Blithe Spirit Quotes

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It's discouraging to think how many people are shocked by honesty and how few by deceit.
Noël Coward (Blithe Spirit)
We are sometimes dragged into a pit of unhappiness by someone else’s opinion that we do not look happy.
Mokokoma Mokhonoana
Time is the reef upon which all our mystic ships are wrecked.
Noël Coward (Blithe Spirit)
It's a sad reflection on society how many people are shocked by honesty... and how few by dishonesty.
Noël Coward (Blithe Spirit)
Hail to thee, blithe spirit! Bird thou never wert.
Percy Bysshe Shelley
Some people wish they were as happy as or happy like some people think they are.
Mokokoma Mokhonoana
TO A SKYLARK. Hail to thee, blithe spirit—
George Eliot (O May I Join the Choir Invisible!)
PATER SERAPHICUS.   Higher rise, still higher, growing   Stronger imperceptibly,   Near the Divine Presence gaining   A more perfect purity!   What is it the spirit thrives on,   What fills the ethereal space?   Endless love whose revelation   Blitheness brings, eternal bliss.
Johann Wolfgang von Goethe (Faust: A Tragedy, Parts One and Two)
Tell me why entire sleepless nights flash by in an inexhaustible blithe happiness, and when the dawn shines in through the windows, pink and radiant, and daybreak illumines the cheerless room with that uncertain fantastical light we know in Petersburg, does our dreamer, worn out and weary, throw himself on to his bed and fall asleep amid the blissful afterglow of his painfully shaken spirit and with such a languishingly sweet pain about his heart?
Fyodor Dostoevsky (White Nights)
To blithely discard the spent kernels of something that has ended is to discard the very resources that have painstakingly been harvested from that ending from which a spirited new beginning will be cultivated.
Craig D. Lounsbrough (An Autumn's Journey: Deep Growth in the Grief and Loss of Life's Seasons)
While he watched, the phenomenon diminished. The whirl of leaves settled, and the night grew still once more. As the last leaves floated to rest on the grass, John thought he heard a familiar sigh of pleasure, one he hadn’t heard for a long time. If this had been a ghost, it had been a blithe spirit. Filled with sudden wonder, remembering their golden retriever that had died two years earlier, John whispered, “Willard?
Dean Koontz (What the Night Knows (What the Night Knows, #1))
My thoughts on the descent of our moral prejudices – for that is what this polemic is about – were first set out in a sketchy and provisional way in the collection of aphorisms entitled Human, All Too Human. A Book for Free Spirits, which I began to write in Sorrento during a winter that enabled me to pause, like a wanderer pauses, to take in the vast and dangerous land through which my mind had hitherto travelled. This was in the winter of 1876–7; the thoughts themselves go back further. They were mainly the same thoughts which I shall be taking up again in the present essays – let us hope that the long interval has done them good, that they have become riper, brighter, stronger and more perfect! The fact that I still stick to them today, and that they themselves in the meantime have stuck together increasingly firmly, even growing into one another and growing into one, makes me all the more blithely confident that from the first, they did not arise in me individually, randomly or sporadically but as stemming from a single root, from a fundamental will to knowledge deep inside me which took control, speaking more and more clearly and making ever clearer demands. And this is the only thing proper for a philosopher. We have no right to stand out individually: we must not either make mistakes or hit on the truth individually. Instead, our thoughts, values, every ‘yes’, ‘no’, ‘if ’ and ‘but’ grow from us with the same inevitability as fruits borne on the tree – all related and referring to one another and a testimonial to one will, one health, one earth, one sun. – Do you like the taste of our fruit? – But of what concern is that to the trees? And of what concern is it to us philosophers? . . .
Friedrich Nietzsche (On the Genealogy of Morals)
In The Garret Four little chests all in a row, Dim with dust, and worn by time, All fashioned and filled, long ago, By children now in their prime. Four little keys hung side by side, With faded ribbons, brave and gay When fastened there, with childish pride, Long ago, on a rainy day. Four little names, one on each lid, Carved out by a boyish hand, And underneath there lieth hid Histories of the happy band Once playing here, and pausing oft To hear the sweet refrain, That came and went on the roof aloft, In the falling summer rain. 'Meg' on the first lid, smooth and fair. I look in with loving eyes, For folded here, with well-known care, A goodly gathering lies, The record of a peaceful life-- Gifts to gentle child and girl, A bridal gown, lines to a wife, A tiny shoe, a baby curl. No toys in this first chest remain, For all are carried away, In their old age, to join again In another small Meg's play. Ah, happy mother! Well I know You hear, like a sweet refrain, Lullabies ever soft and low In the falling summer rain. 'Jo' on the next lid, scratched and worn, And within a motley store Of headless dolls, of schoolbooks torn, Birds and beasts that speak no more, Spoils brought home from the fairy ground Only trod by youthful feet, Dreams of a future never found, Memories of a past still sweet, Half-writ poems, stories wild, April letters, warm and cold, Diaries of a wilful child, Hints of a woman early old, A woman in a lonely home, Hearing, like a sad refrain-- 'Be worthy, love, and love will come,' In the falling summer rain. My Beth! the dust is always swept From the lid that bears your name, As if by loving eyes that wept, By careful hands that often came. Death canonized for us one saint, Ever less human than divine, And still we lay, with tender plaint, Relics in this household shrine-- The silver bell, so seldom rung, The little cap which last she wore, The fair, dead Catherine that hung By angels borne above her door. The songs she sang, without lament, In her prison-house of pain, Forever are they sweetly blent With the falling summer rain. Upon the last lid's polished field-- Legend now both fair and true A gallant knight bears on his shield, 'Amy' in letters gold and blue. Within lie snoods that bound her hair, Slippers that have danced their last, Faded flowers laid by with care, Fans whose airy toils are past, Gay valentines, all ardent flames, Trifles that have borne their part In girlish hopes and fears and shames, The record of a maiden heart Now learning fairer, truer spells, Hearing, like a blithe refrain, The silver sound of bridal bells In the falling summer rain. Four little chests all in a row, Dim with dust, and worn by time, Four women, taught by weal and woe To love and labor in their prime. Four sisters, parted for an hour, None lost, one only gone before, Made by love's immortal power, Nearest and dearest evermore. Oh, when these hidden stores of ours Lie open to the Father's sight, May they be rich in golden hours, Deeds that show fairer for the light, Lives whose brave music long shall ring, Like a spirit-stirring strain, Souls that shall gladly soar and sing In the long sunshine after rain
Louisa May Alcott (Little Women)
Flames beaten by the Ocean's Rage; Shrouded in Molten Haze; Blithely sheathed in Splendor. An Angel rises from the Embers. Calming Waters brew Courage replete; Fear cowers at Bravery's feet. An Angel rises from the Embers. Enlightenment basks on the shore; Tidal waves gasp and roar; 'Quiet!' the Wind implores! Silence sings, and spirits soar... An Angel rises from the Embers.
Renee Rentmeester
And though when Esau left the mountains of Seir to meet the returned traveller, his mood may still have been very vacillating, unclear even to himself, by the time he once more after a lapse of twenty five years met his brother face to face, his spirits were of the highest. However much Jacob may have set himself to effect it, he found this blitheness quite out of place, no sooner had he grasped the fact that for the moment at least he had nothing to fear than he found to conceal his disgust at Esau's brainless goodheartedness.
Thomas Mann (Joseph and His Brothers)
And though when Esau left the mountains of Seir to meet the returned traveller, his mood may still have been very vacillating, unclear even to himself, by the time he once more after a lapse of twenty five years met his brother face to face, his spirits were of the highest. However much Jacob may have set himself to effect it, he found this blitheness quite out of place, no sooner had he grasped the fact that for the moment at least he had nothing to fear than he found it hard to conceal his disgust at Esau's brainless goodheartedness.
Thomas Mann (Joseph and His Brothers)
XVIII TO HIS LADY                Beloved beauty who inspires             love from afar, your face concealed             except when your celestial image             stirs my heart in sleep, or in the fields         5  where light and nature’s laughter             shine more lovely;             was it maybe you who blessed             the innocent age called golden,             and do you now, blithe spirit,       10  soar among men? Or does the miser, fate,             who hides you from us save you for the future?                No hope of seeing you alive             remains for me now,             except when, naked and alone,       15  my soul will go down a new street             to an unfamiliar home. Already, at the dawning             of my dark, uncertain day,             I imagined you a fellow traveler             on this parched ground. But no thing on earth       20  compares with you; and if someone             who had a face like yours resembled you             in word and deed, still she would be less lovely.                In spite of all the suffering             that fate assigned to human life,       25  if there was anyone on earth             who truly loved you as my thought portrays you,             this life for him would be a joy.             And I see clearly how your love             would still inspire me to seek praise and virtue,       30  the way I used to in my early years.             Though heaven gave no comfort for our suffering,             still mortal life with you would be             like what in heaven becomes divinity.                In the valleys, where you hear       35  the weary farmer singing             and I sit and mourn             my youth’s illusions leaving me;             and on the hills where I turn back             and lament my lost desires,       40  my life’s lost hope, I think of you             and start to shake. In this sad age             and sickly atmosphere, I try             to keep your noble look in mind;             without the real thing, I enjoy the image.       45     Whether you are the one and only             eternal idea that eternal wisdom             disdains to see arrayed in sensible form,             to know the pains of mournful life             in transitory dress;       50  or if in the supernal spheres another earth             from among unnumbered worlds receives you,             and a near star lovelier than the Sun             warms you and you breathe benigner ether,             from here, where years are both ill-starred and brief,       55  accept this hymn from your unnoticed lover.
Giacomo Leopardi (Canti: Poems / A Bilingual Edition (Italian Edition))
His second expedition in 1845 was deeply Brexitlike. As Barczewski explains, it was undertaken in a spirit of blithe optimism: ‘Nothing could be simpler. But the plan ignored the fact that 500 miles (800 km) of the voyage were unmapped, meaning that the actual distance that a ship needed to travel might prove much longer as it picked its way through ice and the Arctic archipelago. This had not mattered in the imaginations of the journey’s planners.’4 If this sounds awfully familiar to anyone who has watched the course of Brexit’s voyage from ‘nothing could be simpler’ to getting lost in unmapped wastelands, it may be because the same attitudes have been at work.
Fintan O'Toole (Heroic Failure: Brexit and the Politics of Pain)
Naturally, society has an indisputable right to protect itself against arrant subjectivisms, but, in so far as society is itself composed of de-individualized human beings, it is completely at the mercy of ruthless individualists. Let it band together into groups and organizations as much as it likes – it is just this banding together and the resultant extinction of the individual personality that makes it succumb so readily to a dictator. A million zeros joined together do not, unfortunately, add up to one. Ultimately everything depends on the quality of the individual, but our fatally short-sighted age thinks only in terms of large numbers and mass organizations, though one would think that the world had seen more than enough of what a well-disciplined mob can do in the hand of a single madman. Unfortunately, this realization does not seem to have penetrated very far - and our blindness is extremely dangerous. People go on blithely organizing and believing in the remedy of mass action, without the least consciousness of the fact that the most powerful organizations can be maintained only by the greatest ruthlessness of their leaders and the cheapest of slogans. Curiously enough, the Churches too want to avail themselves of mass action in order to cast out the devil with Beelzebub – the very Churches whose care is the salvation of the individual soul. They too do not appear to have heard anything of the elementary axiom of mass psychology, that the individual becomes morally and spiritually inferior in the mass, and for this reason they do not burden themselves overmuch with their real task of helping the individual to achieve a metanoia, or rebirth of the spirit – deo concedente. It is, unfortunately, only too clear that if the individual is not truly regenerated in spirit, society cannot be either, for society is the sum total of individuals in need of redemption. I can therefore see it only as a delusion when the Churches try – as they apparently do – to rope the individual into a social organization and reduce him to a condition of diminished responsibility, instead of raising him out of the torpid, mindless mass and making clear to him that he is the one important factor and that the salvation of the world consists in the salvation of the individual soul.
C.G. Jung
The more dutifully scholars acknowledge that the concept of race belongs in the same category as geocentrism or witchcraft, the more blithely they invoke it as though it were both a coherent analytical category and a valid empirical datum. In place of Jefferson’s moment of impassioned truth-telling, his successors fall back on italics or quotation marks, typographical abbreviations for the trite formula, ‘race is a social construction.’ The formula is meant to spare those who invoke race in historical explanation the raised eyebrows that would greet someone who, studying a crop failure, proposed witchcraft as an independent variable. But identifying race as a social construction does nothing to solidify the intellectual ground on which it totters. The London Underground and the United States of America are social constructions; so are the evil eye and the calling of spirits from the vasty deep; and so are murder and genocide. All derive from the thoughts, plans, and actions of human beings living in human societies. Scholars who intone ‘social construction’ as a spell for the purification of race do not make clear—perhaps because they do not themselves realize—that race and racism belong to different families of social construction, and that neither belongs to the same family as the United States of America or the London Underground. Race belongs to the same family as the evil eye. Racism belongs to the same family as murder and genocide. Which is to say that racism, unlike race, is not a fiction, an illusion, a superstition, or a hoax. It is a crime against humanity.
Barbara J. Fields (Racecraft: The Soul of Inequality in American Life)
Hymn to Mercury : Continued 71. Sudden he changed his plan, and with strange skill Subdued the strong Latonian, by the might Of winning music, to his mightier will; His left hand held the lyre, and in his right The plectrum struck the chords—unconquerable Up from beneath his hand in circling flight The gathering music rose—and sweet as Love The penetrating notes did live and move 72. Within the heart of great Apollo—he Listened with all his soul, and laughed for pleasure. Close to his side stood harping fearlessly The unabashed boy; and to the measure Of the sweet lyre, there followed loud and free His joyous voice; for he unlocked the treasure Of his deep song, illustrating the birth Of the bright Gods, and the dark desert Earth: 73. And how to the Immortals every one A portion was assigned of all that is; But chief Mnemosyne did Maia's son Clothe in the light of his loud melodies;— And, as each God was born or had begun, He in their order due and fit degrees Sung of his birth and being—and did move Apollo to unutterable love. 74. These words were winged with his swift delight: 'You heifer-stealing schemer, well do you Deserve that fifty oxen should requite Such minstrelsies as I have heard even now. Comrade of feasts, little contriving wight, One of your secrets I would gladly know, Whether the glorious power you now show forth Was folded up within you at your birth, 75. 'Or whether mortal taught or God inspired The power of unpremeditated song? Many divinest sounds have I admired, The Olympian Gods and mortal men among; But such a strain of wondrous, strange, untired, And soul-awakening music, sweet and strong, Yet did I never hear except from thee, Offspring of May, impostor Mercury! 76. 'What Muse, what skill, what unimagined use, What exercise of subtlest art, has given Thy songs such power?—for those who hear may choose From three, the choicest of the gifts of Heaven, Delight, and love, and sleep,—sweet sleep, whose dews Are sweeter than the balmy tears of even:— And I, who speak this praise, am that Apollo Whom the Olympian Muses ever follow: 77. 'And their delight is dance, and the blithe noise Of song and overflowing poesy; And sweet, even as desire, the liquid voice Of pipes, that fills the clear air thrillingly; But never did my inmost soul rejoice In this dear work of youthful revelry As now. I wonder at thee, son of Jove; Thy harpings and thy song are soft as love. 78. 'Now since thou hast, although so very small, Science of arts so glorious, thus I swear,— And let this cornel javelin, keen and tall, Witness between us what I promise here,— That I will lead thee to the Olympian Hall, Honoured and mighty, with thy mother dear, And many glorious gifts in joy will give thee, And even at the end will ne'er deceive thee.' 79. To whom thus Mercury with prudent speech:— 'Wisely hast thou inquired of my skill: I envy thee no thing I know to teach Even this day:—for both in word and will I would be gentle with thee; thou canst reach All things in thy wise spirit, and thy sill Is highest in Heaven among the sons of Jove, Who loves thee in the fulness of his love. 80. 'The Counsellor Supreme has given to thee Divinest gifts, out of the amplitude Of his profuse exhaustless treasury; By thee, 'tis said, the depths are understood Of his far voice; by thee the mystery Of all oracular fates,—and the dread mood Of the diviner is breathed up; even I— A child—perceive thy might and majesty.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
She knew she was overextended, but she couldn't help herself. Student, tree lover, citizen of the Earth, she was busier than ever as she raced through Berkeley on her bicycle, and stood on street corners with petitions. She was a blithe spirit, and increasingly a hungry one. Vegan, but not always strict. She never ate meat or tuna fish or honey harvested from indentured bees, but sometimes she craved eggs, and cheese, and even butter, and she bought herself a croissant or ate a slice of whole-wheat pizza, or a box of saltine crackers which she ate in bed, one by one, so that they dissolved on her tongue like the heavenly host.
Allegra Goodman (The Cookbook Collector)
She had always been so indomitable, with her "damn the torpedoes" spirit. She was slight and delicately made, but in her own eyes she had been invincible. Because the very idea of defeat was foreign to her, she had blithely moved through life arranging it to suit herself and accepted it as only natural that shopkeepers quaked before her wagging finger. That attitude had sometimes irritated, but more often entranced, him. The kitten thought herself a tiger, and because she acted like a tiger, other people had given way.
Linda Howard (Mackenzie's Mountain (Mackenzie Family, #1))
came about. It doesn’t concern you. As for Luff’s misdemeanour, I wish to hear no more about it. Don’t take him into the Green Park again!’ The deliberate hauteur with which he spoke had its calculated effect: Jessamy’s conscience might trouble him, but it was superseded by a vague but horrid fear that he had committed a social solecism. He stammered: ‘N-no, sir! It – it is very kind of you! I didn’t know – ! Pray don’t be offended! One – one doesn’t like to be beholden – But if you are indeed our guardian it alters the case – I suppose!’ The Marquis smiled at him, which, as it was not given to him to read the thoughts hidden by the smile, very much relieved his mind. Had he known that the Marquis was wondering what madness had seized him, and to what tiresome lengths he might be expected to go now that he had so rashly acknowledged the Merrivilles’ claim upon him, Jessamy would have suffered an agony of mortification; but as he knew nothing about his lordship’s habitual reluctance to interest himself in the affairs of his relatives he was able to take his leave blithely, and to stride back to Upper Wimpole Street in the best of spirits, and with his head full of the delightful prospect of driving to Richmond with his lordship, and even, perhaps, of being allowed to handle the reins himself for a little way.
Georgette Heyer (Frederica)
Ah, now, really, gentlemen, this is a little late. You made this monster, and as long as things were going well you gave him whatever he wanted. You turned Germany over to this arch-criminal, you swore allegiance to him by every incredible oath he chose to put before you—you, officers of the Crown, all of you. And so you made yourselves into the Mamelukes of a man who carries on his head responsibility for a hundred thousand murders and who is the cause of the sorrow and the object of the curses of the whole of the world. And now you are betraying him, as yesterday you betrayed the Republic, and as the day before yesterday you betrayed the Monarchy. [...] For years, these men were the cover for every treasonable act, every orgy of rape and murder, because Hitler allowed them prominence once again in a debased, Prussianised Germany. They defended him, verbally and physically, every time he committed one of his criminal acts, they went blithely on past the suffering of all the bombing victims, the prisoners in the concentration camps, and the religious persecutors, and they hummed a little tune to words like ‘Germany’ or the ‘German spirit’, because a different regime would have meant the end of their power... And now that the firm is going bankrupt, they are betraying it to provide themselves with a political alibi— just as they betrayed all the others who were no longer useful in their drive to get and hold power.
Friedrich Reck-Malleczewen (Diary of a Man in Despair)
Before she had married Father, Harriet had piloted her own de Havilland Gipsy Moth, which she had named Blithe Spirit, and I sometimes imagined her floating alone up there in the sunshine, dipping in and out of the puffy valleys of cumulus, with no one to answer to except the wind.
Alan Bradley (The Weed That Strings the Hangman's Bag (Flavia de Luce, #2))
D-December never means E-end, it's the time to C-celebrate and rejoice E-express love and joy M-mesmerize the moments B- believe in blithe spirit E- enhance the end and R- rhyme with the beginnings.
Deepa Gera
Blithe Spirit is perhaps the most accessible of Coward's works, and the ending has one of his trademark stings in it - the message being that a normal heterosexual marriage is a fate worse than death.
Paul Baker (Camp!: The Story of the Attitude that Conquered the World)