Blades Quotes

We've searched our database for all the quotes and captions related to Blades. Here they are! All 200 of them:

All that is gold does not glitter, Not all those who wander are lost; The old that is strong does not wither, Deep roots are not reached by the frost. From the ashes a fire shall be woken, A light from the shadows shall spring; Renewed shall be blade that was broken, The crownless again shall be king.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Holding anger is a poison...It eats you from inside...We think that by hating someone we hurt them...But hatred is a curved blade...and the harm we do to others...we also do to ourselves.
Mitch Albom (The Five People You Meet in Heaven)
What are all these?" Clary asked. "Vials of holy water, blessed knives, steel and silver blades," Jace said, piling the weapons on the floor beside him, "electrum wire - not much use at the moment but it's always good to have spares - silver bullets, charms of protetion, crucifixes, stars of David-" "Jesus," said Clary "I doubt he'd fit." "Jace." Clary was appalled.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Nothing thicker than a knife's blade separates happiness from melancholy.
Virginia Woolf (Orlando)
But even so, every now and then I would feel a violent stab of loneliness. The very water I drink, the very air I breathe, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.
Haruki Murakami (The Wind-Up Bird Chronicle)
Gwyn whispered, “I am the rock against which the surf crashes.” Nesta straightened at the words, as if they were a prayer and a summons. Gwyn lifted the blade. “Nothing can break me.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
Sometimes fate is like a small sandstorm that keeps changing directions. You change direction but the sandstorm chases you. You turn again, but the storm adjusts. Over and over you play this out, like some ominous dance with death just before dawn. Why? Because this storm isn't something that blew in from far away, something that has nothing to do with you. This storm is you. Something inside of you. So all you can do is give in to it, step right inside the storm, closing your eyes and plugging up your ears so the sand doesn't get in, and walk through it, step by step. There's no sun there, no moon, no direction, no sense of time. Just fine white sand swirling up into the sky like pulverized bones. That's the kind of sandstorm you need to imagine. And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others. And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.
Haruki Murakami (Kafka on the Shore)
I see a world on the edge of a blade. Without balance, it will fall.
Victoria Aveyard (Red Queen (Red Queen, #1))
Learn this from me. Holding anger is a poison. It eats you from inside. We think that hating is a weapon that attacks the person who harmed us. But hatred is a curved blade. And the harm we do, we do to ourselves.
Mitch Albom (The Five People You Meet in Heaven)
You can only sharpen a blade so far,” Kaz said as he joined them at the front of the church. “In the end, it comes down to the quality of the metal.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Once you've got a task to do, it's better to do it than live with the fear of it.
Joe Abercrombie (The Blade Itself (The First Law, #1))
My name is Celaena Sardothien," she whispered, "and I will not be afraid.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
My name is Ashallyn'darkmyr Tallyn, third son of the Unseelie Court...Let it be known--from this day forth, I vow to protect Meghan Chase, daughter of the Summer King, with my sword, my honor, and my life. Her desires are mine. Her wishes are mine. Should even the world stand against her, my blade will be at her side. And should it fail to protect her, let my own existence be forfeit. This I swear, on my honor, my True Name, and my life. From this day on..." His voice went even softer, but I still heard it as though he whispered it into my ear. "I am yours.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
A mind all logic is like a knife all blade. It makes the hand bleed that uses it.
Rabindranath Tagore
The moment one gives close attention to anything, even a blade of grass, it becomes a mysterious, awesome, indescribably magnificent world in itself
Henry Miller
From the ashes a fire shall be woken, A light from the shadows shall spring; Renewed shall be blade that was broken, The crownless again shall be king.
J.R.R. Tolkien (The Fellowship of the Ring (The Lord of the Rings, #1))
Very slowly using two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water. Octavian made a squeaking sound. "What was that for? I didn't say toss it! That could've been evidence. Or spoils of war!" Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation. "You other two..." He pointed his blade a Hazel and Piper. "Put your weapons on the dock. No funny bus--" All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth's dagger. "You dropped this," he said, totally poker-faced.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
She would tuck Sam into her heart, a bright light for her to take out whenever things were darkest.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
you tell me to quiet down cause my opinions make me less beautiful but i was not made with a fire in my belly so i could be put out i was not made with a lightness on my tongue so i could be easy to swallow i was made heavy half blade and half silk difficult to forget and not easy for the mind to follow
Rupi Kaur (Milk and Honey)
If you can learn to endure pain, you can survive anything. Some people learn to embrace it- to love it. Some endure it through drowning it in sorrow, or by making themselves forget. Others turn it into anger.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
I am what you designed me to be.I am your blade. You cannot now complain if you also feel the hurt
Charles Dickens (Great Expectations)
It's like a razor blade edging its way through my organs, shredding me, all I can think is: It will kill me, it will kill me, it will kill me. And I don't care.
Lauren Oliver (Delirium (Delirium, #1))
He was another knife I could feel it. A different sort, but a knife still. I did not care. I thought: give me the blade. Some things are worth spilling blood for.
Madeline Miller (Circe)
Anger is stupid, and stupidity will kill you more surely than your opponent's blade.
Patricia Briggs (Dragon Bones (Hurog, #1))
She was fire, she was darkness, she was dust and blood and shadow.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Part of their problem was Percy. He fought like a demon, whirling through the defender's ranks in a completely unorthodox style, rolling under their feet, slashing with his sword instead of stabbing like a Roman would, whacking campers with the flat of his blade, and generally causing mass panic.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
There was no way in hell she was going to move to the southern continent without all of her books.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Wield your assets like a blade, Cousin. No man has invented a corset for our brains. Let them think they rule the world. It’s a queen who sits on that throne. Never forget that.
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
He taught me there's a place on a man's back where, if you sink a blade in, you can pierce his heart and sever his spine, all at once,' Sebastian had said. 'I guess we got the same birthday present that year, big brother,' Jace thought. 'Didn't we?
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
She realized that Rowan saw each of those thoughts and more as he reached into his tunic and pulled out a dagger. Her dagger. He extended it to her, it's long blade gleaming as if he'd been secretly polishing and caring for it these months. And when she grasped the dagger, it's weight lighter than she remembered, Rowan looked into her eyes, into her very core of her, and said, 'Fireheart'.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
He wanted to give me a blade? What's wrong with that?” “Blades,” he whispered, “and sheaths go together. And your sheath will only ever hold my blade.
Nalini Singh (Archangel's Kiss (Guild Hunter, #2))
You don't need to be gifted with a blade. You are your own best weapon.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
You don't need a blade. I would bleed if only you asked.
Lauren Roberts (Fearless (The Powerless Trilogy, #3))
Her desires are mine. Her wishes are mine. Should even the world stand against her, my blade will be at her side. And should it fail to protect her, let my own existence be forfeit." - Ash
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
Life isn't easy, no matter where you are. You'll make choices you think are right, and then suffer for them.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
While we were developing common sense, she studied the blade.
Tamsyn Muir (Gideon the Ninth (The Locked Tomb, #1))
There is not one blade of grass, there is no color in this world that is not intended to make us rejoice.
John Calvin
All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more. But I am of the House of Éorl and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death.
J.R.R. Tolkien
Tell you what.' Alec reached for a second seraph blade. 'We live through this, and I promise I'll introduce you to my whole family.' Magnus raised his hands, his fingers shining with individual azure flames. They lit his grin with a fiery blue glow. 'It's a deal.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
His fingers slide into my hair, and I hold on to his arms to stay steady as we press together like two blades at a stalemate. He is stronger than anyone I know, and warmer than anyone else realizes; he is a secret that I have kept, and will keep for the rest of my life.
Veronica Roth (Allegiant (Divergent, #3))
This girl wasn’t like wildfire—she was wildfire. Deadly and uncontrollable. And slightly out of her wits.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
The blade itself incites to deeds of violence.
Homer (The Odyssey)
I’m jealous of the armor that holds you when I can’t, the sheets on your bed that caress your skin every night, and the blades that feel your hands.
Rebecca Yarros (Onyx Storm (The Empyrean #3))
Sisters in battle, I am shield and blade to you. As I breathe, your enemies will know no sanctuary. While I live, your cause is mine.
Leigh Bardugo (Wonder Woman: Warbringer)
Even if it means oblivion, friends, I'll welcome it, because it won't be nothing. We'll be alive again in a thousand blades of grass, and a million leaves; we'll be falling in the raindrops and blowing in the fresh breeze; we'll be glittering in the dew under the stars and the moon out there in the physical world, which is our true home and always was.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
I walked past Malison, up Lower Main to Main and across the road. I didn’t need to look to know he was behind me. I entered Royal Wood, went a short way along a path and waited. It was cool and dim beneath the trees. When Malison entered the Wood, I continued eastward.  I wanted to place his body in hallowed ground. He was born a Mearan. The least I could do was send him to Loric. The distance between us closed until he was on my heels. He chose to come, I told myself, as if that lessened the crime I planned. He chose what I have to offer. We were almost to the cemetery before he asked where we were going. I answered with another question. “Do you like living in the High Lord’s kitchens?” He, of course, replied, “No.” “Well, we’re going to a better place.” When we reached the edge of the Wood, I pushed aside a branch to see the Temple of Loric and Calec’s cottage. No smoke was coming from the chimney, and I assumed the old man was yet abed. His pony was grazing in the field of graves. The sun hid behind a bank of clouds. Malison moved beside me. “It’s a graveyard.” “Are you afraid of ghosts?” I asked. “My father’s a ghost,” he whispered. I asked if he wanted to learn how to throw a knife. He said, “Yes,” as I knew he would.  He untucked his shirt, withdrew the knife he had stolen and gave it to me. It was a thick-bladed, single-edged knife, better suited for dicing celery than slitting a young throat. But it would serve my purpose. That I also knew. I’d spent all night projecting how the morning would unfold and, except for indulging in the tea, it had happened as I had imagined.  Damut kissed her son farewell. Malison followed me of his own free will. Without fear, he placed the instrument of his death into my hand. We were at the appointed place, at the appointed time. The stolen knife was warm from the heat of his body. I had only to use it. Yet I hesitated, and again prayed for Sythene to show me a different path. “Aren’t you going to show me?” Malison prompted, as if to echo my prayer.
K. Ritz (Sheever's Journal, Diary of a Poison Master)
There's a fine edge to new grief, it severs nerves, disconnects reality--there's mercy in a sharp blade. Only with time, as the edge wears, does the real ache begin.
Christopher Moore
I am a product [...of] endless books. My father bought all the books he read and never got rid of any of them. There were books in the study, books in the drawing room, books in the cloakroom, books (two deep) in the great bookcase on the landing, books in a bedroom, books piled as high as my shoulder in the cistern attic, books of all kinds reflecting every transient stage of my parents' interest, books readable and unreadable, books suitable for a child and books most emphatically not. Nothing was forbidden me. In the seemingly endless rainy afternoons I took volume after volume from the shelves. I had always the same certainty of finding a book that was new to me as a man who walks into a field has of finding a new blade of grass.
C.S. Lewis
I uncapped the blade, flung open the door, and found myself face-to-face with a black pegasus. Whoa, boss! Its voice spoke in my mind as it clopped away from the sword blade. I don't wanna be a horse-ke-bob!
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
My name is Sam Cortland... and I will not be afraid.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
I was so afraid that we would just keep colliding over and over again if we stayed together, and that eventually the impact would break me. But now I know I am like the blade and he is like the whetstone— I am too strong to break so easily, and I become better, sharper, every time I touch him.
Veronica Roth (Allegiant (Divergent, #3))
Tell me that you don’t take that blade and drag it across your skin and pray for the courage to press down.
Susanna Kaysen (Girl, Interrupted)
I am become a blade.
Leigh Bardugo (Ruin and Rising (Shadow and Bone, #3))
Now I know that grief is a whetstone that sharpens all your love, all your happiest memories, into blades that tear you apart from within.
Claudia Gray (A Thousand Pieces of You (Firebird, #1))
I will love you even when I am dust on the wind.
Nalini Singh (Archangel's Blade (Guild Hunter, #4))
Oh love and hate are two sides of the same blade
Jacqueline Carey (Kushiel's Dart (Phèdre's Trilogy, #1))
Walking along a blade’s edge was only fun until the blade stopped being a metaphor.
Margaret Rogerson (An Enchantment of Ravens)
I can wait," he said thickly, kissing her collarbone. "We have all the time in the world.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Trust. It is like placing a blade in someone's hand and setting the very point to your heart.
Cassandra Clare (The Bane Chronicles)
Mary dashed the rain from her eyes with a frozen hand. Was that a knife buried in the man’s chest with the blood seeping up around it? Doesn’t that mean he’s alive? Although with the blade at that angle, it can’t be for long. Colors swam in the water coating Mary’s vision. She rubbed her face, and with every shuttering breath, even before she could see his features, she knew her son, George, the son she had never met, was dead.
Susan Rowland (Murder on Family Grounds (Mary Wandwalker #3))
Every man has his excuses, and the more vile the man becomes, the more touching the story has to be. What is my story now, I wonder?
Joe Abercrombie (The Blade Itself (The First Law, #1))
There are many types of strength beyond the ability to wield a blade and end lives.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
I’d spend a lifetime at the tip of your blade, and it would have been worth it.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
From this day forth, I vow to protect Meghan Chase, daughter of the Summer King, with my sword, my honor and my life. Should even the world stand against her, my blade will be at her side. And should it fail to protect her, let my own life be forfeit.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
Raphael snapped, "This isn't funny." "That's why no one's laughing." Jace stood, hauling Raphael upright, jamming the tip of his knife between Raphael's shoulder blades.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Well. What can we do, except try to do better?
Joe Abercrombie (The Blade Itself (The First Law, #1))
The mage pulled my knife out of his side and looked at it. “Nice knife.” The voice was deep but female. I threw my second knife. The blade bit into the mage’s chest. Shit. Missed the neck. “Here, have another one.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
But that's not what you said when she walked into the room," said Simon quietly. "You said, 'Why didn't you ever tell me I had a brother?'" "I know." Clary yanked a blade of grass out of the dirt, worrying it between her fingers. "I guess I can't help thinking that if I'd known the truth, I wouldn't have met Jace the way I did. I wouldn't have fallen in love with him." Simon was silent for a moment. "I don't think I've ever heard you say that before." "That I love him?" She laughed, but it sounded dreary even to her ears. "Seems useless to pretend like I don't, at this point. Maybe it doesn't matter. I probably won't ever see him again, anyway." "He'll come back." "Maybe." "He'll come back," Simon said again. "For you.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
A blade of grass is a commonplace on Earth; it would be a miracle on Mars. Our descendants on Mars will know the value of a patch of green. And if a blade of grass is priceless, what is the value of a human being?
Carl Sagan (Pale Blue Dot: A Vision of the Human Future in Space)
In all of his worst nightmares, she’s dying. She’s fading away in his arms, helpless and whimpering, while hot, dark blood spills over his fingers. This, he tells her. He doesn’t tell her that his hand holds the blade.
R.F. Kuang (The Drowning Faith (The Poppy War, #2.5))
You named your sword Fire? Fire? What kind of a boring name is that? You might as well name your sword 'Blazing Blade' and be done with it. Fire indeed. Humph. Wouldn't you rather have a sword called Sheepbiter or Chrysanthemum Cleaver or something else with imagination?
Christopher Paolini (Brisingr (The Inheritance Cycle, #3))
At the end of a blade, I would love you. Until it pierced my throat, I would say ‘yes’ to you.
Lauren Roberts (Fearless (The Powerless Trilogy, #3))
I love you,” he repeated, shaking her again. “I have for years. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.” “You’re a damned idiot,” she breathed grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot." He looked like she had hit him. But she went on, and grasped both sides of his face. “Because I’d pick you.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
It was ironic, really - you want to die because you can't be bothered to go on living - but then you're expected to get all energetic and move furniture and stand on chairs and hoist ropes and do complicated knots and attach things to other things and kick stools from under you and mess around with hot baths and razor blades and extension cords and electrical appliances and weedkiller. Suicide was a complicated, demanding business, often involving visits to hardware shops. And if you've managed to drag yourself from the bed and go down the road to the garden center or the drug store, by then the worst is over. At that point you might as well just go to work.
Marian Keyes (Lucy Sullivan Is Getting Married)
No matter how subtle the wizard, a knife between the shoulder blades will seriously cramp his style.
Steven Brust
Everything has a price.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
She had a way of pouring everything of herself into what she did. When she fought, she was the blade. When she loved, she was the kiss. In that regard, she was far more … human than any I have known.
Brandon Sanderson (Shadows of Self (Mistborn, #5))
The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures. It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers.
Rabindranath Tagore
I’ll wait for you to find me again. So don’t take too long.
Nalini Singh (Archangel's Blade (Guild Hunter, #4))
A Half-Blood of the eldest gods, Shall reach sixteen against all odds And see the world in endless sleep The Hero's soul, cursed blade shall reap A single choice shall end his days Olympus to preserve or raze.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
You promised to be my undoing,” I murmur, lowering my head close enough to hear her sharp intake of breath. “So, prove it.” Her face angles up toward mine, our noses brushing. She never lowers her dagger, and the point of her blade still draws blood from my throat. “Prove it,” I repeat, voice quiet. “Hate me enough to make me want you.” I cup her jaw, feeling her eyes burning into mine. “Ruin me.” Our mouths crash together.
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
Ever had a woman say no to you, Dmitri?” “Once.” He turned the corner with a smile that made her want to cup his face, trace those beautiful lips with her own. “I married her.
Nalini Singh (Archangel's Blade (Guild Hunter, #4))
For West is where we all plan to go some day. It is where you go when the land gives out and the old-field pines encroach. It is where you go when you get the letter saying: Flee, all is discovered. It is where you go when you look down at the blade in your hand and the blood on it. It is where you go when you are told that you are a bubble on the tide of empire. It is where you go when you hear that thar's gold in them-thar hills. It is where you go to grow up with the country. It is where you go to spend your old age. Or it is just where you go.
Robert Penn Warren (All the King's Men)
The instant that the blade tore open his flesh, the bright disk of the sun soared up and exploded behind his eyelids.
Yukio Mishima (Runaway Horses (The Sea of Fertility, #2))
Things don't have purposes, as if the universe were a machine, where every part has a useful function. What's the function of a galaxy? I don't know if our life has a purpose and I don't see that it matters. What does matter is that we're a part. Like a thread in a cloth or a grass-blade in a field. It is and we are. What we do is like wind blowing on the grass.
Ursula K. Le Guin (The Lathe of Heaven)
But that was civilisation, so far as Logen could tell. People with nothing better to do, dreaming up ways to make easy things difficult.
Joe Abercrombie (The Blade Itself (The First Law, #1))
I sheathed my blade and glared at him. "And here I almost thought you weren't a complete bastard." "Well, that's your mistake, not mine.
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
Sleep did not honor me with it’s presence.
Alysha Speer (Sharden (Body of Blades #1))
Gwyn whispered, "I am the rock against which the surf crashes." Nesta straightened at the words, as if they were a prayer and a summons. Gwyn lifted the blade. "Nothing can break me." Cassian's throat tightened, and even from across the ring he could see Nesta's eyes gleaming with pride and pain. Emerie said, "Nothing can break us ." The world seemed to pause at the words. As if it had been following one path and now branched off in another direction. In a hundred years, a thousand, this moment would still be etched in his mind. That he would tell his children, his grandchildren, Right then and there. That was when it all changed. Azriel went wholly still, as if he, too, had felt the shift. As if he, too, were aware that far larger forces peered into that training ring as Gwyn moved.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #5))
A decade later, a fifteen-year-old Hiroshi would become known as the youngest swordsman ever to master the Whispering Blade. What the world would never know, was that he was the second youngest.
M.L. Wang (The Sword of Kaigen)
The more you learn, the more you realize how little you know. Still, the struggle itself is worthwhile. Knowledge is the root of power, after all.
Joe Abercrombie (The Blade Itself (The First Law, #1))
You said you didn’t care what I thought. Or what I did. Or if I died, if I’m not mistaken." “I lied! And you know I lied, you stupid bastard!
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Liam, soon-to-be-fucking-dead, Callahan was walking down the stairs—my fucking stairs—with his sex hair high and his green eyes sharper than razor blades. He was beautiful, and I almost regretted the fact that I would have to put a bullet in his head and then smash it through a fucking wall. -Melody G.
J.J. McAvoy (Ruthless People (Ruthless People, #1))
Charley threw Cindy on the bed and pulled a switchblade knife. He pressed the release button and a five-inch blade flipped open. “One word to anybody and your ugly dog gets his throat cut!
Shafter Bailey (Cindy Divine: The Little Girl Who Frightened Kings)
Do you know what it feels like to be aware of every star, every blade of grass? Yes. You do. You call it 'opening your eyes again.' But you do it for a moment. We have done it for eternity. No sleep, no rest, just endless... endless experience, endless awareness. Of everything. All the time. How we envy you, envy you! Lucky humans, who can close your minds to the endless deeps of space! You have this thing you call... boredom? That is the rarest talent in the universe! We heard a song — it went 'Twinkle twinkle little star....' What power! What wondrous power! You can take a billion trillion tons of flaming matter, a furnace of unimaginable strength, and turn it into a little song for children! You build little worlds, little stories, little shells around your minds, and that keeps infinity at bay and allows you to wake up in the morning without screaming!
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
Nico’s anger turned as cold and dark as his blade. He’d been morphed into a few plants himself, and he didn’t appreciate it. He hated people like Bryce Lawrence, who inflicted pain just for fun.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
You have to learn to love the small things in life, like a hot bath. You have to love the small things, when you have nothing else.
Joe Abercrombie (The Blade Itself (The First Law, #1))
Hurt people hurt people more skillfully. An expert heartbreaker knows the effect of each incision. The blade slips in barely noticed, the pain and the apology delivered at the same time.
Anonymous (Diary of an Oxygen Thief)
I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.
Rutger Hauer (All Those Moments: Stories of Heroes, Villains, Replicants, and Blade Runners)
This is a love story to its blade-dented bone.
Simon Jimenez (The Spear Cuts Through Water)
If I were going to name my blade," Mia said thoughtfully, "I'd call it 'Fluffy.
Jay Kristoff (Nevernight (The Nevernight Chronicle #1))
Aelin was a warrior, able to fight with blade or magic. And she was done with hiding.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
The girl who'd taken on a Pirate Lord and his entire island, the girl who'd stolen Asterion horses and raced along the beach in the Red Desert, the girl who'd sat on her own rooftop, watching the sun rise over Avery, the girl who'd felt alive with possibility...that girl was gone.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
And Manon understood in that moment that there were forces greater than obedience, and discipline, and brutality. Understood that she had not been born soulless; she had not been born without a heart. For there were both, begging her not to swing that blade.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
And they always slept better with blades beneath their beds.
Cinda Williams Chima (The Warrior Heir (The Heir Chronicles, #1))
You want to know what price I asked for forgiving Arobynn, Celaena?" Sam stood so still the he might have been a statue. "My price was his oath that he'd never lay a hand on you again. I told him I'd forgive him in exchange for that.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
The blade sings to me. Faintly, so soft against my ears, its voice calms my worries and tells me that one touch will take it all away. It tells me that I just need to slide a long horizontal cut, and make a clean slice. It tells me the words that I have been begging to hear: this will make it ok.
Amanda Steele (The Cliff)
But for my home, for Prythian and the human territory and so many others … I would clean my blades, and wash the blood from my skin. And I would do it again and again and again.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
A tormented scream pierced the night like a blade. The sky bled, and darkness fell instead of stars, erasing lights across the Magnificent North.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
A ruby-encrusted orb popped its top and helicopter blades unfolded. Leo was glad Buford the table wasn't here-he would've fallen in love.
Rick Riordan
Very slowly, using only two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water. Octavian made a squeaking sound. “What was that for? I didn’t say toss it! That could’ve been evidence. Or spoils of war!” Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation. “You other two…” He pointed his blade at Hazel and Piper. “Put your weapons on the dock. No funny bus—” All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth’s dagger. “You dropped this,” he said, totally poker-faced. Annabeth threw her arms around him. “I love you!” “Guys,” Hazel interrupted. She had a little smile on her face. “We need to hurry.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
I spent the rest of my day in someone else’s story. The rare moments that I put the book down, my own pain returned in burning stabs. I felt like a circus knife thrower’s target. If I held my mind immobile, I might avoid being hit by the blades whizzing by my head.
Amy Plum (Die for Me (Revenants, #1))
The Angel blade burns you, just as God's name chokes you," said Valentine, his cool voice sharp as crystal. "They say that those who die upon its point will achieve the gates of heaven. In which case, revenant, I am doing you a favor." He lowered the blade so that the tip touched Simon's throat. Valentine's eyes were the color of black water and there was nothing in them: no anger, no compassion, not even any hate. They were empty as a hollowed-out grave. "Any last words?" Simon knew what he was supposed to say. Sh'ma Yisrael, adonai elohanu, adonai echod. Hear, oh Israel, the Lord our God, the Lord is One. He tried to speak the words, but a searing pain burned his throat. "Clary," he whispered instead.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Nico jumped into the crowd, kicking groins, smacking faces with the flat of his blade, bashing helmets with his pommel. In ten seconds, the Romans all lay groaning and dazed on the ground.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
He removed her hand from his cheek to kiss the tips of her fingers. “I get scared, too,” he murmured onto her skin. “You want to hear something ridiculous? Whenever I’m scared out of my wits, I tell myself: My name is Sam Cortland … and I will not be afraid. I’ve been doing it for years.” It was her turn to raise her brows. “And that actually works?” He laughed onto her fingers. “Sometimes it does, sometimes it doesn’t. But it usually makes me feel better to some degree. Or it just makes me laugh at myself a bit.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
History is littered with dead good men.
Joe Abercrombie (The Blade Itself (The First Law, #1))
Has it ever occured to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes. But a sword...a sword has a voice. Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear. A gentle word. A word of caution. Do you hear it? Now, compare it to the sword half drawn. It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it? Now compare it to the sword full drawn. It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?
Joe Abercrombie (The Blade Itself (The First Law, #1))
I can't even enjoy a blade of grass unless I know there's a subway handy, or a record store or some other sign that people do not totally regret life. It's more important to confirm the least sincere. The clouds get enough attention as it is...
Frank O'Hara
He has a fascination with mortals. Raphael had said that to her before she'd woken with wings of midnight and dawn. "Why are you starting at me, Ellie?" Illium said without taking his eyes from the blade dancing around his fingers. The words were instinctive, something she might as easily have said to rib Ransom. "You're so pretty, it's difficult to resist." A flashing grin, a hint of that aristocratic English accent in his response. "It's hard to be me, it's true.
Nalini Singh (Archangel's Consort (Guild Hunter, #3))
I heard you scream,” he said as he examined the blade in my hands. I’d never held one so finely crafted, so perfectly balanced. “And I hesitated. Not long, but I hesitated before I came running. Even though Tam got there in time, I still broke my word in those seconds I waited.” He jerked his chin at the knife. “It’s yours. Don’t bury it in my back, please.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
In the end it was Shadowhunting they had bonded over—a shared love of sharp-edged weapons, gleaming seraph blades, the painful pleasure of burning Marks, the thought-numbing swiftness of battle. When Alec had wanted to go out hunting alone with Jace, leaving Izzy behind, Jace had spoken up for her: “We need her with us; she’s the best there is. Aside from me, of course.” She had loved him just for that.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Get ready to unleash hell.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
The field of battle is my temple. I mentally chant a saying my grandfather taught me the day he met me, when I was six. He insists it sharpens the mind the way a whetstone sharpens a blade. The swordpoint is my priest. The dance of death is my prayer. The killing blow is my release.
Sabaa Tahir (An Ember in the Ashes (An Ember in the Ashes, #1))
Quiet as mice, quiet as the wind, quiet as the grave.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
I have known many gods. He who denies them is as blind as he who trusts them too deeply. I seek not beyond death. It may be the blackness averred by the Nemedian skeptics, or Crom's realm of ice and cloud, or the snowy plains and vaulted halls of the Nordheimer's Valhalla. I know not, nor do I care. Let me live deep while I live; let me know the rich juices of red meat and stinging wine on my palate, the hot embrace of white arms, the mad exultation of battle when the blue blades flame and crimson, and I am content. Let teachers and philosophers brood over questions of reality and illusion. I know this: if life is illusion, then I am no less an illusion, and being thus, the illusion is real to me. I live, I burn with life, I love, I slay, and am content.
Robert E. Howard (Queen of the Black Coast)
Tell me about Dunyasha,” he said. “She was carrying quality blades.” Inej took the shears from the table of the vanity and began cutting fresh strips of cloth from one of the towels. “I think she may be my shadow.” “Pretty solid shadow if she can throw knives.” “The Suli believe that when we do wrong, we give life to our shadows. Every sin makes the shadow stronger, until eventually the shadow is stronger than you.” “If that were true, my shadow would have put Ketterdam in permanent night.” “Maybe,” Inej said, turning her dark gaze to his. “Or maybe you’re someone else’s shadow.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Hard words are for fools and cowards.
Joe Abercrombie (The Blade Itself (The First Law, #1))
The music broke her apart and put her back together, only to rend her asunder again and again.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Calm down, Braveheart." Gabriel searched through the weapons. "I'm trying to find something not quite as fatal as...a scythe? Really?" Gabriel held the wicked half-moon blade up and looked at Tristan. "What are you, the Grim Reaper?" "Yes. Yes, Gabriel. I'm the Grim Reaper. You caught me. I drive around in my car full of weapons collecting souls.
Chelsea Fine (Anew (The Archers of Avalon, #1))
Life is hell, at some point we all just have to get used to it.
Alysha Speer (Sharden (Body of Blades #1))
Cecily, what are you doing?" Will demanded, interrupting Gideon; he knew he sounded like a distracted parent, but he didn't care. Cecily has slid her blade into her belt and appeared to be trying to climb one of the small yew trees inside the first row of hedges. "Now is not the time for climbing trees!
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
It's not always easy to distinguish between existentialism and a bad mood.
Matthew Woodring Stover (Blade of Tyshalle (The Acts of Caine #2))
the world was too big, too full of splintered dreams.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
And you're the biggest coward," I hissed, then caught my breath in my throat as his blade cut deeper. "Don't call me a coward," Tobias said, "I'm not!" "Have you come here to kill me?" I asked. "Because I'll scream when you do and it'll wake up the princess and probably a whole lot of other people and you'll get into trouble." "You'll be dead." "Yes, but you'll be in trouble.
Jennifer A. Nielsen (The False Prince (Ascendance, #1))
Illium seems far too pretty to be dangerous.” Dmitri’s male beauty, by contrast, was a darker, edgier thing. “No one ever expects him to take out a blade and slice off their balls,” he said with lethal amusement in his tone as he drove them toward the George Washington Bridge. “He does it with such grace, too.
Nalini Singh (Archangel's Blade (Guild Hunter, #4))
Some things have to be done. It's better to do them, than to live with the fear of them.
Joe Abercrombie (The Blade Itself (The First Law, #1))
Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live. In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formality. My spirit, my emotional being, whatever you want to call all that inner turmoil that has nothing to do with physical existence, were long gone, dead and gone, and only a mass of the most fucking god-awful excruciating pain like a pair of boiling hot tongs clamped tight around my spine and pressing on all my nerves was left in its wake. That's the thing I want to make clear about depression: It's got nothing at all to do with life. In the course of life, there is sadness and pain and sorrow, all of which, in their right time and season, are normal -- unpleasant, but normal. Depression is an altogether different zone because it involves a complete absence: absence of affect, absence of feeling, absence of response, absence of interest. The pain you feel in the course of a major clinical depression is an attempt on nature's part (nature, after all, abhors a vacuum) to fill up the empty space. But for all intents and purposes, the deeply depressed are just the walking, waking dead. And the scariest part is that if you ask anyone in the throes of depression how he got there, to pin down the turning point, he'll never know. There is a classic moment in The Sun Also Rises when someone asks Mike Campbell how he went bankrupt, and all he can say in response is, 'Gradually and then suddenly.' When someone asks how I love my mind, that is all I can say too
Elizabeth Wurtzel (Prozac Nation)
Sam's hand brushed her shoulder, and she almost jumped out of her skin as he brought his mouth close to her ear and murmured, "You look beautiful. Though I bet you already know that." She most certainly did.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Have you ever been approached by a grim-looking man, carrying a naked sword with a blade about ten miles long in his hand, in the middle of the night, beneath the stars on the shores of Lake Michigan? If you have, seek professional help. If you have not, then believe you me, it can scare the bejeezus out of you.
Jim Butcher (Storm Front (The Dresden Files, #1))
I’m really grateful to you for saving us, Maia, and Jace is too, even though he’s so stubborn that he’d rather jam a seraph blade through his eyeball than say so. And don’t you say you hope he does,” she added hastily, seeing the look on the other girl’s face, “because that’s really not helpful.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Rowww!” Bast wailed. The wrecking ball rolled straight over her, but she didn’t appear hurt. She leaped off and pounced aain. Her knives sliced through the metal like wet clay. Within seconds, the wrecking ball was reduced to a mound of scraps. Bast sheathed her blades. “Safe now.” “You saved us from a metal ball,” Sadie said. “You never know,” Bast said. “It could’ve been hostile.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
...her hand closes on smooth metal. Her fingers test the sharpness of the edge. Perfect. It's a fresh blade. The girls' voices rustle in her head. Their clamoring pushes out all rational thought. She rolls up her sleeve. The bite of the blade kills the noise. It wipes out the memory of those staring faces. Willow looks at her arm, at the life springing from her. Tiny pinpricks of red that blossom into giant peonies.
Julia Hoban (Willow)
1. Organize before they rise! 2. They feel no fear, why should you? 3. Use your head: cut off theirs. 4. Blades don't need reloading. 5. Ideal protection = tight clothes, short hair. 6. Get up the staircase, then destroy it. 7. Get out of the car, get onto the bike. 8. Keep moving, keep low, keep quiet, keep alert! 9. No place is safe, only safer. 10. The zombie may be gone, but the threat lives on.
Max Brooks (The Zombie Survival Guide: Complete Protection from the Living Dead)
After they were both done, the pile of knives and guns on the coffee table looked like they’d cleaned out an armory. “I think we have a problem, Dmitri.
Nalini Singh (Archangel's Blade (Guild Hunter, #4))
I kissed her," he explained, aggrieved. "Mmm, yes, I had the dubious pleasure of witnessing that, ah-hem, overly public occurrence." Lyall sharpened his pen nib, using a small copper blade that ejected from the end of his glassicals. "Well! Why hasn't she done anything about it?" the Alpha wanted to know. "You mean like whack you upside the noggin with that deadly parasol of hers? I would be cautious in that area if I were you.
Gail Carriger (Soulless (Parasol Protectorate, #1))
Jason turned to Leo. “Do you think you can fly this thing?” “Um…” Leo put his hand on the side of the helicopter, concentrating hard, as if listening to the machine. “Bell 412HP utility helicopter,” Leo said. “Composite four-blade main rotor, cruising speed twenty-two knots, service ceiling twenty-thousand feet. The tank is near full. Sure, I can fly it.” Piper smiled at the ranger again. “You din’t have a problem with an under-aged unlicensed kid borrowing your copter, do you? We’ll return it.” “I-“ The pilot nearly choked on the words, but she got them out: “I don’t have a problem with that.” Leo grinned. “Hop in kids, Uncle Leo’s gonna take you for a ride.
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
Alone with Rolfe, Celaena raised her sword. “Celaena Sardothien, at your service.” The pirate was still staring at her, his face pale with rage. “How dare you deceive me?” She sketched a bow. “I did nothing of the sort. I told you I was beautiful.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Sam glanced at her, a hint of amusement shining in his eyes. Celaena smiled at him, and the world, for one flickering heartbeat, felt right.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Wanting to Die Since you ask, most days I cannot remember. I walk in my clothing, unmarked by that voyage. Then the almost unnameable lust returns. Even then I have nothing against life. I know well the grass blades you mention, the furniture you have placed under the sun. But suicides have a special language. Like carpenters they want to know which tools. They never ask why build. Twice I have so simply declared myself, have possessed the enemy, eaten the enemy, have taken on his craft, his magic. In this way, heavy and thoughtful, warmer than oil or water, I have rested, drooling at the mouth-hole. I did not think of my body at needle point. Even the cornea and the leftover urine were gone. Suicides have already betrayed the body. Still-born, they don't always die, but dazzled, they can't forget a drug so sweet that even children would look on and smile. To thrust all that life under your tongue!— that, all by itself, becomes a passion. Death's a sad Bone; bruised, you'd say, and yet she waits for me, year after year, to so delicately undo an old wound, to empty my breath from its bad prison. Balanced there, suicides sometimes meet, raging at the fruit, a pumped-up moon, leaving the bread they mistook for a kiss, leaving the page of the book carelessly open, something unsaid, the phone off the hook and the love, whatever it was, an infection.
Anne Sexton
And you really will have to make it through that violent, metaphysical, symbolic storm. No matter how metaphysical or symbolic it might be, make no mistake about it: it will cut through flesh like a thousand razor blades. People will bleed there, and you will bleed too. Hot, red blood. You'll catch that blood in your hands, your own blood and the blood of others. And once the storm is over you won't remember how you made it through, how you managed to survive. You won't even be sure, in fact, whether the storm is really over. But one thing is certain. When you come out of the storm you won't be the same person who walked in. That's what this storm's all about.
Haruki Murakami (Kafka on the Shore)
That is what I thought of you, Ellie. Heartless, reckless, selfish, and cruel." He was back to shooting me when my armor was down. I turned my face away from him, not wanting to let him see the hurt in my eyes. He reached up and put his fingers under my chin, bringing my face forward again, forcing me to look at him. "Beautiful, sad, wounded, and lost," he continued. "A freak, a work of art, a liar, and a lover." His gaze was starting to eat away at my insides. Razor-blade butterflies whirled in my heart. "I hate you, Ellie Watt," he whispered, lips coming closer to mine, "because I still love you after all these years.
Karina Halle (Sins & Needles (The Artists Trilogy, #1))
She tensed, already taking in every detail she could. But she squared her shoulders. Straightened her spine. “My name is Celaena Sardothien,” she whispered, “and I will not be afraid.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Illium, his expression subdued as it had been for too many days, turned to her. “Mind if I have a go?” “Kick his ass.” Stripping off his shirt and boots, Illium held out his hand for one of Venom’s blades. Lips curving, Venom passed it over. “Sure you can handle me, pretty, pretty Bluebell?” “Did I ever tell you about my snakeskin boots?” A savage grin, and she knew Venom was about to bear the brunt of whatever haunted the blue-winged angel. Venom swirled his blade in hand. “I do think I need some new feathers for my pillow.
Nalini Singh (Archangel's Consort (Guild Hunter, #3))
Maybe love was no match for ice...but Piper had used it to wake a metal dragon. Mortals did superhuman feats in the name of love all the time. Mothers lifted cars to save their children. And Piper was more than just a mortal. She was a demigod. A hero. The ice melted on her blade. Her arm steamed under Khione's grip. 'Still underestimating me,' Piper told the goddess. 'You really need to work on that.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
I was not weak; I did not cry. But it hurt me, more in a kind of refreshing, thrilling way, than a kind of pain that would cripple me and send me away crying. My fingernails dug into the palms of my hands, and my teeth bit into my lips, my knees were locked, but I could not faint.
Alysha Speer (Sharden (Body of Blades #1))
A time may come soon," said he, "when none will return. Then there will be need of valour without renown, for none shall remember the deeds that are done in the last defence of your homes. Yet the deeds will not be less valiant because they are unpraised." She answered: "All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honour, you have leave to be burned in the house, for the men will need it no more. But I am of the House of Eorl and not a serving-woman. I can ride and wield blade, and I do not fear either pain or death." "What do you fear, lady?" he asked. "A cage," she said. "To stay behind bars, until use and old age accept them, and all chance of doing great deeds is gone beyond recall or desire.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
Something dug into the Bloody-Nine's back, but there was no pain. It was a sign. A message in a secret tongue, that only he could understand. It told him where the next dead man was standing.
Joe Abercrombie (The Blade Itself (The First Law, #1))
Now I know grief is a whetstone that sharpens all your love, all your happiest memories, into blades that tear you apart from within. Something has been torn out from inside me that will never be filled up, not ever, no matter how long I live. They say "time heals," but even now, less than a week after my father's death, I know that's a lie. What people really mean is that eventually you'll get used to the pain. You'll forget who you were without it; you'll forget what you looked like without your scars.
Claudia Gray (A Thousand Pieces of You (Firebird, #1))
Blood trickled from the corner of her (Annabeth) mouth. She croaked, "Family, Luke. You promised." Luke stared at the knife in Annabeth's hand, the blood on her face. "Promise." Then he gasped like he couldn't get air. "Annabeth . . ." But it wasn't the Titan's voice. It was Luke's. He stumbled forward like he couldn't control his own body. "You're bleeding. . . ." He gasped again."He's changing. Help. He's . . . he's almost ready. He won't need my body anymore. Please—" "The knife, Percy," Annabeth muttered. Her breath was shallow. "Hero . . . cursed blade . . ." Luke turned and collapsed, clutching his ruined hands."Please, Percy . . ." Luke seemed to know what I was thinking. He moistened his lips. "You can't . . . can't do it yourself. He'll break my control. He'll defend himself. Only my hand. I know where. I can . . . can keep him controlled." I raised the knife to strike. Then I looked at Annabeth, at Grover. And I finally understood what she'd been trying to tell me. You are not the hero, Rachel had said. It will affect what you do. The line from the great prophecy echoed in my head: A hero's soul, cursed blade shall reap. My whole world tipped upside down,and I gave the knife to Luke.I watched as Luke grasped the hilt he stabbed himself
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
So here's the truth - I love you. I love everything about you – the way you stick up for people even when it costs you. The way you keep trying to do the right thing even when you're not exactly sure what the right thing is. I love how you put words together. You're as skilled with words as any knife fighter with a blade. You can put an enemy down on his back, or you can raise people up so they find what's best in themselves. You've changed my life. You've given me the words I need to become whatever I want. I love how you talk to lytlings. You don't talk down to them. You respect them, and anybody can tell you're actually interested in what they have to say. I love the way you ride a horse – how you stick there like an upland thistle, whooping like a Demonai. I love the way you throw back your head and stomp your feet when you dance. I love how you go after what you want – whether it's kisses or a queendom. I love your skin, like copper dusted over with gold. And your eyes – they're the color of a forest lake shaded by evergreens. One of the secret places that only the Demonai know about. I love the scent of you – when you've been out in the fresh air, and that perfume you put behind your ears sometimes. Believe it or not, I even love your road smell – of sweat and horses and leather and wool. I want to breathe you in for the rest of my life.
Cinda Williams Chima (The Crimson Crown (Seven Realms, #4))
Jem drew the bow back and let the arrow fly; it struck the creature in the side. The massive demon worm writhed in agony, undulating as it swept its great, blind head from side to side, uprooting shrubbery with its thrashings. Leaves filled the air and the boys choked on dust, Gideon backing up with his seraph blade in his hand, trying to see by its light. “It’s coming toward us,” he said in a low voice. And indeed it was, the arrow still protruding from its wet, grayish skin, humping its body along with incredible speed. A flick of its tail caught the edge of a statue, sending it flying into the dry ornamental pool, where it shattered into dust. “By the Angel, it just crushed Sophocles,” noted Will. “Has no one respect for the classics these days?
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I’ve fought in three campaigns,” he began. “In seven pitched battles. In countless raids and skirmishes and desperate defences, and bloody actions of every kind. I’ve fought in the driving snow, the blasting wind, the middle of the night. I’ve been fighting all my life, one enemy or another, one friend or another. I’ve known little else. I’ve seen men killed for a word, for a look, for nothing at all. A woman tried to stab me once for killing her husband, and I threw her down a well. And that’s far from the worst of it. Life used to be cheap as dirt to me. Cheaper. “I’ve fought ten single combats and I won them all, but I fought on the wrong side and for all the wrong reasons. I’ve been ruthless, and brutal, and a coward. I’ve stabbed men in the back, burned them, drowned them, crushed them with rocks, killed them asleep, unarmed, or running away. I’ve run away myself more than once. I’ve pissed myself with fear. I’ve begged for my life. I’ve been wounded, often, and badly, and screamed and cried like a baby whose mother took her tit away. I’ve no doubt the world would be a better place if I’d been killed years ago, but I haven’t been, and I don’t know why.” He looked down at his hands, pink and clean on the stone. “There are few men with more blood on their hands than me. None, that I know of. The Bloody-Nine they call me, my enemies, and there’s a lot of ’em. Always more enemies, and fewer friends. Blood gets you nothing but more blood. It follows me now, always, like my shadow, and like my shadow I can never be free of it. I should never be free of it. I’ve earned it. I’ve deserved it. I’ve sought it out. Such is my punishment.
Joe Abercrombie (The Blade Itself (The First Law, #1))
In rode the Lord of the Nazgûl. A great black shape against the fires beyond he loomed up, grown to a vast menace of despair. In rode the Lord of the Nazgûl, under the archway that no enemy ever yet had passed, and all fled before his face. All save one. There waiting, silent and still in the space before the Gate, sat Gandalf upon Shadowfax: Shadowfax who alone among the free horses of the earth endured the terror, unmoving, steadfast as a graven image in Rath Dínen. "You cannot enter here," said Gandalf, and the huge shadow halted. "Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!" The Black Rider flung back his hood, and behold! he had a kingly crown; and yet upon no head visible was it set. The red fires shone between it and the mantled shoulders vast and dark. From a mouth unseen there came a deadly laughter. "Old fool!" he said. "Old fool! This is my hour. Do you not know Death when you see it? Die now and curse in vain!" And with that he lifted high his sword and flames ran down the blade. Gandalf did not move. And in that very moment, away behind in some courtyard of the city, a cock crowed. Shrill and clear he crowed, recking nothing of war nor of wizardry, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn. And as if in answer there came from far away another note. Horns, horns, horns, in dark Mindolluin's sides they dimly echoed. Great horns of the north wildly blowing. Rohan had come at last.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
When I was little, I used to go to the local ice-skating rink. In my mind, I always felt like I could twirl and jump, but when I got out onto the ice, I could barely keep my blades straight. When I got older, that's how it was with people: In my mind, I am bold and forthright, but what comes out always seems to be so meek and polite. Even with Evan, my boyfriend for junior and most of senior year, I never quite managed to be that skating, twirling, leaping person I suspected I could be. But today, apparently, I can skate.
Gayle Forman (Just One Day (Just One Day, #1))
It was the easiest thing in the world for Arya to step up behind him and stab him. “Is there gold hidden in the village?” she shouted as she drove the blade up through his back. “Is there silver? Gems?” She stabbed twice more. “Is there food? Where is Lord Beric?” She was on top of him by then, still stabbing. “Where did he go? How many men were with him? How many knights? How many bowmen? How many, how many, how many, how many, how many, how many? is there gold in the village?
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
HELPED are those who are content to be themselves; they will never lack mystery in their lives and the joys of self-discovery will be constant. HELPED are those who love the entire cosmos rather than their own tiny country, city, or farm, for to them will be shown the unbroken web of life and the meaning of infinity. HELPED are those who live in quietness, knowing neither brand name nor fad; they shall live every day as if in eternity, and each moment shall be as full as it is long. HELPED are those who love others unsplit off from their faults; to them will be given clarity of vision. HELPED are those who create anything at all, for they shall relive the thrill of their own conception, and realize an partnership in the creation of the Universe that keeps them responsible and cheerful. HELPED are those who love the Earth, their mother, and who willingly suffer that she may not die; in their grief over her pain they will weep rivers of blood, and in their joy in her lively response to love, they will converse with the trees. HELPED are those whose ever act is a prayer for harmony in the Universe, for they are the restorers of balance to our planet. To them will be given the insight that every good act done anywhere in the cosmos welcomes the life of an animal or a child. HELPED are those who risk themselves for others' sakes; to them will be given increasing opportunities for ever greater risks. Theirs will be a vision of the word in which no one's gift is despised or lost. HELPED are those who strive to give up their anger; their reward will be that in any confrontation their first thoughts will never be of violence or of war. HELPED are those whose every act is a prayer for peace; on them depends the future of the world. HELPED are those who forgive; their reward shall be forgiveness of every evil done to them. It will be in their power, therefore, to envision the new Earth. HELPED are those who are shown the existence of the Creator's magic in the Universe; they shall experience delight and astonishment without ceasing. HELPED are those who laugh with a pure heart; theirs will be the company of the jolly righteous. HELPED are those who love all the colors of all the human beings, as they love all the colors of the animals and plants; none of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them. HELPED are those who love the lesbian, the gay, and the straight, as they love the sun, the moon, and the stars. None of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them. HELPED are those who love the broken and the whole; none of their children, nor any of their ancestors, nor any parts of themselves, shall be hidden from them. HELPED are those who do not join mobs; theirs shall be the understanding that to attack in anger is to murder in confusion. HELPED are those who find the courage to do at least one small thing each day to help the existence of another--plant, animal, river, or human being. They shall be joined by a multitude of the timid. HELPED are those who lose their fear of death; theirs is the power to envision the future in a blade of grass. HELPED are those who love and actively support the diversity of life; they shall be secure in their differences. HELPED are those who KNOW.
Alice Walker
So Alecto, wearied of talking, kneeled upon the rock and offered up the sword to her, and placed the child’s hand upon the blade, so that it received also the red blood of the child. This made the child exceeding faint, but it did not swoon of weariness. Which strength pleased Alecto, who said: Notwithstanding, I offer you my service. To which a voice on the opposite side of the shore was raised, exceeding wroth, and Alecto heard it shout in a very great shout: Get in line, thou big slut.
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
Puck threw Ash a mocking smile. “You look like crap, Prince. Did you miss me?” Ash frowned, stabbing a faery that was clawing at his feet. “What are you doing here, Goodfellow?” he asked coldly, which only caused Puck’s grin to widen. “Rescuing the princess from the Winter Court, of course.” Puck looked down as the wire-fey piled on the squealing boar, ripping and slicing. It exploded into a pile of leaves, and they skittered back in confusion. “Though it appears I’m saving your sorry ass, as well.” “I could’ve handled it.” “Oh, I’m sure.” Puck brandished a pair of curved daggers, the blades clear as glass. His grin turned predatory. “Well, then, shall we get on with it? Try to keep up, Your Highness.” “Just stay out of my way.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
It is as hard to explain how this sunlit land was different from the old Narnia as it would be to tell you how the fruits of that country taste. Perhaps you will get some idea of it if you think like this. You may have been in a room in which there was a window that looked out on a lovely bay of the sea or a green valley that wound away among mountains. And in the wall of that room opposite to the window there may have been a looking-glass. And as you turned away from the window you suddenly caught sight of that sea or that valley, all over again, in the looking glass. And the sea in the mirror, or the valley in the mirror, were in one sense just the same as the real ones: yet at the same time they were somehow different - deeper, more wonderful, more like places in a story: in a story you have never heard but very much want to know. The difference between the old Narnia and the new Narnia was like that. The new one was a deeper country: every rock and flower and blade of grass looked as if it meant more.
C.S. Lewis (The Chronicles of Narnia (The Chronicles of Narnia, #1-7))
You," he said, "are amazing. Everything about my life has been planned out. Careful. It makes sense. I understand it. Then there's you. You ignore my authority. You follow your feelings. You talk like some Valkyrie from a scudding ballad! I should hate you. And yet..." He squeezed my shoulder. "And yet, when you fly, you are amazing. You're so determined, so skillful, so passionate. You're a fire, Spin. When everyone else is calm, you're a burning bonfire. Beautiful, like a newly forged blade." .
Brandon Sanderson (Skyward (Skyward, #1))
Between the end of that strange summer and the approach of winter, my life went on without change. Each day would dawn without incident and end as it had begun. It rained a lot in September. October had several warm, sweaty days. Aside from the weather, there was hardly anything to distinguish one day from the next. I worked at concentrating my attention on the real and useful. I would go to the pool almost every day for a long swim, take walks, make myself three meals. But even so, every now and then I would feel a violent stab of loneliness. The very water I drank, the very air I breathed, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.
Haruki Murakami (The Wind-Up Bird Chronicle)
Walk with me, hand in hand through the neon and styrofoam. Walk the razor blades and the broken hearts. Walk the fortune and the fortune hunted. Walk the chop suey bars and the tract of stars. I know I am a fool, hoping dirt and glory are both a kind of luminous paint; the humiliations and exaltations that light us up. I see like a bug, everything too large, the pressure of infinity hammering at my head. But how else to live, vertical that I am, pressed down and pressing up simultaneously? I cannot assume you will understand me. It is just as likely that as I invent what I want to say, you will invent what you want to hear. Some story we must have. Stray words on crumpled paper. A weak signal into the outer space of each other. The probability of separate worlds meeting is very small. The lure of it is immense. We send starships. We fall in love.
Jeanette Winterson (Gut Symmetries)
We can stick anything into the fog and make it look like a ghost but tonight let us not become tragedies. We are not funeral homes with propane tanks in our windows, lookin’ like cemeteries. Cemeteries are just the Earth’s way of not letting go. Let go. Tonight let’s turn our silly wrists so far backwards the razor blades in our pencil tips can’t get a good angle on all that beauty inside. Step into this with your airplane parts. Move forward and repeat after me with your heart: “I no longer need you to fuck me as hard as I hated myself.” Make love to me like you know I am better than the worst thing I ever did. Go slow. I’m new to this. But I have seen nearly every city from a rooftop without jumping. I have realized that the moon did not have to be full for us to love it, that we are not tragedies stranded here beneath it, that if my heart really broke every time I fell from love I’d be able to offer you confetti by now. But hearts don’t break, y’all, they bruise and get better. We were never tragedies. We were emergencies. You call 9 – 1 – 1. Tell them I’m having a fantastic time.
Buddy Wakefield
Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand; Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. "And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!" He chortled in his joy. 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe.
Lewis Carroll
I mustered all my strength, drew back, and swung. The sword's blade hit the side of her neck, hard and deep. She gave a horrible, sickening cry, a shriek that made my skin crawl. She tried to move toward me. I pulled back and hit again. Her hands clutched at her throat, and her knees gave way. I struck and struck, the sword digging in deeper into her neck each time. Cutting off someone's head was harder than I thought it would be. The old, dull sword probably wasn't helping. But finally, I gained enough sense to realize she wasn't moving. Her head lay there, detached from her body, her dead eyes looking up at me as though she couldn't believe what had happened. That made two of us.
Richelle Mead (Frostbite (Vampire Academy, #2))
Man is timid and apologetic; he is no longer upright; he dares not say "I think," "I am," but quotes some saint or sage. He is ashamed before the blade of grass or the blowing rose. These roses under my window make no reference to former roses or to better ones; they are for what they are; they exist with God to-day. There is no time to them. There is simply the rose; it is perfect in every moment of its existence. Before a leaf-bud has burst, its whole life acts; in the full-blown flower there is no more; in the leafless root there is no less. Its nature is satisfied, and it satisfies nature, in all moments alike. But man postpones or remembers; he does not live in the present, but with reverted eye laments the past, or, heedless of the riches that surround him, stands on tiptoe to foresee the future. He cannot be happy and strong until he too lives with nature in the present, above time.
Ralph Waldo Emerson (Self-Reliance and Other Essays (Dover Thrift Editions: Philosophy))
The War Has Been Declared. Your Ally Been Ensnared. It Is Now Or It Is Never. Break The Code Or Die Forever. Time Is Running Out Running Out Running Out To the Warrior Give My Blade By His Hand Your Fate Is Made But Do Not Forget the Ticking Or the Clicking, Clicking, Clicking While a Rat's Tongue May Be Flicking With Its Feet It Does the Tricking For the Paw and Not the Jaw Makes the Code of Claw Time Is Standing Still Standing Still Standing Still Since the Princess Is the Key To Unlock the Treachery She Cannot Avoid the Matching or the Scratching, Scratching, Scratching When a Secret Plot is Hatching In the Naming Is the Catching What She Saw, It Is the Flaw Of the Code of Claw Time is Turning Back Turning Back Turning Back When the Monster's Blood Is Spilled When the Warrior Has Been Killed You Must Not Ingore the Rapping Or the Tapping, Tapping, Tapping If the Gnawers Find you Napping You Will Rot While They Are Mapping Out the Law of Those Who Gnaw In the Code of Claw
Suzanne Collins (Gregor and the Code of Claw (Underland Chronicles, #5))
... What do you want, Ash?" "Your head," Ash answered softly. "On a pike. But what I want doesn't matter this time." He pointed his sword at me. "I've come for her." I gasped as my heart and stomach began careening around my chest. He's here for me, to kill me, like he promised at Elysium. "Over my dead body." Puck smiled, as if this was a friendly conversation on the street, but I felt muscles coiling under his skin. "This was part of the plan." The prince raised his sword, the icy blade wreathed in mist. "I will avenge her today, and put her memory to rest." For a moment, a shadow of anguish flitted across his face, and he closed his eyes. When he opened them, they were cold and glittered with malice. "Prepare yourself." "Stay back, princess," Puck warned, pushing me out of the way. He reached into his boot and pullet out a dagger, the curved blade clear as glass. "This might get a little rough." "Puck, no." I clutched at his sleeve. "Don't fight him. Someone could die." "Duels to the death tend to end that way." Puck grinned, but it was a savage thing, grim and frightening. "But I'm touched that you care. One moment, princeling," he called to Ash, who inclined his head. Taking my wrist, Puck steered me behind the fountain and bent close, his breath warm on my face. "I have to do this, princess," he said firmly. "Ash won't let us go without a fight, and this has been coming for a long time now." For a moment, a shadow of regret flickered across his face, but then it was gone. "So," he murmured, grinning as he tilted my chin up, "before I march off to battle, how 'bout a kiss for luck?" I hesitated, wondering why now, of all times, he would ask for a kiss. He certainly didn't think of me in that way... did he?
Julie Kagawa (The Iron King (The Iron Fey, #1))
Sam," she said. "I'm trying!" "Sam," she repeated. "No," he spat, hearing her tone. "No!" He began screaming for help then. Celaena pressed her face to one of the holes in the grate. Help wasn't going to come-not fast enough. "Please," Sam begged as he beat and yanked on the grate, he tried to wedge another dagger under the lid. "Please don't." She knew he wasn't speaking to her. The water hit her neck. "Please," Sam moaned, his fingers now touching hers. She'd have one last breath. Her last words. "Take my body home to Terrasen, Sam," she whispered. And with a gasping breath, she went under.
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
When Death Comes When death comes like the hungry bear in autumn; when death comes and takes all the bright coins from his purse to buy me, and snaps the purse shut; when death comes like the measle-pox when death comes like an iceberg between the shoulder blades, I want to step through the door full of curiosity, wondering: what is it going to be like, that cottage of darkness? And therefore I look upon everything as a brotherhood and a sisterhood, and I look upon time as no more than an idea, and I consider eternity as another possibility, and I think of each life as a flower, as common as a field daisy, and as singular, and each name a comfortable music in the mouth, tending, as all music does, toward silence, and each body a lion of courage, and something precious to the earth. When it's over, I want to say all my life I was a bride married to amazement. I was the bridegroom, taking the world into my arms. When it's over, I don't want to wonder if I have made of my life something particular, and real. I don't want to find myself sighing and frightened, or full of argument. I don't want to end up simply having visited this world
Mary Oliver (New and Selected Poems, Volume One)
Celaena threw her weight into the dagger she held aloft, and gained an inch. His arms strained. She was going to kill him. She truly going to kill him. He made himself look into her eyes, look at the face so twisted with rage that he couldn't find her. "Celaena," he said, squeezing her wrists so hard that he hoped the pain registered somewhere- wherever she had gone. But she still wouldn't lossen her grip on the blade. "Celaena, I'm your friend." She stared at him, panting through gritted teeth, her breath coming quicker and quicker before she roared, the sound filling the room, his blood, his world: "You will never be my friend. You will always be my enemy." She bellowed the last word with such soul-deep hated that he felt it like a punch to the gut. She surged again, and he lost his grip on the wrist that held the dagger. The blade plunged down.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
And Celaena felt it. She felt each footstep, the phantom bruises on her face throbbing with the memory of Arobynn's fists. And suddenly, as the memory of that day echoed through her, she remembered the words Sam kept screaming at Arobynn as the king of the Assassins beat her, the words that she somehow forgotten in the fog of pain: 'I'll kill you!' Sam has said it like he meant it. He'd bellowed it. Again and again and again.
Sarah J. Maas (The Assassin and the Desert (Throne of Glass, #0.3))
I want to say one last thing, and it’s important. Though I am a generally happy person who feels comfortable in my skin, I do beat myself up because I am influenced by a societal pressure to be thin. All the time. I feel it the same way anybody who picks up a magazine and sees Keira Knightley’s elegantly bony shoulder blades poking out of a backless dress does. I don’t know if I’ve ever seen my shoulder blades once. Honestly, I’m dubious that any part of my body could be so sharp and firm as to be described as a “blade.” I feel it when I wake up in the morning and try on every single pair of my jeans and everything looks bad and I just want to go back to sleep. But my secret is: even though I wish I could be thin, and that I could have the ease of lifestyle that I associate with being thin, I don’t wish for it with all of my heart. Because my heart is reserved for way more important things.
Mindy Kaling (Why Not Me?)
Once he went into the mountains on a clear, sunny day, and wandered about for a long time with a tormenting thought that refused to take shape. Before him was the shining sky, below him the lake, around him the horizon, bright and infinite, as if it went on forever. For a long time he looked and suffered. He remembered now how he had stretched out his arms to that bright, infinite blue and wept. What had tormented him was that he was a total stranger to it all. What was this banquet, what was this great everlasting feast, to which he had long been drawn, always, ever since childhood, and which he could never join? Every morning the same bright sun rises; every morning there is a rainbow over the waterfall; every evening the highest snowcapped mountain, there, far away, at the edge of the sky, burns with a crimson flame; every little fly that buzzes near him in a hot ray of sunlight participates in this whole chorus: knows its place, loves it, and is happy; every little blade of grass grows and is happy! And everything has its path, and everything knows its path, goes with a song and comes back with a song; only he knows nothing, understands nothing, neither people nor sounds, a stranger to everything and a castaway.
Fyodor Dostoevsky (The Idiot)
To the High Queen of Elfhame, Above me is the same silvery moon that shines down on you. Looking at it makes me recall the glint of your blade pressed against my throat and other romantic moments. I do not know what keeps you from returning to the High Court—whether it is vexation with me, or whether, having spent time in the mortal world, you have come to believe that a life free of the Folk is better than one ruling over them. In my most wretched hours, I believe you will never come back. Why would you, save for your ambition? You have always known exactly what I am and seen all my failings, all my weaknesses and scars. I flattered myself that at moments you had feelings for me other than contempt, but even were that true, they would be but watered wine beside the feast of your other, greater desires. And yet my heart is buried with you in the strange soil of the mortal world, as it was drowned with you in the cold waters of the Undersea. It was yours before I could admit it, and yours it shall ever remain. Cardan
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.
Richard Adams (Watership Down (Watership Down, #1))
Sam smiled, his brown eyes turning golden in the dawn. It was such a Sam look, the twinkle of mischief, the hint of exasperation, the kindness that would always, always make him a better person than she was. Before she knew what she was doing, Celaena threw her arms around him and held him close. Sam stiffened, but after a heartbeat, his arms came around her. She breathed him in—the smell of his sweat, the tang of the dust and rock, the metallic odor of his blood... Sam rested his cheek on her head. She couldn't remember —honestly couldn't recall—the last time anyone had held her. But embracing Sam was different, somehow. Like she wanted to curl into his warmth, like for one moment, she didn't have to worry about anything or anybody. “Sam,” she murmured into his chest. “Hmm?” She peeled away from him, stepping out of his arms. “If you ever tell anyone about me embracing you... I'll gut you.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
She tried to tear herself away from him. The effort broke against his arms that had not felt it. Her fists beat against his shoulders, against his face. He moved one had, took her two wrists, pinned them behind her, under his arm, wrenching her shoulder blades. She twisted her head back. She felt his lips on her breast. She tore herself free…She fought like an animal. But she made no sound. She did not call for help. She heard the echoes of her blows in a gasp of his breath, and she knew that it was a gasp of pleasure…She felt the hatred and his hands; his hands moving over her body, the hands that broke granite. She fought the last convulsion. Then the sudden pain shot up, through her body, to her throat, and she screamed. Then she laid still. It was an act that could be performed in tenderness, as a seal of love, or in contempt, as a symbol of humiliation and conquest. It could be an act of a lover or the act of a soldier violating an enemy woman. He did it as an act of scorn. Not as love, but as defilement. And this made her still and submit…the act of a master taking shameful , contemptuous possession of her was the kind of rapture she had wanted…
Ayn Rand (The Fountainhead)
Among them is a renegade king, he who sired five royal heirs without ever unzipping his pants. A man to whom time has imparted great wisdom and an even greater waistline, whose thoughtless courage is rivalled only by his unquenchable thirst. At his shoulder walks a sorcerer, a cosmic conversationalist. Enemy of the incurable rot, absent chairman of combustive sciences at the university in Oddsford, and the only living soul above the age of eight to believe in owlbears. Look here at a warrior born, a scion of power and poverty whose purpose is manifold: to shatter shackles, to murder monarchs, and to demonstrate that even the forces of good must sometimes enlist the service of big, bad motherfuckers. His is an ancient soul destined to die young. And now comes the quiet one, the gentle giant, he who fights his battles with a shield. Stout as the tree that counts its age in aeons, constant as the star that marks true north and shines most brightly on the darkest nights. A step ahead of these four: our hero. He is the candle burnt down to the stump, the cutting blade grown dull with overuse. But see now the spark in his stride. Behold the glint of steel in his gaze. Who dares to stand between a man such as this and that which he holds dear? He will kill, if he must, to protect it. He will die, if that is what it takes. “Go get the boss,” says one guardsman to another. “This bunch looks like trouble.” And they do. They do look like trouble, at least until the wizard trips on the hem of his robe. He stumbles, cursing, and fouls the steps of the others as he falls face-first onto the mud-slick hillside.
Nicholas Eames (Kings of the Wyld (The Band, #1))
From p. 40 of Signet Edition of Thomas Wolfe's _You Can't Go Home Again_ (1940): Some things will never change. Some things will always be the same. Lean down your ear upon the earth and listen. The voice of forest water in the night, a woman's laughter in the dark, the clean, hard rattle of raked gravel, the cricketing stitch of midday in hot meadows, the delicate web of children's voices in bright air--these things will never change. The glitter of sunlight on roughened water, the glory of the stars, the innocence of morning, the smell of the sea in harbors, the feathery blur and smoky buddings of young boughs, and something there that comes and goes and never can be captured, the thorn of spring, the sharp and tongueless cry--these things will always be the same. All things belonging to the earth will never change--the leaf, the blade, the flower, the wind that cries and sleeps and wakes again, the trees whose stiff arms clash and tremble in the dark, and the dust of lovers long since buried in the earth--all things proceeding from the earth to seasons, all things that lapse and change and come again upon the earth--these things will always be the same, for they come up from the earth that never changes, they go back into the earth that lasts forever. Only the earth endures, but it endures forever. The tarantula, the adder, and the asp will also never change. Pain and death will always be the same. But under the pavements trembling like a pulse, under the buildings trembling like a cry, under the waste of time, under the hoof of the beast above the broken bones of cities, there will be something growing like a flower, something bursting from the earth again, forever deathless, faithful, coming into life again like April.
Thomas Wolfe (You Can't Go Home Again)
Why do I take a blade and slash my arms? Why do I drink myself into a stupor? Why do I swallow bottles of pills and end up in A&E having my stomach pumped? Am I seeking attention? Showing off? The pain of the cuts releases the mental pain of the memories, but the pain of healing lasts weeks. After every self-harming or overdosing incident I run the risk of being sectioned and returned to a psychiatric institution, a harrowing prospect I would not recommend to anyone. So, why do I do it? I don't. If I had power over the alters, I'd stop them. I don't have that power. When they are out, they're out. I experience blank spells and lose time, consciousness, dignity. If I, Alice Jamieson, wanted attention, I would have completed my PhD and started to climb the academic career ladder. Flaunting the label 'doctor' is more attention-grabbing that lying drained of hope in hospital with steri-strips up your arms and the vile taste of liquid charcoal absorbing the chemicals in your stomach. In most things we do, we anticipate some reward or payment. We study for status and to get better jobs; we work for money; our children are little mirrors of our social standing; the charity donation and trip to Oxfam make us feel good. Every kindness carries the potential gift of a responding kindness: you reap what you sow. There is no advantage in my harming myself; no reason for me to invent delusional memories of incest and ritual abuse. There is nothing to be gained in an A&E department.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
To keep Velaris safe, to keep Mor and Amren and Cassian and Azriel and… Rhys safe. I said to Lucien, low and quiet and as vicious as the talons that formed at the tips of my fingers, as vicious as the wondrous weight between my shoulder blades, “When you spend so long trapped in darkness, Lucien, you find that the darkness begins to stare back.” A pulse of surprise, of wicked delight against my mental shields, at the dark, membranous wings I knew were now poking over my shoulders. Every icy kiss of rain sent jolts of cold through me. Sensitive—so sensitive, these Illryian wings. Lucien backed up a step. “What did you do to yourself?” I gave him a little smile. “The human girl you knew died Under the Mountain. I have no interest in spending immortality as a High Lord’s pet.” Lucien started shaking his head. “Feyre—” “Tell Tamlin,” I said, choking on his name, on the thought of what he’d done to Rhys, to his family, “if he sends anyone else into these lands, I will hunt each and every one of you down. And I will demonstrate exactly what the darkness taught me.” There was something like genuine pain on his face. I didn’t care. I just watched him, unyielding and cold and dark. The creature I might one day have become if I had stayed at the Spring Court, if I had remained broken for decades, centuries… until I learned to quietly direct those shards of pain outward, learned to savor the pain of others.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
But why? Why can't you let it go?" He grabbed her shoulders and shook her. "Because I love you!" Her mouth fell open. "I love you," he repeated, shaking her again. "I have for years. And he hurt you and made me watch because he's always known how I felt, too. But if I asked you to pick, you'd choose Arobynn, and I. Can't. Take. It." The only sounds were their breathing, an uneven beat against the rushing of the sewer river. "You're a damned idiot," she breathed, grabbing the front of his tunic. "You're a moron and an ass and a damned idiot." He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you." And then she kissed him.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
Paul D did not answer because she didn't expect or want him to, but he did know what she meant. Listening to the doves in Alfred, Georgia, and having neither the right nor the permission to enjoy it because in that place mist, doves, sunlight, copper dirt, moon - everything belonged to the men who had the guns. Little men, some of them, big men too, each one of whom he could snap like a twig if he wanted to. Men who knew that their manhood lay in their guns and were not even embarrassed by the knowledge that without fox would laugh at them. And these "men" who made even vixen laugh could, if you let them, stop you from hearing doves or loving moonlight. So you protected yourself and loved small. Picked the tiniest stars out of the sky to own; lay down with head twisted in order to see the loved one over the rim of the trench before you slept. Stole shy glances at her between the trees at chain-up. Glass blades, salamanders, spiders, woodpeckers, beetles, a kingdom of ants. Anything bigger wouldn't do. A woman, a child, a brother - a big love like that would split you wide open in Alfred, Georgia. He knew exactly what she meant: to get to a place where you could love anything you chose - not to need permission for desire - well now, THAT was freedom.
Toni Morrison (Beloved)
Diana gave her a measured look and ducked down behind the counter. She came up a moment later with a sword about the length of Clary's forearm. "What do you think of this?" Clary stared at the weapon. It was undoubtedly beautiful. The cross-guard, grip and pommel were gold chased with obsidian, the blade a silver so dark it was nearly black. "It's a shortsword. You might want to look at the other side," said Diana, and she flipped the sword over. On the opposite side of the blade, down the center ridge, ran a pattern of black stars. "Oh." Clary's heart thumped painfully; she took a step away and nearly bumped into Jace, who had come up behind her, frowning. "That's a Morgenstern sword." "Yes, it is." The sword-seller's eyes were shrewd. "Long ago the Morgensterns commissioned two blades from Wayland the Smith-a matched set. You have doubtless seen the the larger sword already, for Valentine Morgenstern carried it, and now his son carries it after him." "You know who we are," Jace said. It wasn't a question. "Who Clary is." "The Shadowhunter world is small," said Diana, and she looked from one of them to the other. "I'm on the Council. I've seen you give testimony, Valentine's daughter." Clary looked doubtfully at the blade. "I've seen two men bear the larger version of that sword, and I hated them both. There are no Morgensterns in this world now who are dedicated to anything but evil." Jace said, "There's you." "I'll give it to you," said Diana. "You're right that people hate the Morgensterns; it's not the sort of item I could sell elsewhere. Or would necessarily want to. It should go to good hands." "I don't want it," Clary said. "If you flinch from it, you give it power over you," said Diana. "Take it, and cut your brother's throat with it, and reclaim the honor of your blood.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
But I suppose if you're friends of Magnus's ..." He went completely still. His runes faded. Then he leaped out of my hand and flew towards Annabeth, his blade twitching as if he was stiffing the air. "Where is she? Where are you hiding the babe?" Annabeth backed towards the rail. "Whoa, there, sword. Personal space?" "Jack, behave," Alex said. "What are you doing?" "She's around here somewhere," Jack insisted. He flew to Percy. "Aha! What's in your pocket, sea boy?" "Excuse me?" Percy looked a bit nervous about the magical sword hovering at his waistline. Alex lowered his Ray-Bans. "Okay, now I'm curious. What do you have in your pocket, Percy? Enquiring swords want to know." Percy pulled a plain-looking ballpoint pen from his jeans. "You mean this?" "BAM!" Jack said. "Who is this vision of loveliness?" "Jack," I said. "It's a pen." "No, it's not! Show me! Show me!" "Uh ... sure." Percy uncapped the pen. Immediately it transformed into a three-foot-long sword with a leaf-shaped blade of glowing bronze.. Compared to Jack, the weapon looked delicate, almost petite, but from the way Percy wielded it I had no doubt he'd be able to hold his own on the battlefields of Valhalla with that thing. Jack turned his point towards me, his runes flashing burgundy. "See Magnus? I told you it wasn't stupid to carry a sword disguised as a pen!" "Jack, I never said that!" I protested. "You did.
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
Emma rose to her feet, facing the faerie across the fleeing crowd. Gleaming from his weathered, barklike face, his eyes were yellow as a cat's. "Shadowhunter," he hissed. Emma reached back over her shoulder and closed her hand around the hilt of her sword, Cortana. The blade made a golden blur in the air as she drew it and pointed the tip at the fey. "No," she said. "I'm a candygram. This is my costume." The faerie looked puzzled. Emma sighed. "It's so hard to be sassy to the Fair Folk. You people never get jokes." "We are well known for our jests, japes, and ballads," the faerie said, clearly offended. "Some of our ballads last for weeks." "I don't have that kind of time," Emma said. "I'm a Shadowhunter. Quip fast, die young." She wiggled Cortana's tip impatiently. "Now turn out your pockets." "I have done nothing to break the Cold Peace," said the fey. "Technically true, but we do frown on stealing from mundanes," Emma said. "Turn out your pockets or I'll rip off one of your horns and shove it where the sun doesn't shine." The fey looked puzzled. "Where does the sun not shine? Is this a riddle?" Emma gave a martyred sigh and raised Cortana. "Turn them out, or I'll start peeling your bark off. My boyfriend and I just broke up, and I'm not in the best mood." The faerie began slowly to empty his pockets onto the ground, glaring at her all the while. "So you're single," he said. "I never would have guessed.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
It is, I suppose, the common grief of children at having to protect their parents from reality. It is bitter for the young to see what awful innocence adults grow into, that terrible vulnerability that must be sheltered from the rodent mire of childhood. Can we blame the child for resenting the fantasy of largeness? Big, soft arms and deep voices in the dark saying, "Tell Papa, tell Mama, and we'll make it right." The child, screaming for refuge, senses how feeble a shelter the twig hut of grown-up awareness is. They claim strength, these parents, and complete sanctuary. The weeping earth itself knows how desperate is the child's need for exactly that sanctuary. How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia. Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites. We need that warm adult stupidity. Even knowing the illusion, we cry and hide in their laps, speaking only of defiled lollipops or lost bears, and getting lollipop or a toy bear'd worth of comfort. We make do with it rather than face alone the cavernous reaches of our skull for which there is no remedy, no safety, no comfort at all. We survive until, by sheer stamina, we escape into the dim innocence of our own adulthood and its forgetfulness.
Katherine Dunn (Geek Love)
Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit. It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk? Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall. Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere. Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock. But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it. Amen
Alice Walker (The Color Purple)
The greatest mystery the universe offers is not life but size. Size encompasses life, and the Tower encompasses size. The child, who is most at home with wonder, says: Daddy, what is above the sky? And the father says: The darkness of space. The child: What is beyond space? The father: The galaxy. The child: Beyond the galaxy? The father: Another galaxy. The child: Beyond the other galaxies? The father: No one knows. You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box and cover it with wet weeds to die? Or one might take the tip of the pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become league, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity. If you fell outward to the limit of the universe, would you find a board fence and signs reading DEAD END? No. You might find something hard and rounded, as the chick must see the egg from the inside. And if you should peck through the shell (or find a door), what great and torrential light might shine through your opening at the end of space? Might you look through and discover our entire universe is but part of one atom on a blade of grass? Might you be forced to think that by burning a twig you incinerate an eternity of eternities? That existence rises not to one infinite but to an infinity of them?
Stephen King (The Gunslinger (The Dark Tower, #1))