Blade 2 Quotes

We've searched our database for all the quotes and captions related to Blade 2. Here they are! All 100 of them:

You can only sharpen a blade so far,” Kaz said as he joined them at the front of the church. “In the end, it comes down to the quality of the metal.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Part of their problem was Percy. He fought like a demon, whirling through the defender's ranks in a completely unorthodox style, rolling under their feet, slashing with his sword instead of stabbing like a Roman would, whacking campers with the flat of his blade, and generally causing mass panic.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
He wanted to give me a blade? What's wrong with that?” “Blades,” he whispered, “and sheaths go together. And your sheath will only ever hold my blade.
Nalini Singh (Archangel's Kiss (Guild Hunter, #2))
I sheathed my blade and glared at him. "And here I almost thought you weren't a complete bastard." "Well, that's your mistake, not mine.
Julie Kagawa (The Eternity Cure (Blood of Eden, #2))
The instant that the blade tore open his flesh, the bright disk of the sun soared up and exploded behind his eyelids.
Yukio Mishima (Runaway Horses (The Sea of Fertility, #2))
Do you know what it feels like to be aware of every star, every blade of grass? Yes. You do. You call it 'opening your eyes again.' But you do it for a moment. We have done it for eternity. No sleep, no rest, just endless... endless experience, endless awareness. Of everything. All the time. How we envy you, envy you! Lucky humans, who can close your minds to the endless deeps of space! You have this thing you call... boredom? That is the rarest talent in the universe! We heard a song — it went 'Twinkle twinkle little star....' What power! What wondrous power! You can take a billion trillion tons of flaming matter, a furnace of unimaginable strength, and turn it into a little song for children! You build little worlds, little stories, little shells around your minds, and that keeps infinity at bay and allows you to wake up in the morning without screaming!
Terry Pratchett (A Hat Full of Sky (Discworld, #32; Tiffany Aching, #2))
In all of his worst nightmares, she’s dying. She’s fading away in his arms, helpless and whimpering, while hot, dark blood spills over his fingers. This, he tells her. He doesn’t tell her that his hand holds the blade.
R.F. Kuang (The Drowning Faith (The Poppy War, #2.5))
The Angel blade burns you, just as God's name chokes you," said Valentine, his cool voice sharp as crystal. "They say that those who die upon its point will achieve the gates of heaven. In which case, revenant, I am doing you a favor." He lowered the blade so that the tip touched Simon's throat. Valentine's eyes were the color of black water and there was nothing in them: no anger, no compassion, not even any hate. They were empty as a hollowed-out grave. "Any last words?" Simon knew what he was supposed to say. Sh'ma Yisrael, adonai elohanu, adonai echod. Hear, oh Israel, the Lord our God, the Lord is One. He tried to speak the words, but a searing pain burned his throat. "Clary," he whispered instead.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
I’d spend a lifetime at the tip of your blade, and it would have been worth it.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Tell me about Dunyasha,” he said. “She was carrying quality blades.” Inej took the shears from the table of the vanity and began cutting fresh strips of cloth from one of the towels. “I think she may be my shadow.” “Pretty solid shadow if she can throw knives.” “The Suli believe that when we do wrong, we give life to our shadows. Every sin makes the shadow stronger, until eventually the shadow is stronger than you.” “If that were true, my shadow would have put Ketterdam in permanent night.” “Maybe,” Inej said, turning her dark gaze to his. “Or maybe you’re someone else’s shadow.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
It's not always easy to distinguish between existentialism and a bad mood.
Matthew Woodring Stover (Blade of Tyshalle (The Acts of Caine #2))
The Order of Merciful Aid provided merciful aid, usually on the edge of a blade or the burn of a bullet.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
1. Organize before they rise! 2. They feel no fear, why should you? 3. Use your head: cut off theirs. 4. Blades don't need reloading. 5. Ideal protection = tight clothes, short hair. 6. Get up the staircase, then destroy it. 7. Get out of the car, get onto the bike. 8. Keep moving, keep low, keep quiet, keep alert! 9. No place is safe, only safer. 10. The zombie may be gone, but the threat lives on.
Max Brooks (The Zombie Survival Guide: Complete Protection from the Living Dead)
A tormented scream pierced the night like a blade. The sky bled, and darkness fell instead of stars, erasing lights across the Magnificent North.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
Time is the one thing that can’t be stopped. Like a sharp blade, it silently cuts through hard and soft, constantly advancing. Nothing is capable of jolting it even the slightest bit, but it changes everything.
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
Han smiled, then, a bright, charming smile that lit up the room, more dangerous than any blade. All you ever needed was that smile, she thought. I'd have given in immediately.
Cinda Williams Chima (The Exiled Queen (Seven Realms, #2))
Success and failure are two edges of the same blade, two sides of the same coin. To fear one is to forever deny the possibility of the other.
Michelle Sagara West (Cast in Courtlight (Chronicles of Elantra, #2))
Puck threw Ash a mocking smile. “You look like crap, Prince. Did you miss me?” Ash frowned, stabbing a faery that was clawing at his feet. “What are you doing here, Goodfellow?” he asked coldly, which only caused Puck’s grin to widen. “Rescuing the princess from the Winter Court, of course.” Puck looked down as the wire-fey piled on the squealing boar, ripping and slicing. It exploded into a pile of leaves, and they skittered back in confusion. “Though it appears I’m saving your sorry ass, as well.” “I could’ve handled it.” “Oh, I’m sure.” Puck brandished a pair of curved daggers, the blades clear as glass. His grin turned predatory. “Well, then, shall we get on with it? Try to keep up, Your Highness.” “Just stay out of my way.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
None of it was your fault, the whispers in my head argue. You didn't kill him, after all -- it was not your blade that ended his life. So why are you the one cast out? You didn't have to return to the Daggers -- you didn't need to help them rescue Raffaele. And still they turned on you. Why does everyone forget your good intentions, Adelina?
Marie Lu (The Rose Society (The Young Elites, #2))
He knew her, and she knew him. He had no idea if the images he saw came from past or future, or both, but he knew her. Their souls were bound, had always been bound, and always would be. They were two with one soul between them, perfectly joined, perfectly fitted.
Ann Marston (The Western King (Rune Blade, #2))
I mustered all my strength, drew back, and swung. The sword's blade hit the side of her neck, hard and deep. She gave a horrible, sickening cry, a shriek that made my skin crawl. She tried to move toward me. I pulled back and hit again. Her hands clutched at her throat, and her knees gave way. I struck and struck, the sword digging in deeper into her neck each time. Cutting off someone's head was harder than I thought it would be. The old, dull sword probably wasn't helping. But finally, I gained enough sense to realize she wasn't moving. Her head lay there, detached from her body, her dead eyes looking up at me as though she couldn't believe what had happened. That made two of us.
Richelle Mead (Frostbite (Vampire Academy, #2))
He (Jace) glanced down at his bound hands. His wrists and shoulders had gone from aching to hard, stabbing pain, but he didn’t wince as the inquisitor regarded one of the blades, named it Jophiel, and plunged it into the polished wooden floorboards at her feet. He waited, but nothing happened. “Boom,” he said eventually. “Was something supposed to happen there?” ~pg.303~
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
goodness can be a blade sharp enough to cut, you know, just as much as evil intent.
Cassandra Clare (Chain of Iron (The Last Hours, #2))
And none at all has ridden at the king's side since Aerinha, goddess of honor and flame, first taught men to forge their blades. You'd think Aerinha would have had better sense.
Robin McKinley (The Hero and the Crown (Damar, #2))
Aragorn threw back his cloak. The elven-sheath glittered as he grasped it, and the bright blade of Andúril shone like a sudden flame as he swept it out. 'Elendil!' he cried. 'I am Aragorn, son of Arathorn, and am called Elessar, the Elfstone, Dúnadan, the heir of Isildur Elendil's son of Gondor. Here is the Sword that was Broken and is forged again! Will you aid me or thwart me? Choose swiftly!
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Words are just as capable of eviscerating someone as a blade,
Rebecca Yarros (Iron Flame (The Empyrean, #2))
Rowan doesn´t know me as well as he thinks," he murmured, seemingly unconcerned with the jagged blades closing in on him, "otherwise he never would´ve made such a mistake." Edgebriar smiled, leering at Ash fron behind the trio of knights, content to let his guards engage the Winter prince. "And what mistake would that be?" "There only four of you.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
Celaena threw her weight into the dagger she held aloft, and gained an inch. His arms strained. She was going to kill him. She truly going to kill him. He made himself look into her eyes, look at the face so twisted with rage that he couldn't find her. "Celaena," he said, squeezing her wrists so hard that he hoped the pain registered somewhere- wherever she had gone. But she still wouldn't lossen her grip on the blade. "Celaena, I'm your friend." She stared at him, panting through gritted teeth, her breath coming quicker and quicker before she roared, the sound filling the room, his blood, his world: "You will never be my friend. You will always be my enemy." She bellowed the last word with such soul-deep hated that he felt it like a punch to the gut. She surged again, and he lost his grip on the wrist that held the dagger. The blade plunged down.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
I had always turned to books, to knowledge, to help me get through everything in my life—and, sometimes, to escape it. But grief was a journey through a forest of razor blades. I walked through every painful inch of it—no shortcuts and no anesthesia.
Michele Bardsley (Don't Talk Back To Your Vampire (Broken Heart, #2))
Deserve.' How preoccupied we are with that. With what we should have, with what we are owed. I wonder if any word has ever caused more heartache.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
One! two! and through and through The vorpal blade went snickersnack! He left it dead, and with its head He went galumphing back.
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
Tamar shrugged. “I can keep hope in my heart and a blade in my hand.
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
... with all the sweetness of a chocolate-coated razor-blade.
Kerry Greenwood (Flying Too High (Phryne Fisher, #2))
Ellen drank long and deep from her water bottle and wiped her mouth with her gauntleted arm. "Are you feeling all right, Jack? Your play's flat, all in all. I was hoping to give Seph more of a show." Jack tested the edge of his blade with his thumb. "Actually, Ellen, I wondered if you were coming down with something. You were downright lethargic. I nearly dozed off once or twice." "Well, that explains it. You looked like you were asleep." With that, they threw down their weapons and it dissolved into a wrestling match. In the end they were kissing each other. It was certainly a different kind of courtship, but there was a chemistry, an understanding, a kinship between Jack and Ellen that Seph envied.
Cinda Williams Chima (The Wizard Heir (The Heir Chronicles, #2))
True courage comes from knowing that you belong to God both body and soul so completely that the evil men in this world don’t own you.
Tricia Mingerink (Deny (The Blades of Acktar, #2))
I am a Shotet. I am sharp as a blade and just as strong, I see all of the galaxy and it is all mine.
Veronica Roth (The Fates Divide (Carve the Mark, #2))
Peeta smiles and douses Haymitch's knife in white liquor from a bottle on the floor. He wipes the blade clean on his shirt tail and slices the bread. Peeta keeps all of us in fresh baked goods. I hunt. He bakes. Haymitch drinks. We have our own ways to stay busy, to keep thought of our time as contestants in the Hunger Games at bay.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Do you not enslave people now?” asks the man. “Chains are forged of many strange metals. Poverty is one. Fear, another. Ritual and custom are yet more. All actions are forms of slavery, methods of forcing people to do what they deeply wish not to do.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
The strongest soldier cannot balance long upon the blade that does divide his honor and his heart, and whatever way he falls, the cut will kill him.
Susanna Kearsley (The Firebird (The Scottish series, #2))
Growling, Marcus put all of his strength behind his next swing, deflecting the blow meant to sever his head and snapping Roy's blade in two. Dumb ass. That's what happened when you puchased weapons off of cable shopping networks.
Dianne Duvall (Night Reigns (Immortal Guardians, #2))
His eyes widended again, then flicked to something behind me. He shook his head, looked back at me. His voice low, intimate, insistent. "Come back from this, Merit. You don't want to fight me." "I do," I heard, in a voice that was barely mine. "Find steel," she advised him. We advised him. He stood there a long moment, silently, still, before nodding. Someone offered him a blade, a katana that glinted in the light. He took it, mirrored my stance - katana in both hands, body bladed. "If the only way you'll come back from this is to be bloodied by it, then so be it." He lunged.
Chloe Neill (Friday Night Bites (Chicagoland Vampires, #2))
Bound souls. He had always thought the stories of men and women bound throughout all eternity by the strength of passion, either love or hate, were but pleasant tales for long winter’s nights. Bound souls, two sides of the same counter, together through all the lives of the souls, and forever before and afterward. But he recognized the woman just as surely as she recognized him, and he knew the tales were true.
Ann Marston (The Western King (Rune Blade, #2))
Courage like Daniel’s only comes from God.” Leith leaned a hand against the tabletop. “Daniel didn’t keep praying and trusting because he had courage. He had courage because he prayed and trusted.
Tricia Mingerink (Deny (The Blades of Acktar, #2))
You can only sharpen a blade so far. In the end, it comes down to the quality of metal.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The pale pink light of dawn sparkled on branch and leaf and stone. Every blade of grass was carved from emerald, every drip of water turned to diamond. Flowers and mushrooms alike wore coats of glass. Even the mud puddles had a bright brown sheen. Through the shimmering greenery, the black tents of his brothers were encased in a fine glaze of ice. So there is magic beyond the Wall after all.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Do you own anything not pink? (Talon) I have a purple razor if you’d rather. (Sunshine) Please. (Talon) (She pulled out a darker pink one.) That’s not purple. It’s pink too. (Talon) Well, that’s all I have unless you want my X-Acto blade. (Sunshine)
Sherrilyn Kenyon (Night Embrace (Dark-Hunter, #2))
To keep Velaris safe, to keep Mor and Amren and Cassian and Azriel and… Rhys safe. I said to Lucien, low and quiet and as vicious as the talons that formed at the tips of my fingers, as vicious as the wondrous weight between my shoulder blades, “When you spend so long trapped in darkness, Lucien, you find that the darkness begins to stare back.” A pulse of surprise, of wicked delight against my mental shields, at the dark, membranous wings I knew were now poking over my shoulders. Every icy kiss of rain sent jolts of cold through me. Sensitive—so sensitive, these Illryian wings. Lucien backed up a step. “What did you do to yourself?” I gave him a little smile. “The human girl you knew died Under the Mountain. I have no interest in spending immortality as a High Lord’s pet.” Lucien started shaking his head. “Feyre—” “Tell Tamlin,” I said, choking on his name, on the thought of what he’d done to Rhys, to his family, “if he sends anyone else into these lands, I will hunt each and every one of you down. And I will demonstrate exactly what the darkness taught me.” There was something like genuine pain on his face. I didn’t care. I just watched him, unyielding and cold and dark. The creature I might one day have become if I had stayed at the Spring Court, if I had remained broken for decades, centuries… until I learned to quietly direct those shards of pain outward, learned to savor the pain of others.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Now, there is a tendency at a point like this to look over one’s shoulder at the cover artist and start going on at length about leather, tightboots and naked blades. Words like ‘full’, ‘round’ and even ‘pert’ creep into the narrative, until the writer has to go and have a cold shower and a lie down. Which is all rather silly, because any woman setting out to make a living by the sword isn’t about to go around looking like something off the cover of the more advanced kind of lingerie catalogue for the specialized buyer. Oh well, all right. The point that must be made is that although Herrena the Henna-Haired Harridan would look quite stunning after a good bath, a heavy-duty manicure, and the pick of the leather racks in Woo Hun Ling’s Oriental Exotica and Martial Aids on Heroes Street, she was currently quite sensibly dressed in light chain mail, soft boots, and a short sword. All right, maybe the boots were leather. But not black.
Terry Pratchett (The Light Fantastic (Discworld, #2; Rincewind, #2))
She was a queen without mercy, a figure carved in ivory and amber.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
It isn't about the sharpness of the blade, but the hand that holds it.' Science doesn't do good or ill by itself- it's the intention behind it.
Megan Shepherd (Her Dark Curiosity (The Madman's Daughter, #2))
Son, a real battlefield lacks dignity and honor. When lives are being spent—actual human lives—those high-minded concepts lose their meaning. All that matters is victory. If you have blades, you’ll use blades. If you have rocks, you’ll use rocks. If there’s nothing but sand, you’ll throw the damn sand. A true war is only waged when men don’t want to live to see what failure looks like. You do what it takes to win. You go wherever necessity takes you.
B. Justin Shier (Zero Sum (Zero Sight, #2))
You cannot compel love," he said finally, "nor summon it at will. Still less," he added ruefully, "can you dismiss it.
Diana Gabaldon (Lord John and the Brotherhood of the Blade (Lord John Grey, #2))
...while ruthlessness may have its place, I believe your brand of strength would garner greater loyalty. That is what makes you dangerous. Not because you would ride in with a blade and take control, but because you could quietly sit in this chair, in the dark, with your book...and you could determine the best way to achieve what needs to be done.
Brigid Kemmerer (A Heart So Fierce and Broken (Cursebreakers, #2))
She doesn´t look so dangerous.Still, a blade that has slain a hundread men may not shine like one freshly forged. Danger, sweet like a forbidden perfume".
Brandon Sanderson (Starsight (Skyward, #2))
The Holy Grail ’neath ancient Roslin waits. The blade and chalice guarding o’er Her gates. Adorned in masters’ loving art, She lies. She rests at last beneath the starry skies.
Dan Brown (The Da Vinci Code (Robert Langdon, #2))
I said to Lucien, low and quiet and as vicious as the talons that formed at the tips of my fingers, as vicious as the wondrous weight between my shoulder blades, "When you spend so long trapped in darkness, Lucien, you find that the darkness starts to stare back.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
There are still eight of us,” Guy pointed out. “Not exactly an even fight.” “I was thinking the same thing,” Mauvin said. “Sadly, there’s no one else here we can ask to join your side.” Guy looked at Mauvin, then Hadrian, for a long moment as the men glared across the ash at each other. Then he nodded and lowered his blade. “Well, I can see I’ll have to report your misconduct to the archbishop.” “Go ahead,” Hadrian said. “His body is buried with the rest of them just down the hillside.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
...Ned always said that the man who passes the sentence should swing the blade, though he never took any joy in the duty. But I would, oh, yes.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
but here, with his pulse thudding through his chest and beating an even rhythm onto hers, he was just a boy, just a bloody, beating heart that could be cut out at any moment by a blade sharp enough
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
Honey shone the flashlight straight into the overhang of his hood, where a face should have been but was, instead, only more darkness. Phobia shrank away slightly, blocking the light with the blade of his scythe. “How nice to see you,” said Honey. “I was beginning to think someone might have conducted an exorcism and sent you back to the underworld.” “You
Marissa Meyer (Archenemies (Renegades #2))
Few people can claim they are born into the right period of history. Most of us have to make do with the times we find ourselves in.
Sally Gardner (The Silver Blade (French Revolution, #2))
When the world grinds you down, you pick a handful of fires to hold close to your heart.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
It's a symbiotic relationship: those two excel at being idiots, and I excel at shooting idiots. Everyone gets what they want.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
There was a deep silence, only scraped on its surfaces by the faint quiver of empty seed-plumes, and broken grass-blades trembling in small air-movements they could not feel. 'Not a bird!' said Sam mournfully. 'No, no birds,' said Gollum. 'Nice birds!' He licked his teeth. 'No birds here. There are snakeses, wormses, things in the pools. Lots of things, lots of nasty things. No birds,' he ended sadly. Sam looked at him with distaste.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
The pen didn’t look like much, just a regular cheap ballpoint, but when Percy uncapped it, it grew into a glowing bronze sword. The blade balanced perfectly. The leather grip fit his hand like it had been custom designed for him. Etched along the guard was an Ancient Greek word Percy somehow understood: Anaklusmos—Riptide. He’d woken up with this sword
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
Death, of course, should not be feared, but awaited with certain wonder. To die was to step across a threshold into a new world, unknown, unimaginable.
Juliet Marillier (Blade of Fortriu (The Bridei Chronicles, #2))
There's no such thing as a good death ... It's just a dull, stupid thing we all have to do eventually. To ask meaning of it is to ask meaning of a shadow.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
You think love is as fragile as that? Like a stalk of wheat, easily broken in a storm? That’s not what love is. Real love is the strongest kind of steel. It’s blade that can be melted down, its form changed with every bang of the hammer, but to break it is a task no one is capable of. Not even Death.
Kristen Ciccarelli (The Caged Queen (Iskari, #2))
Cal’s eyes flicker, out to the trees. But he’s not looking at the leaves. His gaze is in the past, to something more painful. “She killed my true mother as well. And she’ll kill all of us if we let her.” The words come out hard and harsh, a rusty blade to saw f lesh. They taste wonderful in my mouth. “Not if I kill her first.” For all his talents, Cal is not a violent person. He can kill you in a thousand different ways, lead an army, burn down a village, but he will not enjoy it. So his next words take me by surprise. “When the time comes,” he says, staring at me, “we’ll flip a coin.
Victoria Aveyard (Glass Sword (Red Queen, #2))
This is the one thing I hope: that she never stopped. I hope when her body couldn’t run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine. I hope every second she could have had came flooding through that cottage like speed wind: ribbons and sea spray, a wedding ring and Chad’s mother crying, sun-wrinkles and gallops through wild red brush, a baby’s first tooth and its shoulder blades like tiny wings in Amsterdam Toronto Dubai; hawthorn flowers spinning through summer air, Daniel’s hair turning gray under high ceilings and candle flames and the sweet cadences of Abby’s singing. Time works so hard for us, Daniel told me once. I hope those last few minutes worked like hell for her. I hope in that half hour she lived all her million lives.
Tana French (The Likeness (Dublin Murder Squad, #2))
Lonely places draw lonely people...They echo inside us, and we cannot help but listen.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
We are beautiful, strange creatures of heat and noise, of sudden, inscrutable impulses, of savage passions.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
If I have become my father, then I shall have my father's blade. Thorn is my dragon, and a thorn he shall be to all enemies. It is only right, then, that I should wield the sword, misery. Misery and Thorn, a fit match. Besides, Zar'roc should have gone to Morzan's eldest son, not his youngest. It is mine by right of birth." A cold pit formed in Eragon's stomach. It can't be. A cruel smile appeared on Murtagh's face. "I never told you my mother's name, did I? And you never told my yours. I'll say it now: Selena.
Christopher Paolini (Eldest (The Inheritance Cycle, #2))
Yet I now ask of you—are you marauders or are you servants? Do you give power to others, or do you hoard it? Do you fight not to have something, but rather fight so that others might one day have something? Is your blade a part of your soul, or is it a burden, a tool, to be used with care? Are you soldiers, my children, or are you savages?
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
I read once, somewhere, that the way you know you've grown up is when your future death becomes a stone in your shoe: when you feel it with every step.
Matthew Woodring Stover (Blade of Tyshalle (The Acts of Caine #2))
Don't care about gods. Gods are irrelevant. What counts is people. What counts is having respect for each other.
Matthew Woodring Stover (Blade of Tyshalle (The Acts of Caine #2))
Watch your back, wolf. There’s a pall over this place and the bears are racking up enemies faster than Wal-Mart rakes in sales. When the time comes, it’s going to get bloody. (Thorn) I wouldn’t have it any other way. (Fang) Don’t be so arrogant. Long before I was the debonair sophisticate standing in front of you, I was a warlord. I put more blood on my blade than Madame la Guillotine. The one thing all that battle taught me is that no one walks away without scars. No one. (Thorn)
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
A tale is told of twin boys born to different mothers. One is dark by nature, the other light. One is rich, the other poor. One is harsh, the other gentle. One is forever youthful, the other old before his time. One is mortal. They share no bond of blood or sympathy, but they are twins nonetheless. They each live without ever knowing that they are brothers. They each die fighting the blind god.
Matthew Woodring Stover (Blade of Tyshalle (The Acts of Caine #2))
You've always believed war to be a grand performance. But to me it's just killing, just the ugliest thing a person can ever do...So when you need to do it, there's no need to make a show of it.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
He who throws dirt is losing ground,
Diana Gabaldon (Lord John and the Brotherhood of the Blade (Lord John Grey, #2))
A conclusion is simply the point at which you give up thinking.
Diana Gabaldon (Lord John and the Brotherhood of the Blade (Lord John Grey, #2))
He loves her. Of this he is certain. he loves her laugh; that sharp, sudden sound; the cynical laugh that always comes out too quick, like it's ripped out of her. He loves her quick, confident grin. He loves her resilience, her bravery, even her impulsiveness. She's everything he's not: unbound, reckless, free. He's never known anyone like her. She terrifies him and he loves her so much it hurts. In all of his worst nightmares, she's dying. She's fading away in his arms, helpless and whimpering, while hot, dark blood spills over his fingers. This he tells her. He doesn't tell her that his hand holds the blade.
R.F. Kuang (The Drowning Faith (The Poppy War, #2.5))
I won, goddammit. I beat Kollberg. I beat you. I got everything I goddamn wanted: fame, wealth, power. Shit, I even got the girl." "The problem with happy endings," Tan'elKoth said,"is that nothing is ever truly over." "Fuck that," Hari said."I am living happily ever goddamn after. I am.
Matthew Woodring Stover (Blade of Tyshalle (The Acts of Caine #2))
It is a truism that when one is a hammer, everything looks like a nail. The glory of art is that it can show this proverbial hammer how everything looks to a screwdriver--and to a plowshare, and to an earthenware pot. If reality is the sum of our perceptions, to acquire more varying points of view is to acquire, literally, more reality.
Matthew Woodring Stover (Blade of Tyshalle (The Acts of Caine #2))
The fact that students passed him by in uniform and he was standing there in torn jeans and faded old concert T-shirt made me smile. The rebel in me could totally relate. I stopped in front of him. "They're not going to let you stay in school dressed like that. I got a huge lecture for wearing a black shirt the other day." He glanced my outfit, which didn't really diverge from my normal fashion, and arched an eyebrow. Black cargo pants, white tank, grey zip-up hoodie, with a blade strapped to my thigh and a dagger in my boot. "What? Pants are black. Shirt is white. Blade stays." I grinned wider. "Because I'm special.
Kelly Keaton (A Beautiful Evil (Gods & Monsters, #2))
Part of their problem was Percy. He fought like a demon, whirling through the defenders’ ranks in a completely unorthodox style, rolling under their feet, slashing with his sword instead of stabbing like a Roman would, whacking campers with the flat of his blade, and generally causing mass panic. Octavian screamed in a shrill voice—maybe ordering the First Cohort to stand their ground, maybe trying to sing soprano—but Percy put a stop to it. He somersaulted over a line of shields and slammed the butt of his sword into Octavian’s helmet. The centurion collapsed like a sock puppet. Frank
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
There are some who say that Time is itself a hammer; that each slow second marks another tap that makes big rocks into little rocks, waterfalls into canyons, cliffs into beaches. There are some who say that Time is instead a blade. They see the dance of its razored tip, poised like a venomous snake, forever ready to slay faster than the eye can see. And there are some who say that Time is both hammer and blade. They say the hammer is a sculptor's mallet, and the blade is a sculptor's chisel: that each stroke is a refinement, a perfecting, a discovery of truth and beauty within what would otherwise be blank and lifeless stone. And I name this saying wisdom.
Matthew Woodring Stover (Blade of Tyshalle (The Acts of Caine #2))
The word everyone forgets is 'serve'...Yes. Serve. This is the service, and we soldiers are servants. Sure, when people think of a soldier, they think of soldiers taking. They think of us taking territory, taking the enemy, taking the city or a country, taking treasure, or blood. This grand, abstract idea of 'taking,' as if we were pirates, swaggering and brandishing our weapons, bullying and intimidating people. But a solider, a true soldier, I think, does not take. A soldier gives.
Robert Jackson Bennett (City of Blades (The Divine Cities, #2))
One second, we are surrounded by angels holding their swords. The next second, one of their arms drops and his sword thunks to the grass like a lead weight. The angel stares at his blade uncomprehendingly. Another sword drops. Then another. Then a whole bunch, until all the other unsheathed swords fall, thudding on the grass like subjects bowing down to their queen. The angels stare at the swords at their feet in utter shock. Then everyone looks at me. Actually, it’s probably more accurate to say they’re looking at my sword. “Whoa.” That’s about the most intelligent thing I can say right now. Did Raffe say something about an archangel sword intimidating other angel swords if she could gain their respect? I swivel my eyes to look at the blade in my hands. Was that you, Pooky Bear?
Susan Ee (World After (Penryn & the End of Days, #2))
Kaz folded his hands over his cane. “It’s getting late, so everybody put away yourPoor Wylan hankies and set your minds to the task at hand. Matthias, Jesper, and Kuwei will leave for the embassy at half past nine bells. You approach from the canal. Jesper, you’re tall, brown, and conspicuous—” “All synonyms for delightful.” “And that means you’ll have to be twice as careful.” “There’s always a price to be paid for greatness.” “Try to take this seriously,” said Kaz, voice like a rusty blade. Was that actual concern? Jesper tried not to wonder if it was for him or the job.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
She raised the long glass and peered back down at the harbor, at the passengers disembarking, but the image was blurry. Reluctantly, she released his hand. It felt like a promise, and she didn’t want to let go. She adjusted the lens, and her gaze caught on two figures moving down the gangplank. Their steps were graceful, their posture straight as knife blades. They moved like Suli acrobats. She drew in a sharp breath. Everything in her focused like the lens of the long glass. Her mind refused the image before her. This could not be real. It was an illusion, a false reflection, a lie made in rainbow-hued glass. She would breathe again and it would shatter. She reached for Kaz’s sleeve. She was going to fall. He had his arm around her, holding her up. Her mind split. Half of her was aware of his bare fingers on her sleeve, his dilated pupils, the brace of his body around hers. The other half was still trying to understand what she was seeing. His dark brows knitted together. “I wasn’t sure. Should I not have—” She could barely hear him over the clamor in her heart. “How?” she said, her voice raw and strange with unshed tears. “How did you find them?” “A favor, from Sturmhond. He sent out scouts. As part of our deal. If it was a mistake—” “No,” she said as the tears spilled over at last. “It was not a mistake.” “Of course, if something had gone wrong during the job, they’d be coming to retrieve your corpse.” Inej choked out a laugh. “Just let me have this.” She righted herself, her balance returning. Had she really thought the world didn’t change? She was a fool. The world was made of miracles, unexpected earthquakes, storms that came from nowhere and might reshape a continent. The boy beside her. The future before her. Anything was possible. Now Inej was shaking, her hands pressed to her mouth, watching them move up the dock toward the quay. She started forward, then turned back to Kaz. “Come with me,” she said. “Come meet them.” Kaz nodded as if steeling himself, flexed his fingers once more. “Wait,” he said. The burn of his voice was rougher than usual. “Is my tie straight?” Inej laughed, her hood falling back from her hair. “That’s the laugh,” he murmured, but she was already setting off down the quay, her feet barely touching the ground. “Mama!” she called out. “Papa!” Inej saw them turn, saw her mother grip her father’s arm. They were running toward her. Her heart was a river that carried her to the sea.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Richard straightened with a sigh. "People are often more willing to believe lies than truth. Lies can be made to sound pleasant. The truth, by it's very nature, isn't always so attractive." "That leaves peaceful people no choice but to fight for their lives or fall to the blades of madmen. In such a situation, there is no middle ground. There is no such thing as compromise between civilization and savagery. Civilization must always defend itself against savagery or else fall to it." "I guess that's our part in this?" Richard nodded. "I've never wanted to fight, to be in a war, to see good people die, to have to kill. I just wanted to live my life in peace. Others wouldn't allow me that life of peace. The battles I fight have always been to survive and live in peace, not to conquer.
Terry Goodkind (The Third Kingdom (Sword of Truth, #13; Richard and Kahlan, #2))
We’re women in a man’s world. I’m sure you know how that is.” I dip my chin. “I do.” “Good,” she says with a terse nod, the shaven blades in her scalp stabbing down with the movement. “Then you know that we have two options.” She lifts a finger. “The first is, we can conform. Be what they want, act to please. It’s the safe option.” I fidget on my feet. Every part of me is listening, attention rapt, though uneasiness mingles alongside my intrigue. “And option two?” She holds up a second finger, but instead of doing it on the same hand, she raises her other. I don’t know why that feels significant, but it does. “Option two is harder. It’s harder for us,” she admits, looking me straight in the eye. “There will always be someone who will try to make us choose option one. But don’t. Don’t lie down to make it easier for the world to keep you under its thumb. Own your shit and choose yourself.
Raven Kennedy (Glint (The Plated Prisoner, #2))
What is wrong with the [tale of] Two Swords?" he asked, even more surprised. "Don't you care for it?" "There is too bloody much romance in it," she said curtly. Ah, well, here was the crux of it, apparently. "Don't you like romance?" he ventured. She looked as though she were trying to decide if she should weep or, as he had earlier predicted, stick him with whatever blade she could lay her, hand on. "I don't know," she said briskly. "I see," he said, though he didn't. He wished, absently, that he'd had at least one sister. He was very well versed in what constituted courtly behavior and appropriate formal wooing practices, thanks to his father's insistence on many such lectures delivered by a dour man whose only acquaintance with women had likely come from reading about them in a book, but he had absolutely no idea how to proceed with a woman whose first instinct when faced with something that made her uncomfortable was to draw her sword. ... "I'll stop provoking you, but I will have the answer to a question. Why do you think most men woo?" "Because they have no sword skill and need something with which to occupy their time?
Lynn Kurland (The Mage's Daughter (Nine Kingdoms, #2))
JABBERWOCKY ‘Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. "Beware the Jabberwock, my son The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!" He took his vorpal sword in hand; Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. "And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay!" He chortled in his joy. 'Twas brillig, and the slithy toves Did gyre and gimble in the wabe; All mimsy were the borogoves, And the mome raths outgrabe. ‘It seems very pretty,' she said when she had finished it, 'but it's RATHER hard to understand!' (You see she didn't like to confess, even to herself, that she couldn't make it out at all.) 'Somehow it seemed to fill my head with ideas - only I don't know exactly what they are! However, SOMEBODY killed SOMETHING: that's clear, at any rate –
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
I’m so close to crying, I don’t think I can stop myself. They’re alive. They’re alive and nothing else matters. Tears are already starting to burn my eyes, clouding my vision. Kiaran looks at me with an expression I’ve never seen on him. It takes me a moment to realize it’s dawning horror. “Kam. Kam, don’t do that. Don’t cry. Don’t—” Then I’m crying and he puts his arms around me in quite possibly the most awkward, stiff embrace I’ve ever had in my life. And I adore every second of it. Aithinne speaks from behind us. “I admit to being somewhat unclear on the function of human tears,” she says. “So we’re sad about this? Should I menace someone?” In lieu of a response, the only thing I can manage is something of a half-laugh, half-sob, because they’re alive and I haven’t felt like this in so long. “For god’s sake, Aithinne,” Kiaran says, his voice rumbling through his chest, “put the blade away. You’re not going to stab Kam’s idiot friends.” Then, after a moment: “On second thought, the Seer really serves no purpose . . .” “Oh, shush.” I look up at him, whisking the tears off my cheeks. “Don’t ruin this. It helps if you don’t speak.” Then I press my face back into his chest. “And if you stop responding to my hug like I’m torturing you.” Kiaran makes some attempt to relax, but he could use lessons in hugging. He ends up with one hand shoved up in my hair and the other giving my back a there there pat, but it’s the thought that counts
Elizabeth May (The Vanishing Throne (The Falconer, #2))
The dead man's companions at the counter started to their feet, but halted as Voynod with great aplomb turned to face them. "Take care, you dunghill cocks! Notice the fate of your fellow! He died by the power of my magic blade, which is of inexorable metal and cuts rock and steel like butter. Behold!" And Voynod struck out at a pillar. The blade, striking an iron bracket, broke into a dozen pieces. Voynod stood non-plussed, but the bravo's companions surged forward. "What then of your magic blade? Our blades are ordinary steel but bite deep!" And in a moment Voynod was cut to bits. The bravos now turned upon Cugel. "What of you? Do you wish to share the fate of your comrade?" "By no means!" stated Cugel. "This man was but my servant, carrying my pouch. I am a magician; observe this tube! I will project blue concentrate at the first man to threaten me!" The bravos shrugged and turned away. Cugel secured Voynod's pouch, then gestured to the landlord. "Be so good as to remove these corpses; then bring a further mug of spiced wine.
Jack Vance (The Eyes of the Overworld (The Dying Earth, #2))
It was almost a mystical experience. I do not know how else to put it. My mind outran time as he neared, and it was as though I had an eternity to ponder the approach of this man who was my brother. His garments were filthy, his face blackened, the stump of his right arm raised, gesturing anywhere. The great beast that he rode was striped, black and red, with a wild red mane and tail. But it really was a horse, and its eyes rolled and there was foam at its mouth and its breathing was painful to hear. I saw then that he wore his blade slung across his back, for its haft protruded high above his right shoulder. Still slowing, eyes fixed upon me, he departed the road, bearing slightly toward my left, jerked the reins once and released them, keeping control of the horse with his knees. His left hand went up in a salute-like movement that passed above his head and seized the hilt of his weapon. It came free without a sound, describing a beautiful arc above him and coming to rest in a lethal position out from his left shoulder and slanting back, like a single wing of dull steel with a minuscule line of edge that gleamed like a filament of mirror. The picture he presented was burned into my mind with a kind of magnificence, a certain splendor that was strangely moving. The blade was a long, scythe like affair that I had seen him use before. Only then we had stood as allies against a mutual foe I had begun to believe unbeatable. Benedict had proved otherwise that night. Now that I saw it raised against me I was overwhelmed with a sense of my own mortality, which I had never experienced before in this fashion. It was as though a layer had been stripped from the world and I had a sudden, full understanding of death itself.
Roger Zelazny (The Guns of Avalon (The Chronicles of Amber, #2))
ent. When Spring unfolds the beechen leaf, and sap is in the bough; When light is on the wild-wood stream, and wind is on the brow; When stride is long, and breath is deep, and keen the mountain-air, Come back to me! Come back to me, and say my land is fair! entwife. When Spring is come to garth and field, and corn is in the blade; When blossom like a shining snow is on the orchard laid; When shower and Sun upon the Earth with fragrance fill the air, I’ll linger here, and will not come, because my land is fair. ent. When Summer lies upon the world, and in a noon of gold Beneath the roof of sleeping leaves the dreams of trees unfold; When woodland halls are green and cool, and wind is in the West, Come back to me! Come back to me, and say my land is best! entwife. When Summer warms the hanging fruit and burns the berry brown; 622 the two towers When straw is gold, and ear is white, and harvest comes to town; When honey spills, and apple swells, though wind be in the West, I’ll linger here beneath the Sun, because my land is best! ent. When Winter comes, the winter wild that hill and wood shall slay; When trees shall fall and starless night devour the sunless day; When wind is in the deadly East, then in the bitter rain I’ll look for thee, and call to thee; I’ll come to thee again! entwife. When Winter comes, and singing ends; when darkness falls at last; When broken is the barren bough, and light and labour past; I’ll look for thee, and wait for thee, until we meet again: Together we will take the road beneath the bitter rain! both. Together we will take the road that leads into the West, And far away will find a land where both our hearts may rest.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
She stepped aside, dodging him with maddening ease. Grave lunged again. But faster than he could follow she ducked and slashed her sword across his shins. He hit the wet ground before he felt the pain. The world flashed black and gray and red, and agony tore at him. A dagger still left in his hand, he scuttled backward toward the wall. But his legs wouldn’t respond, and his arms strained to pull him through the damp filth. “Bitch,” he hissed. “Bitch.” He hit the wall, blood pouring from his legs. Bone had been sliced. He would not be able to walk. He could still find a way to make her pay, though. She stopped a few feet away and sheathed her sword. She drew a long, jeweled dagger. He swore at her, the filthiest word he could think of. She chuckled, and faster than a striking asp, she had one of his arms against the wall, the dagger glinting. Pain ripped through his right wrist, then his left as it, too, was slammed into the stone. Grave screamed—truly screamed—as he found his arms pinned to the wall by two daggers. His blood was nearly black in the moonlight. He thrashed, cursing her again and again. He would bleed to death unless he pulled his arms from the wall. With otherworldly silence, she crouched before him and lifted his chin with another dagger. Grave panted as she brought her face close to his. There was nothing beneath the cowl—nothing of this world. She had no face. “Who hired you?” she asked, her voice like gravel. “To do what?” he asked, almost sobbing. Maybe he could feign innocence. He could talk his way out, convince this arrogant whore he had nothing to do with it … She turned the dagger, pressing it into his neck. “To kill Princess Nehemia.” “N-n-no one. I don’t know what you’re talking about.” And then, without even an intake of breath, she buried another dagger he hadn’t realized she’d been holding into his thigh. So deep he felt the reverberation as it hit the cobblestones beneath. His scream shattered out of him, and Grave writhed, his wrists rising farther on the blades. “Who hired you?” she asked again. Calm, so calm. “Gold,” Grave moaned. “I have gold.” She drew yet another dagger and shoved it into his other thigh, piercing again to the stone. Grave shrieked—shrieked to gods who did not save him. “Who hired you?” “I don’t know what you’re talking about!” After a heartbeat, she withdrew the daggers from his thighs. He almost soiled himself at the pain, at the relief. “Thank you.” He wept, even as he thought of how he would punish her. She sat back on her heels and stared at him. “Thank you.” But then she brought up another dagger, its edge serrated and glinting, and hovered it close to his hand. “Pick a finger,” she said. He trembled and shook his head. “Pick a finger.” “P-please.” A wet warmth filled the seat of his pants. “Thumb it is.” “N-no. I … I’ll tell you everything!” Still, she brought the blade closer, until it rested against the base of his thumb. “Don’t! I’ll tell you everything!
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))