Blink Marvel Quotes

We've searched our database for all the quotes and captions related to Blink Marvel. Here they are! All 22 of them:

Caldenia blinked. “Who are the attending parties?” “The Holy Anocracy represented by House Krahr, the Hope-crushing Horde, and the Merchants of Baha-char. They coming here for Arbitration and they will probably try to murder each other the moment they walk through the door.” Caldenia’s eyes widened. “Do you really think so? This is absolutely marvelous!” She would think so, wouldn’t she?
Ilona Andrews (Sweep in Peace (Innkeeper Chronicles, #2))
Maybe time is like that insect," Blink said, "trapped beneath the crystal of your watch.
Brian Selznick (The Marvels)
And as I stare at the girl of my dreams, staring back at me, I marvel at how the universe can know better than we know. How everything can change in one moment, one second, one blink of an eye. How that everything can be all we ever hoped for and more. Our very own crystal clearness after a long stretch of sunless cold.
Katie Klein (Collateral Damage (Cross My Heart, #2))
My mother looked at me then, with something in her eyes I’d never seen before. A reverence. As if something marvelous and at the same time harrowing had just happened. She blinked, pulling me between her and Saint, and I burrowed in, their warmth instantly making me feel like a child again.
Adrienne Young (Namesake (The World of the Narrows, #2))
So after some instruction, Joseph put on the apron and started carefully polishing the clean dishes even though it made no sense to him. Over the course of the day, he learned how to wash the floors and clean the windows and empty out the iron stove. Soon the kitchen smelled of lemons and spices, fresh bread and soap. There was a short break for lunch before resuming work. The light shifted during the afternoon and cascaded through the clean windows, burnishing the room with gold. Joseph was so focused on the work, on the patters of the silverware and the curve of the handles on the ancient pitchers and measuring cups, that he forgot for a little while about his parents, and St. Anthony's, and the fire, and losing Blink. He felt a kind of pride in being allowed to touch all the delicate glassware, plates, and bowls, and he hadn't broken a single thing.
Brian Selznick (The Marvels)
Well, then, say you’re staying.” Derry blinked against the moist gleam in his eyes. “Did I not just say it’s where you belong, you great damn fool—” He choked off the sentence as he smothered Ez in a fierce hug and kissed his cheek. Ezra hugged him back and wheezed out an agreement to stay put. I couldn’t help marveling at the sight; it was something rare in my own time, fearless physical affection between guys. In trying to label each other and the whole world, we’d lost something precious. 
Tamara Allen (Downtime)
Down through this verdant land Carter walked at evening, and saw twilight float up from the river to the marvelous golden spires of Thran. And just at the hour of dusk he came to the southern gate, and was stopped by a red-robed sentry till he had told three dreams beyond belief, and proved himself a dreamer worthy to walk up Thran's steep mysterious streets and linger in the bazaars where the wares of the ornate galleons were sold. Then into that incredible city he walked; through a wall so thick that the gate was a tunnel, and thereafter amidst curved and undulant ways winding deep and narrow between the heavenward towers. Lights shone through grated and balconied windows, and, the sound of lutes and pipes stole timid from inner courts where marble fountains bubbled. Carter knew his way, and edged down through darker streets to the river, where at an old sea tavern he found the captains and seamen he had known in myriad other dreams. There he bought his passage to Celephais on a great green galleon, and there he stopped for the night after speaking gravely to the venerable cat of that inn, who blinked dozing before an enormous hearth and dreamed of old wars and forgotten gods.
H.P. Lovecraft (The Dream-Quest of Unknown Kadath)
So we shall wonder little, blink our eyes at repetitions of the sun and moon; a briefer death than death i take for mine, and you are content in your frozen place. A narrow light, but certain: we can share the cliffs of winter, marvelous and sheer.
Grace Butcher
Daphne turned to Simon with an amused expression. “I can’t quite decide if she is being terribly polite or exquisitely rude.” “Exquisitely polite, perhaps?” Simon asked mildly. She shook her head. “Oh, definitely not that.” “The alternative, of course, is—” “Terribly rude?” Daphne grinned and watched as her mother looped her arm through Lord Railmont’s, pointed him toward Daphne so that he could nod his good-bye, and led him from the room. And then, as if by magic, the remaining beaux murmured their hasty farewells and followed suit. “Remarkably efficient, isn’t she?” Daphne murmured. “Your mother? She’s a marvel.” “She’ll be back, of course.” “Pity. And here I thought I had you well and truly in my clutches.” Daphne laughed. “I don’t know how anyone considered you a rake. Your sense of humor is far too superb.” “And here we rakes thought we were so wickedly droll.” “A rake’s humor,” Daphne stated, “is essentially cruel.” Her comment surprised him. He stared at her intently, searching her brown eyes, and yet not really knowing what it was he was looking for. There was a narrow ring of green just outside her pupils, the color as deep and rich as moss. He’d never seen her in the daylight before, he realized. “Your grace?” Daphne’s quiet voice snapped him out of his daze. Simon blinked. “I beg your pardon.” “You looked a thousand miles away,” she said, her brow wrinkling. “I’ve been a thousand miles away.” He fought the urge to return his gaze to her eyes. “This is entirely different.” Daphne let out a little laugh, the sound positively musical. “You have, haven’t you? And here I’ve never even been past Lancashire. What a provincial I must seem.” He brushed aside her remark. “You must forgive my woolgathering. We were discussing my lack of humor, I believe?” “We were not, and you well know it.
Julia Quinn (The Duke and I (Bridgertons, #1))
Outside, not only over our pit but above all far away from it, there was life. You could not think too much about it, but I liked to imagine it so as not to die of forgetfulness. Imagine, and not remember. Life, the real one, not that dirty rag blowing across the ground, no, life in its exquisite beauty. I mean in its simplicity, its marvelous banality: a child smiling after tears; eyes blinking in too bright light; a woman trying on a dress; a man asleep on the grass. A horse galloping across a plain. A man wearing many-colored wings attempting to fly. A tree bending to shade a woman sitting on a stone. The sun drifts off, and you even see a rainbow. Life: it's being able to raise your arm, rub the back of your neck, stretch for the pure pleasure of it, get up and stroll aimlessly, watch people go by, stop, read a newspaper - or simply stay sitting at your window because you have nothing to do and it's nice to do nothing.
Tahar Ben Jelloun (تلك العتمة الباهرة)
So when the displays were erected it came as something of a surprise to discover that the American section was an outpost of wizardry and wonder. Nearly all the American machines did things that the world earnestly wished machines to do—stamp out nails, cut stone, mold candles—but with a neatness, dispatch, and tireless reliability that left other nations blinking. Elias Howe’s sewing machine dazzled the ladies and held out the impossible promise that one of the great drudge pastimes of domestic life could actually be made exciting and fun. Cyrus McCormick displayed a reaper that could do the work of forty men—a claim so improbably bold that almost no one believed it until the reaper was taken out to a farm in the Home Counties and shown to do all that it promised it could. Most exciting of all was Samuel Colt’s repeat-action revolver, which was not only marvelously lethal but made from interchangeable parts, a method of manufacture so distinctive that it became known as “the American system.
Bill Bryson (At Home: A Short History of Private Life)
ON TIME RUTH HALEY BARTON There have to be times in your life when you move slow, times when you walk rather than run, settling into each step . . . There have to be times when you stop and gaze admiringly at loved ones, marveling that they have been given to you for this life . . . times when hugs linger and kisses are real, when food and drink are savored with gratitude and humility rather than gulped down on your way to something else. There have to be times when you read for the sheer pleasure of it, marveling at the beauty of words and the endless creativity in putting them together . . . times when you settle into the comforts of home and become human once again. There have to be times when you light a candle and find the tender place inside you that loves or sorrows or sings and you pray from that place, times when you let yourself feel, when you allow the tears to come rather than blinking them back because you don’t have time to cry. There have to be times to sink into the soft body of yourself and love what you love simply because love itself is a grace . . . times when you sit with gratitude for the good gifts of your life that get lost and forgotten in the rush of things . . . times to celebrate and play to roll down hills to splash in water or make leaf piles to spread paint on paper or walls or each other. There have to be times to sit and wait for the fullness of God that replenishes body, mind, and soul— if you can even stand to be so full. There has to be time for the fullness of time or time is meaningless.
Ruth Haley Barton (Embracing Rhythms of Work and Rest: From Sabbath to Sabbatical and Back Again (Transforming Resources))
Anything . . . supernatural?” I asked. “No. Yes.” Jackaby rubbed his eyes. “Everything. The walls, the floor, even the ceiling . . .” “What?” I said. “Ha!” He shook his head and spun in place, marveling at the dark, dusty cobwebs hanging over us. “It’s been scrubbed clean, every inch.” I looked around. “This might be why you and Jenny rarely see eye to eye about housekeeping,” I said. “Not scrubbed clean of dust or droppings,” he said. “There are plenty of those, of course.” I decided not to look too closely for confirmation about the droppings. “Scrubbed clean of magical residue. I can’t pick out any unique otherworldly auras in this space.” “Couldn’t that just mean that this place doesn’t have any?” “Hardly. When you were young, did you ever spill red wine on your parents’ carpet?” I blinked. “Er—yes? I knocked a bottle of merlot off of the table once.” “And what did your mother do to clean it up?” “Nothing. My mother never did the cleaning. She always had a maid handle that sort of thing.” “Precisely—white vinegar! Nothing better for a stain. Except that the carpet is never quite like it used to be, is it? Even if you can’t see the red anymore, there’s always something about that spot. It’s a little too clean for the rest of the rug, and it keeps that lingering vinegar smell, right? Now a healthy suspension of sodium bicarbonate might help with that, but there’s always something left behind.” “You know a lot about cleaning carpets for someone whose floor looks like a topical map of the East Indies.” “I know the Viennese waltz, too, but I don’t waste my time doing it every day. Focus, Rook. 
William Ritter (Ghostly Echoes (Jackaby, #3))
We get the word etymology from the Greek étymon,’ continued Professor Lovell. ‘The true sense of a word, from étumos, the “true or actual”. So we can think of etymology as an exercise in tracing how far a word has strayed from its roots. For they travel marvellous distances, both literally and metaphorically.’ He looked suddenly at Robin. ‘What’s the word for a great storm in Mandarin?’ Robin gave a start. ‘Ah – fēngbào?’* ‘No, give me something bigger.’ ‘Táifēng?’* ‘Good.’ Professor Lovell pointed to Victoire. ‘And what weather patterns are always drifting across the Caribbean?’ ‘Typhoons,’ she said, then blinked. ‘Taifeng? Typhoon? How—’ ‘We start with Greco-Latin,’ said Professor Lovell. ‘Typhon was a monster, one of the sons of Gaia and Tartarus, a devastating creature with a hundred serpentine heads. At some point he became associated with violent winds, because later the Arabs started using tūfān to describe violent, windy storms. From Arabic it hopped over to Portuguese, which was brought to China on explorers’ ships.
R.F. Kuang (Babel, or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution)
marveling, as he always did in the aftermath of his spells, just how much they resembled tropical storms. As they approached, he often could sense the change in barometric pressure, as he had done on the ferry, even though the storm was still far out at sea, churning away, gathering force, bearing down. When it finally came ashore there wasn’t much to do but ride it out, just let it howl and rage and do its worst. At some point his buffeted, terrified psyche simply gave way to a profound sense of calm, there in the storm’s gentle eye. It wasn’t unlike what people coming down from acid trips often described—the self simply dissipating. To Teddy, a breathtaking moment of splendid, weightless drifting away. In another second or two the world and its cares would cease to matter. In their place, blessed oblivion. But then the winds returned, the shard pierced flesh, and he would know the truth—that escape was yet another false narrative. Later, bloodied and chastened and exhausted, he would do what he always did—claw up into the light, blinking, and survey the damage. Make an inventory of what was irretrievably lost, what was merely damaged and in need of mending, and then, most vitally, somehow locate and reestablish that charmless but necessary even keel that allowed for smooth, if unadventurous, sailing. What he called his life.
Richard Russo (Chances Are . . .)
Our apocalyptic fiction depicts a world in which humans revert to the savagery of the jungle the moment our institutions fall, survivors tearing each other to pieces even as they are dying of plague or stalked by the undead. In our real history, we have been in that situation many times—left without government or law enforcement, none of the modern institutions we take for granted. From each of these scenarios what emerged was not savagery, but cooperation. When the pillars of our culture crumble, we rebuild them. [...] Mankind is, and always has been, much greater than the sum of its parts. A lone human may appear to be nothing special if observed, say, blearily standing in line at a convenience store at two in the morning, or spitefully ripping a toy from the hands of a middle-aged woman in the chaos of a Black Friday sale. Yet, the combined efforts of these confused and volatile primates result in gleaming cities and majestic flying carriages. They have split the atom and peered across the universe. In the blink of an eye, they have acquired the powers of gods. This, I believe, is the fate of humanity: to colonize the stars over the next thousand years, to set down settlements in our solar system and others. Then, many centuries from now, one of our descendants will be strolling along some marvelous domed paradise on some distant planet and will see a drunken youth in offensive clothing, vomiting in an alley outside a pub. The man will look sidelong at the youth in that shameful state, shake his head, and mutter to himself that humanity is a ridiculous, doomed species, incapable of anything worthwhile. He will believe it, because the true, wonderful, terrible, fearsome power of humanity is otherwise almost too much to comprehend. I recognize that not all of you share my faith, but you must admit that if gods are real and have observed humanity’s evolution from afar, they must shudder at the possibilities.
David Wong
Most travellers here feel that driving in Rome qualifies as an experience that can be added to one’s vita, that everyday autostrada trips are examinations in courage and that the Amalfi coast drive is a definition of hell. “These people really know how to drive,” I remember him saying as he swung our no-power rented Fiat into the passing lane, turn signal blinking. A Maserati zooming forward in the rearview mirror blasted us back to the right lane. Soon he was admiring daring maneuvers. “Did you see that? He had two wheels dangling in thin air!” he marveled. “Sure, they have their share of duffers riding the center lane but most people keep to the rules.” “What rules?” I asked as someone in a tiny car like ours whizzed by going a hundred. Apparently there are speed limits, according to the size of the engine, but I never have seen anyone stopped for speeding in all my summers in Italy. You’re dangerous if you’re going sixty. I’m not sure what the accident rate is; I rarely see one but I imagine many are caused by slow drivers (tourists perhaps?) who incite the cars behind them.
Frances Mayes (Under the Tuscan Sun)
But then Azriel approached her. Nesta had blinked at the gift the shadowsinger set in her lap. 'I didn't get you anything,' she murmured to Az, her cheeks turning rosy. 'I know,' he said, smiling. 'I don't mind.' ... ...his gaze snagged on Nesta's fingers as she opened the small box. She peered at what was inside, then looked at Azriel in confusion. 'What is it?' Azriel plucked up the small folded silver wand within and unfurled it. One end held a clip, the other a small glass sphere. 'You can attach this to whatever book you're reading, and the little ball of faelight will shine. So you don't have to squint when you're reading at night.' Nesta touched the glass ball, no bigger than her thumbnail, and faelight flickered within, casting a bright, easy glow upon her lap. She tapped it again and it turned off. And then she jumped to her feet and flung her arms around Azriel. The room went silent for a beat. But Azriel chuckled and squeezed her gently. Cassian smiled to see it- to see them. 'Thank you,' Nesta said, quickly pulling away to marvel at the device. 'It's brilliant.' Azriel blushed and stepped back, shadows swirling.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
They stood up and were just about to flee the séance when the Marvelous Malau stood also, pointed directly at Morrigan, and declared in a sharp, ringing voice— “You breathed fire.” The laughter died in Morrigan’s throat. She faltered, eager to leave but seemingly rooted to the spot. Malau tilted his head to the side, a curious little frown creasing the spot between his eyes. “You breathed fire.” His voice was suddenly commanding and clear. There were no slurred consonants, no fumbled words. “Like a dragon. Did you enjoy it?” Morrigan blinked. She looked sideways at Hawthorne and then at Jupiter, who both appeared equally shocked. The séance circle had turned in their direction now and were all peering at Morrigan with great interest. Morrigan felt her face grow hot. She couldn’t, of course, admit to such a thing. “No. No, I never did that.” “Yes,” said Malau flatly. “You did.” How did he know? Perhaps the man wasn’t such a charlatan after all. “I don’t know what you’re talking about,” Morrigan insisted, in a voice as steely as she could make it. Jupiter stood up suddenly, his movements elegant and precise. He tilted his head and took a step closer, staring at her face. “I think you know exactly what I’m talking about,” he said.
Jessica Townsend (Wundersmith: The Calling of Morrigan Crow (Nevermoor, #2))
I’m sort of nervous you’ll find out Even though I want you to I’m sort of nervous you’ll be angry Even though I know that’s not you We’ve been through this all before And you never made me feel unsure But still A hush had fallen over the crowd as soon as she began to sing and Julie marveled at how different this atmosphere was from the raucous one the boys had described to her from their visit to the club. She wondered if Caleb would be satisfied with her slow and emotional song choice but if he was dissatisfied with her he didn’t show it on his face. He merely glanced around at the rapt expressions of the lifers and smirked. Julie allowed her eyes to slide over to her friends who were both watching her with knowing looks. She knew that the sadness in her lyrics was reflected in their eyes, that they felt sorry for her and that they ached for Luke too. She forced her gaze away from them, needing to focus on getting through the song and finding it almost impossible in the face of their pity. I’m sort of hopeful you’ll find out Even though that’s not fair I’m sort of hopeful you'll guess Even though I’m so scared I don’t know what the right choice is And part of me wants you to insist But still Despite all of the circumstances that made singing this particular song in this particular venue absolutely loaded down with baggage she found herself slipping into the zone she always occupied when performing. She could feel the heady rush of doing what she was meant to do in front of people hanging on her every word. She wished Luke was there to sing with her but she had also never been so glad that he wasn’t. She gripped the mic stand and raised her voice to new heights as she began the chorus. How do I tell you this isn’t where I belong? How do I tell you this was a tragedy all along? That we never had a chance At a happy ending at all Just a few brief stolen moments Between your heart and mine How do I tell you? How do I tell you? Goodbye She could hear emotion breaking through into her voice but she didn’t care. The ghost band once again seemed to sense what she had heard in her head and the music built and built before suddenly dropping to next to nothing. A few chords on the piano were all that accompanied the final verse as she gave it her all. I’m sort of happy we happened Even though I know the memories Will hurt I’m sort of happy we met here Even if it took a curse I know that I’ve made mistakes And some of them are hard to shake But still Julie allowed herself to truly see the audience for the first time. They were still watching her with awed expressions but something about the lighting in the club seemed different. There was a soft golden glow settling over the whole room. Julie blinked and the glow was gone. She barely had time to wonder if she had imagined it before the band came back in full force for the final chorus. How do I tell you this isn’t where I belong? How do I tell you this was a tragedy all along? That we never had a chance At a happy ending at all Just a few brief stolen moments Between your heart and mine How do I tell you? How do I tell you? Goodbye The band fell away again and Julie’s voice echoed through the ballroom alone on the final lines. How do I tell you? Goodbye
ICanSpellConfusionWithAK (We Found Wonderland)
KEEPING THEIR PROFILE AT limbo-champion lows, they trickled through the Paris streets, following Addison’s map toward the Templar Fortress. Despite hunger, cold, and fear, Addison couldn’t help but marvel at the beauty of the city. According to Mr. Fiddleton, Paris was one of the first cities to line its avenues with streetlamps, earning it the nickname the City of Light. With the holiday season in full bloom, there were even more lights than usual, glowing and blinking in every color. They strolled south on the Boulevard de Magenta, winding ever closer to the Seine, that fabled river that meandered through Paris’s heart and into
Jonathan W. Stokes (Addison Cooke and the Ring of Destiny)
They're kidding themselves, of course. Our sky can go from lapis to tin in the blink of an eye. Blink again and your latte's diluted. And that's just fine with me. I thrive here on the certainty that no matter how parched my glands, how anhydrous the creek beds, how withered the weeds in the lawn, it's only a matter of time before the rains come home. The rains will steal down from the Sasquatch slopes. They will rise with the geese from the marshes and sloughs. Rain will fall in sweeps, it will fall in drones, it will fall in cascades of cheap Zen jewelry. And it will rain a fever. And it will rain a sacrifice. And it will rain sorceries and saturnine eyes of the totem. Rain will primitivize the cities, slowing every wheel, animating every gutter, diffusing commercial neon into smeary blooms of esoteric calligraphy. Rain will dramatize the countryside, sewing pearls into every web, winding silk around every stump, redrawing the horizon line with a badly frayed brush dipped in tea and quicksilver. And it will rain an omen. And it will rain a trance. And it will rain a seizure. And it will rain dangers and pale eggs of the beast. Rain will pour for days unceasing. Flooding will occur. Wells will fill with drowned ants, basements with fossils. Mossy-haired lunatics will roam the dripping peninsulas. Moisture will gleam on the beak of the Raven. Ancient shamans, rained from their rest in dead tree trunks, will clack their clamshell teeth in the submerged doorways of video parlors. Rivers will swell, sloughs will ferment. Vapors will billow from the troll-infested ditches, challenging windshield wipers, disgusing intentions and golden arches. Water will stream off eaves and umbrellas. It will take on the colors of beer signs and headlamps. It will glisten on the claws of nighttime animals. And it will rain a screaming. And it will rain a rawness. And it will rain a disorder, and hair-raising hisses from the oldest snake in the world. Rain will hiss on the freeways. It will hiss around the prows of fishing boats. It will hiss in the electrical substations, on the tips of lit cigarettes, and in the trash fires of the dispossessed. Legends will wash from desecrated burial grounds, graffiti will run down alley walls. Rain will eat the old warpaths, spill the huckleberries, cause toadstools to rise like loaves. It will make poets drunk and winos sober, and polish the horns of the slugs. And it will rain a miracle. And it will rain a comfort. And it will rain a sense of salvation from the philistinic graspings of the world. Yes, I am here for the weather. And when I am lowered at last into a pit of marvelous mud, a pillow of fern and skunk cabbage beneath my skull, I want my epitaph to read, IT RAINED ON HIS PARADE, AND HE WAS GLAD!
Tom Robbins (Wild Ducks Flying Backward)