard Times)
Augustus Waters was sitting on the front step as we pulled into the driveway. He was holding a bouquet of bright orange tulips just beginning to bloom.
John Green (The Fault in Our Stars)
How could you not know?" His voice was full of wonderment. "You changed me utterly. You were like a...like a bright, wonderful bloom in a garden full of weeds. Like a graceful capital on a page of plain script, a letter decorated with the deepest, finest colors in all Erin. Like a flame, Caitrin. Like a song.
Juliet Marillier (Heart's Blood)
One wants to move through life with elegance and grace, blossoming infrequently but with exquisite taste, and perfect timing, like a rare bloom, a zebra orchid... One wants... But one so seldom gets what one wants, does one?
Tony Kushner (Angels in America)
The desert weed lives on, but the flower of spring blooms and wilts. Such grace, such dignity, such a tragedy.
Khaled Hosseini (The Kite Runner)
Wherever life plants you, bloom with grace
Lisina Coney (The Brightest Light of Sunshine (The Brightest Light, #1))
Piper leaned toward [Jason], her caramel braid falling over her shoulder. Her multicolored eyes made it hard for him to think straight. “And where is this place?” she asked. “A . . . uh, a town called Split.” “Split.” She smelled really good—like blooming honeysuckle. “Um, yeah.” Jason wondered if Piper was working some sort of Aphrodite magic on him—like maybe every time he mentioned Reyna’s name, she would befuddle him so much he couldn’t think about anything but Piper. He supposed it wasn’t the worst sort of revenge.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
The Reformation was a time when men went blind, staggering drunk because they had discovered, in the dusty basement of late medievalism, a whole cellar full of fifteen-hundred-year-old, two-hundred proof Grace–bottle after bottle of pure distilate of Scripture, one sip of which would convince anyone that God saves us single-handedly. The word of the Gospel–after all those centuries of trying to lift yourself into heaven by worrying about the perfection of your bootstraps–suddenly turned out to be a flat announcement that the saved were home before they started…Grace has to be drunk straight: no water, no ice, and certainly no ginger ale; neither goodness, nor badness, not the flowers that bloom in the spring of super spirituality could be allowed to enter into the case.
Robert Farrar Capon (Between Noon & Three: Romance, Law & the Outrage of Grace)
Originality must compound with inheritance.
Harold Bloom (The Western Canon: The Books and School of the Ages)
Some changes occur suddenly like a brilliant flash of lightning striking across a dark sky. These changes are stunning, exciting but can be quickly forgotten. Other changes happen slowly, gradually, like a flower blooming in early spring, each day unfurling its petals another fraction of an inch towards the warm, nurturing sun. These changes are as inevitable as nature running its course; they’re meant to be.
Suzi Davis
What am I supposed to say to that, Grace?” “Say you believe me. Say you know it’s not your fault. Say—” “I love you.” I gasp, then let out a slow, shuddering breath as tears I don’t even try to hide bloom in my eyes. “Or you could say that. You could very definitely say that.” “It’s true,” he whispers. “I’m so in love with you.
Tracy Wolff (Crave (Crave, #1))
Bringing fortune to our house! Making Fruitless Mountain bloom! You're always wishing to do impossible things! Stop believing stories and stop wasting your time.
Grace Lin (Where the Mountain Meets the Moon)
Life is fragile Grace – it is no more than a petal of cherry blossom; thriving and in full bloom one minute and blown to the ground by a sudden gust of wind the next. We shouldn’t take our life for granted and we should do whatever we can to make ourselves happy.
Hazel Gaynor (The Girl Who Came Home)
All beautiful things in life need the sun to bloom and thrive. We might not know each other very well yet, but I have no doubt you're the brightest light of sunshine, Grace.
Lisina Coney (The Brightest Light of Sunshine (The Brightest Light, #1))
We are all just curious little humans with dreams in our hearts and stardust in our souls.
grace gegenheimer (The Way She Blooms)
The peace of Manderley. The quietude and the grace. Whoever lived within its walls, whatever trouble there was and strife, however much uneasiness and pain, no matter what tears were shed, what sorrows borne, the peace of Manderley could not be broken or the loveliness destroyed. The flowers that died would bloom again another year, the same birds build their nests, the same trees blossom. That old quiet moss smell would linger in the air, and the bees would come, and crickets, the herons build their nests in the deep dark woods. The butterflies would dance their merry jug across the lawns, and spiders spin foggy webs, and small startled rabbits who had no business to come trespassing poke their faces through the crowded shrubs. There would be lilac, and honeysuckle still, and the white magnolia buds unfolding slow and tight beneath the dining-room window. No one would ever hurt Manderley. It would lie always in its hollow like an enchanted thing, guarded by the woods, safe, secure, while the sea broke and ran and came again in the little shingle bays below.
Daphne du Maurier (Rebecca)
The people thrown into other cultures go through something of the anguish of the butterfly, whose body must disintegrate and reform more than once in its life cycle. In her novel “Regeneration,” Pat Barker writes of a doctor who “knew only too well how often the early stages of change or cure may mimic deterioration. Cut a chrysalis open, and you will find a rotting caterpillar. What you will never find is that mythical creature, half caterpillar, half butterfly, a fit emblem of the human soul, for those whose cat of mind leads them to seek such emblems. No, the process of transformation consists almost entirely of decay.” But the butterfly is so fit an emblem of the human soul that its name in Greek is “psyche,” the word for soul. We have not much language to appreciate this phase of decay, this withdrawal, this era of ending that must precede beginning. Nor of the violence of the metamorphosis, which is often spoken of as though it were as graceful as a flower blooming.
Rebecca Solnit (A Field Guide to Getting Lost)
God’s grace is more clearly seen and more deeply savored in our weaknesses than in our strengths.
Jon Bloom (Not by Sight: A Fresh Look at Old Stories of Walking by Faith)
Under blue skies, on cracked rocks, in dry heat, in desert land, grace is the hand that is never out of reach reminding you: you are not weak because you are lonely.
Morgan Harper Nichols (All Along You Were Blooming: Thoughts for Boundless Living)
How happy is the blameless vestal's lot! The world forgetting, by the world forgot. Eternal sunshine of the spotless mind! Each pray'r accepted, and each wish resign'd; Labour and rest, that equal periods keep; "Obedient slumbers that can wake and weep;" Desires compos'd, affections ever ev'n, Tears that delight, and sighs that waft to Heav'n. Grace shines around her with serenest beams, And whisp'ring angels prompt her golden dreams. For her th' unfading rose of Eden blooms, And wings of seraphs shed divine perfumes, For her the Spouse prepares the bridal ring, For her white virgins hymeneals sing, To sounds of heav'nly harps she dies away, And melts in visions of eternal day.
Alexander Pope (Eloisa to Abelard)
His heart was a rose and in his skull another rose bloomed. The room was full of grace. A sweet, clean grace, not washed clean, but clean as the innersides of the inner petals of a newly forced rosebud.
Nathanael West (Miss Lonelyhearts)
Sometimes hidden from me in daily custom and in trust, so that I live by you unaware as by the beating of my heart, Suddenly you flare in my sight, a wild rose blooming at the edge of thicket, grace and light where yesterday was only shade, and once again I am blessed, choosing again what I chose before.
Wendell Berry (The Selected Poems of Wendell Berry)
At the time I now write of, Father Mapple was in the hardy winter of a healthy old age; that sort of old age which seems merging into a second flowering youth, for among all the fissures of his wrinkles, there shone certain mild gleams of a newly developing bloom - the spring verdure peeping forth even beneath February's snow.
Herman Melville (Moby-Dick or, The Whale)
I curtsied. 'Thank you, Mr. Stansbury. And I apologize for my lack of grace.' He bowed. 'Never apologize for being courageous, Miss Withersby.
Siri Mitchell (Like a Flower in Bloom)
No matter how many obstacles were thrown my way, no matter how many times I felt I would never be enough, no matter where life planted me… I bloomed with grace.
Lisina Coney (The Brightest Light of Sunshine (The Brightest Light, #1))
Nostalgia can be bitter or it can be sweet, but it doesn't really matter because I've always liked the taste of memories.
grace gegenheimer (The Way She Blooms)
Blooming and withering both are inevitable. Let's stay graceful in the process.
Nitya Prakash
You are your truest you not when you are analyzing yourself or measuring yourself against someone else. You are your truest you when your eyes are fixed on Jesus (Heb. 12:2), when you are following him in faith, and when you are serving others in love with the grace-gifts God has assigned to you
Jon Bloom (Things Not Seen: A Fresh Look at Old Stories of Trusting God's Promises)
Reflection is time sensitive; and with the realization that the 'present' and 'future' can be altered, it is also purposeful, for we can set goals to grow into a graceful work of art. Reflection is deliberate and purposeful. It is our past that provides us the wisdom and experience when to bloom and show everyone "I am a beautiful flower.
Patricia H. Graham
No one dies halfway through the last act. – Heinrich Ibsen
Harold Bloom (The Western Canon: The Books and School of the Ages)
we will love God to the degree that we recognize the magnitude of our sins and the immensity of God’s grace to forgive them.
Jon Bloom (Not by Sight: A Fresh Look at Old Stories of Walking by Faith)
To be a woman is to harness the power of the earth below you, sky above you, and fire within you.
grace gegenheimer (The Way She Blooms)
It gives me... gives me hope. In second chances. In the different manifestations of love. In the inexplicable avenues of God's grace.
S.N. Clemens (Virginia Bloom (Virginia Home))
Wherever life plants you, bloom with grace.
Anonymous
Like the night before, I found her naked and sitting on the edge of her bed. Unaware I was there, she continued to massage her legs, their blue-green veins twisting beneath her skin. I wasn't as afraid seeing her body this second night. In the folds and creases, I saw her history. Her skin was the diary of her soul. All the springs she had watched the flowers bloom. The summers she had stood before the moon and kissed its face. The autumns she had grown wiser. The winters that had frozen the initials of her name. Each wrinkle was a record of this and of every hour, minute, and second she had lived. All her secrets were written in her skin. The things she had asked God for. The things she had cursed the devil about. In such age before me, I saw only beauty.
Tiffany McDaniel (Betty)
All he cared about was the woman wrapped in his arms, whispering her love for him, and the overwhelming sensation of hope that began to bloom among all the parts of him that belonged to his Grace.
Sophie Jackson (An Ounce of Hope (A Pound of Flesh, #2))
Spanking must be steady, rhythmic, slap, slap, slap, slap, slap, moving from one area to another until both cheeks glow with a rosy bloom that lights the charge and sends the electric message to the restless clitoris.
Chloe Thurlow (A Girl's Adventures)
A fit queen for that nest of roses was the human flower that adorned it, for a year of love and luxury had ripened her youthful beauty into a perfect bloom. Graceful by nature, art had little to do for her, and, with a woman’s aptitude, she had acquired the polish which society alone can give. Frank and artless as ever, yet less free in speech, less demonstrative in act; full of power and passion, yet still half unconscious of her gifts; beautiful with the beauty that wins the heart as well as satisfies the eye, yet unmarred by vanity or affectation. She now showed fair promise of becoming all that a deep and tender heart, an ardent soul and a gracious nature could make her, once life had tamed and taught her more.
Louisa May Alcott (A Long Fatal Love Chase)
Mount Fuji was mostly invisible n the summer, but on clear days she could see its grand and graceful silhouette dominating the northern sky. White herons gathered in the river upstream from laundry suds pouring out of a city grate, and hydrangeas bloomed on the banks, dropping blue and lavender petals over soda cans and bento cartons littered beside the asphalt.
Sara Backer (American Fuji)
Impatiently I waited for evening, when I might summon you to my presence. An unusual– to me– a perfectly new character, I suspected was yours; I desired to search it deeper, and know it better. You entered the room with a look and air at once shy and independent; you were quaintly dress– much as you are now. I made you talk; ere long I found you full of strange contrasts. Your garb and manner were restricted by rule; your air was often diffident, and altogether that of one refined by nature, but absolutely unused to society, and a good deal afraid of making herself disadvantageously conspicuous by some solecism or blunder; yet, when addressed, you lifted a keen, a daring, and a glowing eye to your interlocutor’s face; there was penetration and power in each glance you gave; when plied by close questions, you found ready and round answers. Very soon you seemed to get used to me – I believe you felt the existence of sympathy between you and your grim and cross master, Jane; for it was astonishing to see how quickly a certain pleasant ease tranquilized your manner; snarl as I would, you showed no surprise, fear, annoyance, or displeasure, at my moroseness; you watched me, and now and then smiled at me with a simple yet sagacious grace I cannot describe. I was at once content and stimulated with what I saw; I liked what I had seen, and wished to see more. Yet, for a long time, I treated you distantly, and sought your company rarely, I was an intellectual epicure, and wished to prolong the gratification of making this novel and piquant acquaintance; besides, I was for a while troubled with a haunting fear that if I handled the flower freely its bloom would fade – the sweet charm of freshness would leave it. I did not then know that it was no transitory blossom, but rather the radiant resemblance of one, cut in an indestructible gem. Moreover, I wished to see whether you would seek me if I shunned you – but you did not; you kept in the school-room as still as your own desk and easel; if by chance I met you, you passed me as soon, and with as little token of recognition, as was consistent with respect. Your habitual expression in those days, Jane, was a thoughtful look; not despondent, fro you were not sickly; but not buoyant, for you had little hope, and no actual pleasure. I wondered what you thought of me– or if you ever thought of me; to find this out, I resumed my notice of you. There was something glad in your glance, and genial in your manner, when you conversed; I saw you had a social heart; it was the silent school-room– it was the tedium of your life that made you mournful. I permitted myself the delight of being kind to you; kindness stirred emotion soon; your face became soft in expression, your tones gentle; I liked my name pronounced by your lips in a grateful, happy accent. I used to enjoy a chance meeting with you, Jane, at this time; there was a curious hesitation in your manner; you glanced at me with a slight trouble– a hovering doubt; you did not know what my caprice might be– whether I was going to play the master, and be stern– or the friend, and be benignant. I was now too fond of you often to stimulate the first whim; and, when I stretched my hand out cordially, such bloom, and light, and bliss, rose to your young, wistful features, I had much ado often to avoid straining you then and there to my heart.
Charlotte Brontë (Jane Eyre)
You will never find Jesus so precious, as when the world is one vast howling wilderness. Then He is like a rose blooming in the midst of the desolation, or a rock rising above the storm! Do not set your hearts on any of the flowers of this world. They shall all fade and die. Prize the Rose of Sharon and the Lily of the Valley. Jesus never changes! Live nearer to Christ than to any person on this earth; so that when they are taken away, you may have Him to love and lean upon. “Yes, He is altogether lovely. This is my Beloved, and this is my Friend!” (Song of Solomon 5:16)
Robert Murray M'Cheyne
RATHER THAN WORRY ABOUT CREATING A LIFE THAT WAS IMPRESSIVE, SHE TURNED HER ATTENTION TO CREATING A LIFE THAT WAS BRAVE. SHE TURNED HER ATTENTION TO BEAUTY OVER PERFECTION, LOVE OVER COMPARISON, AND TELLING A STORY OF GRACE, INSPIRING OTHERS TO DO THE SAME. Not everyone’s strength looks the same.
Morgan Harper Nichols (All Along You Were Blooming: Thoughts for Boundless Living (Morgan Harper Nichols Poetry Collection))
In my mind, no other flower can compete with the perfection and the fragrance of the Peony. The silky petals, delicate shape, romantic shades and graceful foliage make this flower my all time favorite and I’m not alone. Brides plan their wedding dates around peony season. Flower enthusiasts plant them all through their gardens. Florists go crazy over all the different shades available from white, to coral, yellow to reds and every imaginable pink!  Sadly, this bloom can only be enjoyed in nature for a very short time each year. That’s the reason their paper counterparts have become such a hit!
Chantal Larocque (Bold & Beautiful Paper Flowers: More Than 50 Easy Paper Blooms and Gorgeous Arrangements You Can Make at Home)
.... she was like a flower. And suddenly, for a vivid minute, Hercule Poirot had a new conception of the dead girl. In that halting rustic voice the girl Mary lived and bloomed again. "She was like a flower." There was suddenly a poignant sense of loss, of something exquisite destroyed. In his mind phrase after phrase succeeded each other. Peter Lord's "She was a nice kid." Nurse Hopkins's "She could have gone on the films any time." Mrs. Bishop's venomous "No patience with her airs and graces." And now last, putting to shame, laying aside those other views, the quiet, wondering, "She was like a flower.
Agatha Christie (Sad Cypress (Hercule Poirot, #22))
With life blooming inside her, the water answered her questions with a whispered yes, and part of her knew home. In a tidal river on the Virginia coast she encountered a peculiar creature that scuttled the riverbed. She held it up and examined the graceful curve of its shell, its neat spike of a tail, and spidery feet that kicked and scratched at the air as she cradled it in her palm. A wonder just for her, she thought. The flickering of a child inside her laughed. Evangeline
Erika Swyler (The Book of Speculation)
Standing in front of the white picket fence, I stared at the multitude of champagne roses weaving their hunter green vines gracefully through and around the fence. Soft hints of pink hues whispered from the centers of the blooms. Their petals covered the lush ground and rolled in a lazy dance with the warm summer breeze...
Leah P Lozano (Immortalis: The Guardian)
The billions of flowers blooming around the globe are preachers with a single message: “Don't worry! God cares for our needs.
Robert J. Morgan (My All in All: Daily Assurance of God's Grace)
I hope you know it is okay to lean into the grace that reminds you things will come together in the way they were supposed to.
Morgan Harper Nichols (All Along You Were Blooming: Thoughts for Boundless Living)
The cold Camellia only, stiff and white, Rose without perfume, lily without grace, When chilling winter shows his icy face, Blooms for a world that vainly seeks delight.
Honoré de Balzac
It was one of those yearning and gentle days of late spring, suddenly warm, when the air turns greenish yellow, so thick is it with pollen and bloom.
Grace Dane Mazur (The Garden Party: A Novel)
The thing about poets is we need heartache and madness and loss like the air we breathe - for without the chaos, words are just tiny letters without a soul.
grace gegenheimer (The Way She Blooms)
I think that the most beautiful of people are like exquisite serpents— glorious sheen, glorious patterns and elaborate grace— but you do wrong to cast envy upon them, lest you want to also taste of the venom they carry in their mouthes! Beauty is so often born from adversity of circumstance, like the lotus born of the mud, reaching up through the water and into the light! I often wake up from dreams of being underwater, I suppose I am a lotus flower that has made her way! But you do wrong to envy the lotus blossom, for you know not of her journey! Not all of us are serpents and lotus flowers, not all of us are beautiful like that; too many people just sit there, ignorantly casting envy on what they do not even comprehend!
C. JoyBell C.
The arbutus is now open everywhere in the woods and groves. How pleasant it is to meet the same flowers year after year! If the blossoms were liable to change–if they were to become capricious and irregular–they might excite more surprise, more curiosity, but we should love them less; they might be just as bright, and gay, and fragrant under other forms, but they would not be the violets, and squirrel-cups, and ground laurels we loved last year. Whatever your roving fancies may say, there is a virtue in constancy which has a reward above all that fickle change can bestow, giving strength and purity to every affection of life, and even throwing additional grace about the flowers which bloom in our native fields. We admire the strange and brilliant plant of the green-house, but we love most the simple flowers we have loved of old, which have bloomed many a spring, through rain and sunshine, on our native soil.
Susan Fenimore Cooper
Her hair was dyed, and her bloom was fading, and she must have been crowding forty, but she seemed to be one of those women who cling to the manners and graces of a pretty child of eight.
John Cheever
Oh little Poupchette, some may tell you that you are nobody's child, a child of defilement, a child begotten in fear and horror. Some may tell you that you are a child of abomination conceived in abomination, a tainted child, a child polluted long before you were born. Do not pay attention to them, my little sweetheart, please do not listen to them; listen to me. I say you are my child and I love you. I sometimes say that out of horror, beauty and purity and grace are born. I say I am your father for ever. I say the loveliest rose can bloom in contaminated soil. I say you are the dawn, the light of all my tomorrows, and the only thing that matters is the promise you represent. I say you are my luck and my forgiveness. My darling Poupchette, I say you are my whole life.
Philippe Claudel (Brodeck)
The first day of spring, the vernal equinox—the season of renewal when the earth sheds its winter cloak, flowers bloom, and the heart feels as though everything is once again imaginable. The smell of fresh-cut grass, shagging fly balls, and scraping mud from baseball cleats. A brief contemplation and tear for those gone from the field, their easy laugh and nimble sprint no longer gracing the game.
Galen Watson
To speak truth, reader, there is no excellent beauty, no accomplished grace, no reliable refinement, without strength as excellent, as complete, as trustworthy. As well might you look for good fruit and blossom on a rootless and sapless tree, as for charms that will endure a feeble and relaxed nature. For a little while the blooming semblance of beauty may flourish round weakness; but it cannot bear a blast: it soon fades, even in serenest sunshine.
Charlotte Brontë
Do not stand at my grave and weep, I am not there, I do not sleep. I am in a thousand winds that blow, I am the softly falling snow. I am the gentle showers of rain, I am the fields of ripening grain. I am in the morning hush, I am in the graceful rush Of beautiful birds in circling flight, I am the starshine of the night. I am in the flowers that bloom, I am in a quiet room. I am in the birds that sing, I am in each lovely thing. Do not stand at my grave and cry, I am not there. I do not die.
Mary Elizabeth Frye
Ode to Love Lin Huiyin I think you are the April of this world, Sure, you are the April of this world. Your laughter has lit up all the wind, So gently mingling with the spring. You are the clouds in early spring, The dusk wind blows up and down. And the stars blink now and then, Fine rain drops down amid the flowers. So gentle and graceful, You are crowned with garlands. So sublime and innocent, You are a full moon over each evening. The snow melts, with that light yellow, You look like the first budding green. You are the soft joy of white lotus Rising up in your fancy dreamland. You’re the blooming flowers over the trees, You’re a swallow twittering between the beams; Full of love, full of warm hope, You are the spring of this world!
Lin Huiyin (April on the World(the Selection of Lin Huiyin) (Chinese Edition))
The Word Wonder or dream from distant land I carried to my country's strand And waited till the twilit norn Had found the name within her bourn— Then I could grasp it close and strong It blooms and shines now the front along... Once I returned from happy sail, I had a prize so rich and frail, She sought for long and tidings told: "No like of this these depths enfold." And straight it vanished from my hand, The treasure never graced my land... So I renounced and sadly see: Where word breaks off no thing may be.
Stefan George (Das Neue Reich)
Now Morn, her rosy steps in the eastern clime Advancing, sowed the earth with orient pearl, When Adam waked, so customed; for his sleep Was aerie-light, from pure digestion bred, And temperate vapors bland, which the only sound Of leaves and fuming rills, Aurora's fan, Lightly dispersed, and the shrill matin song Of birds on every bough; so much the more His wonder was to find unwakened Eve With tresses discomposed, and glowing cheek, As through unquiet rest: He, on his side Leaning half raised, with looks of cordial love Hung over her enamored, and beheld Beauty, which, whether waking or asleep, Shot forth peculiar graces; then with voice Mild, as when Zephyrus on Flora breathes, Her hand soft touching, whispered thus. Awake, My fairest, my espoused, my latest found, Heaven's last best gift, my ever new delight! Awake: The morning shines, and the fresh field Calls us; we lose the prime, to mark how spring Our tender plants, how blows the citron grove, What drops the myrrh, and what the balmy reed, How nature paints her colors, how the bee Sits on the bloom extracting liquid sweet.
John Milton (Paradise Lost)
Are you disappointed?” Cullen glanced to her face as she drew the linens up, covering herself. “In what?” “I am not as buxom, or big, or tall as little Maggie,” she pointed out quietly. He almost laughed, but then realized she was serious. Women were a strange breed, Cullen decided. The truth was he liked her body. He’d liked Maggie’s, too. They were both beautiful in their own ways. Evelinde’s was slim and graceful like a rosebud rising out of the earth. Maggie had been full and ripe like a rose in full bloom. Both were roses and both beautiful.
Lynsay Sands (Devil of the Highlands (Devil of the Highlands, #1))
Azriel arrived first, no shadows to be seen, my sister a pale, golden mass in his arms. He, too, wore his Illyrian armour, Elain's golden-brown hair snagging in some of the black scales across his chest and shoulders. He set her down gently on the foyer carpet, having carried her in through the front door. Elain peered up at his patient, solemn face. Azriel smiled faintly. 'Would you like me to show you the garden?' She seemed so small before him, so fragile compared to the scales of his fighting leathers, the breadth of his shoulders. The wings peeking over them. But Elain did not balk from him, did not shy away as she nodded- just once. Azriel, graceful as any courtier, offered her an arm. I couldn't tell if she was looking at his blue Siphons or at his scarred skin beneath as she breathed, 'Beautiful.' Colour bloomed high on Azriel's golden-brown cheeks, but he inclined his head in thanks and led my sister toward the back doors into the garden, sunlight bathing them.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
The father and daughter made their way north, through unknown sylvan paradises where only the owls and skunks know their way around. The hard work of paddling non-stop for many hours had long since stopped being difficult for Saweyimew. In spite of her beauty and grace, her back had grown strong and sinewy from years of canoe trips. She reveled in the exhilaration it always brought her, after the first few hours left her body insensible to pain or discomfort. Warm and tingly, lulled into peaceful contemplation by hours of the rhythmic paddling, the smell of the water, exotic blooms, animal musk. It all combined as one to make her feel so alive. Especially when it rained, and her body steamed against the cool drops, feeling invincible against the elements. The mountain of her father's back was like a rock against anything nature could throw against them. The stream of fragrant pipe-smoke still flowing from his lips, regardless of any obstacle. She felt at that moment, nothing would ever stop her father's pipe from smoking. Nothing, not death, not any force of the living or spirit world, would ever still her father's heart. Rain cleansing her to the core, she was a spring of raw power and self-reliance, paddling against all adversity--their master completely. Her father's daughter. At times like that, when it rained, she entirely understood and shared her father's outlook on life.
Alexei Maxim Russell (Forgotten Lore: Volume II)
And then there was the expansive garden that ran the length of the rear of the house- lush with color and fragrances that seemed to burst from every branch and bloom. Whoever had designed it possessed a keen eye for beauty, each plant chosen with obvious care and an affinity for nature. She'd even acquired a new cat from its depths, a stray orange tom she found wandering among the hydrangea bushes one morning. An offered dish of milk and he'd been her bosom beau ever since. She'd decided to call him Ranunculus because Buttercup was far too feminine a name for such a large and impressive male. She gazed at him now where he slept in the sunshine, basking like a small potentate in the heat of the day.
Tracy Anne Warren (Seduced by His Touch (The Byrons of Braebourne, #2))
It seldom is, at first, and thirty seems the end of all things to five-and-twenty. But it's not as bad as it looks, and one can get on quite happily if one has something in one's self to fall back upon. At twenty-five, girls begin to talk about being old maids, but secretly resolve that they never will be. At thirty they say nothing about it, but quietly accept the fact, and if sensible, console themselves by remembering that they have twenty more useful, happy years, in which they may be learning to grow old gracefully. Don't laugh at the spinsters, dear girls, for often very tender, tragic romances are hidden away in the hearts that beat so quietly under the sober gowns, and many silent sacrifices of youth, health, ambition, love itself, make the faded faces beautiful in God's sight. Even the sad, sour sisters should be kindly dealt with, because they have missed the sweetest part of life, if for no other reason. And looking at them with compassion, not contempt, girls in their bloom should remember that they too may miss the blossom time. That rosy cheeks don't last forever, that silver threads will come in the bonnie brown hair, and
Louisa May Alcott (Little Women (Illustrated))
For those future residents of Earth: may their world still be packed with mysteries. May they still grow giddy on the eve of a great adventure. May they become more responsible to one another and the planet. May they keep their taste for the renegade. May they never lose their sense of innocence and wonder. May they live to chase brash and astonishing dreams. May they return to tell me, if such a thing is possible, so that I can know the answer to a thousand scrupulous puzzles, hear of whole civilizations that bloomed and vanished, learn what travel to other solar systems has revealed, and behold the marvels that arose while I was gone. If that’s not possible, then I will have to make do with the playgrounds of mortality, and hope that at the end of my life I can say, simply, wholeheartedly, that is was grace enough to be born and live.
Diane Ackerman (Deep Play)
As beautiful as you are my lady, You sick answers to why love is never by your side Your heart wonders around trying to find your ideal love But yet nothing is completing your need. You’re a women of strength and resemble power within, Filled with joy on your angelic face, yet no good man appreciates it A laughter that one can capture for a lifetime, too bad that all the men you seem to meet erase it all You display Emotions that one can wish to dwell in and feel the energy you hold within. Take a stand my lady, no rose ever dies without growing back again, You need no tears to fall for a man who sees less in you You need no sad feeling to crush that happy self, he’ll never be worth the joy in you Show him no sad emotions, you’re too strong to give in now. As a flower you bloomed gracefully and a beautiful lady rose up from that seed the Lord God planted As a pillar you balanced yourself against all negative forces of life and that was your strength As an ocean you cried your tears out but that never hindered the ocean from being full again As a beautiful picture frame you lit up the room and no soul will ever take that away from you. Let yourself love you, is the greatest love one can ever behold, I’m done seeing you cry!!!
Molemo Sylence
but a man of pleasure like yourself ought to know that all who are in the flower of youth do somehow or other raise a pang or emotion in a lover's breast, and are thought by him to be worthy of his affectionate regards. Is not this a way which you have with the fair: one has a snub nose, and you praise his charming face; the hook-nose of another has, you say, a royal look; while he who is neither snub nor hooked has the grace of regularity: the dark visage is manly, the fair are children of the gods; and as to the sweet 'honey pale,' as they are called, what is the very name but the invention of a lover who talks in diminutives, and is not averse to paleness if appearing on the cheek of youth? In a word, there is no excuse which you will not make, and nothing which you will not say, in order not to lose a single flower that blooms in the spring-time of youth. If
Plato (The Republic)
To speak truth, reader, there is no excellent beauty, no accomplished grace, no reliable refinement, without strength as excellent, as complete, as trustworthy. As well might you look for good fruit and blossom on a rootless and sapless tree, as for charms that will endure in a feeble and relaxed nature. For a little while the blooming semblance of beauty may flourish round weakness, but it cannot bear a blast; it soon fades, even in the serenest sunshine.
Charlotte Brontë (Villette)
One lovely twilight, with the near garden in riotous bloom, Genji stepped onto a gallery that gave him a view of the sea, and such was the supernal grace of his motionless figure that he seemed in that setting not to be of this world at all. Over soft white silk twill and aster 49 he wore a dress cloak of deep blue, its sash only very casually tied; and his voice slowly chanting “I, a disciple of the Buddha Shakyamuni…” 50 was more beautiful than any they had ever heard before. From boats rowing by at sea came a chorus of singing voices. With a pang he watched them, dim in the offing, like little birds borne on the waters, and sank into a reverie as cries from lines of geese on high mingled with the creaking of oars, until tears welled forth, and he brushed them away with a hand so gracefully pale against the black of his rosary that the young gentlemen pining for their sweethearts at home were all consoled.
Murasaki Shikibu (The Tale of Genji)
Wait … there was a flower—” I start to yell, but one of the women elbows me hard in the ribs. I lose my breath; I lose my bearings. I get swept up in the crowd, and the further I get from Mrs. Fallow’s swaying body, the less I’m certain the bloom was ever there to begin with. Maybe this is how it starts—how I lose myself to the magic lurking inside of me. But even if it was real, what would it matter anyway? After all, it’s just a flower. And I’m only one girl.
Kim Liggett (The Grace Year)
At Last At last, when all the summer shine That warmed life’s early hours is past, Your loving fingers seek for mine And hold them close—at last—at last! Not oft the robin comes to build Its nest upon the leafless bough By autumn robbed, by winter chilled,— But you, dear heart, you love me now. Though there are shadows on my brow And furrows on my cheek, in truth,— The marks where Time’s remorseless plough Broke up the blooming sward of Youth,— Though fled is every girlish grace Might win or hold a lover’s vow, Despite my sad and faded face, And darkened heart, you love me now! I count no more my wasted tears; They left no echo of their fall; I mourn no more my lonesome years; This blessed hour atones for all. I fear not all that Time or Fate May bring to burden heart or brow,— Strong in the love that came so late, Our souls shall keep it always now! Do not hesitate to walk into the life with love
Elizabeth Akers Allen
all the holy and faithful servants of God shall bloom in the eternal summer, when their labours in the winter of time are done. We are therefore resolved, neither on the one hand to lay aside Christian gentleness, nor on the other to leave in your city that which would be a most pernicious example for all others to follow. For success in this dealing we trust to the help of God, if His indignation against the evil-doers be not so great as to make Him withhold His blessing.
Augustine of Hippo (The Complete Works of Saint Augustine: The Confessions, On Grace and Free Will, The City of God, On Christian Doctrine, Expositions on the Book Of Psalms, ... (50 Books With Active Table of Contents))
Life surrounds us. Each day we witness the plenteous gifts of nature. Even following the most bitterly cold winter, new life waits feverishly to erupt. The flower head sown in the prior season quickens to bloom in the eternal spring of wilderness gardens. Each of us hankers to blossom. Life is the active resistance to disintegration and death. A state of grace comes from a life devoted to seeking the pinnacle of human attainment. None of us should suppress our own or another person’s quest for transcendence. Each day we must give full measure to our internal life force. With all our energy and intuition, we must determinedly seek out what is the best part of us. We must faithfully tap our potential for goodness, unapologetically rip ourselves apart if need be, bravely go where we fear, and boldly tread where we must go in order to carry out the sacred blueprint for leading a meaningful life that is imbued in the deepest alcove of our unbidden souls.
Kilroy J. Oldster (Dead Toad Scrolls)
Do not stand at my grave and weep, I am not there, I do not sleep. I am in a thousand winds that blow, I am the softly falling snow. I am the gentle showers of rain, I am the fields of ripening grain. I am in the morning hush, I am in the graceful rush Of beautiful birds in circling flight, I am the star shine of the night. I am in the flowers that bloom, I am in a quiet room. I am in the birds that sing, I am in each lovely thing. Do not stand at my grave bereft I am not there. I have not left.
Mary Elizabeth Frye
people, also, after all, let the lovely cornflower bloom./No one planted it, no one watered it./Vulnerable, it grows freely/and in cheerful confidence/that it will be allowed to live its life/under the wide sky.” Such is the image of friendship; such is the image of grace. Such is the manifesto of people everywhere, gay, straight, male, female, black, white, who might not quite fit, seeking sacred communion with the other: “Far or near/in fortune or calamity--/each knows in the other/the faithful helper/toward freedom and humanity.
Diane Reynolds, The Doubled Life of Dietrich Bonhoeffer
How about this one?" I pointed to a graceful, feathery vine with small, delicate, star-shaped red blooms. "That's a cypress vine," he said. "Ipomoea quamoclit. It's an escapee and not native to her garden. People think it's an annual, but with a little help from nature, it's self-seeding ability means it can pop up in new places year after year and thrive far away from its original home." Something niggled at the back of my mind. If the vine could escape and start over again somewhere new, why couldn't a person? If Jack's grandmother's plants were strong enough to survive neglect, why couldn't I?
Sara Desai (To Have and to Heist)
Mr. Hazlit, a pleasure.” Hazlit took her hand and bowed over it. “My lady, you’re in radiant good looks. His lordship must be attending to more than just his letters if you’re blooming so nicely.” “Blooming?” She beamed at the man. “Westhaven, we must have Mr. Hazlit to dinner. He says I’m blooming.” She withdrew her hand. “I’ll leave you gentlemen to your business while I go blossoming on my way.” She closed the door quietly, leaving Westhaven to watch the bemused expression fade from Hazlit’s face. “Women in the throes of early motherhood should all be so serene as your lady wife,” Hazlit said. “You’re to be commended.” “I’m to be pitied.
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
By the light of the single candle, he could see a rosy flush on her cheek and tears yet leaving a sheen on her eyes. She reached up and brushed his hair back. “I don’t know what to say.” “You say, ‘Vim, give me a minute to recover my wits, and then do that again, please, only better.’” She blinked, and then a slow, sweet smile bloomed on her lips. He lowered himself down onto her so they were chest to chest, as close as two people could be. He felt her fingers stroking over the hair at his nape. “Vim, give me a minute to recover my wits, and then do that again, please, but if you do it any better, I won’t possess wits to recover ever again.” “Then we shall both be loved witless.” He
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
Ian bit his right index finger, watching in fascination as the dark ruby drop of blood welled and bloomed out of his skin. Gently, he coaxed Angelica’s lips open with the fingers of his left hand and let his blood drip into her mouth. With a barely audible whisper, Ian whispered the ancient words of the ritual that would bind her to him. “I, Ian Ashton, Duke of Burnrath and Lord of London, Mark this mortal, Angelica Winthrop, as mine and mine alone. With this Mark I give Angelica my undying protection. Let all others, immortal and mortal alike, who cross her path sense my Mark and know that to act against her is to act against myself and thus set forth my wrath as I will avenge what is mine.” A
Brooklyn Ann (Bite Me, Your Grace (Scandals with Bite, #1))
All things are recreated, and the flame Of consentaneous love inspires all life. The fertile bosom of the earth gives suck To myriads, who still grow beneath her care, Rewarding her with their pure perfectness; The balmy breathings of the wind inhale Her virtues and diffuse them all abroad; Health floats amid the gentle atmosphere, Glows in the fruits and mantles on the stream; No storms deform the beaming brow of heaven, Nor scatter in the freshness of its pride The foliage of the ever-verdant trees; But fruits are ever ripe, flowers ever fair, And autumn proudly bears her matron grace, Kindling a flush on the fair cheek of spring, Whose virgin bloom beneath the ruddy fruit Reflects its tint and blushes into love.
Percy Bysshe Shelley (Queen Mab)
Becky fell unusually quiet as she smoothed Macy's overalls that had scrunched under her legs. A tender gesture probably nobody else had noticed. "I don't want to say this the wrong way, Shah-loh, but we're all gonna die." "Of course we are." A drop of water fell from the end of the snapdragon stem. "But I prefer not to kill my flowers before their time." "Well, cut er not cut, we're all goin'." Becky spoke so soberly that I turned my eyes to her. "Ain't no stoppin' it. You know that." "Sure I do, but isn't it a waste? All that beautiful bloom for what-an hour?" "Mebbe in some ways, but..." She gathered a handful of roses and freesia, delicately perfumed, and pressed them in my hands. "Ya gotta remember though-this was their purpose all along. And they did it to their fullest. It's their gift." I felt strangely moved, standing there with shoppers laughing in the background. And me looking down at those beautiful doomed flowers in my hands, their glowing colors trembling with drops. "But it's such a waste, Becky!" "Or a sacrifice. Depends on how ya look at it. They lived and bloomed, jest like they were made to do. And when it was time to go, they gracefully said yes." She ran her hands over the petals, which gleamed like bits of satin. "We're seein' their last magnificent moments and enjoyin' 'em. If you was a flower, wouldn't that make ya happy to know you'd done what you was born ta do? Even if ya didn't get to do it very long?
Jennifer Rogers Spinola ('Til Grits Do Us Part (Southern Fried Sushi #3))
Mrs. Flanigan made this for you and dropped it off earlier. So pretty, wouldn't you agree?"... "White roses - the bride's flower," Mrs. Norton said with a lilt in her voice. "For unity, purity, and a love stronger than death." She touched the edge of a blossom. "And, in addition, you have chrysanthemums for fidelity, optimism, joy, and long life, with the color white standing for truth and loyal love." As if caught in a spell, Grace stared at the flowers, a lump forming in her throat, the words echoing in her mind... Joy, truth, fidelity, a love stronger than death. Mrs. Flanigan chuckled. "Mrs. Norton, you make the bouquet sound so poetic. I'm afraid I can't take credit for such a romantic arrangement. I chose the only white flowers still blooming in my garden.
Debra Holland (Grace: Bride of Montana (American Mail-Order Bride, #41))
As I walked, I became aware of the strong odor of peonies and jasmine. I inhaled deeply to draw in the lovely bouquet. The scent was from the fresh flowers of a lush garden. The path opened into a courtyard, a tangle of peonies and jasmine framing the entrance, blooming in spectacular fashion. Silky petals brushed against my skin. The tension building in my neck and shoulders melted away as I entered a fairyland. The rustle of the night breeze joined the familiar voice of Teresa Teng echoing from invisible speakers. Beneath my feet, a path of moss-covered stones led to a circular platform surrounded by a large, shallow pond. The night garden was bursting with a palette of muted greens, starlit ivories, and sparkling golds: the verdant lichen and waxy lily pads in the pond, the snowy white peonies and jasmine flowers, and the metallic tones of the fireflies suspended in the air, the square-holed coins lining the floor of the pond, and the special golden three-legged creatures resting on the floating fronds. I knew these creatures from my childhood. The feng shui symbol of prosperity, Jin Chan was transformed into a golden toad for stealing the peaches of immortality. Jin Chan's three legs represented heave, earth, and humanity. Statues of him graced every Chinese home I had ever been in, for fortune was a visitor always in demand. Ma-ma had placed one near the stairs leading to the front door. The pond before me held eight fabled toads, each biting on a coin. If not for the subtle rise and fall of their vocal sacs, I would have thought them statues.
Roselle Lim (Natalie Tan's Book of Luck & Fortune)
At about eight-thirty or nine the friends make a halt, already in sight of Moranchel. Moranchel is on the left of the Cifuentes road, at some two hundred paces from the highway. It is a gloomy, dark town that seems to have no business being surrounded by green fields. The old man sits down in the ditch and the traveler lies on his back and looks up at some little clouds, graceful as doves, which are floating in the sky. A stork flies past, not very high, with a snake in its beak. Some partridge fly up from a bed of thyme. An adolescent goatherd and a member of his flock are sinning one of the oldest of sins in the shade of a hawthorn tree blooming with tiny sweet-smelling flowers, white as orange blossoms. ― Camilo José Cela, Journey to the Alcarria: Travels Through the Spanish Countryside
Camilo José Cela (Journey to the Alcarria: Travels through the Spanish Countryside)
She opened her eyes just as her pillow heaved out a sigh. “My goodness.” Vim Charpentier slept beside her, his arm around her where she was plastered to his side. Light came through a crack in the window curtains, and a quiet snuffling sounded from the cradle near the hearth. “He’s awake.” Vim’s voice was resigned. “I’ll get him. It’s my turn.” “He’s not fussing yet. You have a few minutes.” Vim sighed gustily, and his hand settled on Sophie’s shoulder. “I do apologize for appropriating half your bed. Just a few more days rest, and I’ll be happy to vacate it.” There was weary humor in his tone and something else… affection? “Vim?” He shifted a little, so Sophie might have met his gaze if she’d had sufficient courage. “I’ve never awoken with a man in my bed before. It’s cozy.” “And I’ve never been referred to as cozy before, but the Infant Terrible has reduced me to viewing that state as worthy in the extreme. You’re cozy too.” He kissed her temple, and a sweetness bloomed in Sophie’s middle. Affection. It was different from passion and different with a man than with, say, a sibling or friend. It was wonderful. “Sophie?
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
The sorrow I feel has not disappeared, but it has been integrated into my life as a painful part of a healthy whole. Initially, my loss was so overwhelming to me that it was the dominant emotion—sometimes the only emotion—I had. I felt like I was staring at the stump of a huge tree that had just been cut down in my backyard. That stump, which sat all alone, kept reminding me of the beloved tree that I had lost. I could think of nothing but that tree. Every time I looked out the window, all I could see was that stump. Eventually, however, I decided to do something about it. I landscaped my backyard, reclaiming it once again as my own. I decided to keep the stump there, since it was both too big and too precious to remove. Instead of getting rid of it, I worked around it. I planted shrubs, trees, flowers, and grass. I laid out a brick pathway and built two benches. Then I watched everything grow. Now, three years later, the stump remains, still reminding me of the beloved tree I lost. But the stump is surrounded by a beautiful garden of blooming flowers and growing trees and lush grass. Likewise, the sorrow I feel remains, but I have tried to create a landscape around the loss so that what was once ugly is now an integral part of a larger, lovely whole.
Jerry Sittser (A Grace Disguised: How the Soul Grows through Loss)
In a crystalline corner of your heart, keep a Smile for the days gone by. To every soul, who is wondering how is Life passing by, and somehow feel suffocated in a long lost world of words and thoughts, Remember every flower blooms at its own time. Whatever it is that you wish to accomplish, remember that it takes Time and an immense amount of energy and will power to make that happen. Most people don't even find it conducive to dream, let alone following it. Some settle down with what Life throws at them, while some opt for the lesser options that suit their needs. But the ones, who burn with their dreams, who hold on to that invisible yet palpable string of Faith, eventually always finds what they seek, because the truth is what you're seeking is already yours. Until then, don't mind about the Time, because Time has a way of Smiling back in a garland of moments and memories. And if you're ever faced with a question on losing Time and not settling down (in love or career or anything of Life) like the majority of folk around, remind yourself what you seek, embrace your Soul and walk on to rise in your chosen path. You haven't lost Time, you have just not found your Season yet. Until then, water the root of your Soul with the Sunshine of Kindness & Grace. Love & Light, always - Debatrayee
Debatrayee Banerjee
A slender figure emerged from behind an inflorescence of snow-white blooms. Helen's crystalline eyes caught the light, and her pretty lips rounded like a tea rose as she said his name in soundless bewilderment. She moved toward him, stumbling a little as she came around the table too fast. The hint of clumsiness, her obvious haste, electrified him. She had missed him. She had wanted him, too. Reaching her in three swift strides, Rhys caught her up against him so tightly that her toes left the floor. Momentum turned them in a half-circle. Letting her back down, he dove his face into the warm fragrant skin of her neck and breathed her, absorbed her. Cariad," he said huskily, "that was the first time I've ever seen you move with less than swanlike grace." She gave an unsteady laugh. "You surprised me." Her warm, delicate hands came to the cold sides of his face. "You're here," she said, as if trying to make herself believe it. Breathing unevenly, Rhys nuzzled her, amazed by the silkiness of her skin and hair, the tenderness of her flesh. Something like elation, only stronger, was pouring into his veins, intoxicating him. "I could eat you," he muttered, pushing past her caressing hands to find her lips, feeling her mouth with his. Helen responded eagerly, her fingers sliding into his hair and shaping against his skull. He murmured rough-soft endearments between kisses, while Helen clung to him.
Lisa Kleypas (Marrying Winterborne (The Ravenels, #2))
Everything is a matter of interpretation. And that is how you will rule,” he said, before handing the sword’s hilt to me. “Think on what you’ve seen today. But do not let me influence you. Your will is yours alone.” I stared at the sword in my hand, still gleaming despite the dark. “I can promise you I won’t forget.” Amar paused, his voice soft. “Memory is a riddled thing. I would caution you from making promises you cannot keep.” I moved toward the door, but Amar stopped me with a shake of his head. “Gupta will arrive in a moment to escort you.” He straightened the cuffs of his sherwani jacket. “I myself have a number of duties to attend to, so I must leave.” Before I could stop myself, I blurted out, “Why?” He paused and took a step to me. Darkness, soft-edged and heavy, clung to the room. In the shadows, his smile held all the lazy grace of a cat. “Would you miss me?” “Curiosity inspired my question. Nothing more,” I said, but even my voice was unconvinced. “Even so, there’s no greater temptation than to stay by your side.” The door swung open and a chorus of voices trickled into the room--silvery and indistinct, like whispers released through clenched teeth. Amar lingered for a moment, his lips tight as though he wanted to say something. Then, he cupped his palms together and blew into them. When he opened his hands, a bloom of light shaped like an unopened flower bud lifted off his palm and floated into the room. Brightness drenched away the shadows. “I will never leave you in the dark.” And with that, he left.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Ione I. AH, yes, 't is sweet still to remember, Though 't were less painful to forget; For while my heart glows like an ember, Mine eyes with sorrow's drops are wet, And, oh, my heart is aching yet. It is a law of mortal pain That old wounds, long accounted well, Beneath the memory's potent spell, Will wake to life and bleed again. So 't is with me; it might be better If I should turn no look behind, — If I could curb my heart, and fetter From reminiscent gaze my mind, Or let my soul go blind — go blind! But would I do it if I could? Nay! ease at such a price were spurned; For, since my love was once returned, All that I suffer seemeth good. I know, I know it is the fashion, When love has left some heart distressed, To weight the air with wordful passion; But I am glad that in my breast I ever held so dear a guest. Love does not come at every nod, Or every voice that calleth 'hasten;' He seeketh out some heart to chasten, And whips it, wailing, up to God! Love is no random road wayfarer Who Where he may must sip his glass. Love is the King, the Purple-Wearer, Whose guard recks not of tree or grass To blaze the way that he may pass. What if my heart be in the blast That heralds his triumphant way; Shall I repine, shall I not say: 'Rejoice, my heart, the King has passed!' In life, each heart holds some sad story — The saddest ones are never told. I, too, have dreamed of fame and glory, And viewed the future bright with gold; But that is as a tale long told. Mine eyes have lost their youthful flash, My cunning hand has lost its art; I am not old, but in my heart The ember lies beneath the ash. I loved! Why not? My heart was youthful, My mind was filled with healthy thought. He doubts not whose own self is truthful, Doubt by dishonesty is taught; So loved! boldly, fearing naught. I did not walk this lowly earth; Mine was a newer, higher sphere, Where youth was long and life was dear, And all save love was little worth. Her likeness! Would that I might limn it, As Love did, with enduring art; Nor dust of days nor death may dim it, Where it lies graven on my heart, Of this sad fabric of my life a part. I would that I might paint her now As I beheld her in that day, Ere her first bloom had passed away, And left the lines upon her brow. A face serene that, beaming brightly, Disarmed the hot sun's glances bold. A foot that kissed the ground so lightly, He frowned in wrath and deemed her cold, But loved her still though he was old. A form where every maiden grace Bloomed to perfection's richest flower, — The statued pose of conscious power, Like lithe-limbed Dian's of the chase. Beneath a brow too fair for frowning, Like moon-lit deeps that glass the skies Till all the hosts above seem drowning, Looked forth her steadfast hazel eyes, With gaze serene and purely wise. And over all, her tresses rare, Which, when, with his desire grown weak, The Night bent down to kiss her cheek, Entrapped and held him captive there. This was Ione; a spirit finer Ne'er burned to ash its house of clay; A soul instinct with fire diviner Ne'er fled athwart the face of day, And tempted Time with earthly stay. Her loveliness was not alone Of face and form and tresses' hue; For aye a pure, high soul shone through Her every act: this was Ione.
Paul Laurence Dunbar
Enormous hydrangeas with vibrant pink sponge-like blooms, rhododendrons and impatiens, tall spears of flowering oyster plants jostled together with Jurassic-looking philodendron leaves and tree ferns, a mixed bag all tied by a wild creeper with bell-shaped blue flowers. The damp smell of the garden reminded Jess of places she'd visited in Cornwall, like St. Just in Roseland, where fertile ground spoke of layers of different generations, civilizations past. At last, beyond the tangled greenery, Jess glimpsed the jutting white chimneys of a large roof. She realized she was holding her breath. She turned a final corner, just like Daniel Miller had done on his way to meet Nora, and there it was. Grand and magnificent, yet even from a distance she could see that the house was in a state of disrepair. It was perched upon a stone plinth that rose about a meter off the ground. A clinging ficus with tiny leaves had grown to cover most of the stones and moss stained the rest, so that the house appeared to sit upon an ocean of greenery. Jess was reminded of the houses in fairy tales, hidden and then forgotten, ignored by the human world only to be reclaimed by nature. Protruding from one corner of the plinth was a lion's head, its mouth open to reveal a void from which a stream of spring water must once have flowed. On the ground beneath sat a stone bowl, half-filled with stale rainwater. As Jess watched, a blue-breasted fairy wren flew down to perch upon the edge of the bowl; after observing Jess for a moment, the little bird made a graceful dive across the surface of the water, skimming himself clean before disappearing once more into the folds of the garden.
Kate Morton (Homecoming)
Death Vision I think it’s a multiplication of sight, Like after a low hovering autumn rain When the invisible web of funnel weaves And sheetweb weavers all at once are seen Where they always were, spread and looping The grasses, every strand, waft and leaf- Crest elucidated with water-light and frost, completing the fullest aspect of field. Or maybe the grace of death is split-second Transformation of knowledge, an intricate, Turning realization, as when a single Sperm-embracing deep ovum transforms, In an instant, from stasis to replicating, Star-shifting shimmer, rolls, reaches, Alters its plane of intentions, becomes A hoofing, thumping host of purpose. I can imagine not merely The falling away of blank walls And blinds in that moment, not merely A shutter flung open for the first time Above a valley of interlocking forests And constellations but a sweeping, Penetrating circumference of vision Encompassing both knotweed bud And its seed simultaneously, seeing Blood bone and its ash as one, The repeated light and fall and flight Of hawk-owl and tundra vole As a union of origin and finality. A mathematics of flesh and space might Take hold if we ask for it in that last Moment, might appear as if it had always Existed within the eyes, translucent, Jewel-like in stained glass patterns Of globes and measures, equations, Made evident by a revelation of galaxies In the knees, spine, fingers, all The ceasings, all the deaths within deaths That compose the body becoming at once Their own symbolic perception and praise Of river salt, blooms and breaths, strings, Strains, sun-seas of gravels and gills; This one expression breaking, this same Expression healing.
Pattiann Rogers (Quickening Fields (Penguin Poets))
I AM LOVE I am the fountain of peace, lake of tranquility, I am the lips of blooming youth, I am the wine of soul and rose of nature’s bosom, I am the glimpse of beloved through amorous eyes. I am the elation, the sacred shrine in the heart of An innocent child; The chalice of my love overflows with divine grace, I am the rose whom lover’s lips have touched. The dawn breaks with the echo of my heart song, And whispers in the twilight; I am the beating heart inside of you, The twinkling star in the night sky, the ardent desire in the swell of passion, I am the tremulous lips parted in delight, an expression of love’s rhapsody. I breathe fragrance into your heart’s essence, tearing away the veil Of your sorrowful sigh, I am the flute which plays music to your ears, I am the nature’s call, the echo of mountains, the wild dance of a swelling ocean. I am the blazing fire of love arousing your soul to an eternal call; I flow towards the beloved like a dancing stream; I am the sweetness of your soul, Who fondles the book of caressing memories, beckoning you to be lost in my heart call. I am the lost gem of love that your hungry soul has been searching for years; I am the loving wreath of moments of happiness, Your name, engraved on my heart shines as a rarest treasure; That sparkles, illuminates on my desolate soul. From thee I arise, and to Thee I surrender; You are the gushing spring of my ecstasy, As the wine of my life rests in the chalice of your heart, Your lips press it to mine, sipping a sap of it, I die to rebirth in that soul wine. Beyond all language, beyond all words, wherein lies the land Of enchanting silence; a paradise where lovers yearn to dissolve, And clasp the timeless love to their bare bosom.  
Jayita Bhattacharjee (The Ecstatic Dance of Soul)
Amidst all the pressure to keep going and to keep going, may you also take time to learn the art of being; being Loved, being Held, being Seen, being in the Presence of the One who calls you to rest. For beyond your accomplishments and your calendars, and your lists, you were made with purpose and intention to reflect Glorious Light and to abide in Love that reminds you even in the pause you are still where you need to be. No matter how yesterday unfolded before your eyes and no matter the stacks of worries burdening your mind that have left you unsettled or confused, Light is still pouring in reminding you over and over again to surrender, to let go, for these troubles are bound to shadows that cannot survive in this new light. Bask in these beams of sun as you find your new beginnings, a new way of seeing, a grace-filled way of living. Oh, how steady hope makes the soul in the river rush of things you cannot control. For somehow through it all, you have still been made whole. Because as sure as the water makes way past the river stones, so does hope carry you past the depth of your unknowns, under fogged and white-gray skies that demand the most of tired eyes, the sound of the rushing river gently speaks: all is passing, truly passing. What if all the imperfections and the flaws were only part of your story— not the sum of who you are? What if all along, you were made to be beautiful, and it was only the dirt from this broken world that made you doubt your shining self? And what if you were not alone, as you once thought, and when a friend told you she would be there, she truly meant it? What if for every time you were afraid, you remember how you were brave, and it only escaped your memory because bravery is natural these days? Perhaps there are a million reasons to never take the leap, to never take the time to think your presence means anything, but I hope you know there are more reasons to believe this life is worth living for. I hope you can look down into that warped well of your imperfections knowing whatever you find there can never even compare to the greatness in your soul, shining wildly through.
Morgan Harper Nichols (All Along You Were Blooming: Thoughts for Boundless Living (Morgan Harper Nichols Poetry Collection))
MY DEAR MISS BROOKE,—I have your guardian's permission to address you on a subject than which I have none more at heart. I am not, I trust, mistaken in the recognition of some deeper correspondence than that of date in the fact that a consciousness of need in my own life had arisen contemporaneously with the possibility of my becoming acquainted with you. For in the first hour of meeting you, I had an impression of your eminent and perhaps exclusive fitness to supply that need (connected, I may say, with such activity of the affections as even the preoccupations of a work too special to be abdicated could not uninterruptedly dissimulate); and each succeeding opportunity for observation has given the impression an added depth by convincing me more emphatically of that fitness which I had preconceived, and thus evoking more decisively those affections to which I have but now referred. Our conversations have, I think, made sufficiently clear to you the tenor of my life and purposes: a tenor unsuited, I am aware, to the commoner order of minds. But I have discerned in you an elevation of thought and a capability of devotedness, which I had hitherto not conceived to be compatible either with the early bloom of youth or with those graces of sex that may be said at once to win and to confer distinction when combined, as they notably are in you, with the mental qualities above indicated. It was, I confess, beyond my hope to meet with this rare combination of elements both solid and attractive, adapted to supply aid in graver labors and to cast a charm over vacant hours; and but for the event of my introduction to you (which, let me again say, I trust not to be superficially coincident with foreshadowing needs, but providentially related thereto as stages towards the completion of a life's plan), I should presumably have gone on to the last without any attempt to lighten my solitariness by a matrimonial union. Such, my dear Miss Brooke, is the accurate statement of my feelings; and I rely on your kind indulgence in venturing now to ask you how far your own are of a nature to confirm my happy presentiment. To be accepted by you as your husband and the earthly guardian of your welfare, I should regard as the highest of providential gifts. In return I can at least offer you an affection hitherto unwasted, and the faithful consecration of a life which, however short in the sequel, has no backward pages whereon, if you choose to turn them, you will find records such as might justly cause you either bitterness or shame. I await the expression of your sentiments with an anxiety which it would be the part of wisdom (were it possible) to divert by a more arduous labor than usual. But in this order of experience I am still young, and in looking forward to an unfavorable possibility I cannot but feel that resignation to solitude will be more difficult after the temporary illumination of hope. In any case, I shall remain,     Yours with sincere devotion,      EDWARD CASAUBON
George Eliot (Middlemarch)
Mommy Dearest Mommy... You could always make peace from chaos, And find that one candle in the dark. Your strength is what no man could muster, Though your weakness is your heart. You give to all - even the undeserving, Forgiveness is your breath. God sewed your fabric with his blessings, And braided your hair with faith. .... Your lips are stern but pleasing, Your feet are rooted in grace. Your tongue is wisdom seeded, And your skin is knitted with care. Your hands are like alabaster, Pure and healing, love they are. Your eyes are pools of intuition, And service - the red in your blood. .... Ah Mommy... You are that flower that blooms in adversity; rare and beautiful, so you are. Your love for me has sweetened my breath, and your life is my guiding light.
Tanya Stewart Boateng
The wonder is- given the errant nature of freedom and the burgeoning of texture in time-the wonder is that all the forms are not monsters, that there is beauty at all, grace gratuitous, pennies found, like mockingbird's free fall. Beauty itself is the fruit of the creator's exuberance that grew such a tangle, and the grotesques and horrors bloom from that same free growth, that intricate scramble and twine up and down the conditions of time. This, then, is the extravagant landscape of the world, given, given with pizzazz, given in good measure, pressed down, shaken together, and running over.
Annie Dillard (Pilgrim at Tinker Creek)