Blocks Toys Quotes

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Toddlers were running the place like some miniature version of Lord of the Flies, complete with weapons made from blocks and tinker toys. One of them came at me, charging my knees and the pink pod that held my precious baby. I screamed and made a run for the front door, flip-flops sticking to squelchy dried puddles of juice. I let out a relieved sigh when we were outside breathing fresh air. The near-deafening roar of the highway was a lark song compared to the screeching we’d just escaped.
Piper Vaughn (One Small Thing (One Thing, #1))
Don't be stupid. You're a child. You don't know what it means to be in love." And she flung open the car door as if she wished she had the strength to rip it from the hinges, and stalked off to the house through the rain. That night, I lay in bed, troubled by what she'd said, blocking out the sounds of argument from my parents' room. Was love what my parents had? Yelling at eachother, worrying about money? Never smiling? Never happy? If that was love, then I didn't want it.
Barry Lyga (Boy Toy)
I'm sure the other kids wouldn't mind not being lectured by another toddler over the virtues of sharing and the mental benefits of toy blocks.
Hayden Thorne (Mimi Attacks (Masks, #5))
I belong here, I tell Toy. I'm hungry for every city block. Every brick building. Every crowded intersection. Electric. I feel brand new.
Erica Lorraine Scheidt (Uses for Boys)
Most of the time, I played by myself, with my toys. I liked the more complex toys, especially blocks and Lincoln Logs. I still remember the taste of Lincoln Logs.
John Elder Robison (Look Me in the Eye: My Life with Asperger's)
Gopnik has tested this hypothesis on children in her lab and has found that there are learning problems that four-year-olds are better at solving than adults. These are precisely the kinds of problems that require thinking outside the box, those times when experience hobbles rather than greases the gears of problem solving, often because the problem is so novel. In one experiment, she presented children with a toy box that lights up and plays music when a certain kind of block is placed on top of it. Normally, this “blicket detector” is set to respond to a single block of a certain color or shape, but when the experimenter reprograms the machine so that it responds only when two blocks are placed on it, four-year-olds figure it out much faster than adults do.
Michael Pollan (How to Change Your Mind: What the New Science of Psychedelics Teaches Us About Consciousness, Dying, Addiction, Depression, and Transcendence)
Grandma Fifi had two friends named Martin and Merlin who were afraid in a way Dirk didn't want to be. They were both very handsome and kind and always brought candies and toys when they came over for tea and Fifi's famous pastries. But as much as Dirk liked Martin and Merlin he knew he was different from them. They talked in voices as pale and soft as the shirts they wore and they moved as gracefully as Fifi did. Their eyes were startled and sad. They had been hurt because of who they were. Dirk didn't want to be hurt that way. He wanted to be strong and to love someone who was strong; he wanted to meet any gaze, to laugh under the brightest sunlight and never hide.
Francesca Lia Block (Baby Be-Bop (Weetzie Bat, #5))
In our culture, guilt is a tainted word, but it’s probably one of the building blocks of conscience. The anxiety these highly sensitive toddlers feel upon apparently breaking the toy gives them the motivation to avoid harming someone’s plaything the next time.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
No need to be embarassed. After seeing you in my cousin's nightgown, you've got nothing to hide. But why were you crying in the shower?" he murmured into her hair. She could feel his lips moving against her scalp, and feel the press of his hips through the covers, but his arms were an unyielding cage. She tried to turn over to face him, to welcome him under the covers with her, but he wouldn't let her. "I was crying because I'm frustrated! Why are you doing this?" she whispered into her pillow. "We can't, Helen," was all he said. He kissed her neck and said he was sorry over and over, but try as she might, he wouldn't let her face him. She began to feel like she was being used. "Please be patient," he begged as he stopped her hand from reaching back to touch him. She tried to sit up, to push him out of her bed, anything but suffer lying next to someone who would play with her so terribly. They wrestled a bit, but he was much better at it than she was and felt even heavier than he looked. He easily blocked every attempt she made to wrap her arms or legs or lips around him. "Do you want me at all, or do you just think it's fun to tease me like this?" she asked, feeling rejected and humiliated. "Won't you even kiss me?" She finally struggled onto her back where she could at least see his face. "If I kiss you, I won't stop," he said in a desperate whisper as he propped himself up on his elbows to look her in the eye. She looked back at him, really seeing him for the first time that night. His expression was vulnerable and uncertain. His mouth was swollen with want. His body was shaking and there was a fine layer of anxious sweat wilting his clothes. Helen relaxed back into the bed with a sigh. For some reason that obviously had nothing to do with desire, he wouldn't allow himself to be with her. "You're not laughing at me, are you?" she asked warily, just as a precaution. "No. There's nothing funny about this," he answered. He shifted himself off her and lay back down alongside her, still breathing hard. "But for some reason, you and I will never happen," she said, feeling calm. "Never say never," he said urgently, rolling back on top of her and using all of his unusually heavy mass to press her deep into the cocoon of her little-girl bed. "The gods love to toy with people who use absolutes." Lucas ran his lips around her throat and let her put her arms around him, but that was all.
Josephine Angelini (Starcrossed (Starcrossed, #1))
Block City What are you able to build with your blocks? Castles and palaces, temples and docks. Rain may keep raining, and others go roam, But I can be happy and building at home. Let the sofa be mountains, the carpet be sea, There I'll establish a city for me: A kirk and a mill and a palace beside, And a harbor as well where my vessels may ride. Great is the palace with pillar and wall, A sort of a tower on top of it all, And steps coming down in an orderly way To where my toy vessels lie safe in the bay. This one is sailing and that one is moored: Hark to the song of the sailors on board! And see on the steps of my palace, the kings Coming and going with presents and things!
Robert Louis Stevenson
Wes destroyed Winston’s boyhood toy, a stuffed Creeper action figure, and abused Slimy. Winston promises revenge.
Dr. Block (The Ballad of Winston the Wandering Trader, Book 4 (The Ballad of Winston #4))
I reach up to toy with her gold hoop earrings. “I like these.” “Thank you. My boyfriend gave them to me,” she says pointedly. I bite back a grin. That’s so cute. She thinks I give a fuck about her boyfriend.
Kennedy Ryan (Block Shot (Hoops, #2))
I’m often asked about my generation, which some people call the Greatest Generation but which I also call the Hardy Generation. What made us hardy? The Depression years. We were not spoiled with money, that’s for sure. When we had disputes we didn’t use attorneys; we settled them on the street, even got broken bones and noses from fighting. In all ways we helped one another. We shared, we had neighborhood picnics, we made our own toys. (There were no toy stores; I built racing cars.) I also rode one of the first skateboards, with a box on the front. We had a single soccer ball for four or five blocks’ worth of kids; you were lucky if you got to kick it once. We had free time to burn. Distractions? Radio, yes, but no TV. Movies were only once a week. We were happier than people are today, despite the hard times. We overcame adversity and each time we did we enhanced our hardiness. We also knew how to win and lose gracefully.
Louis Zamperini (Devil at My Heels)
He may have beaten me, but he was kind. Gentle. He used to hold and sing to me. He was a g-good man.” Brainwashed fool. “He was a pedophile piece of shit. You wouldn’t know a good man if he was standing before you. Do you so easily block out what he did to you the first day he bought you? How about when I found you at fourteen years old? You didn’t try to kill yourself for nothing. He raped you for years before he broke you. And that’s what you are—a broken toy for sick, twisted fucks who have a lot of money.
A.A. Dark (24690 (24690 #1))
One day, soon after her disappearance, an attack of abominable nausea forced me to pull up on the ghost of an old mountain road that now accompanied, now traversed a brand new highway, with its population of asters bathing in the detached warmth of a pale-blue afternoon in late summer. After coughing myself inside out I rested a while on a boulder and then thinking the sweet air might do me good, walked a little way toward a low stone parapet on the precipice side of the highway. Small grasshoppers spurted out of the withered roadside weeds. A very light cloud was opening its arms and moving toward a slightly more substantial one belonging to another, more sluggish, heavenlogged system. As I approached the friendly abyss, I grew aware of a melodious unity of sounds rising like vapor from a small mining town that lay at my feet, in a fold of the valley. One could make out the geometry of the streets between blocks of red and gray roofs, and green puffs of trees, and a serpentine stream, and the rich, ore-like glitter of the city dump, and beyond the town, roads crisscrossing the crazy quilt of dark and pale fields, and behind it all, great timbered mountains. But even brighter than those quietly rejoicing colors - for there are colors and shades that seem to enjoy themselves in good company - both brighter and dreamier to the ear than they were to the eye, was that vapory vibration of accumulated sounds that never ceased for a moment, as it rose to the lip of granite where I stood wiping my foul mouth. And soon I realized that all these sounds were of one nature, that no other sounds but these came from the streets of the transparent town, with the women at home and the men away. Reader! What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic - one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita's absence from my side, but the absence of her voice from that concord.
Vladimir Nabokov (Lolita)
A man is bound to be, in every case in which he doesn’t happen to be the poet of his own life, worse off than an animal; if he couldn’t come up with an idea, then he couldn’t come to any decision either, so that for a great part of his life he would simply be at the mercy of all his impulses, moods, the usual banal passions—in short, at the mercy of all the most impersonal elements of which a man consists, and for as long as the channel leading upward remained blocked, he would have to let himself be the toy of everything that came into his head!
Robert Musil
I can’t remember any of us Sheeran kids ever having a toy of our own. One Christmas we got a pair of roller skates to share. They were metal skates, and you could adjust the size. We learned to go without. And if we wanted something we had to fend for ourselves. I had my first job when I was seven, helping a guy clean out the ashes from cellars. And if I managed to get some work cutting somebody’s grass for spending money and my father found out about it, he’d wait up the block until I got paid, and then he’d come down and take the big coins and leave me maybe a dime. We
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
In God's eye I spit, hair upon thy rigid tail sharp fangs glittery wet. Earth be thy sand, the sinful be thy toy, I've been playing forever, in song no longer do I find joy. In Gods eye I fight the bad fight with a goal as sharp as an axe, to ungently place thy hands upon its omnipotent thorax.
A.K. Kuykendall (The Possession (The Writer's Block trilogy, #1))
who I think he is? I can’t ignore the fact I’ve spent most of my life, not exactly sure in the belief, but certainly toying with – then blocking out – the idea that Dad might have killed Maryanne Doyle in 1998. Now that’s been proved impossible, can I trust my own instincts any more than I mistrust him?
Caz Frear (Sweet Little Lies)
She climbed down the cliffs after tying her sweater loosely around her waist. Down below she could see nothing but jagged rocks and waves. She was creful, but I watched her feet more than the view she saw- I worried about her slipping. My mother's desire to reach those waves, touch her feet to another ocean on the other side of the country, was all she was thinking of- the pure baptismal goal of it. Whoosh and you can start over again. Or was life more like the horrible game in gym that has you running from one side of an enclosed space to another, picking up and setting down wooden blocks without end? She was thinking reach the waves, the waves, the waves, and I was watching her navigate the rocks, and when we heard her we did so together- looking up in shock. It was a baby on the beach. In among the rocks was a sandy cove, my mother now saw, and crawling across the sand on a blanket was a baby in knitted pink cap and singlet and boots. She was alone on the blanket with a stuffed white toy- my mother thought a lamb. With their backs to my mother as she descended were a group of adults-very official and frantic-looking- wearing black and navy with cool slants to their hats and boots. Then my wildlife photographer's eye saw the tripods and silver circles rimmed by wire, which, when a young man moved them left or right, bounced light off or on the baby on her blanket. My mother started laughing, but only one assistant turned to notice her up among the rocks; everyone else was too busy. This was an ad for something. I imagined, but what? New fresh infant girls to replace your own? As my mother laughed and I watched her face light up, I also saw it fall into strange lines. She saw the waves behind the girl child and how both beautiful and intoxicating they were- they could sweep up so softly and remove this gril from the beach. All the stylish people could chase after her, but she would drown in a moment- no one, not even a mother who had every nerve attuned to anticipate disaster, could have saved her if the waves leapt up, if life went on as usual and freak accidents peppered a calm shore.
Alice Sebold (The Lovely Bones)
The creature in the doorway. At first he was a shadow, blocking the light, then he was a man in a rabbit suit, and even then it didn’t occur to Charlie to be afraid. She knew this rabbit. Sammy hadn’t even noticed him yet. He continued to play with his toy truck, running it back and forth hypnotically across the floor. Charlie stared up at the thing in the doorway, and a coldness began to gather in the pit of her stomach. This was not the rabbit she knew. Its eyes shifted back and forth subtly between the twins, taking its time: making its choice. When the eyes settled on Charlie, the cold feeling spread all through her, then he looked away again, at Sammy, who still hadn’t turned around. Then a sudden movement, and the costumes on their hangers all leaped together, covering her so she couldn’t see. She heard the toy truck hit the ground and spin in place for a moment, then everything was still. She was alone, a vital part of her
Scott Cawthon (The Twisted Ones)
He pulled out at the last minute, rising above her, his shoulders blocking the spray of the shower. Grabbing his erection, he was even more brutal with himself than he had been with her, yanking at his sex, making himself come. So that he covered her. It was the marking of a bonded male, a practice done so that any other male in her presence would be fully warned that if he approached her, he had best beware. She was another’s. Not as property. But as something far too precious for others to toy with. —
J.R. Ward (The Chosen (Black Dagger Brotherhood, #15))
Of course, I should have known the kids would pop out in the atmosphere of Roberta's office. That's what they do when Alice is under stress. They see a gap in the space-time continuum and slip through like beams of light through a prism changing form and direction. We had got into the habit in recent weeks of starting our sessions with that marble and stick game called Ker-Plunk, which Billy liked. There were times when I caught myself entering the office with a teddy that Samuel had taken from the toy cupboard outside. Roberta told me that on a couple of occasions I had shot her with the plastic gun and once, as Samuel, I had climbed down from the high-tech chairs, rolled into a ball in the corner and just cried. 'This is embarrassing,' I admitted. 'It doesn't have to be.' 'It doesn't have to be, but it is,' I said. The thing is. I never knew when the 'others' were going to come out. I only discovered that one had been out when I lost time or found myself in the midst of some wacky occupation — finger-painting like a five-year-old, cutting my arms, wandering from shops with unwanted, unpaid-for clutter. In her reserved way, Roberta described the kids as an elaborate defence mechanism. As a child, I had blocked out my memories in order not to dwell on anything painful or uncertain. Even as a teenager, I had allowed the bizarre and terrifying to seem normal because the alternative would have upset the fiction of my loving little nuclear family. I made a mental note to look up defence mechanisms, something we had touched on in psychology.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
It was Jaime, [Tyrion] thought, despairing. He was my own blood, my big strong brother. When I was small he brought me toys, barrel hoops and blocks and a carved wooden lion. He gave me my first pony and taught me how to ride him. When he said that he had bought you for me, I never doubted him. Why would I? He was Jaime, and you were just some girl who'd played a part. I had feared it from the start, from the moment you first smiled at me and let me touch your hand. My own father could not love me. Why would you if not for gold?
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
I was thirteen when I figured out this trick. My pre-awakening came early. Even then, I kicked my own ass to relieve stress. When I caught the first baby whiff of my omega perfume, I panicked, just ran and kept running, knowing that as soon as I started to mature, I’d be on the auction block. A toy for alphas who’ll never see me as a real girl. I ran so hard, so long, and so fast that the pheromones went away. When my perfume came back, a track workout sent that shit packing. The next day, I danced for eight hours and my hormones heard the message. We’re not doing this awakening thing.
Lola Rock (Pack Darling: Part One (Pack Darling, #1))
The notion occurs to her that the ground beneath Saint-Malo has been knitted together all along by the root structure of an immense tree, located at the center of the city, in a square no one ever walked her to, and the massive tree has been uprooted by the hand of God and the granite is coming with it, heaps and clumps and clods of stones pulling away as the trunk comes up, followed by the fat tendrils of roots—the root structure like another tree turned upside down and shoved into the soil, isn’t that how Dr. Geffard might have described it?—the ramparts crumbling, streets leaking away, block-long mansions falling like toys.
Anthony Doerr (All the Light We Cannot See)
Imagine the following experiment, performed by the developmental psychologist Grazyna Kochanska. A kind woman hands a toy to a toddler, explaining that the child should be very careful because it’s one of the woman’s favorites. The child solemnly nods assent and begins to play with the toy. Soon afterward, it breaks dramatically in two, having been rigged to do so. The woman looks upset and cries, “Oh my!” Then she waits to see what the child does next. Some children, it turns out, feel a lot more guilty about their (supposed) transgression than others. They look away, hug themselves, stammer out confessions, hide their faces. And it’s the kids we might call the most sensitive, the most high-reactive, the ones who are likely to be introverts who feel the guiltiest. Being unusually sensitive to all experience, both positive and negative, they seem to feel both the sorrow of the woman whose toy is broken and the anxiety of having done something bad. (In case you’re wondering, the woman in the experiments quickly returned to the room with the toy “fixed” and reassurances that the child had done nothing wrong.) In our culture, guilt is a tainted word, but it’s probably one of the building blocks of conscience. The anxiety these highly sensitive toddlers feel upon apparently breaking the toy gives them the motivation to avoid harming someone’s plaything the next time. By age four, according to Kochanska, these same kids are less likely than their peers to cheat or break rules, even when they think they can’t be caught. And by six or seven, they’re more likely to be described by their parents as having high levels of moral traits such as empathy. They also have fewer behavioral problems in general.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
I built, of blocks, a town three hundred thousand strong, whose avenues were paved with a wine-colored rug and decorated by large leaves outlined inappropriately in orange, and on this leafage I'd often park my Tootsie Toy trucks, as if on pads of camouflage, waiting their deployment against catastrophes which included alien invasions, internal treachery, and world war. It was always my intention, and my conceit, to use up, in the town's construction, every toy I possessed: my electronic train, of course, the Lincoln Logs, old kindergarten blocks—their deeply incised letters always a problem—the Erector set, every lead soldier that would stand (broken ones were sent to the hospital), my impressive array of cars, motorcycles, tanks, and trucks—some with trailers, some transporting gas, some tows, some dumps—and my squadrons of planes, my fleet of ships, my big and little guns, an undersized group of parachute people (looking as if one should always imagine them high in the sky, hanging from threads), my silversided submarines, along with assorted RR signs, poles bearing flags, prefab houses with faces pasted in their windows, small boxes of a dozen variously useful kinds, strips of blue cloth for streams and rivers, and glass jars for town water towers, or, in a pinch, jails. In time, the armies, the citizens, even the streets would divide: loyalties, friendships, certainties, would be undermined, the city would be shaken by strife; and marbles would rain down from formerly friendly planes, steeples would topple onto cars, and shellfire would soon throw aggie holes through homes, soldiers would die accompanied by my groans, and ragged bands of refugees would flee toward mountain caves and other chairs and tables.
William H. Gass (The Tunnel)
Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes. I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey. My left leg was tiring. I shifted from foot to foot . . . A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another. A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight. Homo Panthera onca. The killer who takes its prey in a single bound. Hello, Jim. The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk. He could laugh if he wanted. He didn’t know what was at stake. Jim turned his head and began washing his paw. My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole. The lingering musky scent of a cat hit me. So, not a bear after all. Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself. Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.” Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped? The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner. The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed. “Kitty, kitty?” asked a level male voice. I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking. “Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.” “If there is a next time.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Come, get out of the way, boys Quick, get out of the way You'd better watch what you say, boys Better watch what you say We've rammed in your harbor and tied to your port And our pistols are hungry and our tempers are short So bring your daughters around to the port 'Cause we're the Cops of the World, boys We're the Cops of the World We pick and choose as please, boys Pick and choose as please You'd best get down on your knees, boys Best get down on your knees We're hairy and horny and ready to shack We don't care if you're yellow or black Just take off your clothes and lie down on your back 'Cause we're the Cops of the World, boys We're the Cops of the World Our boots are needing a shine, boys Boots are needing a shine But our Coca-cola is fine, boys Coca-cola is fine We've got to protect all our citizens fair So we'll send a battalion for everyone there And maybe we'll leave in a couple of years 'Cause we're the Cops of the World, boys We're the Cops of the World Dump the reds in a pile, boys Dump the reds in a pile You'd better wipe of that smile, boys Better wipe off that smile We'll spit through the streets of the cities we wreck We'll find you a leader that you can't elect Those treaties we sighned were a pain in the neck 'Cause we're the Cops of the World, boys We're the Cops of the World Clean the johns with a rag, boys Clean the johns with a rag If you like you can use your flag, boys If you like you can use your flag We've got too much money we're looking for toys And guns will be guns and boys will be boys But we'll gladly pay for all we destroy 'Cause we're the Cops of the World, boys We're the Cops of the World Please stay off of the grass, boys Please stay off of the grass Here's a kick in the ass, boys Here's a kick in the ass We'll smash down your doors, we don't bother to knock We've done it before, so why all the shock? We're the biggest and toughest kids on the block 'Cause we're the Cops of the World, boys We're the Cops of the World When we butchered your son, boys When we butchered your son Have a stick of our gum, boys Have a stick of our buble-gum We own half the world, oh say can you see The name for our profits is democracy So, like it or not, you will have to be free 'Cause we're the Cops of the World, boys We're the Cops of the World
Phil Ochs
Sin, according to Owen, is a thick black cloud that envelops our souls and blocks out the beams of God’s grace and favor toward us. It keeps us from seeing that God really is for us in Christ. It keeps us from sensing God’s grace and favor. This means that when we toy with our sins and refuse to put them to death, we show the truthfulness of Proverbs 6:27. We are playing with fire, and we will be burned.
Anonymous
Sit down and think about what you loved to do as a child. Maybe you liked climbing trees, playing with toy blocks, cuddling toy bears, or eating warm porridge. Make time to include whatever activity you enjoyed doing as a child in your present life.
Aletheia Luna (The Spiritual Awakening Process)
Entirely in agreement with Salieri when he rails against God for having given humanity the gift of Mozart's divine music, for the sole purpose of making us look ridiculous and plunging us into despair. Salieri sets himself up as Man's champion against divine injustice. It is the same problem as that of the Grand Inquisitor in the Brothers Karamazov. When Christ returns to earth he says to him: 'We manage humanity for its greatest happiness. It has paid for this with its mediocrity. Don't come disturbing this fragile balance with insane promises. ' And he condemns Christ to death once again. Salieri is not mean-spirited: it took pride, not to become jealous of Mozart, but to challenge God and ask: 'Tell it to me plainly, why am I not Mozart?' For God mocked us by throwing Mozart among us in the guise of a vulgar being, who did not even bear the exceptional marks of grace. God is toying with us, and that is unbearable. Mozart must be destroyed. All that challenges God is noble in spirit and superior to gaping, unconditional admiration of His works. We will not have the same problem with Changeux's Neuronal Man, emerging on the horizon like Nietzsche's Last Man, with his cortical and synaptic flatness. Farewell Mozart, farewell Salieri, no more grace, but no more challenges either, such is the solution offered by modern science to the insoluble despair of the difference between men. Signs, signs? Is that all you have to say? People act and people dream, they speak or they don't - none of that is unreal. Shut up and watch. See the philosophical beauty of these closing years of the century, the stars in the sky falling lower as the fateful date approaches, and the interactive horizon of couples in love - all this is beyond doubt, and it moves me to tears . . . The age, the coming age is like a metropolis deserted by its population, cut off from its sources of energy. Are you going to say that, are you going to go on with these twilight rantings? Every century throws the reality principle into question as it closes, but it's over today, finished, done. Everybody works these days. Narrative and moral passions, the philosophical animal spirits, are literally blocking the electronic animal spirits, a thousand times more lively and insignificant. Videos and advertisements, credits, news reports and sports flashes, Dallas, that's television, all that transfers easily, with the minimum of energy, on ephemeral film. But pure television, like pure painting or pure speed, is hard to bear.
Jean Baudrillard (Cool Memories)
For the next two hours, he would toy with her, giving her a chance to repent. Whether she did or not made no difference. He fingered the knife in his pocket. The blade was sharp and tonight she would feel it. Her time would run out an hour before sunrise. As with the others, he would weigh down her body with a cement block. Barely alive, she would struggle against death as they all had. The water would fill her lungs. The last thing she would see on this earth would be his eyes, the eyes of her murderer. How long would it take before her family, her friends reported her missing? A day, possibly two? Surely no longer. Then the search would begin. He would watch the news reports, recording them all on his DVR. In a week or two, some tourist or jogger would spot a floater in the Potomac. All evidence washed away, she would be just another woman executed by the D.C. Killer. He would add her disc to his collection. He whiled away the time thinking about his first kill. She had lounged in her bath, thinking she was alone. When he entered the bathroom, she smiled. The expression on his face made her smile falter. He came at her, grasping her by the shoulders. He pushed her down, holding her struggling body under. Her eyes wide with terror, she tried to plead with her murderer, to ask her husband “Why?” He sank her body in the Potomac, the first victim of the D.C. Killer. The door opened. Shannon Miller stood in the breach, surveying the parking lot. Nervous, she started to go back inside, then changed her mind. She peered toward him, her eyes straining to penetrate the mist and gloom. He was a shadow, invisible to her. Seeing no threat, she stepped out, locked the door and hurried across the deserted lot to her car, a red Toyota with more rust than red. The tap-tap of her high heels pulsated on the cracked asphalt. The beat of her shoes matched the throb of his heart. He could hear her heavy, fearful breathing. He smiled. The moon scurried behind the clouds as if hiding its face in horror. He was an avenger, a messenger of God. His mission was to rid the nation's capital of immoral women. Fearing him, prostitutes now walked the streets in pairs. Even in their terror, they still pursued their wicked trade. At times he saw them huddled in groups of three or four. They reminded him of children in a thunderstorm. Like a spirit, he crept in her direction. The only light was cast by the Miller Lite sign and a distant street lamp. The light in the parking lot had burned out weeks ago, throwing it into darkness. He stalked her as a lion does its prey. He moved slowly, silently, low to the ground, keeping the car between them. His dark running suit blended with the night. He was the Dark Angel, the Angel of Death. In another life, he had passed over Egypt, killing the firstborn of those condemned by God. Her eyes darted in every direction, still she didn't see him. He was invisible. Her hands shook as she tried to get the key in the door. The 11 o'clock news reported that another one had been found. If he stuck with his pattern, the D.C. Killer would strike again tonight. By morning a woman would be dead. She prayed it wouldn’t be her. She fumbled, dropping the key ring. She stooped to pick it up, her head turning in every direction, her ears alert to every sound. Now, without seeing him, she sensed him. She lowered her eyes, trying again, successfully this time. She turned the key. There was a click. She sighed, unaware that she had been holding her breath. The dome light flashed as she opened the door. He was on her in an instant. Their bodies slammed against the door. The light blinked out. He held her in an iron grip with one hand over her mouth and the blade poking into her
Darrell Case
I recall the day my sister and I turned five and were allowed an extra hour ’twixt bath and bed. Mrs. Twigg would set her hourglass running there in the nursery; we could do whate’er we wished with the time, but when the sand had run ’twas off to bed and no lingering. I’faith, what a treasure that hour seemed: time for any of a hundred pleasures! We fetched out the cards, to play some game or other—but what silly game was worth such a wondrous hour? I vowed I’d build a castle out of blocks, and Anna set to drawing three soldiers upon a paper—but neither of us could pursue his sport for long, for thinking the other had chosen more wisely, so that anon we made exchange and were no more pleased. We cast about more desperately among our toys and games—whereof any one had sufficed for an hour’s diversion earlier in the day—but none would do, and still the glass ran on! Any hour save this most prime and measured we had been pleased enough to do no more than talk, or watch the world at work outside our nursery window, but when I cried ‘Heavy, heavy hangs over thy head,’ to commence a guessing game, Anna fell straightway to weeping, and I soon joined her. Yet e’en our tears did naught to ease our desperation; indeed, they but heightened it the more, for all the while we wept, our hour was slipping by. Now bedtime, mind, we’d ne’er before looked on as evil, but that sand was like our lifeblood draining from some wound; we sat and wept, and watched it flow, and the upshot of’t was, we both fell ill and took to heaving, and Mrs. Twigg fetched us off to bed with our last quarter hour still in the glass.
John Barth (The Sot-Weed Factor)
As of February 8, 1979, James Arthur Springer—Jim, as he went by—had been twice married. His first marriage, to a woman named Linda, ended in divorce. His second wife was named Betty. Jim Springer grew up in Ohio and once owned a dog named Toy. He had a son named James Allan (although perhaps with one L). He was a chain-smoker who liked beer. In his garage he had a woodworking bench. He drove a Chevy, suffered from high blood pressure and migraines, and once served as a sheriff’s deputy. His family lived on a quiet street—theirs was the only house on the block. As of February 8, 1979, James Edward Lewis—Jim, as he went by—had been twice married. His first marriage, to a woman named Linda, ended in divorce. His second wife was named Betty. Jim Lewis grew up in Ohio and once owned a dog named Toy. He had a son named James Allan (although perhaps with one L). He was a chain-smoker who liked beer. In his garage he had a woodworking bench. He drove a Chevy, suffered from high blood pressure and migraines, and once served as a sheriff’s deputy. His family lived on a quiet street—theirs was the only house on the block. As of February 8, 1979, Jim Springer and Jim Lewis had almost no knowledge of one another. They had met before, but only as infants. On February 9, 1979, the two met for the first time in nearly forty years. They were identical twins, given up for adoption as one-month-olds, now reunited. The shocking coincidence seems like that of myth, but it’s almost certainly not—shortly after the twins’ reunion, People magazine and Smithsonian magazine reported on the incredible confluence of genetically identical twins with anecdotally identical lives. The two men piqued the curiosity of a researcher named Thomas J. Bouchard, a professor of psychology and the director of the Minnesota Center for Twin and Adoption Research at the University of Minnesota.
Dan Lewis (Now I Know More: The Revealing Stories Behind Even More of the World's Most Interesting Facts (Now I Know Series))
What the devil are you eating?” Leo, Lord Ramsay, stood in the family parlor at Ramsay House, viewing his dark-haired twins, Edward and Emmaline, who were playing on the carpeted floor. His wife, Catherine, who was helping the babies to build block towers, looked up with a smile. “They’re eating biscuits.” “These?” Leo glanced at a bowl of little brown biscuits that had been placed on a table. “They look revoltingly similar to the ones Beatrix has been feeding the dog.” “That’s because they are.” “They’re…Good God, Cat! What can you be thinking?” Lowering to his haunches, Leo tried to pry a sodden biscuit away from Edward. Leo’s efforts were met with an indignant squall. “Mine!” Edward cried, clutching the biscuit more tightly. “Let him have it,” Catherine protested. “The twins are teething, and the biscuits are very hard. There’s nothing harmful in them.” “How do you know that?” “Beatrix made them.” “Beatrix doesn’t cook. To my knowledge, she can barely butter her bread.” “I don’t cook for people,” Beatrix said cheerfully, coming into the parlor with Albert padding after her. “But I do for dogs.” “Naturally.” Leo took one of the brown lumps from the bowl, examining it closely. “Would you care to reveal the ingredients of these disgusting objects?” “Oats, honey, eggs…they’re very nourishing.” As if to underscore the point, Catherine’s pet ferret, Dodger, streaked up to Leo, took the biscuit from him, and slithered beneath a nearby chair. Catherine laughed low in her throat as she saw Leo’s expression. “They’re made of the same stuff as teething biscuits, my lord.” “Very well,” Leo said darkly. “But if the twins start barking and burying their toys, I’ll know whom to blame.” He lowered to the floor beside his daughter. Emmaline gave him a wet grin and pushed her own sodden biscuit toward his mouth. “Here, Papa.” “No, thank you, darling.” Becoming aware of Albert nosing at his shoulder, Leo turned to pet him. “Is this a dog or a street broom?” “It’s Albert,” Beatrix replied.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
I get up and go to check on Friday and Hayley, but I stumble to a stop when I turn the corner into Hayley’s room. They’re both asleep on the bed on their stomachs with an open book in front of them. Friday has changed into her pajamas and it looks as though she was reading to Hayley when they both fell asleep. But what kills me is that their noses are turned toward one another, so close they’re sharing breaths, and my daughter’s hand is tucked into Friday’s. I take a mental picture, because I never, ever want to forget what this feels like. Click! Click! Click! I cement it in my head, because my heart is so happy it’s ready to burst, and I don’t want to let this moment go. I don’t wake them up. Instead, I pick up some of the toys Hayley has left lying around the room. I put her dolls on the top shelf, and her trucks and matchbox cars go in the bucket at the foot of her bed. I laugh when I see they built a big house out of building blocks and they put one of her male actions figures in there with Barbie. I look closer. Are their faces pressed together? It looks almost like they’re kissing. Leave it to Friday… Friday sat and played with my daughter for two hours, and then she read to her and she fell asleep on her bed. I want to see this every night for the rest of my life.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
Preventing Separation Anxiety We wish our dogs could be with us all day, every day, but it’s not possible, and puppies do need to learn to spend time alone. A dog who can never be left home alone without destroying the house may be suffering from separation anxiety. Teach your Lab to feel safe and comfortable at home alone while she’s still a puppy, even if you’re home all day. Your life or job situation may change someday, and you’re heading off future trauma by teaching this lesson now, when she is young. Your puppy’s not yet mature enough to have the run of an entire house or yard, so confine her in her crate or pen when you’re gone. What you might think is separation anxiety might really be simple puppy mischief. When you’re not there to supervise, she’s free to indulge her curiosity and entertain herself in doggie ways. She knows she can’t dump the trash and eat the kitty litter in front of you, but when you’re gone, she makes her own rules. Teach your puppy not to rely on your constant attention every minute you’re at home. Set up her crate, pen, or wherever she can stay when you’re gone, and practice leaving her in it for short rests during the day. She’ll learn to feel safe there, chewing on her toy and listening to household noises. She’ll also realize that being in her pen doesn’t always mean she’s going to be left for long periods. Deafening quiet could unnerve your puppy, so when you leave, turn on the radio or television so the house still has signs of activities she’d hear when you’re home. Background noise also blocks out scary sounds from outdoors, so she won’t react to unknown terrors. HAPPY PUPPY Exercise your puppy before you leave her alone at home. Take her for a walk, practice obedience, or play a game. Then give her a chance to settle down and relax so she won’t still be excited when you put her in her pen. She’ll quickly learn that the rustle of keys followed by you picking up your briefcase or purse, getting your jacket out of the closet, or picking up your books all mean one awful thing: you’re going, and she’s staying. While you’re teaching her to spend time alone, occasionally go through your leaving routine without actually leaving. Pick everything up, fiddle with it so she can see you’re doing so, put it all back down, and go back to what you were doing. Don’t make a fuss over your puppy when you come and go. Put her in her pen and do something else for a few minutes before you leave. Then just leave. Big good-byes and lots of farewell petting just rev her up and upset her. When you come home, ignore her while you put down your things and get settled. Then greet her calmly and take her outside for a break.
Terry Albert (Your Labrador Retriever Puppy Month by Month: Everything You Need to Know at Each Stage to Ensure Your Cute and Playful Puppy Grows into a Happy, Healthy Companion)
Father and the child were no longer speaking, but they sat together in silence. The child was at his feet, and he sat, up in his throne, his eyes on the sky as well. It made her smile. They existed beneath the same stretch of stars. They loved the same night blanket above them. She looked at him, taking the opportunity to relish in his distraction to study him, his midnight hair, his pale body, only barely covered by the cloak, the fur of it distractingly like his hair, his lips just parted enough that his fangs were visible, his deep violet eyes, his long, elegant fingers, stroking the… She swallowed back pain that rose up her throat as she watched Father stroking the boy’s hair. Sitting together like that, the similarities between them were bewitching. She frowned, glancing once, disdainfully at the wavy-haired child with the slanted green eyes, walking to her Father’s throne and bending her knee in a bow. There was a sound like a chuckle, and she looked up at him. He was smiling at her. It warmed the quiet cold in her chest. “Come,” he said in his sonorous voice, and the darkness whispered with it, a thousand voices in varying degrees of age, gender, depth and lifted sweetness, all speaking together. She moved closer to him, sitting where his arm wound around her shoulder, fitting them together like childish toy blocks.
Carmen Dominique Taxer (Blood Deluge (Shades of the Sea and Flame, #2))
* He also had every Masters of the Universe action figure including Rattlor and Two Bad and Zoar the fighting falcon, however—and this is very important—he did not have Castle Grayskull. So one time he and his friends told me I couldn’t play with them because I was a girl and Masters of the Universe were for boys and I went home crying and told my parents, and even though money was tight, even though they weren’t fans of Barbie-type plastic toys, even though they believed in solving problems with logic and discussion (“Use your head,” they’d say, “your words”), we went straight to Kmart and bought Teela and Evil-Lyn and the Sorceress. (Where are their pants? I wondered. Aren’t they cold?) And—the icing on my six-year-old fuck you cake—that ginormous plastic castle. I was hot shit on the block, I tell you what. Know what else? I shared.
Megan Stielstra (The Wrong Way to Save Your Life: Essays)
Daily Law: When it comes to the ideas and opinions you hold, see them as toys or building blocks that you are playing with. Some you will keep, others you will knock down, but your spirit remains flexible and playful. The Laws of Human Nature, 7: Soften People’s Resistance by Confirming Their Self-Opinion—The Law of Defensiveness
Robert Greene (The Daily Laws: 366 Meditations on Power, Seduction, Mastery, Strategy, and Human Nature)
You’re not expecting us to jump to that?” I asked, worried. “I’m not expecting anything. We’re doing it.” With that, Erica sprang over the railing onto the whale skeleton. She sailed through the air and landed perfectly atop the skull with an agility and finesse I knew I didn’t have in the slightest. I looked around for another way out. The only other exit was blocked by the government agent, who was digging himself out of the dinosaur toys. He had a livid glare in his eye and a plesiosaur jammed in his ear. The SPYDER agents appeared to have lost us, but the government agent was threatening enough. I jumped over the railing. To my surprise, I landed deftly atop the whale skull. Only, the perfect balance thing was completely beyond me. I pitched forward and nearly took a header into the piranha display below. Erica caught me at the last instant and steadied me, but my weight had thrown her off balance too. She now pitched forward herself and had no choice but to leap from the skull and catch onto the lip of the model humpback whale. The cables supporting it strained under the sudden jolt. One snapped free from the ceiling and the whale shifted wildly. Erica swung from the whale’s lip, launched herself into a backflip, and stuck the landing in the middle of the hall. The tourists gathered there all applauded, impressed. As though they figured the Smithsonian had started hiring circus performers to spice things up. Erica looked to me expectantly. So did all the tourists. Now I had potential death and performance anxiety to deal with. Knowing I couldn’t possibly do what Erica had just done, I carefully shimmied down the metal framework that supported the whale skeleton—and still biffed the dismount. I fell backward and landed on my butt atop a large sea turtle. The tourists groaned, like I had let them down.
Stuart Gibbs (Spy School Secret Service)
Rocky Mountains in the distance. We were high up in the foothills, at least five hundred feet, and down below a valley spread out, filled with a tumbled collection of red mesas and boulders and spires of stone. It looked like some huge kid had been building a toy city with skyscraper-size blocks, and then decided to knock it over. “Where are we?” I wondered. “Colorado Springs,” a voice said behind us. “The Garden of the Gods.” Standing
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
If you have N toy blocks, are there any values of N for which you can only form one rectangle?
Robert Hamner (Answered with Math (Volume 2): Cool problems solved with math and physics)
Lego, lets me build my imagination.
Anthony T. Hincks
Lego, brings my imagination to life.
Anthony T. Hincks
The Ender King rolled his eyes at me. “Now that Jimmy has his new toy, let’s talk about how we get the missing dimensions back.
Dr. Block (Diary of a Surfer Villager, Book 35 (Diary of a Surfer Villager #35))
In an ingenious series of experiments led by psychologist Christopher Bryan, children between ages three and six were 22 percent to 29 percent more likely to clean up blocks, toys, and crayons when they were asked to be helpers instead of to help. Even though their character was far from gelled, they wanted to earn the identity.
Adam M. Grant (Originals: How Non-Conformists Move the World)
I angled my head and gave Lucca a death glare. “How?” He gave a one-shoulder shrug. “I looked for you this time.” “Why?” He opened his mouth but then closed it. “To give you this.” He grabbed something off the dresser and came closer. I blinked at the stuffed toy and my annoyance melted away. Clearing my throat, I sat up and reached for it. “A plushy?” “They’re called Squishmallows. My baby sister wanted one that just came out, so I went to get it for her. I saw this guy and thought of you.” I tried to smother a smile but failed. It was clearly not just that since he gave me a bear one. “You’re not a polar bear.” “No, but it’s still a brother bear,” he muttered. “He can keep you company since we don’t like you always alone.” “We?” “Well, everyone who cares, but I meant me and my bear.” I nodded and hugged the little guy. “So soft!” I gasped at how nice it was, rubbing my cheek against it. “Oh my gods, I love him.” A giggle actually slipped out as I curled up around the bear. “I knew it,” he breathed, flinching when I glanced up at him so he knew I heard him. “Knew what?” “You’ve never had a stuffed animal or anything before, have you, Tams?” It was my turn to flinch. I sat up and moved the bear to my lap, unable to stop playing with it even as I tried to be serious. “Um, no.” I went to sit him next to me. “Thanks. I can give it to one of the fairy kids. I’m an adult.” “Bullshit,” he growled, grabbing it and plopping it back on my lap. “You’re not a hundred or something, Tams. And even if you were, so what? I mean, so what? They’re for fun and cute. They help stress and provide comfort. Why should that only be for kids?” “Yeah?” I smiled when he nodded and pulled the bear closer to me. I let out a squeal and hugged the soft ball of cute. “This is like the best present ever. He’s so cute.” I beamed up at Lucca. “Thank you.” “You’re welcome,” he chuckled. “Don’t be mad at me for trying to find you. You blocked everyone and people were freaking.
Erin R. Flynn (Adjusting Course (Artemis University, #15))
I dare because people like you walk around like you own the world, when really, you spend your entire pitiful life stacking up your lopsided tower of toy blocks, hoping no one bigger and stronger comes along to knock it down. But me? I’m bigger. I’m stronger. And I take a very distinct pleasure in stomping your world to fucking smithereens.
Naomi West (Midnight Lies (Tasarov Bratva #2))
Princeton Newport bought five million shares of old AT&T at about $66 a share for $330 million. We paid for most of this with term financing, which was a special loan from our broker just for this deal, to be paid off from the proceeds when the position was closed out. Meanwhile, we offset the risk of owning old AT&T by simultaneously selling short the shares we were going to receive in exchange for our shares of old AT&T. These so-called when-issued shares consisted of five million shares of new AT&T and five hundred thousand shares of each of the new seven sisters. We did the trade through Goldman Sachs by taking half of each of two successive five million share blocks of about $330 million apiece. I have a gold-colored plaque, a so-called deal toy, on my desk commemorating the December 1, 1983, block as then being the largest dollar amount for a single trade in the history of the New York Stock Exchange. In two and a half months, PNP netted $1.6 million from the AT&T trade after all costs.
Edward O. Thorp (A Man for All Markets: From Las Vegas to Wall Street, How I Beat the Dealer and the Market)
Even the toys we played with were used for our ideological education. If I built a train out of building blocks, the teacher would tell me that I could drive it to South Korea to save the starving children there.
Hyeonseo Lee (The Girl with Seven Names: A North Korean Defector's Story)
Like a child building a new toy with a heap of Lego blocks, I reassembled the useful pieces from the debris of my old life with patience, persistence and a strong belief that a better life was possible.
Ranjani Rao (Rewriting My Happily Ever After - A Memoir of Divorce and Discovery)
Don’t toy with things that block your light.
Rumi (Jalal ad-Din Muhammad ar-Rumi)
I squinted through the big window, a portal to another world, trying to get a better view of the primal love scene before us. All I could see was a mass of wriggling fur and finger-like toes until my eyes focused in on one male and two females kissing, ear-tonguing and giving each other enthusiastic oral sex, punctuated with occasional somersaults, smacks and nibbles on fruit and leaves. Sometimes they interacted as a threesome. Other times, two would cavort together, while the third played with herself, alternating between fingering and using a red rubber ball as a kind of sex toy, rubbing and bouncing it vigorously against her large pink vulva.
Susan Block (The Bonobo Way)
the move toward object-oriented programming, where applications could be fashioned out of small, predefined blocks of code, was a lot like building with LEGO.
David Robertson (Brick by Brick: How LEGO Rewrote the Rules of Innovation and Conquered the Global Toy Industry)
Zuchek, a patient, steel-nerved negotiator, utterly devoted to Russia's self-interest, vs. Hollenbach, whose once brilliant mind now was obsessed with fancied tormentors and played like a child's with the toy blocks of destiny.
Fletcher Knebel (Night of Camp David)
Each day I perform complex choreography around people, dogs, garbage bags, cyclists going the wrong way, traffic signs with arrows that say ONLY, creaking as they swing in the wind. Sometimes I walk for blocks, even miles, without paying much attention. But then my gait slows. Something tugs at my arm and whispers, Look! Look. There are limestone angels about the doors of the Parish of the Guardian Angel. There's a Banksy painted on Zabar's. There are toy cardinals tied like red ribbons to tree branches on Bank Street. And just like that, Manhattan has me again.
Stephanie Rosenbloom (Alone Time: Four Seasons, Four Cities, and the Pleasures of Solitude)
Feelie Box—Cut a hole in a shoebox lid. Place spools, buttons, blocks, coins, marbles, animals, and cars in the box. The child inserts a hand through the hole and tells you what toy she is touching. Or, ask her to reach in and feel for a button or car. Or, show her a toy and ask her to find one in the box that matches. These activities improve the child’s ability to discriminate objects without the use of vision. “Can You Describe It?”—Provide objects with different textures, temperatures, and weights. Ask her to tell you about an object she is touching. (If you can persuade her not to look at it, the game is more challenging.) Is the object round? Cool? Smooth? Soft? Heavy? Oral-Motor Activities—Licking stickers and pasting them down, blowing whistles and kazoos, blowing bubbles, drinking through straws or sports bottles, and chewing gum or rubber tubing may provide oral satisfaction. Hands-on Cooking—Have the child mix cookie dough, bread dough, or meat loaf in a shallow roasting pan (not a high-sided bowl). Science Activities—Touching worms and egg yolks, catching fireflies, collecting acorns and chestnuts, planting seeds, and digging in the garden provide interesting tactile experiences. Handling Pets—What could be more satisfying than stroking a cat, dog or rabbit? People Sandwich—Have the “salami” or “cheese” (your child) lie facedown on the “bread” (gym mat or couch cushion) with her head extended beyond the edge. With a “spreader” (sponge, pot scrubber, basting or vegetable brush, paintbrush, or washcloth) smear her arms, legs, and torso with pretend mustard, mayonnaise, relish, ketchup, etc. Use firm, downward strokes. Cover the child, from neck to toe, with another piece of “bread” (folded mat or second cushion). Now press firmly on the mat to squish out the excess mustard, so the child feels the deep, soothing pressure. You can even roll or crawl across your child; the mat will distribute your weight. Your child will be in heaven.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
Riding, balancing, and walking on a seesaw. Balancing on a Teeter-Totter—Center a board over a railroad timber. (See The Out-of-Sync Child Has Fun for ideas.) Sitting on a T-stool—A T-stool helps improve balance, posture, and attention. (See The Out-of-Sync Child Has Fun for ideas.) Balancing on a Large Therapy Ball—Your child can lie on her stomach, on her back, or sit and bounce. Some balls have handles for bouncing up and lower (hippity-hopping). Tummy Down, Head Up—Have the child lie on her stomach. On the floor, she can rock to and fro to “Row, Row, Row Your Boat”; draw on paper while listening to music, using crayons, which require her to bear down to make a mark; and play with small toys. On a swing or therapy ball, she can “draw” on the ground or carpet with a stick; throw sponges into a basket; and bat a suspended ball with a cardboard tube. Jogging—Run around the block together!
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
Activities to Develop the Visual System Making Shapes—Let your child draw or form shapes, letters, and numbers in different materials, such as playdough, finger paint, shaving cream, soap foam, sand, clay, string, pudding, or pizza dough. Mazes and Dot-to-Dot Activities—Draw mazes on paper, the sidewalk, or the beach. Have the child follow the mazes with his finger, a toy car, a crayon, a marker, or chalk. On graph paper, make dot-to-dot patterns for the child to follow. Peg Board—Have the child reproduce your design or make his own. Cutting Activities—Provide paper and scissors and have your child cut fringe and strips. Draw curved lines on the paper for her to cut. Cutting playdough is fun, too. Tracking Activities—Lie on your backs outside and watch birds or airplanes, just moving your eyes while keeping your heads still. Jigsaw Puzzles! Block Building!!
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
Suddenly the thought struck MacVeagh: President (Mark) Hollenbach must not be allowed to go into the conference with Zuchek (Russian premier). My God, Mark might be capable of anything. Who knew what Zuchek, a patient, steel-nerved negotiator, utterly devoted to Russia’s self-interest, vs Hollenbach, whose once brilliant mind now was obsessed with fancied tormentors and played like a child’s with the toy blocks of destiny.
Fletcher Knebel (Night of Camp David)
For several minutes he cruised through the subconscious realm, drifting through dreams of naked musicians writhing in money and Jell-O shots, a toy poodle attacking a Doberman, a woman who bore a strange resemblance to a lollipop who was singing with cows, and one curious incident of a hemorrhoid chasing one woman around a block of cheese until it exploded.… Yeah, people were very odd beings.
Sherrilyn Kenyon (The Dream Hunter (Dream-Hunter, #1))
Come on stub-ears, you can do better than that!" Steel danced and shone before Elly as she desperately blocked strike after strike, her attacker toying with her, relentless in aggression both physical and verbal. He was taller than her, lighter than her, and he moved with true elven grace, gliding around her with his elegantly curved and vicious sword. He lashed out with a practised flick of his wrist that she struggled to read and barely caught with her blade, but he was already moving on, his sword flowing around, a killing blow coming straight for her neck if she did not move– "Sorry stub-ears, I'll try to slow down…" A feint! He could have ended it there, and yet it wasn't enough; no, he had to humiliate her. Before her cheeks could redden he was on her again, thrusting, striking at her thighs, her shoulders, the sting of the metal slowing her down and throwing her off-balance. Elly focused on protecting what she could, guarding her head and torso, anger building in her, wrestling with her for control of the light sword that was her best defence against– "Death!" The tip of his blade was under her raised arm, against the gap in her breastplate beside her triceps. And at once he sprang back, swung his nimble weapon in a lazy figure-of-eight, rolled his shoulders less from tension and more to perform his ease, his casualness, the lack of challenge in fighting her. Where the flat of his blade had stung, she throbbed. "Good showing. How about best of three?
L. J. Amber (Song of the Wild Knight – Part One: Song of the Squire)