Blake Lively Quotes

He who kisses joy as it flies by will live in eternity's sunrise.

God, living people are irritating.

Land of the Dead? Is that what you dream about?” she asks. “Boy who kills ghosts for a living?” “No. I dream about penguins doing bridge construction. Don’t ask why.

Think in the morning. Act in the noon. Eat in the evening. Sleep in the night.

He who binds to himself a joy Does the winged life destroy; But he who kisses the joy as it flies Lives in eternity's sun rise.

He has wondered lately if that's all living really is—one long goodbye to those we love.

We all live day to day completely oblivious to the fact that we’re a part of a much larger and stranger reality than we can possibly imagine.

Life can only be understood backwards; but it must be lived forwards. —SØREN KIERKEGAARD

I peek over the back of the couch and there she is, my goddess of death, her hair snaking out in a great black cloud, her teeth grinding hard enough to make living gums bleed.

For every thing that lives is Holy.

For I dance And drink and sing, Till some blind hand Shall brush my wing. If thought is life And strength and breath And the want Of thought is death Then am I A happy fly If I live Or if I die

Graves are for the living, not the dead. It gives us something to concentrate on instead of the fact that our loved one is rotting under the ground.

I wish we lived in a world where actions were measured by the intentions behind them. But the truth is, they’re measured by their consequences.

He says, “Every moment, every breath, contains a choice. But life is imperfect. We make the wrong choices. So we end up living in a state of perpetual regret, and is there anything worse? I built something that could actually eradicate regret. Let you find worlds where you made the right choice.” Daniela says, “Life doesn’t work that way. You live with your choices and learn. You don’t cheat the system.

I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are. Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?

Animators Inc., where our motto was Where the Living Raise the Dead for a Killing.

He says you kill ghosts for a living. Like you’re a ghostbuster or something.” “I’m not a ghostbuster.

I knew what was like to finally be seduced by the thing you hunted. Mine just happened to be a more traditional seduction. Okay, at least I was still among the living.

Little Fly Thy summers play, My thoughtless hand Has brush'd away. Am not I A fly like thee? Or art not thou A man like me? For I dance And drink & sing: Till some blind hand Shall brush my wing. If thought is life And strength & breath: And the want Of thought is death; Then am I A happy fly, If I live, Or if I die

If I wanted death, Edward would give it to me. Because we both understand that it isn't death that we fear. It's living.

Marginalia Sometimes the notes are ferocious, skirmishes against the author raging along the borders of every page in tiny black script. If I could just get my hands on you, Kierkegaard, or Conor Cruise O'Brien, they seem to say, I would bolt the door and beat some logic into your head. Other comments are more offhand, dismissive - Nonsense." "Please!" "HA!!" - that kind of thing. I remember once looking up from my reading, my thumb as a bookmark, trying to imagine what the person must look like who wrote "Don't be a ninny" alongside a paragraph in The Life of Emily Dickinson. Students are more modest needing to leave only their splayed footprints along the shore of the page. One scrawls "Metaphor" next to a stanza of Eliot's. Another notes the presence of "Irony" fifty times outside the paragraphs of A Modest Proposal. Or they are fans who cheer from the empty bleachers, Hands cupped around their mouths. Absolutely," they shout to Duns Scotus and James Baldwin. Yes." "Bull's-eye." "My man!" Check marks, asterisks, and exclamation points rain down along the sidelines. And if you have managed to graduate from college without ever having written "Man vs. Nature" in a margin, perhaps now is the time to take one step forward. We have all seized the white perimeter as our own and reached for a pen if only to show we did not just laze in an armchair turning pages; we pressed a thought into the wayside, planted an impression along the verge. Even Irish monks in their cold scriptoria jotted along the borders of the Gospels brief asides about the pains of copying, a bird singing near their window, or the sunlight that illuminated their page- anonymous men catching a ride into the future on a vessel more lasting than themselves. And you have not read Joshua Reynolds, they say, until you have read him enwreathed with Blake's furious scribbling. Yet the one I think of most often, the one that dangles from me like a locket, was written in the copy of Catcher in the Rye I borrowed from the local library one slow, hot summer. I was just beginning high school then, reading books on a davenport in my parents' living room, and I cannot tell you how vastly my loneliness was deepened, how poignant and amplified the world before me seemed, when I found on one page A few greasy looking smears and next to them, written in soft pencil- by a beautiful girl, I could tell, whom I would never meet- Pardon the egg salad stains, but I'm in love.

Beckett pulled Blake’s face back to look at him and held it in his hand. “Never alone, bro. You’re never alone as long as I live.

One foot in winter and one in spring. One foot with the living and one with the dead.

I'm pro-choice because I've never been a fourteen-year-old incest victim pregnant by her father, or a woman who's going to die if her pregnancy continues, or even a teenager who made a mistake or a rape victim. I want women to have choices, but I also believe that it's a life, especially once it's big enough to live outside the womb.

I got a body covered in scars, but then who doesn’t? If you don’t have a few scars, you haven’t really lived.

I have lived for over three hundred years. In that time, the ideal of beauty has changed many times. Large breasts, small, thin, curved, tall, short, they have all been the height of beauty at one time or another. But in all that time, ma petite, I have never desired anyone the way I desire you." - Jean-Claude

Death will come for us again, one way or another. We can't live in fear of it. That's no way to live at all.

I'm dating three men, living with two more, and having occasional sex with two others. That's seven men. I'm like a pornographic Snow White. I think seven is plenty.

William Blake:   He who binds to himself a Joy, Does the winged life destroy; He who kisses the Joy as it flies, Lives in Eternity’s sunrise.

But somewhere out there is the one that matters. Somewhere out there is the one that I came for, one who is strong enough to squeeze the breath out of living throats. I think of her again. Anna. Anna Dressed in Blood.

Because he doesn't want girls who want him. Because he grew weary of desire and developed a taste for causing shame. Alex didn't know what lived in boys like Blake, beautiful boys who should be happy. Who wanted for nothing but still found things to take.

I'd killed him in the end, but revenge only makes things all better in the movies. In real life, once the villain is dead the trauma lives on inside the victims.

The same sensitivity that opens artists to Being also makes them vulnerable to the dark powers of non-Being. It is no accident that many creative people--including Dante, Pascal, Goethe, Nietzsche, Kierkegaard, Beethoven, Rilke, Blake, and Van Gogh--struggled with depression, anxiety, and despair. They paid a heavy price to wrest their gifts from the clutches of non-Being. But this is what true artists do: they make their own frayed lives the cable for the surges of power generated in the creative force fields of Being and non-Being. (Beyond Religion, p. 124)

She realizes that children are always too young and self-absorbed to really see their parents in the prime of their lives.

He thinks how it will be winter soon, and then another year gone by and another one on the chopping block, time flowing faster and faster. Life is nothing how he expected it would be when he was young and living under the delusion that things could be controlled. Nothing can be controlled. Only endured.

You think man can destroy the planet? What intoxicating vanity. Earth has survived everything in its time. It will certainly survive us. To the earth...a million years is nothing. This planet lives and breathes on a much vaster scale. We can’t imagine its slow and powerful rhythms, and we haven’t got the humility to try. We’ve been residents here for the blink of an eye. If we’re gone tomorrow, the earth will not miss us.

Life is nothing how he expected it would be when he was young and living under the delusion that things could be controlled. Nothing can be controlled. Only endured.

No, I was not involved with Blake. You are not just involved with the person that causes your world to make sense. You live for that person. You breathe for that person. So no, involved, is not the word I would use to describe my relationship with Blake. Blake is everything to me. She’s not somebody I’m involved with, she is my reason, my everything.

The living may take strength from love and hope, but the dead grow strong on darker things. On pain and anger and regret.

Arise you little glancing wings, and sing your infant joy! Arise and drink your bliss, for every thing that lives is holy!

Human lives are too short to waste in trivialities.

Every moment, every breath, contains a choice. But life is imperfect. We make the wrong choices. So we end up living in a state of perpetual regret, and is there anything worse?

We lived in a veritable surveillance state, engaged with screens more than with our loved ones, and the algorithms knew us better than we knew ourselves.

I am made to sow the thistle for wheat; the nettle for a nourishing dainty I have planted a false oath in the earth, it has brought forth a poison tree I have chosen the serpent for a councellor & the dog for a schoolmaster to my children I have blotted out from light & living the dove & the nightingale And I have caused the earthworm to beg from door to door I have taught the thief a secret path into the house of the just I have taught pale artifice to spread his nets upon the morning My heavens are brass my earth is iron my moon a clod of clay My sun a pestilence burning at noon & a vapor of death in night

Revenge was always the easy part; the hard part was living with it afterward.

Everything that lives, lives not alone, nor for itself.

If memory is unreliable, if the past and the present can simply change without warning, then fact and truth will cease to exist. How do we live in a world like that?

We do not dance to reach a certain point on the floor, but simply to dance. Energy itself, as William Blake said, is eternal delight—and all life is to be lived in the spirit of rapt absorption in an arabesque of rhythms.

Eternity He who binds himself to a joy Does the winged life destroy But he who kisses the joy as it flies Lives in eternity’s sun rise —WILLIAM BLAKE

He is always looking back, living more in memories than the present, often altering them to make them prettier. To make them perfect. Nostalgia is as much an analgesic for him as alcohol.

We better get over to Beckett’s if you want to see how my day goes—before his crowd gets too raunchy.” Blake stood up and held out his hand. “It’s eight thirty in the morning. How raunchy could they be?” Livia wondered what, exactly, Beckett did for a living. Her question was soon answered. Everything bad.

It is as though we are understanding now what (William) Blake intuited, the senses were, in Eden, spread over the whole being. It might seem, then, that our bodies still live in Eden, but our minds refuse to know it.

The ache of the memory is gone, but he doesn't begrudge its visitation. He's lived long enough to know that the memory hurt because many years ago, in a dead timeline, he experienced a perfect moment.

If there are a million ponds out there, with versions of you and me living similar and different lives, there’s none better than right here, right now. I’m more sure of that than anything in the world.

A happy fly If I live Or if I die

I’m keeping you from death, not letting you live. There’s a difference.

All the monotony of being mortal is in the trying-to-live bits before you realize the whole thing is your life.

I make jewelry. I drink caramel machiattos. I wear Hello Kitty to bed. Of course I love romantic comedies,' I said with a smile as we neared my house. But I didn’t just love them. I wanted to live within them. I wanted a love like in the movies.

Number 134 was one of the best. Livia had dropped her cell phone and cursed quietly, but creatively: “Hairy-ass bitch.” She’d felt Blake’s watchful eyes on her and given him an embarrassed smile. Number 134 made Blake realize she was a real, live girl. On that day he’d had hope. Maybe a girl flawed enough to curse would someday say hello out loud. To him.

We live in one world together. It's more important than ever to be friend to all.

You don’t threaten the life of a queen and live to tell the tale.” She flips the knife, catches it. “Taking the life of a queen… now that is another matter

I live dangerously enough. Now what's this about condoms or tigers?

All the existential threats to our existence live under the umbrella of climate change.

Sociopaths spend their lives studying people, because we have to imitate things we don’t understand, or feel, to blend in. It makes us some of the most observant people on the planet.

(about William Blake) As for Blake's happiness--a man who knew him said: "If asked whether I ever knew among the intellectual, a happy man, Blake would be the only one who would immediately occur to me." And yet this creative power in Blake did not come from ambition. ...He burned most of his own work. Because he said, "I should be sorry if I had any earthly fame, for whatever natural glory a man has is so much detracted from his spiritual glory. I wish to do nothing for profit. I wish to live for art. I want nothing whatever. I am quite happy." ...He did not mind death in the least. He said that to him it was just like going into another room. On the day of his death he composed songs to his Maker and sang them for his wife to hear. Just before he died his countenance became fair, his eyes brightened and he burst into singing of the things he saw in heaven.

He just laughs, that deep, boisterous laugh that seems to come from the center of his soul, because Blake doesn’t do anything half-assed. He laughs the way he lives his life—loud and fierce and without inhibition. He fucks that way, too.

I know of no other Christianity and of no other Gospel than the liberty both of body & mind to exercise the Divine Arts of Imagination Imagination the real & eternal World of which this Vegetable Universe is but a faint shadow & in which we shall live in our Eternal or Imaginative Bodies, when these Vegetable Mortal Bodies are no more. The Apostles knew of no other Gospel.

Never before had I seen Homo sapiens so clearly—a species, at its most fundamental level, of storytellers. Creatures who overlay story on everything, but especially their own lives, and in so doing, can imbue a cold, random, sometime brutal existence, with fabricated meaning

It isn't constancy that keeps us alive, it's the progression we use to move us.

Remember, no one can make you feel inferior without your consent. Eleanor Roosevelt said that. It is a quote I try to live by.

A racist cop pulls over a black driver for little reason other than the fact that the driver is black and a recent robbery was committed by a couple of young black guys in a white community. The cop quickly realizes the driver is not one of the robbery suspects. He sees a man with a wife and two small children. They are not a couple of young punks. Still,he persists. Why? “He asks to see the driver’s license and registration. While locating the appropriate documents, the black driver respectfully volunteers that he is legally carrying a handgun. The cop panics—is it the image of a black man with a gun? He barks out conflicting orders and then shoots the man to death, in front of his family. Why? “Is it because the cop is an insensitive racist? Maybe he wasn’t trained or taught any better? Perhaps he lived a completely different life in a completely different world than that of the black man. In this cop’s world, were all black men potential criminals, people to be watched, people to be feared?

She proved herself alive by proving this day had never been lived before, that this thing had never been felt or never tasted or never wanted, and now, because it existed, things were different; changed.

My Angel, My greatest hope is that you never have to read this. Vee knows to give you this letter only if my feather is burned and I’m chained in hell or if Blakely develops a devilcraft prototype strong enough to kill me. When war between our races ignites, I don’t know what will become of our future. When I think about you and our plans. I feel a desperate aching. Never have I wanted things to turn out right as as I do now. Before I leave this world, I need to make certain you know that all my love belongs to you. You are the same to me now as you were before you swore the Changeover Vow. You are mine. Always. I love the strength, courage, and gentleness of your soul. I love your body too. How could someone so sexy and perfect be mine? With you I have purpose-someone to love, cherish and protect. There are secrets in my past that weigh on your mind. You've trusted me enough not to ask about them, and it's your faith that has made me a better man. I don’t want to leave you with anything hidden between us. I told you I was banished from heaven for falling in love with a human girl. The I way I explained it, I risked everything to be with her. I said those words because they simplified my motivations. But they weren't the truth. The truth is I had become disenchanted with the archangels’s shifting goals and wanted to push back against them and their rules. That girl was an excuse to let go of an old way of living and accept a new journey that would eventually lead me to you. I believe in destiny, Angel. I believe every choice I've made has brought me closer to you. I looked for you for a very long time. I may have fallen from heaven but I fell for you. I will do whatever it takes to make sure you win this war. Nephilim will come out on top. You’ll fulfill your vow to the Black Hand and be safe. This is my priority even if the cost is my life. I suspect this will make you angry. It may be hard to forgive me. I promised that we would be together at the end of this and you may resent me for the breaking that vow. I want you to know I did everything to keep my word. As I write this I am going over ever possibility that will see us through this. I hope I find a way. But if this choice I have to make comes down to your or me, I choose you. I always have. All my love, Patch

Religious teachings say that animals don't have souls, but I don't believe that. Our pets cherish our every move, and wait patiently for us to return home from a day's work. Our pets would give their lives for us in a heartbeat and not ask for anything in return. How can man live without companionship when we were meant to live in a family unit, just like our canine friends? So, I ask you: How could a dog not have a soul?

These are not red or blue issues—they are the human rights issues of our generation. We are here begging for our lives. If today’s political officeholders cannot accomplish real change on guns and gun issues, we will vote together on these issues in the next election and elect their successors . . .

To love, to forgive, to lose, to live - it was always a choice, and thus, the fact that he was a mortal was finally one worth celebrating. Because it would end! Maybe that was the entire secret, and therefore the whole thing was actually astonishingly simple. That over and over, he was presented with the same impossible decision - live and suffer, love and grieve - but still, every time, with all his being, his answer was and would always be yes. It would be difficult and painful, and however it ended, it would end - but still, he could choose it. To live, to love; it was always a choice, and inherently a brave one, to face down certain doo, with open arms.

And it's beyond my energy to explain why I don't think that four-letter word that everyone's so obsessed over and that gets everyone into so much trouble and pretty much makes everyone behave like an ass can live in a place like this. Somewhere during dry cleaning, details, and missed meals, it flakes away and what you're left with is married people with a tolerable affinity for each other. That little four-letter word can exist only in poetry, or movies of 2 to 3 hours in length. Maybe in a mini-series. This place of dull details and irksome obligations is a home only to other four-letter words, which are used much more frequently.

Clergy-parishioner child sexual abuse is a significant institutional epidemic that has seriously damaged the lives of hundreds of young parishioners throughout the United States and Canada. Hundreds of millions of dollars have been paid to silence victims of this institutional embarrassment. 

We got hungry around three in the morning, and ordered a ton of pizza from an all-night pizza place. Afterward, Blake talked a guy into letting him borrow his skateboard, and he once again entertained all of us. If it had wheels, Blake could work it. “Is he your boyfriend?” a girl behind me asked. I turned to the group of girls watching Blake. They were all coifed and beautiful in their bikinis, not having gone in the water. My wet hair was pulled back in a ponytail by this point and I was wrapped in a towel. “No, he’s my boyfriend’s best friend. We’re watching his place while he’s . . . out of town.” A pang of fear jabbed me when I thought about Kai. “What’s your name?” asked a brunette with glossy lips. “Anna.” I smiled. “Hey. I’m Jenny,” she said. “This is Daniela and Tara.” “Hey,” I said to them. “So, your boyfriend lives here?” asked the blonde, Daniela. She had a cool accent—something European. “Yes,” I answered, pointing up to his apartment. The girls all shared looks, raising their sculpted eyebrows. “Wait,” said Jenny. “Is he that guy in the band?” The third girl, named Tara, gasped. “The drummer?” When I nodded, they shared awed looks. “Oh my gawd, don’t get mad at me for saying this,” said Jenny, “but he’s a total piece of eye candy.” Her friends all laughed. “Yum drum,” whispered Tara, and Daniela playfully shoved her. Jenny got serious. “But don’t worry. He, like, never comes out or talks to anyone. Now we know why.” She winked at me. “You are so adorable. Where are you from?” “Georgia.” This was met with a round of awwws. “Hey, you’re a Southern girl,” said Tara. “You should like this.” She held out a bottle of bourbon and I felt a tug toward it. My fingers reached out. “Maybe just one drink,” I said. Daniela grinned and turned up the music. Fifteen minutes and three shots later I’d dropped my towel and was dancing with the girls and telling them how much I loved them, while they drunkenly swore to sabotage the efforts of any girl who tried to talk to my man.

He’d meant what he said, that he believed Libby Rhodes to be present in every theoretical universe of his existence; to be a person of great significance in every single one. It was too familiar, too traceable. Too many places their lives would have collided, a web of unavoidable consequences where coincidence dressed up like fate. Within it, Nico truly believed all their other outcomes ricocheted, but eventually returned. Other lives, other existences, it didn’t matter. They were polarities, and wherever they went, his half would always find hers.

We simply need to change the lurking suspicion that some lives matter less than others. We are put on earth for a little space that we might learn to bear the beams of love. Turns out this is what we all have in common, we're just trying to learn how to bear those beams of love.

Even if I only wrote erotica, I wouldn’t care what you have to say. I make people happy! Blake and I provide readers with fun and entertainment and an escape from their lives, which is a damn good thing because life is hard and really sucks sometimes. Life isn’t a fairy-tale and not everyone in gets a happily-ever-after, but in our book world they do.

I thought that if I couldn’t make a living as an artist, at least I shouldn’t starve. By the time I had finished these studies, I had realized that I simply did not draw well enough to be the kind of artist and illustrator that I wanted to be, and so for two days a week over two years I drew — and drew and drew — from the models in the life classes at Chelsea School of Art. I really found out how people looked and moved and balanced, and though nowadays I almost never use a sketchbook and just make everything up as I go along, it’s those days in the life room that are the back of it all.

What do we mean by poverty? Not what Dickens or Blake or Mayhew meant. Today no one seriously expects to go hungry in England or to live without running water or medical care or even TV. Poverty has been redefined in industrial countries, so that anyone at the lower end of the income distribution is poor ex officio, as it were-poor by virtue of having less than the rich. And of course by this logic, the only way of eliminating poverty is by an egalitarian redistribution of wealth-even if the society as a whole were to become poorer as a result.

Do you ever think about the ocean?" Nick asked me. "What about it?" I said. "Like what could live down there? Like how there's as much life down there as up here? Maybe more?" "God Lives Underwater," said someone. "That's the name of a band. They're awesome." "But seriously," Nick said, "it's like an alternate universe. Right here on our own planet." "Right here, a hundred feet from us," said Sheila. "Right here in my hair," said one of the girls who had swum, pulling some sea gunk out of her wet hair. Everyone laughed quietly at that. Nick drank his beer. The wood crackled as it burned. We all stared at the black ocean.

I have lived with others more powerful than I in Belle Morte’s line for centuries, Anita. I, more than most, know just how much you must fight every night of your existence not to be consumed by their power.” He paused and then whispered so that it filled the darkened car, “If you are not careful, their beauty will become both heaven and hell, you will betray every oath, abandon every loyalty, give up your heart, your mind, your body, and your immortal soul to have them near you but one more night. Then one cold night, a hundred years after the passion is spent, and nothing but ashes remain, you look up and see someone gazing at you and you know that look, you’ve seen it before. A hundred years later and someone gazes upon you as if you were heaven itself, but you know in your heart of hearts that its not heaven you’re offering them, its hell.

our tragedy begins humid. in a humid classroom. with a humid text book. breaking into us. stealing us from ourselves. one poem. at a time. it begins with shakespeare. the hot wash. the cool acid. of dead white men and women. people. each one a storm. crashing. into our young houses. making us islands. easy isolations. until we are so beleaguered and swollen with a definition of poetry that is white skin and not us. that we tuck our scalding. our soreness. behind ourselves and learn poetry. as trauma. as violence. as erasure. another place we do not exist. another form of exile where we should praise. honor. our own starvation. the little bits of langston. phyllis wheatley. and angelou during black history month. are the crumbs. are the minor boats. that give us slight rest. to be waterdrugged into rejecting the nuances of my own bursting extraordinary self. and to have this be called education. to take my name out of my name. out of where my native poetry lives. in me. and replace it with keats. browning. dickson. wolf. joyce. wilde. wolfe. plath. bronte. hemingway. hughes. byron. frost. cummings. kipling. poe. austen. whitman. blake. longfellow. wordsworth. duffy. twain. emerson. yeats. tennyson. auden. thoreau. chaucer. thomas. raliegh. marlowe. burns. shelley. carroll. elliot… (what is the necessity of a black child being this high off of whiteness.) and so. we are here. brown babies. worshipping. feeding. the glutton that is white literature. even after it dies. (years later. the conclusion: shakespeare is relative. white literature is relative. that we are force fed the meat of an animal that our bodies will not recognize. as inherent nutrition. is not relative. is inert.)

In the alchemy of man's soul almost all noble attributes--courage, honor, love, hope, faith, duty, loyalty, etc.--can be transmuted into ruthlessness. Compassion alone stands apart from the continuous traffic between good and evil proceeding within us. Compassion is the antitoxin of the soul: where there is compassion even the most poisonous impulses remain relatively harmless. Nature has no compassion. It is, in the words of William Blake, "a creation that groans, living on the death; where fish and bird and beast and tree and metal and stone live by devouring." Nature accepts no excuses and the only punishment it knows is death.

Where does Death reside? In the dead, of course, and in the souls of the living; in their fears of the future and in the losses of their pasts. Death lives in the too-quiet silences, in the deepest parts of night. Death makes a home in the moments of stiffness, the seconds before a fall; in the heavy-hearted candor on the surgeon's hands, the archer's bow, the executioner's axe, the injectioner's needle. Death lurks, he stalks, he waits - or so we would believe, anyway, in our selfish vanities and prides, because Death lives so vibrantly in our consciousness that it is exceedingly difficult to imagine he might actually have a home of his own.

It isn't pretty, he wanted to say, it's lonely, it's desolate, it's a chilling portrait of vastness. How ignorant are you to look at this and diminish it to some kind of trinket, are you dead? It's the human condition! It's the entire universe itself! It's the depths of spacetime you utter fucking philistine and how dare you, how fucking dare you stand there and fail to weep? What kind of sad, unremarkable nothingness have you so callously lived that you can witness the splendor of her existence and not fall to your knees for having missed it, for having misunderstood it all this time? Pretty, that's what you think this is? You think that's all she's capable of? You fool, she's done the impossible. She has explained everything there is to know about the world in less than the time it took for your eyes to filly focus, and do you realize that I will spend a lifetime trying to do the same never come close? This is an opus!, this is a triumph!, this is the meaning of life and you would think the answer would be satire, but it isn't, its Truth. She told the Truth like you could never dream of telling it, and I pity you, that you could see the inside of your own soul and reduce it like this, so pitilessly. So carelessly. With the vacuous deficiency of, Oh, this is pretty.

The boys were only fourteen and twelve years old at the time, happy go-lucky, fun-loving boys, like your sons, nephews, or grandsons. Their whole lives were in front of them. Their worries and concerns were the simple ones of any twelve or fourteen-year-olds. Who are my teachers this year? Will I have friends in my class? Will Mom buy me an iPhone? Will the Lions, Tigers, Pistons, or Red Wings have good seasons? Will I do well in school? Will my parents be proud of me? Will I be invited to cool parties? Will I meet a girl? These should be the problems of Kenny and Jake Tracey. Instead, they worry about whether they can ever get the filthy and disgusting acts of this degenerate out of their minds.

What if our worldline is just one of an infinite number of worldlines, some only slightly altered from the life we know, others drastically different? The Many-Worlds interpretation of quantum mechanics posits that all possible realities exist. That everything which has a probability of happening is happening. Everything that might have occurred in our past did occur, only in another universe. What if that’s true? What if we live in a fifth-dimensional probability space? What if we actually inhabit the multiverse, but our brains have evolved in such a way as to equip us with a firewall that limits what we perceive to a single universe? One worldline. The one we choose, moment to moment. It makes sense if you think about it. We couldn’t possibly contend with simultaneously observing all possible realities at once. So how do we access this 5-D probability space? And if we could, where would it take us?

I was trying to protext you.” He lifted his eyes, and they pierced through me. “You wanted to keep me safe?” “Yes”. I swallowed past the lump in my throat. “Not that it turned out that way in the end, but when I found out Blake and Vaughn were related, all I could think was that he played me – I let myself be played. And he knew how close we were. They’d do to you what they did to Dawson. There is no way I could have lived with that.” …………….. “You should’ve never been worried about me getting hurt.” He stood, running both hands through his hair. “You know I can take care of myself. You know I can handle my own.” “I know,” I said. “But I wasn’t going to knowingly put you at risk. You mean too much to me.

It just makes me realize how . . . fleeting life can be. How quickly it all passes by. And it's strange to read something written by someone whose life was really just beginning then but who's dead now." He nodded, looking like he was taking that in. But then he said, "That's kinda deep, Daisy." She laughed, rolled her eyes. "Well, you asked. So if that's too deep for you, tell me about your fish." "Well, they were small and blue and I feel emotional because their lives were really just starting but they're dead now.

We would never go shopping together or eat an entire cake while we complained about men. He'd never invite me over to his house for dinner or a barbecue. We'd never be lovers. But there was a very good chance that one of us would be the last person the other saw before we died. It wasn't friendship the way most people understood it, but it was friendship. There were several people I'd trust with my life, but there is no one else I'd trust with my death. Jean-Claude and even Richard would try to hold me alive out of love or something that passed for it. Even my family and other friends would fight to keep me alive. If I wanted death, Edward would give it to me. Because we both understand that it isn't death that we fear. It's living.

He wrapped his hand around mine and moved it from his lips, laying a gentle kiss on my fingers as he did it. ‘When I saw you on the television bleeding and hurt I knew you would not die, because I could feel how hurt you were, and I knew we had power to heal you and bring you safely home to me, to us, but it wasn’t enough, ma petite.’ He pressed my hand to his chest. ‘I needed to feel this. I needed to touch your skin, kiss your lips, hold you as close as I could. I would survive your death physically, I believe there is enough power now for that, but my heart …’ He raised my hand and kissed it. ‘My heart, it beats for you, Anita Blake. If there were a way for us to marry without the other men in our lives feeling excluded, I would ask it of you.

I prayed as we walked up the hill. I prayed and felt a measure of calm return. No visions. No angels singing. But a feeling of peace flowed over me. Ii took a deep breath, and something hard and tight and ugly in my heart let go. I took it as a good sign that I'd get to Jeff in time. But part of me was skeptical. God doesn't always save someone. Often He just helps you live through the loss. I guess I don't entirely trust God. I never doubt Him, but His motives are too beyond me. Through a glass darkly and all that. Just once I'd like to see through the damn glass clearly.

The boys were only fourteen and twelve years old at the time, happy go-lucky, fun-loving boys, like your sons, nephews, or grandsons. Their whole lives were in front of them. Their worries and concerns were the simple ones of any twelve or fourteen-year-olds. Who are my teachers this year? Will I have friends in my class? Will Mom buy me an iPhone? Will the Lions, Tigers, Pistons, or Red Wings have good seasons? Will I do well in school? Will my parents be proud of me? Will I be invited to cool parties? Will I meet a girl? These should be the problems of Kenny and Jake Tracey. Instead, they worry about whether they can ever get the filthy and disgusting acts of this degenerate out of their minds.

A racist cop pulls over a black driver for little reason other than the fact that the driver is black and a recent robbery was committed by a couple of young black guys in a white community. The cop quickly realizes the driver is not one of the robbery suspects. He sees a man with a wife and two small children. They are not a couple of young punks. Still,he persists. Why? “He asks to see the driver’s license and registration. While locating the appropriate documents, the black driver respectfully volunteers that he is legally carrying a handgun. The cop panics—is it the image of a black man with a gun? He barks out conflicting orders and then shoots the man to death, in front of his family. Why? “Is it because the cop is an insensitive racist? Maybe he wasn’t trained or taught any better? Perhaps he lived a completely different life in a completely different world than that of the black man. In this cop’s world, were all black men potential criminals, people to be watched, people to be feared?

We perceive our environment in three dimensions, but we don’t actually live in a 3-D world. 3-D is static. A snapshot. We have to add a fourth dimension to begin to describe the nature of our existence. The 4-D tesseract doesn’t add a spatial dimension. It adds a temporal one. It adds time, a stream of 3-D cubes, representing space as it moves along time’s arrow. This is best illustrated by looking up into the night sky at stars whose brilliance took fifty light-years to reach our eyes. Or five hundred. Or five billion. We’re not just looking into space, we’re looking back through time. Our path through this 4-D spacetime is our worldline (reality), beginning with our birth and ending with our death. Four coordinates (x, y, z, and t [time]) locate a point within the tesseract. And we think it stops there, but that’s only true if every outcome is inevitable, if free will is an illusion, and our worldline is solitary. What if our worldline is just one of an infinite number of worldlines, some only slightly altered from the life we know, others drastically different? The Many-Worlds interpretation of quantum mechanics posits that all possible realities exist. That everything which has a probability of happening is happening. Everything that might have occurred in our past did occur, only in another universe. What if that’s true? What if we live in a fifth-dimensional probability space? What if we actually inhabit the multiverse, but our brains have evolved in such a way as to equip us with a firewall that limits what we perceive to a single universe? One worldline. The one we choose, moment to moment. It makes sense if you think about it. We couldn’t possibly contend with simultaneously observing all possible realities at once. So how do we access this 5-D probability space? And if we could, where would it take us? —