Bonnet Quotes

We've searched our database for all the quotes and captions related to Bonnet. Here they are! All 100 of them:

I'll tell you how the sun rose, a ribbon at a time. The steeples swam in amethyst, The news like squirrels ran. The hills untied their bonnets, The bobolinks begun. Then I said softly to myself, "That must have been the sun!
Emily Dickinson
Will!” He turned at the familiar voice and saw Tessa. There was a small path cut along the side of the hill, lined with unfamiliar white flowers, and she was walking up it, toward him. Her long brown hair blew in the wind — she had taken off her straw bonnet, and held it in one hand, waving it at him and smiling as if she were glad to see him. His own heart leaped up at the sight of her. “Tess,” he called. But she was still such a distance away — she seemed both very near and very far suddenly and at the same time. He could see every detail of her pretty, upturned face, but could not touch her, and so he stood, waiting and desiring, and his heart beat like the wings of seagulls in his chest. At last she was there, close enough that he could see where the grass and flowers bent beneath the tread of her shoes. He reached out for her —
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Miss Jenkyns wore a cravat, and a little bonnet like a jockey-cap, and altogether had the appearance of a strong-minded woman; although she would have despised the modern idea of women being equal to men. Equal, indeed! she knew they were superior.
Elizabeth Gaskell (Cranford)
I swear by my pretty floral bonnet, I will end you.
Malcolm Reynolds
Daffodowndilly She wore her yellow sun-bonnet, She wore her greenest gown; She turned to the south wind And curtsied up and down. She turned to the sunlight And shook her yellow head, And whispered to her neighbor: "Winter is dead.
A.A. Milne (When We Were Very Young (Winnie-the-Pooh, #3))
A girl who bonnets a policeman with an ashcan full of bottles is obviously good wife-and-mother timber.
P.G. Wodehouse (The Plot That Thickened)
That man makes me feel like I have my bonnet on backwards.
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901, Arizona Territories (Sarah Agnes Prine, #1))
Scarlet O'Hara was not beautiful, but men seldom realized it when caught by her charm as the Tarleton twins were. In her face were too sharply blended the delicate features of her mother, a Coast aristocrat of French descent, and the heavy ones of her florid Irish father. But it was an arresting face, pointed of chin, square of jaw. Her eyes were pale green without a touch of hazel, starred with bristly black lashes and slightly tilted at the ends. Above them, her thick black brows slanted upward, cutting a startling oblique line in her magnolia-white skin-that skin so prized by Southern women and so carefully guarded with bonnets, veils and mittens against hot Georgia suns.
Margaret Mitchell (Gone with the Wind)
I just... I understand you might want to start dating more seriously, and that means dating someone from town. But if you're going to do that..." This time he took a long drink of coffee, and the mug was still at his lips when he said, "I like Daniel. He takes care of you." I blinked. "Oh my God. Did you really just say that? He takes care of me?" Dad flushed. "I didn't mean it like-" "Takes care of me? Did I go to sleep and wake up in the nineteenth century?" I looked down at my jeans and T-shirt. "Ack! I can't go to school like this. Where's my corset? My bonnet?
Kelley Armstrong (The Gathering (Darkness Rising, #1))
I imagine that it will not be easy to persuade Mortmain into a bonnet," Magnus observed. "Though the color would be fetching on him." Henry burst into laughter. "Very droll, Mr. Bane." "Please, call me Magnus." "I shall!
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
No woman should have a memory. Memory in a woman is the beginning of dowdiness. One can always tell from a woman's bonnet whether she has got a memory or not.
Oscar Wilde (A Woman of No Importance)
But Rhett, you mustn't bring me anything else so expensive. It's awfully kind of you, but I really couldn't accept anything else." "Indeed? Well, I shall bring you presents so long as it pleases me and so long as I see things that will enhance your charms. I shall bring you dark-green watered silk for a frock to match the bonnet. And I warn you that I am not kind. I am tempting you with bonnets and bangles and leading you into a pit. Always remember I never do anything without reason and I never give anything without expecting something in return. I always get paid.
Margaret Mitchell (Gone with the Wind)
Why don't you tremble?" "I'm not cold." "Why don't you turn pale?" "I am not sick." "Why don't you consult my art?" "I'm not silly. The old crone "nichered" a laugh under her bonnet and bandage; she then drew out a short black pipe, and lighting it began to smoke. Having indulged a while in this sedative, she raised her bent body, took the pipe from her lips, and while gazing steadily at the fire, said very deliberately--"You are cold; you are sick; and you are silly." "Prove it," I rejoined. "I will, in few words. You are cold, because you are alone: no contact strikes the fire from you that is in you. You are sick; because the best of feelings, the highest and the sweetest given to man, keeps far away from you. You are silly, because, suffer as you may, you will not beckon it to approach, nor will you stir one step to meet it where it waits you.
Charlotte Brontë (Jane Eyre)
Mr Churchill caught the end of one of the long ribbons from her bonnet, which were flying madly in the strong breeze. He toyed with it for a long while, then looked up into her eyes. “Do you believe in love at first sight?” he asked. “No, I don’t suppose I do,” Jane answered. Her heart started beating harder. That was a lie. Maybe her breath was catching in her throat because she was lying: she fell in love with him the moment she saw him, rescuing the poor store clerk. Or maybe it was because he was standing so close to her, just on the other end of her bonnet ribbon. She felt her cheeks growing warm, and tried to talk herself out of blushing. He was not standing any closer to her than when they danced together, or sat on the same bench at the pianoforte. Why should it fluster her that he was wrapping the end of her bonnet ribbon around his fingers like that?
Jeanette Watts (My Dearest Miss Fairfax)
There are few things sweeter in this world than the guileless, hotheaded, intemperate, open admiration of a junior. Even a woman in her blindest devotion does not fall into the gait of the man she adores, tilt her bonnet to the angle at which he wears his hat, or interlard her speech with his pet oaths.
Rudyard Kipling (Indian Tales)
We declare that the splendor of the world has been enriched by a new beauty: the beauty of speed. A racing automobile with its bonnet adorned with great tubes like serpents with explosive breath...a roaring motor car which seems to run on machine-gun fire, is more beautiful than the Victory of Samothrace.
Filippo Tommaso Marinetti
I prefer to look after myself, ma’am, but thank you. I appreciate your concern for my well-being, but some of us have more pressing matters to attend to than practicing our curtsies and turning foolishly sized bonnets into topiaries.
William Ritter (Jackaby (Jackaby, #1))
George: 'Ringo would always say grammmatically incorrect phrases and we'd all laugh. I remember when we were driving back to Liverpool from Luton up the M1 motorway in Ringo's Zephyr, and the car's bonnet hadn't been latched properly. The wind got under it and blew it up in front of the windscreen. We were all shouting, 'Aaaargh!' and Ringo calmly said, 'Don't worry, I'll soon have you back in your safely-beds.
George Harrison (The Beatles Anthology)
… it wasn’t pretend, I wasn’t in a fairytale or a fable. I shut my eyes and absorbed the silent whoomp that always accompanies this revelation. It’s the sound of the real world, gigantic and impossible, replacing the smaller version of reality that I wear like a bonnet, clutched tightly under my chin.
Miranda July (It Chooses You)
Thirty minutes later we were in Aunt Gene's carriage, Pam compulsively adjusting her bonnet, me meditating upon all of the ways it might be possible to kill myself with the in-cab stylus.
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
. . . the fellow's got a bee in his bonnet. Thinks God's a secretion of the liver--all right once in a way, but there's no need to keep on about it. There's nothing you can't prove if your outlook is only sufficiently limited.
Dorothy L. Sayers (Whose Body?)
I will come by train. I will wear a yellow bonnet. I am plain and tall.
Patricia MacLachlan (Sarah, Plain and Tall (Sarah, Plain and Tall, #1))
I sing to use the waiting, My bonnet but to tie, And shut the door unto my house; No more to do have I, Till, his best step approaching, We journey to the day, And tell each other how we sang To keep the dark away.
Emily Dickinson (The Complete Poems of Emily Dickinson)
What's the bee in your bonnet? Seems to be some kind of idealism.
Robert Musil (The Confusions of Young Törless)
I like Daniel. He takes care of you." I blinked. "Oh my God. Did you really just say that? He takes care of me?" Dad flushed. "I didn't mean it like-" "Takes care of me? Did I go to sleep and wake up in the nineteenth century?" I looked down at my jeans and T-shirt. "Ack! I can't go to school like this. Where's my corset? My bonnet?" Dad sighed as Mom walked in with her empty teacup. "What did I miss?" She said. "Dad's trying to marry me off to Daniel." I looked at him. "You know, if you offer him a new truck for a dowry, he might go for it.
Kelley Armstrong (The Gathering (Darkness Rising, #1))
Ah well that I can't tell you." Diana ducked her head so that the brim of her bonnet covered her face. "Some things must remain a mystery and for now I think I'll keep my opinion of you and your compliments to myself.
Anna Godbersen (Rumors (Luxe, #2))
Lost: one bonnet, two clogs. Kept in spite of the odds: two thumbs, one life.
Frances Hardinge (Fly Trap)
THE MOON was but a chin of gold A night or two ago, And now she turns her perfect face Upon the world below. Her forehead is of amplest blond; Her cheek like beryl stone; Her eye unto the summer dew The likest I have known. Her lips of amber never part; But what must be the smile Upon her friend she could bestow Were such her silver will! And what a privilege to be But the remotest star! For certainly her way might pass Beside your twinkling door. Her bonnet is the firmament, The universe her shoe, The stars the trinkets at her belt, Her dimities of blue.
Emily Dickinson (The Complete Poems of Emily Dickinson)
On a cold, fretful afternoon in early October, 1872, a hansom cab drew up outside the offices of Lockhart and Selby, Shipping Agents, in the financial heart of London, and a young girl got out and paid the driver. She was a person of sixteen or so--alone, and uncommonly pretty. She was slender and pale, and dressed in mourning, with a black bonnet under which she tucked back a straying twist of blond hair that the wind had teased loose. She had unusually dark brown eyes for one so fair. Her name was Sally Lockhart; and within fifteen minutes, she was going to kill a man.
Philip Pullman (The Ruby in the Smoke (Sally Lockhart, #1))
The customer glared. Then she threw the bonnet at Sophie and stormed out of the shop. Sophie carefully crammed the bonnet into the wastebasket, panting rather. The rule was: Lose your temper, lose a customer. She had just proved that rule. It troubled her to realise how very enjoyable it had been.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Love That’s it: The cashless commerce. The blanket always too short. The loose connexion. To search behind the horizon. To brush fallen leaves with four shoes and in one’s mind to rub bare feet. To let and rent hearts; or in a room with shower and mirror, in a hired car, bonnet facing the moon, wherever innocence stops and burns its programme, the word in falsetto sounds different and new each time. Today, in front of a box office not yet open, hand in hand crackled the hangdog old man and the dainty old woman. The film promised love.
Günter Grass
Past persons of Scottishness in contact with mastermind of supernatural persuasion in London, aka Agent Doom.’ Floote moved on to the third bit of paper. “ ‘Lady K says Agent Doom assisted depraved Plan of Action. May have all been his idea.’ Moving on to the last one, he read out, "Summer permits Scots to expose more knee than lady of refinement should have to withstand. Hairmuffs much admired. Yours etc., Puff Bonnet.
Gail Carriger (Heartless (Parasol Protectorate, #4))
Spare a copper for our cause?" the girl with the coin cup asks, her voice weary. "I can spare more than that," I say. I reach into my purse and giver her what real coins I have, and then I press my hand to hers and whisper, "Don't give up," watching the magic spark in her eyes. "The tragedy of the Beardon's Bonnet Factory!" she shouts, a fire catching. "Six souls murdered for a profit! Will you let it stand, sir? Will you look away, m'um?" Her sisters-in-arms raise their placards again. "Fair wages, fair treatment!" they call. "Justice!" Their voices swell into a chorus that thunders through the dark London streets until it can no longer be ignored.
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
People remembered. They wept and they grieved. In the spaces between, they were glad that the leeks were doing well this year, envied the bonnet of the neighbor's cousin, relished the fragrance of pork roasting in the kitchen on Sunday. There were those that registered the beauty of a pale moon suspended behind the branches of the elms on the ridge.
Diane Setterfield (Bellman & Black)
Geralt knew that bonnet and that feather, which were famed from the Buina to the Yaruga, known in manor houses, fortresses, inns, taverns and whorehouses. Particularly whorehouses.
Andrzej Sapkowski (Sword of Destiny (The Witcher, #0.7))
Bobbington seemed to be lost in thought. A lion dressed in a lavender bonnet would likely not have drawn his attention.
Cindy Anstey (Love, Lies and Spies)
You do not esteem good deeds?" She shifted the basket handle to both hands, just as a cool breeze blew a bonnet string across her face. "My dear Miss Keene, what would the world be without them?" He brushed the string from her cheek. "Are we not admonished to be doers and not merely hearers of His word? Yet not on a mountain of good deeds can we climb our way to heaven.
Julie Klassen (The Silent Governess)
(Edward describing Angeline's bonnet) "Then it is overbright and those colors should never been seen togther upon the same person, not to mention the same garment ." he said. "And it actually suits you perfectly. It suits your character.
Mary Balogh (The Secret Mistress (Mistress Trilogy, #3))
Jules could have sworn there was a devilish glint in the shopkeepers eye. 'I find today I am in need of a bonnet.' Mr. Postlethwaite was silent. And then his eyes crept toward the marquess's hairline. 'It will be a gift for a woman, Mr. Postlethwaite.' 'Of course, sir.' The marquess wished the 'of course' sounded a bit more sincere. He'd scarcely been in the shop for more than three minutes and already his dignity was fraying.
Julie Anne Long (How the Marquess Was Won (Pennyroyal Green, #6))
Another thing to study," Natalie said, amused. "Will you ever be done?" I smiled into the sun, one hand holding my bonnet against the firm grasp of the wind. "I should hope not. How dreadfully tedious that would be.
Marie Brennan (The Tropic of Serpents (The Memoirs of Lady Trent, #2))
She saw how he was staring at it, the bright red hue beneath her bonnet. She could not bear to see the way he was looking at her—right through her—without seeing her. He did not see a woman. He did not see Jane, the woman he had been so passionate with two days before. He saw… Jane swallowed hard and looked away, hating the weakness of her spirit. She was more than this, a wilting flower. She was stronger than this. But damn it, this hurt. It hurt because he was the man responsible for making her burn. For making her feel like a woman. It hurt because it had been a trick. An illusion. And it hurt most of all because he did not see her, the woman she was behind the unfashionable spectacles and garish hair.
Charlotte Featherstone (Sinful (Addicted, #2))
Indeed? Well, I shall bring you presents so long as it pleases me and so long as I see things that will enhance your charms. I shall bring you dark-green watered silk for a frock to match the bonnet. And I warn you that I am not kind. I am tempting you with bonnets and bangles and leading you into a pit. Always remember I never do anything without reason and I never give anything without expecting something in return. I always get paid.
Margaret Mitchell (Gone with the Wind)
All the books were beginning to turn against me. Indeed, I must have been blind as a bat not to have seen it long before, the ludicrous contradiction between my theory of life and my actual experiences as a reader. George MacDonald had done more to me than any other writer; of course it was a pity that he had that bee in his bonnet about Christianity. He was good in spite of it. Chesterton has more sense than all the other moderns put together; bating, of course, his Christianity. Johnson was one of the few authors whom I felt I could trust utterly; curiously enough, he had the same kink. Spenser and Milton by a strange coincidence had it too. Even among ancient authors the same paradox was to be found. The most religious (Plato, Aeschylus, Virgil) were clearly those on whom I could really feed. On the other hand, those writers who did not suffer from religion and with whom in theory my sympathy ought to have been complete -- Shaw and Wells and Mill and Gibbon and Voltaire -- all seemed a little thin; what as boys we called "tinny". It wasn't that I didn't like them. They were all (especially Gibbon) entertaining; but hardly more. There seemed to be no depth in them. They were too simple. The roughness and density of life did not appear in their books.
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
The important thing is not so much to read fast, as to read each book at the speed it deserves. It is as regrettable to spend too much time on some books as it is to read others too quickly. There are books you know well, just from flicking through them, others you only grasp at second or third reading, and others again which will last you a lifetime.
Jacques Bonnet (Phantoms on the Bookshelves)
PS: Ne laissez pas les chats vous convaincre que les bonnets péruviens vous vont bien.
Gilles Legardinier (Demain j'arrête!)
Here follows the substance of what I said, written out entirely for your benefit. Pay attention to it, or you will be all abroad, when we get deeper into the story. Clear your mind of the children, or the dinner, or the new bonnet, or what not. Try if you can't forget politics, horses, prices in the city and grievances at the club. I hope you won't take this freedom on my part amiss; it's only a way I have of appealing to a gentle reader. Lord! haven't I seen you with the greatest authors in your hands, and don't I know how ready your attention is to wander when it's a book that asks for it, instead of a person?
Wilkie Collins
Séraphine, Séraphine, Séraphine. Will you drive me mad? Scatter my wits to the wind like so much chaff? Leave me a shell of a man, broken, hollowed of brain and soul, left with merely a throbbing prick like a mindless goat? Have mercy, I plead, O siren of chatelaines and unlovely bonnets! Let my famished mouth feast upon thy sweet, sweet flesh. I am awash in yearning spunk.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
To pile on the agony, once we reached Shantytown-a collection of shacks around the Exhibition that fed off the scraps of rich tourists—the ribbon on my bonnet decided today was the day it wanted freedom. It dangled before my face in a taunting display of rebellion.
Susan Dennard (Something Strange and Deadly (Something Strange and Deadly, #1))
The singing grew louder as they approached the church. It made Harry’s throat constrict, it reminded him so forcefully of Hogwarts, of Peeves bellowing rude versions of carols from inside suits of armour, of the Great Hall’s twelve Christmas trees, of Dumbledore wearing a bonnet he had won in a cracker, of Ron in a hand-knitted sweater…
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Can you spell everything?" asked Milo admiringly. "Just about," replied the bee with a hint of pride in his voice. "You see, years ago I was just an ordinary bee minding my own business, smelling flowers all day, and occasionally picking up part-time work in people's bonnets. Then one day I realized that I'd never amount to anything without an education and, being naturally adept at spelling, I decided that—
Norton Juster (The Phantom Tollbooth)
A good turnout at church today. It had nothing to do with the mild weather and a desire to gossip and everything to do with my oratory skills, I am perfectly convinced. Indeed, if not for Mrs Attwood's new bonnet, I would have had the ladies' undivided attention. The gentlemen I was more certain of. They had no interest in bonnets, new or otherwise, and listened in pleasing silence, broken only by an occasional snore.
Amanda Grange (Henry Tilney's Diary (Jane Austen Heroes, #6))
Bee in my bonnet,” T repeated. “And just how would you really react if you had a bee in your bonnet? I recently got stung by a bee, and having said about thirty conjugations of the word fuck in sixty seconds, I’m thinking having a bee in your headgear wouldn’t lead to the often associated obsessive righteousness but more like flailing hysteria.” She
Tanya Thompson (Night of the Rat)
Kiss someone like it's the last one you give.
Mattéo Bonnet
Follow your dreams and always remember, sometimes you must soar through the fog and clouds to discover the rainbow.
Jodi Stone (An Easter Bonnet for Lily)
I will receive it sir with all diligence of spirit. Put your bonnet to his right use, 'tis for the head. OSRIC I thank you lordship, it is very hot. HAMLET No believe me, 'tis very cold, the wind is northerly. OSRIC It is indifferent cold my lord, indeed. HAMLET But yet methinks it is very sultry and hot for my complexion. OSRIC Exceedingly my lord, it is very sultry, as 'twere - I cannot tell how. But my lord, his majesty bade me signify to you that a has laid a great wager on your head. Sir, this is the matter - HAMLET I beseech you remember. (Hamlet moves him to put on his hat)
William Shakespeare
In lands I never saw, they say, Immortal Alps look down, Whose bonnets touch the firmament, Whose sandals touch the town, ― Meek at whose everlasting feet A myriad daisies play. Which, sir, are you, and which am I. Upon an August day?
Emily Dickinson (The Works of Emily Dickinson)
We are Turks with the affections of our women; and have made them subscribe to our doctrine too. We let their bodies go abroad liberally enough, with smiles and ringlets and pink bonnets to disguise them instead of veils and yakmaks. But their souls must be seen by only one man, and they obey not unwillingly, and consent to remain at home as our slaves—ministering to us and doing drudgery for us.
William Makepeace Thackeray (Vanity Fair)
Ordinary women never appeal to one's imagination.They are limited to their century. No glamour every transfigures them. One knows their minds as easily as one knows their bonnets. One can always find them. There is no mystery in any of them.
Oscar Wilde (The Picture of Dorian Gray)
She laid her palm against his bristled cheek. “You’re safe,” she whispered. “What the hell did you think you were doing?” he growled, his heart pounding wildly in his chest. “I was going to save you.” He threaded his fingers through her tangled hair. She’d lost her bonnet. She was damn lucky she hadn’t lost her life. “You little fool,” he rasped in a voice rift with emotion. “You brave little fool.
Lorraine Heath (Texas Destiny (Texas Trilogy, #1))
Myths and dreams,” according to Joseph Campbell, “are manifestations in image form (metaphors) of all of the energies of the body, moved by the organs, in conflict with each other.
James Bonnet (Stealing Fire from the Gods)
Ce matin-la j'ai découvert une des sept vérités fondamentales qui commandent l'univers: le bonnet péruvien ne va a personne... Je ne sais pas si c'est la forme, la matière ou la couleur mais franchement, je comprends que ça énerve les lamas et qu'ils crachent sur des innocents.
Gilles Legardinier (Demain j'arrête!)
What a grand revenge you have taken! I saw you innocent, and I deceived you. Four years after, you find me a Christian enthusiast; you then work upon me, perhaps to my complete perdition! But Tess, my coz, as I used to call you, this is only my way of talking, and you must not look so horribly concerned. Of course you have done nothing except retain your pretty face and shapely figure. I saw it on the rick before you saw me—that tight pinafore-thing sets it off, and that wing-bonnet—you field-girls should never wear those bonnets if you wish to keep out of danger.
Thomas Hardy (Tess of the D’Urbervilles)
Why were the flowers born so beautiful and yet so hapless? Insects can sting, and even the meekest of beasts will fight when brought to bay. The birds whose plumage is sought to deck some bonnet can fly from its pursuer, the furred animal whose coat you covet for your own may hide at your approach. Alas! The only flower known to have wings is the butterfly; all others stand helpless before the destroyer. If they shriek in their death agony their cry never reaches our hardened ears. We are ever brutal to those who love and serve us in silence, but the time may come when, for our cruelty, we shall be deserted by these best friends of ours. Have you not noticed that the wild flowers are becoming scarcer every year? It may be that their wise men have told them to depart till man becomes more human. Perhaps they have migrated to heaven. Much may be said in favor of him who
Kakuzō Okakura (The Book of Tea)
You’re seeing someone else, aren’t you?" Seeing someone else? How on earth could that explain any of this? Why would seeing someone else necessitate bringing home a middle­-aged woman, a teenaged punk and an American with a leather jacket and a Rod Stewart haircut? What would the story have been? But then, after reflection, I realised that Penny had probably been here before, and therefore knew that infidelity can usually provide the answer to any domestic mystery. If I had walked in with Sheena Easton and Donald Rumsfeld, Penny would probably have scratched her head for a few seconds before saying exactly the same thing. In other circumstances, on other evenings, it would have been the right conclusion, too; I used to be pretty resourceful when I was being unfaithful to Cindy, even if I do say so myself. I once drove a new BMW into a wall, simply because I needed to explain a four­-hour delay in getting home from work. Cindy came out into the street to inspect the crumpled bonnet, looked at me, and said, “You’re seeing someone else, aren’t you?” I denied it, of course. But then, anything – smashing up a new car, persuading Donald Rumsfeld to come to an Islington flat in the early hours of New Year’s Day – is easier than actually telling the truth. That look you get, the look which lets you see right through the eyes and down into the place where she keeps all the hurt and the rage and the loathing... Who wouldn’t go that extra yard to avoid it?
Nick Hornby (A Long Way Down)
Well, over here, this is a Sensor. It senses when demons are near.” He moved toward Magnus, and the Sensor made a loud wailing noise. “Impressive!” Magnus exclaimed, pleased. He lifted a construction of fabric with a large dead bird perched atop it. “And what is this?” “The Lethal Bonnet,” Henry declared. “Ah,” said Magnus. “In times of need a lady can produce weapons from it with which to slay her enemies.” “Well, no,” Henry admitted. “That does sound like a rather better idea. I do wish you had been on the spot when I had the notion. Unfortunately this bonnet wraps about the head of one’s enemy and suffocates them, provided that they are wearing it at the time.” “I imagine that it will not be easy to persuade Mortmain into a bonnet,” Magnus observed. “Though the color would be fetching on him
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I still have a photo, taken ... by Eugen Bavcar, a Slovenian photographer -who is blind.
Jacques Bonnet
England was a menace to Scotland because Scotland was, by its separate existence, a constant anxiety to England.
George MacDonald Fraser (The Steel Bonnets: The Story of the Anglo-Scottish Border Reivers)
She paused as she took in Mrs. Bean's monstrously ugly evening bonnet. "What a wonderful bonnet. That quail looks as though it shall take flight at any moment." And perhaps be shot down by hunters. Mrs. Bean's eyes narrowed. "It is a dove." "Oh?" Daisy peered closer. "Yes, it is. My mistake. I'm rather dismal at categorising fowl. Even when it is right before me.
Kristen Callihan (Moonglow (Darkest London, #2))
The flowers were opulent, full-blown, topple shower petals at a touch. He thought that she might topple that way, falling all at once into his hand, a soft drift of blossom between his fingers. The roses bowed their extravagant heads, nodding, but she was all stiff prim and black, back in her bonnet, so that he could not see her face unless she looked directly at him.
Laura Kinsale (Flowers from the Storm)
Observe her when she has some knitting, or some other woman's work in hand, and sits the image of peace, calmly intent on her needles and her silk, some discussion meantime going on around her, in the course of which peculiarities of character are being developed, or important interests canvassed; she takes no part in int; her humble, feminine mind is wholl with her knitting; none of her features move; she neither presumes to smile approval, nor frown disapprobation; her little hands assiduously ply their unpretending task; if she can only get this purse finished, or this bonnet-grec completed, it is enough for her.
Charlotte Brontë (The Professor)
... I regularly frequent St. George';s, Hanover Square, during the genteel marriage season; and though I have never seen the bridegroom's male friends give way to tears, or the beadles and officiating clergy in any way affected, yet it is not at all uncommon to see women who are not in the least concerned in the operations going on -- old ladies who are long past marrying, stout middle-aged females with plenty of sons and daughters, let alone pretty young creatures in pink bonnets, who are on their promotion, and may naturally taken an interest in the ceremony -- I say it is quite common to see the women present piping, sobbing, sniffling; hiding their little faces in their little useless pocket-handkerchiefs; and heaving, old and young, with emotion.
William Makepeace Thackeray (Vanity Fair)
Most of us do not think of ourselves as criminals, but possibly there are things in our daily lives which we regard as our “inheritance” which will move future generations to critical disgust.
George MacDonald Fraser (The Steel Bonnets: The Story of the Anglo-Scottish Border Reivers)
Do you want to know the first time I ever saw you?" he said with his lips at my ear. I knew the story,but I nodded anyway, frantically. "Your family had just moved in. You were...how old were you,Becks?" I shrugged,and he ran his fingers over my head, calming me.He knew the answer. "You were eleven," he said. "I was twelve.I remember Joey Velasquez talking about the pretty new girl in the neighborhood.Actually his exact words were 'the hot chick.' But I didn't think a thing about it until I saw you at the baseball field. We were having practice at the park and your family showed up for a picnic.You had so much dark hair,and it was hiding your face.Remember?" I nodded. "I know what you're trying to do." He ignored me. "I had to see if Joey was right,about the hot chick part, and I kept trying to get a good look at your face, but you never looked over our way.I hit home run after home run trying to get your attention, but you couldn't be bothered with my record-shattering, supherhuman performance." I smiled,and breathed in slowly. I'd heard this story so many times before.The familiarity of it enveloped me with warmth. "So what did you do?" I asked, fully aware of the answer. "I did the only thing I could think of. I went up to the bat,lined my feet up in the direction of your head,and swung away." "Hitting the foulest foul ball anyone had ever seen," I continued the story. I felt him chuckle next to me. "Yep. I figured in order to return the ball,you'd have to get really close to me, because..." He waited for me to fill in the blank. "Because someone made the mistake of assuming I would throw like a girl," I said softly. He pressed his lips against my head before he went on. "Which,of course, was stupid of me to think. You stood right where you were and chucked the ball farther than I'd ever seen a girl, or even any guy,chuck it." "It was all those years of Bonnet Ball my parents forced on me." "The entire team went nuts. You gave a little tiny shrug, like it was no big deal, and sat back down with your family. Completely ignoring me again. So my plan totally backfired. Not only did you get the attention of every boy on the field-which was not my intention-but I got reamed by the coach, who couldn't understand why I suddenly decided to stand perpendicular to home plate.
Brodi Ashton (Everneath (Everneath, #1))
Ordinary women never appeal to one's imagination. They are limited to their century. No glamour ever transfigures them. One knows their minds as easily as one knows their bonnets. One can always find them. There is no mystery in any of them. They ride in the park in the morning and chatter at tea parties in the afternoon. They have their stereotyped smile and their fashionable mauve.
Oscar Wilde (Miscellaneous Aphorisms; The Soul of Man)
Scarlett O'Hara was not beautiful, but men seldom realized it when caught by her charm as the Tarleton twins were. In her face were too sharply blended the delicate features of her mother, a Coast aristocrat of French descent, and the heavy ones of her florid Irish father. But it was an arresting face, pointed of chin, square of jaw. Her eyes were pale green without a touch of hazel, starred with bristly black lashes and slightly tilted at the ends. Above them, her thick black brows slanted upward, cutting a startling oblique line in her magnolia-white skin - that skin so prized by Southern women and so carefully guarded with bonnets, veils and mittens against hot Georgia suns.
Margaret Mitchell (Gone with the Wind)
It is a formidable list of jobs: the whole of the spinning industry, the whole of the dyeing industry, the whole of the weaving industry. The whole catering industry and—which would not please Lady Astor, perhaps—the whole of the nation’s brewing and distilling. All the preserving, pickling and bottling industry, all the bacon-curing. And (since in those days a man was often absent from home for months together on war or business) a very large share in the management of landed estates. Here are the women’s jobs—and what has become of them? They are all being handled by men. It is all very well to say that woman’s place is the home—but modern civilisation has taken all these pleasant and profitable activities out of the home, where the women looked after them, and handed them over to big industry, to be directed and organised by men at the head of large factories. Even the dairy-maid in her simple bonnet has gone, to be replaced by a male mechanic in charge of a mechanical milking plant.
Dorothy L. Sayers (Are Women Human? Astute and Witty Essays on the Role of Women in Society)
The moon was but a chin of gold    A night or two ago, And now she turns her perfect face    Upon the world below. Her forehead is of amplest blond;    Her cheek like beryl stone; Her eye unto the summer dew    The likest I have known. Her lips of amber never part;    But what must be the smile Upon her friend she could bestow    Were such her silver will! And what a privilege to be    But the remotest star! For certainly her way might pass    Beside your twinkling door. Her bonnet is the firmament,    The universe her shoe, The stars the trinkets at her belt,    Her dimities of blue.
Emily Dickinson (Poems by Emily Dickinson, Three Series, Complete)
Every time you open a book for the first time, there is something akin to safe-breaking about it. Yes, that's exactly it: the frantic reader is like a burglar who has spent hours digging a tunnel to enter the strongroom of a bank. He emerges face to face with hundreds of strongboxes, all identical, and opens them one by one. And each time a box is opened, it loses its anonymity and becomes unique: one is filled with paintings, another with a bundle of banknotes, a third with jewels or letters tied in ribbon, engravings, objects of no value at all, silverware, photos, gold sovereigns, dried flowers, files of paper, crystal glasses, or children’s toys--and so on. There is something intoxicating about opening a new one, finding its contents and feeling overjoyed that in a trice one is no longer in front of a set of boxes, but in the presence of the riches and wretched banalities that make up human existence.
Jacques Bonnet (Phantoms on the Bookshelves)
Here follows the substance of what I said, written out entirely for your benefit. Pay attention to it, or you will be all abroad, when we get deeper into the story. Clear your mind of the children, or the dinner, or the new bonnet, or what not. Try if you can't forget politics, horses, prices in the City, and grievances at the club. I hope you won't take this freedom on my part amiss; it's only a way I have of appealing to the gentle reader. Lord! haven't I seen you with the greatest authors in your hands, and don't I know how ready your attention is to wander when it's a book that asks for it, instead of a person?
Wilkie Collins (The Moonstone - Special 'Magic' Edition)
Till now, I could not have supposed it possible to be mistaken as to a girl's being out or not. A girl not out, has always the same sort of dress: a close bonnet, for instance; looks very demure, and never says a word. You may smile, but it is so, I assure you; and except that it is sometimes carried a little too far, it is all very proper. Girls should be quiet and modest. The most objectionable part is, that the alteration of manners on being introduced into company is frequently too sudden. They sometimes pass in such very little time from reserve to quite the opposite - to confidence! That is the faulty part of the present system.
Jane Austen (Mansfield Park)
Sunday: this satisfied procession Of definite Sunday faces; Bonnets, silk hats, and conscious graces In repetition that displaces Your mental self-possession By this unwarranted digression. Evening, lights, and tea! Children and cats in the alley; Dejection unable to rally Against this dull conspiracy. And Life, a little bald and gray, Languid, fastidious, and bland, Waits, hat and gloves in hand, Punctilious of tie and suit (Somewhat impatient of delay) On the doorstep of the Absolute.
T.S. Eliot
Inversnaid This darksome burn, horseback brown, His rollrock highroad roaring down, In coop and in comb the fleece of his foam Flutes and low to the lake falls home. A windpuff-bonnet of fáwn-fróth Turns and twindles over the broth Of a pool so pitchblack, féll-frówning, It rounds and rounds Despair to drowning. Degged with dew, dappled with dew Are the groins of the braes that the brook treads through, Wiry heathpacks, flitches of fern, And the beadbonny ash that sits over the burn. What would the world be, once bereft Of wet and of wildness? Let them be left, O let them be left, wildness and wet; Long live the weeds and the wilderness yet.
Gerard Manley Hopkins
She was gone then in a flurry of bonnet ribbons and clicking slippers. I turned, paying no attention to where I went, wishing the city would swallow me, conscious now of the hunger rising to overtake reason. I was almost loath to put an end to it. I needed to let the lust, the excitement blot out all consciousness, and I thought of the kill over and over and over, walking slowly up this street and down the next, moving inexorably towards it, saying, It's a string which is pulling me through the labyrinth.
Anne Rice
Today Amanda was dressed in a gown of soft pink wool trimmed in corded silk ribbon of a deeper shade. She had worn a bonnet adorned with China roses, which now reposed on the side of his desk, a pair of velvet ribbons draping gently toward the floor. The pink shade of the gown brought out the color in Amanda's cheeks, while the simple cut displayed her generous figure to its best advantage. Aside from Jack's considerable regard for her intelligence, he couldn't help thinking of her as a tidy little bonbon.
Lisa Kleypas (Suddenly You)
Beneath the hundred thousand women of the elite are a million middle-class women, miserable because they are not of the elite, and trying to appear of it in public; and beneath them, in turn, are five million farmers' wives reading 'fashion papers' and trimming bonnets, and shop-girls and serving-maids selling themselves into brothels for cheap jewelry and imitation seal-skin robes. And then consider that, added to this competition in display, you have, like oil on the flames, a whole system of competition in selling! You have manufacturers contriving tens of thousands of catchpenny devices, storekeepers displaying them, and newspapers and magazines filled up with advertisements of them!
Upton Sinclair (The Jungle)
Granny Trill and Granny Wallon were traditional ancients of a kind we won’t see today, the last of that dignity of grandmothers to whom age was its own embellishment. The grandmothers of those days dressed for the part in that curious but endearing uniform which is now known to us only through music-hall. And our two old neighbours, when setting forth on errands, always prepared themselves scrupulously so. They wore high laced boots and long muslin dresses, beaded chokers and candlewick shawls, crowned by tall poke bonnets tied with trailing ribbons and smothered with inky sequins. They looked like starlings, flecked with jet, and they walked in a tinkle of darkness. Those severe and similar old bodies enthralled me when they dressed that way. When I finally became King (I used to think) I would command a parade of grandmas, and drill them, and march them up and down - rank upon rank of hobbling boots, nodding bonnets, flying shawls, and furious chewing faces. They would be gathered from all the towns and villages and brought to my palace in wagon-loads. No more than a monarch’s whim, of course, like eating cocoa or drinking jellies; but far more spectacular any day than those usual trudging guardsmen.
Laurie Lee (Cider with Rosie)
That’s disappointing,” she says with exaggerated distress. “But at least it’s progress.” “Goodness, I’m so sorry you’re so sad about this.” “Did you just say ‘goodness’?” “Apparently. I don’t know why.” “How quaint of you. Perhaps I shall start exclaiming ‘Goodness!’ from now on. It has an old-fashioned ring to it. There’s no reason to get a bee in your bonnet, missy! Egad and fiddlesticks and dang it all! God save the queen!” “God save the queen? Really? How does that fit in here?” “I think it’s a nice substitution for swearing. I’m going to start using it, like, all the time, so get ready.
Jessica Park (180 Seconds)
Somebody up there is deuced mad at me," she yelled, "and I want to know why!" The heavens opened in earnest and within seconds she was soaked to the skin. "Remind me never to question Your purposes again," she muttered ungraciously, not sounding particularly like the God-fearing young lady her father had raised her to be. "Clearly You don't like to be second-guessed." Lightning streaked through the sky, followed by a booming clap of thunder. "Damn!" she grunted, her bonnet sagged against her eyes, blocking her vision. She yanked it off, looked at the sky, and yelled, "I am not amused!" More lightning. "They are all against me," she muttered,"All of them." Her father, Sally Foxglove, Mr. Tibbett, whoever it was who controlled the weather— More thunder.
Julia Quinn (Brighter Than the Sun (The Lyndon Sisters, #2))
Pierre mixed the salad. The romaine and cress he doused with walnut oil chilled to an emulsion, turning it with wooden forks so that the bruises showed on the green in dark lines. He poured on the souring of wine vinegar and the juice of young grapes, seasoned with shallots, pepper and salt, a squeeze of anchovy, and a pinch of mustard. At the Faison d’Or the salad was in wedlock with the roast.” (p.24)
Idwal Jones (High Bonnet: A Novel of Epicurean Adventures (Modern Library Food))
Through rain...then through dreaming glass, green with the evening. And herself in chair, old-fashioned, bonneted, looking west over the deck of Earth, inferno red at its edges, and further in the brown and gold clouds... Then, suddenly, night: The empty rocking chair lit staring chalk blue by--is it the moon, or some other light in the sky? just the hard chair, empty now, in the very clear night, and this cold light coming down... The images go, flowering, in and out, some lovely, some just awful...but she's snuggled in here with her lamb, her Roger, and how she loves the line of his neck all at once so---why there it is right there, the back of his bumpy head like a boy of ten's. She kisses him up and down the sour salt reach of skin that's taken her so, taken her nightlit along this high tendoning, kisses him like kisses were flowing breath itself, and never ending.
Thomas Pynchon (Gravity’s Rainbow)
Taking Off Emily Dickinson’s Clothes" First, her tippet made of tulle, easily lifted off her shoulders and laid on the back of a wooden chair. And her bonnet, the bow undone with a light forward pull. Then the long white dress, a more complicated matter with mother-of-pearl buttons down the back, so tiny and numerous that it takes forever before my hands can part the fabric, like a swimmer’s dividing water, and slip inside. You will want to know that she was standing by an open window in an upstairs bedroom, motionless, a little wide-eyed, looking out at the orchard below, the white dress puddled at her feet on the wide-board, hardwood floor. The complexity of women’s undergarments in nineteenth-century America is not to be waved off, and I proceeded like a polar explorer through clips, clasps, and moorings, catches, straps, and whalebone stays, sailing toward the iceberg of her nakedness. Later, I wrote in a notebook it was like riding a swan into the night, but, of course, I cannot tell you everything— the way she closed her eyes to the orchard, how her hair tumbled free of its pins, how there were sudden dashes whenever we spoke. What I can tell you is it was terribly quiet in Amherst that Sabbath afternoon, nothing but a carriage passing the house, a fly buzzing in a windowpane. So I could plainly hear her inhale when I undid the very top hook-and-eye fastener of her corset and I could hear her sigh when finally it was unloosed, the way some readers sigh when they realize that Hope has feathers, that Reason is a plank, that Life is a loaded gun that looks right at you with a yellow eye.
Billy Collins (Taking Off Emily Dickinson's Clothes: Selected Poems)
Exchanging Hats Unfunny uncles who insist in trying on a lady's hat, --oh, even if the joke falls flat, we share your slight transvestite twist in spite of our embarrassment. Costume and custom are complex. The headgear of the other sex inspires us to experiment. Anandrous aunts, who, at the beach with paper plates upon your laps, keep putting on the yachtsmen's caps with exhibitionistic screech, the visors hanging o'er the ear so that the golden anchors drag, --the tides of fashion never lag. Such caps may not be worn next year. Or you who don the paper plate itself, and put some grapes upon it, or sport the Indian's feather bonnet, --perversities may aggravate the natural madness of the hatter. And if the opera hats collapse and crowns grow draughty, then, perhaps, he thinks what might a miter matter? Unfunny uncle, you who wore a hat too big, or one too many, tell us, can't you, are there any stars inside your black fedora? Aunt exemplary and slim, with avernal eyes, we wonder what slow changes they see under their vast, shady, turned-down brim.
Elizabeth Bishop
She locked herself in her room. She needed time to get used to her maimed consciousness, her poor lopped life, before she could walk steadily to the place allotted her. A new searching light had fallen on her husband's character, and she could not judge him leniently: the twenty years in which she had believed in him and venerated him by virtue of his concealments came back with particulars that made them seem an odious deceit. He had married her with that bad past life hidden behind him, and she had no faith left to protest his innocence of the worst that was imputed to him. Her honest ostentatious nature made the sharing of a merited dishonor as bitter as it could be to any mortal. But this imperfectly taught woman, whose phrases and habits were an odd patchwork, had a loyal spirit within her. The man whose prosperity she had shared through nearly half a life, and who had unvaryingly cherished her—now that punishment had befallen him it was not possible to her in any sense to forsake him. There is a forsaking which still sits at the same board and lies on the same couch with the forsaken soul, withering it the more by unloving proximity. She knew, when she locked her door, that she should unlock it ready to go down to her unhappy husband and espouse his sorrow, and say of his guilt, I will mourn and not reproach. But she needed time to gather up her strength; she needed to sob out her farewell to all the gladness and pride of her life. When she had resolved to go down, she prepared herself by some little acts which might seem mere folly to a hard onlooker; they were her way of expressing to all spectators visible or invisible that she had begun a new life in which she embraced humiliation. She took off all her ornaments and put on a plain black gown, and instead of wearing her much-adorned cap and large bows of hair, she brushed her hair down and put on a plain bonnet-cap, which made her look suddenly like an early Methodist. Bulstrode, who knew that his wife had been out and had come in saying that she was not well, had spent the time in an agitation equal to hers. He had looked forward to her learning the truth from others, and had acquiesced in that probability, as something easier to him than any confession. But now that he imagined the moment of her knowledge come, he awaited the result in anguish. His daughters had been obliged to consent to leave him, and though he had allowed some food to be brought to him, he had not touched it. He felt himself perishing slowly in unpitied misery. Perhaps he should never see his wife's face with affection in it again. And if he turned to God there seemed to be no answer but the pressure of retribution. It was eight o'clock in the evening before the door opened and his wife entered. He dared not look up at her. He sat with his eyes bent down, and as she went towards him she thought he looked smaller—he seemed so withered and shrunken. A movement of new compassion and old tenderness went through her like a great wave, and putting one hand on his which rested on the arm of the chair, and the other on his shoulder, she said, solemnly but kindly— "Look up, Nicholas." He raised his eyes with a little start and looked at her half amazed for a moment: her pale face, her changed, mourning dress, the trembling about her mouth, all said, "I know;" and her hands and eyes rested gently on him. He burst out crying and they cried together, she sitting at his side. They could not yet speak to each other of the shame which she was bearing with him, or of the acts which had brought it down on them. His confession was silent, and her promise of faithfulness was silent. Open-minded as she was, she nevertheless shrank from the words which would have expressed their mutual consciousness, as she would have shrunk from flakes of fire. She could not say, "How much is only slander and false suspicion?" and he did not say, "I am innocent.
George Eliot (Middlemarch)
Prolific libraries take on an independent existence, and become living things...We may have chosen its themes, and the general pathways along which it will develop, but we can only stand and watch as it invades all the walls of the room, climbs to the ceiling, annexes the other rooms one by one, expelling anything that gets in the way. It eliminates pictures hanging on the walls, or ornaments that obstruct its advance; it moves on with its necessary but cumbersome acolytes -- stools and ladders -- and forces its owner into constant reorganization since its progress is not linear and calls for ever new kinds of diviion. At the same time, it is undeniably the reflection, the twin image of its master. To anyone with the insight to decode it, the fundamental character of the librarian will emerge as one's eye travels along the bookshelves. indeed no library of any size is like another, none has the same personality. (pp. 30-31)
Jacques Bonnet (Phantoms on the Bookshelves)
Well?” Amelia demanded, clearly unaware of the turn of his thoughts. Which was a good thing, as they likely would have sent her screaming from the room. “Have you discovered anything about my brother’s whereabouts?” “I have.” “And?” “Lord Ramsay visited earlier this evening, lost some money at the hazard table—” “Thank God he’s alive,” Amelia exclaimed. “—and apparently decided to console himself by visiting a nearby brothel.” “Brothel?” She shot Merripen an exasperated glance. “I swear it, Merripen, he’ll die at my hands tonight.” She looked back at Cam. “How much did he lose at the hazard table?” “Approximately five hundred pounds.” The pretty blue eyes widened in outrage. “He’ll die slowly at my hands. Which brothel?” “Bradshaw’s.” Amelia reached for her bonnet. “Come, Merripen. We’re going there to collect him.” Both Merripen and Cam replied at the same time. “No.” “I want to see for myself if he’s all right,” she said calmly. “I very much doubt he is.” She gave Merripen a frosty stare. “I’m not returning home without Leo.” Half amused, half alarmed by her force of will, Cam asked Merripen, “Am I dealing with stubbornness, idiocy, or some combination of the two?” Amelia replied before Merripen had the opportunity. “Stubbornness, on my part. The idiocy may be attributed entirely to my brother.” She settled the bonnet on her head and tied its ribbons beneath her chin.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Elizabeth,” he said with reassuring calm, “I gave you my word you’d be safe if you came today.” Elizabeth briefly closed her eyes and nodded, “I know. I also know I shouldn’t be here. I really ought to leave. I should, shouldn’t I?” Opening her eyes again, she looked beseechingly into his-the seduced asking the seducer for advice. “Under the circumstances, I don’t think I’m the one you ought to ask.” “I’ll stay,” she said after a moment and saw the tension in his shoulders relax. Unbuttoning her jacket, she gave it to him, along with her bonnet, and he took them over to the fireplace, hanging them on the pegs in the wall. “Stand by the fire,” he ordered, walking over to the table and filling two glasses with wine, watching as she obeyed. The front of her hair that had not been covered by her bonnet was damp, and Elizabeth reached up automatically, pulling out the combs that held it off her face on the sides and giving the mass a hard shake. Unconscious of the seductiveness of her gesture, she raised her hands, combing her fingers through the sides of it and lifting it. She glanced toward Ian and saw him standing perfectly still beside the table, watching her. Something in his expression made her hastily drop her hands, and the spell was broken, but the effect of that warmly intimate look in his eyes was vibrantly, alarmingly alive, and the full import of the risk she was taking by being here made Elizabeth begin to quake inside. She did not know this man at all; she’d only met him hours ago; and yet even now he was watching her with a look that was much too…personal. And possessive.
Judith McNaught (Almost Heaven (Sequels, #3))
In Middlemarch a wife could not long remain ignorant that the town held a bad opinion of her husband. No feminine intimate might carry her friendship so far as to make a plain statement to the wife of the unpleasant fact known or believed about her husband; but when a woman with her thoughts much at leisure got them suddenly employed on something grievously disadvantageous to her neighbors, various moral impulses were called into play which tended to stimulate utterance. Candor was one. To be candid, in Middlemarch phraseology, meant, to use an early opportunity of letting your friends know that you did not take a cheerful view of their capacity, their conduct, or their position; and a robust candor never waited to be asked for its opinion. Then, again, there was the love of truth--a wide phrase, but meaning in this relation, a lively objection to seeing a wife look happier than her husband's character warranted, or manifest too much satisfaction in her lot--the poor thing should have some hint given her that if she knew the truth she would have less complacency in her bonnet, and in light dishes for a supper-party. Stronger than all, there was the regard for a friend's moral improvement, sometimes called her soul, which was likely to be benefited by remarks tending to gloom, uttered with the accompaniment of pensive staring at the furniture and a manner implying that the speaker would not tell what was on her mind, from regard to the feelings of her hearer. On the whole, one might say that an ardent charity was at work setting the virtuous mind to make a neighbor unhappy for her good.
George Eliot
There was some that they called crayons, which one of the daughters which was dead made her own self when she was only fifteen years old. They was different from any pictures I ever see before—blacker, mostly, than is common. One was a woman in a slim black dress, belted small under the armpits, with bulges like a cabbage in the middle of the sleeves, and a large black scoop-shovel bonnet with a black veil, and white slim ankles crossed about with black tape, and very wee black slippers, like a chisel, and she was leaning pensive on a tombstone on her right elbow, under a weeping willow, and her other hand hanging down her side holding a white handkerchief and a reticule, and underneath the picture it said “Shall I Never See Thee More Alas.” Another one was a young lady with her hair all combed up straight to the top of her head, and knotted there in front of a comb like a chair-back, and she was crying into a handkerchief and had a dead bird laying on its back in her other hand with its heels up, and underneath the picture it said “I Shall Never Hear Thy Sweet Chirrup More Alas.” There was one where a young lady was at a window looking up at the moon, and tears running down her cheeks; and she had an open letter in one hand with black sealing wax showing on one edge of it, and she was mashing a locket with a chain to it against her mouth, and underneath the picture it said “And Art Thou Gone Yes Thou Art Gone Alas.” These was all nice pictures, I reckon, but I didn’t somehow seem to take to them, because if ever I was down a little they always give me the fan-tods. Everybody was sorry she died, because she had laid out a lot more of these pictures to do, and a body could see by what she had done what they had lost. But I reckoned that with her disposition she was having a better time in the graveyard.
Mark Twain (The Adventures of Huckleberry Finn)
There is a lovely old-fashioned pearl set in the treasure chest, but Mother said real flowers were the prettiest ornament for a young girl, and Laurie promised to send me all I want," replied Meg. "Now, let me see, there's my new gray walking suit, just curl up the feather in my hat, Beth, then my poplin for Sunday and the small party, it looks heavy for spring, doesn't it? The violet silk would be so nice. Oh, dear!" "Never mind, you've got the tarlaton for the big party, and you always look like an angel in white," said Amy, brooding over the little store of finery in which her soul delighted. "It isn't low-necked, and it doesn't sweep enough, but it will have to do. My blue housedress looks so well, turned and freshly trimmed, that I feel as if I'd got a new one. My silk sacque isn't a bit the fashion, and my bonnet doesn't look like Sallie's. I didn't like to say anything, but I was sadly disappointed in my umbrella. I told Mother black with a white handle, but she forgot and bought a green one with a yellowish handle. It's strong and neat, so I ought not to complain, but I know I shall feel ashamed of it beside Annie's silk one with a gold top," sighed Meg, surveying the little umbrella with great disfavor. "Change it," advised Jo. "I won't be so silly, or hurt Marmee's feelings, when she took so much pains to get my things. It's a nonsensical notion of mine, and I'm not going to give up to it. My silk stockings and two pairs of new gloves are my comfort. You are a dear to lend me yours, Jo. I feel so rich and sort of elegant, with two new pairs, and the old ones cleaned up for common." And Meg took a refreshing peep at her glove box. "Annie Moffat has blue and pink bows on her nightcaps. Would you put some on mine?" she asked, as Beth brought up a pile of snowy muslins, fresh from Hannah's hands. "No, I wouldn't, for the smart caps won't match the plain gowns without any trimming on them. Poor folks shouldn't rig," said Jo decidedly. "I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?" said Meg impatiently. "You said the other day that you'd be perfectly happy if you could only go to Annie Moffat's," observed Beth in her quiet way. "So I did! Well, I am happy, and I won't fret, but it does seem as if the more one gets the more one wants, doesn't it?
Louisa May Alcott (Little Women (Little Women #1))
Elizabeth was not entirely right. The climb was steep enough, but the trunk, which originally felt quite light, seemed to gain a pound of weight with every step they took. A few yards from the house both ladies paused to rest again, then Elizabeth resolutely grabbed the handle on her end. “You go to the door, Lucy,” she said breathlessly, worried for the older woman’s health if she had to lug the trunk any further. “I’ll just drag this along.” Miss Throckmorton-Jones took one look at her poor, bedraggled charge, and rage exploded in her breast that they’d been brought so low as this. Like an angry general she gave her gloves an irate yank, turned on her heel, marched up to the front door, and lifted her umbrella. Using its handle like a club, she rapped hard upon the door. Behind her Elizabeth doggedly dragged the trunk. “You don’t suppose there’s no one home?” She panted, hauling the trunk the last few feet. “If they’re in there, they must be deaf!” said Lucinda. She brought up her umbrella again and began swinging at the door in a way that sent rhythmic thunder through the house. “Open up, I say!” she shouted, and on the third downswing the door suddenly lurched open to reveal a startled middle-aged man who was struck on the head by the handle of the descending umbrella. “God’s teeth!” Jake swore, grabbing his head and glowering a little dizzily at the homely woman who was glowering right back at him, her black bonnet crazily askew atop her wiry gray hair. “It’s God’s ears you need, not his teeth!” the sour-faced woman informed him as she caught Elizabeth’s sleeve and pulled her one step into the house. “We are expected,” she informed Jake. In his understandably dazed state, Jake took another look at the bedraggled, dusty ladies and erroneously assumed they were the women from the village come to clean and cook for Ian and him. His entire countenance changed, and a broad grin swept across his ruddy face. The growing lump on his head forgiven and forgotten, he stepped back. “Welcome, welcome,” he said expansively, and he made a broad, sweeping gesture with his hand that encompassed the entire dusty room. “Where do you want to begin?” “With a hot bath,” said Lucinda, “followed by some tea and refreshments.” From the corner of her eye Elizabeth glimpsed a tall man who was stalking in from a room behind the one where they stood, and an uncontrollable tremor of dread shot through her. “Don’t know as I want a bath just now,” Jake said. “Not for you, you dolt, for Lady Cameron.” Elizabeth could have sworn Ian Thornton stiffened with shock. His head jerked toward her as if trying to see past the rim of her bonnet, but Elizabeth was absolutely besieged with cowardice and kept her head averted. “You want a bath?” Jake repeated dumbly, staring at Lucinda. “Indeed, but Lady Cameron’s must come first. Don’t just stand there,” she snapped, threatening his midsection with her umbrella. “Send servants down to the road to fetch our trunks at once.” The point of the umbrella swung meaningfully toward the door, then returned to jab Jake’s middle. “But before you do that, inform your master that we have arrived.” “His master,” said a biting voice from a rear doorway, “is aware of that.
Judith McNaught (Almost Heaven (Sequels, #3))