Blast Weekend Quotes

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Max’s unflinching gaze never left that house. “What do you think’s going to happen?” Jules asked him quietly, “if you let yourself peel that giant S off your shirt and take a nap? If you let yourself spend an hour, an evening, screw it, a whole weekend doing nothing more than breaking and taking enjoyment from living in the moment? What’s going to happen, Max, if—after this is over—you give yourself permission to actually enjoy Gina’s company? To sit with her arms around you and let yourself be happy. You don’t have to be happy forever—just for that short amount of time.” Max didn’t say anything. So Jules went on. “And then maybe you could let yourself be happy again the next weekend. Not too happy,” he added quickly. “We wouldn’t want that. But just happy in a small way, because this amazing woman is part of your life, because she makes you smile and probably fucks like a dream and yeah—see? You are listening. Don’t kill me, I was just making sure you hadn’t checked out.” Max was giving him that look. “Are you done?” “Oh, sweetie, we have nowhere to go and hours til dawn. I’m just getting started.” Shit, Max said with his body language. But he didn’t stand up and walk away. He just sat there. Across the street, nothing moved. And then it still didn’t move. But once again, Max was back to watching it not move. Jules let the silence go for an entire minute and a half. “Just in case I didn’t make myself clear,” he said, “I believe with all my heart that you deserve—completely—whatever happiness you can grab. I don’t know what damage your father did to you but—” “I don’t know if I can do that,” Max interrupted. “You know, what you said. Just go home from work and . . .” Holy shit, Max was actually talking. About this. Or at least he had been talking. Jules waited for more, but Max just shook his head. “You know what happens when you work your ass off?” Jules finally asked, and then answered the question for him. “There’s no ass there the next time. So then you have to work off some other vital body part. You have to give yourself time to regrow, recharge. When was the last time you took a vacation? Was it nineteen ninety-one or ninety-two?” “You know damn well that I took a really long vacation just—” “No, sir, you did not. Hospitalization and recovery from a near-fatal gunshot wound is not a vacation,” Jules blasted him. “Didn’t you spend any of that time in ICU considering exactly why you made that stupid mistake that resulted in a bullet in your chest? Might it have been severe fatigue caused by asslessness, caused by working said ass off too many 24-7’s in a row?” Max sighed. Then nodded. “I know I fucked up. No doubt about that.” He was silent for a moment. “I’ve been doing that a lot lately.” He glanced over to where Jones was pretending to sleep, arm up and over his eyes. “I’ve been playing God too often, too. I don’t know, maybe I’m starting to believe my own spin, and it’s coming back to bite me.” “Not in the ass,” Jules said.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
know this kid who likes curry, He’s really quite a nut. He went too far with the chilli one night, And blasted a hole in his butt. (Yeah, I know. He already had a hole in his butt, but this is just a stupid poem, so leave me alone.)
Lee M. Winter (What Reggie Did on the Weekend: Seriously! (The Reggie Books, #1))
I know this kid who likes curry, He’s really quite a nut. He went too far with the chilli one night, And blasted a hole in his butt. (Yeah, I know. He already had a hole in his butt, but this is just a stupid poem, so leave me alone.)
Lee M. Winter (What Reggie Did on the Weekend: Seriously! (The Reggie Books, #1))
I know this kid who likes curry, He’s really quite a nut. He went too far with the chilli one night, And blasted a hole in his butt. (Yeah, I know. He already had a hole in his butt, but this is just a stupid poem, so leave me alone.) I threw up in Dad’s shoe, It really wasn’t my fault, My friend, Luke, made me eat worms, And then he did the bolt. Dad’s shoe was the nearest thing I could grab, I really hate that Luke, You should have heard Dad scream and shout, When he stuck his foot in my puke. The
Lee M. Winter (What Reggie Did on the Weekend: Seriously! (The Reggie Books, #1))
Sound. No matter how great a movie looks, if the audience can’t understand what the actors are saying, they’ll get frustrated and lose interest quickly. I know when I see a low-budget movie and the sound is crummy, I shut it off. The less money you have, the less you’ll probably budget for postproduction sound, so what you get during the shoot becomes even more important. Don’t scrimp here. If your production sound is good enough, you won’t need a lot of ADR (additional dialogue recording), which most of the time you need because there’s a flaw in the production sound, or an airplane was overhead and you couldn’t get a clean take. Your sound person should scout your locations. If you’re going to be shooting on a weekday and you visit on a weekend, make sure that there isn’t a noisy garage next door that’s only open Monday to Friday. Sometimes you do ADR because you want to change the performance. That’s fine, but I can usually tell when an actor has been looped, and I hate it, and so do many directors. Some actors are hopelessly bad at it—they’re never able to dub themselves in a convincing way. The best reason to use ADR is when you want to fill in a scene where lots of people are talking at once.
Christine Vachon (Shooting to Kill: How An Independent Producer Blasts Through the Barriers to Make Movies That Matter)
lie. She makes a note to call her sisters and discuss the Wheaton collapse. Parents on the fritz. What to do? But long-distance to the East Coast is two dollars a minute, if you don’t have a magic shoe phone. She decides to write them both that weekend. But that weekend is her ceramic sintering conference in Rotterdam, and the letters slip her mind. IN THE FALL, with his wife in the basement studying Latin, Winston Ma, once Ma Sih Hsuin to everyone who knew him, sits under the crumbling mulberry and, with Verdi’s Macbeth blasting out the bedroom window, puts a Smith & Wesson 686 with hardwood grips up to his temple and spreads the workings of his infinite being across the flagstones of the backyard. He leaves no note except a calligraphic copy of Wang Wei’s twelve-hundred-year-old poem left unfurled on parchment across the desk in his study: An old man, I want only peace.
Richard Powers (The Overstory)
Elmwood UFO Capital of the World Stop through Elmwood at any time of year other than the last full weekend in July, and you’ll think the aliens have already come and gone … and took everyone with them! Not much seems to be happening in this sleepy little burg. But that hasn’t always been the case. The first UFO sighting near Elmwood occurred on March 2, 1975. A star-shaped light chased a local woman and eventually landed on her car’s hood when she stopped to get a better look. A year later, in April 1976, another fireball—this one the size of a football field—shot out a blue light beam that blasted all the sparkplugs in a police cruiser driven by officer George Wheeler. Little green men seem to have trained their laser sights on Elmwood. And Elmwood welcomes the extraterrestrial attention. A few years ago Tomas Weber of the UFO Site Center Corporation in Chippewa Falls proposed that a two-square-mile UFO landing pad be built near town. The price? Twenty-five million dollars. The project has yet to get off the ground, or on the ground. Nobody talks much about it anymore, perhaps due to some type of black-ops “shadow government” cover-up.
Jerome Pohlen (Oddball Wisconsin: A Guide to 400 Really Strange Places (Oddball series))
There once was a lady named Rose, Who was always picking her nose. She pulled out a booger, And rolled it sugar, Then wiped it right onto her clothes. I know this kid who likes curry, He’s really quite a nut. He went too far with the chilli one night, And blasted a hole in his butt.
Lee M. Winter (What Reggie Did on the Weekend: Seriously! (The Reggie Books, #1))
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