Blood Sharks Quotes

We've searched our database for all the quotes and captions related to Blood Sharks. Here they are! All 100 of them:

If sharks really can smell blood, then I’d imagine they’re all salivating over my erection right now.
Jarod Kintz ($3.33 (the title is the price))
Being nearly naked around Barrons felt a lot like going to a shark convention lightly basted in blood.
Karen Marie Moning (Bloodfever (Fever, #2))
As he watches me, he murmurs, “I’ve just always wanted to see a shark attack up close. So much blood.
Emily Henry (Book Lovers)
Once your blood's in the water, everyone's a shark
Tilly Bagshawe
Guys can smell desperation. It triggers an instinct in them to run far and fast so they aren't around when a woman starts peeling apart her heart. They know she'll ask for help in putting it back together the right way - intact and beating correctly - and they dread the thought of puzzling over layers that they can't understand, let alone rebuild. They'd rather just not get blood on their hands. But sharks are different. They smell the blood of desperation and circle in. They whisper into a girl's ear, "I'll make it better. I'll make you forget all about your pain." Sharks do this by eating your heart, but they never mention this beforehand. That is the thing about sharks.
Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
The goblins want girls who dream so hard about being pretty their yearning leaves a palpable trail, a scent goblins can follow like sharks on a soft bloom of blood. The girls with hungry eyes who pray each night to wake up as someone else. Urgent, unkissed, wishful girls. Like Kizzy.
Laini Taylor (Lips Touch: Three Times)
There was something special about family by choice. It wasn’t blood that held us all together. It was loyalty. Love.
Cambria Hebert (#Junkie (GearShark, #1))
Her father was a shark and she could not bleed. Not a single drop. But in learning not to bleed, she'd also learned how to draw blood.
RuNyx (The Predator (Dark Verse #1))
One thing' Erak said. 'Tell your men to keep their noses clean while they're in Hallasholm. I don't want any trouble.' Zavac nodded and smiled. 'I understand. This is a quiet town and you don't want the peace disturbed.' Erak smiled back, but it was like a smile on the face of a shark. 'No. This is a very violent town and if your men cause trouble, my people will break their heads a for them. I don't want to be paying any blood money for damage done to your crew. Understand?' Zavac's smile faded. He looked for some sign that the Oberjarl was joking, but he saw none. He nodded again, slowly this time.
John Flanagan (The Outcasts (Brotherband Chronicles, #1))
I felt myself tremble, but I would not let him see it. Great gods smell fear like sharks smell blood, and they will devour you for it jus the same.
Madeline Miller (Circe)
pools of blood are not recreational even lifeguards drown when the undertow breaks bread with the underbelly demons disguised as sharks have not put enough thought into their costumes a wiseman stays ashore when pointed fins read like italian subtitles the end is near (...) the beginning
Saul Williams (, said the shotgun to the head.)
Marya put down her fork. “Why are you doing this, Koschei? I have had lovers before. You have, too. Remember Marina? The rusalka? She and I swam together every morning. We raced the salmon. You called us your little sharks.” The Tsar of Life held his knife so tightly Marya could see his knucklebones bulging. “Were any of them called Ivan? Were any of them human boys all sticky with their own innocence? I know you. I know you because you are like me, as much like me as two spoons nested in each other.” Her husband leaned close to her, the candlelight sparking in his dark, shaggy hair. “When you steal them, they mean so much more, Marousha. Trust me. I know. What did I do wrong? Was I boring? Did I ignore you? Did I not give you enough pretty dresses? Enough emeralds? I’m sure I have more, somewhere.” Marya lifted her hand and laid it on her husband’s cheek. With a blinking quickness, she drove her nails deep into his face. “Don’t you dare speak to me like that. I have worn nothing but blood and death for years. I have fought all your battles for you, just as you asked me. I have learned all the tricks you said I must learn. I have learned not to cry when I strangle a man. I have learned to lay my finger aside my nose and disappear. I have learned to watch everything die. I am not a little girl anymore, dazzled by your magic. It is my magic, now, too. And if I have watched all my soldiers die in front of me, if I have only been saved by my rifle and my own hands, if I have drunk more blood than water for weeks, then I take the human boy who stumbled into my tent and hold him between my legs until I stop screaming, you will not punish me for it. Are we not chyerti? Are we not devils? I will not even hear your punishment, old man.
Catherynne M. Valente (Deathless)
HOME no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilets sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here
Warsan Shire
Other people can smell nervousness and insecurities like a shark smells blood. These things can be cute on a first date but never when you’re asking people to trust you in business or with the largest financial decision of their lives. The first secret of this book is that the only way to conquer those nerves is by being your true self.
Fredrik Eklund (The Sell: The Secrets of Selling Anything to Anyone)
Once we turn pro, we're like sharks who have tasted blood, or renunciants who have glimpsed the face of God. For us, there is no finish line. No bell ends the bout. Life is the pursuit. Life is the hunt. When our hearts burst... then we'll go out, and no sooner.
Steven Pressfield (Turning Pro)
Sharks are so stupid. They swam right up to the boat, and they couldn’t even tell that I was chumming the water with ketchup, rather than blood.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
Why do I get the feeling that to say "fancy meeting you here" would hardly be apt? Sharks can smell blood from miles away, I hear.
Amanda Browning (Savage Destiny)
Sometimes you can get a shark to eat itself if you fill the water with enough blood.
Shane Kuhn (The Intern's Handbook (John Lago Thriller, #1))
Great gods smell fear like sharks smell blood, and they will devour you for it just the same.
Madeline Miller (Circe)
Let’s go back to Mr. Hernandez’s film literature class, back to Jaws. Mr. Hernandez pointed out that we never actually saw the shark until about eighty minutes into the film. Instead we heard horror stories, glimpsed its sinister fin; primed to be scared, so that when the shark made its grand debut, we saw everything we’d been taught to see, the merciless, blood-seeking Jaws. Before the cop pulled Philando over, he’d reported the man resembled a robbery suspect, commenting on his wide-set nose. By the time the cop stepped up to the window, he didn’t see Philando, he saw everything he thought he knew about wide noses, blackness, guns, added it all up to threat in his head. The problem is not who we are, the problem is what you think we are. The realities you cast on us; that Philando would be violent, that I’d ask for sex behind a dumpster.
Chanel Miller (Know My Name: A Memoir)
The Spartan king Agesilaus was still fighting in armor when he was eighty-two. Picasso was painting past ninety, and Henry Miller was chasing women (I'm sure Picasso was too) at eighty-nine. Once we turn pro, we're like sharks who have tasted blood, or renunciants who have glimpsed the face of God. For us, there is no finish line. No bell ends the bout. Life is the pursuit. Life is the hunt. When our hearts burst... then we'll go out, and no sooner.
Steven Pressfield (Turning Pro)
Jaenelle tried to smile. “They won’t find their way through the maze. Not this maze, anyway.” Then she looked sadly at Daemon’s gaunt, bruised body and gently brushed the long, dirty, tangled black hair off his forehead. “Ah, Daemon. I had gotten used to thinking of my body as a weapon that was used against me. I’d forgotten that it’s also a gift. If it’s not too late, I’ll do better. I promise.” Jaenelle placed her transparent hands on either side of Daemon’s head. She closed her eyes. The Black Jewel glowed. Listening to the Hayllian guards thrashing around somewhere in the maze, Surreal sank to the ground and settled down to wait. *Daemon.* The island slowly sank into the sea of blood. He curled up in the center of the pulpy ground while the word sharks circled, waiting for him. *Daemon.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
There is a certain kind of girl the goblins crave. You could walk across a high school campus and point them out: not her, her. The pert, lovely ones with butterfly tattoos in secret places, sitting on their boyfriends' laps? No, not them. The girls watching the lovely ones sitting on their boyfriends' laps? Yes. Them. The goblins want girls who dream so hard about being pretty their yearning leaves a palpable trail, a scent goblins can follow like sharks on a soft bloom of blood. The girls with hungry eyes who pray each night to wake up as someone else. Urgent, unkissed, wishful girls. Like Kizzy.
Laini Taylor (Lips Touch: Three Times)
Ebola Zaire attacks every organ and tissue in the human body except skeletal muscle and bone. It is a perfect parasite because it transforms virtually every part of the body into a digested slime of virus particles. The seven mysterious proteins that, assembled together, make up the Ebola-virus particle, work as a relentless machine, a molecular shark, and they consume the body as the virus makes copies of itself. Small blood clots begin to appear in the bloodstream, and the blood thickens and slows, and the clots begin to stick to the walls of blood vessels. This is known as pavementing, because the clots fit together in a mosaic. The mosaic thickens and throws more clots, and the clots drift through the bloodstream into the small capillaries, where they get stuck. This shuts off the blood supply to various parts of the body, causing dead spots to appear in the brain, liver, kidneys, lungs, intestines, testicles, breast tissue (of men as well as women), and all through the skin.
Richard Preston (The Hot Zone)
There are two species of teacher – the soft and the hard. Soft teachers might genuinely want to help, or they might have been broken in. They’re usually nervous and afraid of kids, especially high school boys. The hard teachers are another thing entirely. They’re like sharks – machines made for eating, with a finely tuned sense for blood in the water.
Lili St. Crow (Strange Angels (Strange Angels, #1))
Her smiles were blood in the water, his demise the closely lurking shark.
Alessandra Torre (Hollywood Dirt (Hollywood Dirt, #1))
Swimming in shark-infested waters is a bad idea if there is blood in the water. It is an especially bad idea if the blood is yours.
Marian Petre (The Unwritten Rules of Ph.D. Research)
Uh-oh, big boy. Your blood is in the water and the sharks are circling. Must be feeding time."--Mea Brin, The Huntress
Michelle O'Leary (The Huntress)
If I had a choice between walking along a sidewalk with no rails and a thousand foot drop, or jumping in a tank full of blood and sharks, I’d choose the sharks.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
I love her more than sharks love blood.
Frank Underwood
Sixty feet of drug fueled shark sped through the water, ready to eat every damn thing in sight.
Jake Bible (Baja Blood (Mega, #2))
Lee leaned closer to her and swore he could smell fear coming off her in waves, the way a shark smells blood in the water
Pamela K. Kinney "Let Demon Dogs Lie " Southern Haunts Devils in the Darkness
His smile reminded her of Bruce, the friendly shark from Finding Nemo- he'd be your friend until he smelled blood; then you better run for your life. Tonight, MJ was the fresh meat.
Amy E. Reichert (Luck, Love & Lemon Pie)
It’s an impossible thing to explain, motherhood. What is lost, the blood and muscle and bone that are drawn from your body to feed and breathe a new life into the world. The bulldozer of exhaustion that hits in the first trimester, the nauseous clamps of the mornings, the warping and swelling and splitting open of everything previously taut or delicate, until your body is no longer yours but something you must survive. But those are only the physical. It’s what comes after that takes more. Whatever part of me flowed into you from my body, it turned us tight into two people that shared a soul. I believe that of all my children. Fathers will never understand the way you get deep in us, so deep that there’s a part of me that remains, always, a part of you, no matter where you go.
Kawai Strong Washburn (Sharks in the Time of Saviors)
You gotta be a shark in this business,” Benny told her, with his soft voice and his slicked-back hair. “Sniff around for blood in the water.Greet life teeth first. And no matter what, never stop swimming.
Holly Black (Book of Night (Book of Night, #1))
Ebola Zaire attacks every organ and tissue in the human body except skeletal muscle and bone. It is a perfect parasite because it transforms virtually every part of the body into a digested slime of virus particles. The seven mysterious proteins that, assembled together, make up the Ebola-virus particle, work as a relentless machine, a molecular shark, and they consume the body as the virus makes copies of itself. Small blood clots begin to appear in the bloodstream, and the blood thickens and slows, and the clots begin to stick to the walls of blood vessels. This is known as pavementing, because the clots fit together in a mosaic. The mosaic thickens and throws more clots, and the clots drift through the bloodstream into the small capillaries, where
Richard Preston (The Hot Zone)
I couldn’t wait for high school to be over. I didn’t let my exasperation show, however.  I’d long since discovered how to live inside the shark tank without getting eaten or becoming a shark:  never let ‘em see you sweat.  Don’t show any emotion, no matter how many you’re feeling.  It just reveals your weaknesses and, to them, weaknesses are like blood in the water. I try never to let them see me get angry, upset, defensive, flustered, uncertain, anything.  I’m sure that, to them, I seem somewhat robotic, but it keeps me out of trouble and keeps them at arm’s length.  And that’s how I survive
M. Leighton
I've heard of a crustacean that eats just the corneas of sharks until the sharks are blinded, and butterflies in the Amazon that drink the tears of turtles---yet these animals aren't demons, they're just animals, and many people believe them to have been made the way they are by God. Of course, there are also animals that survive on blood; and others that crack open eggs and eat the young, or the runny yolk inside; and others that eat their own young; and, then, humans too eat meat and eggs and blood, only in specific ways, in specific shapes, with specific herbs, and these animals and humans are not demons.
Claire Kohda (Woman, Eating)
No one ever took charge in my life except me. I was left to fend for myself and for my mother now as well. Her unexpected illness left me with not only my loans but also her clinic bills. My father died in a boating accident. The memory of blood stained water and a frenzied shark had kept me out of the ocean for years.
Lacey Silks (Dazzled by Silver (Layers Trilogy, #0.5))
Hey, Hazel?” he called softly in the upstairs hall, and she turned. “What did he kiss like?” There was a confusion of emotions on his face—longing and maybe a little jealousy and a whole lot of curiosity. She snorted a surprised laugh, her bad mood dissolving. “Like he was a shark and I was blood in the water.” “That good?” he asked, grinning.
Holly Black (The Darkest Part of the Forest)
Along with the lives and memories of hundreds of marid. Rain spirits who danced in the clouds to shatter themselves upon the ground, seeping deep into the earth to join aquifers. Shy stream guardians, darting through quiet ponds and underground springs with webbed hands and turtlelike beaks. Merpeople with shimmering skin and seaweed hair, caught in the nets of humans, hunted and speared. For every lethal marid—ones like Sobek and others who commanded sharks, who lived on the blood of the drowned and warred with the daevas—there seemed twenty gentle ones, protectors not hunters, content with seeing to the tiny aquatic creatures who called their realms home and urging their life-giving waters to sate the surrounding lands and make them flourish.
S.A. Chakraborty (The Empire of Gold (The Daevabad Trilogy, #3))
He climbed out of the car, feeling stiff and awkward with that hot heavy weight between his legs, that miserable unsatisfied ball of need. Better play it cool, though; if Jonathan knew how bad off he was, the teasing would last for hours. Sadists smelled desperation as surely as sharks scented blood in the water. And Jonathan was very much at the top of his particular food chain.
Rachel Haimowitz (Awakening (Power Play, #2))
The key to swimming with sharks is that you never let your smile falter. You never let them see they have cut you,” he said. “For once they sense blood in the water, it becomes a frenzy. If, however, you can deny them the reaction they’re looking for, they get desperate and are forced to make bolder and more careless moves. Remember that, dear cousin. Patience is the key to this victory.” Tabitha gave Alexander
Ellie St. Clair (The Duke She Wished For (Happily Ever After, #1))
The sharks are circling, their nostrils twitching at the scent of blood. Thirteen of them, to be exact, eight from the opposition party and five from mine, sharks against whom I’ve been preparing defenses with lawyers and advisers. I’ve learned the hard way that no matter how prepared you are, there are few defenses that work against predators. At some point, there’s nothing you can do but jump in and fight back.
Bill Clinton (The President Is Missing)
What do we mean by the lived truth of creation? We have to mean the world as it appears to men in a condition of relative unrepression; that is, as it would appear to creatures who assessed their true puniness in the face of the overwhelmingness and majesty of the universe, of the unspeakable miracle of even the single created object; as it probably appeared to the earliest men on the planet and to those extrasensitive types who have filled the roles of shaman, prophet, saint, poet, and artist. What is unique about their perception of reality is that it is alive to the panic inherent in creation: Sylvia Plath somewhere named God "King Panic." And Panic is fittingly King of the Grotesque. What are we to make of a creation in which the routine activity is for organisms to be tearing others apart with teeth of all types-biting, grinding flesh, plant stalks, bones between molars, pushing the pulp greedily down the gullet with delight, incorporating its essence into one's own organization, and then excreting with foul stench and gasses the residue. Everyone reaching out to incorporate others who are edible to him. The mosquitoes bloating themselves on blood, the maggots, the killerbees attacking with a fury and demonism, sharks continuing to tear and swallow while their own innards are being torn out-not to mention the daily dismemberment and slaughter in "natural" accidents of all types: the earthquake buries alive 70 thousand bodies in Peru, automobiles make a pyramid heap of over 50 thousand a year in the U.S. alone, a tidal wave washes over a quarter of a million in the Indian Ocean. Creation is a nightmare spectacular taking place on a planet that has been soaked for hundreds of millions of years in the blood of all its creatures. The soberest conclusion that we could make about what has actually been taking place on the planet for about three billion years is that it is being turned into a vast pit of fertilizer. But the sun distracts our attention, always baking the blood dry, making things grow over it, and with its warmth giving the hope that comes with the organism's comfort and expansiveness. "Questo sol m'arde, e questo m'innamore," as Michelangelo put it.
Ernest Becker (The Denial of Death)
...because a man on the scent of the White House is rarely rational. He is more like a beast in heat: a bull elk in the rut, crashing blindly through the timber in a fever for something to fuck. Anything! A cow, a calf, a mare--any flesh and blood beast with a hole in it.The bull elk is a very crafty animal for about fifty weeks of the year; his senses are so sharp that only an artful stalker can get within a thousand yards of him...butwhen the rut comes on, in the autumn, any geek with the sense to blow an elk-whistle can lure a bull elk right up to his car in ten minutes if he can drive within hearing range. The dumb bastards lose all control of themselves when the rut comes on. Their eyes glaze over, their ears pack up with hot wax, and their loins get heavy with blood. Anything that sounds like a cow elk in heat will fuse the central nervous systems of every bull on the mountain. They will race through the timbers like huge cannonballs, trampling small trees and scraping off bloody chunks of their own hair on the unyielding bark of the big ones. They behave like sharks in a feeding frenzy, attacking each other with all the demented violence of human drug dealers gone mad on their own wares. A career politician finally smelling the White House is not Much different from a bull elk in the rut. He will stop at nothing, trashing anything that gets in his way; and anything he can't handle personally, he will hire out--or, failing that, make a deal. It is a difficult syndrome for most people to understand, because so few of us ever come close to the kind of Ultimate Power and Achievement that the White House represents to a career politician.
Hunter S. Thompson
He pulled back his blankets to make a spot for Zeke. He had to yank hard to undo his sheets, which were tucked in extra tight. Jeremy had taught him how to make his bed that way. He had just finished SEAL training in California, the most brutal military training in the world. It was six months of pure misery, Jeremy said, endless days of grueling runs, freezing ocean swims, and impossible obstacle courses. The worst night for Jeremy was when they had to swim for hours in the freezing Pacific Ocean. The surf was so rough he got thrown against some rocks and cut his leg. “They finally pulled me out of the water,” Jeremy had said. “They were afraid my blood would attract the great white sharks that feed in that area.” Dex had repeated that story to Dylan and the guys, and they had almost fallen off of their chairs with happiness. Dex
Lauren Tarshis (I Survived the Joplin Tornado, 2011 (I Survived #12))
Airmen would later speak of sharks arriving almost the moment that their planes struck the water. In 1943, navy lieutenant Art Reading, Louie’s USC track teammate, was knocked unconscious as he ditched his two-man plane. As the plane sank, Reading’s navigator, Everett Almond, pulled Reading out, inflated their Mae Wests, and lashed himself to Reading. As Reading woke, Almond began towing him toward the nearest island, twenty miles away. Sharks soon began circling. One swept in, bit down on Almond’s leg, and dove, dragging both men deep underwater. Then something gave way and the men rose to the surface in a pool of blood. Almond’s leg had apparently been torn off. He gave his Mae West to Reading, then sank away. For the next eighteen hours, Reading floated alone, kicking at the sharks and hacking at them with his binoculars. By the time a search boat found him, his legs were slashed and his jaw broken by the fin of a shark, but thanks to Almond, he was alive. Almond, who had died at twenty-one, was nominated for a posthumous medal for bravery.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
Mario “The Screwdriver” Tetragna—respected patriarch of his immediate blood family, much-feared don of the broader Tetragna Family that controlled drug traffic, gambling, prostitution, loan-sharking, pornography, and other organized criminal activity in San Francisco—was a five-foot-seven-inch, three-hundred-pound tub with a face as plump and greasy and smooth as an overstuffed sausage casing. It was hard to believe that this rotund specimen could have built an infamous criminal operation. True, Tetragna had been young once, but even then he would have been short, and he had the look of a man who’d been fat all his life. His pudgy, stubby-fingered hands reminded Vince of a baby’s hands. But they were the hands that ruled the Family’s empire. When Vince had looked into Mario Tetragna’s eyes, he instantly realized that the don’s stature and his all too evident decadence were of no importance. The eyes were those of a reptile: flat, cold, hard, watchful. If you weren’t careful, if you displeased him, he would hypnotize you with those eyes and take you the way a snake would take a mesmerized mouse; he would choke you down whole and digest you.
Dean Koontz (Watchers)
no one leaves home unless home is the mouth of a shark you only run for the border when you see the whole city running as well your neighbors running faster than you breath bloody in their throats the boy you went to school with who kissed you dizzy behind the old tin factory is holding a gun bigger than his body you only leave home when home won’t let you stay. no one leaves home unless home chases you fire under feet hot blood in your belly it’s not something you ever thought of doing until the blade burnt threats into your neck and even then you carried the anthem under your breath only tearing up your passport in an airport toilet sobbing as each mouthful of paper made it clear that you wouldn’t be going back. you have to understand, that no one puts their children in a boat unless the water is safer than the land no one burns their palms under trains beneath carriages no one spends days and nights in the stomach of a truck feeding on newspaper unless the miles travelled means something more than journey. no one crawls under fences no one wants to be beaten pitied no one chooses refugee camps or strip searches where your body is left aching or prison, because prison is safer than a city of fire and one prison guard in the night is better than a truckload of men who look like your father no one could take it no one could stomach it no one skin would be tough enough the go home blacks refugees dirty immigrants asylum seekers sucking our country dry niggers with their hands out they smell strange savage messed up their country and now they want to mess ours up how do the words the dirty looks roll off your backs maybe because the blow is softer than a limb torn off or the words are more tender than fourteen men between your legs or the insults are easier to swallow than rubble than bone than your child body in pieces. i want to go home, but home is the mouth of a shark home is the barrel of the gun and no one would leave home unless home chased you to the shore unless home told you to quicken your legs leave your clothes behind crawl through the desert wade through the oceans drown save be hunger beg forget pride your survival is more important no one leaves home until home is a sweaty voice in your ear saying- leave, run away from me now i dont know what i’ve become but i know that anywhere is safer than here
Warsan Shire
There is no silence upon the earth or under the earth like the silence under the sea; No cries announcing birth, No sounds declaring death. There is silence when the milt is laid on the spawn in the weeds and fungus of the rock-clefts; And silence in the growth and struggle for life. The bonitoes pounce upon the mackerel, And are themselves caught by the barracudas, The sharks kill the barracudas And the great molluscs rend the sharks, And all noiselessly-- Though swift be the action and final the conflict, The drama is silent. There is no fury upon the earth like the fury under the sea. For growl and cough and snarl are the tokens of spendthrifts who know not the ultimate economy of rage. Moreover, the pace of the blood is too fast. But under the waves the blood is sluggard and has the same temperature as that of the sea. There is something pre-reptilian about a silent kill. Two men may end their hostilities just with their battle-cries, 'The devil take you,' says one. 'I'll see you in hell,' says the other. And these introductory salutes followed by a hail of gutturals and sibilants are often the beginning of friendship, for who would not prefer to be lustily damned than to be half-heartedly blessed? No one need fear oaths that are properly enunciated, for they belong to the inheritance of just men made perfect, and, for all we know, of such may be the Kingdom of Heaven. But let silent hate be put away for it feeds upon the heart of the hater. Today I watched two pairs of eyes. One pair was black and the other grey. And while the owners thereof, for the space of five seconds, walked past each other, the grey snapped at the black and the black riddled the grey. One looked to say--'The cat,' And the other--'The cur.' But no words were spoken; Not so much as a hiss or a murmur came through the perfect enamel of the teeth; not so much as a gesture of enmity. If the right upper lip curled over the canine, it went unnoticed. The lashes veiled the eyes not for an instant in the passing. And as between the two in respect to candour of intention or eternity of wish, there was no choice, for the stare was mutual and absolute. A word would have dulled the exquisite edge of the feeling. An oath would have flawed the crystallization of the hate. For only such culture could grow in a climate of silence-- Away back before emergence of fur or feather, back to the unvocal sea and down deep where the darkness spills its wash on the threshold of light, where the lids never close upon the eyes, where the inhabitants slay in silence and are as silently slain.
E.J. Pratt
The only things you feel are greed, mockery, and occasionally you probably get a hard-on, but I bet it’s not over a woman, it’s over money or an artifact or a book. You’re no different than any other player in this game. You’re no different than V’lane. You’re just a cold, mercenary—” His hand was on my throat, and he was crushing my back with his body into the cold steel beam behind me. “Yes, I have loved, Ms. Lane, and although it’s none of your business, I have lost. Many things. And no, I am not like any other player in this game and I will never be like V’lane, and I get a hard-on a great deal more often than occasionally.” He leaned fully against me and I gasped. “Sometimes it’s over a spoiled little girl, not a woman at all. And yes, I trashed the bookstore when I couldn’t find you. You’ll have to choose a new bedroom, too. And I’m sorry your pretty little world got all screwed up, but that defines you.” His hand relaxed on my throat. “And I am going to tattoo you, Ms. Lane, however and wherever I please.” His gaze dropped down over my sun-kissed, lightly oiled, very bare skin. The delicately strung together hot pink triangles covered very little, and while I’d not minded so much on the beach, being nearly naked around Barrons felt a lot like going to a shark convention lightly basted in blood.
Karen Marie Moning (Bloodfever (Fever, #2))
Hanging around them made Charlie feel like maybe there wasn’t anything wrong with her. It didn’t matter if she didn’t fit in at school, or that her body kept changing on her. It was okay when her best friend’s parents took one look at Charlie and clocked her for trouble. When even Laura herself, who’d known her since she was eight, started acting weird. It was fine that she’d given up hoping her mother would notice there was something strange about Rand taking her on trips all the time. All those people who judged her or couldn’t be bothered with her were marks. She’d have the last laugh. “You gotta be like a shark in this business,” Benny told her with his soft voice and slicked-back hair. “Sniff around for blood in the water. Greet life teeth first. And no matter what, never stop swimming.” Charlie took that advice and the money from her last job with Rand and got a tattoo. She’d wanted one, and she’d also wanting to know if she could con a shop into giving her ink, even though she was three years away from eighteen. It involved some fast talking and swiping a notary sigil, but she got it done. Her first tattoo. It was still a little bit sore when she moved. Along her inner arm was the word “fearless” in looping cursive letters, except the tattooist had spaced them oddly so that it looked as though it said “fear less.” It reminded her of what she wanted to be, and that her body belonged to her. She could write all over it if she wanted.
Holly Black (Book of Night (Book of Night, #1))
Gentleman,” I purr smoothly in greeting. Ezra and Cort circle me like sharks scenting blood. I know who they are, but not who is who since they’re wearing black hoods over their heads. It covers them to the shoulder and has holes for the eyes and mouth. Their clothing is identical Italian designer label suits. Even their shoes are the same. Their eyes glow like steel ball-bearings from the safety of their masks. The mouths are different- one serious, one snarky- both ruby-red and kissable. While they circle Fate and me several times taking our measure, the other Master stands in a sphere of his own confidence. He’s older and I don’t mean just in age, but knowledge. Ezra and Cortez feel like babies compared to this man. I bet he’s who I really have to impress. I wait, always meeting their eyes when their path moves them back to my face. I don’t follow them with my gaze- I wait. “Hello,” the hood with the serious lips speaks in a smooth deep tone. I know it’s not his true voice, but the one Kris calls The Boss. His eyes are kind and assessing. No one pays Fate any mind as she cowers at my thigh. I hold their undivided attention. Curly-locks is quiet- watchful- a predator sighting its quarry. Snarky mouth is leering at my chest and I smirk. Caught ya, Cortez Abernathy. “I seem to be at a disadvantage conversing with you while you’re hooded. I can’t see you, but you can see me.” I try to get them to out themselves. It’s a longshot. “And who are you, Ma’am?” Ezra asks respectfully. “Please call me Queen.” I draw on all of my lessons from Hillbrook to pull me through this conversation. The power in the air is stifling. I wonder if it’s difficult for them to be in the same room without having a cage match for dominance. I feel like I’m on Animal Planet and the lions are circling. “Queen, indeed,” Cort says snidely under his breath and I wince. I turn my face from them in embarrassment. I should have gone with something less- less everything. I know I’m strong, but the word also emulates elegance and beauty. I’m neither. Have to say, tonight has sucked for my self-esteem. First, the dominant one overlooks me for Fate and now Cortez makes fun of me- lovely. “What did you say to upset her?” Ezra accuses Cortez. “Nothing,” Cort complains in confusion. “Please excuse my partner. Words are his profession and it seems they have failed him this evening. I will apologize for not sharing our names, but this gentleman is Dexter.” He gestures to the dominant man. I wait for him to shake my hand like a civilized person. He does not- he actually crosses his arms over his chest in disobedience. This shit is going to be a piece of cake.
Erica Chilson (Queened (Mistress & Master of Restraint, #6))
I don’t know what to do with you,” he said, his voice growing curt with anger again. “Deceitful little minx. I’m of half a mind to put you to work, milking the goats. But that’s out of the question with these hands, now isn’t it?” He curled and uncurled her fingers a few times, testing the bandage. “I’ll tell Stubb to change this twice a day. Can’t risk the wound going septic. And don’t use your hands for a few days, at least.” “Don’t use my hands? I suppose you’re going to spoon-feed me, then? Dress me? Bathe me?” He inhaled slowly and closed his eyes. “Don’t use your hands much.” His eyes snapped open. “None of that sketching, for instance.” She jerked her hands out of his grip. “You could slice off my hands and toss them to the sharks, and I wouldn’t stop sketching. I’d hold the pencil with my teeth if I had to. I’m an artist.” “Really. I thought you were a governess.” “Well, yes. I’m that, too.” He packed up the medical kit, jamming items back in the box with barely controlled fury. “Then start behaving like one. A governess knows her place. Speaks when spoken to. Stays out of the damn way.” Rising to his feet, he opened the drawer and threw the box back in. “From this point forward, you’re not to touch a sail, a pin, a rope, or so much as a damned splinter on this vessel. You’re not to speak to crewmen when they’re on watch. You’re forbidden to wander past the foremast, and you need to steer clear of the helm, as well.” “So that leaves me doing what? Circling the quarterdeck?” “Yes.” He slammed the drawer shut. “But only at designated times. Noon hour and the dogwatch. The rest of the day, you’ll remain in your cabin.” Sophia leapt to her feet, incensed. She hadn’t fled one restrictive program of behavior, just to submit to another. “Who are you to dictate where I can go, when I can go there, what I’m permitted to do? You’re not the captain of this ship.” “Who am I?” He stalked toward her, until they stood toe-to-toe. Until his radiant male heat brought her blood to a boil, and she had to grab the table edge to keep from swaying toward him. “I’ll tell you who I am,” he growled. “I’m a man who cares if you live or die, that’s who.” Her knees melted. “Truly?” “Truly. Because I may not be the captain, but I’m the investor. I’m the man you owe six pounds, eight. And now that I know you can’t pay your debts, I’m the man who knows he won’t see a bloody penny unless he delivers George Waltham a governess in one piece.” Sophia glared at him. How did he keep doing this to her? Since the moment they’d met in that Gravesend tavern, there’d been an attraction between them unlike anything she’d ever known. She knew he had to feel it, too. But one minute, he was so tender and sensual; the next, so crass and calculating. Now he would reduce her life’s value to this cold, impersonal amount? At least back home, her worth had been measured in thousands of pounds not in shillings. “I see,” she said. “This is about six pounds, eight shillings. That’s the reason you’ve been watching me-“ He made a dismissive snort. “I haven’t been watching you.” “Staring at me, every moment of the day, so intently it makes my…my skin crawl and all you’re seeing is a handful of coins. You’d wrestle a shark for a purse of six pounds, eight. It all comes down to money for you.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
The seventh day, and no wind—the burning sun Blister’d and scorch’d, and, stagnant on the sea, They lay like carcasses; and hope was none, Save in the breeze that came not; savagely They glared upon each other—all was done, Water, and wine, and food,—and you might see The longings of the cannibal arise (Although they spoke not) in their wolfish eyes. At length one whisper’d his companion, who Whisper’d another, and thus it went round, And then into a hoarser murmur grew, An ominous, and wild, and desperate sound; And when his comrade’s thought each sufferer knew, ’Twas but his own, suppress’d till now, he found: And out they spoke of lots for flesh and blood, And who should die to be his fellow’s food. But ere they came to this, they that day shared Some leathern caps, and what remain’d of shoes; And then they look’d around them and despair’d, And none to be the sacrifice would choose; At length the lots were torn up, and prepared, But of materials that much shock the Muse— Having no paper, for the want of better, They took by force from Juan Julia’s letter. The lots were made, and mark’d, and mix’d, and handed, In silent horror, and their distribution Lull’d even the savage hunger which demanded, Like the Promethean vulture, this pollution; None in particular had sought or plann’d it, ’Twas nature gnaw’d them to this resolution, By which none were permitted to be neuter— And the lot fell on Juan’s luckless tutor. He but requested to be bled to death: The surgeon had his instruments, and bled Pedrillo, and so gently ebb’d his breath, You hardly could perceive when he was dead. He died as born, a Catholic in faith, Like most in the belief in which they’re bred, And first a little crucifix he kiss’d, And then held out his jugular and wrist. The surgeon, as there was no other fee, Had his first choice of morsels for his pains; But being thirstiest at the moment, he Preferr’d a draught from the fast-flowing veins: Part was divided, part thrown in the sea, And such things as the entrails and the brains Regaled two sharks, who follow’d o’er the billow The sailors ate the rest of poor Pedrillo. The sailors ate him, all save three or four, Who were not quite so fond of animal food; To these was added Juan, who, before Refusing his own spaniel, hardly could Feel now his appetite increased much more; ’Twas not to be expected that he should, Even in extremity of their disaster, Dine with them on his pastor and his master. ’Twas better that he did not; for, in fact, The consequence was awful in the extreme; For they, who were most ravenous in the act, Went raging mad—Lord! how they did blaspheme! And foam and roll, with strange convulsions rack’d, Drinking salt water like a mountain-stream, Tearing, and grinning, howling, screeching, swearing, And, with hyaena-laughter, died despairing. Their numbers were much thinn’d by this infliction, And all the rest were thin enough, Heaven knows; And some of them had lost their recollection, Happier than they who still perceived their woes; But others ponder’d on a new dissection, As if not warn’d sufficiently by those Who had already perish’d, suffering madly, For having used their appetites so sadly. And if Pedrillo’s fate should shocking be, Remember Ugolino condescends To eat the head of his arch-enemy The moment after he politely ends His tale: if foes be food in hell, at sea ’Tis surely fair to dine upon our friends, When shipwreck’s short allowance grows too scanty, Without being much more horrible than Dante.
Lord Byron (Don Juan)
The human heart weighs ten ounces and pumps blood through sixty thousand miles of veins and arteries. The humpback whale's two-thousand-pound heart effectively pumps enough blood to fill a small swimming pool, through forty-five hundred times as many veins and arteries as humans-with as few as "three or four beats a minute" at times.
Jay Harman (The Shark's Paintbrush: Biomimicry and How Nature is Inspiring Innovation)
I've swallowed fish-eyes whole like an endoscope. I once ate a trout cooked inside a dolphin. Felt like a shark eating another shark, inside the cold-blooded womb of yet another shark.
Yann Rousselot (Dawn of the Algorithm)
You know how the public is; we kill the real monsters out there—whether they’re grizzly bears, or great white sharks, or Indians. Then we re-create them in our imaginations because we want those fearful things, but we don’t want them in flesh and blood.
Sean Prentiss (Finding Abbey: The Search for Edward Abbey and His Hidden Desert Grave)
Looking over world literature, it is almost impossible to find a single sympathetic representation of a moneylender- or anyway, a professional moneylender, which means by definition one who charges interest. I'm not sure there is another profession (executioners?) with such a consistently bad image. It's especially remarkable when one considers that unlike executioners, usurers often rank among the richest and most powerful people in their communities. Yet the very name, "usurer," evokes images of loan sharks, blood money, pounds of flesh, the selling of souls, and behind them all, the Devil, often represented as himself a kind of usurer, an evil accountant with his books and ledgers.
David Graeber (Debt: The First 5,000 Years)
Muy Peligroso!” Bernie’s choices had become as limited as the Taco Bell menu. Reason and blood had left the building, heading south, faster than reprobates to Florida." — Shark Fin Soup 2015
Fred Barnett
I know this because I can feel myself getting closer to it, the way sharks sense blood in the water, or the way you sometimes know when the phone’s about to ring.
Maria Dong (Liar, Dreamer, Thief)
explain to a nation in the midst of urban crisis why cities would be better off if governments pulled down public housing instead of constructing it. As you might expect, that message infuriated city planners. The ensuing ruckus attracted the media like sharks to blood in the water.
Donella H. Meadows (The Global Citizen)
The horror of Jaws is not the rows of teeth, but the endless sea of white faces who are afraid of losing money knowing the ocean has always been full of sharks, blood, and everything else they cannot see.
Monica Rico
I can’t get over the plant’s temperature. When you touch the spadix of a corpse flower, it feels almost human, full of blood, and you might expect to feel your hand pulse at its heartbeat. Just last week, I read how trees “speak” to each other underground, how they let out warnings of toxins or deforestation. Trees have also been known to form alliances or “friendships” through fungal networks. All of these findings are still new, but I’m in love with the idea that plants have a temperature, that they can run warm and cold when they need to, they they can send signals to species who will help them, not harm them. And what a magnificent telegraph we might send back, especially if other humans have ever made you feel alone on this earth.
Aimee Nezhukumatathil (World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments)
Tuna and some sharks have warm blood, just like us!
Charlotte Gibbs (Facts For Kids: 1000+ Fun Facts That You Didn't Know About Our Amazing World (History For Kids))
Swimming in shark-infested waters is a bad idea if there is blood in the water. It is an especially bad idea if the blood is yours.
Marian Petre, Gordon Rugg
Molawa jumped back, frightened. He stared at the ground. “I don’t smell the blood though, bruh. Is my smeller broken?” He gingerly felt his nose. “It feels not broken to me. Check it?” Eleu stepped towards Molawa and grabbed at his nose. “Definitely broke. Get it fixed. Even though it’s broke, you smell the blood.” Molawa’s eyes widened, the power of suggestion was too much. “No, no, no, you’re right! I smell so much blood. What are we bruh, sharks?” Eleu shrugged. “I wouldn’t be surprised if we had some shark DNA in us. I don’t know the names of all of my ancestors. One coulda been a shark.” Molawa nodded furiously. “Truth. I don’t know all my ancestors either. And I like to eat fish. It makes too much sense. Bruh. Thank you.” Eleu nodded sincerely. Then turned his attention back to the door. “Hey, you giants. We know you’re in there. Come on out, you stupids. And don’t try anything. There are two sharks out here.
James Eldridge (Islanders: The Pacific Chronicles (Book #1))
Sharks, vampires and racists are conditioned to blood: for them, blood is the only source of life! -To be tried as a Jew-
Jeyhun Aliyev Silo
The salt in the sea is the same as the salt in our blood
William McKeever (Emperors of the Deep: Sharks--The Ocean's Most Mysterious, Most Misunderstood, and Most Important Guardians)
Married straight women could sense gay boy heartache like a shark could scent blood in the water.
Anne Tenino (Too Stupid to Live (Romancelandia, #1))
I shook my head. “Nah. The prison cells are for the prisoners I know I can trust. Oh, time’s up. Looks like you’re coming with me, apprentice. Ever been to Fae? If not, I suggest you go potty before we leave. If you piss yourself, you’ll attract every Fae monster within ten miles, like sharks to blood.
Shayne Silvers (Savage (The Nate Temple Series, #15))
Her innocence is like blood dragging its way through dark ocean waters. I’m the shark desperate for a taste—the predator who will tear through her sweetness and devour her whole.
K. Webster (The Teacher of Nothing (Shameful Secrets, #1))
Let’s go back to Mr. Hernandez’s film literature class, back to Jaws. Mr. Hernandez pointed out that we never actually saw the shark until about eighty minutes into the film. Instead we heard horror stories, glimpsed its sinister fin; primed to be scared, so that when the shark made its grand debut, we saw everything we’d been taught to see, the merciless, blood-seeking Jaws. Before the cop pulled Philando over, he’d reported the man resembled a robbery suspect, commenting on his wide-set nose. By the time the cop stepped up to the window, he didn’t see Philando, he saw everything he thought he knew about wide noses, blackness, guns, added it all up to threat in his head. The problem is not who we are, the problem is what you think we are.
Chanel Miller (Know My Name: A Memoir)
But love has a way of revealing itself in the most explicit manner It will find the narrowest crevices of our being And ooze out like blood from a cut vein Dripping into the ocean, leaving its scent For the sharks to circle in
Rathnakumar Raghunath (Charcuterie of Thoughts)
Doubled over in pain, Jonas focused on what appeared to be a juvenile Great White being towed in a trawl net along the port side of the stern. The shark was small, seven feet long, weighing between three and four hundred pounds. It was struggling fiercely, twisting within the confines of the fishing net, the action serving to wash the dead Meg’s blood from the female pup’s hide. Jesus… it’s an albino. For a brief moment, man and beast regarded one another, the creature staring at Jonas with its soulless gray-blue eyes, Jonas marveling at the presence of the Megalodon offspring. He closed his eyes at the irony and smiled. And then the pain became overwhelming and the submersible pilot lost consciousness as two paramedics loaded him onto a gurney.
Steve Alten (Meg (Meg, #1))
saved your life? What happened?’ ‘We were staying in Florida and had taken a small boat out to enjoy the ocean,’ said John. ‘It was a warm and sunny day, so being young and reckless I took off my shirt and dived into the water for a swim. I didn’t see the shark until it was too late. It took my leg and dragged me under the water. It happened so suddenly I didn’t understand what was going on. All I knew was the pain was unbearable. When it let go I realised what had happened, but I was losing a lot of blood and was struggling to get back to the boat. Then it turned and came back for a second bite. Memphis was in the water beside me by the time the shark arrived. He sunk his knife deep into the creature’s nose and it retreated to a safe distance for a moment. In those few seconds Memphis was able to drag me back to the boat and one of the crew helped to get me back on board. Then the shark moved in again, but Memphis was an immensely powerful man and as it struck he landed a heavy blow on the side of the creature’s head. It didn’t come back for another try.’ ‘I’m surprised you could ever get back on a boat after that,’ said Sophie. ‘If that happened to me I wouldn’t even go back on
A.B. Martin (Kestrel Island (Sophie Watson #1))
You need to be careful, Emily. You look far too innocent to be swimming with such sharks.
Sonja Grey (Paved in Blood (Melnikov Bratva, #1))
The important thing was not to panic. Like a shark scenting blood in the water, anxiety rushed over me in a great, devouring wave.
Alexis Hall (Glitterland (Spires, #1))
Wren did not see her mother as a sick woman living within a body she no longer knew or controlled. Instead, she saw a pathetic, powerless beast surrounded by murder, a mess of blood and guts. As rage bubbled up and spilled over, Wren sharpened a pernicious, worded arrow and lobbed it at the bull's-eye, her mother. "You are a monster."
Emily Habeck (Shark Heart)
Afterward, as those in attendance sifted through their own junk drawer of troubles, they would thank the tilted universe it wasn't their change to bear; their blood and bones ripping away from humanity's known, narrow lane; their life and family broken and rearranged.
Emily Habeck (Shark Heart)
Sharks can detect a single drop of blood in 25 gallons of water.
Internet Crow (The Ultimate Book of Amazing Animal Facts: More than 1600 incredible, fascinating and entertaining bits of information about the wildlife of the world)
I want to hear about the dry lands over the Stormwal,” one of the younger girls complained. “About the sand snakes that come out of the ground like sharks. And the dry men who hide under the dunes and drink your blood instead of water. And—
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
With a snarl of pain, she forced herself to sit up, her head spinning with the sudden movement. One hand touched her temple, sticky with dried blood. She winced, feeling a gash along her eyebrow. It was long but shallow, and already scabbing over. She clenched her jaw, teeth grinding, as she surveyed the beach with squinting eyes. The ocean stared back at her, empty and endless, a wall of iron blue. Then she noticed shapes along the beach, some half-buried in the sand, others caught in the rhythmic pull of the tide. She narrowed her eyes and the shapes solidified. A torn length of sail floated, tangled up with rope. A shattered piece of the mast angled out of the sand like a pike. Smashed crates littered the beach, along with other debris from the ship. Bits of hull. Rigging. Oars snapped in half. The bodies moved with the waves. Her steady breathing lost its rhythm, coming in shorter and shorter gasps until she feared her throat might close. Her thoughts scattered, impossible to grasp. All thoughts but one. “DOMACRIDHAN!” Her shout echoed, desperate and ragged. “DOMACRIDHAN!” Only the waves answered, crashing endless against the shore. She forgot her training and forced herself to stand, nearly falling over with dizziness. Her limbs aches but she ignored it, lunging toward the waterline. Her lips moved, her voice shouting his name again, though she couldn’t hear it above the pummel of her own heart. Sorasa Sarn was no stranger to corpses. She splashed into the waves with abandon, even as her head spun. Sailor, sailor, sailor, she noted, her desperation rising with every Tyri uniform and head of black hair. One of them looked ripped in half, missing everything from the waist down. His entrails floated with the rear of him, like a length of bleached rope. She suspected a shark got the best of him. Then her memories returned with a crash like the waves. The Tyri ship. Nightfall. The sea serpent slithering up out of the deep. The breaking of a lantern. Fire across the deck, slick scales running over my hands. The swing of a greatsword, Elder-made. Dom silhouetted against a sky awash with lightning. And then the cold, drowning darkness of the ocean. A wave splashed up against her and Sorasa stumbled back to the shore, shivering. She had not waded more than waist deep, but her face felt wet, water she could not understand streaking her cheeks. Her knees buckled and she fell, exhausted. She heaved a breath, then two. And screamed. Somehow the pain in her head paled in comparison to the pain in her heart. It dismayed and destroyed her in equal measure. The wind blew, stirring salt-crusted hair across her face, sending a chill down to her soul. It was like the wilderness all over again, the bodies of her Amhara kin splayed around her. No, she realized, her throat raw. This is worse. There is not even a body to mourn. She contemplated the emptiness for awhile, the beach and the waves, and the bodies gently pressing into the shore. If she squinted, they could only be debris from the ship, bits of wood instead of bloated flesh and bone. The sun glimmered on the water. Sorasa hated it. Nothing but clouds since Orisi, and now you choose to shine.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
Her mother, who made the most delicious pancakes and baked bread from scratch. Her mother, who could identify every bird by name and call. Her mother, who could grow a garden in an eggshell. Her mother, the kindest person she would ever know. Her mother, her mother, her mother, her mother, her mother. Her mother, an animal, whose eyes were filled with blood. PART THREE LEWIS WOODARD and MARGARET C. FINNEGAN MAIN CHARACTERS LEWIS: Carcharodon carcharias; often stubborn, irritable, heartbroken, and homesick, Lewis was formerly a man with an excellent sense of humor. MARGARET C. FINNEGAN: Carcharodon carcharias; chock-full of ocean expertise yet inexperienced in matters of the heart. Raised by a dolphin pod and Billy and Carolyn Finnegan of Dayton, Ohio. Prefers to be called by her full name because it reminds Margaret of her mother, Carolyn, who liked sounding the full percussive nature of Margaret’s name, the reverberations floating like a soft cloud above a spring green meadow in the place Margaret once lived a very long time ago. SETTING Various oceans.
Emily Habeck (Shark Heart)
He runs his thumb through my tears. “Beautiful,” he whispers. “Please stop.” I hate that I’m begging, but I’ve got nothing left. I’m treading water, but the water’s too deep, and he’s circling me. He smells the blood and is just waiting to strike. Waiting to pull me under into the darkness where he’ll eat me alive. He’s a shark, after all.
Shantel Tessier (I Dare You (Dare, #1))
Gabriel makes a low growling noise that has Damon chuckling. They’re sharks, I realize. Sharp teeth. A taste for blood. And I’m wounded.
Skye Warren (The Pawn (Endgame, #1))
There’s just something about her that taunts me. It provokes carnal desires inside me that have no business being poked at. Her innocence is like blood dragging its way through dark ocean waters. I’m the shark desperate for a taste—the predator who will tear through her sweetness and devour her whole. Fuck.
K. Webster (The Teacher of Nothing (Shameful Secrets, #1))
Ruhn rubbed his face. “They’ll kill her for this.” For murdering a Governor. For proving a sprite and a half-human woman could take on a Governor and win. It was absurd. As likely as a minnow slaying a shark.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
But I had only met Kraunauer recently, spent less than an hour in his company, and I didn’t really know him at all, except to know that he was, in his own way, as completely without feelings as I was. I knew this from his reputation, of course. But from being in his company I had also sensed that somewhere behind his eyes there lurked that familiar Dark Emptiness. He was a predator, totally without mercy, the kind of dedicated and enthusiastic shark who didn’t even need the smell of blood in the water to strike. He ripped out chunks of flesh because that’s what he was made to do, and he liked it that way. Naturally enough, that kind of inborn enthusiasm struck a chord in me.
Jeff Lindsay (Dexter Is Dead (Dexter, #8))
Readers are sharks; they like poems best when they detect some blood in the words.
Sean Eads (Lord Byron's Prophecy)
Maybe it was my condition, but I was even more sensitive about cruelty to wildlife. When we journeyed to New Zealand to protest whale hunts, we viewed a documentary about whales attacking the whaling ships, trying to defend the females and their young. Whales are like elephants of the sea. They have family structures, mannerisms, and habits that are similar to our own. In the midst of this very emotional work in Wellington, I felt the baby move for the first time. Soon the baby was dancing around inside me both day and night. All my checkups came back favorable, and the doctor said Steve was more than welcome to glove up and help deliver the baby when the time came. Until then, though, there was stacks of filming to be done. We filmed sharks just off the Queensland coast, near where Steve’s parents had retired. Some of the crew were typical Aussie blokes. As soon as I got on board and they saw that I was very obviously pregnant, they decided to embark on “Project Spew.” To attract sharks, they mixed up a large container of chum--a gory stew made of fish oil, blood, fish skeletons, and offal. The crew would pass it right underneath my nose in an effort to make me sick. I countered them by sitting down and eating lunch right next to the putrid-smelling chum container. I knew they couldn’t break me!
Terri Irwin (Steve & Me)
Some of the crew were typical Aussie blokes. As soon as I got on board and they saw that I was very obviously pregnant, they decided to embark on “Project Spew.” To attract sharks, they mixed up a large container of chum--a gory stew made of fish oil, blood, fish skeletons, and offal. The crew would pass it right underneath my nose in an effort to make me sick. I countered them by sitting down and eating lunch right next to the putrid-smelling chum container. I knew they couldn’t break me!
Terri Irwin (Steve & Me)
If I was a shark, she was the blood in the water. I was the wolf and she was the rabbit. I wanted her so immersed in me that when she was faced with truth of my world, she would be immobilized.
Natalie Bennett (Savages (Badlands, #1))
The scar rippled from the top of her bikini line down to her thigh. Where normal girls had hair, Ava had a quilt of mangled skin that required tweezers to de-fur. For ten months she tried joking about it (“Turns out sharks really CAN smell menstrual blood a mile away!”). She tried fixing it with a myriad of steroid injections and silicon gels. She even tried ignoring it. Her last hope was to confront it.
Jake Vander-Ark (Fallout Dreams)
Mr. Hernandez pointed out that we never actually saw the shark until about eighty minutes into the film. Instead we heard horror stories, glimpsed its sinister fin; primed to be scared, so that when the shark made its grand debut, we saw everything we’d been taught to see, the merciless, blood-seeking Jaws. Before the cop pulled Philando over, he’d reported the man resembled a robbery suspect, commenting on his wide-set nose. By the time the cop stepped up to the window, he didn’t see Philando, he saw everything he thought he knew about wide noses, blackness, guns, added it all up to threat in his head. The problem is not who we are, the problem is what you think we are.
Chanel Miller (Know My Name: A Memoir)
The whole island was stained in blood and haunted with the dead. Horror stories lay beneath every square foot of this awful place, and at any time, hidden atrocities might surface like sharks rising from the surf to take a bite out of whatever faith he tried to maintain.
John Dixon
The whole island was stained in blood and haunted with the dead. Horror stories lay beneath every square foot of this awful place, and at any time, hidden atrocities might surface like sharks rising from the surf to take a bite out of whatever faith he tried to maintain.
John Dixon
Don’t forget Mr. Jo! Journalists are like sharks and they smell blood right away. If they sense a weakness in you, they will come over at you more. That’s why you shouldn’t be shy and act like a jellyfish in front of them.
Mustafa Donmez (Red-White Love: The Love of Liverpool FC)
Harvey didn’t set his phone to beep or buzz or vibrate like a normal person. Harvey’s phone screeched with a string piece from the Hitchcock movie Psycho, the scene with Janet Leigh in the shower, the knife rising and falling, the string section shrieking with short, staccato stabs, the lone violin slashing through the fermata with discordant glissandos, more violins joining the first, violas adding their teeth, mad strings schooling like orchestral sharks at a blood-drunk feast.
Robert Crais (The Wanted (Elvis Cole, #17; Joe Pike, #6))