Blew Your Chance Quotes

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you had your chance, Cassiel. Hell, you’ve had more than one chance, and you blew them all. Suck it up and stop messing with my fucking head. I don't have the time or patience to be manipulated by your dick right now.
Tate James (Anarchy (Hades, #2))
Dear Madam Vorsoisson, I am sorry. This is the eleventh draft of this letter. They’ve all started with those three words, even the horrible version in rhyme, so I guess they stay. You once asked me never to lie to you. All right, so. I’ll tell you the truth now even if it isn’t the best or cleverest thing, and not abject enough either. I tried to be the thief of you, to ambush and take prisoner what I thought I could never earn or be given. You were not a ship to be hijacked, but I couldn’t think of any other plan but subterfuge and surprise. Though not as much of a surprise as what happened at dinner. The revolution started prematurely because the idiot conspirator blew up his secret ammo dump and lit the sky with his intentions. Sometimes these accidents end in new nations, but more often they end badly, in hangings and beheadings. And people running into the night. I can’t be sorry that I asked you to marry me, because that was the one true part in all the smoke and rubble, but I’m sick as hell that I asked you so badly. Even though I’d kept my counsel from you, I should have at least had the courtesy to keep it from others as well, till you’d had the year of grace and rest you’d asked for. But I became terrified that you’d choose another first. So I used the garden as a ploy to get near you. I deliberately and consciously shaped your heart’s desire into a trap. For this I am more than sorry, I am ashamed. You’d earned every chance to grow. I’d like to pretend I didn’t see it would be a conflict of interest for me to be the one to give you some of those chances, but that would be another lie. But it made me crazy to watch you constrained to tiny steps, when you could be outrunning time. There is only a brief moment of apogee to do that, in most lives. I love you. But I lust after and covet so much more than your body. I wanted to possess the power of your eyes, the way they see form and beauty that isn’t even there yet and draw it up out of nothing into the solid world. I wanted to own the honor of your heart, unbowed in the vilest horrors of Komarr. I wanted your courage and your will, your caution and your serenity. I wanted, I suppose, your soul, and that was too much to want. I wanted to give you a victory. But by their essential nature triumphs can’t be given. They must be taken, and the worse the odds and the fiercer the resistance, the greater the honor. Victories can’t be gifts. But gifts can be victories, can’t they. It’s what you said. The garden could have been your gift, a dowry of talent, skill, and vision. I know it’s too late now, but I just wanted to say, it would have been a victory most worthy of our House. Yours to command, Miles Vorkosigan
Lois McMaster Bujold (A Civil Campaign (Vorkosigan Saga, #12))
You had your chance with me, Shane Beckett, and you blew it.” With that, I disappear into my house.
K.A. Tucker (The Player Next Door (Polson Falls, #1))
The Last Hero The wind blew out from Bergen from the dawning to the day, There was a wreck of trees and fall of towers a score of miles away, And drifted like a livid leaf I go before its tide, Spewed out of house and stable, beggared of flag and bride. The heavens are bowed about my head, shouting like seraph wars, With rains that might put out the sun and clean the sky of stars, Rains like the fall of ruined seas from secret worlds above, The roaring of the rains of God none but the lonely love. Feast in my hall, O foemen, and eat and drink and drain, You never loved the sun in heaven as I have loved the rain. The chance of battle changes -- so may all battle be; I stole my lady bride from them, they stole her back from me. I rent her from her red-roofed hall, I rode and saw arise, More lovely than the living flowers the hatred in her eyes. She never loved me, never bent, never was less divine; The sunset never loved me, the wind was never mine. Was it all nothing that she stood imperial in duresse? Silence itself made softer with the sweeping of her dress. O you who drain the cup of life, O you who wear the crown, You never loved a woman's smile as I have loved her frown. The wind blew out from Bergen to the dawning of the day, They ride and run with fifty spears to break and bar my way, I shall not die alone, alone, but kin to all the powers, As merry as the ancient sun and fighting like the flowers. How white their steel, how bright their eyes! I love each laughing knave, Cry high and bid him welcome to the banquet of the brave. Yea, I will bless them as they bend and love them where they lie, When on their skulls the sword I swing falls shattering from the sky. The hour when death is like a light and blood is like a rose, -- You never loved your friends, my friends, as I shall love my foes. Know you what earth shall lose to-night, what rich uncounted loans, What heavy gold of tales untold you bury with my bones? My loves in deep dim meadows, my ships that rode at ease, Ruffling the purple plumage of strange and secret seas. To see this fair earth as it is to me alone was given, The blow that breaks my brow to-night shall break the dome of heaven. The skies I saw, the trees I saw after no eyes shall see, To-night I die the death of God; the stars shall die with me; One sound shall sunder all the spears and break the trumpet's breath: You never laughed in all your life as I shall laugh in death.
G.K. Chesterton
He’s happy, and that’s all I ever wanted for him.” Dex noticed the way Sloane peered at Lou. Did he not believe Lou? Then again, he didn’t know Lou and therefore had no reason to. “You were flirting with him.” “Before he told me he was seeing someone. Look, I know you’re probably expecting me to be the evil ex who comes swooping in trying to dig my claws into him, take back what I think is mine, and all that campy drama, but I’m not. I respect him, and I would never come between him and someone he cares about. I had my chance, and I blew it. So take it from me. Don’t blow it. I would, however, like to be his friend. Would that be acceptable to you?” Dex
Charlie Cochet (Blood & Thunder (THIRDS, #2))
I am sure you’re very pleased to have a pair of foxes,” Kestrel told Irex now, “but you’ll have to do better.” “I set down my tile,” Irex said coldly. “I cannot take it back.” “I’ll let you take it back. Just this once.” “You want me to take it back.” “Ah. So you agree that I know what tile you mean to play.” Benix shifted his weight on Lady Faris’s delicate chair. It creaked. “Flip the damn tile, Irex. And you, Kestrel: Quit toying with him.” “I’m merely offering friendly advice.” Benix snorted. Kestrel watched Irex watch her, his anger mounting as he couldn’t decide whether Kestrel’s words were a lie, the well-meant truth, or a truth she hoped he would judge a lie. He flipped the tile: a fox. “Too bad,” said Kestrel, and turned over one of hers, adding a third bee to her other two matching tiles. She swept the four gold coins of the ante to her side of the table. “See, Irex? I had only your best interests at heart.” Benix blew out a gusty sigh. He settled back in his protesting chair, shrugged, and seemed the perfect picture of amused resignation. He kept his head bowed while he mixed the Bite and Sting tiles, but Kestrel saw him shoot Irex a wary glance. Benix, too, had seen the rage that turned Irex’s face into stone. Irex shoved back from the table. He stalked over the flagstone terrace to the grass, which bloomed with the highest members of Valorian society. “That wasn’t necessary,” Benix told Kestrel. “It was,” she said. “He’s tiresome. I don’t mind taking his money, but I cannot take his company.” “You couldn’t spare a thought for me before chasing him away? Maybe I would like a chance to win his gold.” “Lord Irex can spare it,” Ronan added. “Well, I don’t like poor losers,” said Kestrel. “That’s why I play with you two.” Benix groaned. “She’s a fiend,” Ronan agreed cheerfully. “Then why do you play with her?” “I enjoy losing to Kestrel. I will give anything she will take.” “While I live in hope to one day win,” Benix said, and gave Kestrel’s hand a friendly pat. “Yes, yes,” Kestrel said. “You are both fine flatterers. Now ante up.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
A breeze with September in it blew in off the water. Teddy inhaled deeply. Autumn, even in his childhood, had always been his favorite season. When you’re a kid and your parents are teachers, it’s September, not January, that marks the beginning of a year. He’d always been the first one back to Minerva and loved having the campus all to himself for a day or two before the other students and faculty began trickling back in. Lincoln always arrived next, and then Mickey, since his band usually played somewhere in town the first weekend before classes started. Jacy was always last, coming as late as the middle of the first week of classes. Things couldn’t really begin until then. “You know who I was thinking about on the ferry?” Teddy ventured. “Yep,” Lincoln said. “I do.” And they left it at that.
Richard Russo (Chances Are . . .)
What makes you stop, when you have stopped, just where you have stopped? What is it, what? Is it something, or is it nothing? Why not a yard short, why not a yard more? Why just there, where you are, and nowhere else? Some say: It’s just blind chance, and if you hadn’t stopped there, you would have stopped at the next place. Your story would have been different then. You weave your own story as you go along. But others say: You could not have stopped any place else but this even if you wanted to. It was decreed, it was ordered, you were meant to stop at this spot, and no other. Your story is there waiting for you, it has been waiting for you there a hundred years, long before you were born, and you cannot change a comma of it. Everything you do, you have to do. You are the twig, and the water you float on swept you here. You are the leaf and the breeze you were borne on blew you here. This is your story, and you cannot escape it; you are only the player, not the stage manager. Or so some say.
William Irish (I Married a Dead Man)
Anna: Right. I can only imagine. Etienne: And what, exactly, ist hat supposed to mean? Anna: Forget it. Etienne: No. Let’s not forget it. I’m sick and tired of forgetting it, Anna. Anna: You’re tired of forgetting it? I’ve had to do nothing BUT forget it. Do you think it’s easy sitting in my room every night, thinking about you and Ellie? Do you think any of this has been easy for me? Etienne: I’m sorry. Anna: You tell me I’m beautiful, and that you like my hair and you like my smile. You rest your leg against mine in darkened theatres, and then you acta s if nothing happened when the lights go up. You slept in my bed for three nights straight, and then you jsut … blew me off for the next month. What am I supposed to do with that, St. Clair? You said on my birthday that you were afraid of being alone, but I’ve been here this whole time. This whole time. Etienne: Anna. I am so sorry that I’ve hur you. I’ve made terrible decisions. And I realize it’s possible that I don’t deserve your forgiveness, because it’s taken me this long to get here. But I don’t understand why you’re not giving me the chance. You didn’t even let me explain myself lad weekend. You just tore into me, expected the worst of me. But the only truth I know is what i feel when we’re together. I thought you trusted those feelings, too. I thought you trusted me, I thought you knew me … Anna: But that’s just it! I don’t know you. I tell you everything, St. Clair. About my dad, about Bridgette and Toph, about Matt and Cherrie. I told you about being a virgin. And what have you told me? Nothing! I know nothing about you. Not about your father, not about Ellie … Etienne: You know me better than anyone. Andi f you ever bothered to pay attention, you’d understand that things with my father are beyond shite right now. And I can’t believe you think so poorly of me that you’d assume I’d wait the entire year to kiss you, and then the moment it happened, I’d … I’d be done with you. OF COURSE I was with Ellie that night. I WAS BLODDY BREAKING UP WITH HER! You say that I’m afraid of being alone, and it’s true. I am And I’m not proud o fit. But you need to take a good look at yourself, Anna, because I am not the only one in this room who suffers this problem.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Why are you treating me like this? What did I do?” “Nothing!” “So this is what you do then? You make girls feel like they’re special for a few days, then treat them like they’re nothing?” He turned on me right before he got to his room, “You’re really gonna put this on me? One minute you’re kissing me, the next you’re talking to your boyfriend and telling him you love him!” “What did you want me to do, not answer it?” “It doesn’t even matter Harper,” He laughed humorlessly, “drop it.” “It does to me! I’m so tired of this roller coaster with you. I never know which Chase I’m going to meet up with that day. Is it going to be the cold or the funny and caring Chase? Will it be the one that’s with four girls in one night, or the one that tells me how beautiful I am, does amazingly sweet things for me and notices stuff about me that no one else does?” Okay so Brandon noticed, but that wouldn’t help my argument right now. He just continued to glare at me. “You’re all over the place, I don’t know how to act around you, I don’t know what you want!” “I want you! All I’ve ever wanted is you.” “Then why are you trying to hurt me again?” “Because it’s easier that way.” His voice was soft now, and I could see the pain in his eyes, “You’re with Brandon. Do you know what it’s like watching you with him? Wanting you so bad, but knowing he’s who you should be with?” “But what if I want you?” “Harper, don’t.” “I’m so in love with Brandon, but I can’t help what I feel for you, and I know you know what I’m talking about. Whatever this is between us … it’s been there since we met. It’s like I can’t get enough of you, but all you do is push me away. It’s all you’ve ever done!” “Because I’m not what you need Harper!” I stepped closer towards him, “Then why did you kiss me Chase? You knew it would change everything, and it did. So tell me, why did you do it?” He ran a hand through his hair and blew out a frustrated breath, “I needed to.” He closed the distance between us, “You’re all I can think about and it drives me crazy! I would have given anything for that kiss, and I knew I wouldn’t get that chance again, so I had to. I had to know if you felt something too.” I threw out my hands in exasperation, “Was that not obvious? Is it not obvious that I’m in love with you?” His
Molly McAdams (Taking Chances (Taking Chances, #1))
His hands dropped down to her thighs. He kissed her belly, and then blew kisses in between her legs. She experienced nothing but pleasure as he made her body sing. He licked her like he had the other night, and she gasped. She clutched his hair. He touched her bud and stroked her. It felt amazing, and she wanted him to lick her forever, but she didn't know if she was being selfish. She hadn't done anything to pleasure him. She sat up and pulled him next to her. "You don't have to do that again. We can just have sex. Or I can try to do it to you, though I don't know how to." "Babe, sex isn't just about penetration. I want to please you. I love this. You taste so damn sweet. I want you to enjoy yourself and do anything that feels good. I want you to come in my mouth again." "Enrique!" she gasped, her cheeks turning red as she was laughing. She had never talked freely about sex. And she loved how open he was being with her. He smiled. "You're mine now. And I think you're sexy as hell. I'm going to tell you every chance I get--- how much I want you, how badly I wanted to touch you from the second I saw you. How you have the most incredible plump ass. How much I want to eat your pussy." She exhaled. "I've never seen myself as sexy or attractive. But you... you're a god." She rubbed her hand down his abs and stroked his cock. "I've fantasized about this since I met you." He grinned and kissed her neck. "I can pretty much guarantee not as much as I have. Now relax, babe." He kissed her back down to her belly, and in between her thighs. Sweet heat. He licked her pussy and her breath quickened. Her moans came rapidly. He rubbed her nipples with his free hand as she clutched the sheets, writhing against his tongue. She looked down at Enrique, who was settled between her legs, lapping at her as if she were his oasis in the middle of the fields. She took a deep breath and did exactly as he said. Relax. As she loosened up, pressure built between her legs and waves of pleasure washed over her. Her chest heaved. "Enrique. That feels really good." He grinned. "I'm going to make you feel even better." He rubbed her clit. She felt as if she was going to explode. "That's it, baby. Come for me." Carolina closed her eyes and let go. The intensity pulsed through her as her body shook and ecstasy took over. "Ah, Enrique!
Alana Albertson (Kiss Me, Mi Amor (Love & Tacos))
Gray burst into the galley. “Miss Turner is not eating.” The cramped, boxed-in nature of the space, the oppressive heat-it seemed an appropriate place to take this irrational surge of resentment. If only his emotion could dissipate through the ventilation slats as quickly as steam. “And good morning to you, too.” Gabriel wiped his hands on his apron without glancing up. “She’s not eating,” Gray repeated evenly. “She’s wasting away.” He didn’t even realize his knuckled cracked. He flexed his fingers impatiently. “Wasting away?” Gabriel’s face split in a grin as he picked up a mallet and attacked a hunk of salted pork. “Now what makes you say that?” “Her dress no longer fits properly. The neckline of her bodice is too loose.” Gabriel stopped pounding and looked up, meeting Gray’s eyes for the first time since he’d entered the galley. The mocking arch of the old man’s eyebrows had Gray clenching his teeth. They stared at each other for a second. Then Gray blew out his breath and looked away, and Gabriel broke into peals of laughter. “Never thought I’d live to see the day,” the old cook finally said, “when you would complain that a beautiful lady’s bodice was too loose.” “It’s not that she’s a beautiful lady-“ Gabriel looked up sharply. “It’s not merely that she’s a beautiful lady,” Gray amended. “She’s a passenger, and I have a duty to look out for her welfare.” “Wouldn’t that be the captain’s duty?” Gray narrowed his eyes. “And I know my duty well enough,” Gabriel continued. “It’s not as though I’m denying her food, now is it? I’m thinking Miss Turner just isn’t accustomed to the rough living aboard a ship. Used to finer fare, that one.” Gray scowled at the hunk of cured pork under Gabriel’s mallet and the shriveled, sprouted potatoes rolling back and forth with each tilt of the ship. “Is this the noon meal?” “This, and biscuit.” “I’ll order the men to trawl for a fish.” “Wouldn’t that be the captain’s duty?” Gabriel’s tone was sly. Gray wasn’t sure whether the plume of steam swirling through the galley originated for the stove or his ears. He didn’t care for Gabriel’s flippant tone. Neither did he care for the possibility of Miss Turner’s lush curves disappearing when he’d never had any chance to appreciate them. Frustrated beyond all reason, Gray turned to leave, wrenching open the galley door with such force, the hinges creaked in protest. He took a deep breath to compose himself, resolving not to slam the door shut behind him. Gabriel stopped pounding. “Sit down, Gray. Rest your bones.” With another rough sigh, Gray complied. He backed up two paces, slung himself onto a stool, and watched as the cook grabbed a tin cup from a hook on the wall and filled it, drawing a dipper of liquid from a small leather bucket. Then Gabriel set the cup on the table before him. Milk. Gabriel stared it. “For God’s sake, Gabriel. I’m not six years old anymore.” The old man raised his eyebrows. “Well, seeing as how you haven’t outgrown a visit to the kitchen when you’re in a sulk, I thought maybe you’d have a taste for milk yet, too. You did buy the goats.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
ASSERTIVE The Assertive type believes time is money; every wasted minute is a wasted dollar. Their self-image is linked to how many things they can get accomplished in a period of time. For them, getting the solution perfect isn’t as important as getting it done. Assertives are fiery people who love winning above all else, often at the expense of others. Their colleagues and counterparts never question where they stand because they are always direct and candid. They have an aggressive communication style and they don’t worry about future interactions. Their view of business relationships is based on respect, nothing more and nothing less. Most of all, the Assertive wants to be heard. And not only do they want to be heard, but they don’t actually have the ability to listen to you until they know that you’ve heard them. They focus on their own goals rather than people. And they tell rather than ask. When you’re dealing with Assertive types, it’s best to focus on what they have to say, because once they are convinced you understand them, then and only then will they listen for your point of view. To an Assertive, every silence is an opportunity to speak more. Mirrors are a wonderful tool with this type. So are calibrated questions, labels, and summaries. The most important thing to get from an Assertive will be a “that’s right” that may come in the form of a “that’s it exactly” or “you hit it on the head.” When it comes to reciprocity, this type is of the “give an inch/take a mile” mentality. They will have figured they deserve whatever you have given them so they will be oblivious to expectations of owing something in return. They will actually simply be looking for the opportunity to receive more. If they have given some kind of concession, they are surely counting the seconds until they get something in return. If you are an Assertive, be particularly conscious of your tone. You will not intend to be overly harsh but you will often come off that way. Intentionally soften your tone and work to make it more pleasant. Use calibrated questions and labels with your counterpart since that will also make you more approachable and increase the chances for collaboration. We’ve seen how each of these groups views the importance of time differently (time = preparation; time = relationship; time = money). They also have completely different interpretations of silence. I’m definitely an Assertive, and at a conference this Accommodator type told me that he blew up a deal. I thought, What did you do, scream at the other guy and leave? Because that’s me blowing up a deal. But it turned out that he went silent; for an Accommodator type, silence is anger. For Analysts, though, silence means they want to think. And Assertive types interpret your silence as either you don’t have anything to say or you want them to talk. I’m one, so I know: the only time I’m silent is when I’ve run out of things to say. The funny thing is when these cross over. When an Analyst pauses to think, their Accommodator counterpart gets nervous and an Assertive one starts talking, thereby annoying the Analyst, who thinks to herself, Every time I try to think you take that as an opportunity to talk some more. Won’t you ever shut up?
Chris Voss (Never Split the Difference: Negotiating as if Your Life Depended on It)
He kissed her long and hot, drinking in her taste and scent. Her hands went to his hips, her fingers hooking through the belt loops on his khaki shorts. She pulled him against her, arching her back, the fly of her jeans against his. Josh sucked in a deep breath and finally, reluctantly, lifted his head. “I’m so damned glad to see you.” “I’m so damned glad I got on that bus,” she said, her voice breathless, her smile wide. “I hope you’re planning to stay for a while. Like all day. And night. And then the next. Four or five.” Her eyes widened. “The next four or five days?” He lowered his head, brushing his lips over hers. “I was thinking more like months.” She laughed softly, her breath hot against his mouth. “So everything I remember feeling last year is still here.” “Definitely still here,” he agreed. And stronger. Absence did make the heart grow fonder. He also knew it made memories fade and fantasies grow. But it seemed that neither of those things had happened in regard to Tori. He remembered everything—the freckles on her nose, the length of her eyelashes, the reddish-gold highlights in her hair, the way her laugh punched him in the gut and made him hard as steel. “Thank God,” she said softly. “So that’s a yes to the four or five months?” She laughed again. “Part of me is a very definite yes.” “That’s the part I want.” “Well, I can definitely offer you a chance to hang out with me for a few days.” “Done.” “You don’t even want to know what for?” “Doesn’t matter.” “Wow,” she said again. Josh brushed his thumbs over her cheekbones. “That’s what I was thinking.” She blew out a little breath. “So how do you feel about weddings?” “Are you proposing?
Erin Nicholas (My Best Friend's Mardi Gras Wedding (Boys of the Bayou, #1))
Waterfalls" A lonely mother gazing out of her window Staring at a son that she just can't touch If at any time he's in a jam she'll be by his side But he doesn't realize he hurts her so much But all the praying just ain't helping at all 'Cause he can't seem to keep his self out of trouble So he goes out and he makes his money the best way he knows how Another body laying cold in the gutter Listen to me [Chorus:] Don't go chasing waterfalls Please stick to the rivers and the lakes that you're used to I know that you're gonna have it your way or nothing at all But I think you're moving too fast Little precious has a natural obsession For temptation but he just can't see She gives him loving that his body can't handle But all he can say is "Baby, it's good to me." One day he goes and takes a glimpse in the mirror But he doesn't recognize his own face His health is fading and he doesn't know why Three letters took him to his final resting place Y'all don't hear me [Chorus (2x)] Come on I seen a rainbow yesterday But too many storms have come and gone Leavin' a trace of not one God-given ray Is it because my life is ten shades of gray I pray all ten fade away Seldom praise Him for the sunny days And like His promise is true Only my faith can undo The many chances I blew To bring my life to anew Clear blue and unconditional skies Have dried the tears from my eyes No more lonely cries My only bleedin' hope Is for the folk who can't cope With such an endurin' pain That it keeps 'em in the pourin' rain Who's to blame For tootin' 'caine into your own vein What a shame You shoot and aim for someone else's brain You claim the insane And name this day in time For fallin' prey to crime I say the system got you victim to your own mind Dreams are hopeless aspirations In hopes of comin' true Believe in yourself The rest is up to me and you [Chorus (2x)]
TLC
Tommy continued to leer at me like he often did through the curtains while promising to make me squeal. I didn’t think he would give up his prize with just one guy standing in his way. Even moving fast, Tommy never stood a chance. Judd effortlessly grabbed the freak and slammed his head against the SUV hood. The first impact shattered Tommy’s nose while the second strike splashed blood across the windshield. Tossing him to the ground, Judd yanked out a gun and used its butt to bash Tommy across the head. When Tommy’s friends moved to help him, Judd pointed the gun at them. “Fuck off.” “You don’t know who you’re messing with,” said one of the guys. “I know enough to be sure if I blew this fucker’s head off, you’d dump him in a ditch somewhere instead of calling the cops. Now, either I’m dropping all four of you or I let you walk away. How loyal are you fucks?” Apparently not very loyal, they backed away quickly. Judd held Tommy by the back of his jacket and hit him again and again until the freak who terrorized me for weeks hung limply. Dropping him on the ground, Judd stomped hard on Tommy’s groin. Finally, he wiped the bloody gun handle on Tommy’s jeans before returning the weapon to his jacket. Walking leisurely around the SUV, Judd joined me inside. He said nothing while using the wipers to remove the blood from the windshield. Despite the violence, Judd looked bored. Hell, he wasn't even winded. As we pulled away from the motel, I couldn’t take my eyes off Judd. He was both my handsome knight in shining armor and the scariest motherfucker I’d ever seen.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
You will have your earthly inheritance without all the death and destruction and bloodshed of the Day of the Lord.” And then he spilled the barley. “All I ask is one teeny tiny thing in return. All you have to do is fall down and worship me.” Jesus looked Belial in his eyes, deep dark pools of malevolence. He whispered back, “Be gone, Accuser. For it is written, ‘You shall worship the Lord your God and him only shall you serve.’” Belial sighed and said, “Fine, have it your way. But just let it be written, I gave you the chance to avoid Armageddon and you blew it.” He grabbed his cloak off of Jesus and swung it around in an arc, creating a whirlwind of snow that blinded Jesus for a moment in its swirling white coldness. Jesus found himself in the desert again. But now he was alone. Belial was gone.
Brian Godawa (Jesus Triumphant (Chronicles of the Nephilim, #8))
Very well. Since you won’t divulge her location, answer me this. Why would Miss Plum turn down a respectable offer of marriage from a gentleman such as my Bram?” “Why is it that ladies seem to believe I enjoy discussing these types of personal matters?” Mr. Skukman countered. Iris continued as if Mr. Skukman had not spoken. “Bram is a wealthy, eligible, and influential gentleman who owns his own castle—not to mention his stellar good looks.” “You’re his mother. Of course you’re going to believe he has stellar good looks.” “You don’t believe my Bram is handsome?” “Yet another topic I’m not comfortable discussing, but . . . I suppose if I really consider the matter, yes . . . Mr. Haverstein’s features are adequately arranged, but Miss Plum is not a lady who is impressed by a handsome face.” “She’s an actress.” Mr. Skukman let out a bit of a growl, which had Lucetta immediately stepping from behind the curtain. “Thank you, Mr. Skukman, but I think it might be for the best if I take it from here.” “Were you hiding behind the curtains?” Iris demanded. “Obviously,” Lucetta said as she headed across the room, stepping in between Iris, who was looking indignant, and Mr. Skukman, who’d adopted his most intimidating pose—a pose that didn’t appear to intimidate Iris in the least. “Now then,” Lucetta began, sending Mr. Skukman a frown when he cracked his knuckles, “from what I overheard, you’re here, Mrs. Haverstein, to learn why I rejected Bram’s offer.” Iris lifted her chin. “That’s one of the reasons I’ve sought you out.” “Lovely, and before we address those other reasons, allow me to say that the reason I refused Bram’s proposal was because your son was offering to marry a woman who doesn’t exist. He simply has yet to realize that.” Iris narrowed her eyes. “Bram could provide you with everything.” “I’m fairly good at providing for myself, Mrs. Haverstein.” Iris’s eyes narrowed to mere slits. “What are you really playing at? Are you, by chance, hoping that because you turned him down, he’ll make you a better offer?” Lucetta’s brows drew together. “What else could he possibly offer me that would be more appealing than his name?” For a second, Iris looked a little taken aback, but she rallied quickly. “You may be the type of woman who prefers the freedom spinsterhood provides, so I would imagine you’re holding out for a nice place in the city, replete with all the fashionable amenities.” Even though Lucetta was well aware of the reputation most actresses were assumed to enjoy, and even though such insinuations normally never bothered her, a sliver of hurt wormed its way into her heart. Before she could summon up a suitable response, though, Abigail suddenly breezed into the room. “Lucetta is like a granddaughter to me, Iris, and as such, you will treat her accordingly, as well as apologize for your serious lack of manners,” Abigail said as she plunked her hands on her hips and scowled at her daughter. At first, it seemed that Iris wanted to argue the point, but then she blew out a breath and nodded Lucetta’s way. “My mother is quite right. That was unkind of me, and unfair. Forgive me.” Lucetta
Jen Turano (Playing the Part (A Class of Their Own, #3))
You said yourself that Thomas was like family, so why? What could he possibly have to gain?” He shook his head, gritting his teeth. He’d been hoping to avoid this part. No wonder he’d stuck to women with low expectations for the last three years. “I haven’t always been a nice guy, Maddie.” “Yeah, yeah.” She waved her hand in dismissal. “What’s your theory?” “I don’t have to theorize,” he said, shrugging. “I know why.” “So?” “I slept with his wife.” She froze, blinking at him like a deer caught in headlights. “How stupid could you be?” For the first time in three years, he laughed about it. “Pretty fucking stupid, Princess.” She wrinkled her nose, her gaze darting away as she ran a hand through her hair. “Why would you pick her, out of all women in Chicago?” How could he explain to a good, Catholic girl who’d only had sex with one guy her whole life that sometimes you’re just an idiot? That’s how things had been in his world. He’d moved in a circle of entitled, privileged people who took what they wanted, and he’d been one of them. Consequences hadn’t even been part of the equation. “I didn’t pick her. It was more like she fell into my lap and I didn’t say no.” She rolled her eyes. “Give me a break. You weren’t eighteen. You’ll need to do better than that.” He thought about Charlie’s comment earlier about his preference for unavailable women. He blew out a breath. “I worked sixty to seventy hours a week. It didn’t leave a lot of time for relationships. Sara was his second wife and not much older than I was. I took her home one night after a benefit we both attended and it just . . . happened.” It
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Before our faces could touch I was yanked back and thrown over Chase’s shoulder as he yelled for the beer pong game to start. “CHASE! Put me down!” I couldn’t even enjoy the fact that his hands were touching my bare thighs. He’d just stopped what could have been my first kiss, and his shoulder was really uncomfortable against my stomach. “No way! The Princess needs her throne!” I started beating my fists on his back, which just made him laugh harder and smack my butt. Ugh, this was the worst position to be in, I couldn’t even get a good pressure point to hit. “If you don’t put me down I will make good on my previous threat!” He laughed for another few seconds before remembering the night in his bed, immediately his laughter stopped and I was set down. But of course, I couldn’t have the last word. Gripping my arm firmly, he pulled me towards the front door before bringing me close to his body so he could whisper roughly in my ear. “I don’t want you with him.” He growled and his grip tightened. Gah, even that sent shivers of pleasure through me. “What is your deal with him? Is there something he did that you’d like to share?” “He’s not good enough for you.” I shook my head and failed at yanking my arm free, it was starting to get painful. “How do you know what is and isn’t good for me? You don’t even know me!” I hissed. Warm hands were on my shoulders then, and though he dropped my arm, Chase looked more pissed off than he had before. I knew he’d been gripping me tight, but my arm was now throbbing where his hand had just been. “I thought I told you to back off man?” Chase’s voice got louder, I swear I could practically see his feathers ruffle. I could tell Brandon was standing in an intimidating stance, but he seemed perfectly at ease making soothing trails up and down my arms. “I don’t really think that’s up to you.” Chase looked at me softly, his voice still harsh, “You hurt her, I swear to God I’ll break your neck.” With that, he pushed past us and went back toward the kitchen. That was a little much. “Ridiculous.” I blew out a breath I hadn’t realized I was holding and turned to look at Brandon. “Before you ask, I have absolutely no idea.” He laughed and wrapped his arms around me, pulling me close to his chest. “And you’re sure nothing’s going on between you?” “Positive. He probably just views me as his sister, so he’s a little protective.” “Hah! I’m pretty sure he doesn’t see you like he sees Bree.” “What do you mean?” I didn’t think it was possible, but somehow his voice got even lower and all I wanted to do was close my eyes and listen to him talk. “You’re gorgeous, funny and just all around amazing. And what makes it worse is that you don’t even see it. All the guys had been talking about you before I even got here, and after today, I see why.” “No they weren’t Brandon.” I rolled my eyes. He raised his eyebrow and smirked, “I wouldn’t lie to you. Harper, trust me when I say he doesn’t want to be your brother, but I’m not about to let him try to be anything else.” His
Molly McAdams (Taking Chances (Taking Chances, #1))
A sudden insight teased him. What if she didn’t want to leave? What if she was just angry with him and acting impulsively? He left Rand to kneel at her feet. She eyed him suspiciously. He hated that he’d given her cause to look at him that way. “I will ask ye this but once. Do ye wish to forsake our bond and my offered protection? Do ye truly wish to return to your life of providing for yourself and working and raising your bairn alone? I would have ye stay here with me, and I would care for you your whole life. I would treat your bairn as my own. I have means, and I am a good man, though I ken I havena given ye cause to believe it. “Stay with me, Malina. Let me prove to you the man I am. I wouldna expect your love, and I dinna expect you to share my bed. But I wish ye to stay and be my wife. I wish to be your husband. Will you release me from the vow I made to help ye return home?” He made himself stop blathering and waited for her answer, drowning in the emerald pools of her eyes. Closing his hands around hers, around the box, he found some solace in the fact that she didn’t pull away. She appraised him with liquid eyes. Could that be tenderness he glimpsed? But it was gone too soon, replaced with suspicion. Och, he’d been so dishonest with her she likely would never be able to trust him. Mayhap it was for the best she was leaving. If she couldn’t trust him, he’d nay be able to make her happy. At last, she shook her head. “I suspect you’re a good man, even though you lied to me. I see goodness in you, and honor. Any woman would be lucky to have you as her husband.” His heart lifted with hope. “Any woman from your time,” she added gently. “I don’t belong here. I need to go back to my time. My being here is a mistake. This is all a huge mistake.” His heart crumbled as he released her hands and pulled the heavy velvet pouch from his sporran. “Then, take this. ’Tis my wedding gift to you. If I canna be with you to keep my marriage vows, I pray this will clear my name before the Lord.” She took the pouch and looked inside. Her eyes grew wide. “It’s gold. I can’t take this.” She tried to push it back into his hands, but he refused it. “You must. ’Tis the best I can do for you, Malina mine. I hope ye will remember me well when you use it. I hope this will provide for you and your bairn for many years.” Not giving her a chance to reject his gift as she’d rejected him, he rose and blew out the lantern. He led Rand from the stables, and said, “Come, Malina. ’Tis time to send you home.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
So what do you want?” St. Just asked quietly. Winnie looked away, reminding him poignantly of Emmie in the midst of difficult discussions. “What do you want, princess?” he asked again. “I want…” Winnie’s little shoulders heaved, and still St. Just waited. “I want Emmie to s-s-stay.” She hurled herself across the mattress, sending her writing implements flying in her haste to throw herself into St. Just’s arms. “Don’t let her go away, please,” Winnie wailed. “I’ll be good, just… Make her stay. You have to make her stay.” He wrapped her in his arms and held her while she cried, producing a handkerchief when the storm seemed to be subsiding. All the while he held her, he thought of Her Grace raising ten children, ten little hearts that potentially broke over every lost stuffed bear, dead pony, and broken toy. Ten stubborn little chins, ten complicated little minds, each as dear and deserving as the last, and all with intense little worlds of their own. Ye Gods. And what to say? Never lie to your men, St. Just admonished himself… “I don’t want her to go, either,” St. Just murmured when Winnie’s tears had quieted to sniffles. “But Emmie has her business to run, Win. She won’t go far, though, just back to the cottage, and we can visit her there a lot.” Like hell. “She isn’t going to the cottage,” Winnie replied with desperate conviction. “She’s going to marry Vicar and his brother will die and she’ll be rich, but far, far away. Cumbria is like another country, farther away than Scotland or France or anywhere.” “Hush,” St. Just soothed, fearing he was about to witness the youngest female crying jag of his experience. “Emmie hasn’t said anything to me, Winnie, and I think she’d let me know if she were going somewhere.” She had, however, told him to find another governess by Christmas at the latest. “She’s going,” Winnie said, heartsick misery in her tone. “I know it, but she’ll listen to you if you tell her to stay.” “I can’t tell her, Win.” St. Just rose to turn back the bedcovers. “I can only ask.” “Then ask her,” Winnie pleaded as she scooted between the sheets. “Please, you have to.” “I will ask her what her plans are, but that doesn’t affect your needing and deserving a governess. Understand?” When Winnie’s chin jutted, he dropped onto the bed and met her eyes. “We haven’t hired anybody yet, we haven’t even interviewed anybody yet, and we won’t expect you to tolerate anybody who isn’t acceptable to both Emmie and me, all right?” “I don’t want a governess,” Winnie said, but her tone was whimpery, miserable, and hopeless. “I understand that, and I only want you to have a governess you’re going to like, Winnie. All I’m asking is that you give somebody a chance to help you learn, whether Emmie’s here, back at the cottage, or married to the Vicar.” “I love Emmie,” Winnie said, reaching for Mrs. Bear. “I love Emmie, and I don’t want her to go, and I don’t want her to marry Vicar.” “Neither do I, princess.” St. Just blew out her candle. “Neither do I.” He
Grace Burrowes (The Soldier (Duke's Obsession, #2; Windham, #2))
Dodge Caravan three weeks ago, out in Pittsfield.’ Pittsfield, she thought, right across the state border from Albany. Where a woman vanished just last month. She stood with the receiver pressed to her ear, her pulse starting to hammer. ‘Where’s that van now?’ ‘Our team sat tight and didn’t follow it. By the time they heard back about the plates, it was gone. It hasn’t come back.’ ‘Let’s change out that car and move it to a parallel street. Bring in a second team to watch the house. If the van comes by again, we can do a leapfrog tail. Two cars, taking turns.’ ‘Right, I’m headed over there now.’ She hung up. Turned to look into the interview room where Charles Cassell was still sitting at the table, his head bowed. Is that love or obsession I’m looking at? she wondered. Sometimes, you couldn’t tell the difference. Twenty-eight DAYLIGHT WAS FADING when Rizzoli cruised up Dedham Parkway. She spotted Frost’s car and pulled up behind him. Climbed out of her car and slid into his passenger seat. ‘And?’ she said. ‘What’s going on?’ ‘Not a damn thing.’ ‘Shit. It’s been over an hour. Did we scare him off?’ ‘There’s still a chance it wasn’t Lank.’ ‘White van, stolen plates from Pittsfield?’ ‘Well, it didn’t hang around. And it hasn’t been back.’ ‘When’s the last time Van Gates left the house?’ ‘He and the wife went grocery shopping around noon. They’ve been home ever since.’ ‘Let’s cruise by. I want to take a look.’ Frost drove past the house, moving slowly enough for her to get a good long gander at Tara-on-Sprague-Street. They passed the surveillance team, parked at the other end of the block, then turned the corner and pulled over. Rizzoli said: ‘Are you sure they’re home?’ ‘Team hasn’t seen either one of them leave since noon.’ ‘That house looked awfully dark to me.’ They sat there for a few minutes, as dusk deepened. As Rizzoli’s uneasiness grew. She’d seen no lights on. Were both husband and wife asleep? Had they slipped out without the surveillance team seeing them? What was that van doing in this neighborhood? She looked at Frost. ‘That’s it. I’m not going to wait any longer. Let’s pay a visit.’ Frost circled back to the house and parked. They rang the bell, knocked on the door. No one answered. Rizzoli stepped off the porch, backed up the walkway, and gazed up at the southern plantation facade with its priapic white columns. No lights were on upstairs, either. The van, she thought. It was here for a reason. Frost said, ‘What do you think?’ Rizzoli could feel her heart starting to punch, could feel prickles of unease. She cocked her head, and Frost got the message: We’re going around back. She circled to the side yard and swung open a gate. Saw just a narrow brick walkway, abutted by a fence. No room for a garden, and barely room for the two trash cans sitting there. She stepped through the gate. They had no warrant, but something was wrong here, something that was making her hands tingle, the same hands that had been scarred by Warren Hoyt’s blade. A monster leaves his mark on your flesh, on your instincts. Forever after, you can feel it when another one passes by. With Frost right behind her, she moved past dark windows and a central air-conditioning unit that blew warm air against her chilled flesh. Quiet, quiet. They were trespassing now, but all she wanted was a peek in the windows, a look in the back door. She rounded the corner and found a small backyard, enclosed by a fence. The rear gate was open. She crossed the yard to that gate and looked into the alley beyond it. No one there. She started toward the house and was almost at the back door when she noticed it was ajar. She and Frost exchanged a look. Both their weapons came out. It had happened so quickly, so automatically, that she did not even remember having drawn hers. Frost gave the back door a push, and it swung
Tess Gerritsen (Body Double (Jane Rizzoli & Maura Isles, #4))
Your family,” Hugh said. “I can’t believe the things you talk about.” I reminded him of the time his sister visited us in Normandy. I walked into the living room one afternoon and heard her saying to her mother, “Don’t you just love the feel of an iguana?” Who are you people? I remember thinking. That same night, after my bath, I overheard her asking, “Well, can’t you make it with camel butter?” “You can,” Mrs. Hamrick said, “but I wouldn’t recommend it.” I thought of asking for details—“Make what with camel butter?”—but decided I preferred the mystery. I’ll forever wonder what a guest from Paris meant when I walked into the yard one evening and heard her saying, “Mini goats might be nice.” Odder still: Hugh’s father came to visit with an old friend. The two had been discussing their time in Cameroon in the late 60s, and I entered the kitchen to hear Mr. Hamrick say, “Now was that guy a Pygmy, or just a false Pygmy?” I turned around and headed to my office, thinking, I’ll ask later. Then Hugh’s father died, as did his old friend. I suppose I could Google “false Pygmy,” but it wouldn’t be the same. I had my chance to find out, and I blew it.
David Sedaris (Calypso)
I have to admit that I thought Gould had a good chance to take you out. I mean, if not him, who? He’s one of the top private contractors in the world and he already blew the crap out of your wife and kid.” Rickman’s face broke into a wide grin as Rapp’s darkened. He wished the son of a bitch really could come back to life. Because then he could kill him again.
Vince Flynn (The Survivor (Mitch Rapp, #14))
Knox: Yo. Oh wow . . . how prolific. I chuckle, wondering what I was thinking, as if he was going to open with recited poetry or something. He is a “horny college student” after all—his words, not mine. Shaking my head, I type back. Emory: You have one chance to make a good first impression in student chat and you open with yo? I expected more from you. Knox: I wasn’t going to waste a good opening on the possibility of you not accepting my chat. Emory: Does that mean you have a secondary opening? Knox: Obviously. Emory: Do I get to read it? Knox: I don’t know. I’m trying to decide if you’re worthy or not. Emory: You’re the one who messaged me. I can sign out anytime I want. Knox: You’re fucking brutal. Fine . . . ahem, here it goes; What’s up? I laugh out loud, hating that he so easily entertains me. What a doofus. Emory: Wow, I think you just blew my socks off. Knox: See why I saved it? Can’t waste that shit on just anyone. Emory: I hope you keep that opening a secret. Can you imagine the number of socks that would be flying off feet all over campus? It’s dangerous. Knox: Lethal. Emory: I’m glad you saved it for me. I’m indebted to you. Knox: Really? ((Rubs hands together)) Should I cash in now? Emory: I’m clearly kidding. Knox: Nope, I have it in writing ^^^ right up there. You’re indebted to me. So I’m cashing in. Emory: “Cash in” all you want, still doesn’t mean I’m going to do whatever you ask. Knox: Stubborn woman. Emory: ^^That’s winning you friends. Knox: Come to the party tonight. Emory: Just jumping right into it, are you? Knox: There is no theme. It’s just to have fun. We have beer and some mixed drinks, and I can even offer you some pretzels. Emory: Wow, you paint a beautiful evening. The pretzels are a real winning attribute. Knox: I was going to save this as a last-ditch effort but since I think I might have you hooked with the pretzels, I’m going to bring my offer home and let you in on a little secret; just bought a fresh packet of Oreos. So if you play your cards right, you could be separating Oreos with me tonight. Emory: Seriously? Oreos, how RARE! Well, then I must go because . . . Oreos. Knox: Really? You’re coming? Emory: No. Have a good night, Knox. I shut the computer before he can respond and smile to myself as I look over to my closet, debating what I should wear tonight.
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
You asked me who I’d been seeing? The mystery guy?” “Ohhhhhh.” Emily’s eyes lit up at the promise of early morning gossip. “Why, yes. I do remember that.” Emily rested her chin on her hands, settling in for my story. “I don’t think you need me for this.” Simon threw up defensive hands and went into the kitchen in search of coffee. I gave him a thin smile of appreciation that he didn’t see, then I turned back to Emily and, for the first time, spilled the whole story. Of being so lonely I couldn’t handle it anymore. Of drinking one glass of wine too many and sending that first message to Dex. His response. Our emails. Texts. And realizing last night that it had all been a lie. “So . . .” While I’d been talking Emily refilled our coffee mugs, and now she sat down again, staring hard at my laptop. “All this time you thought it was Dex, but it was Daniel writing to you instead?” “Exactly.” I nodded emphatically. “Are you kidding me?” I jumped at Simon’s voice, harsher, angrier than I was used to hearing him. He was back, leaning against the archway again, his own mug of coffee in his hands. “What kind of Cyrano de Bergerac bullshit is that?” Emily clucked her tongue and turned in her chair. “I don’t know about that,” she said. “Of course it is!” He gestured to my laptop. “Look, I’ve known the Dueling Kilts for years. They’ve played the Faire since . . . well, I think since the first year we started hiring outside acts. And they’re great guys. But there’s no way that Dex MacLean could string together a coherent sentence, much less an elaborate email.” “Hey.” I felt a lick of defensive anger for the hottie I’d hooked up with. But then I thought about it and, well, Simon wasn’t wrong. Hadn’t I thought something similar when I’d first started hearing from Dex? Daniel? Who-the-hell-ever? “Okay, yeah,” I said. “That’s fair.” Simon’s smile wasn’t unkind as he finished his point. “Which means he got Daniel to write those emails for him. And that’s classic Cyrano.” “Yeah, but what about the texts?” Emily picked up my phone and waved it at him. “Daniel was using his own phone number. You think Dex was standing over his shoulder, telling him what to say?” “He could have been.” “I don’t think so. Besides, in the original play, Cyrano and Christian were both in love with Roxane, but Cyrano sacrificed his chance to be with her because he thought she loved Christian more. But we don’t know if that’s the case here. Maybe Daniel . . .” “What the hell is wrong with you two?” I closed my laptop with a snap and took my phone back from Emily. “You’re both nerds, you know that? In this century we don’t go straight for a Cyrano reference. We call it catfishing.” Simon snorted, and Emily bit down on her bottom lip, but amusement danced in her eyes. “Well, yeah. That’s true. But Simon does have a point.” “Of course I do.” He blew across the top of his mug before taking a sip. I narrowed my eyes at him. “Don’t you have sets to finish painting?
Jen DeLuca (Well Played (Well Met, #2))
Then of course, I meet you and I realize you’re the same guy in those paintings, and that young man in the paintings is a lot of things, but scared isn’t one of them. So I’m guessing whatever it is, it’s a recent thing. Maybe something going on right now. And I’m guessing you’ve never had a gay adult in your life—someone who’s seen a lot of what we face and the sorts of mistakes we make because of it, and knows how to navigate it all. At least, not one who went that extra step and took you in hand and said, you’re not alone.” Fuck, fuck, fuck! I was not going to start bawling in front of this nosy, presumptuous asshole. I wasn’t. So I blew up instead. “Well, kum-ba-fucking-yah!” I flung myself up from the table, beyond caring that I was pretty much torpedoing my only chance at employment. This chucklenuts had started it. “Great! I’m not alone. Except maybe I want to be alone, hm? Maybe I should be alone, didya think of that when you were looking in your crystal ball, Madame Sees-All-Knows-All? Maybe I’ve done something so monumentally fucking stupid that the only possible outcome is for me to wind up alone because that’s exactly what I fucking deserve.
Amelia C. Gormley (Saugatuck Summer (Saugatuck, #1))