Black Cobra Quotes

We've searched our database for all the quotes and captions related to Black Cobra. Here they are! All 26 of them:

Nag, the big black cobra, and he was five feet long from tongue to tail.
Rudyard Kipling (Rikki-Tikki-Tavi)
It’s a lot like sticking your hand into a black box that may or may not have cobras in it.” I blinked. “That’s the most coherent explanation of magic I’ve ever heard.
Sarah Gailey (Magic for Liars)
When she comes down to supper I don't like her any better; in fact, a hell of a lot less. She's put on a shiny dress, all fishscales, like this was still India or the boat. On her head she's put a sort of beaded cap that fits close-like a hood. A mottled green-and-black thing that gleams dully in the candlelight. Not a hair shows below it, you can't tell whether she's a woman or what the devil she is. Right in front, above her forehead, there's a sort of question-mark worked into it, in darker beads. You can't be sure what it is, but it's shaped like a question mark. ("Kiss of the Cobra")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
Even though he couldn’t see anything, he felt strong as an ox, big as a mountain, deadly as a cobra—you name the he-man metaphor and he was rocking that shit. It wasn’t chauvinistic to want to protect your females. It was appropriate, and not because they couldn’t be smart and protect themselves. Females were simply more important than males and always would be, and in the very deepest part of his marrow, he was proud to be in service as a mate and a father to them.
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
I flew straight out of heaven, a mad bird full of secrets. I came into being as I came into being. I grew as I grew. I changed as I change. My mind is fire, my soul fire. The cobra wakes and spits fire in my eyes. I rise through ochre smoke into black air enclosed in a shower of stars. I am what I have made. I am the seed of every god, beautiful as evening, hard as light. I am the last four days of yesterday, four screams from the edges of earth—beauty, terror, truth, madness—the phoenix on his pyre.
Normandi Ellis (Awakening Osiris: A New Translation of the Egyptian Book of the Dead)
The trumpeter is beautiful to behold, graceful and elegant, just like our Ms. Swan. But if you disturb a trumpeter, trespass through its territory, or threaten its nest, it will hiss like a cobra and attack with the viciousness of a wolf. That is the black swan side.
Suzanne Selfors (Next Top Villain (Ever After High: A School Story, #1))
She felt as if all her life she'd been carrying this black sack filled with cobras, and the red-headed boy had swept it from her hands and given her a different one, filled with something soft, and said, Listen, this, too, is yours, and you can have it, and didn't you know there are millions of different things to carry in the world, darling?
Lauren Groff (Delicate Edible Birds and Other Stories)
He visited the weavers and tailors with his brother, choosing garments with cuffs of feathers and exquisite embroidery, with collars as sharp as the points of his ears, and fabrics as soft as the tuft of his tail- a tail he tucked away, for it showed too much of what he schooled his face to hide. A poisonous flower displays its bright colours, a cobra flares its hood; predators ought not to shrink from extravagance. And that was what he was being polished and punished in to being.
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
Suddenly I stood up mightily...bent forward a little, and in one go I produced. I turned. What a sight! What a smell! It was a magnificent log of excrement, at first poorly formed, like conglomerate rock that hasn't had the time to set, and dark brown, nearly black, then resolving itself into a dense texture of a rich chestnut hue, with fascinating convolutions. It started deep in the potty, but after a coil or two it rose up like a hypnotised cobra and came to rest against my calf, where I remember it very, very warm, my first memory of temperature. It ended in a perfect moist peak.
Yann Martel (Self)
waiting for the bus waiting for a bus under shadeless tree, blacks, hispanics, asians ~ the tired, the poor, the great unwashed, the huddled masses yearning to breathe free ~ anchored with bags waiting for their ride home or to a wedding, funeral, baptism, maybe a second job they glance nervously, repeatedly at wristwatches, cell phones, the time-table, the axis of the sun, the bus is late as usual finally it stops, braking with an owl's screech, opening its door with a cobra's hiss they reach for their wallets, purses for coins and tokens to hand sharon martinez, the ferrywoman of 14th Street, to cross the broad way sticks i'm not too proud to draw my poetry from the crowd ~ from the wretched refuse, the tempest-tossed homeless the common people huddling under bus shelters ~ for the sacred, my friend, does not dwell in churches, temples, mosques or synagogues ~ it dwells most profoundly in the stink and sweat of poverty
Beryl Dov
This morning, she still seemed distant, but more in the manner of planning
Stephanie Laurens (The Reckless Bride (Black Cobra Quartet, #4))
about you.” It was an almost girlish statement as she walked forward, graceful in a white sari embroidered in blush pink and powder blue. “So human you look, though you wear wings,” she murmured. “Your skin must show every bruise, every wound.” Such a casual comment. Such a quiet threat. Elena answered with the truth. “Your skin is flawless.” A blink, as if she’d surprised the other angel. Then Anoushka inclined her head by the merest fraction. “I don’t think I’ve heard a compliment from another female angel for at least a hundred years.” A smile that should have been charming, and yet . . . “Will you walk with me?” “I’m afraid I’m headed to training.” She glimpsed Galen out of the corner of her eye, hoped he’d keep his distance. Right now, Anoushka did appear merely inquisitive. Any sign of aggression and things might get ugly. “Of course.” Anoushka waved her hand. “It must worry Raphael to have a mate who is so very weak.” Having the other angel at her back felt like beetles crawling over her skin. She was almost glad to fall into step beside Galen—right now, trying to protect herself from a weapons expert sounded like a far better bet than fencing with an angel who might be a true cobra. According to the rumors she’d heard, Anoushka had grown up drinking poison with her mother’s milk. A shiver skated across her body, and she was more than ready to throw herself into the gruelingly physical training. However, another one of Neha’s creations—Venom—interrupted the hand-to-hand combat session midway. The vampire had on his ubiquitous shades, his body clothed in a black on black suit. But, for once, his expression held no hint of mockery. “Come. Sara is waiting for you on the phone.” She was already walking at a fast clip beside him. “Has something happened to Zoe?” Fear for her goddaughter caught her by the throat. “You should speak to her directly.” Her wings brushed the steps as she walked up to Raphael’s office. She pulled them up instinctively, the action second nature now—thanks to having been put on her ass by Galen more than
Nalini Singh (Archangel's Kiss (Guild Hunter, #2))
Black Mamba
Mary Pope Osborne (A Crazy Day With Cobras (Magic Tree House, #45))
La bestia era hermosa, pensó. Hermosa como lo es una cobra, cuya posible fealdad queda eclipsada por sus movimientos airosos y veloces, por una admirable inteligencia predadora.
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
Do you mind if I ask how strong you are right now?” Fay questioned, her tone laced with curiosity. I shook my head. “You can ask, but I honestly don’t know how strong I am at the moment. I haven’t had a chance to really test myself against anyone.” “Oh…” Fay looked disappointed. However, before she could get too sad, something caught her attention, causing her to gawk at me. “Do you mind if I ask another question?” I shrugged. “Go ahead.” “Why is there a snake hovering over your shoulder?” … … I slowly craned my neck and found a snake centimeters away from my face. It was a pretty unusual snake. It looked like a member of the cobra family, but it was too long at almost six meters in length. Bright black and yellow scales covered most of its body. Two eyes that appeared somewhat golden in the sunlight were staring at me. The snake flicked out its forked tongue and licked my cheek. I turned back to look at Fay. “Don’t mind the snake,” I said in a nonchalant tone. “It just likes to follow me around.
Brandon Varnell (WIEDERGEBURT: Legend of the Reincarnated Warrior 2 (Wiedergeburt, #2))
I said, what’s yer first name, kid?” Bumpus, backed up flat against the school wall, finally spoke up: “Delbert.” “Delbert! DELBERT!” Outraged by such a name, Dill addressed the crowd, with scorn dripping from his every word. “Delbert Bumpus! They’re letting everybody in Harding School these days! What the hell kind of a name is that? That must be some kind of hillbilly name!” It was the last time anyone at Warren G. Harding ever said, or even thought, anything like that about Delbert Bumpus. Everything happened so fast after that that no two accounts of it were the same. The way I saw it, Bumpus’ head snapped down low between his shoulder blades. He bent over from the waist, charged over the sand like a wounded wart hog insane with fury, left his feet and butted his black, furry head like a battering-ram into Dill’s rib cage, the sickening thump sounding exactly like a watermelon dropped from a second-story window. Dill, knocked backward by the charge, landed on his neck and slid for three or four feet, his face alternating green and white. His eyes, usually almost unseen behind his cobra lids, popped out like a tromped-on toad-frog’s. He lay flat, gazing paralyzed at the spring sky, one shoe wrenched off his foot by the impact. The schoolyard was hushed, except for the sound of a prolonged gurling and wheezing as Dill, now half his original size, lay retching. It was obvious that he was out of action for some time. Bumpus
Jean Shepherd (A Christmas Story: The Book That Inspired the Hilarious Classic Film)
many bodyguards stationed there to protect the dead man never once suspecting her presence. She headed the half mile along the coastal road on foot to where she’d earlier parked her car. A chilling wind blasted off the nearby shore. It was dark outside, the time nearly two a.m. The closest town was over five miles away and there were no streetlights here. With the sky overcast, the road was near black. At least it was for the first five minutes of her walk. Then, out of the darkness, came the twin beams of a car’s headlights, reaching out from behind the
Rob Sinclair (The Red Cobra (James Ryker #1))
Hello, listen, I’m on a field phone, do not speak until I say “over.” Repeat, don’t talk until I say “over.” Over. Do you understand, or was your silence intentional? Over. Northwest of The Seven Sisters, in a sort of bunker on stilts. Over. Last week I called in a cobra of smoke. I was packing my gear in a panic, when the next tower west confirmed it was only low cloud. Over. I get a crackling out of Alaska that sounds religious. Vladivostok. CBC. I’ve decided I like Paganini. Over. No, leave it, or throw it out, I won’t need it here. If ever. Over. When storms wander across the lower jaw of the coastal range, unloading their cargo here, it’s like being in the engine room of something metallic and massive. Over. My first grizzly passed within a stone’s throw, followed an hour later by the sucking thumps of a Parks chopper. Nothing since. Over. Days, I rearrange stones shoaled up at the base of the uprights and struts. Nights, I stab at imagining anything lovely, but end up laughing. Over. The forest goes quiet as if waiting for me to finish. Listens hard to whatever isn’t itself. Makes me anxious. I think of how we ever came to . . . [inaudible] given the arm’s length I kept joy at. Over. Affection stung like a rasp drawn over [inaudible]. I thinned the world of it. Don’t live as I did. Allow for terms of relief. The black maples aligned along streets, waddling skunks, their dark dusters through the foxglove, your shoulder bag, shoes, the faces of strangers; all may strike you as fibres of a tremendous sadness. That’s you in among the weave of it, new. Over. Is that important? I’ve been contracted to watch this horizon and will be here until something happens. Over. Tell them it will. Over.
Ken Babstock (Days into Flatspin: Poems)
HE HAD BEEN trained in a hidden monastery by the ninjas of Xi’en. He had studied yoga and meditation under an Avrantic guru. His strength, stamina and ability to withstand pain were legendary. He was as silent as a shadow of a black cat in the night, as deadly as a cobra’s fang. He moved like a panther, taut and sinuous. He could climb up rock-faces with his bare hands and stay underwater for hours without breathing. His skill and luck at love and cards was legendary, and he had almost beaten the Civilian at chess once. He was wondering what to wear. When in doubt, Black is the answer, the dance teacher in Ektara had said. He dressed, swiftly. It had been a long time since he had worn the original costume. Black silk clothes, padded boots. The cloth around the face, with slits for his eyes. The fire-resistant Xi’en lava-worm black silk cape. Of course, disguises and camouflage were fun, and often necessary, but this was his favourite. He strapped on his Necessity Belt. He had been all around the world and seen many beautiful things, but this was the finest example of vaman craftsmanship he had ever seen. He opened a trunk under his bed and started thinking about his assignment. His fingers, trained by years of practice, began sliding things into the right pockets on his belt. Into the little sheaths went the darts, the crossbow bolts and the blackened throwing knives. With practiced ease his fingers found the little pouches, side by side, one after the other, for the wires, the brass knuckles, the vial of oil, the sachet of poisonous powder and the shuriken, the little blackened poisoned-tipped discs the ninjas used. On his back was the slim bag that contained a little black chalk, his stamp and his emergency scarab. If he was killed or captured, it would fly to the Civilian. The message inside said Killed or captured. Sorry. He slung a pouch over his shoulder. It contained his blowpipes, ropes, strangling cords and cloth-covered grappling hooks. Over his other shoulder went the light and specially constructed crossbow. The flat bag filled with what he called his ‘special effects’ went on his back. He felt a little naked. He strapped on little black daggers in sheaths to his left arm and outer thighs. He tapped his left foot thrice on the floor and felt the blade slide to the front of the boot. He tapped again and it slid back to the heel. (...) He slipped on his gloves. Finally, he picked up the sheath that contained his first love. It was the one love he’d always been faithful to, the long, curved, deadly and beautiful Artaxerxian dagger that glittered and shone even in the candlelight as he pulled it out and held it lovingly. It was the only weapon he had never blackened. The Silver Dagger. He attached it to the Necessity Belt. Now he was dressed to kill.
Samit Basu (The Simoqin Prophecies (GameWorld Trilogy, #1))
Trust. Partnership. An appreciation and acceptance of each other’s strengths, and a willingness to allow for the other’s weaknesses. A sharing freely given and readily accepted in all areas of our lives, allowing the other to share the burdens, to help meet the challenges, and share fully in the triumphs.
Stephanie Laurens (The Elusive Bride (Black Cobra Quartet, #2))
Someone unraveled from the shadows under a gorse shrub, uncoiling taller than anything had a right to from such a small hiding place. The woman swayed like a cobra, standing clad only in a deluge of golden bracelets and necklaces and a bright patterned sarong that stood out like blood on black marble against her skin. Rubies glittered in her ears, her nose, her navel. Rows of tiny beadlike scars shiny as drops of sweat covered her breasts, her arms, her forehead.
Elizabeth Bear (Blood and Iron (Promethean Age, #1))
Sliding across the earth, they seemed small-headed, inoffensive, their eyes like black star sapphires suffused with a silvery overlay of light. Tristen only knew the serpents for what they were because, here and there, one reared up and opened its infamous hood like a flower on an arm-thick stem.
Elizabeth Bear (Chill (Jacob's Ladder, #2))
Los Angeles was black, full dark no stars, hills everywhere. There were long stretches of road and sidewalks, on either side neon signs, overhead street-lamps, standing in protest to the overwhelming blackness of the night. The town's lighting seemed powerless against it. Houses were darkened, some hidden on back roads, behind gates and walled gardens. No one seemed to walk anywhere at night. And yet, the city seemed alive. Not like New York, not like a live wire, a town hopped up on electricity. Los Angeles was different, like a cobra in the grass, creeping, coiling onto itself in the night...
H.L. Sudler, Night as We Know It
phone, twisted it out of her hand, and slammed it on the hook. “I cry good, don’t I?” she asked with a grin, and she was out the door.   “Davenport, Davenport,” Daniel moaned. He gripped handfuls of hair on the side of his head as he watched Jennifer finish the broadcast. “ . . . called by some the smartest man in the department, told me personally that he did not believe that Smithe is guilty of the spectacular murders and that he fears the premature arrest could destroy Smithe’s burgeoning career with the welfare department . . .” “Burgeoning career? TV people shouldn’t be allowed to use big words,” Lucas muttered. “So now what?” Daniel asked angrily. “How in the hell could you do this?” “I didn’t know I was,” Lucas said mildly. “I thought we were having a personal conversation.” “I told you that your dick was going to get you in trouble with that woman,” Daniel said. “What the hell am I going to tell Lester? He’s been out there in front of the cameras making his case and you’re talking to this puss behind his back. You cut his legs out from under him. He’ll be after your head.” “Tell him you’re suspending me. What’s bad? Two weeks? Then I’ll appeal to the civil-service board. Even if the board okays the suspension, it’ll be months from now. We should be able to put it off until this thing is settled, one way or another.” “Okay. That might do it.” Daniel nodded and then laughed unpleasantly, shaking his head. “Christ, I’m glad that wasn’t me getting grilled. You better get out of here before Lester arrives or we’ll be busting him for assault.”   At two o’clock in the morning the telephone rang. Lucas looked up from the drawing table where he was working on Everwhen, reached over, and picked it up. “Hello?” “Still mad?” Jennifer asked. “ You bitch. Daniel’s suspending me. I’m giving interviews to everybody except you guys, you can go suck—” “Nasty, nasty—” He slammed the receiver back on the hook. A moment later the phone rang again. He watched it like a cobra, then picked it up, unable to resist. “I’m coming over,” she said, and hung up. Lucas reached for it, to call her, to tell her not to come, but stopped with his hand on the receiver.   Jennifer wore a black leather jacket, jeans, black boots, and driving
John Sandford (Rules Of Prey (Lucas Davenport, #1))
hath no
Stephanie Laurens (The Brazen Bride (Black Cobra Quartet, #3))
Bà Ngoại was usually in the kitchen cooking and taking menthol hits of green Eagle oil from her front pajama pocket. She wasn’t exactly the freshly baked cookies and milk kind of grandma. When I got a runny nose, she would scratch my back skin off with the edge of a quarter, leaving pink lines all over my body. And if I got really sick, she would scoop out some black liquid from a five-gallon glass jar she had at the top of the pantry that housed a giant dead black cobra. Tracing the smoke from a burning-hot incense stick up and down my back, she would spit the black mystery juice all over me as I lay face-down on an old ragged towel. After that, I much preferred taking a teaspoon of thick cough syrup, even if it made me gag.
Susan Lieu (The Manicurist's Daughter)