Bloom Meaning Quotes

No mockery in this world ever sounds to me so hollow as that of being told to cultivate happiness. What does such advice mean? Happiness is not a potato, to be planted in mould, and tilled with manure. Happiness is a glory shining far down upon us out of Heaven. She is a divine dew which the soul, on certain of its summer mornings, feels dropping upon it from the amaranth bloom and golden fruitage of Paradise.

There’s no meaning to a flower unless it blooms.

Everyone deserves another chance. Especially the people who mean the most to you.

You ready?" Evan asks, and he's looking at me, and I love his hair, I love his smile, I lo--"I Love You," I say, and as I watch his smile bloom I finally get how great those three little words are. I finally get what they really mean.

My mother named me after a miracle of nature: Waris means desert flower. The desert flower blooms in a barren environment where few living things can survive.

Oh, you mysterious girls, when you are fifty-two we shall find you out; you must come into the open then. If the mouth has fallen sourly yours the blame: all the meanness your youth concealed have been gathering in your face. But the pretty thoughts and sweet ways and dear, forgotten kindnesses linger there also, to bloom in your twilight like evening primroses.

I love you,' I say, and I watch his smile bloom I finally get how great those three little words are. I finally get what they really mean.

Death does not erase the point of life. A dead flower does not mean it never bloomed. It did, and it was beautiful.

Do not allow any negativity or ugliness in your surroundings, or anybody at all, destroy your confidence or affect your growth as a blooming flower. It is very normal for one ugly weed to not want to stand alone.

Some dreams, I'd learned, were meant to fade away. And to let go of them didn't mean to let go of myself, but to release the life I'd imagined I wanted. The loss had grieved me at first, but in its fading away-slowly, very slowly-a new dream had bloomed.

School is just like having a job. You have to show up, you have to do your work, and you have to be around tons of idiots or mean people. Now that I think about it, it's worse than having a job. At least there you get paid.

Real haiku is the soul of poetry. Anything that is not actually present in one's heart is not haiku. The moon glows, flowers bloom, insects cry, water flows. There is no place we cannot find flowers or think of the moon. This is the essence of haiku. Go beyond the restrictions of your era, forget about purpose or meaning, separate yourself from historical limitations—there you will find the essence of true art, religion, and science.

I think the way I feel when I look at Evan comes from her. In pictures taken the day she married my dad, she was reckless, laughing, spinning around in circles. She looked like her whole world was him. She looked a kind of happy I can't even imagine. I don't want that. I don't want to be like that. I don' want to feel the way she did because I know what happens when you do. You love with your whole heart, with everything, and you wake up one morning and kiss someone good-bye the way you always do except you mean it as good-bye forever.

Let today be the day you are kind to yourself and focus on believing what is beautiful and true. And this does not mean you ignore your imperfections. It means, in spite of them, you believe there is beauty to you.

Never let anyone who cannot bear your pain make you feel you are unbearable. Not everyone is capable of walking with you, but that does not mean you are not worthy of belonging.

To pluck a flower means to take possession of it, and it also means to kill it.

Openness used to be the virtue that permitted us to seek the good by using reason. It now means accepting everything and denying reason’s power.

My mother told me we are all like roses. I always thought it means that we opened our petals, took our true form, and gradually withered. But perhaps we never stop growing. If women are flowers, we are not roses, but day's eyes - blooming not once, but over and over, each time the light touches us.

I privately say to you old friend (unto you, really, I'm afraid), please accept from me this unpretentious bouquet of early-blooming parenthesis: (((( )))). I suppose, most unflorally, I truly mean them to be taken, first off as bow-legged--buckle-legged--omens of my state of mind and body at this writing.

It means you got your glow on." He smiled, hovering right alongside me. "It means you're on your way.

I'm afraid of being loved. Because "I love you this way" means the same thing as "I won't love you anymore if you stop being this way", doesn't it?

Planet earth, which Carl Sagan described as a “mote of dust suspended in a sunbeam,” is an evanescent bloom in an exquisite cosmos that will ultimately be barren. Motes of dust, nearby or distant, dance on sunbeams for merely a moment.

Force, hatred, history, all that. That’s not life for men and women, insult and hatred. And everybody knows that it’s the very opposite of that that is really life.... Love, says Bloom. I mean the opposite of hatred.

I can only hope that, upon learning of my imminent execution, Good Samaritans in Colorado will be moved to ship me a plump love apple from their backyard patch - and should they happen to be friendly with Hunter S. Thompson, perhaps persuade him to inject it with a little something beforehand. Hunter will know just what I mean, and trust me, it won't affect the taste of the tomato.* *When I wrote those lines, Thompson was alive and blooming. Now, with his sad demise, still more color has faded out of the American scene. Where are the men today whose lives are not beige; where are the writers whose style is not gray?

Most people didn’t see the beauty behind the everyday, didn’t enjoy the simple pleasures in life, didn’t stop and smell the roses … and just because these phrases were considered platitudes didn’t make them any less true. For you could belittle truth, lambaste it, deny its existence, but truth would always still be there, as unconcerned as the inexorably flowing Mississippi.

I always wanted to know about my family," Suraya said quietly, and her voice was small and sad. "But all I've learned of my grandmother so far is that she was a horrible, mean person. And I have her blood. What does that say about me?" "It says that the most beautiful blooms come from the darkest soil.

Miss Ingram was a mark beneath jealousy: she was too inferior to excite feeling. Pardon the seeming paradox; I mean what I say. She was very showy, but she was not genuine; she had a fine person, many brilliant attainments, but her mind was poor, her heart barren by nature; nothing bloomed spontaneously on that soil; no unforced natural fruit delighted by its freshness. She was not good; she was not original; she used to repeat sounding phrases from books; she never offered, nor had, an opinion of her own. She advocated a high tone of sentiment, but she did not know the sensations of sympathy and pity; tenderness and truth were not in her

effort becomes enjoyable when it’s seen as play, or as a game.

The real community of man, in the midst of all the self-contradictory simulacra of community, is the community of those who seek the truth, of the potential knowers...of all men to the extent they desire to know. But in fact, this includes only a few, the true friends, as Plato was to Aristotle at the very moment they were disagreeing about the nature of the good...They were absolutely one soul as they looked at the problem. This, according to Plato, is the only real friendship, the only real common good. It is here that the contact people so desperately seek is to be found...This is the meaning of the riddle of the improbable philosopher-kings. They have a true community that is exemplary for all other communities.

Sophisticated readers understand that writers work out their anger, their conflicts, their endless grief and rolling list of loss, through their stories. That however mean-spirited or diabolical, it's only a story. That the darkness in the soul is shaped into type and lies there, brooding and inert, black on the page, and active, dangerous, only in the reader's mind. Actually, harmless. I am not harmless.

A play that takes as its burden the meaning of self-consciousness may hint that inner freedom can be attained only when the protagonist can separate his genius for expanding consciousness from his own passion for theatricality.

Because sometimes there's more worth in silence than noise. Sometimes everything you need to know is contained in that small quiet space. Sometimes we get so caught up in distraction and noise and seeking other people's approval we forget the quiet seed of truth that lives in our hearts. But just because we fail to tune in to it, doesn't mean it's not there.

Standing at the original Victorian counter was a man in a long black leather coat. His hair had been grown to counteract its unequivocal retreat from the top of his head, and was fashioned into a mean, frail ponytail that hung limply down his back. Blooms of acne highlighted his vampire-white skin.

That is the way with wise people—they are so wise and practical that they always know to a dot just why something cannot be done; they always know the limitations. That is why I never employ an expert in full bloom. If ever I wanted to kill opposition by unfair means I would endow the opposition with experts. They would have so much good advice that I could be sure they would do little work.

Just because the rose died on the vine, doesn't mean it lied to you when it was in bloom.

You may think the actions that mean the most are the ones we get credit for, but I happen to believe they mean more when people aren't aware.

The earth is gentle. And the earth allows the flowers to bloom. We need to be gentle. And the flowers will bloom in our life.

I hate you. Oh, precious. You don’t even know the meaning of the word.

ephemeral and useless, flowers exemplify the gratuitousness of occasions that mean expenses and luxury; blooming in vases, doomed to a rapid death, flowers are ceremonial bonfires, incense and myrrh, libation, sacrifice.

If you suffer for something that gives delight, soon the suffering itself can give joy.

I do not believe that my generation, my cousins who have been educated in the American way, all of whom are MDs or PhDs, have any comparable learning...I am not saying anything so trite as that life is fuller when people have myths to live by. I mean rather that a life based on the Book is closer to the truth, that it provides the material for deeper research in and access to the real nature of things. Without the great revelations, epics, and philosophies as part of our natural vision, there is nothing to see out there, and eventually little left inside. The Bible is not the only means to furnish a mind, but without a book of similar gravity, read with the gravity of the potential believer, it will remain unfurnished.

Meaning comes from the unknown, from the stranger, from the unpredictable that suddenly knocks at your door — a flower that suddenly blooms and you never expected it; a friend that suddenly happens to be on the street you were not waiting for; a love that blooms suddenly and you were not even aware that this was going to happen, you had not even imagined, not even dreamed. Then life has meaning. Then life has a dance. Then every step is happy because it is not a step filled with duty, it is a step moving into the unknown. The river is going towards the sea.

There were times when I was blown away by the virgin beauty of the land. Kind of like that guy who lost his shit on the internet at the full double rainbow across the sky. Remember that guy? He kept asking what it meant, and it is not so difficult a question to answer. It means that we are loved, like all living things that Gaia sustains. There is a poetry in the canapes of forests and in the gentle roll of hills. A song in the wind and a benediction in the kiss of the sun. There are stories in the chuckle of waters in creeks and epics told in the tides of oceans. There are trees, Granuaile, that seem sometimes like they have grown all their lives just to feel the touch of my hand upon their trunks. They are so welcoming to me. You will feel that welcome in your hands some day. You'll feel it in your toes as you walk upon the earth. I cannot wait to see that love bloom in your eyes....' Tears glistened at the edges of her eyes... She knew precisely what I meant. She understood. And she became almost unbearably beautiful to me in that moment.

I am a theatre kid. That means I'm desperate to be the best, desperate to please, desperate to never let anybody down. There is no room for failure, because failure equals weakness, which equals death.

-the ephemerality of things is what gives them meaning. That things are only beautiful because they don't last. Full moons, flowers in bloom, you. But if any of that is evidence, I think it must be true.

Evie hadn’t always felt that way. For a year after James had died, she’d cupped his half-dollar pendant between her pressed palms and prayed fervently for a miracle, for a telegram that would say GOOD NEWS! IT WAS A TERRIBLE MISTAKE, AND PRIVATE JAMES XAVIER O’NEILL HAS BEEN FOUND, SAFE, IN A FARMHOUSE IN FRANCE. But no such telegram ever arrived, and whatever possible faith might have bloomed in Evie withered and died. Now she saw it as just another advertisement for a life that belonged to a previous generation and held no meaning for hers.

This is why being broken is so beautiful: being broken means you have cracks for love and light to shine through, gaps for the Godiverse to burrow and bloom, space to move from who you are to who you will become.

The free spirit again draws near to life - slowly, to be sure, almost reluctantly, almost mistrustfully. It again grows warmer about him, yellower as it were; feeling and feeling for others acquire depth, warm breezes of all kind blow across him. It seems to him as if his eyes are only now open to what is close at hand. he is astonished and sits silent: where had he been? These close and closest things: how changed they seem! what bloom and magic they have acquired! He looks back gratefully - grateful to his wandering, to his hardness and self-alienation, to his viewing of far distances and bird-like flights in cold heights. What a good thing he had not always stayed "at home," stayed "under his own roof" like a delicate apathetic loafer! He had been -beside himself-: no doubt about that. Only now does he see himself - and what surprises he experiences as he does so! What unprecedented shudders! What happiness even in the weariness, the old sickness, the relapses of the convalescent! How he loves to sit sadly still, to spin out patience, to lie in the sun! Who understands as he does the joy that comes in winter, the spots of sunlight on the wall! They are the most grateful animals in the world, also the most modest, these convalescents and lizards again half-turned towards life: - there are some among them who allow no day to pass without hanging a little song of praise on the hem of its departing robe. And to speak seriously: to become sick in the manner of these free spirits, to remain sick for a long time and then, slowly, slowly, to become healthy, by which I mean "healthier," is a fundamental cure for all pessimism.

Boredom is a cue that needs aren’t being met. It’s a signal that your environment lacks interest, variety, and newness. Just as the pain of a burn tells us where the damage is and motivates us to respond appropriately, boredom motivates us to seek out intellectual stimulation and social contact, to learn and engage and act. To be without boredom would be a curse.

Kaz seemed to be running in the opposite direction, and Inej was nowhere to be found, though that didn’t mean much when it came to the Wraith. She could be hanging from the sails two feet away from him, and he probably wouldn’t know it. “Jesper!” The shout came from far below, and it took a moment for Jesper to realize it was Wylan calling to him. He tried to ignore him, taking aim again. “Jesper!” I’m going to kill that little idiot. “What do you want?” he shouted down. “Close your eyes!” “You can’t kiss me from down there, Wylan.” “Just do it!” “This better be good!” He shut his eyes. “Are they closed?” “Damn it, Wylan, yes, they’re—” There was a shrill, shrieking howl, and then bright light bloomed behind Jesper’s lids. When it faded, he opened his eyes. Below, he saw men blundering around, rendered blind by the flash bomb Wylan had set off. But Jesper could see perfectly. Not bad for a mercher’s kid, he thought to himself, and opened fire.

My mother told me we are all like roses. I always thought it means that we opened our petals, took our true form, and gradually withered. But perhaps we never stop growing. If women are flowers, we are not roses, but day’s eyes – blooming not once, but over and over, each time the light touches us.

.....and I shall think her very mean indeed if she does not give me some of her gloves, for she has many of them, I've seen them myself.......and as you can see, I took the hint.......but not much love went into THAT package did it, my dear?

Giving, not getting, brings to full bloom the Christmas spirit. Enemies are forgiven, friends remembered, and God obeyed. The spirit of Christmas illuminates the picture window of the soul, and we look out upon the world’s busy life and become more interested in people than things. To catch the real meaning of the “spirit of Christmas,” we need only drop the last syllable, and it becomes the “Spirit of Christ.

If I've got a Dad, and his name is Wormwood Rot, and he's in some heavy metal rock band called Grave Dirt . . . then I'm definitely meeting him! She stares at me awkwardly, and I'm about to ask again—maybe even insist—when she says, "Honey, why do you think he's on the news? Wormwood, I mean . . . your father? Becca, he's . . . dead.

I call myself Mandarb.” He could not stop the guffaw that burst out of him. Those tilted eyes regarded him with heat. “I will teach you something, farmboy.” Her voice remained level. Barely. “In the Old Tongue, Mandarb means ‘blade.’ It is a name worthy of a Hunter of the Horn!” He managed to get his laughter under control, and hardly wheezed at all as he pointed to the rope pen between the masts. “You see that black stallion? His name is Mandarb.” The heat went out of her eyes, and spots of color bloomed on her cheeks. “Oh.

Oh, you mysterious girls, when you are fifty-two we shall find you out; you must come into the open then. If the mouth has fallen sourly yours the blame: all the meanness your youth concealed have been gathering in your face. But the pretty thoughts and sweet ways and dear, forgotten kindness linger there also, to bloom in your twilight like evening primroses.

Well the Dutch invented the microscope," she said. "They were jewellers, grinders of lenses. The want it all as detailed as possible because even the tiniest things mean something. Whenever you see flies or insects in a still life- a wilted petal, a black spot on the apple- the painter is giving you a secret message. He's telling you that living things don't last- it's all temporary. Death in life. That's why they're called natures mortes. Maybe you don't see it at first with all the beauty and bloom, the little speck of rot. But if you look closer- there it is.

The word 'humility' comes from the Latin word 'humus' which means fertile ground. Humility is the situation of the earth. The earth is always there, always taken for granted, never remembered, always trodden on by everyone, somewhere we cast and pour out all the refuse, all we don't need. It's there, silent and accepting everything and in a miraculous way making out of all the refuse new richness in spite of corruption, transforming corruption itself into a power of life and a new possibility of creativeness, open to the sunshine, open to the rain, ready to receive any seed we sow and capable of bringing thirtyfold, sixtyfold, a hundredfold, out of every seed.

Crime and punishment grow out of one stem. Punishment is a fruit that unsuspected ripens within the flower of the pleasure which concealed it. Cause and effect, means and ends, seed and fruit, cannot be severed; for the effect already blooms in the cause, the end preexists in the means, the fruit in the seed.

Let me tell you the meaning of the sacred and alluring garden that blooms in the heart of the desert and produces the food of life. The garden for which you are currently heading is nowhere and everywhere except in the camps. It is another name for the only place where you belong, Michaels, where you do not feel homeless. It is off every map, no road leads to it that is merely a road, and only you know the way.

All the accomplished gardeners I know are surprisingly comfortable with failure. They may not be happy about it, but instead of reacting with anger or frustration, they seem freshly intrigued by the peony that, after years of being taken for granted, suddenly fails to bloom. They understand that, in the garden at least, failure speaks louder than success. By that I don’t mean that the gardener encounters more failure than success (though in some years he will), only that his failures have more to say to him—about his soil, the weather, the predilections of local pests, the character of his land. The gardener learns nothing when his carrots thrive, unless that success is won against a background of prior disappointment. Outright success is dumb, disaster frequently eloquent. At least to the gardener who knows how to listen.

The idea of gas engines was by no means new, but this was the first time that a really serious effort had been made to put them on the market. They were received with interest rather than enthusiasm and I do not recall any one who thought that the internal combustion engine could ever have more than a limited use. All the wise people demonstrated conclusively that the engine could not compete with steam. They never thought that it might carve out a career for itself. That is the way with wise people--they are so wise and practical that they always know to a dot just why something cannot be done; they always know the limitations. That is why I never employ an expert in full bloom. If ever I wanted to kill opposition by unfair means I would endow the opposition with experts. They would have so much good advice that I could be sure they would do little work.

If the security of the land calls for a life without conscience To imagine a word other than ‘yes’ is an obscenity And the mind bends low before the lecherous times then the security of the land is a threat to us If the security of the land means that every strike crushed makes that peace stronger Martyrdom is no more than death at the borders Art blooms only at the palace window Intellect only drives the waterwheel that irrigates the ruler’s crops Labour is little more than a broom at the palace door then the security of the land is a threat to us

This distinction between empathy and compassion is critical for the argument I’ve been making throughout this book. And it is supported by neuroscience research. In a review article, Tania Singer and Olga Klimecki describe how they make sense of this distinction: “In contrast to empathy, compassion does not mean sharing the suffering of the other: rather, it is characterized by feelings of warmth, concern and care for the other, as well as a strong motivation to improve the other’s well-being. Compassion is feeling for and not feeling with the other.” The

Fanfare for the Makers A cloud of witnesses. To whom? To what? To the small fire that never leaves the sky. To the great fire that boils the daily pot. To all the things we are not remembered by, Which we remember and bless. To all the things That will not notice when we die, Yet lend the passing moment words and wings. So fanfare for the Makers: who compose A book of words or deeds who runs may write As many who do run, as a family grows At times like sunflowers turning towards the light. As sometimes in the blackout and the raids One joke composed an island in the night. As sometimes one man’s kindness pervades A room or house or village, as sometimes Merely to tighten screws or sharpen blades Can catch a meaning, as to hear the chimes At midnight means to share them, as one man In old age plants an avenue of limes And before they bloom can smell them, before they span The road can walk beneath the perfected arch, The merest greenprint when the lives began Of those who walk there with him, as in default Of coffee men grind acorns, as in despite Of all assaults conscripts counter assault, As mothers sit up late night after night Moulding a life, as miners day by day Descend blind shafts, as a boy may flaunt his kite In an empty nonchalant sky, as anglers play Their fish, as workers work and can take pride In spending sweat before they draw their pay. As horsemen fashion horses while they ride, As climbers climb a peak because it is there, As life can be confirmed even in suicide: To make is such. Let us make. And set the weather fair. Louis Macneice

I just want to tell you if that's what You have planned for me, if I am meant to be an obscure flower in the corner of the expansive garden, I will live there and I will love You and I will bloom just for You -- only, always, ever.

So often when we say 'I love you' we say it with a huge 'I' and a small 'you'. We use love as a conjunction instead of it being a verb implying action. It's no good just gazing out into open space hoping to see the Lord; instead we have to look closely at our neighbour, someone whom God has willed into existence, someone whom God has died for. Everyone we meet has a aright to exist, because he has value in himself, and we are not used to this. The acceptance of otherness is a danger to us, it threatens us. To recognise the other's right to be himself might mean recognising his right to kill me. But if we set a limit to this right to exist, it's no right at all. Love is difficult. Christ was crucified because he taught a kind of love which is a terror for men, a love which demands total surrender: it spells death.

What plant?' 'Sorry?' "What plant did Mum leave, at the grave?' Sally went to the open window and reached through to pick a peach-colored flower from a blooming bush. She offered it to Alice. 'Beach hibiscus,' Alice cried softly, remembering the flower crown her mother made when she was a child. Remembering its meaning in the Thornfield Dictionary. Love binds us in eternity.

St. John Chrysostom said 'Find the door of your heart, you will discover it is the door of the kingdom of God.' So it is inward that we must turn, and not outward - but inward in a very special way. I'm not saying that we must become introspective. I don't mean that we must go inward in the way one does in psychoanalysis or psychology. It is not a journey into my own inwardness, it is a journey through my own self, in order to emerge from the deepest level of self into the place where He is, the point at which God and I meet.

(First lines) Now a traveler must make his way to Noon City by the best means he can, for there are no trains or buses headed in that direction, though six days a week a truck from the Chuberry Turpentine Company collects mail and supplies at the nextdoor town of Paradise Chapel; occasionally a person bound for Noon City can catch a ride with the driver of the truck, Sam Ratcliffe. It's a rough trip no matter how you come, for these washboard roads will loosen up even brandnew cars pretty fast, and hitchhikers always find the going bad. Also, this is lonesome country, and here in the sunken marshes where tiger lilies bloom the size of a man's head there are luminous green logs that shine under the dark water like drowned corpses. Often the only movement on the landscape is a broken spiral of smoke from a sorry-looking farmhouse on the horizon, or a wing-stiffened bird, silent and arrow-eyed, circling endlessly over the bleak deserted pinewoods.

Early Summer, loveliest season, The world is being colored in. While daylight lasts on the horizon, Sudden, throaty blackbirds sing. The dusty-colored cuckoo cuckoos. "Welcome, summer" is what he says. Winter's unimaginable. The wood's a wickerwork of boughs. Summer means the river's shallow, Thirsty horses nose the pools. Long heather spreads out on bog pillows. White bog cotton droops in bloom. Swallows swerve and flicker up. Music starts behind the mountain. There's moss and a lush growth underfoot. Spongy marshland glugs and stutters. Bog banks shine like ravens' wings. The cuckoo keeps on calling welcome. The speckled fish jumps; and the strong Swift warrior is up and running. A little, jumpy, chirpy fellow Hits the highest note there is; The lark sings out his clear tidings. Summer, shimmer, perfect days.

(Quoted in Dennis Okholm's Monk Habits for Everyday People) Settle down in your room at a moment when you have nothing else to do. Say "I am now with myself," and just sit with yourself. After an amazingly short time you will most likely feel bored. This teaches us one very useful thing. It gives us insight into the fact that if after ten minutes of being alone with ourselves we feel like that, it is no wonder that others should feel equally bored! Why is this so? It is so because we have so little to offer to our own selves as food for thought, for emotion and for life. If you watch your life carefully you will discover quite soon that we hardly ever live from within outwards; instead we respond to incitement, to excitement. In other words, we live by reflection, by reaction... We are completely empty, we do not act from within ourselves but accept as our life a life which is actually fed in from the outside; we are used to things happening which compel us to do other things. How seldom can we live simply by means of the depth and the richness we assume that there is within ourselves.

A troubling reality in much of evangelical life is that convincing someone they are saved seems to take precedence over making sure someone actually is saved. This must change. Somehow questioning another person’s salvation became taboo in evangelical culture, when it could possibly be one of the most loving things you can do for another; it could mean the difference between seeds that sprout and bloom and seeds that are snatched away.

There comes a time when even the thing you love betrays you...you have to know when it's time to give it up, I suppose. Doesn't mean you love it any less, of course. Just means it's time to move on. When you can't agree with the decisions that bind you, then you have to take your talents elsewhere.

At the center of the bouquet is a monstrous peony, probably purchased on sale at the supermarket. By Tuesday its curling petals had begun to collect at the bottom of the vase, infusing the room with the faint but unmistakable sweet odor of corruption and imminent death. ... In Tick's opinion there was something extravagantly excessive about the peony from the start, as if God had intended so suggest with this particular bloom that you could have too much of a good thing. The swiftness with which the fallen petals bean to stink drove the point home in case anybody missed it. As a rule, Tick leans toward believing that there is no God, but she isn't so sure at times like this, when pockets of meaning emerge so clearly that they feel like divine communication.

Mystic The air is a mill of hooks - Questions without answer, Glittering and drunk as flies Whose kiss stings unbearably In the fetid wombs of black air under pines in summer. I remember The dead smell of sun on wood cabins, The stiffness of sails, the long salt winding sheets. Once one has seen God, what is the remedy? Once one has been seized up Without a part left over, Not a toe, not a finger, and used, Used utterly, in the sun’s conflagrations, the stains That lengthen from ancient cathedrals What is the remedy? The pill of the Communion tablet, The walking beside still water? Memory? Or picking up the bright pieces of Christ in the faces of rodents, The tame flower- nibblers, the ones Whose hopes are so low they are comfortable - The humpback in his small, washed cottage Under the spokes of the clematis. Is there no great love, only tenderness? Does the sea Remember the walker upon it? Meaning leaks from the molecules. The chimneys of the city breathe, the window sweats, The children leap in their cots. The sun blooms, it is a geranium. The heart has not stopped.

I wonder why Miss Kosugi's lectures are always so stiff. Is she a fool? It makes me sad. She went on and on, explaining to us about patriotism, but wasn't that pretty obvious? I mean, everyone loves the place where they were born. I felt bored. Resting my chin on my desk, I gazed idly out the window. The clouds were beautiful, maybe because it was so windy. There were four roses blooming in a corner of the yard. One was yellow, two were white, and one was pink. I sat there agape, looking at the flowers, and thought to myself, There are really good things about human beings. I mean, it's humans who discovered the beauty of flowers, and humans who admire them. At

She set the bouquet of dahlias- a most harmonious flower, the vivid petals springing from its center like a work of art- at the base of the headstone, the pink and white blooms cheery against the day's overcast dreariness. Dahlias were long bloomers (Nellie had even seen them survive an early frost) and signified an unbreakable commitment between two people. While Nellie found the flower too gay for such a profound meaning, Elsie had insisted that was why dahlias were so enchanting. "Just as powerful as they are pretty. Like you, my sweet girl.

I'd much rather be hold up with a ball of yarn, tucked inside the safety of the house with my mother. Out there, you must come to grips with the rot and bone, bloom and disintegration. It's part of the world, this ruthlessness, this severed leg, this sun-bleached skull. I can't really stand it. All the signs point toward change, and all that means is death. - 140-141

Suppression also played another tragic role. By burying my pain, by avoiding my heartaches, I lost touch with knowing and owning what was important to me. I no longer went within, which was a scary road. If you were once attacked on a road, you make sure to avoid it. But the avoidance means you also miss out on the wild flowers when they’re blooming, the snow-capped mountains in winter, the waterfall, the deer, the beautiful people, like Tony, who walk there every day. You also miss out on knowing yourself better, on understanding what is important to you.

There was nothing to cool or banish love in these circumstances, though much to create despair. Much, too, you will think, reader, to engender jealousy: if a woman, in my position, could presume to be jealous of a woman in Miss Ingram's. But I was not jealous...Miss Ingram was a mark beneath jealousy: she was too inferior to excite the feeling. Pardon the seeming paradox; I mean what I say. She was very showy, but she was not genuine; she had a fine person, many brilliant attainments; but her mind was poor, her heart barren by nature: nothing bloomed spontaneously on that soil; no unforced natural fruit delighted by its freshness. She was not good; she was not original: she used repeat sounding phrases from books: she never offered, nor had, any opinion of her own. She advocated a high tone of sentiment; but she did not know the sensations of sympathy and pity; tenderness and truth were not in her. Too often she betrayed this...Other eyes besides mine watched these manifestations of character--watched them closely, keenly shrewdly. Yes; the future bridegroom, Mr. Rochester himself, exercised over his intended a ceaseless surveillance; and it was from this sagacity--this guardedness of his--this perfect, clear conciousness of his fair one's defects--this obvious absence of passion in his sentiments towards her, that ever-toturing pain arose. I saw he was going to marry her, for family, perhaps political reasons, because her rank and connecions suited him; I felt he had not given her his love, and that her qualifications were ill adapted to win from him that treasure. This was the point--this was where the nerve was touched and teased--this was where the fever was sustained and fed: she could not charm him. If she had managed the victory at once, and he had yielded and sincerely laid his heart at her feet, I should have covered my face, turned to the wall, and have died to them.

Our eyes finally meet—he’s still staring at me, lips parted. And I can’t get a read on his expression. As the moments stretch on, a bud of nervousness blooms in my stomach, its vine wrapping around my vocal chords. “I…I wasn’t sure what you had planned for tonight. You didn’t tell me.” Those long lashes blink, but he doesn’t say anything. I raise my hand toward the kitchen. “I can go change if this isn’t—” “No.” Nicholas steps forward, his hand up. “No, don’t change a thing. You’re…absolutely perfect.” And he’s looking at me like he never wants to stop. “I didn’t expect…I mean, you’re lovely…b-but…” “Wasn’t there a movie about a king who stuttered?” I tease him. “Was he a relative of yours?” He chuckles. And call me crazy, but I swear Nicholas’s cheeks go slightly pink. “No, stuttering doesn’t run in my family.” He shakes his head. “You just knocked me on my arse.” And now I’m beaming. “Thank you. You look pretty great too, Prince Charming.” “I actually know a Prince Charming. He’s first-class prick.” “Well. Now that you’ve tarnished a precious piece of my childhood, this better be some date,” I tease. “It will be.” He holds out his hand to me. “Shall we?

Maybe I should simply enjoy this trip. Not overthink it. Get out of my own head. Have fun; let things happen naturally. I don't know what this means—'let things happen naturally'—but I've heard it over and over. People say it to me a lot about relationships. Isn't that what we're doing? I'm letting myself consider these thoughts. It's natural. I'm not going to prevent doubts from blooming. Wouldn't that be more unnatural?

To write, to be able to write, what does it mean? It means spending long hours dreaming before a white page, scribbling unconsciously, letting your pen play round a blot of ink and nibble at a half-formed word, scratching it, making it bristle with darts and adorning it with antennae and paws until it loses all resemblance to a legible word and turns into a fantastic insect or a fluttering creature half butterfly, half fairy. To write is to sit and stare, hypnotized, at the reflection of the window in the silver ink-stand, to feel the divine fever mounting to one's cheeks and forehead while the hand that writes grows blissfully numb upon the paper. It also means idle hours curled up in the hollow of the divan, and then the orgy of inspiration from which one emerges stupefied and aching all over, but already recompensed and ladened with treasures that one unloads slowly on to the virgin page in the little round pool of light under the lamp. To write is to pour one's innermost self passionately upon the tempting paper, at such frantic speed that sometimes one's hand struggles and rebels, overdriven by the impatient god who guides it — and to find, next day, in place of the golden bough that bloomed miraculously in that dazzling hour, a withered bramble and a stunted flower. To write is the joy and torment of the idle. Oh to write! From time to time I feel a need, sharp as thirst in summer, to note and to describe. And then I take up my pen again and attempt the perilous and elusive task of seizing and pinning down, under its flexible double-pointed jib, the many-hued, fugitive, thrilling adjective.… The attack does not last long; it is but the itching of an old scar.

Miss Ingram was a mark beneath jealousy: she was too inferior to excite the feeling.  Pardon the seeming paradox; I mean what I say.  She was very showy, but she was not genuine: she had a fine person, many brilliant attainments; but her mind was poor, her heart barren by nature: nothing bloomed spontaneously on that soil; no unforced natural fruit delighted by its freshness.  She was not good; she was not original: she used to repeat sounding phrases from books: she never offered, nor had, an opinion of her own. 

It is a great wonder How Almighty God in his magnificence Favors our race with rank and scope And the gift of wisdom; His sway is wide. Sometimes He allows the mind of a man Of distinguished birth to follow its bent, Grants him fulfillment and felicity on earth And forts to command in his own country. He permits him to lord it in many lands Until the man in his unthinkingness Forgets that it will ever end for him. He indulges his desires; illness and old age Mean nothing to him; his mind is untroubled By envy or malice or thought of enemies With their hate-honed swords. The whole world Conforms to his will, he is kept from the worst Until an element of overweening Enters him and takes hold While the soul’s guard, its sentry, drowses, Grown too distracted. A killer stalks him, An archer who draws a deadly bow. And then the man is hit in the heart, The arrow flies beneath his defenses, The devious promptings of the demon start. His old possessions seem paltry to him now. He covets and resents; dishonors custom And bestows no gold; and because of good things That the Heavenly powers gave him in the past He ignores the shape of things to come. Then finally the end arrives When the body he was lent collapses and falls Prey to its death; ancestral possessions And the goods he hoarded and inherited by another Who lets them go with a liberal hand. “O flower of warriors, beware of that trap. Choose, dear Beowulf, the better part, Eternal rewards. Do not give way to pride. For a brief while your strength is in bloom But it fades quickly; and soon there will follow Illness or the sword to lay you low, Or a sudden fire or surge of water Or jabbing blade or javelin from the air Or repellent age. Your piercing eye Will dim and darken; and death will arrive, Dear warrior, to sweep you away.

I realised one day not so long ago, that I believe in many things, but that I do not trust any of them. I have, for the longest time, not trusted anything that I believe in. And so it dawned upon me: that belief and trust are two entirely different things. One may believe wholeheartedly without trusting for a minute. I have been like a seed in the ground: believing that the Sun is shining somewhere up there; believing that rain falls and that it probably feels really good too; believing that there is Winter and Summer, Spring and Fall... but never trusting anything that I believe in enough to break through the soil and reach my branches up towards the sky! The French have a saying from the 15'th Century: "Fleuris là où tu es plantée", which means, "Bloom where you are planted". Blooming has everything to do with trust, I have discovered, and very little to do with belief. To become anything at all, the seed must trust. And so shall I.

Ancient tradition has a saying: 'The infinitely distant is the return.' Among the maxims of Zen that point in the same direction is the statement that the 'great revelation,' acquired through a series of mental and spiritual crises, consists in the recognition that 'no one and nothing 'extraordinary' exists in the beyond'; only the real exists. Reality is, however, lived in a state in which 'there is no subject of the experience nor any object that is experienced,' and under the sign of a type of absolute presence, 'the immanent making itself transcendent and the transcendent immanent.' The teaching is that at the point at which one seeks the Way, one finds oneself further from it, the same being valid for the perfection and 'realization' of the self. The cedar in the courtyard, a cloud casting its shadow on the hills, falling rain, a flower in bloom, the monotonous sound of waves: all these 'natural' and banal facts can suggest absolute illumination, the satori. As mere facts they are without meaning, finality, or intention, but as such they have an absolute meaning. Reality appears this way, in the pure state of 'things being as they are.' The moral counterpart is indicated in sayings such as: 'The pure and immaculate ascetic does not enter nirvana, and the monk who breaks the rules does not go to hell,' or: 'You have no liberation to seek from bonds, because you have never been bound.

Postcolonial Love Poem (excerpt) I’ve been taught bloodstones can cure a snakebite, Can stop the bleeding-most people forgot this When the war ended. The war ended Depending on which war you mean: those we started, Before those, millennia ago and onward, Those which started me, which I lost and won- Those ever-blooming wounds. --- There are wildflowers in my desert which take up to twenty years to bloom. The seeds sleep like geodes beneath hot feldspar sand until a flash flood bolts the arroyo, lifting them in its copper current, opens them with memory— they remember what their god whispered into their ribs: Wake up and ache for your life. Where your hands have been are diamonds on my shoulders, down my back, thighs- I am your culebra. I am in the dirt for you. Your hips are quartz-light and dangerous, two rose-horned rams ascending a soft desert wash before the November sky untethers a hundred-year flood- the desert returned suddenly to its ancient sea. --- The rain will eventually come, or not. Until then, we touch our bodies like wounds- The war never ended and somehow begins again.

early childhood she had given her deepest trust, and which for half a century has suggested what she might do, think, feel, desire, and become, has suddenly fallen silent. Now, at last, all those books have no instructions for her, no demands—because she is just too old. In the world of classic British fiction, the one Vinnie knows best, almost the entire population is under fifty, or even under forty—as was true of the real world when the novel was invented. The few older people—especially women—who are allowed into a story are usually cast as relatives; and Vinnie is no one’s mother, daughter, or sister. People over fifty who aren’t relatives are pushed into minor parts, character parts, and are usually portrayed as comic, pathetic, or disagreeable. Occasionally one will appear in the role of tutor or guide to some young protagonist, but more often than not their advice and example are bad; their histories a warning rather than a model. In most novels it is taken for granted that people over fifty are as set in their ways as elderly apple trees, and as permanently shaped and scarred by the years they have weathered. The literary convention is that nothing major can happen to them except through subtraction. They may be struck by lightning or pruned by the hand of man; they may grow weak or hollow; their sparse fruit may become misshapen, spotted, or sourly crabbed. They may endure these changes nobly or meanly. But they cannot, even under the best of conditions, put out new growth or burst into lush and unexpected bloom. Even today there are disproportionately few older characters in fiction. The

The song she heard from the meadow was the same tune as the bird's call.She looked up in the trees.For a moment she thought she'd lost the bird, and she nearly cried out for him, but he fluttered down,landed right at her feet, and grew into a man." "Oh." Meg sighed.She'd always liked that part. "He whistled the tune once more, then the fey man said, 'My lady,will you dance?" "'I will.' She crossed the bridge to the meadow,and danced with the whistler." "Tell us they married," Meg said. "The story doesn't go like that," Poppy reminded. "It should." Meg stroked Tom's blood-clotted hair. I fumbled with the charcoal in my blackened fingers. As the story went, the girl danced through the seasons, but when she wandered home at last and reached her cottage door, she was a shriveled-up old women, for a hundred years had passed while she danced with the whistler,and everyone she'd known in her former life had died. Meg knew how it went.But when our eyes locked, I saw tonight she couldn't bear it. I found another bit of charcoal. "That very spring when the meadow was in bloom,the whistler, who had fey power to transform into a bird and sing any girl he wished to into the wood, chose the one girl who'd followed him so bravely and so far to be his wife. And she lived with him and the fey folk deep in Dragonswood in DunGarrow Castle, a place that blends into the mountainside and cannot be seen with human eyes unless the fairies will it so." I drew the couple hand in hand, rouch sketches on the cave wall; the stone wasn't smooth by any means. "She lived free among the fey folk and never wanted to return to her old life that had been full of hunger and sorrow under her father's roof." I sketched what came next before I could think of it. "A dragon came to their wedding," I said, drawing his right wing so large, I had to use the ceiling. "He lit a bonfire to celebrate their union." I drew the left wing spanning over the couple in the meadow. "And they lived all their lives content in Dragonswood.

Do these past days mean nothing?” he asked, so gently that my weak self curled around his words. But I would no longer be weak. I tapped into that power in my veins and a shimmering wall of flames sprang up between us. Amar jumped back, shocked and then…amused. “A little ruthlessness is to be admired, but it’s cruel to play with a powerless heart.” “Crueler still to promise equality and hide a person’s true self.” “I thought it was best for you,” he repeated. “Strange how something that only affected me was decided by you.” Amar’s smile turned cold. “My promises were true. You seek to punish an illusion without fully knowing. What were your kisses, then? Vengeance?” The wall of flames shimmered away. Anger still flared inside me, but now it was mixed with something else. Something I couldn’t push away, despite fury. Want. “They were nothing,” I lied. “They meant nothing.” I didn’t look at him. And then, a bloom of cold erupted beside me and Amar was at my side. His fingers traced a secret calligraphy along my arms. “Nothing at all?” My heart twisted. I reached forward, my hands tangling in his hair as I kissed him. It was a kiss meant to devour, to summon war. And when I broke it, my voice was harsh: “My kisses mean nothing.” “Cruel queen,” he murmured, tilting my head back. His lips skimmed down my neck. Amar’s hands gripped my waist, before tracing the outline of my hips. Heat flared through my body. But just as I pulled him closer, a sudden clash echoed in the hallway, and we sprang apart.

Before He called me forth from the grave, Jesus wept. His was not the loud, frantic keening of the women who mourned outside my tomb. His was a sigh and a groan and a single salty tear. It was, at first, almost imperceptible, even to those standing closest to Him. But His sigh shook the universe, and the place where I was quaked. I stood in the midst of those who watched and waited for all things to be set right. Jesus groaned, and the heads of angels and saints turned to look down upon the earth in wonder. His tear trickled down his cheek, and a spring burst forth at my feet. Pure, clear water spilled from its banks and flowed down a mountainside, leaving a myriad of new stars, like flowers, blooming and rising in its wake. I remember thinking, On a clear night, constellations above the earth reflect on the still surface of the sea. But here? Only one of Jesus’ tears contains a galaxy. My eternal companions and I listened. We heard His voice echo from Bethany across the universe! He commanded, “Roll away the stone!” We all waited in anticipation for the next word from His lips. Then Jesus spoke my name: “Lazarus!” Surely He could not mean me, I thought. But all the same, I whispered, “Here I am, Lord.” Centuries have come and gone since His holy sob ripped me loose from timeless conversation with the ageless ones. Ten thousand, thousand scholars and saints have asked, “Why? What made the King of Heaven bow His head and cover His eyes and spill holy tears onto the earth? Why? Why did Jesus weep?

I’m going to tell you something, there’s country poor, and there’s city poor. As much of my life as I’d spent in front of a TV thinking Oh, man, city’s where the money trees grow, I was seeing more to the picture now. I mean yes, that is where they all grow, but plenty of people are sitting in that shade with nothing falling on them. Chartrain was always discussing “hustle,” and it took me awhile to understand he grew up hungry for money like it was food. Because for him, they’re one and the same. Not to run the man down, but he wouldn’t know a cow from a steer, or which of them gave milk. No desperate men Chartrain ever knew went out and shot venison if they were hungry. They shot liquor store cashiers. Living in the big woods made of steel and cement, without cash, is a hungrier life than I knew how to think about. I made my peace with the place, but never went a day without feeling around for things that weren’t there, the way your tongue pushes into the holes where you’ve lost teeth. I don’t just mean cows, or apple trees, it runs deeper. Weather, for instance. Air, the way it smells from having live things breathing into it, grass and trees and I don’t know what, creatures of the soil. Sounds, I missed most of all. There was noise, but nothing behind it. I couldn’t get used to the blankness where there should have been bird gossip morning and evening, crickets at night, the buzz saw of cicadas in August. A rooster always sounding off somewhere, even dead in the middle of Jonesville. It’s like the movie background music. Notice it or don’t, but if the volume goes out, the movie has no heart. I’d oftentimes have to stop and ask myself what season it was. I never realized what was holding me to my place on the planet of earth: that soundtrack. That, and leaf colors and what’s blooming in the roadside ditches this week, wild sweet peas or purple ironweed or goldenrod. And stars. A sky as dark as sleep, not this hazy pinkish business, I’m saying blind man’s black. For a lot of us, that’s medicine. Required for the daily reboot.

In the life of Moses, in Hebrew folklore, there is a remarkable passage. Moses finds a shepherd in the desert. He spends the day with the shepherd and helps him milk his ewes, and at the end of the day he sees that the shepherd puts the best milk he has in a wooden bowl, which he places on a flat stone some distance away. So Moses asks him what it is for, and the shepherd replies 'This is God's milk.' Moses is puzzled and asks him what he means. The shepherd says 'I always take the best milk I possess, and I bring it as on offering to God.' Moses, who is far more sophisticated than the shepherd with his naive faith, asks, 'And does God drink it?' 'Yes,' replies the shepherd, 'He does.' Then Moses feels compelled to enlighten the poor shepherd and he explains that God, being pure spirit, does not drink milk. Yet the shepherd is sure that He does, and so they have a short argument, which ends with Moses telling the shepherd to hide behind the bushes to find out whether in fact God does come to drink the milk. Moses then goes out to pray in the desert. The shepherd hides, the night comes, and in the moonlight the shepherd sees a little fox that comes trotting from the desert, looks right, looks left and heads straight towards the milk, which he laps up, and disappears into the desert again. The next morning Moses finds the shepherd quite depressed and downcast. 'What's the matter?' he asks. The shepherd says 'You were right, God is pure spirit, and He doesn't want my milk.' Moses is surprised. He says 'You should be happy. You know more about God than you did before.' 'Yes, I do' says the shepherd, 'but the only thing I could do to express my love for Him has been taken away from me.' Moses sees the point. He retires into the desert and prays hard. In the night in a vision, God speaks to him and says 'Moses, you were wrong. It is true that I am pure spirit. Nevertheless I always accepted with gratitude the milk which the shepherd offered me, as the expression of his love, but since, being pure spirit, I do not need the milk, I shared it with this little fox, who is very fond of milk.

There is only one moment; its events are infinitely unfolding, increasing at every passing second—meaning that they were somehow compressed before. This moment was never smaller, but less beauty was exposed in the physical form, yet still this flower blooms. I think we tend to see time as the events alone; in this sense, we view objects as a means of measurement to time. But we forget the place of events in time is change. I am the measurement to my own happiness; time is the breadth of that beauty, and that beauty is the measurement of this moment’s grandeur. Somehow compressed, potential beauty was enfolded infinitely from the start of time, and now waits in vain for its fullest blossoming. The fact that there is a progression to time proves that time is not infinite; you can’t approach infinity. Time is more like a dot, expanding on a plane that is infinite; but that dot may as well not be growing, because the plane that its on is growing too. Stagnant, this explains what we call “now” that moment, ever unfolding; matter changes, but not the moment; the only proof that a past exists is our memories. What did it feel like to be four? Like now. My memories of a past are an illusion, because they take place in the now, the one moment.

Finally, I have come to realise that an imperfect Life is actually the most perfect Life. I have come to see how Life is beautiful in all its colours, more so because the shades of grey bind them and paint them with even more radiance. A clear sky is always beautiful but what if we never have rain or storm? Sunshine is always wonderful but what if we never have the soothing dusk or the cold night to coil in our own misty self? Storms that come to jolt us often leave us with more courage as we sail along the gust to chase a silver lining. The scorching heat that chokes us often makes us wait more eagerly for that balm of rain. So is Life, in all those moments of sunset we have the hope of the following sunrise, and if we may wait and absorb all that crumbling ray of that sunset we would be able to paint our sunrise with even more crimson smile. Because just like a story, nothing in Life is really concrete without patience. We cannot skip pages of a book because each line contains just so much to seep in, and to have the story fully lived inside our heart and soul we have to keep reading until the very end to feel that sense of peaceful happiness, that always clutches us no matter how the ending is drafted. In the same manner, we have to keep walking through Life, as each and every step of ours leads us to the destination of our Life, the destination of peace, the destination of knowledge of self. The best part of this walk is that it is never a straight line, but is always filled with curves and turns, making us aware of our spirit, laughing loud at times while mourning deep at times. But that is what Life is all about, a bunch of imperfect moments to smile as perfect memories sailing through the potholes of Life, because a straight line even in the world of science means death, after all monotony of perfection is the most cold imperfection. So as we walk through difficult times, may we realise that this sunset is not forever's and that the winter often makes us more aware of the spring. As we drive through a dark night, may we halt for a moment and watch for the stars, the smile of the very stars of gratitude and love that is always there even in the darkest sky of the gloomiest night. As we sail along the ship of Life, may we remember that the winds often guide us to our destination and the storms only come to make our voyage even more adventurous, while the rain clears the cloud so that we may gaze at the full glory of the sky above, with a perfect smile through a voyage of imperfect moments of forever's shine. And so as we keep turning the pages of Life, may we remember to wear that Smile, through every leaf of Life, for Life is rooted in the blooming foliage of its imperfect perfection.

I am sure you’re very pleased to have a pair of foxes,” Kestrel told Irex now, “but you’ll have to do better.” “I set down my tile,” Irex said coldly. “I cannot take it back.” “I’ll let you take it back. Just this once.” “You want me to take it back.” “Ah. So you agree that I know what tile you mean to play.” Benix shifted his weight on Lady Faris’s delicate chair. It creaked. “Flip the damn tile, Irex. And you, Kestrel: Quit toying with him.” “I’m merely offering friendly advice.” Benix snorted. Kestrel watched Irex watch her, his anger mounting as he couldn’t decide whether Kestrel’s words were a lie, the well-meant truth, or a truth she hoped he would judge a lie. He flipped the tile: a fox. “Too bad,” said Kestrel, and turned over one of hers, adding a third bee to her other two matching tiles. She swept the four gold coins of the ante to her side of the table. “See, Irex? I had only your best interests at heart.” Benix blew out a gusty sigh. He settled back in his protesting chair, shrugged, and seemed the perfect picture of amused resignation. He kept his head bowed while he mixed the Bite and Sting tiles, but Kestrel saw him shoot Irex a wary glance. Benix, too, had seen the rage that turned Irex’s face into stone. Irex shoved back from the table. He stalked over the flagstone terrace to the grass, which bloomed with the highest members of Valorian society. “That wasn’t necessary,” Benix told Kestrel. “It was,” she said. “He’s tiresome. I don’t mind taking his money, but I cannot take his company.” “You couldn’t spare a thought for me before chasing him away? Maybe I would like a chance to win his gold.” “Lord Irex can spare it,” Ronan added. “Well, I don’t like poor losers,” said Kestrel. “That’s why I play with you two.” Benix groaned. “She’s a fiend,” Ronan agreed cheerfully. “Then why do you play with her?” “I enjoy losing to Kestrel. I will give anything she will take.” “While I live in hope to one day win,” Benix said, and gave Kestrel’s hand a friendly pat. “Yes, yes,” Kestrel said. “You are both fine flatterers. Now ante up.

I had better come clean now and say that I do not believe that art (all art) and beauty are ever separate, nor do I believe that either art or beauty are optional in a sane society." "That puts me on the side of what Harold Bloom calls 'the ecstasy of the privileged moment. Art, all art, as insight, as transformation, as joy. Unlike Harold Bloom, I really believe that human beings can be taught to love what they do not love already and that the privileged moment exists for all of us, if we let it. Letting art is the paradox of active surrender. I have to work for art if I want art to work on me." (...) We know that the universe is infinite, expanding and strangely complete, that it lacks nothing we need, but in spite of that knowledge, the tragic paradigm of human life is lack, loss, finality, a primitive doomsaying that has not been repealed by technology or medical science. The arts stand in the way of this doomsaying. Art objects. The nouns become an active force not a collector's item. Art objects. "The cave wall paintings at Lascaux, the Sistine Chapel ceiling, the huge truth of a Picasso, the quieter truth of Vanessa Bell, are part of the art that objects to the lie against life, against the spirit, that is pointless and mean. The message colored through time is not lack, but abundance. Not silence but many voices. Art, all art, is the communication cord that cannot be snapped by indifference or disaster. Against the daily death it does not die." "Naked I came into the world, but brush strokes cover me, language raises me, music rhythms me. Art is my rod and my staff, my resting place and shield, and not mine only, for art leaves nobody out. Even those from whom art has been stolen away by tyranny, by poverty, begin to make it again. If the arts did not exist, at every moment, someone would begin to create them, in song, out of dust and mud, and although the artifacts might be destroyed, the energy that creates them is not destroyed. If, in the comfortable West, we have chosen to treat such energies with scepticism and contempt, then so much the worse for us. "Art is not a little bit of evolution that late-twentieth-century city dwellers can safely do without. Strictly, art does not belong to our evolutionary pattern at all. It has no biological necessity. Time taken up with it was time lost to hunting, gathering, mating, exploring, building, surviving, thriving. Odd then, that when routine physical threats to ourselves and our kind are no longer a reality, we say we have no time for art. "If we say that art, all art is no longer relevant to our lives, then we might at least risk the question 'What has happened to our lives?

Mr. President, Dr. Biden, Madam Vice President, Mr. Emhoff, Americans and the world, when day comes we ask ourselves where can we find light in this never-ending shade? The loss we carry asea we must wade. We’ve braved the belly of the beast. We’ve learned that quiet isn’t always peace. In the norms and notions of what just is isn’t always justice. And yet, the dawn is ours before we knew it. Somehow we do it. Somehow we’ve weathered and witnessed a nation that isn’t broken, but simply unfinished. We, the successors of a country and a time where a skinny black girl descended from slaves and raised by a single mother can dream of becoming president only to find herself reciting for one. And yes, we are far from polished, far from pristine, but that doesn’t mean we are striving to form a union that is perfect. We are striving to forge our union with purpose. To compose a country committed to all cultures, colors, characters, and conditions of man. And so we lift our gazes not to what stands between us, but what stands before us. We close the divide because we know to put our future first, we must first put our differences aside. We lay down our arms so we can reach out our arms to one another. We seek harm to none and harmony for all. Let the globe, if nothing else, say this is true. That even as we grieved, we grew. That even as we hurt, we hoped. That even as we tired, we tried that will forever be tied together victorious. Not because we will never again know defeat, but because we will never again sow division. Scripture tells us to envision that everyone shall sit under their own vine and fig tree and no one shall make them afraid. If we’re to live up to her own time, then victory won’t lie in the blade, but in all the bridges we’ve made. That is the promise to glade, the hill we climb if only we dare. It’s because being American is more than a pride we inherit. It’s the past we step into and how we repair it. We’ve seen a forest that would shatter our nation rather than share it. Would destroy our country if it meant delaying democracy. This effort very nearly succeeded. But while democracy can be periodically delayed, it can never be permanently defeated. In this truth, in this faith we trust for while we have our eyes on the future, history has its eyes on us. This is the era of just redemption. We feared it at its inception. We did not feel prepared to be the heirs of such a terrifying hour, but within it, we found the power to author a new chapter, to offer hope and laughter to ourselves so while once we asked, how could we possibly prevail over catastrophe? Now we assert, how could catastrophe possibly prevail over us? We will not march back to what was, but move to what shall be a country that is bruised, but whole, benevolent, but bold, fierce, and free. We will not be turned around or interrupted by intimidation because we know our inaction and inertia will be the inheritance of the next generation. Our blunders become their burdens. But one thing is certain, if we merge mercy with might and might with right, then love becomes our legacy and change our children’s birthright. So let us leave behind a country better than one we were left with. Every breath from my bronze-pounded chest we will raise this wounded world into a wondrous one. We will rise from the gold-limbed hills of the West. We will rise from the wind-swept Northeast where our forefathers first realized revolution. We will rise from the Lake Rim cities of the Midwestern states. We will rise from the sun-baked South. We will rebuild, reconcile and recover in every known nook of our nation, in every corner called our country our people diverse and beautiful will emerge battered and beautiful. When day comes, we step out of the shade aflame and unafraid. The new dawn blooms as we free it. For there is always light. If only we’re brave enough.