Blonde Girl Quotes

We've searched our database for all the quotes and captions related to Blonde Girl. Here they are! All 100 of them:

Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?" Patch: "Single her out. Talk to her." Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?" Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
You, have this whole tall, dark stranger thing going on. Not to mention the tortured artist bit. And you, have that whole blonde cool and collected perfect smart thing going on. You're the boy all the girls want to rebel with. You, are the unattainable girl in homeroom who never gives a guy the time of day.
Sarah Dessen (The Truth About Forever)
I tried to dredge up the same reaction other girls had around Marcus, but nothing happened. No matter how hard I tried, I just didn't have that same attraction His hair was too blond, I decided. And his eyes needed a little more green.
Richelle Mead (The Indigo Spell (Bloodlines, #3))
Escape plan #5: Open an alpaca ranch in Texas, one that requires all blond-haired, brown-eyed, brainy girls to wear sexy cowgirl outfits.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
You know, you would never have let those breasts so close to me if I weren’t in a wheelchair,’ he murmured. I looked back at him steadily. ‘You would never have looked at my breasts if you hadn’t been in a wheelchair.’ ‘What? Of course I would.’ ‘Nope. You would have been far too busy looking at the tall blonde girls with the endless legs and the big hair, the ones who can smell an expense account at forty paces. And anyway, I wouldn’t have been here. I would have been serving the drinks over there. One of the invisibles.’ He blinked. ‘Well? I’m right, aren’t I?’ Will glanced over at the bar, then back at me. ‘Yes. But in my defense, Clark, I was an arse.
Jojo Moyes (Me Before You (Me Before You, #1))
He gave his father a gentle shove. “Up the stairs.” “Jesper?” said a voice from beneath the nearest table. A pretty blonde girl looked up from where she was crouched on the floor. “Madeleine?” Jesper said. “Madeleine Michaud?” “You said we’d have breakfast!” “I had to go to Fjerda.” “Fjerda?” Jesper headed up the stairs after Wylan, then poked his head back into the reading room. “If I live, I’ll buy you waffles.” “You don’t have enough money to buy her waffles,” Wylan grumbled. “Be quiet. We’re in a library.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The blond-haired girl in the long skirts who obsessively makes long to-do lists crept her way inside of me until, slowly, I fell for her so hard that I couldn't believe it.
Anna Todd (After We Collided (After, #2))
I didn’t want to kill girls… even vampire girls. Though I might make an exception for that blonde.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
They play in the Meadow. The dancing girl with the dark hair and blue eyes. The boy with blond curls and gray eyes, struggling to keep up with her on his chubby toddler legs. It took five, ten, fifteen years for me to agree. But Peeta wanted them so badly. When I first felt her stirring inside of me, I was consumed with a terror that felt as old as life itself. Only the joy of holding her in my arms could tame it.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Hey, hot cheeks!" A hand smacked my ass and I shrieked. Spinning around, I glared at Dan Ottoman, a blond, pimply, clarinet player from band. He leered back at me and winked. "Never took you for a player, girl," he said, trying to ooze charm but reminding me of a dirty Kermit the Frog. "Come down to band sometime. I've got a flute you can play
Julie Kagawa (The Iron King (The Iron Fey, #1))
I wondered if I would appear on a temple wall painting someday. A blonde Egyptian girl with purple highlights running sideways through the palm trees, screaming "Yikes!" in hieroglyphics as Neith chased after me. The thought of some poor archaeologist trying to figure that out almost lifted my spirits.
Rick Riordan
If they want to flirt or initiate a friendship, they should carefully avoid giving the impression they are taking the initiative; men do not like tomboys, nor bluestockings, nor thinking women; too much audacity, culture, intelligence, or character frightens them. In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the hero’s heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy. To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness.
Simone de Beauvoir (The Second Sex)
Dear girl! Life is addictive. Yet we must live.
Joyce Carol Oates (Blonde)
Missing: A teenaged girl with lanky, blonde hair and a sunburst tattoo on her cheek. The holographic posters, brighter than day itself, lit up the air on every block of Main Street.
Amy L. Bernstein (The Potrero Complex)
At first we raced through space, like shadows and light; her rants, my raves; her dark hair, my blonde; black dresses, white. She's a purple-black African-violet-dark butterfly and I a white moth. We were two wild ponies, Dawn and Midnight, the wind electrifying our manes and our hooves quaking the city; we were photo negatives of each other, together making the perfect image of a girl.
Francesca Lia Block (Violet & Claire)
Is this the girl?” Kieran’s voice was very different: It sounded like waves sliding up the shore. Like warm water under pale light. It was seductive, with an edge of cold. He looked at Emma as if she were a new kind of flower, one he wasn’t sure he liked. “She’s pretty,” he said. “I didn’t think she’d be pretty. You didn’t mention it.” Iarlath shrugged. “You’ve always been partial to blondes,” he said. “Okay, seriously?” Emma snapped her fingers. “I am right here. And I was not aware I was being invited to a game of ‘Who’s the Hottest?'" I wasn’t aware you were invited at all,” said Kieran. His speech had a casual edge, as if he was used to talking to humans. “Rude,” said Emma.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
I just shook my head, knowing this was him evading the question. You," I said, "have this whole tall, dark stranger thing going on. Not to mention the tortured artist bit." Bit?" You know what I mean." He shook his head, clearly discounting this description. And you," he said, "have that whole blonde, cool and collected, perfect smart girl thing going on." You're the boy all the girls want to rebel with," I said. You," he replied, "are the unattainable girl in homeroom who never gives a guy the time of day.
Sarah Dessen (The Truth About Forever)
She was probably my age, maybe a couple of inches taller, and a whole lot more athletic looking. With her deep tan and her curly blond hair, she was almost exactly what I thought a stereotypical California girl would look like, except her eyes ruined the image. They were startling gray,like storm clouds; pretty, but intimidating, too, as if she were analyzing the best way to take me down in a fight. She glanced at the minotaur horn in my hand, then back at me. I imagined she was going to say, You killed a Minotaur! or Wow you're so awesome! or something like that. Instead she said, "you drool when you sleep." Then she sprinted off down the lawn, her blond hair flying behind her.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
A framed photo on a dusty bookshelf caught his attention; he moved closer and picked it up silently. A small girl with long blond hair was standing under a tree, her face tilted up in delight as its feathery leaves brushed across her face, framing it. A willow tree. Willow.
L.A. Weatherly (Angel Burn (Angel, #1))
Love is a strawberry blonde liar, tease-baby, princess-girl torture.
Mary Elizabeth (Innocents (Dusty, #1))
... on the lawn one late summer day, her pale hair tangled because she'd cry if anyone tried to brush it, spinning around and around until she got so dizzy she fell in a pile of bare feet and dandelions and sundress.
Holly Black
I wish people would spread a Faustian rumor about me.' I leaned over and knocked Sunshine's hand out of Luke's hair. 'A Faustian myth,' I repeated. 'It's so much more interesting than just being that nouveau-poor blond girl who lives in a big house with nobody but her jackass brother with pecs bigger than his brain. Sunshine, if I ever disappear, please tell people that I ran after the Devil, trying to get my soul back.
April Genevieve Tucholke (Between the Devil and the Deep Blue Sea (Between, #1))
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Dagmar turned when she felt a tug on her sleeve, a human male standing next to her. “Yes?” “Yeah, how much for the blonde?” Dagmar blinked, glanced back at Gwenvael and the three girls before asking, “Pardon?” “The blonde. How much for the blonde? The bigger one. Just for an hour or so?” Of course. Dagmar would never be one of the whores … she must be selling the whores. “Five coppers for an hour,” she replied. “Any more than that and it’ll cost you.” “An hour will do.” He reached into his pocket and handed her five copper pieces. She dropped them into her satchel, tapped Gwenvael on the shoulder, and said, “He’s bought you for an hour of sex. Enjoy.
G.A. Aiken (What a Dragon Should Know (Dragon Kin, #3))
Tall, blonde and model-pretty, she’s the girl every other longs to be. Until she opens her mouth, and her outer beauty can no longer compensate for her inner bitch.
Gena Showalter (Firstlife (Everlife, #1))
Truly, Mallow yearned to know everything. Curiosity was part of her, like her short blond hair and bitten fingernails.
Catherynne M. Valente (The Girl Who Ruled Fairyland - For a Little While (Fairyland, #0.5))
We match each other stroke for stroke until I get a hit on her right arm. She tries to switch sword arms, but I jab my scim at her wrist faster than she can parry. Her scim goes flying, and I tackle her. Her white-blonde hair tumbles free of her bun. “Surrender!” I pin her down at the wrists, but she trashes and rips one arm free, scrabbling for a dagger at her waist. Steel stabs at my ribs, and seconds later, I am on my back with a blade at my throat. “Ha!” She leans down, her hair falling around us like a shimmering silver curtain.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
Keefe?' Amy repeated, her lips curling into a grin. 'He's the supercute blonde guy you picked up cookies for, right? The one who keeps staring at you all intense when I met him, like you were the only person that mattered to him in the entire universe?' Someone coughed near the doorway. It was probably Grady, maybe Edaline too, but Sophie decided she would rather not know who was eavesdropping. 'He doesn't stare at me like that,' she said, hoping her cheeks weren't blushing too badly. It didn't help that Ro kept cackling beside her. ... 'I swear, you have no idea how lucky you are, getting to be around so many gorgeous boys all the time. I don't know how you haven't dated any of them--or have you?' 'She tried with Fitzy,' Ro answered for her. 'But then she realized he was too boring, so they broke up.' 'That's not what happened!' Sophie argued--over lots more coughing from the doorway. 'We didn't really date. We just sort of... liked each other... openly. But then it got super complicated, so we decided to focus on being friends. ... Why are we talking about this?' Sophie asked ... 'Because it's fun watching you get all red and fidgety!' Amy told her. 'Plus, there's a chance our boy is somewhere nearby, listening to this conversation,' Ro added before she raised her voice to a shout. 'Hear that, Hunkyhair? Get your overdramatic butt back here! Your girl is single--and the great Foster Oblivion is over! This is what you've been waiting for!' 'Hunkyhair?' Amy asked, raising one eyebrow as Sophie contemplated smothering herself with her blankets. 'Great Foster Oblivion?' 'Never mind,' Sophie mumbled, sinking deeper into her blankets.
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
Consider it this way: what would you say if a blond homecoming queen fell in love with a short Japanese businessman? He treats her cruelly, then goes home for three years, during which time she prays to his picture and turns down marriage from a young Kennedy. Then, when she learns he has remarried, she kills herself. Now I believe you should consider this girl to be a deranged idiot, correct? But because it's an Oriental who kills herself for a Westerner–ah!–you find it beautiful.
David Henry Hwang (M. Butterfly)
A teenage girl lay asleep on the sofa, curled up under a red-and-black knitted afghan. She was on her side, with one slender arm cradling a throw cushion nestled under her head. Long wavy blond hair spread across her back and her shoulders like a cape. Even though she was sleeping, Alex could see how pretty she was, with her delicate, almost elfin features. He stood in the doorway, watching the soft rise and fall of her chest.
L.A. Weatherly (Angel Burn (Angel, #1))
So sweet and innocent and just... beautiful. I know it's not a typical word to describe a guy, but there is something about the smooth texture of his skin, long blond eyelashes, and the chiseled cheekbones that brings the adjective to mind.
Tera Lynn Childs (Sweet Venom (Medusa Girls, #1))
We would rather see girls stopped dead—stuck in a constant childhood that never decays—than let them grow into women who can pursue their desires.
Sady Doyle (Dead Blondes and Bad Mothers)
Mia, Mia, Mia," he said, stroking the tendrils of my hair that had escaped from the wig. "This is the you I like. You definitely dressed sexier and are, you know, blond, and that's different. But the you who you are tonight is the same you I was in love with yesterday, the same you I'll be in love with tomorrow. I love that you're fragile and tough, quiet and kick-ass. Hell, you're one of the punkest girls I know, no matter who you listen to or what you wear.
Gayle Forman (If I Stay (If I Stay, #1))
That depends. You’ve got to define ‘party girl.’ If you mean I’m a walking good time, then hells yeah. But I’m not wasted and stumbling out of clubs and getting DUIs. I’m not that kind of party girl. I may be blonde and fun as balls, but I’m not a moron.
Ke$ha
All of this time, I thought you were just some pretty girl from Bellhaven who stole jewels to get her fathe's attentiin. Little did I know that the blond-haired girl was Queen of the Underworld.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
Tella often imagined she knew what people thought when they saw her. One look at her honey-blond curls, her girlish smile, and her pretty dresses, coupled with the fact that she liked to enjoy herself, and people dismissed her as a silly girl. Tella might have been many things, but she was far from silly or worthless or whatever labels people liked to affix because a person was young and female. Tella liked to think that was where much of her strength came from. She was bold. She was brave. She was cunning. And she was going to come out of this triumphant—no matter the cost.
Stephanie Garber (Legendary (Caraval, #2))
It’s like that one time you woke up and tripped down a rabbit hole and a blond girl in a blue dress kept asking you for directions but you couldn’t tell her, you had no idea, you kept trying to speak but your throat was full of rain clouds and it’s like someone has taken the ocean and filled it with silence and dumped it all over this room.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
...he took a look at the blond girl's eyes and knew that he must not take part in the rigged game in which the ephemeral passes for the eternal and the small for the big, that he must not take part in the rigged game called love.
Milan Kundera (Life is Elsewhere)
You know what else is hot?" said a nameless blonde as she put her arm around the one black girl. "What?" "Bisexuals." "Totally. Well, not like real bisexuals who are just sort of your everyday people, but, like, the kind of bisexuals you see in magazines wearing nothing but body paint and kissing both boys and girls to promote a new single." "Totally, totally hot.
Libba Bray (Beauty Queens)
They play in the Meadow. The dancing girl with the dark hair and blue eyes. The boy with blond curls and gray eyes, struggling to keep up with her on his chubby toddler legs. It took five, ten, fifteen years for me to agree. But Peeta wanted them so badly. When I first felt her stiring inside of me, I was consumed with a terror that felt as old as life itself. Only the joy of holding her in my arms could tame it. Carrying him was easier, but not much. The questions are just beginning. The arenas have been completely destroyed, the memorials have been built, there are no more Hunger Games. But they still teach about them at school, and the girl knows we played a role in them. The boy will know in a few years. how can I tell them about that world without frightning them to death? My children, who take the words of the song for granted: Deep in the meadow, under the willow A bed of grass, a soft green pillow Lay down your head, and close your eyes And when again they open, the sun will rise Here it's safe, here it's warm Here the daisies guard you from every harm Here your dreams are sweet snd tomorrow brings them true Here is the place where I love you.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
So…what are you up to?” she asked. “I’m looking at a pretty girl.” Huh? If this were texting, that would definitely earn a WTF reply. “Okaay…” “She’s blonde, wearing blue and standing with two friends. She’s talking on her phone, probably to some unworthy jerk, but damn, I wish I were him.
Cherrie Lynn (Rock Me (Ross Siblings, #2))
Why don't you write a story for me?” “Really?” I squeaked. “Um, what about?” “Well, something with a good guy and a bad guy and a hot chick.” …”Okay, anything else?” “The hot chick has to have pretty blonde hair and kickass blue eyes,” ….”And the good guy is a musically talented man who is incredibly sexy...?” He grinned and kissed me. “Not at all – that's the bad guy. And I don't care if he wins or loses – that doesn't make a difference.” He shifted and hovered over me, kissing me again – and again and again and again...His lips lingered over mine as he whispered: “I just want the bad guy to get the girl.
J.L. Paul (All The Wrong Reasons (Wrong Reasons, #1))
It's like spending 6 months just trying to inhale. It's like forgetting how to move your muscles and reliving every nauseous moment in your life and struggling to get all the splinters out from underneath your skin. It's like that one time you woke up and tripped down a rabbit hole and a blond girl in a blue dress kept asking you for directions but you couldn't tell her, you had no idea, you kept trying to speak but your throat was full of rain clouds and it's like someone has taken the ocean and filled it with silence and dumped it all over this room. It's like this.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
The cutest little girl with big blond curls turned and yelled, “Mommmmmmm! Bearrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrrr!
Shelly Laurenston (The Mane Squeeze (Pride, #4))
Blonde Queenie, the most beautiful girl ever to don witches' robes, is standing in a silk slip, supervising the mending of a dress on a dressmaker's dummy. Jacob is thunderstruck.
J.K. Rowling (Fantastic Beasts and Where to Find Them: The Original Screenplay)
Suz, carrying Savich's plate, the scrambled eggs steaming, stopped to stare after Rachael. 'Isn't this par for the course--a sexy guy with two girls--I'll just bet the little readhead here threatened to whomp the blonde with that cute braid, right?' 'You're very observant, Suz,' Savich said. Sherlock rolled her eyes.
Catherine Coulter (Tail Spin (FBI Thriller, #12))
Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.
E. Lockhart (We Were Liars)
Blondes are the girlfriend, brunete is the femme fatale, but the heroine, she's the redheaded girl.
Marion Roach (Roots of Desire: The Myth, Meaning and Sexual Power of Red Hair)
I elbowed James as he shot my army guy in the head yet again. “This game is so sexist,” I complained. “I can’t believe that there isn’t even an option for me to play as a girl.” “Do you think that if you were playing as a busty blonde it would distract me?” James asked, amused. “It couldn’t hurt.” He tossed his controller on the ground. I gave a little embarrassing shriek as he tossed me over his shoulder. “We’re done, guys. Buttercup wants to distract me. Consider me distracted.
R.K. Lilley (Grounded (Up in the Air, #3))
Jude's desire for girls was indiscriminate feverish and complete he wanted them all equally and he wanted them not at all. Blondes and brunettes big ones or small ones - they were cold fragile impenetrable creatures all desirable as they were undesirable all perfumed and pretty.
Eleanor Henderson (Ten Thousand Saints)
Picture to yourself the most beautiful girl imaginable! She was so beautiful that there would be no point, in view of my meagre talent for storytelling, in even trying to put her beauty into words. That would far exceed my capabilities, so I'll refrain from mentioning whether she was a blonde or a brunette or a redhead, or whether her hair was long or short or curly or smooth as silk. I shall also refrain from the usual comparisons where her complexion was concerned, for instance milk, velvet, satin, peaches and cream, honey or ivory, Instead, I shall leave it entirely up to your imagination to fill in this blank with your own ideal of feminine beauty.
Walter Moers (The Alchemaster's Apprentice: A Culinary Tale from Zamonia by Optimus Yarnspinner (Zamonia, #5))
What were you thinking,sending that rabid monkey child to my school?" I shouted into my communicator. "Beg pardon?" Raquel asked. "Jack.My school.The girls' locker room. Ring any bells? If Carlee hadn't sworn to my ogre of a gym teacher that Jack was neither my boyfriend nor my brother, I probably would have been suspended!" "Your gym teacher is an ogre?" "Focus!If I get suspended,my grades take a hit. If my grades take a hit, I might not get into Georgetown. And I will get into Georgetown." "I'm pleased to see you finally taking ownership of your education. And I'm sorry about Jack;I asked him to contact you discreetly." "That boy wouldn't know discreet if it tap--danced on his stupid blond head." "Still,if this discreet were tap dancing,it wouldn't be very discreet,now, would it?
Kiersten White (Supernaturally (Paranormalcy, #2))
She was a natural blonde, with delicate hands and feet, and in her youthful photographs one saw a girl with mocking eyes and a tragic smile, the course of whose life would conspire in time to transpose that pair of adjectives.
Michael Chabon
On a cold, fretful afternoon in early October, 1872, a hansom cab drew up outside the offices of Lockhart and Selby, Shipping Agents, in the financial heart of London, and a young girl got out and paid the driver. She was a person of sixteen or so--alone, and uncommonly pretty. She was slender and pale, and dressed in mourning, with a black bonnet under which she tucked back a straying twist of blond hair that the wind had teased loose. She had unusually dark brown eyes for one so fair. Her name was Sally Lockhart; and within fifteen minutes, she was going to kill a man.
Philip Pullman (The Ruby in the Smoke (Sally Lockhart, #1))
Men grow cold as girls grow old And we all lose our charms in the end. How prettily Lorelei Lee sang these mordant lyrics!
Joyce Carol Oates (Blonde)
Donneven," I said, in my best Monica imitation, and he laughed. "We're not talking about me." "We could be," he said, as I watched Bert take note of a group of what looked like ninth graders who had just come into the living room. "I'm not gorgeous," I said. "Sure you are." I just shook my head, knowing this was him evading the question. "You," I said, "have this whole tall, dark stranger thing going on. Not to mention the tortured artist bit." "Bit?" "You know what I mean." He shook his head, clearly discounting this description. "And you," he said, "have that whole blonde, cool and collected, perfect smart girl thing going on." "You're the boy all the girls want to rebel with," I said. "You," he replied, "are the unattainable girl in homeroom who never gives a guy the time of day.
Sarah Dessen (The Truth About Forever)
You'll notice a blond person is expected to talk. If a blond girl doesn't talk we call her a 'doll'; if a light-haired man is silent he's considered stupid. Yet the world is full of 'dark silent men' and 'languorous brunettes' who haven't a brain in their heads, but somehow are never accused of the dearth.
F. Scott Fitzgerald (This Side of Paradise)
At a time when she was engaged to Stilton Cheesewright, I remember recording in the archives that she was tall and willowy with a terrific profile and luxuriant platinum blond-hair, the sort of girl who might, as far as looks were concerned, have been the star unit of the harem of one of the better-class sultans.
P.G. Wodehouse (Jeeves and the Tie That Binds (Jeeves, #14))
and she smiles at me, my best friend, with her long, tangled blond hair and thick eyelashes and her smile that lights up any room. My other half. The girl who took my hand all those years ago and didn’t let go until she had to.
Kristin Hannah (Fly Away (Firefly Lane #2))
I would laugh at all my provincial inmates, but I’m too busy lusting. I’m not usually interested in a guy with “take a number” on his forehead, but this guy doesn’t have a forehead — it’s buried in messy blond hair. And he’s not one of the twenty guys I’ve known my entire pubescent life. he smiles like the Fourth of July. What’s a dumb girl to do but get in line with everyone else not in his league? I guess journalism just became my most beloved class.
Kristen Chandler (Wolves, Boys and Other Things That Might Kill Me)
if there’s one thing I learned this year, it’s that you rise up to the circumstances when they are presented to you. We are so much stronger than we think we are. But sometimes, we go through decades without having a reason to be tested. The thing about life is, it always hits us. No one leads a charmed life. Even the blond, gorgeous, picture-perfect, popular rich girl harbors secrets. Even the football captain. Even the rich mother of two who married her hot millionaire ex-student. The ballet prodigy. Everyone’s got a story, and we all have chapters we’d rather not read aloud.
L.J. Shen (Pretty Reckless (All Saints High, #1))
So Dorothy said we might was well go out to Fountainblo with Louie and Robber if Louie would take off his yellow spats which were made of yellow shammy skin with pink pearl buttons. Because Dorothy said, 'Fun is fun but no girl wants to laugh all the time.
Anita Loos (Gentlemen Prefer Blondes)
We got hungry around three in the morning, and ordered a ton of pizza from an all-night pizza place. Afterward, Blake talked a guy into letting him borrow his skateboard, and he once again entertained all of us. If it had wheels, Blake could work it. “Is he your boyfriend?” a girl behind me asked. I turned to the group of girls watching Blake. They were all coifed and beautiful in their bikinis, not having gone in the water. My wet hair was pulled back in a ponytail by this point and I was wrapped in a towel. “No, he’s my boyfriend’s best friend. We’re watching his place while he’s . . . out of town.” A pang of fear jabbed me when I thought about Kai. “What’s your name?” asked a brunette with glossy lips. “Anna.” I smiled. “Hey. I’m Jenny,” she said. “This is Daniela and Tara.” “Hey,” I said to them. “So, your boyfriend lives here?” asked the blonde, Daniela. She had a cool accent—something European. “Yes,” I answered, pointing up to his apartment. The girls all shared looks, raising their sculpted eyebrows. “Wait,” said Jenny. “Is he that guy in the band?” The third girl, named Tara, gasped. “The drummer?” When I nodded, they shared awed looks. “Oh my gawd, don’t get mad at me for saying this,” said Jenny, “but he’s a total piece of eye candy.” Her friends all laughed. “Yum drum,” whispered Tara, and Daniela playfully shoved her. Jenny got serious. “But don’t worry. He, like, never comes out or talks to anyone. Now we know why.” She winked at me. “You are so adorable. Where are you from?” “Georgia.” This was met with a round of awwws. “Hey, you’re a Southern girl,” said Tara. “You should like this.” She held out a bottle of bourbon and I felt a tug toward it. My fingers reached out. “Maybe just one drink,” I said. Daniela grinned and turned up the music. Fifteen minutes and three shots later I’d dropped my towel and was dancing with the girls and telling them how much I loved them, while they drunkenly swore to sabotage the efforts of any girl who tried to talk to my man.
Wendy Higgins (Sweet Peril (Sweet, #2))
Swear to God, you come near us and–” “Like this?” The biker sidestepped a slash from the hockey stick, grabbed it on the way, and yanked it out of Eve’s hands. He tossed it over his shoulder to land on the floor with a clatter. “This near enough? Whatcha gonna do, doll girl?” Claire hid her eyes as the biker reached out for Eve with one tattooed hand. “No,” Eve said breathlessly. “I’m going to let my boyfriend beat the crap out of you.” There was a dull thunk of wood meeting flesh, and a howl. Then another, harder thunk, and a crash as a body hit the floor. The biker was down. Claire stared at him in disbelief, then looked past him, to the figure standing there with the field hockey stick in both hands. Michael Glass. Back from the dead, again, a gorgeous blond avenging angel, breathing hard.
Rachel Caine (The Dead Girls' Dance (The Morganville Vampires, #2))
Father, R.I.P., Sums Me Up at Twenty-Three She has no head for politics, craves good jewelry, trusts too readily, marries too early. Then one by one she sends away her friends and stands apart, smug sapphire, her answer to everything a slender zero, a silent shrug--and every day still hears me say she'll never be pretty. Instead she reads novels, instead her belt matches her shoes. She is master of the condolence letter, and knows how to please a man with her mouth: Good. Nose too large, eyes too closely set, hair not glorious blonde, not her mother's red, nor the glossy black her younger sister has, the little raven I loved best.
Deborah Garrison (A Working Girl Can't Win)
Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.
Diablo Cody
He took a look at the blond girl’s eyes and knew that he must not take part in the rigged game in which the ephemeral passes for the eternal and the small for the big, that he must not take part in the rigged game called love.
Milan Kundera (Life is Elsewhere)
Edie Sedgwick (1943-1971) I don't know how she did it. Fire She was shaking all over. It took her hours to put her make-up on. But she did it. Even the false eye-lashes. She ordered gin with triple limes. Then a limosine. Everyone knew she was the real heroine of Blonde on Blonde. oh it isn't fair oh it isn't fair how her ermine hair turned men around she was white on white so blonde on blonde and her long long legs how I used to beg to dance with her but I never had a chance with her oh it isn't fair how her ermine hair used to swing so nice used to cut the air how all the men used to dance with her I never got a chance with her though I really asked her down deep where you do really dream in the mind reading love I'd get inside her move and we'd turn around and she'd turn around and turn the head of everyone in town her shaking shaking glittering bones second blonde child after brian jones oh it isn't fair how I dreamed of her and she slept and she slept forever and I'll never dance with her no never she broke down like a baby like a baby girl like a lady with ermine hair oh it isn't fair and I'd like to see her rise again her white white bones with baby brian jones baby brian jones like blushing baby dolls
Patti Smith (Seventh Heaven)
I end up watching this movie about some girl who's supposed to be so smart and edgy and unpopular. She wears glasses, that's how you know she's so smart. And she's the only one that has dark hair in the school- a place that looks like Planet Blond. Anyway, she somehow ends up going to the prom- hello, gag- and she doesn't wear her glasses, so suddenly she's all beautiful. And she's bashful and shy because she doesn't feel comfortable wearing a dress. But then the guy says something like, "Wow, I never knew you were so pretty," and she feels on top of the world. So, basically, the whole point is she's pretty. Oh, and smart, too. But what's really important here is that she's pretty. For a second I think about Katie. About her thin little Clarissa Le Fey. It must be a pain being fat. There are NO fat people on Planet Blond. I don't get it. I mean, even movies where the actress is smart- like they seem like they'd be smart in real life, they're all gorgeous. And they usually get a boyfriend somewhere in the story. Even if they say they don't want one. They always, always end up falling in love, and you're supposed to be like, "Oh, good." I once said this to my mom, and she laughed. "Honey, Hollywood... reality- two different universes. Don't make yourself crazy." Which made me feel pretty pathetic. Like I didn't know the difference between a movie and the real world. But then when everyone gets on you about your hair and your clothes and your this and your that, and "Are you fat?" and "Are you sexy?" you start thinking, Hey, maybe I'm not the only one who can't tell the difference between movies and reality. Maybe everyone really does think you can look like that. And that you should look like that. Because, you know, otherwise you might not get to go to the prom and fall in love.
Mariah Fredericks (Head Games)
That blond fellow with the curly tresses. Looks a bit like a girl." At my confused look, he adds, "The one who helped overpower the strength of the Night Farer with you father." "Oh, you mean Tylon? He looks nothing like a girl." Though I'd pay a fortune to have Riden say otherwise in front of him.
Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
You go to a party or whatever, and you spend the whole night zeroing in on the woman in red, the blonde in the corner, the girl with the big laugh, and then, as you are leaving, you see someone out of the corner of your eye, her hair glinting in the light, her long neck tilted slightly as she listens intently to the person next to her. And you know she's the one you should of talked to.
Jennifer Kaufman (A Version of the Truth)
In the movie I was played by an actor who actually looked more like me than the character the author portrayed in the book: I wasn't blond, I wasn't tan, and neither was the actor. I also suddenly became the movie's moral compass, spouting AA jargon, castigating everyone's drug use and trying to save Julian. (I'll sell my car," I warn the actor playing Julian's dealer. "Whatever it takes.") This was slightly less true of Blair's character, played by a girl who actually seemed like she belonged in our group-- jittery, sexually available, easily wounded. Julian became the sentimentalized version of himself, acted by a talented, sad-faced clown, who has an affair with Blair and then realizes he has to let her go because I was his best bud. "Be good to her," Julian tells Clay. "She really deserves it." The sheer hypocrisy of this scene must have made the author blanch. Smiling secretly to myself with perverse satisfaction when the actor delivered that line, I then glanced at Blair in the darkness of the screening room.
Bret Easton Ellis (Imperial Bedrooms)
Hey, dickhead!" one of the other drivers yelled. "Get off the road!" "This here is a Falcon Seven," the rider told him. "I can put a bolt through your windshield and pin you to your seat like a bug." A direct threat, huh? Okay. I pulled down my sunglasses a bit so the rider would see my eyes. "That's a nice crossbow." He glanced in my direction. He saw a friendly blond girl with a big smile and a light Texas accent and didn't get alarmed. "You've got what, a seventy-five-pound draw on it? Takes you about four seconds to reload?" "Three," he said. I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider's eyes went wide. "This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I'll cut you in half." It wasn't strictly true but it sounded good. "You see what it says on the barrel?" On the barrel, pretty white letters spelled out PARTY STARTER. "You open your mouth again, and I'll get the party started." The rider clamped his jaws shut.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5;World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
but was this funny? was this funny? was this funny? why was this funny? why was Sugar Kane funny? why were men dressed as women funny? why were men made up as women funny? why were men staggering in high heels funny? why was Sugar Kane funny, was Sugar Kane the supreme female impersonator? was this funny? why was this funny? why is female funny? why were people going to laugh at Sugar Kane & fall in love with Sugar Kane? why, another time? why would Sugar Kane Kovalchick girl ukulelist be such a box office success in America? why dazzling-blond girl ukulelist alcoholic Sugar Kane Kovalchick a success? why Some Like It Hot a masterpiece? why Monroe's masterpiece? why Monroe's most commercial movie? why did they love her? why when her life was in shreds like clawed silk? why when her life was in pieces like smashed glass? why when her insides had bled out? why when her insides had been scooped out? why when she carried poison in her womb? why when her head was ringing with pain? her mouth stinging with red ants? why when everybody on the set of the film hated her? resented her? feared her? why when she was drowning before their eyes? I wanna be loved by you boop boopie do! why was Sugar Kane Kovalchick of Sweet Sue's Society Syncopaters so seductive? I wanna be kissed by nobody else but you I wanna! I wanna! I wanna be loved by you alone but why? why was Marilyn so funny? why did the world adore Marilyn? who despised herself? was that why? why did the world love Marilyn? why when Marilyn had killed her baby? why when Marilyn had killed her babies? why did the world want to fuck Marilyn? why did the world want to fuck fuck fuck Marilyn? why did the world want to jam itself to the bloody hilt like a great tumescent sword in Marilyn? was it a riddle? was it a warning? was it just another joke? I wanna be loved by you boop boopie do nobody else but you nobody else but you nobody else
Joyce Carol Oates (Blonde)
For her next birthday she'd asked for a telescope. Her mother had been alive then, and had suggested a pony, but her father had laughed and bought her a beautiful telescope, saying: "Of course she should watch the stars! Any girl who cannot identify the constellation of Orion just isn't paying attention!" And when she started asking him complicated questions, he took her along to lectures at the Royal Society, where it turned out that a nine-year-old girl who had blond hair and knew what the precession of the equinoxes was could ask hugely bearded famous scientists anything she liked. Who'd want a pony when you could have the whole universe?
Terry Pratchett
She had a woman’s swagger at twelve-and-a-half. Hair: strawberry-blonde, and I vaguely recall a daisy in the crook of her ear. She was an inch taller than me, two with the ponytail; smooth cheeks and darling brown eyes that marbled in luscious contrast with her magnolia skin; cream, melting to peach, melting to pink. She beamed like a cherub without the baby fat; a tender neck; pristine lips that would never part for a dirty word. Her body--of no interest to me at the time--was wrapped from neck to toes with home-made footie pajamas, the kind they make for toddlers, but I didn’t laugh; the girl filled that silly one-piece ensemble as if it were couture.
Jake Vander-Ark (The Accidental Siren)
But how can you be Peter Pan? You? The Boy Who Never Grew Up? That's not you. You have egg on your collar. You can't fly. You're not Alice. Alice was a blond little girl, I know it. You're lying to me.' And then they remember. What growing up really is: when they learned that boys can't fly and mermaids don't exist and White Rabbits don't talk and all boys grow old, even Peter Pan, as you've grown old. They've been deceived. As if you've somehow been lying to them. So following hard on the smile of remembrance is the pain in the eyes, which you've caused, everytime you meet someone.
John Logan (Peter and Alice (Oberon Modern Plays))
I know the girl is right because the snake is in me, knotted around my intestines, hanging off my ribs, snuggled like a lover around my black heart. "I love you," I said, addressing the snake, Madison, Bell, Kevin, Pig, my mother, my past lives and the new lover speeding toward me at this very moment. I wondered if it mattered whether you loved one person or another. Weren't lovers interchangeable when you thought back about them? Maybe that was true in the future too. What I really loved was the note. I always loved odd things: the blue curacao bottle, the wet asphalt, my own insipid fear.
Darcey Steinke (Suicide Blonde)
He pushed my back against the stall door, kissing me. Edward had tried kissing me, but I'd been so shocked I'd barely had time to explore how it felt. Lucy had told me stories of shady corners and sweaty palms. But this was passionate. Wild. Something I'd never known. "Have you kissed a girl before?" I whispered. He ran his thumb over my cheek. His eyes lingered on my lips. "Yes," he said. I thought of Alice, her pretty blonde hair, the split lip that made her so vulnerable. But it wasn't her name he said. "A woman at the docks in Brisbane. She didn't mean anything. I was lonely. It wasn't love." A prostitute, he meant.
Megan Shepherd (The Madman's Daughter (The Madman's Daughter, #1))
the runway style. With her short hair freshly died platinum blonde she had to slay the scene in a black Crooks and Castle snapback, diamond stud earrings, gold collar necklace, red Crooks and Castle sweatshirt, Cartier gold men’s watch, black leather leggings, Saint Laurent suede peep-toe lace-up booties and a extra sickening red $7750 VBH Brera ostrich satchel bag.
Keisha Ervin (Material Girl 3: Secrets & Betrayals)
As Harry Potter was the only other thing I was passionate about, the doctors gave consent for me to leave the hospital and collect the fifth Harry Potter book, Harry Potter and the Order of the Phoenix, from the local book shop. I was so ecstatic to have the book and excited to begin reading it, but there was never any hint of your imminent arrival and the way you would change my life so drastically. Luna, you instantly captivated me. I didn’t know why but there was something about you with your upside-down magazine, straggly blonde hair, and the honest, abashed way you stared at people without blinking that fascinated and perplexed me at once. You laughed hysterically at one of Ron’s quips and didn’t stop to excuse yourself and feel ashamed when it became clear that everyone found you strange. Throughout the book, I found myself waiting for your brief appearances and wanting to know more about you and why you were the way you were. You baffled me, not because you were odd (though indeed you were), but because you were… perfect. But it was a different kind of perfect to the perfectly thin, smiling magazine girls I simultaneously idolised and reviled. It was the way you carried your oddness like it was the most natural thing in the world. You didn’t market your oddness as your defining feature the way some insecure teenagers do, in guise of confidence and security. And nor were you oblivious to the awkward and uncomfortable feelings your oddness provoked in others. When, unable to comprehend how you wore your oddness so honestly and unashamedly, your peers reverted to mockery and bullying, you recognized this as a reflection of their own deep-seated insecurity and calmly let them carry on, quite above your head. You weren’t trying hard to present a certain aspect of yourself that would boldly identify you in the world. And that’s when it occurred to me how bizarre and positively ridiculous it was to apply the word “weird” to describe you, when you represented the most natural and unpretentious state possible to be; you were yourself.
Evanna Lynch
Detective Inspector Carver took a picture from the breast pocket of his suit. He handed it to me. ‘This is what you did, Michael. Take a good look. See if it jogs your memory.’ I gawped at the mutilated corpse of a naked young girl lying on a blood-soaked double bed. Her hands were bound to the brass headboard with duct tape. Blood covered her upper body, and her long blonde hair was streaked a murderous shade of red. One eye stared at the ceiling as if searching for salvation, the other, a bloody unrecognisable pulp, bore no relation to its sightless counterpart. ‘Carla Marie Coombs. Twenty-one years of age. Do you recognise her, Michael?
Mark Tilbury (The Abattoir of Dreams)
I looked above the jeans. Vintage Fugazi concert tee. Green flannel shirt. 10. I looked above the flannel. Two weeks’ worth of shaggy blond beard. Mmm. Country hipster. 11. I looked above the beard. Lips. 12. I looked at the lips. 13. I looked at the lips. 14. I looked at the lips. 15. COME ON. 16. I looked above the lips. 17. I was glad I looked above the lips. 18. The eyes and the hair were a package deal, the hair was falling across his eyes in a careless way that said “Hey, girl. I’ve got peas on my shoes, but who cares, because I’ve got these eyes and this hair, and it’s pretty fucking great.” 19. The hair was the color of tabbouleh. 20. His eyes were the color of . . . 21. Pickles? 22. Green beans? 23. No. Broccoli that had been steamed for exactly sixty seconds. Vibrant. Piercing.
Alice Clayton (Nuts (Hudson Valley, #1))
Morning. I didn't wake you, did I?' God, he looks gorgeous, even at this early hour. 'No. I've been awake a while. Couldn't sleep.' 'Me eighter. I've has this girl on my mind all night' 'Anyone I know?' 'You might know her. Blond hair, blue eyes ... beautiful. We went out on a date last night as it happens.' ' Really? So how was the date?' 'Well, that's the thing... The date was amazing, and I haven't been able to stop thinking about her... or her gorgeous mouth ever since...And the thing is, I really need to kiss her again.' ' I think she needs you to kiss her too.' 'You do?' 'Mmm
Samantha Towle (Trouble)
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
(…) met the owner of this cozy book-and-candle Apt. G, a tall, leggy, striking girl named Bea or maybe just the letter B or maybe the insect Bee, not sure, her long blond hair pulled in a ponytail, her no-doubt banging body effortlessly buried beneath a pile of tights and sweaters and scarves – she is a walking coat rack – and as we shook hands, Bea fixed me with the most alarming blue-eyed stare of my life, the kind of stare in which you think some potent subliminal message is being passed along (Run away with me or maybe just Run away), (…)
Jess Walter (The Financial Lives of the Poets)
I think I’m going to leave soon,” he said, finishing his water. He didn’t look at me when he said, “Do you need a ride?” “No,” I said. I tried to swallow my disappointment that he was leaving already. “I came with those guys over there.” I pointed at Conrad and Jeremiah. He nodded. “I figured, the way your brother kept looking over here.” I almost choked. “My brother? Who? Him?” I pointed at Conrad. He wasn’t looking at us. He was looking at a blond girl in a Red Sox cap, and she was looking right back. He was laughing, and he never laughed. “Yeah.” “He’s not my brother. He tries to act like he is, but he’s not,” I said. “He thinks he’s everybody’s big brother. It’s so patronizing…
Jenny Han (The Summer I Turned Pretty (Summer, #1))
When John took those naked pictures, the most popular singer was a girl with a tiny stick body and a large deferential head, who sang in a delicious lilt of white lace and promises and longing to be close. When she shut herself up in her closet and starved herself to death, people were shocked. But starvation was in her voice all along. That was the poignancy of it. A sweet voice locked in a dark place, but focused entirely on the tiny strip of light coming under the door. I drop the rag in the bucket and smoke some more, ashing into the sink,. A tiny piece of the movie from the naked time plays on my eyeball: A psychotic killer is blowing up amusement parks. At the head of the crowd clamoring to ride the roller coaster is a slim, lovely man with long blond hair and floppy clothes and big, beautiful eyes fixed on a tiny strip of light that only he can see.
Mary Gaitskill
Julian’s not at the house in Bel Air, but there’s a note on the door saying that he might be at some house on King’s Road. Julian’s not at the house on King’s Road either, but some guy with braces and short platinum-blond hair and a bathing suit on lifting weights is in the backyard. He puts one of the weights down and lights a cigarette and asks me if I want a Quaalude. I ask him where Julian is. There’s a girl lying by the pool on a chaise longue, blond, drunk, and she says in a really tired voice, ‘Oh, Julian could be anywhere. Does he owe you money?’ The girl has brought a television outside and is watching some movie about cavemen. ‘No,’ I tell her. ‘Well, that’s good. He promised to pay for a gram of coke I got him.’ She shakes her head. ‘Nope. He never did.’ She shakes her head again, slowly, her voice thick, a bottle of gin, half-empty, by her side. The weightlifter with the braces on asks me if I want to buy a Temple of Doom bootleg cassette. I tell him no and then ask him to tell Julian that I stopped by. The weight-lifter nods his head like he doesn’t understand and the girl asks him if he got the backstage passes to the Missing Persons concert. He says, ‘Yeah, baby,’ and she jumps in the pool. Some caveman gets thrown off a cliff and I split.
Bret Easton Ellis (Less Than Zero)
The following spring was a time of calving. Great icebergs calved from the vast glaciers which stretched down to our fjords from distant mountains. The heifers and cows of Kaupangen gave birth to over one hundred calves that spring. Most survived. Gudrod, the master shepherd, had seventy-five new lambkins skipping after their mothers. Ten sets of lamb twins were born in the city that year. Bitches had pups suckling at their breasts. The mountain goats that stood watch over the fjord, indifferently chewing on the wild grasses between the rocks, had kids following them on their steep paths. The residents of the city, too, gave birth. Twenty-one new healthy babies were born within thirty days of the spring equinox; boys and girls with thick blonde, brown, black, or red hair; others with smooth bald heads. Olaf, my third father, my king, had a son, stillborn. Olaf wept. Kenna wept. I wept as the boy was buried inside the casket with his mother in our graveyard by the church.
Jason Born (The Norseman (The Norseman Chronicles, #1))
You are still beautiful,” Fern said softly, her face turned to his. He was quiet for a moment, but he didn't pull away or groan or deny what she'd said. “I think that statement is more a reflection of your beauty than mine,” Ambrose said eventually, turning his head so he could look down at her. Fern's face was touched with moonglow, the color of her eyes and the red of her hair undecipherable in the wash of pale light. But her features were clear–the dark pools of expressive eyes, the small nose and soft mouth, the earnest slant of her brow that indicated she didn't understand his response. “You know that thing people always say, about beauty being in the eye of the beholder?” “Yes?” “I always thought it meant we all have different tastes, different preferences . . . you know? Some guys focus on the legs, some guys prefer blondes, some men like girls with long hair, that kind of thing. I never thought about it really, not before this moment. But maybe you see beauty in me because you are beautiful, not because I am.” “Beautiful on the inside?” “Yes.
Amy Harmon (Making Faces)
My vagina was green water, soft pink fields, cow mooing sun resting sweet boyfriend touching lightly with soft piece of blond straw. There is something between my legs. I do not know what it is. I do not know where it is. I do not touch. Not now. Not anymore. Not since. My vagina was chatty, can't wait, so much, so much saying, words talking, can't quit trying, can't quit saying, oh yes, oh yes. Not since I dream there's a dead animal sewn in down there with thick black fishing line. And the bad dead animal smell cannot be removed. And its throat is slit and it bleeds through all my summer dresses. My vagina singing all girl songs, all goat bells ringing songs, all wild autumn field songs, vagina songs, vagina home songs. Not since the soldiers put a long thick rifle inside me. So cold, the steel rod canceling my heart. Don't know whether they're going to fire it or shove it through my spinning brain. Six of them, monstrous doctors with black masks shoving bottles up me too. There were sticks, and the end of a broom. My vagina swimming river water, clean spilling water over sun-baked stones over stone clit, clit stones over and over. Not since I heard the skin tear and made lemon screeching sounds, not since a piece of my vagina came off in my hand, a part of the lip, now one side of the lip is completely gone. My vagina. A live wet water village. My vagina my hometown. Not since they took turns for seven days smelling like feces and smoked meat, they left their dirty sperm inside me. I became a river of poison and pus and all the crops died, and the fish. My vagina a live wet water village. They invaded it. Butchered it and burned it down. I do not touch now. Do not visit. I live someplace else now. I don't know where that is.
V (formerly Eve Ensler) (The Vagina Monologues)
Ruxandra pulled the blanket down just far enough to see the two girls shut the door behind them, stuff something under it to block any light, and throw a blanket over the shutters. A flint sparked one, twice, and a taper flared to life, lighting the faces of her friends. Adela was a short blonde whose breasts pushed against her nightdress and were the despair of the nuns’ attempts to instill modesty. Her parents had sent her to the convent in desperate hopes to keep her from scandal. And between her sweet, round face and her ability to lie shamelessly, she almost managed to make the nuns believe they were being successful. Valeria was slim and dark, a mischief-maker whose pranks had gotten her in trouble more than once. They were both her lovers. Adela called it practice for when they had husbands. Valeria called it wonderful. The nuns declared it a sin in no uncertain terms. And while Ruxandra did her best to obey the nuns in most matters, and to turn her thoughts to God and do his good work, she could not stop loving the girls. From the moment she’d first held Adela’s hand, she’d known that, whatever else their feelings were for each other, they were too sweet to be sinful.
John Patrick Kennedy (Princess Dracula (Princess Dracula #1))
The girl beside the window looked up. She had straggly, waist-length, dirty blonde hair, very pale eyebrows and protuberant eyes that gave her a permanently surprised look. Harry knew at once why Neville had chosen to pass this compartment by. The girl gave off an aura of distinct dottiness. Perhaps it was the fact that she had stuck her wand behind her left ear for safekeeping, or that she had chosen to wear a necklace of Butterbeer corks, or that she was reading a magazine upside-down. Her eyes ranged over Neville and came to rest on Harry. She nodded. ‘Thanks,’ said Ginny, smiling at her. Harry and Neville stowed the three trunks and Hedwig’s cage in the luggage rack and sat down. Luna watched them over her upside-down magazine, which was called The Quibbler. She did not seem to need to blink as much as normal humans. She stared and stared at Harry, who had taken the seat opposite her and now wished he hadn’t. ‘Had a good summer, Luna?’ Ginny asked. ‘Yes,’ said Luna dreamily, without taking her eyes off Harry. ‘Yes, it was quite enjoyable, you know. You’re Harry Potter,’ she added. ‘I know I am,’ said Harry. Neville chuckled. Luna turned her pale eyes on him instead. ‘And I don’t know who you are.’ ‘I’m nobody,’ said Neville hurriedly. ‘No you’re not,’ said Ginny sharply. ‘Neville Longbottom – Luna Lovegood. Luna’s in my year, but in Ravenclaw.’ ‘Wit beyond measure is man’s greatest treasure,’ said Luna in a singsong voice. She raised her upside-down magazine high enough to hide her face and fell silent. Harry and Neville looked at each other with their eyebrows raised. Ginny suppressed a giggle.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
A few months ago on a school morning, as I attempted to etch a straight midline part on the back of my wiggling daughter's soon-to-be-ponytailed blond head, I reminded her that it was chilly outside and she needed to grab a sweater. "No, mama." "Excuse me?" "No, I don't want to wear that sweater, it makes me look fat." "What?!" My comb clattered to the bathroom floor. "Fat?! What do you know about fat? You're 5 years old! You are definitely not fat. God made you just right. Now get your sweater." She scampered off, and I wearily leaned against the counter and let out a long, sad sigh. It has begun. I thought I had a few more years before my twin daughters picked up the modern day f-word. I have admittedly had my own seasons of unwarranted, psychotic Slim-Fasting and have looked erroneously to the scale to give me a measurement of myself. But these departures from my character were in my 20s, before the balancing hand of motherhood met the grounding grip of running. Once I learned what it meant to push myself, I lost all taste for depriving myself. I want to grow into more of a woman, not find ways to whittle myself down to less. The way I see it, the only way to run counter to our toxic image-centric society is to literally run by example. I can't tell my daughters that beauty is an incidental side effect of living your passion rather than an adherence to socially prescribed standards. I can't tell my son how to recognize and appreciate this kind of beauty in a woman. I have to show them, over and over again, mile after mile, until they feel the power of their own legs beneath them and catch the rhythm of their own strides. Which is why my parents wake my kids early on race-day mornings. It matters to me that my children see me out there, slogging through difficult miles. I want my girls to grow up recognizing the beauty of strength, the exuberance of endurance, and the core confidence residing in a well-tended body and spirit. I want them to be more interested in what they are doing than how they look doing it. I want them to enjoy food that is delicious, feed their bodies with wisdom and intent, and give themselves the freedom to indulge. I want them to compete in healthy ways that honor the cultivation of skill, the expenditure of effort, and the courage of the attempt. Grace and Bella, will you have any idea how lovely you are when you try? Recently we ran the Chuy's Hot to Trot Kids K together as a family in Austin, and I ran the 5-K immediately afterward. Post?race, my kids asked me where my medal was. I explained that not everyone gets a medal, so they must have run really well (all kids got a medal, shhh!). As I picked up Grace, she said, "You are so sweaty Mommy, all wet." Luke smiled and said, "Mommy's sweaty 'cause she's fast. And she looks pretty. All clean." My PRs will never garner attention or generate awards. But when I run, I am 100 percent me--my strengths and weaknesses play out like a cracked-open diary, my emotions often as raw as the chafing from my jog bra. In my ultimate moments of vulnerability, I am twice the woman I was when I thought I was meant to look pretty on the sidelines. Sweaty and smiling, breathless and beautiful: Running helps us all shine. A lesson worth passing along.
Kristin Armstrong
He’s brought a sleeping bag, one of those big green bulky L.L. Bean ones. I look at it questioningly. Following my gaze, he turns red. “I told my parents I was going to help you study, then we might watch a movie, and if it got late enough, I’d crash on your living room floor.” “And they said?” “Mom said, ‘Have a nice time, dear.’ Dad just looked at me.” “Embarrassing much?” “Worth it.” He walks slowly over, his eyes locked on mine, then puts his hands around my waist. “Um. So . . . are we going to study?” My tone’s deliberately casual. Jase slides his thumbs behind my ears, rubbing the hollow at their base. He’s only inches from my face, still looking into my eyes. “You bet. I’m studying you.” He scans over me, slowly, then returns to my eyes. “You have little flecks of gold in the middle of the blue.” He bends forward and touches his lips to one eyelid, then the other, then moves back. “And your eyelashes aren’t blond at all, they’re brown. And . . .” He steps back a little, smiling slowly at me. “You’re already blushing—here”—his lips touch the pulse at the hollow of my throat—“and probably here . . .” The thumb that brushes against my breast feels warm even through my T-shirt. In the movies, clothes just melt away when the couple is ready to make love. They’re all golden and backlit with the soundtrack soaring. In real life, it just isn’t like that. Jase has to take off his shirt and fumbles with his belt buckle and I hop around the room pulling off my socks, wondering just how unsexy that is. People in movies don’t even have socks. When Jase pulls off his jeans, change he has in his pocket slips out and clatters and rolls across the floor. “Sorry!” he says, and we both freeze, even though no one’s home to hear the sound. In movies, no one ever gets self-conscious at this point, thinking they should have brushed their teeth. In movies, it’s all beautifully choreographed, set to an increasingly dramatic soundtrack. In movies, when the boy pulls the girl to him when they are both finally undressed, they never bump their teeth together and get embarrassed and have to laugh and try again. But here’s the truth: In movies, it’s never half so lovely as it is here and now with Jase.
Huntley Fitzpatrick (My Life Next Door)
Fire, fire! The branches crackle and the night wind of late autumn blows the flame of the bonfire back and forth. The compound is dark; I am alone at the bonfire, and I can bring it still some more carpenters' shavings. The compound here is a privileged one, so privileged that it is almost as if I were out in freedom -- this is an island of paradise; this is the Marfino "sharashka" -- a scientific institute staffed with prisoners -- in its most privileged period. No one is overseeing me, calling me to a cell, chasing me away from the bonfire, and even then it is chilly in the penetrating wind. But she -- who has already been standing in the wind for hours, her arms straight down, her head drooping, weeping, then growing numb and still. And then again she begs piteously "Citizen Chief! Please forgive me! I won't do it again." The wind carries her moan to me, just as if she were moaning next to my ear. The citizen chief at the gatehouse fires up his stove and does not answer. This was the gatehouse of the camp next door to us, from which workers came into our compound to lay water pipes and to repair the old ramshackle seminary building. Across from me, beyond the artfully intertwined, many-stranded barbed-wire barricade and two steps away from the gatehouse, beneath a bright lantern, stood the punished girl, head hanging, the wind tugging at her grey work skirt, her feet growing numb from the cold, a thin scarf over her head. It had been warm during the day, when they had been digging a ditch on our territory. And another girl, slipping down into a ravine, had crawled her way to the Vladykino Highway and escaped. The guard had bungled. And Moscow city buses ran right along the highway. When they caught on, it was too late to catch her. They raised the alarm. A mean, dark major arrived and shouted that if they failed to catch the girl, the entire camp would be deprived of visits and parcels for whole month, because of her escape. And the women brigadiers went into a rage, and they were all shouting, one of them in particular, who kept viciously rolling her eyes: "Oh, I hope they catch her, the bitch! I hope they take scissors and -- clip, clip, clip -- take off all her hair in front of the line-up!" But the girl who was now standing outside the gatehouse in the cold had sighed and said instead: "At least she can have a good time out in freedom for all of us!" The jailer had overheard what she said, and now she was being punished; everyone else had been taken off to the camp, but she had been set outside there to stand "at attention" in front of the gatehouse. This had been at 6 PM, and it was now 11 PM. She tried to shift from one foot to another, but the guard stuck out his head and shouted: "Stand at attention, whore, or else it will be worse for you!" And now she was not moving, only weeping: "Forgive me, Citizen Chief! Let me into the camp, I won't do it any more!" But even in the camp no one was about to say to her: "All right, idiot! Come on it!" The reason they were keeping her out there so long was that the next day was Sunday, and she would not be needed for work. Such a straw-blond, naive, uneducated slip of a girl! She had been imprisoned for some spool of thread. What a dangerous thought you expressed there, little sister! They want to teach you a lesson for the rest of your life! Fire, fire! We fought the war -- and we looked into the bonfires to see what kind of victory it would be. The wind wafted a glowing husk from the bonfire. To that flame and to you, girl, I promise: the whole wide world will read about you.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly. The blond Red Sox girl looked me up and down. “Hello,” she said. Conrad said, “With who?” I pointed at Cam. “Him.” “You’re not riding with someone you don’t even know,” he said flatly. “I do so know him. He’s Sextus.” He narrowed his eyes. “Sex what?” “Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow. “I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.” I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go. “I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before. I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!” He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!” “I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.” I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said. He looked me dead in the eyes and said, “And you’re a four-year-old.” As I walked away, I heard the girl ask, “Is she your girlfriend?” I whirled around, and we both said “No!” at the same time. Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in. “No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse. Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter? I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers. “Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it. Red Sox girl frowned. “What is she talking about, Conrad?” To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?” Her pretty face twisted. “You little skank,” she hissed. I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter. Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly. That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way. “Your brother is a jerk,” I said. “That’s what’s going on.” Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?” I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.” “Wait, are you guys brother and sister too?” the girl asked. Conrad said, “Don’t even think about leaving with that guy.
Jenny Han (The Summer I Turned Pretty (Summer, #1))
And why can't I have an ignore button like my phone? As I hit it, his calls disappear from the screen and the ringing stops. But the tingles are still at my fingertips, as if he sent them through the phone to grab me. Shoving it in my purse-the pockets on skinny jeans must just be for show 'cause nothing else is fitting in there-I smile at Mark. Ah, Mark. The blue-eyed, blond-haired, all-American quarterback. Who knew he had a crush on me all these years? Not Emma McIntosh, that's for dang sure. And not Chloe. Which is weird, because Chloe was a collector of this kind of information. Maybe it's not true. Maybe Mark's only interested in me because Galen was-who wouldn't want to date the girl who dated the hottest guy in school? But that's just fine with me. Mark is...well, Mark isn't as fantabulous as I always imagined he would be. Still, he's good-looking, a star quarterback, and he's not trying to hook me up with his brother. So why am I not excited? The question must be all over my face because Mark's got his eyebrow raised. Not in a judgmental arch, more like an arch of expectation. If he's waiting for an explanation, his puny human lungs can't hold their breath long enough for an answer. Aside from not being his business, I can't exactly explain the details of my relationship with Galen-fake or otherwise. The truth is, I don't know where we can go from here. He ripped holes in my pride like buckshot. And did I mention he broke my heart? He's not just a crush. Not just a physical attraction, someone who can make me forget my own name by pretending to kiss me. Not just a teacher or a snobby fish with Royal blood. Sure, he's all of those things. But he's more than that. He's who I want. Possibly forever.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.
Diana Palmer (Paper Rose (Hutton & Co. #2))