Blaze And Silver Quotes

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Is there any point to which you would wish to draw my attention?' 'To the curious incident of the dog in the night-time.' 'The dog did nothing in the night-time.' 'That was the curious incident,' remarked Sherlock Holmes.
Arthur Conan Doyle (Silver Blaze (The Memoirs of Sherlock Holmes, #1))
His beauty did not blaze like Will's did in fierce colors and repressed fire, but it had its own muted perfection, the loveliness of snow falling against a silver gray sky.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Far over the misty mountains cold To dungeons deep and caverns old We must away ere break of day To seek the pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. For ancient king and elvish lord There many a gleaming golden hoard They shaped and wrought, and light they caught To hide in gems on hilt of sword. On silver necklaces they strung The flowering stars, on crowns they hung The dragon-fire, in twisted wire They meshed the light of moon and sun. Far over the misty mountains cold To dungeons deep and caverns old We must away, ere break of day, To claim our long-forgotten gold. Goblets they carved there for themselves And harps of gold; where no man delves There lay they long, and many a song Was sung unheard by men or elves. The pines were roaring on the height, The wind was moaning in the night. The fire was red, it flaming spread; The trees like torches blazed with light. The bells were ringing in the dale And men looked up with faces pale; The dragon's ire more fierce than fire Laid low their towers and houses frail. The mountain smoked beneath the moon; The dwarves, they heard the tramp of doom. They fled their hall to dying fall Beneath his feet, beneath the moon. Far over the misty mountains grim To dungeons deep and caverns dim We must away, ere break of day, To win our harps and gold from him!
J.R.R. Tolkien (The Hobbit, or There and Back Again)
The sun rose, the moon saturated the night sky with its silver light and the stars blazed, indifferent to the events happening below them.
Victoria Hislop
Cassian pulled back, and remained that way long enough that she opened her eyes again to find his face inches from her own. "You're not going to marry Eris," he said roughly. "No," she breathed. His eyes blazed. "There will be no one else. For either of us." "Yes," she whispered. "Ever," he promised. Nesta laid a hand on his muscled chest, letting the thunderous beating of the heart beneath echo into her palm. Let it travel down her arm, into her own chest, her own heart. "Ever," she swore.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Nesta whirled to the next opponent, but her friends had halted. The males around them were down. Utter silence filled the snowy forest. Even the birds in the pines had stopped chirping. "Valkyries," Emerie said, eyes blazing bright. Nesta grinned through the blood she knew was splattered on her face. "Hell yes.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
I WANT her though, to take the same from me. She touches me as if I were herself, her own. She has not realized yet, that fearful thing, that I am the other, she thinks we are all of one piece. It is painfully untrue. I want her to touch me at last, ah, on the root and quick of my darkness and perish on me, as I have perished on her. Then, we shall be two and distinct, we shall have each our separate being. And that will be pure existence, real liberty. Till then, we are confused, a mixture, unresolved, unextricated one from the other. It is in pure, unutterable resolvedness, distinction of being, that one is free, not in mixing, merging, not in similarity. When she has put her hand on my secret, darkest sources, the darkest outgoings, when it has struck home to her, like a death, "this is _him!_" she has no part in it, no part whatever, it is the terrible _other_, when she knows the fearful _other flesh_, ah, dark- ness unfathomable and fearful, contiguous and concrete, when she is slain against me, and lies in a heap like one outside the house, when she passes away as I have passed away being pressed up against the _other_, then I shall be glad, I shall not be confused with her, I shall be cleared, distinct, single as if burnished in silver, having no adherence, no adhesion anywhere, one clear, burnished, isolated being, unique, and she also, pure, isolated, complete, two of us, unutterably distinguished, and in unutterable conjunction. Then we shall be free, freer than angels, ah, perfect. VIII AFTER that, there will only remain that all men detach themselves and become unique, that we are all detached, moving in freedom more than the angels, conditioned only by our own pure single being, having no laws but the laws of our own being. Every human being will then be like a flower, untrammelled. Every movement will be direct. Only to be will be such delight, we cover our faces when we think of it lest our faces betray us to some untimely fiend. Every man himself, and therefore, a surpassing singleness of mankind. The blazing tiger will spring upon the deer, un-dimmed, the hen will nestle over her chickens, we shall love, we shall hate, but it will be like music, sheer utterance, issuing straight out of the unknown, the lightning and the rainbow appearing in us unbidden, unchecked, like ambassadors. We shall not look before and after. We shall _be_, _now_. We shall know in full. We, the mystic NOW. (From the poem the Manifesto)
D.H. Lawrence
From sunset she appeared, Her cloak pierced by a bloom Of unfamiliar climes. She summoned me somewhere Into the northern gloom And aimless winter ice. And bonfire burned 'mid night, And with its tongues the blaze Did lick the very skies. The eyes flashed fiery light, And falling as black snakes The tresses were released. And then the snakes encircled My mind and lofty spirit Lay spread upon the cross. And in the snowdust's swirl To black eyes I am true, To beauty of the coils. (untitled: "From sunset she appeared")
Alexander Blok (Silver Age of Russian Culture (An Anthology))
The Words, Kaladin. That was Syl’s voice. You have to speak the Words! I FORBID THIS. YOUR WILL MATTERS NOT! Syl shouted. YOU CANNOT HOLD ME BACK IF HE SPEAKS THE WORDS! THE WORDS, KALADIN! SAY THEM! “I will protect even those I hate,” Kaladin whispered through bloody lips. “So long as it is right.” A Shardblade appeared in Moash’s hands. A distant rumbling. Thunder. THE WORDS ARE ACCEPTED, the Stormfather said reluctantly. “Kaladin!” Syl’s voice. “Stretch forth thy hand!” She zipped around him, suddenly visible as a ribbon of light. “I can’t…” Kaladin said, drained. “Stretch forth thy hand!” He reached out a trembling hand. Moash hesitated. Wind blew in the opening in the wall, and Syl’s ribbon of light became mist, a form she often took. Silver mist, which grew larger, coalesced before Kaladin, extending into his hand. Glowing, brilliant, a Shardblade emerged from the mist, vivid blue light shining from swirling patterns along its length. Kaladin gasped a deep breath as if coming fully awake for the first time. The entire hallway went black as the Stormlight in every lamp down the length of the hall winked out. For a moment, they stood in darkness. Then Kaladin exploded with Light. It erupted from his body, making him shine like a blazing white sun in the darkness. Moash backed away, face pale in the white brilliance, throwing up a hand to shade his eyes. Pain evaporated like mist on a hot day. Kaladin’s grip firmed upon the glowing Shardblade, a weapon beside which those of Graves and Moash looked dull. One after another, shutters burst open up and down the hallway, wind screaming into the corridor. Behind Kaladin, frost crystalized on the ground, growing backward away from him. A glyph formed in the frost, almost in the shape of wings. Graves screamed, falling in his haste to get away. Moash backed up, staring at Kaladin. “The Knights Radiant,” Kaladin said softly, “have returned.
Brandon Sanderson (The Way of Kings: Book One of the Stormlight Archive)
He lived with his mother, father and sister; had a room of his own, with the fourth-floor windows staring on seas of rooftops and the glitter of winter nights when home lights brownly wave beneath the heater whiter blaze of stars--those stars that in the North, in the clear nights, all hang frozen tears by the billions, with January Milky Ways like silver taffy, veils of frost in the stillness, huge blinked, throbbing to the slow beat of time and universal blood.
Jack Kerouac (Maggie Cassidy)
The fire cackled musically. From it swelled light smoke. Overhead the foliage moved softly. The leaves, with their faces turned toward the blaze, were colored shifting hues of silver, often edged with red. Far off to the right, through a window in the forest could be seen a handful of stars lying, like glittering pebbles, on the black level of the night.
Stephen Crane (The Red Badge of Courage)
THERE are so many things which are impossible to explain! Why should certain chords in music make me think of the brown and golden tints of autumn foliage? Why should the Mass of Sainte-Cécile send my thoughts wandering among caverns whose walls blaze with ragged masses of virgin silver? What was it in the roar and turmoil of Broadway at six o'clock that flashed before my eyes the picture of a still Breton forest where sunlight filtered through spring foliage, and Sylvia bent, half curiously, half tenderly, over a small, green lizard, murmuring, "To think that this also is a little ward of God?
Robert W. Chambers (The King in Yellow)
By the time we reach the stretch of dunes that lead to Nur, the moon is high, the galaxy a blaze of silver above. But we are all exhausted from fighting the wind. Izzi’s walk has deteriorated to a stumble, and both Keenan and I pant in tiredness. Even Elias struggles, stopping short enough times that I begin to worry for him. “I
Sabaa Tahir (A Torch Against the Night (An Ember in the Ashes, #2))
Kindness is a most attractive quality. Like a blazing fire on a cold winter's night, We are drawn to its warmth and light.
Rona V. Flynn (The Silver Key: Luka's Quest (Lightkeepers Book 2))
The tie made the silver streak in her hair—a blaze, Astrid had learned it was called, like Susan Sontag, or Cruella de Vil—sparkle.
Emma Straub (All Adults Here)
They had expected to see the grey, heathery slope of the moor going up and up to join the dull autumn sky. Instead, a blaze of sunshine met them. It poured through the doorway as the light of a June day pours into a garage when you open the door. It made the drops of water on the grass glitter like beads and showed up the dirtiness of Jill's tear-stained face. And the sunlight was coming from what certainly did look like a different world- what they could see it. They saw smooth turf, smoother and brighter than Jill had ever seen before, and blue sky and, darting to and fro, things so bright that they might have been jewels or huge butterflies.
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #5))
Yes, the issue was courage. It always had been, even as a kid. Things scared him. He couldn't help it. Noise scared him, dark scared him. Tunnels scared him: the time he almost won the Silver Star for valor. But the real issue was courage. It had nothing to do with the Silver Star...Oh, he would've liked winning it, true, but that wasn't the issue. He would've liked showing the medal to his father, the heavy feel of it, looking his father in the eye to show he had been brave, but even that wasn't the real issue. The real issue was the power of will to defeat fear. A matter of figuring a way to do it. Somehow working his way into that secret chamber of the human heart, where, in tangles, lay the circuitry for all that was possible, the full range of what a man might be. He believed, like Doc Peret, that somewhere inside each man is a biological center for the exercise of courage, a piece of tissue that might be touched and sparked and made to respond, a chemical maybe, or a lone chromosome that when made to fire would produce a blaze of valor that even the biles could not extinguish. A filament, a fuse, that if ignited would release the full energy of what might be. There was a Silver Star twinkling somewhere inside him.
Tim O'Brien
We won!” yelled Ron, bounding into sight and brandishing the silver Cup at Harry. “We won! Four hundred and fifty to a hundred and forty! We won!” Harry looked around; there was Ginny running toward him; she had a hard, blazing look in her face as she threw her arms around him. And without thinking, without planning it, without worrying about the fact that fifty people were watching, Harry kissed her. After several long moments — or it might have been half an hour — or possibly several sunlit days — they broke apart. The room had gone very quiet. Then several people wolf-whistled and there was an outbreak of nervous giggling. Harry looked over the top of Ginny’s head to see Dean Thomas holding a shattered glass in his hand, and Romilda Vane looking as though she might throw something. Hermione was beaming, but Harry’s eyes sought Ron. At last he found him, still clutching the Cup and wearing an expression appropriate to having been clubbed over the head. For a fraction of a second they looked at each other, then Ron gave a tiny jerk of the head that Harry understood to mean, Well — if you must. The creature in his chest roaring in triumph, he grinned down at Ginny and gestured wordlessly out of the portrait hole. A long walk in the grounds seemed indicated, during which — if they had time — they might discuss the match.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Why should the Mass of Sainte Cécile bend my thoughts wandering among caverns whose walls blaze with ragged masses of virgin silver? What was it in the roar and turmoil of Broadway at six o'clock that flashed before my eyes the picture of a still Breton forest where sunlight filtered through spring foliage and Sylvia bent, half curiously, half tenderly, over a small green lizard, murmuring: "To think that this also is a little ward of God!
Robert W. Chambers (The King in Yellow)
There is no shame in what you are feeling, Harry,' said Dumbledore's voice. 'On the contrary ... the fact that you can feel pain like this is your greatest strength.' Harry felt the white-hot anger lick his insides, blazing in the terrible emptiness, filling him with the desire to hurt Dumbledore for his calmness and his empty words. 'My greatest strength, is it?' said Harry, his voice shaking as he stared out at the Quidditch stadium, no longer seeing it. 'You haven't got a clue ... you don't know ...' 'What don't I know?' asked Dumbledore calmly. It was too much. Harry turned around, shaking with rage. 'I don't want to talk about how I feel, all right?' 'Harry, suffering like this proves you are still a man! This pain is part of being human--' 'THEN--I--DON'T --WANT--TO--BE--HUMAN!' Harry roared, and he seized the delicate silver instrument from the spindle-legged table beside him and flung it across the room; it shattered into a hundred tiny pieces against the wall. Several of the pictures let out yells of anger and fright, and the portrait of Armando Dippet said, 'Really!' 'I DON'T CARE!' Harry yelled at them, snatching up a lunascope and throwing it into the fireplace. 'I'VE HAD ENOUGH, I'VE SEEN ENOUGH, I WANT OUT, I WANT IT TO END, I DON'T CARE ANY MORE--' He seized the table on which the silver instrument had stood and threw that, too. It broke apart on the floor and the legs rolled in different directions. 'You do care,' said Dumbledore. He had not flinched or made a single move to stop Harry demolishing his office. His expression was calm, almost detached. 'You care so much you feel as though you will bleed to death with the pain of it.' 'I--DON'T!' Harry screamed, so loudly that he felt his throat might tear, and for a second he wanted to rush at Dumbledore and break him, too; shatter that calm old face, shake him, hurt him, make him feel some tiny part of the horror inside himself. 'Oh, yes, you do,' said Dumbledore, still more calmly. 'You have now lost your mother, your father, and the closest thing to a parent you have ever known. Of course you care.' 'YOU DON'T KNOW HOW I FEEL!' Harry roared. 'YOU--STANDING THERE--YOU--' But words were no longer enough, smashing things was no more help; he wanted to run, he wanted to keep running and never look back, he wanted to be somewhere he could not see the clear blue eyes staring at him, that hatefully calm old face.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
the eye was blinded by the blaze of silver boiling in the sun. (185)
Mikhail Bulgakov
Only the silver head of his cane blazed with reflected fire, held aloft above the grave like a medieval necromancer summoning spirits from the vasty deep.
Lauren Willig (The Deception of the Emerald Ring (Pink Carnation, #3))
A more perfect compound of the bully, coward, and sneak than Master Silas Brown I have seldom met with,” remarked Holmes as we trudged along together.
Arthur Conan Doyle (Silver Blaze (The Memoirs of Sherlock Holmes, #1))
blaze in his eyes, let the scent of his arousal wrap around her. Everyone tensed as he leaned in, head dipping, and kissed her. Nesta’s
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
And though the old man’s scarlet face and silver beard had blazed like a bonfire in each room or passage in turn, it did not leave any warmth behind it.
G.K. Chesterton (Father Brown: The Complete Collection (Father Brown, #1-5))
You're not going to marry Eris,' he said roughly. 'No,' she breathed. His eyes blazed. 'There will be no one else. For either of us.' 'Yes,' she whispered. 'Ever,' he promised. Nesta laid a hand on his muscled chest, letting the thunderous beating of the heart beneath echo into her palm. Let it travel down her arm, into her own chest, her own heart. 'Ever,' she swore.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
But, he was standing before her, standing in between the fighters from both inside and out, like the only victor, a blend of big blaze of meeting of places, like a flame capable of yellow-orange-golden-silver to consume her out.
Lijin Lakshmanan
No songs, no scops, no searing meat, no blazing fire.   And Grendel, incomplete, raided relentlessly.   Dude, this was what they call a blood feud, a war 150    that tore a hole through the hearts of the Danes.   Grendel was broken, and would not brook peace,   desist in dealing deaths, or die himself.   He had no use for stealth—he came near-nightly,   and never negotiated. The old counselors knew better   than to expect a settlement in silver from him.
Maria Dahvana Headley (Beowulf: A New Translation)
Believe you can fly so high on the eagle's wings and elucidate the soupcon of susurration, buzz, fizzle, whiz and silver-lining façade of the cloud even if the earth is in a blaze, the world on a maze, the sphere in a raze and the inhabitants laze away
Anyaele Sam Chiyson (The Sagacity of Sage)
She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, She's free. AND YET, THIS VERY DAY, SHE DANCES. EVEN IN THE RAIN.
Gabrielle Renee
She didn’t really like classical music and there was no Vince to whisper in her ear and tell her what was beautiful about it. His descriptions were so clear. Handel was all scarlet ostrich feathers and silk ribbons fluttering in the wind, great silver trays blazing with candlelight. Wagner was trees creaking and silk ribbons fluttering in the wind, great silver trays blazing with candlelight. Wagner was trees creaking and snapping in the storm, foam running up the foot of a cliff, waves sweeping round rocks, black peaks reaching to the sky. Vince was no longer there, it was only music with no introduction and no commentary.
Magda Szabó (Iza's Ballad)
Quaking, his whole body seized up in an orgasm of blazing luminance. A rapture of colors swirled across his sight and dissolved to a blowing of bright particles. His hand fell away, and he swayed on his heels, entranced in soulful absorption, listening to the silver hum of blood far back in the valleys of his brain.
A.A. Attanasio (Radix (Radix, #1))
She is a Weyward. And she carries another Weyward inside her. She gathers herself together, every cell blazing, and thinks: Now. The window breaks, a waterfall of sharp sounds. The room grows dark with feathered bodies, shooting through the broken window, the fireplace. Beaks, claws, and eyes flashing. Feathers brushing her skin. Simon yells, his hand loosening on her throat. She sucks in the air, falling to her knees, one hand cradling her stomach. Something touches her foot, and she sees a dark tide of spiders spreading across the floor. Birds continue to stream through the window. Insects, too: the azure flicker of damselflies, moths with orange eyes on their wings. Tiny, gossamer mayflies. Bees in a ferocious golden swarm. She feels something sharp on her shoulder, its claws digging into her flesh. She looks up at blue-black feathers, streaked with white. A crow. The same crow that has watched over her since she arrived. Tears fill her eyes, and she knows in that moment that she is not alone in the cottage. Altha is there, in the spiders that dance across the floor. Violet is there, in the mayflies that glisten and undulate like some great silver snake. And all the other Weyward women, from the first of the line, are there, too. They have always been with her, and always will be.
Emilia Hart (Weyward)
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
Stephanie Garber (Legendary (Caraval, #2))
Methinks I am a prophet new inspired And thus expiring do foretell of him: His rash fierce blaze of riot cannot last, For violent fires soon burn out themselves; Small showers last long, but sudden storms are short; He tires betimes that spurs too fast betimes; With eager feeding food doth choke the feeder: Light vanity, insatiate cormorant, Consuming means, soon preys upon itself. This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall, Or as a moat defensive to a house, Against the envy of less happier lands, This blessed plot, this earth, this realm, this England, This nurse, this teeming womb of royal kings, Fear'd by their breed and famous by their birth, Renowned for their deeds as far from home, For Christian service and true chivalry, As is the sepulchre in stubborn Jewry, Of the world's ransom, blessed Mary's Son, This land of such dear souls, this dear dear land, Dear for her reputation through the world, Is now leased out, I die pronouncing it, Like to a tenement or pelting farm: England, bound in with the triumphant sea Whose rocky shore beats back the envious siege Of watery Neptune, is now bound in with shame, With inky blots and rotten parchment bonds: That England, that was wont to conquer others, Hath made a shameful conquest of itself. Ah, would the scandal vanish with my life, How happy then were my ensuing death!
William Shakespeare (Richard II)
Everyone tensed as he leaned in, head dipping, and kissed her. Nesta's lips were chips of ice. But he let their coldness sting his own, and brushed his mouth against hers. Nipped at her bottom lip until he felt it drop a fraction. He slid his tongue into that opening, and found the inside of her mouth, usually so soft and warm, crusted with hoarfrost. Nesta didn't kiss him back, but didn't shove him away. So Cassian sent his heat into it, fusing their mouths together, his free hand bracing her hip as his Siphons nipped at her hand once more. Her mouth opened wider, and he slid his tongue over every inch- over her frozen teeth, over the roof of her mouth. Warming, softening, freeing. Her tongue lifted to meet his in a single stroke that cracked the ice in her mouth. He slanted his mouth over hers, tugging her against his chest, and tasted her as he'd wanted to taste her the other night, deep and thorough and claiming. Her tongue again brushed against his, and then her body was warming, and Cassian pulled back enough to say against her lips, 'Let go, Nesta.' He drove his mouth into hers again, daring her to unleash that cold fire upon him. Something thunked and clinked beside them. And when Nesta's other hand gripped her shoulder, fingers now free of stones and bones, when she arched her neck, granting him better, deeper access, he nearly shuddered with relief. She broke the kiss first, as if sliding into her body and remembering who kissed her, where they were, who watched. Cassian opened his eyes to find her so close that they shared breath. Normal, unclouded breath. Her eyes had returned to the blue-grey he knew so well. Stunned surprise and a little fear lit her face. As if she'd never seen him before. 'Interesting,' Amren observed, and he found the female studying the map. Feyre gaped, though, Rhys's hand gripped tight in her own. Caution blazed on Rhys's face. On Azriel's, too. What the hell did you do to pull her out of that? Rhys asked. Cassian didn't really know. The only thing I could think of. You warmed the entire room. I didn't mean to.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
The song continued and in the mists of the strange grove, a woman appeared. Her skin was as dark as the rich harvest earth, and white hair floated around her like a soft cloud in a clear winter sky. She wore a dress made of ice woven with the new blossoms of the first warm days of spring. Her eyes blazed as green as the fair golden days of summer, then turned gold like ripe fields of wheat. They glowed in the dim light as she watched him from her place atop a throne carved fro stone and the roots of a living tree.
Kristin Bailey (The Silver Gate (The Silver Gate #1))
Why not?” I asked, letting my tears spill over. It was easy to cry. All I had to do was look at Alex’s limp body, and the tears came effortlessly. “You were happy enough to do it to me.” There was a beat. Then John said cautiously, “What do you mean?” “The consequences, John?” I let out a bitter laugh. “Persephone wasn’t doomed to stay in the Underworld because she ate a pomegranate. She was doomed to stay there because she did with Hades what we did last night. That’s what the pomegranate symbolizes, right?” John stared, speechless. But I could tell I was right by the color that slowly started to suffuse his cheeks…and the fact that he didn’t try to contradict me. And of course the fact that the whole thing was spelled out right in front of me by the statue Hope was sitting on. I didn’t get why the Rectors were so obsessed by the myth of Persephone that they’d put a statue of it in their mausoleum, but it was clear enough they were involved in an underworld of one kind or another. “Don’t worry,” I said, lowering my voice because I didn’t want Frank to overhear. “I don’t blame you. You asked me if I was sure, despite the consequences. I said I was. But I thought by consequences you meant a baby, and I already knew that could never happen. I guess Mr. Smith must have told you last night that he found out the pomegranate symbolized something completely different than babies or death-“ “Pierce.” John grasped my hand. His fingers were like ice, but his voice and his gaze had an urgency that was anything but cold. “That isn’t why I did it. I love you. I’ve always loved you, because you’re good…you’re so good, you make me want to be good, too. But that’s the problem, Pierce. I’m not good. And I’ve always been afraid that when you find out the truth about me, you’d run away again-“ I sucked in my breath to tell him for the millionth time that this wasn’t true, but he cut me off, not allowing me to speak until he’d had his say. “Then you almost died yesterday,” he went on, “and it was my fault. I wanted to show you how much I loved you, and things…things went further than I expected. But you didn’t stop me”-his silver eyes blazed, as if daring me to deny what he was saying-“even though I told you we could slow down if you wanted to.” “I know,” I said softly, dropping my gaze to look down at our joined fingers. We’d each kept a hand on Alex. “I know you did.” “I don’t want to lose you again,” he said fiercely. “I lost you once and I couldn’t bear it. I won’t go through that again. I…I know I did the wrong thing. But it didn’t feel wrong at the time.” I raised my gaze to his. “You’re right about that, at least,” I said. “So am I forgiven?” he asked. I hesitated, confused by the myriad of emotions I was feeling. John had known. He’d known the whole time we had been together the night before that he was forever sealing my destiny to his. Of course, he’d thought I’d known, too. He’d asked if I was sure it was what I wanted, despite the consequences. I might have misunderstood what those consequences were, but I’d been very adamant in my response. I’d said yes. And I’d meant it. “Excuse me,” called Frank’s voice from the opposite wall of vaults. “But you might want to take a look at the boy.” John and I both glanced down. Beneath the hands we’d left on Alex, he’d come back to life.
Meg Cabot (Underworld (Abandon, #2))
Indirect inferences about causation can sometimes be drawn from the absence of variations in a comparative analysis. The lack of variation in certain features against a background of system-level change can suggest that these features are constrained or subject to strong evolutionary pressure against deviation. These are evolution's 'dogs that didn't bark,' immortalized in Sir Arthur Conan Doyle's Sherlock Holmes memoir Silver Blaze: Gregory: Is there any other point to which you would wish to draw my attention? Holmes: To the curious incident of the dog in the night-time. Gregory: The dog did nothing in the night time. Holmes: That was the curious incident.
Eric Smith (The Origin and Nature of Life on Earth: The Emergence of the Fourth Geosphere)
You know, Eris,' he said, a hand wrapping around the doorknob. 'I think you might be a decent male, deep down, trapped in a terrible situation.' He looked over his shoulder and found Eris's gaze blazing again. But only pity stirred in his chest, pity for a male who had been born into riches, but had been destitute in every way that truly mattered. In every way that Cassian had been blessed- blessings that were now overflowing. So Cassian said, 'I grew up surrounded by monsters. I've spent my existence fighting then. And I see you, Eris. You're not one of them. Not even close. I think you might even be a good male.' Cassian opened the door, turning from Eris's curled lip. 'You're just too much of a coward to act like one.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Roses, roses! An interminable chain of these royal blossoms, red and white, wreathed by the radiant fingers of small rainbow-winged creatures as airy as moonlight mist, as delicate as thistledown! They cluster round me with smiling faces and eager eyes; they place the end of their rose-garland in my hand, and whisper, "FOLLOW!" Gladly I obey, and hasten onward. Guiding myself by the fragrant chain I hold, I pass through a labyrinth of trees, whose luxuriant branches quiver with the flight and song of birds. Then comes a sound of waters; the riotous rushing of a torrent unchecked, that leaps sheer down from rocks a thousand feet high, thundering forth the praise of its own beauty as it tosses in the air triumphant crowns of silver spray. How the living diamonds within it shift, and change, and sparkle! Fain would I linger to watch this magnificence; but the coil of roses still unwinds before me, and the fairy voices still cry, "FOLLOW!" I press on. The trees grow thicker; the songs of the birds cease; the light around me grows pale and subdued. In the far distance I see a golden crescent that seems suspended by some invisible thread in the air. Is it the young moon? No; for as I gaze it breaks apart into a thousand points of vivid light like wandering stars. These meet; they blaze into letters of fire. I strain my dazzled eyes to spell out their meaning. They form one word—HELIOBAS. I read it. I utter it aloud. The rose-chain breaks at my feet, and disappears. The fairy voices die away on my ear. There is utter silence, utter darkness,—save where that one NAME writes itself in burning gold on the blackness of the heavens.
Marie Corelli (A Romance of Two Worlds)
She dances, She dances around the burning flames with passion, Under the same dull stars, Under the same hell with crimson embers crashing, Under the same silver chains that wires, All her beauty and who she is inside, She's left with the loneliness of human existence, She's left questioning how she's survived, She's left with this awakening of brutal resilience, Her true beauty that she denies, As much she's like to deny it, As much as it continues to shine, That she doesn't even have to admit, Because we all know it's true, Her glory and success, After all she's been through, Her triumph and madness, AND YET, SHE STANDS. Broken legs- but she's still standing, Still dancing in this void, You must wonder how she's still dancing, You must wonder how she's not destroyed, She doesn't even begin to drown within the flames, But little do you realize, Within these chains, She weeps and she cries, But she still goes on, And just you thought you could stop her? You thought you'd be the one? Well, let me tell you, because you thought wrong. Nothing will ever silence her, Because I KNOW, I know that she is admiringly strong, Her undeniable beauty, The triumph of her song, She's shining bright like a ruby, Reflecting in the golden sand, She's shining brighter like no other, She's far more than human or man, AND YET, SHE STANDS. She continues to dance with free-spirit, Even though she's locked in these chains, Though she never desired to change it, Even throughout the agonizing pain, Throughout all the distress, Anxiety, depression, tears and sorrow, She still dances so beautify in her dress, She looks forward to tomorrow, Not because of a fresh start but a new page, A new day full of opportunities, Despite being trapped in her cage, She still smiles after being beaten so brutally, A smile that could brighten anyone's day, She's so much more than anyone could ask for, She's so much more than I could ever say, She's a girl absolutely everyone should adore, She never gets in the way, Even after her hearts been broken, Even after the way she has been treated, After all these severe emotions, After all all the blood she's bled, AND YET, SHE STANDS. Even if sometimes she wonders why she's still here, She wonders why she's not dead, But there's this one thing that had been here throughout every tear, Throughout the blazing fire leaving her cheeks cherry red, Everyday this thing has given her a place to exist, This thing, person, these people, Like warm sunlight it had so softly kissed, The apples of her cheeks, Even when she's feeling feeble, Always there at her worst and at her best Because of you and all the other people, She has this thing deep inside her chest, That she will cherish forever, Even once you're gone, Because today she smiles like no other, Even when the sun sets at dawn, Because today is the day, She just wants you to remember, In dark and stormy weather, It gets better. And after what she's been through she knows, Throughout the highs and the lows, Because of you and all others, After crossing the seas, She has come to understand, You have formed this key, This key to free her from this land, This endless gorge that swallowed her, Her and other men, She had never knew, nor had she planned, That because of you, She's free. AND YET, THIS VERY DAY, SHE STILL DANCES, EVEN IN THE RAIN.
Gabrielle Renee
VII" Oh you can make fun of the splendors of moonlight, But what would the human heart be if it wanted Only the dark, wanted nothing on earth But the sea’s ink or the rock’s black shade? On a summer night to launch yourself into the silver Emptiness of air and look over the pale fields At rest under the sullen stare of the moon, And to linger in the depths of your vision and wonder How in this whiteness what you love is past Grief, and how in the long valley of your looking Hope grows, and there, under the distant, Barely perceptible fire of all the stars, To feel yourself wake into change, as if your change Were immense and figured into the heavens’ longing. And yet all you want is to rise out of the shade Of yourself into the cooling blaze of a summer night When the moon shines and the earth itself Is covered and silent in the stoniness of its sleep.
Mark Strand (Selected Poems of Mark Strand)
Of course the children’s eyes turned to follow the lion; but the sight they saw was so wonderful that they soon forgot about him. Everywhere the statues were coming to life. The courtyard looked no longer like a museum; it looked more like a zoo. Creatures were running after Aslan and dancing round him till he was almost hidden in the crowd. Instead of all that deadly white the courtyard was now a blaze of colours; glossy chestnut sides of centaurs, indigo horns of unicorns, dazzling plumage of birds, reddy-brown of foxes, dogs and satyrs, yellow stockings and crimson hoods of dwarfs; and the birch-girls in silver, and the beech-girls in fresh, transparent green, and the larch-girls in green so bright that it was almost yellow. And instead of the deadly silence the whole place rang with the sound of happy roarings, brayings, yelpings, barkings, squealings, cooings, neighings, stampings, shouts, hurrahs, songs and laughter.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
Hearth to hearth, the Flame of War went. Over snow-blasted mountains and amongst the trees of tangled forests, hiding from the enemies that prowled the skies. Through long, bitterly cold nights where the wind howled as it tried to wipe out any trace of that flame. But the wind did not succeed, not against the flame of the queen. So hearth to hearth, it went. To remote villages where people screamed and scattered as a young-faced woman descended from the skies on a broom, waving her torch high. Not to signal them, but the few women who did not run. Who walked toward the flame, the rider, as she called out, “Your queen summons you to war. Will you fly?” Trunks hidden in attics were thrown open. Folded swaths of red cloth pulled from within. Brooms left in closets, beside doorways, tucked under beds, were brought out, bound in gold or silver or twine. And swords—ancient and beautiful—were drawn from beneath floorboards, or hauled down from haylofts, their metal shining as bright and fresh as the day they had been forged in a city now lying in ruin. Witches, the townsfolk whispered, husbands wide-eyed and disbelieving as the women took to the skies, red cloaks billowing. Witches amongst us all this time. Village to village, where hearths that had never once gone fully dark blazed in answer. Always one rider going out, to find the next hearth, the next bastion of their people. Witches, here amongst us. Witches, now going to war. A rising tide of witches, who took to the skies in their red cloaks, swords strapped to their backs, brooms shedding years of dust with each mile northward. Witches who bade their families farewell, offering no explanation before they kissed their sleeping babes and vanished into the starry night. Mile after mile, across the darkening world, the call went out, ceaseless and unending as the eternal flame that passed from hearth to hearth. “Fly, fly, fly!” they shouted. “To the queen! To war!” Far and wide, through snow and storm and peril, the Crochans flew.
Sarah J. Maas (Throne of Glass (Throne of Glass #0.1–0.5, 1–7))
Very few entities are powerful enough to create Patinas, and those that can guard them closely. The library is here. But Arriane’s right. We’ll need to figure out the way in.” “I heard you need an Announcer to get through one,” Arriane said. “Cosmic legend.” Annabelle shook her head. “Every Patina is different. Access is entirely up to the creator. They program the code.” “I once heard Cam tell a story at a party about how he accessed a Patina,” Rolan said. “Or was that a story about a party that he threw in a Patina?” “Luce!” Daniel said suddenly, making all of them startle in midair. “It’s you. It was always you.” Luce shrugged. “Always me what?” “You’re the one who always rang the bell. You’re the one who had entry to the library. You just need to ring the bell.” Luce looked at the empty street, the fog tinting everything around them brown. “What are you talking about? What bell?” “Close your eyes,” Daniel said. “Remember it. Pass into the past and find the bellpull-“ Luce was already there, back at the library the last time she’d been in Vienna with Daniel. Her feet were firmly on the ground. It was raining and her hair splayed all across her face. Her crimson hair ribbons were soaked, but she didn’t care. She was looking for something. There was a short path up the courtyard, then a dark alcove outside the library. It had been cold outside, and a fire blazed within. There, in the musty corner near the door, was a woven cord embroidered with white peonies hanging from a substantial silver bell. She reached into the air and pulled. The angels gasped. Luce opened her eyes. There, in the center of the north side of the street, the row of contemporary town houses was interrupted at its midpoint by a single small brown house. A curl of smoke rose from its chimney. The only light-aside from the angel’s wings-was the dim yellow glow of a lamp on the sill of the house’s front window. The angels landed softly on the empty street and Daniel’s grip around Luce softened. He kissed her hand. “You remembered. Well done.
Lauren Kate (Rapture (Fallen, #4))
The bast, dispersing in shreds in the sunset whispered "Time has begun." The son, Adam, stripped naked, descended into the Old Testament of his native land and arrayed himself in bast; a wreath of roadside field grass he placed upon his brow, a staff, not a switch, he pulled from the ground, flourishing the birch branch like a sacred palm. On the road he stood like a guard. The dust-gray road ran into the sunset. And a crow perched there, perched and croaked, there where the celestial fire consumed the earth. There were blind men along the dust-gray road running into the twilight. Antique, crooken, they trailed along, lonely and sinister silhouettes, holding to one another and to their leader's cane. They were raising dust. One was beard-less, he kept squinting. Another, a little old man with a protruding lip, was whispering and praying. A third, covered with red hair, frowned. Their backs were bent, their heads bowed low, their arms extended to the staff. Strange it was to see this mute procession in the terrible twilight. They made their way immutable, primordial, blind. Oh, if only they could open their eyes, oh if only they were not blind! Russian Land, awake! And Adam, rude image of the returned king, lowered the birch branch to their white pupils. And on them he laid his hands, as, groaning and moaning they seated themselves in the dust and with trembling hands pushed chunks of black bread into their mouths. Their faces were ashen and menacing, lit with the pale light of deadly clouds. Lightning blazed, their blinded faces blazed. Oh, if only they opened their eyes, oh, if only they saw the light! Adam, Adam, you stand illumined by lightnings. Now you lay the gentle branch upon their faces. Adam, Adam, say, see, see! And he restores their sight. But the blind men turning their ashen faces and opening their white eyes did not see. And the wind whispered "Thou art behind the hill." From the clouds a fiery veil began to shimmer and died out. A little birch murmured, beseeching, and fell asleep. The dusk dispersed at the horizon and a bloody stump of the sunset stuck up. And spotted with brilliant coals glowing red, the bast streamed out from the sunset like a striped cloak. On the waxen image of Adam the field grass wreaths sighed fearfully giving a soft whistle and the green dewy clusters sprinkled forth fiery tears on the blind faces of the blind. He knew what he was doing, he was restoring their sight. ("Adam")
Andrei Bely (Silver Age of Russian Culture (An Anthology))
The Story of the Moon Once, night, unchallenged, extended its dark grace across the sky. To the credit of the town, the stars at night had been enough, though sometimes the townspeople went about bumping their heads in sleep. Eventually, three brothers, traveling through a foreign town, found an evening that did not disappear behind the mountains, for a shining globe sat in an oak tree. The brothers stopped. That one is the moon, said a man from the foreign town. The brothers conferred. They could make a certain use of it. The brothers stole the moon down and put it in their wagon. Seized it. Thieved its silver. Altogether greedy. The wagon shining brights. At home: the moon delivered. Then, celebration: dancing in red coats on the meadow. Number four brother smiling wide. The moon installed--it extended its silver calculations. Time and more time. The brothers aged, took sick, petitioned the town that each quarter of the moon, as it was their property, be portioned out to share their graves. Done, and the light of the moon diminished in fractions. They had extinguished it, part for part, and night, unimpeded, fell. Altogether lanternless. The people were silent. The dark rang loud. Underground: cold blazing. The dead woke, shivering in the light. Some went out to play and dance, others hastened to the taverns to drink, quarrel, and brawl. Noise and more noise. Noise up to heaven. Saint Peter took his red horse through the gates and came down. The moon, for the third time, taken. The dead bidden back into their graves. One wonders why a story like this exists.
Richard Siken (War of the Foxes)
Nesta, it should not have come out as it did.' 'Did Cassian tell you that?' He'd gone to Feyre, rather than here? 'No, but I can guess as much. He didn't want to keep anything from you.' 'My issue isn't with Cassian.' Nesta levelled her stare at Amren. 'I trusted you to have my back.' 'I stopped having your back the moment you decided to use that loyalty as a shield against everyone else.' Nesta snarled, but Feyre stepped between them, hands raised. 'This conversation ends now. Nesta, go back to the House. Amren, you...' She hesitated, as if considering the wisdom of ordering Amren around. Feyre finished carefully, 'You stay here.' Nesta let out a low laugh. 'You are her High Lady. You don't need to cater to her. Not when she now has less power than any of you.' Feyre's eyes blazed. 'Amren is my friend, and has been a member of this court for centuries. I offer her respect.' 'Is it respect that she offers you?' Nesta spat. 'It is respect that your mate offers you?' Feyre went still. Amren warned, 'Don't you say one more fucking word, Nesta Archeron.' Feyre asked, 'What do you mean?' And Nesta didn't care. Couldn't think around the roaring. 'Have any of them told you, their respected High lady, that the babe in your womb will kill you?' Amren barked, 'Shut your mouth!' But her order was confirmation enough. Face paling, Feyre whispered again, 'What do you mean?' 'The wings,' Nesta seethed. 'The boy's Illyrian wings will get stuck in your Fae body during the labour, and it will kill you both.' Silence rippled through the room, the world. Feyre breathed, 'Madja just said that the labour would be risky. But the Bone Carver... The son he showed me didn't have wings.' Her voice broke. 'Did he only show me what I wanted to see.' 'I don't know,' Nesta said. 'But I do know that your mate ordered everyone not to inform you of the truth.' She turned to Amren. 'Did you all vote on that, too? Did you talk about her, judge her, and deem her unworthy of the truth? What was your vote, Amren? To let Feyre die in ignorance?' Before Amren could reply, Nesta turned back to her sister. 'Didn't you question why your precious, perfect Rhysand has been a moody bastard for weeks? Because he knows you will die. He knows, and yet he still didn't tell you.' Feyre began shaking. 'If I die...' Her gaze drifted to one of her tattooed arms. She lifted her head, eyes bright with tears as she asked Amren, 'You... all of you knew this?' Amren threw a withering glare in Nesta's direction, but said, 'We did not wish to alarm you. Fear can be as deadly as any physical threat.' 'Rhys knew?' Tears spilled down Feyre's cheeks, smearing the paint splattered there. 'About the threat to our lives?' She peered down at herself, at the tattooed hand cradling her abdomen. And Nesta knew then that she had not once in her life been loved by her mother as much as Feyre already loved the boy growing within her. It broke something in Nesta- broke that rage, that roaring- seeing those tears begin to fall, the fear crumpling Feyre's paint-smeared face. She had gone too far. She... Oh, gods. Amren said, 'I think it is best, girl, if you speak to Rhysand about this.' Nesta couldn't bear it- the pain and fear and love on Feyre's face as she caressed her stomach. Amren growled at Nesta, 'I hope you're content now.' Nesta didn't respond. Didn't know what to say or do with herself. She simply turned on her heel and ran from the apartment.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
His words explained, but they did not convince. Was this sudden-bursting glory only the sun rising behind storm clouds? She could see the clouds moving while they were being colored. The universal gray surrendered under some magic paint brush. The rifts widened, and the gloom of the pale-gray world seemed to vanish. Beyond the billowy, rolling, creamy edges of clouds, white and pink, shone the soft exquisite fresh blue sky. And a blaze of fire, a burst of molten gold, sheered up from behind the rim of cloud and suddenly poured a sea of sunlight from east to west. It trans-figured the round foothills. They seemed bathed in ethereal light, and the silver mists that overhung them faded while Carley gazed, and a rosy flush crowned the symmetrical domes. Southward along the horizon line, down-dropping veils of rain, just touched with the sunrise tint, streamed in drifting slow movement from cloud to earth. To the north the range of foothills lifted toward the majestic dome of Sunset Peak, a volcanic upheaval of red and purple cinders, bare as rock, round as the lower hills, and wonderful in its color. Full in the blaze of the rising sun it flaunted an unchangeable front. Carley understood now what had been told her about this peak. Volcanic fires had thrown up a colossal mound of cinders burned forever to the hues of the setting sun. In every light and shade of day it held true to its name. Farther north rose the bold bulk of the San Francisco Peaks, that, half lost in the clouds, still dominated the desert scene. Then as Carley gazed the rifts began to close. Another transformation began, the reverse of what she watched. The golden radiance of sunrise vanished, and under a gray, lowering) coalescing pall of cloud the round hills returned to their bleak somberness, and the green desert took again its cold sheen.
Zane Grey (The Call Of The Canyon)
In order to explain what that was, I must start by describing the encounter between myself and the sun. In fact, this experience occurred on two occasions. It often happens that, long before the decisive meeting with a person from whom only death can thereafter part one, there is a brief brush elsewhere with that same person occurring with almost total unawareness on both sides. So it was with my encounter with the sun. My first—unconscious—encounter was in the summer of the defeat, in the year 1945. A relentless sun blazed down on the lush grass of that summer that lay on the borderline between the war and the postwar period—a borderline, in fact, that was nothing more than a line of barbed wire entanglements, half broken down, half buried in the summer weeds, tilting in all directions. I walked in the sun’s rays, but had no clear understanding of the meaning they held for me. Finespun and impartial, the summer sunlight poured down prodigally on all creation alike. The war ended, yet the deep green weeds were lit exactly as before by the merciless light of noon, a clearly perceived hallucination stirring in a slight breeze; brushing the tips of the leaves with my fingers, I was astonished that they did not vanish at my touch. That same sun, as the days turned to months and the months to years, had become associated with a pervasive corruption and destruction. In part, it was the way it gleamed so encouragingly on the wings of planes leaving on missions, on forests of bayonets, on the badges of military caps, on the embroidery of military banners; but still more, far more, it was the way it glistened on the blood flowing ceaselessly from the flesh, and on the silver bodies of flies clustering on wounds. Holding sway over corruption, leading youth in droves to its death in tropical seas and countrysides, the sun lorded it over that vast rusty-red ruin that stretched away to the distant horizon.
Yukio Mishima (Sun & Steel)
The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes. On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles. Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour. Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world. Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim. It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.
Anna Kavan (Ice)
thepsychchic chips clips ii If you think of yourself instead as an almost-victor who thought correctly and did everything possible but was foiled by crap variance? No matter: you will have other opportunities, and if you keep thinking correctly, eventually it will even out. These are the seeds of resilience, of being able to overcome the bad beats that you can’t avoid and mentally position yourself to be prepared for the next time. People share things with you: if you’ve lost your job, your social network thinks of you when new jobs come up; if you’re recently divorced or separated or bereaved, and someone single who may be a good match pops up, you’re top of mind. This attitude is what I think of as a luck amplifier. … you will feel a whole lot happier … and your ready mindset will prepare you for the change in variance that will come … 134-135 W. H. Auden: “Choice of attention—to pay attention to this and ignore that—is to the inner life what choice of action is to the outer. In both cases man is responsible for his choice and must accept the consequences.” Pay attention, or accept the consequences of your failure. 142 Attention is a powerful mitigator to overconfidence: it forces you to constantly reevaluate your knowledge and your game plan, lest you become too tied to a certain course of action. And if you lose? Well, it allows you to admit when it’s actually your fault and not a bad beat. 147 Following up on Phil Galfond’s suggestion to be both a detective and a storyteller and figure out “what your opponent’s actions mean, and sometimes what they don’t mean.” [Like the dog that didn’t bark in the Sherlock Holmes “Silver Blaze” story.] 159 You don’t have to have studied the description-experience gap to understand, if you’re truly expert at something, that you need experience to balance out the descriptions. Otherwise, you’re left with the illusion of knowledge—knowledge without substance. You’re an armchair philosopher who thinks that just because she read an article about something she is a sudden expert. (David Dunning, a psychologist at the University of Michigan most famous for being one half of the Dunning-Kruger effect—the more incompetent you are, the less you’re aware of your incompetence—has found that people go quickly from being circumspect beginners, who are perfectly aware of their limitations, to “unconscious incompetents,” people who no longer realize how much they don’t know and instead fancy themselves quite proficient.) 161-162 Erik: Generally, the people who cash the most are actually losing players (Nassim Taleb’s Black Swan strategy, jp). You can’t be a winning player by min cashing. 190 The more you learn, the harder it gets; the better you get, the worse you are—because the flaws that you wouldn’t even think of looking at before are now visible and need to be addressed. 191 An edge, even a tiny one, is an edge worth pursuing if you have the time and energy. 208 Blake Eastman: “Before each action, stop, think about what you want to do, and execute.” … Streamlined decisions, no immediate actions, or reactions. A standard process. 217 John Boyd’s OODA: Observe, Orient, Decide, and Act. The way to outmaneuver your opponent is to get inside their OODA loop. 224 Here’s a free life lesson: seek out situations where you’re a favorite; avoid those where you’re an underdog. 237 [on folding] No matter how good your starting hand, you have to be willing to read the signs and let it go. One thing Erik has stressed, over and over, is to never feel committed to playing an event, ever. “See how you feel in the morning.” Tilt makes you revert to your worst self. 257 Jared Tindler, psychologist, “It all comes down to confidence, self-esteem, identity, what some people call ego.” 251 JT: “As far as hope in poker, f#¢k it. … You need to think in terms of preparation. Don’t worry about hoping. Just Do.” 252
Maria Konnikova (The Biggest Bluff: How I Learned to Pay Attention, Master Myself, and Win)
The fire was blazing, and in front of the fire guard were propped two bulging stockings. I could see bars of chocolate and fudge, packets of Turkish Delight, and tangerines in silver foil. Next to them were piles of presents, beautifully wrapped in tissue paper and ribbon. The room was festooned with green, spicy boughs, and breakfast was laid out on the low table next to the sofa: muffins and bread ready to be toasted, and eggs and bacon still steaming.
Robin Stevens (Mistletoe and Murder (Murder Most Unladylike, #5))
Cassian pulled back, and remained that way long enough that she opened her eyes again to find his face inches from her own. “You’re not going to marry Eris,” he said roughly. “No,” she breathed. His eyes blazed. “There will be no one else. For either of us.” “Yes,” she whispered. “Ever,” he promised. Nesta laid a hand on his muscled chest, letting the thunderous beating of the heart beneath echo into her palm. Let it travel down her arm, into her own chest, her own heart. “Ever,” she swore. It was all he needed. All she needed.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Not a scream of rage, but of pure terror. His body distilled at that scream, as if it were no more than the knife in his hand, a weapon to be used to eliminate and destroy any threats to her, to kill and kill and not stop until every last enemy was dead or bleeding. Her door was open, and light blazed from within. Silvery, cold light. “Cassian,” Az warned, but Cassian pushed himself faster, running as swiftly as he ever had in his life. He slammed into the archway of her door, rebounding off it and into the room, and came up short at what he beheld. Nesta lay in her bed, body arched. Bathed in silver fire. She was screaming, hands ripping at the sheets, and that fire burned and burned without destroying the blankets, the room. Burned and writhed, as if devouring her. “Holy gods,” Azriel breathed. The fire radiated cold. Cassian had never heard of such a power amongst the High Fae. Fire, yes—but fire with warmth. Not this icy, terrible twin. Nesta arched again, sobbing through her teeth.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Golden light flickered on the other side of the room, and Amren gasped. Cassian’s heart curdled in horror. Nesta no longer hovered by the side of the bed. She now stood a few feet away. She wore the Mask. She’d placed the Crown atop her head. And she cradled the Harp in her arms. No one had ever wielded all three and lived. No one could contain their power, control them— Nesta’s eyes blazed with silver fire behind the Mask. And Cassian knew the being that looked out was neither Fae nor human nor anything that walked the lands of this world. She began moving toward the bed, and Rhys surged for her. Nesta held up a hand, and Rhys went still. As still as Cassian had gone under the Crown’s control. Feyre’s chest lifted, a death-rattle whispering from her white lips, and Cassian could do nothing but watch as Nesta’s fingers, still bloody and filthy from the Rite, drifted to the final string of the Harp. The twenty-sixth string. And plucked it.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
As Sherlock Holmes noted in the Silver Blaze case—the curious thing was that the dog did not bark. More problematic, there are plenty of scientific results that are left out of publications because they are not statistically significant, but nevertheless provide information.
Nassim Nicholas Taleb (Fooled by Randomness: The Hidden Role of Chance in Life and in the Markets (Incerto, #1))
Glowing in midair before them was a foreign character that almost—almost—resembled a Hin word, but not. And around it, blazing like a trail of fire, was a sealed circle.
Amélie Wen Zhao (Song of Silver, Flame Like Night (Song of the Last Kingdom, #1))
A gray-robed old male stood before them. Not human, but his scent declared nothing other than some sort of Vanir humanoid. His heavy white beard fell to the thin band of rope that served as a belt, his wispy hair long and unbound. Four rings of silver and gold glinted on one of his withered, spotted hands, with small stars blazing in the center of each, trapped in the nearly invisible glass domes. No—not stars. Bryce’s stomach turned over at the minuscule hand that pressed against the other side of the glass. There was no mistaking the desperation in that touch. Fire sprites. Enslaved, all of them. Bought and sold.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Kid, this is October you can make the maples blaze just by stopping to look, you can set your clock to the barks of geese. Somewhere the grandfathers who own this town lean down to iron crisp blue shirts, their faces bathing in steam, and blackbirds clamor in packs, make plans behind corn. You know this, you were born whistling at crackling stars, you snap your fingers and big turtles slide out of rivers to answer. You can swim one more time in the puddle of sun in your water glass, taste icicles already in the white crunch of your lunch apple. Go to sleep. I’ll put on my silver suit and chase the sky into the moon.
Jeffrey Bean
His beauty did not blaze like Will’s did in fierce colors and repressed fire, but it had its own muted perfection, the loveliness of snow falling against a silver-gray sky.
Cassandra Clare (Clockwork Prince (The Infernal Devices, #2))
Utter silence filled the snowy forest. Even the birds in the pines had stopped chirping. “Valkyries,” Emerie said, eyes blazing bright. Nesta grinned through the blood she knew was splattered on her face. “Hell yes.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Cassian pulled back, and remained that way long enough that she opened her eyes again to find his face inches from her own. “You’re not going to marry Eris,” he said roughly. “No,” she breathed. His eyes blazed. “There will be no one else. For either of us.” “Yes,” she whispered. “Ever,” he promised. Nesta laid a hand on his muscled chest, letting the thunderous beating of the heart beneath echo into her palm. Let it travel down her arm, into her own chest, her own heart. “Ever,” she swore.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Her door was open, and light blazed from within. Silvery, cold light. ....... The fire radiated cold. Cassian had never heard of such a power amongst the High Fae. Fire, yes—but fire with warmth. Not this icy, terrible twin.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
All I do is want you and wait for you to be taken from me,’ he says, eyes blazing silver fire above me. ‘All I do is fight and fear and wait and fucking yearn. I’m drowning,’ he rasps, eyes beginning to water, and my own eyes blur with unshed tears. ‘I’m scrambling for shore, for air, and the only place I seem to be able to get it is from you. But the dagger’s gone, and I don’t know where to look, or who to ask, or what to do to save you from this.
ladymidnight87 (The Fear of Letting Go)
By the time he spotted the City of Naru from afar, moonlight sent long, wiry shadows across the hillside leading up to the towering stone walls. He told himself he could do it. No matter how hard it was to continue carrying her, he was determined to bring her home alive.  Lights flickered from countless braziers mounted hundreds of feet high on the upper part of the city. Naru stood ominous under the garish light of the four moon sisters and as the evening gong sounded from atop a watchtower, Talis knew he had made it.  He stumbled toward the main gates, barely able to stand. A group of soldiers making their rounds noticed and ran over to help.  “Young Master Talis, what’s wrong?” said Baratis, the captain of the guard. His eyes blazed in fear at the sight of Mara. “Is she alive?” “I can’t talk now… open the gates… she’s hurt!”  “Carem and Jorem! Help them,” Baratis shouted. “You! Ride and fetch a healer. Have them run straightaway to House Lei. Now go!” Two soldiers lifted Mara from Talis' arms and carried her while another raced inside the city. Massive steel shafts stared down at them from inside the stone walls as they jogged past. If they weren’t quick about it, she would die. Ahead, Talis could see a soldier speed off on horseback. He prayed that the healer would arrive in time. He ran ahead, urging them to run faster.    Past the gate was the Arena of the Sej Elders, formed of gigantic white granite blocks, rising over everything in the lower part of the city. Stone towers lined the wide avenue leading up to the arena. They had to move faster. The soldiers’ boots clapped against the cobblestone streets as they marched past the arena, finally winding up and around until they reached the gates of the upper city. Up the snaking rise, they charged past merchant shops and eyes that gawked at the soldiers carrying Mara. They continued on to the highest part of the city, beneath the Temple of the Goddess Nestria, the Goddess of the Sky. To Mara’s house, the House of Viceroy Lei and Lady Malvia, daughter of the king and second in line to the throne.  They were going to be furious; Talis knew he was in serious trouble for taking Mara out on the hunt. But he couldn’t think of that, all that mattered was Mara’s life. As the soldiers carried her into the white marble mansion, Talis worried her wounds were too grave to cure. Today was the worst day and he was all to blame. Why did he have to chase after the boar? Two servants ran up and gasped when they noticed Mara and they quickly helped her inside.  Lady Malvia rushed to them, her silver robe swirling.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
Reflected a hundred times, Merrick loomed above her, tall, dominating, uncompromisingly male. In candlelight, his loose shirt glowed with supernatural whiteness. He hadn't shifted since she'd removed her nightdress, but the tension in his long body indicated any plea for mercy would go unheeded. His stance conveyed hunting readiness. The silence stretched until she wanted to scream. She twisted at the waist to face him. His expression was vivid with what, even in her innocence, she recognized as arousal. In his angular face, his eyes blazed hot silver. He was no longer the languid, sardonically amused man who'd fed her a makeshift supper. This man was captive to appetite.
Anna Campbell (Seven Nights in a Rogue's Bed (Sons of Sin, #1))
Just let her move back in with me and I’ll take care of her.” “No.” He frowned at me sternly. “Absolutely not. Didn’t I say she would get no more of your blood?” “What do you care if she takes my blood after Roderick leaves?” I demanded. “I told you it will not happen again. Taylor will not drink from you again. Nor will any other vampire.” I put a hand on my hip. “You’re getting awfully possessive for somebody who’s basically just a business partner.” “I am your master—at least for now.” His eyes blazed silver. “And I have put out the word in Tampa that no other vampire is to touch or taste you in any way. To do so means death and I will not hesitate to enforce that penalty.” “So you put out the word to every vamp on the street that you own me? Thanks a lot, you big asshole,” I stormed. “What do you think that’s going to do to my professional reputation?” “I don’t care what it does to your reputation as long as it keeps you safe,” he replied.
Evangeline Anderson (Crimson Debt (Born to Darkness, #1))
The Pony Club Secrets series: 1. Mystic and the Midnight Ride 2. Blaze and the Dark Rider 3. Destiny and the Wild Horses 4. Stardust and the Daredevil Ponies 5. Comet and the Champion’s Cup 6. Storm and the Silver Bridle 7. Fortune and the Golden Trophy 8. Victory and the All-Stars Academy 9. Flame and the Rebel Riders 10. Angel and the Flying Stallions Also available in the series: Issie and the Christmas Pony (Christmas special) Coming soon… 11. Liberty and the Dream Ride About the Publisher Australia HarperCollins Publishers (Australia) Pty.
Stacy Gregg (Angel and the Flying Stallions (Pony Club Secrets, #10))
throwing a few more bodies on the blaze, if only to convince the world the Guard was made of monsters. He’ll kill Julian too, and Sara. They’re probably dead already. I can’t think of them at all. It’s too painful. Now my thoughts turn back to Maven himself, to cold blue eyes and the moment I realized his charming smile hid a beast. The bunk beneath me is hard, the blankets thin, with no pillow to speak of, but part of me wants to lie back down. Already my headache returns, throbbing with the electric pulse of this miracle boat. It is a firm reminder—there is no peace for me here. Not yet, not while so much more must be done. The list. The names. I must find them. I must keep them safe from Maven and his mother. Heat spreads across my face, my skin flushing with the memory of Julian’s little book of hard-won secrets. A record of those like me, with the strange mutation that gives us Red blood and Silver abilities
Victoria Aveyard (Glass Sword (Red Queen, #2))
Domenico's smile was breathtakingly beautiful, but his devil's look blazed behind it.
Teresa Denys (The Silver Devil)
Her mind was on fire. Cansrel. In the light of the flames his hair flashed silver and blue, his eyes blue and beautiful. She stared into those eyes and saw them staring back at her with hatred, anger, because it was Cansrel come back from death and there was no hiding herself from him. “Kneel,” Archer said beside her, but it was unnecessary, for she fell to both knees. And then the gates swung shut. The white blaze of the bonfire receded, and all was yellow in the light of the courtyard torches. And still the man on the horse stared at her with hatred, but as the shadows settled it was no longer Cansrel’s hatred. His hair was dark, his eyes were pale, and she saw that this was nothing but an ordinary man. She was shaking, cold on the ground. And now of course she recognized his black mare, and his handsome brother, and his handsome brother’s roan. Not Nax and Cansrel, but Nash and Brigan.
Kristin Cashore (Fire)
If my tiny studio apartment in Santa Monica were, heaven forbid, to go up in a blazing inferno, the one thing I would rush back inside to save would be my favorite pair of strappy silver slingbacks.
Gemma Halliday (Alibi in High Heels (High Heels, #4))
The sails blazed back at us, each glittering facet silver tinged with red and purple, reflecting the world-filtered light of the Old Sun.
Alastair Reynolds (Revenger (Revenger, #1))
It also had extraordinary acoustics: in the hush of the small hours, a goods truck smashing into a pothole sounded like an explosion, and the fantastic howl of a passing motorbike once caused Rachel to vomit with terror. Around the clock, ambulances sped eastward on West 23rd Street with a sobbing escort of police motorcycles. Sometimes I confused the cries of the sirens with my son's night-time cries. I would leap out of bed and go to his bedroom and helplessly kiss him, even though my rough face sometimes woke him and I'd have to stay with him and rub his tiny rigid back until he fell asleep once more. Afterwards I slipped out onto the balcony and stood there like a sentry. The pallor of the so-called hours of darkness was remarkable. Directly to the north of the hotel, a succession of cross-streets glowed as if each held a dawn. The tail lights, the coarse blaze of deserted office buildings, the lit storefronts, the orange fuzz of the street lanterns: all this garbage of light had been refined into a radiant atmosphere that rested in a low silver heap over Midtown and introduced to my mind the mad thought that the final twilight was upon New York.
Joseph O'Neill (Netherland)
You of all boys should know that Man is the Storytelling Animal, and that in stories are his identity, his meaning and his lifeblood. Do rats tell tales? Do porpoises have narrative purposes? Do elephants ele-phantasise? You know as well as I do that they do not. Man alone burns with books.’ ‘But still, the Fire of Life … it is just a fairy tale,’ insisted Dog the bear and Bear the dog, together. Nobodaddy drew himself up indignantly. ‘Do I look,’ he demanded, ‘like a fairy to you? Do I resemble, perhaps, an elf? Do gossamer wings sprout from my shoulders? Do you see even a trace of pixie dust? I tell you now that the Fire of Life is as real as I am, and that only that Unquenchable Blaze will do what you all wish done. It will turn bear into Man and dog into Dog-Man, and it will also be the End of Me. Luka! You little murderer! Your eyes light up at the very thought! How thrilling! I am amongst assassins! What are we waiting for, then? Are we starting now? Let’s be off! Tick, tock! There is no time to lose!’ At this point Luka’s feet began to feel as if somebody was gently tickling their soles. Then the silver sun rose above the horizon, and something quite unprecedented began to happen to the neighbourhood, the neighbourhood that wasn’t Luka’s real neighbourhood, or not quite. Why was the sun silver, for one thing? And why was everything too brightly coloured, too smelly, too noisy? The sweetmeats on the street vendor’s barrow at the corner looked like they might taste odd, too. The fact that Luka was able to look at the street vendor’s barrow at all was a part of the strange situation, because the barrow was always positioned at the crossroads, just out of sight of his house, and yet here it was, right in front of him, with those oddly coloured, oddly tasting sweetmeats all over it, and those oddly coloured, oddly buzzing flies buzzing oddly all around it. How was this possible? Luka wondered. After all, he hadn’t moved a step, and there was the street vendor asleep under the barrow, so the barrow obviously hadn’t moved either; and how did the crossroads arrive as well, um, that was to say, how had he arrived at the crossroads?
Anonymous
Rhi stood in the doorway and watched Henry. He was a fighter. Maybe that’s why she saved him. There was also a slim chance it was because he helped the Kings. “It’s a good thing you called me,” Usaeil, Queen of the Light, said as she came to stand beside Rhi. Rhi could’ve brought Henry to Usaeil’s manor on the west coast of Ireland, but then it would reveal to one and all power she’s managed to keep hidden from them. That was something she wanted to keep to herself. So she got Henry out of the prison and to the outskirts of Dublin. From there, it was simply a matter of asking Usaeil for help. Now all Rhi had to worry about was finding out how much Henry remembered. If he recalled seeing her teleport him out, then she would need to convince him to lie for her. Although Usaeil would want to know how Henry got out of his prison and how Rhi found him. Usaeil hadn’t begun those questions yet. But they were coming. “I’m glad you agreed to help,” Rhi said. Usaeil shoved her black hair over her shoulders and adjusted the coral sheath dress she wore. “He’s aiding the Kings. Why wouldn’t I help him?” Rhi wanted to roll her eyes, but she didn’t. “We might be Light, but we also use humans as the Dark do.” “We don’t kill them.” “No, we sleep with them once and ruin them for any other mortal. We don’t hurt them at all,” she said sarcastically, giving Usaeil a cutting look. Usaeil slid her silver eyes to Rhi. “I can easily toss Henry North out on his ass.” “Do it. What do I care?” “I think you care more than you’re ready to admit. Why else would you want to help him?” Usaeil sighed. “Rhi, we all know you went through hell at Balladyn’s hands. We know it’s going to take time for you to heal, but you will heal.” Rhi wasn’t so sure. She could feel the darkness within her, coiling and shifting. She had to fight to remember what she should do, instead of what the darkness wanted her to do. “Henry is healing nicely,” Rhi said, changing the subject. Usaeil nodded slowly. “His injuries were extensive. Had you not found him when you did, the internal bleeding would’ve killed him in a few hours. By the way, how did you find him again?” This was what Rhi had been waiting for. Everyone knew she couldn’t lie without feeling tremendous pain. She sank her nails into her palms, held Usaeil’s gaze and lied. “I found him in Dublin. As I said, I don’t know how he got there.” “So very odd.” The pain was gut wrenching. It twisted her insides and squeezed her lungs so that she couldn’t breath. Pain exploded inside her head. She began to shake. It was time for Rhi to change the subject again. “You should tell Con we have him.” The queen twisted her lips. “If I do, Con will want to come here and finish healing Henry himself, or want us to bring Henry to him. I’m not in the mood for either.” “Henry will be finished healing soon. What then? You want him to remain? In a place full of Light Fae?” Thankfully, the pain began to dull enough that Rhi could breath easier. “No,” Usaeil said with a frown. “Already his appearance has sparked interest. They’re trying to get in to see him. He’s a mortal, so he’ll succumb to any Fae he encounters.” Rhi took exception to that. “He’s stronger than that.” “He’s human, Rhi. Not a single one can resist us. It’s a fact. Henry is no different.” Rhi didn’t argue, but she knew she was right. Henry was different. She’d seen it the first time she met him in Con’s office months ago. He took in the fact his friends at Dreagan were actually dragon shifters with a nod, his solemn hazel eyes seeing things anew. She bit back a grin as she recalled how he’d become a little flustered when he saw her and learned who she was. Henry’s smile was charming, sweet . . . honest. He looked at her as if she were the only woman on the realm. Even though Rhi understood that it was the fact she was Fae that intrigued him, enthralled him, she took an instant liking to the human who never backed down.
Donna Grant (Night's Blaze (Dark Kings, #5))
THE SUN CAME UP a baleful smear in the sky, not quite shapeless, in fact able to assume the appearance of a device immediately recognizable yet unnamable, so widely familiar that the inability to name it passed from simple frustration to a felt dread, whose intricacy deepened almost moment to moment . . . its name a word of power, not to be spoken aloud, not even to be remembered in silence. All around lay ambushes of the bad ice, latent presences, haunting all transaction, each like the infinitesimal circle converging toward zero that mathematicians now and then find use for. A silver-gray, odorless, silent exit from the upper world. . . . The sun might be visible from time to time, with or without clouds, but the sky was more neutral-density gray than blue. Out on the promontory grew some even-textured foliage, in this light a blazing, virtually shadowless green, and breaking down at the base of the headland was the sea-green sea, the ice-green, glass-green sea. Hunter
Thomas Pynchon (Against the Day)
Over the misty mountains cold To dungeons deep and caverns old We must away ere break of day To seek the pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells In places deep, where dark things sleep, In hallows halls beneath the fells. For ancient kind and elvish lord There many a gleaming golden hoard They shaped and wrought, and light they caught To hide in gems on hilt of sword. On silver necklaces they strung The flowering stars, on crowns they hung The dragon-fire, in twisted wire They meshed the light of moon and sun. Far over the misty mountains cold To dungeons deep and caverns old We must away, ere break of day, To claim our long-forgotten gold. Goblets they carved there for themselves And harps of gold; where no man delves There lay they long, and many a song Was sung unheard by men or elves. The pines were roaring on the height, The winds were moaning in the night. The fire was red, it flaming spread; The trees like torches blazed with light. The bells were ringing in the dale And men looked up with faces pale; The dragon's ire more fierce than fire Laid low their towers and houses frail. The mountain smoked beneath the moon; The dwarves, they heard the tramp of doom. They fled their hall to dying fall Beneath his feet, beneath the moon. For over the misty mountains grim To dungeons deep and caverns dim We must away, ere break of day , To win our harps and gold from him!
J.R.R. Tolkien (The Hobbit, or There and Back Again)
Planetara was still in the earth’s shadow. The firmament––black interstellar space with its blazing white, red and yellow stars––lay spread around us. The moon, with nearly all its disc illumined, hung, a great silver ball, over 317 our bow quarter. Behind it, to one side, Mars floated like the red tip of a smoldering cigarillo in the blackness. The earth, behind our stern, was dimly, redly visible––a giant sphere, etched with the configurations of its oceans and continents. Upon one limb a touch of the sunlight hung on the mountain-tops with a crescent red-yellow sheen.
S.P. Meek (Astounding Stories of Super-Science, March 1930)
There is a quiet ache in the solitary darkness of a poet’s soul, which is unfathomable for many, but an unsuspected treasure at the same time. The treasure is in a silver casket, created with the ash of burnt shadows and the blazing fire of eternal struggles. It contains the ultimate secret – the secret of the cloud of unknowing flickering the purest transparent flower in bright but brief flashes of lightning.
Louisa Punt-Fouché
You have five minutes until we leave.' Nesta managed to step away. 'You're a brute.' He winked. 'Born and raised.' ... 'Don't ever put your hands on me again.' 'Noted.' His eyes still blazed. Her fingers curled once more. She selected her next words like throwing knives. 'If you think this training nonsense is going to result in your climbing into my bed, you're delusional.' She added with a slice of a smile. 'I'd rather let in a mangy street dog.' 'Oh, it's not going to result in me climbing into your bed.' Nesta snickered, victory achieved, and had reached the stairs when he crooned, 'You'll climb into mine.' She whirled toward him, foot still suspended midair. 'I'd rather not.' Cassian threw her a mocking smile. 'We'll see.' She fumbled for more of those sharp-edged words, for a sneer or a snarl, or anything, but his smile grew. 'You have three minutes to get ready now.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
A mug of hot chocolate appeared beside her, along with a handful of shortbread. Nesta chuckled. 'Thank you.' She sipped from her drink, nearly sighing at the richness of the cocoa. 'I'd like to try a fire,' she said quietly. 'A small one.' Instantly, the House had a tiny blaze going in the fireplace. A log popped, and Nesta straightened, stomach twisting. It was a fire. Not her father's neck. ... Another log cracked and Nesta flinched. But she remained sitting there. Staring at that carved rose. Would she live the rest of her life like Emerie, always glancing over a shoulder for the shadow of the past to haunt her? Did she appear as Emerie had this afternoon, terrified and pained? She owed herself more than that. Emerie, too, deserved more. A chance to live a life without fear and dread. So Nesta could try. Right now. She'd face this fire. Another log cracked. Nesta ground her teeth. Breathe. Inhale for six, hold, exhale for six. She did just that. This is a fire. It reminds you of your father, of something horrible happening, but this is not him, and while you are feeling uncomfortable, you can get through it. Nesta focused on her breathing. Made herself unclench each of her too-tight muscles, starting with her face and working all the way down to her toes. All while she told herself over and over, This is a fire. It makes you uncomfortable. This is why you react as you do. You can breathe through this. Work through this. Her body didn't loosen, but she was able to sit there. Endure the fire until it dimmed to embers, and then went out entirely. She didn't know why she found herself on the verge of tears as the cinders smouldered. Didn't know why the rush of pride that filled her chest made her want to laugh and whoop and dance around the room. She hadn't done anything more than sit by a fire, but... she had sat. Stayed. She had not failed. She had faced it and survived. She might not have saved the world or led armies, but she had made this small, initial step. Nesta wiped at her eyes...
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Nesta only simmered, near-shaking with rage. Or cold. Cauldron, it was cold in here. Only the heated floors offered any reprieve. 'Fire,' he said, and the House obeyed. A great blaze flared to life in the hearth behind him. 'No fire,' she said, focused upon Cassian, though her words were not to him. The House seemed to ignore her. 'No fire,' she ordered. He could have sworn she blanched slightly. For a heartbeat, he was again in Rhys's mother's house in Windhaven. She'd been staring and staring into the fire, as if speaking to it, as if unaware that even he was there. The fire crackled and popped. Nesta seethed to the open air. 'I said-' A log cracked, as if the House was merrily ignoring her, adding heat to the flame. But Nesta flinched. Barely a blink and half a shudder, but her entire body went rigid. Fear and dread flashed over her features, then vanished. Strange.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Nesta, look at me.' Fighting the roaring of her body, she obeyed. Heat blazed in his eyes, and something more than that. 'Look at me, ' Cassian breathed. Gods spare her, but she did. She couldn't take her gaze off him. Found herself free-falling into his darkened eyes, his beautiful face.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
There may be great information in the fact that nothing took place. As Sherlock Holmes noted in the Silver Blaze Case - the curious thing was that the dog did not bark.
Nassim Nicholas Taleb (Fooled By Randomness - The Hidden Role Of Chance In Life And In The Markets - Second Edition)
So, here they were, face to face with the Son of God! When they had first seen him in the throne room, he had been nearly indistinguishable from the Father. In a manner that defied explanation and description, both he and the entity who had leaned upon the back of the Father’s throne had been one with God himself. Now, outside the throne room, the Son was clearly his own person, yet his majesty and the wonder he evoked were not diminished. He was unsurpassably beautiful. Tall and graceful, he sat upon his fabulous steed with a dignity that emanated pure power. His snow white hair hung to his saddle-back in thick waves, two intricate braids caught back at the temples to form a tiara entwined with gold. Despite his snowy hair, his face, while containing all the eons of heaven, seemed ageless, eternally youthful. His clothing, while utterly elegant, was simple and straightforward. A gown of blazing white was topped by a sleeveless coat of sky blue, and draping all was a cloak of deep, dark scarlet, its ample hood spread out across his shoulders. Everything was trimmed with gold and silver braid, gleaming gems of many colors peeking here and there from the folds. His horse’s tack was fabulous, all of embossed gold and cushioned wood, carved with dazzling intricacy. But, they had only a moment to take all of this in, before the prince saluted them with an outstretched arm. “Good day, friends,” he hailed them. “We meet again.” Gabriel’s heart lurched. He would have returned the salutation, but his voice failed him. Supporting one another, the four archangels were determined not to fall down. But, it was no use. They simply had no strength to stay upright. Besides, they were overcome with the desire to worship this mighty prince. Slumping to the ground, even the most self-assured of them, Lucifer, was brought to his knees. Again, the seraph flew over them, this time raising them to their feet without laying a hand on them. A swift flick of his fingers, and they were upright, once again. By the time they had regained their composure, the prince had dismounted and was walking toward one root of the mammoth tree. “Follow me,” he said, waving them forward. “It is time for us to have a talk.” Michael was the first to comply. Gabriel followed, with Raphael and Uriel close behind, all of them tingling from head to toe.
Ellen Gunderson Traylor (Gabriel - The War in Heaven, Book I (Gabriel - God's Hero 1))
The streets are crowded with young people in elaborate getups—giant lace skirts, elaborate umbrellas, ten-inch-tall boots, eyelashes that seem miles long, face masks that glow in the dark. Some of them have their Warcross level floating over their heads, along with hearts and stars and trophies. Others have virtual pets trotting alongside them, bright purple virtual dogs or sparkling silver virtual tigers. Still others wear all kinds of avatar items, virtual cat ears or antlers on their heads, enormous angel wings on their backs, hair and eyes in every color. “Since it is officially game season now,” Jiro explains, “you will see this quite often.” He nods toward a person on the street with Level 80 and 3,410,383 over her head, smiling as several people give her high fives and congratulate her on her high rank. A virtual pet falcon swoops in circles around her head, its tail blazing with fire. “Here, almost everything you do will earn you points toward your level in the Link. Going to school. Going to work. Cooking dinner. And so on. Your level can earn you rewards in the real world,
Marie Lu (Warcross (Warcross, #1))
Whatever she called it, I was not a fan. I felt like I was in an elevator when the cable snapped, sending me crashing to the ground faster than my own bodyweight would have accounted for. Rainbow light blazed across the cosmos of my mind and I couldn’t seem to catch my breath—because I’d left my lungs about five miles above me back in the Mausoleum. This continued for the length of a particularly long infomercial rather than a snap of the fingers. It was absolutely the worst.
Shayne Silvers (Savage (The Nate Temple Series, #15))
Pale lights illuminate The Seven’s inner chamber. Once bright, the lamps are overgrown, dimmed by a sheet of stone. The room is octagonal, one side for the supplicant, unadorned. Six others each house a figure, statue-like, covered from head to toe in a thick layer of rock. All appear human shaped, with discernible wings, their postures neutral, dead. The seventh alcove lies empty. The Vagrant holds the sword up, letting it hum, calling, calling. As if returning from a dream, The Seven respond, slowly, sonorously. Splitting the shells that cover them, yawning into life. One by one, they catch the call and return it, till the harmony swells, reverberating from the walls and leaping up, vanishing into the fathomless, ceilingless dark above. Beautiful sounds mature, becoming words, musical, passed from one to the other, filling the chamber and the Vagrant’s ears. ‘Mourning has become morning, and we rejoice …’ ‘We rejoice in the proximity of your flame once more …’ ‘Once more we are Seven …’ ‘Are Seven together, come …’ ‘Come and join with us …’ ‘Join with us your light, diminished but still bright.’ Six arms drift out, gesturing to the last alcove, inviting. Neither Vagrant nor sword move. An eye studies the chamber, pausing at each alcove, noting the blades housed there, buried beneath layers of stone, useless. Rage simmers between sword and Vagrant. He takes a lock of hair from an inner pocket, throws it down on the floor between them. The sword lowers to point at it, then sweeps across the figures, then makes a hard stab towards the doors. Six faces freeze as the joyous echoes of song die out. The Vagrant swallows in a throat suddenly dry. Vesper dares a quick peek from behind the Vagrant’s coat. Alpha, of The Seven, sings out. The note begins wondrous but imperfect, the others soon match him. ‘We see now your pain, most furious …’ ‘Most furious you are and desperate to fight …’ ‘To fight once more, your desire …’ ‘Your desire we grant, go forth, take a second flame to our enemies …’ Voices come together, their force rocking the Vagrant backwards until he is pinned to the wall. Vesper holds his hand tightly, little feet rising from the floor. ‘Do not stop …’ ‘Stop when the cancer …’ ‘Cancer is cut …’ ‘Cut from the bones …’ ‘Bones and flesh …’ ‘Flesh of the land …’ ‘Land is clean!’ The Vagrant closes his eyes, squeezes them tight. He braces himself against the sound, pulling Vesper behind him raising the sword in front. Silvered wings unfurl protectively, shielding his face. An eye widens, blazing with indignation. ‘Then …’ ‘Then, then and only then …’ ‘Only then will you be free …’ ‘Be free to return to us …’ ‘Return to us and rejoice …’ ‘Rejoice for true, complete again. Immaculate.’ Six go quiet, demands echoing after. Vesper’s feet touch floor again and she wraps herself around a comforting leg. In the Vagrant’s hand, the sword trembles, humming dangerously. He takes a deep breath. From the depths of his stomach something is forged, travelling inevitably, gaining force as it goes, following tubes behind ribs, up through the chest, into the throat, teeth parting, allowing it outside. The Vagrant opens his eyes, they are full of weariness, disgust, conviction. ‘No.
Peter Newman
Just as Adaira was taking a step forward to beseech the spirits, their gathering parted to make way for one of their own to come forward. Jack saw the threads of gold in the air; he felt the rock tremble beneath him. He watched as the south, the east, and the west drew in their wings, watched the spirits quiver and bow to the one who was coming to meet Adaira. He was taller than the others. His skin was pale, as if he had forged himself from the clouds, his wings were the shade of blood, veined with silver, and his hair was long, the color of the moon. His face was beautiful, terrifying to look upon, and his eyes smoldered. A lance was in his hand; its arrowhead flickered with tendrils of lightning. A chain of stars crowned him, and the longer he stood, held by Jack’s music, the stormier the sky churned and the deeper the mountain quaked. It was Bane, king of the northern wind. A name that Jack had only heard whispered in children’s stories, in old legends that flowed with fear and reverence. Bane brought storms, death, famine. He was a wind one wanted to evade. And yet, Jack knew the answers they sought were held in his hands; he had been the one to seal the mouths of the other spirits, to keep the truth concealed from them. Bane motioned for Adaira to approach him, and Jack’s heart blazed with fear. “Come, mortal woman. You have been clever, tricking this bard into summoning me. Come and speak to me, for I have long awaited this moment.
Rebecca Ross (A River Enchanted (Elements of Cadence, #1))
Mulan found it easier to face the morning by pretending that her clothes were armor. The stiff coronation robe Ting was smoothing down over her shoulders? She imagined it woven with threads of spun gold, the embroidered phoenixes stitched with blazing-red iron. Her sash, hanging loose down her back, was a shoulder guard of blue iron, and the phoenixes on her shoes were spikes and spurs. “Please keep your head forward, Empress.” A handmaiden gripped a handful of hair, pulling it taut enough to make Mulan’s eyes water. The hair, at least, was easy to imagine as a helmet. By the time the maid finished wrapping it around multiple combs and adorning the layered buns with everything from flowers to jade to tiny golden bells, Mulan’s coiffure would stop arrows far better than anything the imperial blacksmiths could craft. The maid inserted one last pin and stepped back. “All done.” She pulled the train of Mulan’s robe out as Mulan stepped in front of a full-length mirror. Mulan’s reflection was warped and metallic on the coppery finish, but she could see that she was made up as intricately as the finest ladies of court, her face powdered white, her eyes lined with charcoal, and her lips painted red as her sash. Her eyebrows had been shaved and drawn back in with blue-black pigment. Tiny silver beads adorned her yellow-tinted forehead, and three flowers had been painted on her right cheek. “Armor,” Mulan said under her breath. “Your Majesty?” “Nothing, just talking to myself.
Livia Blackburne (Feather and Flame (The Queen's Council, #2))
Mulan found it easier to face the morning by pretending that her clothes were armor. The stiff coronation robe Ting was smoothing down over her shoulders. She imagined it woven with threads of spun gold, the embroidered phoenixes stitched with blazing-red iron. Her sash, hanging loose down her back, was a shoulder guard of blue iron, and the phoenixes on her shoes were spikes and spurs. “Please keep your head forward, Empress.” A handmaiden gripped a handful of hair, pulling it taut enough to make Mulan’s eyes water. The hair, at least, was easy to imagine as a helmet. By the time the maid finished wrapping it around multiple combs and adorning the layered buns with everything from flowers to jade to tiny golden bells, Mulan’s coiffure would stop arrows far better than anything the imperial blacksmiths could craft. The maid inserted one last pin and stepped back. “All done.” She pulled the train of Mulan’s robe out as Mulan stepped in front of a full-length mirror. Mulan’s reflection was warped and metallic on the coppery finish, but she could see that she was made up as intricately as the finest ladies of court, her face powdered white, her eyes lined with charcoal, and her lips painted red as her sash. Her eyebrows had been shaved and drawn back in with blue-black pigment. Tiny silver beads adorned her yellow-tinted forehead, and three flowers had been painted on her right cheek. “Armor,” Mulan said under her breath. “Your Majesty?” “Nothing, just talking to myself.
Livia Blackburne
Valkyries,” Emerie said, eyes blazing bright. Nesta grinned through the blood she knew was splattered on her face. “Hell yes.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
the crowd gasped and cried out just as four enormous white paws slammed into the Nymphs holding us down. The front two were clad in Phoenix metal and fire blazed out from his claws, killing two Nymphs in quick succession. We were knocked over and Orion pulled me to his chest, surrounding me with his body as Seth leapt over us and ripped through another Nymph with teeth alone. Geraldine was riding him, dressed in some kind of gleaming bronze warrior armour complete with pointed silver boobs.
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
Cassian pulled back, and remained that way long enough that she opened her eyes again to find his face inches from her own. “You’re not going to marry Eris,” he said roughly. “No,” she breathed. His eyes blazed. “There will be no one else. For either of us.” “Yes,” she whispered. “Ever,” he promised.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Far over the misty mountains cold To dungeons deep and caverns old We must away ere break of day To seek the pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. For ancient king and elvish lord There many a gleaming golden hoard They shaped and wrought, and light they caught To hide in gems on hilt of sword. On silver necklaces they strung The flowering stars, on crowns they hung The dragon-fire, in twisted wire They meshed the light of moon and sun. Far over the misty mountains cold To dungeons deep and caverns old We must away, ere break of day, To claim our long-forgotten gold. Goblets they carved there for themselves And harps of gold; where no man delves There lay they long, and many a song Was sung unheard by men or elves. The pines were roaring on the height, The winds were moaning in the night. The fire was red, it flaming spread; The trees like torches blazed with light. The bells were ringing in the dale And men looked up with faces pale; The dragon’s ire more fierce than fire Laid low their towers and houses frail. The mountain smoked beneath the moon; The dwarves, they heard the tramp of doom. They fled their hall to dying fall Beneath his feet, beneath the moon. Far over the misty mountains grim To dungeons deep and caverns dim We must away, ere break of day, To win our harps and gold from him!
J.R.R. Tolkien (The Hobbit: Or There and Back Again)
Dumbledore reached across to Professor McGonagall’s desk, picked up the blood-stained silver sword, and handed it to Harry. Dully, Harry turned it over, the rubies blazing in the firelight. And then he saw the name engraved just below the hilt. Godric Gryffindor. “Only a true Gryffindor could have pulled that out of the hat, Harry,” said Dumbledore simply.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
You need to go to ground now,” Gregori pointed out. “I will fix the safeguards and ensure we are not disturbed.” “With a big sign saying ‘Gregori lies here, do not disturb’?” Mikhail asked softly, his voice a warning. Gregori lowered Jacques’s body deep within the healing earth, in no way disturbed by Mikhail’s sarcasm. “You may as well have written your name in the sky with your challenge, Gregori.” “I want the vampire to be very clear about who I am, whom he has chosen for his enemy.” Gregori’s shoulders shrugged in a lazy ripple of power. Need crawled along Mikhail’s skin like a thousand biting ants, stinging his organs and gnawing at his sinews. He raised red, swollen eyes to Gregori’s harsh, yet curiously sensual features. There was such power in Gregori--it blazed in the silver of his eyes. “You think with Raven that I am complete and no longer have need of you. You deliberately draw the danger to yourself, away from me and mine, because in your heart you believe you can no longer hold out. You welcome the danger of the hunt, and you are seeking a way to end this life. Now, more than ever, our people need you, Gregori. We have hope. There is a future for us if we can survive the coming years.” Gregori sighed heavily, looked away from the steel in Mikhail’s eyes, the censure blazing there. “There is purpose in saving your life, but for me, not much else.” Mikhail pushed a hand through his thick mane of hair. “Our people cannot do without you, Gregori, and quite simply, neither can I.” “You are so certain that I will not turn?” Gregori’s smile was self-mocking. “Your faith in me exceeds my own.
Christine Feehan (Dark Prince (Dark, #1))