Blaze Fielding Quotes

from the poem Hum, Hum The resurrection of the morning. The mystery of the night. The hummingbird's wings. The excitement of thunder. The rainbow in the waterfall. Wild mustard, that rough blaze of the fields.

I was caged within a four dimensional cube that eclipsed the world around me in an icy mist. I screamed; begging someone, anyone to hear my pleas, but my voice had been extinguished and left me with a slight wheeze from what little oxygen I had. I could glimpse the field of energy as it shrank through the safety of my circle to envelop me in a blazing grip. I was alone; unbearably separated from my haven.

Behind him the hill are open, the sun blazes down upon fields so large as to give unenclosed character to the landscape, the lanes are white, the hedges low and plashed, the atmosphere colourless.

It was Joss Whedon's Buffy the Vampire Slayer (the television series, 1997-2003, not the lackluster movie that preceded it) that blazed the trail for Twilight and the slew of other paranormal romance novels that followed, while also shaping the broader urban fantasy field from the late 1990s onward. Many of you reading this book will be too young to remember when Buffy debuted, so you'll have to trust us when we say that nothing quite like it had existed before. It was thrillingly new to see a young, gutsy, kick-ass female hero, for starters, and one who was no Amazonian Wonder Woman but recognizably ordinary, fussing about her nails, her shoes, and whether she'd make it to her high school prom. Buffy's story contained a heady mix of many genres (fantasy, horror, science-fiction, romance, detective fiction, high school drama), all of it leavened with tongue-in-cheek humor yet underpinned by the serious care with which the Buffy universe had been crafted. Back then, Whedon's dizzying genre hopping was a radical departure from the norm-whereas today, post-Buffy, no one blinks an eye as writers of urban fantasy leap across genre boundaries with abandon, penning tender romances featuring werewolves and demons, hard-boiled detective novels with fairies, and vampires-in-modern-life sagas that can crop up darn near anywhere: on the horror shelves, the SF shelves, the mystery shelves, the romance shelves.

She alone was left standing, amid the accumulated riches of her mansion, while a host of men lay stricken at her feet. Like those monsters of ancient times whose fearful domains were covered with skeletons, she rested her feet on human skulls and was surrounded by catastrophes...The fly that had come from the dungheap of the slums, carrying the ferment of social decay, had poisoned all these men simply by alighting on them. It was fitting and just. She had avenged the beggars and outcasts of her world. And while, as it were, her sex rose in a halo of glory and blazed down on her prostrate victims like a rising sun shining down on a field of carnage, she remained as unconscious of her actions as a splendid animal, ignorant of the havoc she had wreaked, and as good-natured as ever.

Lying in a Hammock at William Duffy’s Farm in Pine Island, Minnesota Over my head, I see the bronze butterfly, Asleep on the black trunk, Blowing like a leaf in green shadow. Down the ravine behind the empty house, The cowbells follow one another Into the distances of the afternoon. To my right, In a field of sunlight between two pines, The droppings of last year’s horses Blaze up into golden stones. I lean back, as the evening darkens and comes on. A chicken hawk floats over, looking for home. I have wasted my life.

I sat wondering: Why is there always this deep shade of melancholy over the fields arid river banks, the sky and the sunshine of our country? And I came to the conclusion that it is because with us Nature is obviously the more important thing. The sky is free, the fields limitless; and the sun merges them into one blazing whole. In the midst of this, man seems so trivial. He comes and goes, like the ferry-boat, from this shore to the other; the babbling hum of his talk, the fitful echo of his song, is heard; the slight movement of his pursuit of his own petty desires is seen in the world's market-places: but how feeble, how temporary, how tragically meaningless it all seems amidst the immense aloofness of the Universe! The contrast between the beautiful, broad, unalloyed peace of Nature—calm, passive, silent, unfathomable,—and our own everyday worries—paltry, sorrow-laden, strife-tormented, puts me beside myself as I keep staring at the hazy, distant, blue line of trees which fringe the fields across the river. Where Nature is ever hidden, and cowers under mist and cloud, snow and darkness, there man feels himself master; he regards his desires, his works, as permanent; he wants to perpetuate them, he looks towards posterity, he raises monuments, he writes biographies; he even goes the length of erecting tombstones over the dead. So busy is he that he has not time to consider how many monuments crumble, how often names are forgotten!

Close to the road a cow would stand knee-deep in the mist, with horns damp enough to have a pearly shine in the starlight, and it would look at the black blur we were as we went whirling into the blazing corridor of light which we could never quite get into for it would be always splitting the dark just in front of us. The cow would stand there knee-deep in the mist and look at the black blur and the blaze and then, not turning his head, at the place where the black blur and blaze had been, with the remote, massive, unvindictive indifference of God-All-Mighty or Fate or me, if I were standing there knee-deep in the mist, and the blur and the blaze whizzed past and withered on off between the fields and the patches of woods.

Nothing exists now but the tiger, filling his field of vision like a bad accident, like the end of the world: a pair of blazing yellow lanterns over a temple door framed with ivory columns.

To be strong and true had been the most important task he had set himself since early childhood. Once, as a boy, he had tried to outstare the sun. But before he could tell whether he had really looked at it or not, changes had occurred: the blazing red ball that had been there at first began to whirl, then suddenly dimmed, till it became a cold, bluish-black, flattened disk of iron. He felt he had seen the very essence of the sun.... For a while, wherever he looked he saw the sun's pale afterimage: in the undergrowth; in the shade beneath the trees; even, when he gazed up, in every part of the sky. The truth was something too dazzling to be looked at directly. And yet, once it had come into one's field of vision, one saw patches of light in all kinds of places: the afterimages of virtue.

there were no images of screaming, angry crowds; no shots of policemen and soldiers advancing slowly shoulder go shoulder; no bodies sprawled in the street; no blazing houses. It was as if it weren't happening at all.

There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings. Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns. Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours. There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh. On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit. The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died. In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams. No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.

The song continued and in the mists of the strange grove, a woman appeared. Her skin was as dark as the rich harvest earth, and white hair floated around her like a soft cloud in a clear winter sky. She wore a dress made of ice woven with the new blossoms of the first warm days of spring. Her eyes blazed as green as the fair golden days of summer, then turned gold like ripe fields of wheat. They glowed in the dim light as she watched him from her place atop a throne carved fro stone and the roots of a living tree.

From around the corner's edge a grotesque light was trickling out, the first intimations of an ominous sunrise over a dark horizon. I dimly recognized this colored light, though not from my waking memory. It grew more intense, now pouring out in weird streams from beyond the solid margin of the building. And the more intense it grew, the more clearly I could hear the screaming voice that had called out to me in a dream. I shouted his name, but the swelling colored brightness was a field of fear which kept me from making any move toward it. It was no amalgam of colors comparable to anything in mortal experience. It was as if all natural colors had been mutated into a painfully lush iridescence by some prism fantastically corrupted in its form; it was a rainbow staining the sky after a poison deluge; it was an aurora painting the darkness with a blaze of insanity, a blaze that did not burn vigorously but shimmered with an insect-jeweled frailness. And, in actuality, it was nothing like these color-filled effusions, which are merely a feeble means of partially fixing a reality uncommunicable to those not initiated to it, a necessary resorting to the makeshift gibberish of the mystic isolated by his experience and left without a language to describe it. ("The Dreaming In Nortown")

Spring, in Brittany, is milder than spring in Paris, and bursts into flower three weeks earlier. The five birds that herald its appearance—the swallow, the oriole, the cuckoo, the quail, and the nightingale—arrive with the breezes that refuge in the bays of the Armorican peninsula.[28] The earth is covered over with daisies, pansies, jonquils, daffodils, hyacinths, buttercups, and anemones, like the wastelands around San Giovanni of Laterano and the Holy Cross of Jerusalem in Rome. The clearings are feathered with tall and elegant ferns; the fields of gorse and broom blaze with flowers that one may take at first glance for golden butterflies. The hedges, along which strawberries, raspberries, and violets grow, are adorned with hawthorn, honeysuckle, and brambles whose brown, curving shoots burst forth with magnificent fruits and leaves. All the world teems with bees and birds; hives and nests interrupt the child’s every footstep. In certain sheltered spots, the myrtle and the rose-bay flourish in the open air, as in Greece; figs ripen, as in Provence; and every apple tree, bursting with carmine flowers, looks like the big bouquet of a village bride.

Brentwood stands on that fine and wealthy slope of country, one of the richest in Scotland, which lies between the Pentland Hills and the Firth. In clear weather you could see the blue gleam-like a bent bow, embracing the wealthy fields and scattered houses of the great estuary on one side of you; and on the other the blue heights, not gigantic like those we had been used to, but just high enough for all the glories of the atmosphere, the play of clouds, and sweet reflections, which give to a hilly country an interest and a charm which nothing else can emulate. Edinburgh, with its two lesser heights - the Castle and the Calton Hill - its spires and towers piercing through the smoke, and Arthur's Seat lying crouched behind, like a guardian no longer very needful, taking his repose beside the well-beloved charge, which is now, so to speak, able to take care of itself without him - lay at our right hand. From the lawn and drawing-room windows we could see all these varieties of landscape. The colour was sometimes a little chilly, but sometimes, also, as animated and full of vicissitude as a drama. I was never tired of it. Its colour and freshness revived the eyes which had grown weary of arid plains and blazing skies. It was always cheery, and fresh, and full of repose. ("The Open Door")

VI. I Remember You As You Were" I remember you as you were in the last autumn. You were the grey beret and the still heart. In your eyes the flames of twilight fought on. And the leaves fell in the water of your soul. Clasping my arms like a climbing plant the leaves garnered your voice, that was slow and at peace. Bonfire of awe in which my thirst was burning. Sweet blue hyacinth twisted over my soul. I feel your eyes travelling, and the autumn is far off: grey beret, voice of a bird, heart like a house toward which my deep longings migrated and my kisses fell, happy as embers. Sky from a ship. Field from the hills: Your memory is made of light, of smoke, of a still pond! Beyond your eyes, farther on, the evenings were blazing. Dry autumn leaves revolved in your soul.

He wanted to grind every Federation world into dust beneath his boot as his army blazed a trail of blood and corpses all the way to Seneca. He wanted to storm their inner sanctum and fire a laser into the skull of their Field Marshal while their Chairman watched, then fire a laser into the skull of their Chairman. He wanted to burn their bodies on a pyre and carry the ashes back to Deucali and spread them on his mother’s consecrated grave.

It took her a moment, as always, to acclimate to the roar that surged in her mind's ears, a sound she had attempted to describe to her sister and mother more than once but never could. Like being filled with golden bees that were all actually one bee, which was actually a field of shining wheat rustling beneath a blazing sun. It was a sound but not a sound. It was in her ears but it was in her head. It was like tasting a feeling and the feeling was power.

She asked, “Are you well?” “Yes.” His voice was a deep rasp. “Are you?” She nodded, expecting him to release her at the confirmation. When he showed no signs of moving, she puzzled at it. Either he was gravely injured or seriously impertinent. “Sir, you’re…er, you’re rather heavy.” Surely he could not fail to miss that hint. He replied, “You’re soft.” Good Lord. Who was this man? Where had he come from? And how was he still atop her? “You have a small wound.” With trembling fingers, she brushed a reddish knot high on his temple, near his hairline. “Here.” She pressed her hand to his throat, feeling for his pulse. She found it, thumping strong and steady against her gloved fingertips. “Ah. That’s nice.” Her face blazed with heat. “Are you seeing double?” “Perhaps. I see two lips, two eyes, two flushed cheeks…a thousand freckles.” She stared at him. “Don’t concern yourself, miss. It’s nothing.” His gaze darkened with some mysterious intent. “Nothing a little kiss won’t mend.” And before she could even catch her breath, he pressed his lips to hers. A kiss. His mouth, touching hers. It was warm and firm, and then…it was over. Her first real kiss in all her five-and-twenty years, and it was finished in a heartbeat. Just a memory now, save for the faint bite of whiskey on her lips. And the heat. She still tasted his scorching, masculine heat. Belatedly, she closed her eyes. “There, now,” he murmured. “All better.” Better? Worse? The darkness behind her eyelids held no answers, so she opened them again. Different. This strange, strong man held her in his protective embrace, and she was lost in his intriguing green stare, and his kiss reverberated in her bones with more force than a powder blast. And now she felt different. The heat and weight of him…they were like an answer. The answer to a question Susanna hadn’t even been aware her body was asking. So this was how it would be, to lie beneath a man. To feel shaped by him, her flesh giving in some places and resisting in others. Heat building between two bodies; dueling heartbeats pounding both sides of the same drum. Maybe…just maybe…this was what she’d been waiting to feel all her life. Not swept her off her feet-but flung across the lane and sent tumbling head over heels while the world exploded around her. He rolled onto his side, giving her room to breathe. “Where did you come from?” “I think I should ask you that.” She struggled up on one elbow. “Who are you? What on earth are you doing here?” “Isn’t it obvious?” His tone was grave. “We’re bombing the sheep.” “Oh. Oh dear. Of course you are.” Inside her, empathy twined with despair. Of course, he was cracked in the head. One of those poor soldiers addled by war. She ought to have known it. No sane man had ever looked at her this way. She pushed aside her disappointment. At least he had come to the right place. And landed on the right woman. She was far more skilled in treating head wounds than fielding gentlemen’s advances. The key here was to stop thinking of him as an immense, virile man and simply regard him as a person who needed her help. An unattractive, poxy, eunuch sort of person. Reaching out to him, she traced one fingertip over his brow. “Don’t be frightened,” she said in a calm, even tone. “All is well. You’re going to be just fine.” She cupped his cheek and met his gaze directly. “The sheep can’t hurt you here.

We are quiet, contemplative people, and our behaviour in the field is relatively aristocratic. Running is not necessarily beneath our dignity but it is in any case pointless because the flies move much too fast. Consequencly, we stand still, as if on guard, and moreover almost exclusively in blazing sunshine, little breeze and fragrant flowers. Passersby can therefore easily get the impression that the fly hunter is a convalescent of some kind, momentarily lost in meditation. This is not wholly inaccurate.

… bleak, wind-swept fens and moors; empty fields with broken walls and gates hanging off their hinges; a black, ruined church; an open grave; a suicide buried at a lonely crossroads; a fire of bones blazing in the twilit snow; a gallows with a man swinging from its arm; another man crucified upon a wheel; an ancient spear plunged into the mud with a strange talisman, like a little leather finger, hanging from it; a scarecrow whose black rags blew about so violently in the wind that he seemed about to leap into the grey air and fly towards you on vast black wings …

But Ransom, as time wore on, became aware of another and more spiritual cause for his progressive lightening and exultation of heart. A nightmare, long engendered in the modern mind by the mythology that follows in the wake of science, was falling off him. He had read of “Space”: at the back of his thinking for years had lurked the dismal fancy of the black, cold vacuity, the utter deadness, which was supposed to separate the worlds. He had not known how much it affected him till now—now that the very name “Space” seemed a blasphemous libel for this empyrean ocean of radiance in which they swam. He could not call it “dead”; he felt life pouring into him from it every moment. How indeed should it be otherwise, since out of this ocean the worlds and all their life had come? He had thought it barren; he saw now that it was the womb of worlds, whose blazing and innumerable offspring looked down nightly even upon the Earth with so many eyes—and here, with how many more! No: Space was the wrong name. Older thinkers had been wiser when they named it simply the heavens—the heavens which declared the glory—the happy climes that ly Where day never shuts his eye Up in the broad fields of the sky.

Such things are joys. These passages of happy couples are a profound appeal to life and nature, and make a caress and light spring forth from everything. There was once a fairy who created the fields and forests expressly for those in love,—in that eternal hedge-school of lovers, which is forever beginning anew, and which will last as long as there are hedges and scholars. Hence the popularity of spring among thinkers. The patrician and the knife-grinder, the duke and the peer, the limb of the law, the courtiers and townspeople, as they used to say in olden times, all are subjects of this fairy. They laugh and hunt, and there is in the air the brilliance of an apotheosis—what a transfiguration effected by love! Notaries' clerks are gods. And the little cries, the pursuits through the grass, the waists embraced on the fly, those jargons which are melodies, those adorations which burst forth in the manner of pronouncing a syllable, those cherries torn from one mouth by another,—all this blazes forth and takes its place among the celestial glories. Beautiful women waste themselves sweetly. They think that this will never come to an end. Philosophers, poets, painters, observe these ecstasies and know not what to make of it, so greatly are they dazzled by it. The departure for Cythera! exclaims Watteau; Lancret, the painter of plebeians, contemplates his bourgeois, who have flitted away into the azure sky; Diderot stretches out his arms to all these love idyls, and d'Urfe mingles druids with them.

Yes, you do hate Switzerland. And," doctor Messerli paused for effect, "you love it. You love it and you hate it. What you don't feel is apathy. You're not indifferent. You're ambivalent." Anna had thought about this before, when nights came during which she could do nothing but wander Dietlikon's sleeping streets or hike the hill behind her house to sit upon the bench where most often she went to weep. She'd considered her ambivalence many, many times, and in the end, she's diagnosed herself with a disease that she'd also invented. Switzerland syndrome. Like Stockholm syndrome. But instead of my captors, I'm attached to the room in which I'm held captive. It's the prison I'm bound to, not the warden. Anna was absolutely right. It was the landscape. it was the geography. The fields, the streams, the lakes, the forests. And the mountains. On exceptionally clear days when the weather was right, if you walked south on Dietlikon's Bahnhofstrasse you could see the crisp outlines of snow-capped Alps against a blazing blue horizon eighty kilometers away. On these certain days it was something in the magic of the atmosphere that made them tangible and moved them close. The mutability of those particular mountains reminded Anna of herself. And it wasn't simply the natural landscape that she attached herself to emotionally. It was the cobblestone roads of Zürich's old town and the spires of this church and the towers of that one. And the trains, the trains, the goddamn trains. She could take the train anywhere she wanted to go.

VII" Oh you can make fun of the splendors of moonlight, But what would the human heart be if it wanted Only the dark, wanted nothing on earth But the sea’s ink or the rock’s black shade? On a summer night to launch yourself into the silver Emptiness of air and look over the pale fields At rest under the sullen stare of the moon, And to linger in the depths of your vision and wonder How in this whiteness what you love is past Grief, and how in the long valley of your looking Hope grows, and there, under the distant, Barely perceptible fire of all the stars, To feel yourself wake into change, as if your change Were immense and figured into the heavens’ longing. And yet all you want is to rise out of the shade Of yourself into the cooling blaze of a summer night When the moon shines and the earth itself Is covered and silent in the stoniness of its sleep.

After picking up the lamp, she went to Joyce, who was clutching her injured shoulder. I should leave you here, she thought. She was unaware she had said the words aloud until Joyce replied. "You can't let me die!" "You're not going to die." Disgusted, terrified, Sara removed her own petticoat, wadded it up, and pressed it firmly against the wound to staunch the blood. Joyce screamed like an enraged cat, her eyes slitted and demonic. Sara's ears rang from the piercing cry. "Be quiet, you bitch!" Sara snapped. "Not another sound!" Suddenly her entire body was filled with furious energy. She felt strong enough to push down a stone wall with her bare hands. She went to the crumbling entrance of the castle and saw that the hack driver was still waiting, craning his neck curiously. "You!" she shouted. "Come here right away, or you won't get a bloody shilling of what she promised!" She turned back to Joyce, her blue eyes blazing. "And you... give me back my necklace.

The sun was going down. Every open evening, the hills of Derbyshire were blazed over with red sunset. Mrs. Morel watched the sun sink from the glistening sky, leaving a soft flower-blue overhead, while the western space went red, as if all the fire had swum down there, leaving the bell cast flawless blue. The mountain-ash berries across the field stood fierily out from the dark leaves, for a moment. A few shocks of corn in a corner of the fallow stood up as if alive; she imagined them bowing; perhaps her son would be a Joseph. In the east, a mirrored sunset floated pink opposite the west’s scarlet. The big haystacks on the hillside, that butted into the glare, went cold. With Mrs. Morel it was one of those still moments when the small frets vanish, and the beauty of things stands out, and she had the peace and the strength to see herself. Now and again, a swallow cut close to her. Now and again, Annie came up with a handful of alder-currants. The baby was restless on his mother's knee, clambering with his hands at the light.

Dawn and a high film; the sun burned it; But noon had a thick sheet, and the clouds coming, The low rain-bringers, trooping in from the north, From the far cold fog-breeding seas, the womb of storms. Dusk brought a wind and the sky opened: All down the west the broken strips lay snared in the light, Bellied and humped and heaped on the hills. The set sun threw the blaze up; The sky lived redly, banner on banner of far-burning flame, From south to north the furnace door wide and the smoke rolling. We in the fields, the watchers from the burnt slope, Facing the west, facing the bright sky, hopelessly longing to know the red beauty-- But the unable eyes, the too-small intelligence, The insufficient organs of reception Not a thousandth part enough to take and retain. We stared, and no speaking. and felt the deep loneness of incomprehension. The flesh must turn cloud, the spirit, air, Transformation to sky and the burning, Absolute oneness with the west and the down sun. But we, being earth-stuck, watched from the fields, Till the rising rim shut out the light; Till the sky changed, the long wounds healed; Till the rain fell.

In the landscape of my native land, a stranger in my own fields, --I had a homeland where the Duero flows between gray cliffs and the ghosts of ancient oaks, there in Castile, mystic and warlike, graceful Castile, humble and boastful, Castile of arrogance and power, in the fields of Andalusia where I was born, I long to sing! My childhood memories are here, images of palm trees and sun against a golden brilliance, distant bell towers with storks, city streets without women under an indigo sky, deserted swuares where blazing orange trees ripen with round vermillon fruit, and in a shady garden, the dusty branches of a lemon tree, pale yellow lemons reflected in the clear water of the fountains. The scent of lilies and carnations, pungent odor of basil and mint. images of gloomy olive groves under a torrid sun that blinds and dazes, winding blue mountain ranges under the red glow of an immense afternoon; but if the thread that links memory to the heart is missing, the anchor to the shore, these memories are soulless. In their ragged dress, they are remnants of memory, castoffs the mind drags along. One day, anointed with light from below, our virginal bodies will return to their ancient shore.

The bast, dispersing in shreds in the sunset whispered "Time has begun." The son, Adam, stripped naked, descended into the Old Testament of his native land and arrayed himself in bast; a wreath of roadside field grass he placed upon his brow, a staff, not a switch, he pulled from the ground, flourishing the birch branch like a sacred palm. On the road he stood like a guard. The dust-gray road ran into the sunset. And a crow perched there, perched and croaked, there where the celestial fire consumed the earth. There were blind men along the dust-gray road running into the twilight. Antique, crooken, they trailed along, lonely and sinister silhouettes, holding to one another and to their leader's cane. They were raising dust. One was beard-less, he kept squinting. Another, a little old man with a protruding lip, was whispering and praying. A third, covered with red hair, frowned. Their backs were bent, their heads bowed low, their arms extended to the staff. Strange it was to see this mute procession in the terrible twilight. They made their way immutable, primordial, blind. Oh, if only they could open their eyes, oh if only they were not blind! Russian Land, awake! And Adam, rude image of the returned king, lowered the birch branch to their white pupils. And on them he laid his hands, as, groaning and moaning they seated themselves in the dust and with trembling hands pushed chunks of black bread into their mouths. Their faces were ashen and menacing, lit with the pale light of deadly clouds. Lightning blazed, their blinded faces blazed. Oh, if only they opened their eyes, oh, if only they saw the light! Adam, Adam, you stand illumined by lightnings. Now you lay the gentle branch upon their faces. Adam, Adam, say, see, see! And he restores their sight. But the blind men turning their ashen faces and opening their white eyes did not see. And the wind whispered "Thou art behind the hill." From the clouds a fiery veil began to shimmer and died out. A little birch murmured, beseeching, and fell asleep. The dusk dispersed at the horizon and a bloody stump of the sunset stuck up. And spotted with brilliant coals glowing red, the bast streamed out from the sunset like a striped cloak. On the waxen image of Adam the field grass wreaths sighed fearfully giving a soft whistle and the green dewy clusters sprinkled forth fiery tears on the blind faces of the blind. He knew what he was doing, he was restoring their sight. ("Adam")

Reviewers of every ilk like to feel they are above a work of art. If it puzzles them or if they are intimidated, they are more than likely to trash it. Many artists are not intellectuals, but Burden was, and her work reflected her wide learning. Her references spanned many fields and were often impossible to track. There was also a literary, narrative quality to her art that many resisted. I am convinced that her knowledge alone acted as an irritant to some reviewers. I once had a conversation with a man who had excoriated her first one-woman show. When I brought up his review and offered a defense of her work, he was hostile. He was not a stupid man and had written well on some artists I admired. He had attacked Burden’s work as confused and naïve, the very opposite, in fact, of what it was. I realized that he had been incapable of a fair-minded appraisal because, although he prided himself on his sophistication, the multiple meanings of her carefully orchestrated texts had eluded him, and he had projected his own disorientation onto the work. His last words to me were “I hated it, okay? I just hated it. I don’t give a damn about what she was referring to.” That conversation has stayed with me, not as a story about Harriet Burden so much as a lesson for myself: Beware of the violent response and the sophisms you may use to explain it.

He was standing on a country road, at the precise place where the black hot top gave up to bone-white dirt. A blazing summer sun shone down. On both sides of the road there was green corn, and it stretched away endlessly. There was a sign, but it was dusty and he couldn’t read it. There was the sound of crows, harsh and far away. Closer by, someone was playing an acoustic guitar, fingerpicking it. Vic Palfrey had been a picker, and it was a fine sound. This is where I ought to get to, Stu thought dimly. Yeah, this is the place, all right. What was that tune? “Beautiful Zion”? “The Fields of My Father’s Home”? “Sweet Bye and Bye”? Some hymn he remembered from his childhood, something he associated with full immersion and picnic lunches. But he couldn’t remember which one. Then the music stopped. A cloud came over the sun. He began to be afraid. He began to feel that there was something terrible, something worse than plague, fire, or earthquake. Something was in the corn and it was watching him. Something dark was in the corn. He looked, and saw two burning red eyes far back in the shadows, far back in the corn. Those eyes filled him with the paralyzed, hopeless horror that the hen feels for the weasel. Him, he thought. The man with no face. Oh dear God. Oh dear God no. Then the dream was fading and he awoke with feelings of disquiet, dislocation, and relief. He went to the bathroom and then to his window. He looked out at the moon. He went back to bed but it was an hour before he got back to sleep. All that corn, he thought sleepily. Must have been Iowa or Nebraska, maybe northern Kansas. But he had never been in any of those places in his life.

We pulled into town in the early evening, the sun dipping into the Tehachapi Mountains a dozen miles behind us to the west. Mountains I’d be hiking the next day. The town of Mojave is at an altitude of nearly 2,800 feet, though it felt to me as if I were at the bottom of something instead, the signs for gas stations, restaurants, and motels rising higher than the highest tree. “You can stop here,” I said to the man who’d driven me from LA, gesturing to an old-style neon sign that said WHITE’S MOTEL with the word TELEVISION blazing yellow above it and VACANCY in pink beneath. By the worn look of the building, I guessed it was the cheapest place in town. Perfect for me. “Thanks for the ride,” I said once we’d pulled into the lot. “You’re welcome,” he said, and looked at me. “You sure you’re okay?” “Yes,” I replied with false confidence. “I’ve traveled alone a lot.” I got out with my backpack and two oversized plastic department store bags full of things. I’d meant to take everything from the bags and fit it into my backpack before leaving Portland, but I hadn’t had the time. I’d brought the bags here instead. I’d get everything together in my room. “Good luck,” said the man. I watched him drive away. The hot air tasted like dust, the dry wind whipping my hair into my eyes. The parking lot was a field of tiny white pebbles cemented into place; the motel, a long row of doors and windows shuttered by shabby curtains. I slung my backpack over my shoulders and gathered the bags. It seemed strange to have only these things. I felt suddenly exposed, less exuberant than I had thought I would. I’d spent the past six months imagining this moment, but now that it was here—now that I was only a dozen miles from the PCT itself—it seemed less vivid than it had in my imaginings, as if I were in a dream, my every thought liquid slow, propelled by will rather than instinct.

I stand on a vast grass field of many gently sloping hills. It is night, yet the sky is bright. There is no sun, but a hundred blazing blue stars, each shining in a long river of nebulous cloud. The air is warm, pleasant, fragrant with the perfume of a thousand invisible flowers. In the distance a stream of people walk toward a large vessel of some type, nestled between the hills. The ship is violet, glowing; the bright rays that stab forth from it seem to reach to the stars. Somehow I know that it is about to leave and that I am supposed to be on it. Yet, before I depart, there is something I have to discuss with Lord Krishna. He stands beside me on the wide plain, his gold flute in his right hand, a red lotus slower in his left. His dress is simple, as is mine - long blue gowns that reach to the ground. Only he wears a single jewel around his neck - the brilliant Kaustubha gem, in which the destiny of every soul can be seen. He does not look at me but toward the vast ship, and the stars beyond. He seems to be waiting for me to speak, but for some reason I cannot remember what he said last. I only know that I am a special case. Because I do not know what to ask, I say what is most on my mind. "When will I see you again, my Lord?" He gestures to the vast plain, the thousands of people leaving. "The earth is a place of time and dimension. Moments here can seem like an eternity there. It all depends on your heart. When you remember me, I am there in the blink of an eye." "Even on earth?" He nods. "Especially there. It is a unique place. Even the gods pray to take birth there." "Why that, my Lord?" He smiles faintly. His smile is bewitching. It has been said, I know, that the smile of the Lord has bewildered the minds of the angels. It has bewildered mine. "One quest always leads to another question. Some things are better to wonder about." He turns toward me finally, his long black hair blowing in the soft night breeze. The stars reflect in his black pupils; the whole universe is there. The love that flows from him is the sweetest ambrosia in all the heavens. Yet it breaks my heart to feel because I know it will soon be gone. "It is all maya," he says. "Illusion." "Will I get lost in this illusion, my Lord?" "Of course. It is to be expected. You will be lost for a long time.

But nothing is ever enough, have you noticed?” he said. “I can’t touch you enough. I can’t make you happy. I can’t say anything right to you. And you can’t take away from me a single thing I’ve fucked up along the way.” She became deflated. “You’re here, and you’re forgiven for everything,” she said quietly, sitting up and closing her eyes so she wouldn’t have to look at his tattooed arms and his scar-ribbon chest. “Tell me the truth,” Alexander said. “Don’t you sometimes think it’s harder—this—and other stuff like the magazines quizzes—harder for the two of us? That magazine quiz just points up the absurdity of us pretending we’re like normal people. Don’t you sometimes think it would be easier with your Edward Ludlow in New York? Or a Thelma? No history. No memories. Nothing to get over, nothing to claw back from.” “Would it be easier for you?” “Well, I wouldn’t hear you cry every night,” Alexander said. “I wouldn’t feel like such a failure every minute of my life.” “Oh my God! What are you talking about?” Tatiana yanked to get off him, but now it was Alexander who held her in place. “You know what I’m talking about,” he said, his eyes blazing. “I want amnesia! I want a fucking lobotomy. Could I please never think again? Look what’s happened to us, us, Tania. Don’t you remember how we used to be? Just look what’s happened.” His long winter’s night bled into Coconut Grove through all the fields and villages in three countries Alexander plundered through to get to the Bridge to Holy Cross, over the River Vistula, to get into the mountains, to escape to Germany, to save Pasha, to make his way to Tatiana. And he failed. Twenty escape attempts—two in Catowice, one ill-fated one in Colditz Castle, and seventeen desperate ones in Sachsenhausen, and he never got to her. He had somehow made all the wrong choices. Alexander knew it. Anthony knew it. With the son asleep, the parents had hours to mindlessly meander through the fields and rivers of Europe, through the streets of Leningrad. That was not to be wished upon. “Stop it,” Tatiana whispered. “Just stop it! You didn’t fail. You’re looking at it all twisted. You stayed alive, that was all, that was everything, and you know that. Why are you doing this?” “Why?” he said. “You want it out while sitting naked on top of my stomach with your hair down? Well, here it is. You don’t want it out? Then don’t ask me. Turn the light off, keep the braid in, get your”— Alexander stopped himself—“get off me, and say nothing.” Tatiana did none of those things. She didn’t want it out, what she wanted, desperately, was him to touch her. Though the aching in her heart from his words was unabated, the aching in her loins from her desire for him was also unabated.

I had every right to accept Lady Raiford's invitation," she said stubbornly. "A-and I won't leave, no matter what you say to me!" "Then I will." "All right!" To her amazement, an urge to taunt him overcame her, and she added, "If you have so little control over yourself that you find it necessary to run away from me." His face was wiped clean of all expression, but she could sense the fury that blazed within him. "They say God protects fools and children- for your sake I hope it's true.

Youth and death have always been an intoxicating combination for the myth makers left amongst the living. And dangerous, even violent, self-loathing has long been an essential ingredient in the fires of transformation. When the "new self" burns to life, the twins of great control *and* recklessness are immutably linked. It's what makes life interesting. The high tension between those two forces often makes a performer fascinating and fun to watch, but also a white-cross highway marker. Here, many who've come this way have burned out hard or died. The rock death cult is well loved and chronicled in literature and music, but in practice, there ain't much in it for the singer and his song, except a good life unlived, lovers and children left behind, and a six-foot-deep hole in the ground. The exit in a blaze of glory is bullshit. Now, if you're not one of the handful of music revolutionaries—and I was not—you naturally set your sights on something different. In a transient field, I was suited for the long haul. I had years of study behind me; I was physically built to endure and by disposition was not an edge dweller. I was interested in what I might accomplish over a lifetime of music making, so assumption number one is you are going to keep breathing. In my business, the above case studies prove, no matter who you are, that's not as easy as it sounds.

Getting Ready" What if the heart does not pale as the body wanes, but is like the sun that blazes hotter each day on these immense, perishing fields? What then? (Desire is not the problem. This far south, we are careful not to mistake seizures for love.) He sits there bewildered in a clamp of light In the stillness, the sun grinds him clean.

I stand on a vast grass field of many gently sloping hills. It is night, yet the sky is bright. There is no sun, but a hundred blazing blue stars, each shining in a long river of nebulous cloud. The air is warm, pleasant, fragrant with the perfume of a thousand invisible flowers. In the distance a stream of people walk toward a large vessel of some type, nestled between the hills. The ship is violet, glowing; the bright rays that stab forth from it seem to reach to the stars. Somehow I know that it is about to leave and that I am supposed to be on it. Yet, before I depart, there is something I have to discuss with Lord Krishna. He stands beside me on the wide plain, his gold flute in his right hand, a red lotus slower in his left. His dress is simple, as is mine - long blue gowns that reach to the ground. Only he wears a single jewel around his neck - the brilliant Kaustubha gem, in which the destiny of every soul can be seen. He does not look at me but toward the vast ship, and the stars beyond. He seems to be waiting for me to speak, but for some reason I cannot remember what he said last. I only know that I am a special case. Because I do not know what to ask, I say what is most on my mind. "When will I see you again, my Lord?" He gestures to the vast plain, the thousands of people leaving. "The earth is a place of time and dimension. Moments here can seem like an eternity there. It all depends on your heart. When you remember me, I am there in the blink of an eye." "Even on earth?" He nods. "Especially there. It is a unique place. Even the gods pray to take birth there." "Why that, my Lord?" He smiles faintly. His smile is bewitching. It has been said, I know, that the smile of the Lord has bewildered the minds of the angels. It has bewildered mine. "One question always leads to another question. Some things are better to wonder about." He turns toward me finally, his long black hair blowing in the soft night breeze. The stars reflect in his black pupils; the whole universe is there. The love that flows from him is the sweetest ambrosia in all the heavens. Yet it breaks my heart to feel because I know it will soon be gone. "It is all maya," he says. "Illusion." "Will I get lost in this illusion, my Lord?" "Of course. It is to be expected. You will be lost for a long time.

Without feeling blazing rage or fear or sadness, I had asked for what I wanted. Getting it seemed secondary.

Autumn Begins Autumn begins unnoticed. Nights slowly lengthen, and little by little, clear winds turn colder and colder, summer’s blaze giving way. My thatch hut grows still. At the bottom stair, in bunchgrass, lit dew shimmers. We

Beginning thein Book 1 0. 1. In thee beginning, creation Godded the Heavens ere thee. 2. And thou wert without form and void, knowing neither darkness nor light, having no I by which to divine them. And the spilling of your Father moved amidst the waters that came to make you come. 3. And Dad said, Let there be my firmament in the midst of Her waters, and let it divide Her waters as a sword should its sheath. And 20,000 legions of sireofhim were thrust unto the breach by the bidding of their master. 4. And in the Heavens of their heads, in the limbic marchlands of their intimacy, angels roared and dragons sang, and hippogriffs commissurated across fields of blood-filled furrows. 5. ”.are parents our Myths“ 6. Not knowing that they do sow, they sing thee into being. 7. Blind light blazes - a lamp in an empty grave - an O-void shrine. Its name until you came was No, or Un, and there was naught else: no person, place, or thing. And yet - it was as though a thousand million tiny fingers beaconed you out of the dark. 8. Brightnest of paraspectral radiance, unrememeasurable, ununderstandable, that a snake-shaped You came swimming to. So many of you came, writhing, flagellating, so that this shrine became like a shining sun, and one - only one - was chosen to enter the Codesh of Codes. It brought creative agony, the pain of Somethingness, the sudden searing mystortury of Being, since when we have called it Limited. 9. But how could you not have helped but see the tiny hidden singing Unlimited Light, your Own Sopht Aura? Sire of sirens and sunrise and serapheim? 10. This is what you aur - a sarcophagus of secreted light! 11. Thistory is You.

But before he was given a chance to speak, the Dean of Students, who was presiding over the hearing, said that Woolly was there to answer for the fire he had set on the football field. A moment later, Mr. Harrington, the faculty representative, referred to it as a blaze. Then Dunkie Dunkle, the student council president (who also happened to be captain of the football team), referred to it as a conflagration. And Woolly knew right then and there that no matter what he had to say, they were all going to take the side of the thesaurus. As Woolly placed his dictionary back in the box, he heard the tentative creak of a footstep in the hall, and when he turned, he found his sister standing in the doorway—with a baseball bat in her hands.

Her body, with her unadorned shorts and naked torso, reminded me of the little green peppers that I had fumbled with as a child in the fields under the blazing summer sun.

THE PROPHECIES BEGIN Book One: Into the Wild Book Two: Fire and Ice Book Three: Forest of Secrets Book Four: Rising Storm Book Five: A Dangerous Path Book Six: The Darkest Hour THE NEW PROPHECY Book One: Midnight Book Two: Moonrise Book Three: Dawn Book Four: Starlight Book Five: Twilight Book Six: Sunset POWER OF THREE Book One: The Sight Book Two: Dark River Book Three: Outcast Book Four: Eclipse Book Five: Long Shadows Book Six: Sunrise OMEN OF THE STARS Book One: The Fourth Apprentice Book Two: Fading Echoes Book Three: Night Whispers Book Four: Sign of the Moon Book Five: The Forgotten Warrior Book Six: The Last Hope DAWN OF THE CLANS Book One: The Sun Trail Book Two: Thunder Rising Book Three: The First Battle Book Four: The Blazing Star Book Five: A Forest Divided Warriors Super Edition: Firestar’s Quest Warriors Super Edition: Bluestar’s Prophecy Warriors Super Edition: SkyClan’s Destiny Warriors Super Edition: Crookedstar’s Promise Warriors Super Edition: Yellowfang’s Secret Warriors Super Edition: Tallstar’s Revenge Warriors Super Edition: Bramblestar’s Storm Warriors Field Guide: Secrets of the Clans Warriors: Cats of the Clans Warriors: Code of the Clans Warriors: Battles of the Clans Warriors: Enter the Clans Warriors: The Ultimate Guide Warriors: The Untold Stories Warriors: Tales from the Clans MANGA The Lost Warrior Warrior’s Refuge Warrior’s Return The Rise of Scourge Tigerstar and Sasha #1: Into the Woods Tigerstar and Sasha #2: Escape from the Forest Tigerstar and Sasha #3: Return to the Clans Ravenpaw’s Path #1: Shattered Peace Ravenpaw’s Path #2: A Clan in Need Ravenpaw’s Path #3: The Heart of a Warrior SkyClan and the Stranger #1: The Rescue SkyClan and the Stranger #2: Beyond the Code SkyClan and the Stranger #3: After the Flood NOVELLAS Hollyleaf’s Story Mistystar’s Omen Cloudstar’s Journey Tigerclaw’s

In the Mission District of San Francisco, observant passersby can discover the heroic history behind a fire hydrant that sits on an otherwise ordinary sidewalk. In the wake of the 1906 earthquake that shook San Francisco, a great blaze swept through the city. Many of the water mains failed and other lines ran dry, but one hydrant continued to function. This bit of infrastructure is credited with saving the Mission District from total destruction. Today, the hydrant has been painted gold and its importance has been further memorialized with an adjacent plaque. The small marker tells a huge city-defining tale of tragedy and triumph and highlights a moment in time that reshaped a metropolis.

A stunning wolf. Shiny black coat, blazing yellow eyes. She stood tall with long legs and a narrow frame. Sleek. Elegant. My heart pounded even as I registered there was something familiar about her. I took a deeper breath, tasting the scent on my tongue, and still making my way across the wide fields to her. And I knew now who it was. The registration of it hit my face a split second before it hits hers. June.

They talked about the incubators for a while, which he told her that he’d built himself. Then he showed her an ancient motorcycle with a few shiny new parts, and explained shyly that it was a Harley Super Glide, and he was restoring it. He’d brought her up to the loft, where there was a breathtaking view of the ranch spread and the horse fields. Then they sat in the gorgeous horse-drawn carriage that Mr. Thatcher always brought to town events and talked about school, life on the ranch, everything and anything.

Shirt" The back, the yoke, the yardage. Lapped seams, The nearly invisible stitches along the collar Turned in a sweatshop by Koreans or Malaysians Gossiping over tea and noodles on their break Or talking money or politics while one fitted This armpiece with its overseam to the band Of cuff I button at my wrist. The presser, the cutter, The wringer, the mangle. The needle, the union, The treadle, the bobbin. The code. The infamous blaze At the Triangle Factory in nineteen-eleven. One hundred and forty-six died in the flames On the ninth floor, no hydrants, no fire escapes— The witness in a building across the street Who watched how a young man helped a girl to step Up to the windowsill, then held her out Away from the masonry wall and let her drop. And then another. As if he were helping them up To enter a streetcar, and not eternity. A third before he dropped her put her arms Around his neck and kissed him. Then he held Her into space, and dropped her. Almost at once He stepped to the sill himself, his jacket flared And fluttered up from his shirt as he came down, Air filling up the legs of his gray trousers— Like Hart Crane’s Bedlamite, “shrill shirt ballooning.” Wonderful how the pattern matches perfectly Across the placket and over the twin bar-tacked Corners of both pockets, like a strict rhyme Or a major chord. Prints, plaids, checks, Houndstooth, Tattersall, Madras. The clan tartans Invented by mill-owners inspired by the hoax of Ossian, To control their savage Scottish workers, tamed By a fabricated heraldry: MacGregor, Bailey, MacMartin. The kilt, devised for workers To wear among the dusty clattering looms. Weavers, carders, spinners. The loader, The docker, the navvy. The planter, the picker, the sorter Sweating at her machine in a litter of cotton As slaves in calico headrags sweated in fields: George Herbert, your descendant is a Black Lady in South Carolina, her name is Irma And she inspected my shirt. Its color and fit And feel and its clean smell have satisfied Both her and me. We have culled its cost and quality Down to the buttons of simulated bone, The buttonholes, the sizing, the facing, the characters Printed in black on neckband and tail. The shape, The label, the labor, the color, the shade. The shirt.

End of Summer An agitation of the air, A perturbation of the light Admonished me the unloved year Would turn on its hinge that night. I stood in the disenchanted field Amid the stubble and the stones, Amazed, while a small worm lisped to me The song of my marrow-bones. Blue poured into summer blue, A hawk broke from his cloudless tower, The roof of the silo blazed, and I knew That part of my life was over. Already the iron door of the north Clangs open: birds, leaves, snows Order their populations forth, And a cruel wind blows.

George Moonlight had introduced his only son to the woods before Charlie could walk. He’d taught him to hunt, trap, fish, make squirrel stew, skin a deer, build a birchbark canoe, construct a wigwam for shelter, distinguish the edible mushrooms from the poisonous ones, start a blazing fire without matches, find his way through fifty miles of virgin forest without compass or map. He’d taught him to appreciate the sound of a mother quail protecting her babies, the rich smell of a fall day, the crispness of a winter night, the majesty of a hawk soaring across a cloudless sky, the gentle tranquility and harmony of snow blanketing a field. He’d taught him to respect Mother Earth, drilling into his head the Quidnecks’ three commandments: Take only what you need; use all that you take; leave something for tomorrow.

A Sunset I love the evenings, passionless and fair, I love the evens, Whether old manor-fronts their ray with golden fulgence leavens, In numerous leafage bosomed close; Whether the mist in reefs of fire extend its reaches sheer, Or a hundred sunbeams splinter in an azure atmosphere On cloudy archipelagos. Oh, gaze ye on the firmament! A hundred clouds in motion, Up-piled in the immense sublime beneath the winds' commotion, Their unimagined shapes accord: Under their waves at intervals flame a pale levin through, As if some giant of the air amid the vapors drew A sudden elemental sword. The sun at bay with splendid thrusts still keeps the sullen fold; And momently at distance sets, as a cupola of gold, The thatched roof of a cot a-glance; Or on the blurred horizon joins his battle with the haze; Or pools the blooming fields about with inter-isolate blaze, Great moveless meres of radiance. Then mark you how there hangs athwart the firmament's swept track, Yonder a mighty crocodile with vast irradiant back, A triple row of pointed teeth? Under its burnished belly slips a ray of eventide, The flickerings of a hundred glowing clouds in tenebrous side With scales of golden mail ensheathe. Then mounts a palace, then the air vibrates--the vision flees. Confounded to its base, the fearful cloudy edifice Ruins immense in mounded wrack; Afar the fragments strew the sky, and each envermeiled cone Hangeth, peak downward, overhead, like mountains overthrown When the earthquake heaves its hugy back. These vapors, with their leaden, golden, iron, bronz¨¨d glows, Where the hurricane, the waterspout, thunder, and hell repose, Muttering hoarse dreams of destined harms, 'Tis God who hangs their multitude amid the skiey deep, As a warrior that suspendeth from the roof-tree of his keep His dreadful and resounding arms! All vanishes! The Sun, from topmost heaven precipitated, Like a globe of iron which is tossed back fiery red Into the furnace stirred to fume, Shocking the cloudy surges, plashed from its impetuous ire, Even to the zenith spattereth in a flecking scud of fire The vaporous and inflam¨¨d spaume. O contemplate the heavens! Whenas the vein-drawn day dies pale, In every season, every place, gaze through their every veil? With love that has not speech for need! Beneath their solemn beauty is a mystery infinite: If winter hue them like a pall, or if the summer night Fantasy them starre brede.

She was as pale as the silk. Scott saw Lymond’s gaze rest on her, delicately practised, just before he moved. Then he touched her, and the woman’s eyes closed. Folded with infinite care on the sweet edge between agony and delight she suffered a kiss of an expert passion which made itself lord of all the senses, of thought, and the dead fields of time. The fire blazed on Lymond’s shoulder and arm and his bent head, and Scott saw something regal in the still, white and gold figures melted into one, pliant as a painting in honey and wax. Then

Wind This house has been far out at sea all night, The woods crashing through darkness, the booming hills, Winds stampeding the fields under the window Floundering black astride and blinding wet Till day rose; then under an orange sky The hills had new places, and wind wielded Blade-light, luminous black and emerald, Flexing like the lens of a mad eye. At noon I scaled along the house-side as far as The coal-house door. Once I looked up - Through the brunt wind that dented the balls of my eyes The tent of the hills drummed and strained its guyrope, The fields quivering, the skyline a grimace, At any second to bang and vanish with a flap; The wind flung a magpie away and a black- Back gull bent like an iron bar slowly. The house Rang like some fine green goblet in the note That any second would shatter it. Now deep In chairs, in front of the great fire, we grip Our hearts and cannot entertain book, thought, Or each other. We watch the fire blazing, And feel the roots of the house move, but sit on, Seeing the window tremble to come in, Hearing the stones cry out under the horizons.

experience. She had won nearly every prestigious academic prize it was possible for a young woman to win, yet she had few career prospects outside the field of education.

Think of me as your coach. I’m encouraging you to play big. I’ve taken hits on and off the field and broken barrier after barrier after barrier—a living testament to the fact that it can be done. I want you to do the same. There’s simply no stopping you. My hope is that by the end of this book, you’ll be inspired to dream the unimaginable. You’ll be unstuck from whatever is holding you back from getting out there and changing the world, your world or the world of someone you know and care about. From doing something you never thought doable. From blazing a trail not yet taken. I followed my dream without having a role model; there was no path to follow, no inkling that making it to the biggest stage in sport could happen for a woman. My point: you never know what’s out there to go for until it’s out there to go for. Remember that, too. In my gridiron journey, there was no certainty, only hope and a belief in something bigger. There was no way to envision myself in any of the places that I ultimately busted through because, as a woman, it was unimaginable.

Sky from a ship. Field from the hills. Your memory is made of light, of smoke, of a still pond! Beyond your eyes, farther on, the evenings were blazing. Dry autumn leaves revolved in your soul.

Only such witnessing could have inspired the mildly epiphanic passage in Seeds of Man, in which the clear air of the mountainous borderland all too briefly serves as an antidote to the industrial poisons that had choked the life out of both Okemah and Pampa. As Guthrie recalled it: “The feel and the breath of the air was all different, new, high, clear, clean, and light. None of the smokes and carbons, none of the charcoal smells of the oil fields. None of the sooty oil-field fires, none of the blackening slush-pond blazes, none of those big sheet-iron petroleum refineries, none of those big smoky carbon-black plants. No smells of the wild oil gusher on the breeze. No smells from that wild gas well blowing off twenty million feet into the good air every day.”30

But then Mr. Knox caught him. He noticed that Clem wasn’t in the fields when he was supposed to be, and he found him up at the house, his ear close to the window. He saw all the words written in the dirt.” “What did he do?” Thomas glanced at Henry. He hadn’t meant to tell this part. He tried never to think about it. “He whipped him.” Thomas closed his eyes, trying to stop the flood of memories — the thwack of Mr. Knox’s whip, Clem’s shouts of pain, the sight of Clem’s blood-soaked shirt. “Clem couldn’t walk for two weeks.” “For learning to read?” Henry said, his eyes blazing with anger and shock. “Yes, sir,” Thomas said.

Chapter One Outside Buchanan School. 7:50 AM. Stupid ideas don’t seem so stupid when you’re about to go through with the stupid idea. Really stupid ideas shine brighter the second they enter your brain. Like, “Hey, man, you prob’ly shouldn’t do what you’re about to do!” I like to think of a field of kittens when that happens… makes it easier to ignore my common sense. Ahhhhh… field kittens. My name is Max… and I was about to do something really stupid. The air smelled of freshly cut grass as birds chirped from trees full of leaves. I took a deep breath as I stalled, hoping a meteor would crash into the planet so I wouldn’t have to go through with the thing. Kids just getting to school lined the sidewalk, curious about what was happening. I squeezed the handlebars of my bike, listening to the sound of tightening rubber under my fingers. “Max, you okay?” Beck, my best friend, said from somewhere. I didn’t know where exactly since fear was making everything blurry. I shook my head to clear the fog. “Never been better,” I said. “Are… are the thrusters working?” It took him a second to answer. “I’unno. I never tested ‘em.” I nodded bravely like a hero who was about to meet his maker. “Nice.” It became blazingly obvious that the world wasn’t going to end anytime over the next few seconds, which meant I was gonna have to perform the stunt that everyone was waiting to see. The stunt wasn’t anything crazy – just a kid jumping his bike over the bike rack filled with other bikes. In front of the bike rack was a cement lip that curved at the bottom, making a nice little ramp that everyone joked about jumping their bike off of. I was about to be the kid that did it. Easy enough, right? Well, my buddy, Beck, thought it’d be epic if I attached some thrusters to the back of my bike. No rocket fuel or flames – just a couple of cans of ultra-compressed air that would fire when I flipped the switch. It was a rig he built himself – that was kind of Beck’s specialty. Jumping the rack was a stunt that I’d been working on for weeks. I knew I wanted to do it because of all the kids who hadn’t done it before. And I was gonna nail it, and the whole school – no, the whole school district – no… the whole city was gonna talk about it when it was done.

Then, what has only just bloomed within him curls brittle and brown at the edges, and he believes now, in the slow seconds of understanding, ephemeral as they ever are, that what lies behind a man in the expanding landscape of his past can never be left behind entirely, that even the blazing, cotton-flecked fields of the summer can’t sweat from him the hard, fallow crust of so many winters.

One man, more than anyone, loved this untamed land. By foot and on horseback, he blazed trails for others to follow. A great hunter and woodsman, he led the first pioneers across the Appalachian Mountains into a paradise of fields and forests. Today we know it as the state of Kentucky. No wonder he became famous throughout the world as a frontier hero. No wonder his nickname was the Great Pathfinder. Who was he? Daniel Boone.

Day 1: The main problem with being a zombie is that you live your life in bits and spurts. One minute you are wandering happily in the middle of a field of beautiful wildflowers, and the next you find yourself on fire sprinting toward the nearest source of shade or water to quench the blaze.

The sun blazed across the sky each afternoon, scorching the mountain with its arid, desiccating heat, so that each morning when I crossed the field to the barn, I felt stalks of wild wheat crackle and break beneath my feet.

Out in the radish fields, she did not have to impress, outthink, or outperform anyone.

We stood near the doorway, wedged between the blazing mouth of the electric crematorium and the March heat.

We stood near the doorway, wedged between the blazing mouth of the electric crematorium and the March heat. The only breeze came from Stella’s son, who kept spinning the red rotors of a toy helicopter.

The orchard where they stood was on higher ground than the farmhouse, which nestled like a white dove beneath hemlocks and the tall protecting elms. The fields, checkered by stone walls, undulated gently toward the sapphire strip of the distant Sound. A late October haze, faintly lavender, filtered the clear air, and intensified the perfume of burning leaves. Maples on the Cat Rock Hills blazed red and gold, colors repeated even more strongly by a riot of sumach and goldenrod against the gray wall of the little burying ground. Buttercup's bell tinkled rhythmically, as Seth guided her toward the barn and the evening milking.

In the market of Clare, so cheery the glare Of the shops and the booths of the tradespeople there; That I take a delight on a Saturday night In walking that way and in viewing the sight. For it's here that one sees all the objects that please-- New patterns in silk and old patterns in cheese, For the girls pretty toys, rude alarums for boys, And baubles galore while discretion enjoys-- But here I forbear, for I really despair Of naming the wealth of the market of Clare. A rich man comes down from the elegant town And looks at it all with an ominous frown; He seems to despise the grandiloquent cries Of the vender proclaiming his puddings and pies; And sniffing he goes through the lanes that disclose Much cause for disgust to his sensitive nose; And free of the crowd, he admits he is proud That elsewhere in London this thing's not allowed; He has seen nothing there but filth everywhere, And he's glad to get out of the market of Clare. But the child that has come from the gloom of the slum Is charmed by the magic of dazzle and hum; He feasts his big eyes on the cakes and the pies, And they seem to grow green and protrude with surprise At the goodies they vend and the toys without end-- And it's oh! if he had but a penny to spend! But alas, he must gaze in a hopeless amaze At treasures that glitter and torches that blaze-- What sense of despair in this world can compare With that of the waif in the market of Clare? So, on Saturday night, when my custom invites A stroll in old London for curious sights, I am likely to stray by a devious way Where goodies are spread in a motley array, The things which some eyes would appear to despise Impress me as pathos in homely disguise, And my battered waif-friend shall have pennies to spend, So long as I've got 'em (or chums that will lend); And the urchin shall share in my joy and declare That there's beauty and good in the market of Clare.

walk out to the middle of the road and look both ways, trying to determine in which direction town might be. To the left, nothing but dry fields. To the right, the same. No shade, no life. Just the blazing Kenyan sun in front, and behind me, at the hotel, a cruel pantomime of Africa played out in blackface, replete with rich, tanned Euro-travelers demanding afternoon cocktails from illiterate Kenyan waiters in bow ties and white jackets.

The radiant clarity that comes with daily sunrise and sunset meditations changes your energy field and vibration. I call it a soul practice.