Bits And Bobs Quotes

I fell in love with you a little bit, in that stupid way where you completely make up a fictional version of the person you’re looking at and fall in love with that person.

What are you doing?” “Helping my wife.” My throat bobs. “You’re growing a bit too comfortable with that nickname for my liking.” “I use it to remind you of your place.” “And what’s that?” “Mine.

Australians are very unfair in this way. They spend half of any conversation insisting that the country's dangers are vastly overrated and that there's nothing to worry about, and the other half telling you how six months ago their Uncle Bob was driving to Mudgee when a tiger snake slid out from under the dashboard and bit him on the groin, but that it's okay now because he's off the life support machine and they've discovered he can communicate with eye blinks.

Um.” Her jaw bobbed like a fish out of water for a second before her brain engaged. “What are you doing here?” His face was every bit as shocked, but he managed to look ruggedly handsome instead of like a suffocating tuna.

The first thing I did when I got inside was turn on the kitchen light. Then I moved to the table, putting my dad's iPod on the speaker dock, and a Bob Dylan song came on, the notes familiar. I went into the living room, hitting the switch there, then down the hallway to my room, where I did the same. It was amazing what a little noise and brightness could do to a house and a life, how much the smallest bit of each could change everything. After all these years of just passing through, I was beginning to finally feel at home.

To understand the world at all, sometimes you could only focus on a tiny bit of it, look very hard at what was close to hand and make it stand in for the whole; but ever since the painting had vanished from under me I’d felt drowned and extinguished by vastness—not just the predictable vastness of time, and space, but the impassable distances between people even when they were within arm’s reach of each other, and with a swell of vertigo I thought of all the places I’d been and all the places I hadn’t, a world lost and vast and unknowable, dingy maze of cities and alleyways, far-drifting ash and hostile immensities, connections missed, things lost and never found, and my painting swept away on that powerful current and drifting out there somewhere: a tiny fragment of spirit, faint spark bobbing on a dark sea.

preferably where I keep all my bits and bobs as they are.

All of this cuteness, it was one of nature's great bait and switches, because... that wasn't all there was to Zuzana Nováková. Not even a little bit. Deciding to take her on was akin to a fish deciding idly to gobble up that pretty light bobbing in the shadows and then--OH GOD THE TEETH THE HORROR!--meeting the anglerfish on the other side.

I fell in love with you a little bit, in that stupid way where you completely make up a fictional version of the person you’re looking at and fall in love with that person. But still, I think there was something there.

And I imagined that if I were in some other, better universe, there'd be someone who could tell me, it's okay, or you'll get 'em next time, tiger. Someone would tell me that all the stupid things I'd done, all my mistakes, they didn't matter. This someone would say that, no matter what, she was proud of me, that I filled her heart with warmth, and that that's really the most you could hope for in life - to just for an instant make somebody else just a little bit happier. She would tell me that - guess what, - everything was going to be all right.

NOTE FOR YOUNG PEOPLE AND AMERICANS: One shilling = Five Pee. It helps to understand the antique finances of the Witchfinder Army if you know the original British monetary system: Two farthings = One Ha'penny. Two ha'pennies = One Penny. Three pennies = A Thrupenny Bit. Two Thrupences = A Sixpence. Two Sixpences = One Shilling, or Bob. Two Bob = A Florin. One Florin and One Sixpence = Half a Crown. Four Half Crowns = Ten Bob Note. Two Ten Bob Notes = One Pound (or 240 pennies). Once Pound and One Shilling = One Guinea. The British resisted decimalized currency for a long time because they thought it was too complicated.

Roth,” muttered Zayne. He sounded closer, but I didn’t want to take my eyes off the Alphas to check. “You might want to chill out a bit.” The Crown Prince smirked. “Nah. You want to know why? The Alphas could end me, but they’re not going to.” Across from us, the Alpha who had spoken stiffened but didn’t interrupt. “You see, I am the favorite Crown Prince,” Roth continued, his smirk spreading. “They take me out when I haven’t done anything to warrant it and they’ll have the Boss to contend with. They don’t want that.” Surprise flickered through me. They couldn’t just end Roth because of who he was? I’d always thought they could simply do as they pleased. The Alpha who had been silent up to this point spoke. “There are rules for a reason. It does not mean we have to like them, so I’d suggest you do not push your luck, Prince.” Then Roth did the unthinkable. He raised his hand and extended his middle finger. “Does this count as pushing it, Bob?” Crap on a cracker, he’d flipped off an Alpha! And he’d called the Alpha Bob! Who did that? Seriously?

You're supposed to be a spirit of intellect. I don't understand why you're obsessed with sex." Bob's voice got defensive. "It's an academic interest, Harry." "Oh yeah? Well maybe I don't think it's fair to let your academia go peeping in other people's houses." "Wait a minute. My academia doesn't just peep -" I held up a hand. "Save it. I don't want to hear it." He grunted. "You're trivializing what getting out for a bit means to me, Harry. You're insulting my masculinity." "Bob," I said, "you're a skull . You don't have any masculinity to insult." "Oh yeah?" Bob challenged me. "Pot kettle black, Harry! Have you gotten a date yet? Huh? Most men have something better to do in the middle of the night than play with their chemistry sets.

Lucky bit on to Bob’s robe and dragged him onward. “Ah! Your pet is trying to run me to death.

B-but, Mr Jimson, I w-want to be an artist.' 'Of course you do,' I said, 'everybody does once. But they get over it, thank God, like the measles and the chickenpox. Go home and go to bed and take some hot lemonade and put on three blankets and sweat it out.' 'But Mr J-Jimson, there must be artists.' 'Yes, and lunatics and lepers, but why go and live in an asylum before you're sent for? If you find life a bit dull at home,' I said, 'and want to amuse yourself, put a stick of dynamite in the kitchen fire, or shoot a policeman. Volunteer for a test pilot, or dive off Tower Bridge with five bob's worth of roman candles in each pocket. You'd get twice the fun at about one-tenth of the risk.

He’s visitin’ an old friend,” supplied Eragon, dropping his voice into a thick accent. “I’m along t’ make sure he don’t get lost, if y’ get m’meaning. He ain’t as young as he used to be—had a bit too much sun when he was young’r. Touch o’ the brain fever, y’ know.” Brom bobbed his head pleasantly. “Right. Go on through,” said the guard, waving his hand and dropping the pike. “Just make sure he doesn’t cause any trouble.” “Oh, he won’t,” promised Eragon. He urged Cadoc forward, and they rode into Teirm. The cobblestone street clacked under the horses’ hooves. Once they were away from the guards, Brom sat up and growled, “Touch of brain fever, eh?” “I couldn’t let you have all the fun,” teased Eragon. Brom harrumphed and looked away.

I'm sure a lot of people have these little daydreams and flights of fancy to fill the passing of time, but I don't know if they realize how important they can be to inject a bit of balance and optimism into your life.

There's no Coastguard in France. They let the French Navy do it. They have to give them something to do. It's not good for national pride to have to disband it so they turned it into a Coastguard. I think it does a few other bits and bobs too.

Teo propped his chin in his hand. "The Quetzlan priests always made me hot chocolate when I couldn't sleep. We're just feeling a bit homesick, is all." He lifted his shoulder in a shrug and sighed theatrically. Dulce's eyebrows tipped with concern and she clasped her hands. "Aren't we?" He turned to give Niya and Xio a pointed look. "Oh yes, very homesick," Niya agreed, bobbing her head enthusiastically. It took Xio a moment to catch on, but then he nodded, too.

The days I’d passed with my mom before she died were still there, it seemed, seared into the corners of my heart. The atmosphere of the station brought it all back. I could see myself running to the hospital, glad to be seeing my mother again. You never know you’re happy until later. Because physical sensations like smells and exhaustion don’t figure into our memories, I guess. Only the good bits bob up into view. I was always startled by the snatches of memory that I saw as happy, how they came. This time, it was the feeling I got when I stepped out onto the platform. The sense of what it had been like to be on my way to see my mom, for her still to be alive, if only for the time being, if only for that day. The happiness of that knowledge had come back to life inside me. And the loneliness of that moment. The helplessness.

Okay, look,” I explained, pointing up at the front of the bus. “Look at Rodeo up there. There’s plenty of reasons anyone might love him if they could get past that greasy doormat he calls hair: He’s kind to everyone, he helps strangers, he’s a gold-medal listener. That’s all great stuff, right? But that’s different than why I love him.” Lester snorted. “Then why do you love him?” I thought for a moment. “I love Rodeo because if tomorrow I spit in his face and threw all his favorite books out the window and called him all the worst words I could think of, he wouldn’t love me one little bit less.” The bus rocked and swayed underneath us. I kept my eyes on Rodeo, on the back of his shaggy head bobbing to the music. “I love Rodeo because on the worst day of my life he held me and held me and held me and held me and didn’t let me go.” I tried to clear my throat but kinda failed,

The only things that moved in the neighbourhood were bits and bobs of bafflingly pointless machinery, whittling the hours busily doing nothing. Waiting to be freed from flesh. It was an oppressive reality come home to roost. This house here contained dead people. And that one, and that one there. The same all the way down the block, horrible, inexplicable, and so quiet.

Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.

Today it’s just “the Sun.” Familiarity is the enemy of awe, and for the most part people walk the busy streets with no upward glance. In fact, one of the common bits of advice about the Sun is that we shouldn’t look at it.

Having studied art history, as opposed to political history, I tend to incorporate found objects into my books. Just as Pablo Picasso glued a fragment of furniture onto the canvas of Still Life with Chair Caning, I like to use whatever's lying around to paint pictures of the past--traditional pigment like archival documents but also the added texture of whatever bits and bobs I learn from looking out bus windows or chatting up people I bump into on the road.

There were parts of the book that made me cringe – the stuff about his family and how much he loved his wife was all a bit saccharine for my tastes. Some of the writing was overly flowery. But I think possibly Australians are a bit more reserved with this stuff (a bit more British) than Americans and what makes us cringe might well seem quite endearing in the US. 〓〓〓〓〓〓〓〓〓〓〓 텔 - KrTop "코리아탑" 〓〓〓〓〓〓〓〓〓〓〓 All the same, wouldn’t it be wonderful if a candidate for US President did not have to declare themselves Christian to have any hope of being elected? As a nation that has had at least one Agnostic Prime Minister (Bob Hawke – although, as the joke went, that was only because Bob wasn’t sure if he was God or not) it seems insane the obsession that religion is in American politics. For a country that likes a personal relationship with God the US certainly does like that personal relationship to be as public as possible.

I do know what my songs are about. Playboy: And what’s that? Dylan: Oh, some are about four minutes; some are about five, and some, believe it or not, are about eleven or twelve. Playboy: Can’t you be a bit more informative? Dylan: Nope.

One keeps looking out for innovation in IPL, but of late it hasn't been all that obvious. Lionel Richie as an opening act? Johnny Mathis must have been busy. Matthew Hayden's Mongoose? Looks a bit like Bob Willis' bat with the "flow-through holes"; Saint Peter batting mitts are surely overdue a revival. The only genuinely intriguing step this year, bringing the IPL to YouTube, was forced on Modi by the collapse of Setanta; otherwise what Modi presents as 'innovation' is merely expansion by another name, in the number of franchises and the number of games.

Don't fall into the habit of bringing work home, Rick. It indicates a lack of planning, and you would eventually find yourself stuck indoors every night. Teaching is like having a bank account. You can happily draw on it while it is well supplied with new funds; otherwise you're in difficulties. Every teacher should have a fund of ready information on which to draw; he should keep that fund supplied regularly by new experiences, new thoughts and discoveries, by reading and moving around among people from whom he can acquire such things." "Not much chance of social movement for me, I'm afraid." "Nonsense, Rick, you're settled in a job now, so there's no need to worry about that; but you must get out and meet more people. I'm sure you'll find lots of nice people about who are not foolishly concerned with prejudice." "That's all right, Dad; I'm quite happy to stay at home with you and Mom." "Nice to hear you say that, but we're old and getting a bit stuffy. You need the company of younger people like yourself. It's even time he had a girl, don't you think, Jess?" Mom smiled across at me. "Ah, leave him alone, Bob, there's plenty of time for that." We went on to chat about other things, but I never forgot what Dad Belmont had said, and never again did I take notebooks home for marking. I would check the work in progress by moving about the class, helping here, correcting there; and I very soon discovered that in this way errors were pin-pointed while they were still fresh in the child's mind.

COME HOME, TENAR! COME HOME!” In the deep valley, in the twilight, the apple trees were on the eve of blossoming; here and there among the shadowed boughs one flower had opened early, rose and white, like a faint star. Down the orchard aisles, in the thick, new, wet grass, the little girl ran for the joy of running; hearing the call she did not come at once, but made a long circle before she turned her face toward home. The mother waiting in the doorway of the hut, with the firelight behind her, watched the tiny figure running and bobbing like a bit of thistledown blown over the darkening grass beneath the trees.

We go in and sit on the sofa by the fire to dry out, and she plays her favourite records, lots of Rickie Lee Jones and Led Zeppelin and Donovan and Bob Dylan - even though she was sixteen in 1982, there's definitely something very 1971 about Alice. I watch as she jumps around the room to 'Crosstown Traffic' by Jimi Hendrix, then when she's out of breath and tired of changing records every three minutes she puts a crackly old Ella Fitzgerald LP on, and we lie on the sofa and read our books, and steal glances at each other every now and then, like that bit between Michael York and Liza Minnelli in Cabaret, and talk only when we feel like it.

That we have iodine in our thyroid glands proves that our bodies were fashioned from supernova material. The iron in our blood came from the cores of two previous star generations. The Sun gives off a bit of peculiar yellow light from fluorescing sodium vapor, an element inherited from its father, the type O or B blue star.

Look, Bob, what part of this don't you understand, eh? It's a matter of style, okay? A proper brawl doesn't just happen. You don't just pile in, not anymore. Now, Oyster Dave here--put your helmet back on, Dave--will be the enemy in front, and Basalt, who, as we know, don't need a helmet, he'll be the enemy coming up behind you. Okay, it's well past knuckles time, let's say Gravy there has done his thing with the Bench Swipe, there's a bit of knife play, we've done the whole Chandelier Swing number, blah blah blah, then Second Chair--that's you, Bob--you step smartly between their Number Five man and a Bottler, swing the chair back over your head, like this--sorry, Pointy--and then swing it right back onto Number Five, bang, crash, and there's a cushy six points in your pocket. If they're playing a dwarf at Number Five, then a chair won't even slow him down, but don't fret, hang on to the bits that stay in your hand, pause one moment as he comes at you, and then belt him across both ears. They hate that, as Stronginthearm here will tell you. Another three points. It's probably going to be freestyle after that but I want all of you, including Mucky Mick and Crispo, to try for a Double Andrew when it gets down to the fist-fighting again. Remember? You back into each other, turn around to give the other guy a thumping, cue moment of humorous recognition, then link arms, swing round and see to the other fellow's attacker, foot or fist, it's your choice. Fifteen points right there if you get it to flow just right. Oh, and remember we'll have an Igor standing by, so if your arm gets taken off do pick it up and hit the other bugger with it, it gets a laugh and twenty points. On that subject, do remember what I said about getting everything tattooed with your name, all right? Igors do their best, but you'll be on your feet much quicker if you make life easier for him and, what's more, it's your feet you'll be on. Okay, positions, everyone, let's run through it again...

Yet Jesus continues to select broken and splattered people not just as followers, but as participants. He called people like me who can't even figure out which way to turn a screw to tighten it or even stack a cake correctly the ones who would build a kingdom. And then, if we're willing, He serves us up—rocks, small bits of asphalt, and all.

when Twitter announced the number of permissible characters in a single tweet was being doubled from 140 to 280, Trump told Porter he thought the change made sense on one level. Now he would be able to flesh out his thoughts and add more depth. “It’s a good thing,” Trump said, “but it’s a bit of a shame because I was the Ernest Hemingway of 140 characters.

The time capsule is a characteristically twentieth-century invention: a tragicomic time machine. It lacks an engine, goes nowhere, sits and waits. It sends our cultural bits and bobs traveling into the future at snail's pace. At our pace, that is. They travel through time in parallel with the rest of us, at our standard velocity of one second per second, one day per day... Builders of time capsules are projecting something forward into the future, but it's mainly their own imaginations. Like people who buy lottery tickets for the momentary dreams of riches, they get to dream of a time to come when, though long dead, they will be the cynosure of all eyes... Clear the airwaves: Dr. Thornwell Jacobs, Oglethorpe University, AD 1936, has something to say.

People like to make up stories about things they don’t understand, so there are over a thousand myths about the moon. One legend claims that on the surface is everything that was wasted here on Earth: misspent time, squandered wealth, broken vows, unanswered prayers, useless tears, all the leftover bits and pieces of countless shattered lives. If you believe in that sort of thing.

Sometimes Raymond wonders what it is like to be a duck: What is it like to have a facial expression so frozen that no one, not even another duck, can tell if you are in pain? It must be safe in one way, but then sooner or later the hunters come along and say to each other:"Hey, look at those birds out there, bobbing on the pond. We can shoot them because they can't feel emotion." But that's not true, Raymond thinks. Not even a little bit.

I resolved to come right to the point. "Hello," I said as coldly as possible, "we've got to talk." "Yes, Bob," he said quietly, "what's on your mind?" I shut my eyes for a moment, letting the raging frustration well up inside, then stared angrily at the psychiatrist. "Look, I've been religious about this recovery business. I go to AA meetings daily and to your sessions twice a week. I know it's good that I've stopped drinking. But every other aspect of my life feels the same as it did before. No, it's worse. I hate my life. I hate myself." Suddenly I felt a slight warmth in my face, blinked my eyes a bit, and then stared at him. "Bob, I'm afraid our time's up," Smith said in a matter-of-fact style. "Time's up?" I exclaimed. "I just got here." "No." He shook his head, glancing at his clock. "It's been fifty minutes. You don't remember anything?" "I remember everything. I was just telling you that these sessions don't seem to be working for me." Smith paused to choose his words very carefully. "Do you know a very angry boy named 'Tommy'?" "No," I said in bewilderment, "except for my cousin Tommy whom I haven't seen in twenty years..." "No." He stopped me short. "This Tommy's not your cousin. I spent this last fifty minutes talking with another Tommy. He's full of anger. And he's inside of you." "You're kidding?" "No, I'm not. Look. I want to take a little time to think over what happened today. And don't worry about this. I'll set up an emergency session with you tomorrow. We'll deal with it then." Robert This is Robert speaking. Today I'm the only personality who is strongly visible inside and outside. My own term for such an MPD role is dominant personality. Fifteen years ago, I rarely appeared on the outside, though I had considerable influence on the inside; back then, I was what one might call a "recessive personality." My passage from "recessive" to "dominant" is a key part of our story; be patient, you'll learn lots more about me later on. Indeed, since you will meet all eleven personalities who once roamed about, it gets a bit complex in the first half of this book; but don't worry, you don't have to remember them all, and it gets sorted out in the last half of the book. You may be wondering -- if not "Robert," who, then, was the dominant MPD personality back in the 1980s and earlier? His name was "Bob," and his dominance amounted to a long reign, from the early 1960s to the early 1990s. Since "Robert B. Oxnam" was born in 1942, you can see that "Bob" was in command from early to middle adulthood. Although he was the dominant MPD personality for thirty years, Bob did not have a clue that he was afflicted by multiple personality disorder until 1990, the very last year of his dominance. That was the fateful moment when Bob first heard that he had an "angry boy named Tommy" inside of him. How, you might ask, can someone have MPD for half a lifetime without knowing it? And even if he didn't know it, didn't others around him spot it? To outsiders, this is one of the most perplexing aspects of MPD. Multiple personality is an extreme disorder, and yet it can go undetected for decades, by the patient, by family and close friends, even by trained therapists. Part of the explanation is the very nature of the disorder itself: MPD thrives on secrecy because the dissociative individual is repressing a terrible inner secret. The MPD individual becomes so skilled in hiding from himself that he becomes a specialist, often unknowingly, in hiding from others. Part of the explanation is rooted in outside observers: MPD often manifests itself in other behaviors, frequently addiction and emotional outbursts, which are wrongly seen as the "real problem." The fact of the matter is that Bob did not see himself as the dominant personality inside Robert B. Oxnam. Instead, he saw himself as a whole person. In his mind, Bob was merely a nickname for Bob Oxnam, Robert Oxnam, Dr. Robert B. Oxnam, PhD.

You’re so bright, Trav, and so intuitive about people. And you have … the gift of tenderness. And sympathy. You could be almost anything.” “Of course!” I said, springing to my feet and beginning to pace back and forth through the lounge. “Why didn’t I think of that! Here I am, wasting the golden years on this lousy barge, getting all mixed up with lame-duck women when I could be out there seeking and striving. Who am I to keep from putting my shoulder to the wheel? Why am I not thinking about an estate and how to protect it? Gad, woman, I could be writing a million dollars a year in life insurance. I should be pulling a big oar in the flagship of life. Maybe it isn’t too late yet! Find the little woman, and go for the whole bit. Kiwanis, P.T.A., fund drives, cookouts, a clean desk, and vote the straight ticket, yessiree bob. Then when I become a senior citizen, I can look back upon …” I stopped when I heard the small sound she was making. She sat with her head bowed. I went over and put my fingertips under her chin. I tilted her head up and looked down into her streaming eyes. “Please, don’t,” she whispered. “You’re beginning to bring out the worst in me, woman.” “It was none of my business.” “I will not dispute you.” “But … who did this to you?” “I’ll never know you well enough to try to tell you, Lois.” She tried to smile. “I guess it can’t be any plainer than that.” “And I’m not a tragic figure, no matter how hard you try to make me into one. I’m delighted with myself, woman.” “And you wouldn’t say it that way if you were.” “Spare me the cute insights.

I was raised as a churchgoer but I wasn't a practising Christian. I wasn't an agnostic or atheist either. My view is that we should all take a bit from every religion and philosophy. I'm not a Buddhist but I like Buddhist philosophies, in particular. They give you a very good structure that you can build your life around. For instance, I definitely believe in karma, the idea that what goes around, comes around. I wondered whether Bob was my reward for having done something good, somewhere in my troubled life. - Chapter 21

This may be a bit controversial, but I’m not so sure compensation scales are a “moral” issue, at least once you exceed the very bottom of the range. If I create a business model that works only if I pay animators half the going rate in Hollywood, and we find it impossible to hire competent animators at that rate, I know my business model is invalid. It won’t work. On the other hand, if enough animators turn up willing to work for that pay scale, the business model may be valid. Turnover will undoubtedly be on the high side, as many of the better animators will move on to higher-paying work, but if we can build turnover into our business model, the business still works.

JAKE known as Crook-fingered Jake: Congratulations! At 14 Ginger Street there were some people on the second floor. We had to smoke them out. BOB known as Bob the Saw: Congratulations! A copper got done in the Strand. MAC: Amateurs. NED: We did all we could, but three people in the West End were past saving. Congratulations! MAC: Amateurs and bunglers. JIMMY: An old gent got hurt a bit, but I don’t think it’s anything serious. Congratulations. MAC: My orders were: avoid bloodshed. It makes me sick to think of it. You’ll never make business men! Cannibals, perhaps, but not business men! WALTER known as Dreary Walt: Congratulations. Only half an hour ago, Madam, that harpsichord belonged to the Duchess of Somerset.

Carter told you he loves you, didn’t he?” Wide-eyed, Emily turned from the mirror. “How did you know?” “You nearly floated into the house when you came home. And now your face switches from joy to terror in seconds.” Grandma Kate smiled, the wrinkles crinkling around her eyes. “And what did you say?” Heat infusing her cheeks, Emily licked her lips. “Ah, he didn’t let you answer. Smart boy.” “Grandma!” The older woman waddled to the door. “It’s good to make him wait a bit for your declaration. You should pray about it before you say anything. Affairs of the heart need to be placed in the hands of the Lover of our souls. Only God knows what is best.” She tilted her head to the side to take in both ear bobs. “He’s a good man, Emily. Don’t be afraid.

He makes a face and tosses the flower at me. It lands on my cheek, and I pick it up and twirl it between my fingers. I could lie out here all day, not moving an inch, feeling the sun above and the grass below. With a contented sigh, I stretch my arms wide, raking the grass with my fingers—and find myself brushing Aladdin’s hand with my own. I pull it away quickly, my cheeks warming. He laughs a little. “Sometimes,” he says, “I forget you’re supposed to be four thousand years old. You act as shy as a girl of sixteen.” “I do not!” I sit up and glare at him. He grins and shrugs, sliding his hands under his head. There are bits of grass stuck in his hair, and after a moment’s hesitation, I reach over and flick them away. Aladdin watches me silently, his throat bobbing as he swallows. I drop my gaze.

The tweets were not incidental to his presidency. They were central. He ordered printouts of his recent tweets that had received a high number of likes, 200,000 or more. He studied them to find the common themes in the most successful. He seemed to want to become more strategic, find out whether success was tied to the subject, the language or simply the surprise that the president was weighing in. The most effective tweets were often the most shocking. Later, when Twitter announced the number of permissible characters in a single tweet was being doubled from 140 to 280, Trump told Porter he thought the change made sense on one level. Now he would be able to flesh out his thoughts and add more depth. “It’s a good thing,” Trump said, “but it’s a bit of a shame because I was the Ernest Hemingway of 140 characters.

Guthrie sat in silence for a moment, mulling over Barbara Berlingieri's purposely degrading offer and letting his mind wander a bit: What if he had stepped aside and let the surgeon at the hospital sew up her face instead of doing it himself? And what if the head surgeon, who had never performed plastic surgery before, had tightened the stitching of the muscles in her cheek a bit too much and left her wit ha sneer instead of her natural smile? What if he had sewn the vermilion border straight across, without first making a notch, so that it had a permanent pucker? No. It was better that Bob Guthrie had stepped into the breach. Because now and for the rest of her life, Barbara Berlingieri would look into her mirror upon rising, check her reflection as she passed shop windows, peer into her compact while refreshing her makeup, and in these and a dozen other ways every day confront her image and be reminded of Bob Guthrie's genius and of her own towering ingratitude.

Waste of what?” “Of you! It seems degrading. Forgive me for saying that. I’ve seen those African movies. The lion makes a kill and then clever animals come in and grab something and run. You’re so bright, Trav, and so intuitive about people. And you have … the gift of tenderness. And sympathy. You could be almost anything.” “Of course!” I said, springing to my feet and beginning to pace back and forth through the lounge. “Why didn’t I think of that! Here I am, wasting the golden years on this lousy barge, getting all mixed up with lame-duck women when I could be out there seeking and striving. Who am I to keep from putting my shoulder to the wheel? Why am I not thinking about an estate and how to protect it? Gad, woman, I could be writing a million dollars a year in life insurance. I should be pulling a big oar in the flagship of life. Maybe it isn’t too late yet! Find the little woman, and go for the whole bit. Kiwanis, P.T.A., fund drives, cookouts, a clean desk, and vote the straight ticket, yessiree bob. Then when I become a senior citizen, I can look back upon …

Nesta scanned the shelves while we walked, and I read the titles- a bit more slowly, still needing a little time to process what was instinct for my sister. 'I didn't know you couldn't really read,' Nesta said as she paused before a nondescript section, noticing the way I silently sounded out the words of a title. 'I didn't know where you were in your lessons- when it all happened. I assumed you could read as easily as us.' 'Well, I couldn't.' 'Why didn't you ask us to teach you?' I trailed a finger over the neat row of spines. 'Because I doubted you would agree to help.' Nesta stiffened like I'd hit her, coldness blooming in those eyes. She tugged a book from a shelf. 'Amren said Rhysand taught you to read.' My cheeks heated. 'He did.' And there, deep beneath the world, with only darkness for company, I asked, 'Why do you push everyone away but Elain?' Why have you always pushed me away? Some emotion guttered in her eyes. Her throat bobbed. Nesta shut her eyes for a moment, breathing in sharply. 'Because-' The words stopped. I felt it at the same moment she did. The ripple and tremor. Like... like some piece of the world shifted, like some off-kilter chord had been plucked.

You’ve got spirit, I’ll give you that,” Ezmia said. “Perhaps this will humble you.” Ezmia placed the glass jar she had been carrying on a small table close to Charlotte’s cage. Charlotte was horrifed to see a miniature ghostly version of the Fairy Godmother trapped inside. “That’s my… my… grandmother!” Charlotte said, almost forgetting she was still pretending to be her own daughter. “What have you done to her?” A smile appeared on Ezmia’s face, matching the satisfaction in her eyes. “I captured her soul,” she said. The thought almost made Charlotte sick. She’d had no idea such a thing was possible, even in the fairy-tale world. “What do you want with her soul?” Charlotte asked. “It’s a bit of a hobby of mine, actually,” Ezmia said and walked to her fireplace. Displayed proudly on the mantel were five other turquoise jars, each containing a ghostly substance. “You’re a soul collector?” Charlotte asked. “Is it to make up for being soulless?” “What a clever play on words,” Ezmia said mockingly. “You know that phrase forgive and forget? Well, I always disagreed with it—I found it impossible, actually. People would do me wrong and then forget about me, as if their actions didn’t matter—because I didn’t matter. How was I supposed to forgive people like that?” “So you imprisoned their souls instead of forgiving?” Charlotte said. “Precisely,” Ezmia said. “I found taking away their life force to be much more appealing than simply forgiving. To forgive would be to allow them to continue living their lives, free of consequence. But by taking their souls and preventing them from all future happiness, I could heal and find peace.” Charlotte couldn’t believe what she was hearing. “Do you honestly expect anyone to sympathize with that?” Charlotte asked her. Ezmia stared into the fire at the burning skulls, almost in a trance. “I don’t want the world to understand; I want it to grovel,” she said. The confession made Charlotte’s heart heavier. She wondered if she would ever escape the clutches of a person who thought like this. But thinking about her children, Bob, and the life she had been stolen from gave Charlotte the strength to survive the Enchantress’s imprisonment. “I find it hard to believe that the Fairy Godmother, who is known for her generosity, would harm you in any way,” Charlotte said. “Sometimes help can be just as destructive as harm,” Ezmia said. “But I imagine someone who helps for a

I see a man.” Rose bit back a sigh. Of course she did. She seemed to see a man in every cup. And here she’d actually hoped that Sadie Moon might be as unusually talented as her appearance suggested. “He hides himself. A mask. He keeps to the shadows.” Rose’s heart rolled over her chest. “What else?” “You want him,” Sadie said, turning the cup in her palms. “You do not understand what you feel for him, or why he pushes you away.” “No.” Rose was breathless. “I don’t.” Those fey eyes locked with hers. “Because he loves you enough to give you up. He is all about duty and honor, but he is ruled by fear.” She was on the very edge of her seat now. “Yes. He’s afraid of coming out of the shadows.” Sadie shook her head, the feathers on her hat bobbing. “That’s only part of it. He’s afraid for you.” “For me?” Rose’s teeth clicked together. “Why?” The fortune teller shrugged. “For that answer, you will have to go to him. You have many men in your cup, Lady Rose.” Disappointed, Rose sagged a little. “For all the good it does me.” A bright grin flashed beneath that amazing hat. “The man who wants you but will not take you. Another who would take everything you offer and give what he can of himself-but it will not be enough. Another who wants nothing from you at all.” Grey. Kellan? And probably Archer.

I know High Ladies are probably supposed to wear a new dress every day,' I mused, smiling at the gown, 'but I'm rather attached to this one.' He ran his hand down my thigh. 'I'm glad.' 'You never told me where you got it- where you got all my favourite dresses.' Rhys arched a dark brow. 'You never figured it out?' I shook my head. For a moment, he said nothing, his head dipping to study the dress. 'My mother made them.' I went still.' Rhys smiled sadly at the shimmering gown. 'She was a seamstress, back at the camp where she'd been raised. She didn't just do the work because she was ordered to. She did it because she loved it. And when she mated my father, she continued.' I grazed a reverent hand down my sleeve. 'I- I had no idea. His eyes were star-bright. 'Long ago, when I was still a boy, she made them- all your gowns. A trousseau for my future bride.' His throat bobbed. 'Every piece... Every piece I have ever given you to wear, she made them. For you.' My eyes stung as I breathed. 'Why didn't you tell me?' 'He shrugged with one shoulder. 'I thought you might be... disturbed to wear gowns made by a female who died centuries ago.' I put a hand over my heart. 'I am honoured, Rhys. Beyond words.' His mouth trembled a bit. 'She would have loved you.' It was as great a gift as any I'd been given. I leaned down until our brows touched. I would have loved her. I felt his gratitude without him saying a word as we remained there, breathing each other in for long minutes.

BEEKEEPER’S GRANOLA 32 ounces Bob’s Red Mill GF Old Fashioned Rolled Oats ½ cup pumpkin seeds 1 cup sliced almonds ½ cup honey ½ cup canola oil Preheat oven to 225 degrees. Spray a large baking sheet (21 x 15 inches) with cooking spray. In a large bowl combine the oats, pumpkin seeds, and almonds. Pour the honey and oil over the mixture and toss lightly, making sure the oat mixture is covered. Spread on baking sheet and bake for 90 minutes. Cool on a wire rack. Granola keeps for several weeks in a sealed container. CRANACHAN (Serves 4) 1¼ cups granola, divided ½ cup bourbon, plus 2 teaspoons, divided 3 cups raspberries, plus 8 whole berries for garnish 1 teaspoon honey, divided 2 cups heavy cream 4 parfait glasses or martini glasses Combine ¾ cup granola and ½ cup bourbon and let sit for several hours before assembling dessert. The granola will absorb the alcohol and become soft but not mushy. Meanwhile, chill a mixing bowl. Lightly crush raspberries with a fork, add ½ teaspoon honey and 1 teaspoon bourbon. Toss to combine. You want a puree texture. In a chilled bowl, start whipping the heavy cream. When it begins to thicken, add remaining ½ teaspoon honey and remaining 1 teaspoon bourbon. Continue whipping cream until it is slightly firm. Fold soaked granola into the cream. To assemble, sprinkle a bit of the reserved granola into each glass. Spoon a layer of the cream mixture over granola and then add a layer of the raspberry mixture. Repeat until you have a few layers, finishing with a layer of the cream.

BEEKEEPER’S GRANOLA 32 ounces Bob’s Red Mill GF Old Fashioned Rolled Oats ½ cup pumpkin seeds 1 cup sliced almonds ½ cup honey ½ cup canola oil Preheat oven to 225 degrees. Spray a large baking sheet (21 x 15 inches) with cooking spray. In a large bowl combine the oats, pumpkin seeds, and almonds. Pour the honey and oil over the mixture and toss lightly, making sure the oat mixture is covered. Spread on baking sheet and bake for 90 minutes. Cool on a wire rack. Granola keeps for several weeks in a sealed container. CRANACHAN (Serves 4) 1¼ cups granola, divided ½ cup bourbon, plus 2 teaspoons, divided 3 cups raspberries, plus 8 whole berries for garnish 1 teaspoon honey, divided 2 cups heavy cream 4 parfait glasses or martini glasses Combine ¾ cup granola and ½ cup bourbon and let sit for several hours before assembling dessert. The granola will absorb the alcohol and become soft but not mushy. Meanwhile, chill a mixing bowl. Lightly crush raspberries with a fork, add ½ teaspoon honey and 1 teaspoon bourbon. Toss to combine. You want a puree texture. In a chilled bowl, start whipping the heavy cream. When it begins to thicken, add remaining ½ teaspoon honey and remaining 1 teaspoon bourbon. Continue whipping cream until it is slightly firm. Fold soaked granola into the cream. To assemble, sprinkle a bit of the reserved granola into each glass. Spoon a layer of the cream mixture over granola and then add a layer of the raspberry mixture. Repeat until you have a few layers, finishing with a layer of the cream. Sprinkle remaining granola and a couple of whole raspberries on top. QUEEN BEE COCKTAIL 1½ teaspoons honey simple syrup (recipe on this page) Club soda 1½ ounces bourbon 1 teaspoon lime juice Sliced lime, for garnish Fill

The fight spilled out into the press. Allen blasted the censors. “They are a bit of executive fungus that forms on a desk that has been exposed to conference. Their conferences are meetings of men who can do nothing but collectively agree that nothing can be done.” The thin-skinned network reacted again, cutting Allen off in the middle of a barb. Now other comics joined the fray. That week Red Skelton said on his show that he’d have to be careful not to ad-lib something that might wound the dignity of some NBC vice president. “Did you hear they cut Fred Allen off on Sunday?” That’s as far as he got—the network cut him off. But Skelton went right on talking, for the studio audience. “You know what NBC means, don’t you? Nothing but cuts. Nothing but confusion. Nobody certain.” When the network put him back on the air, Skelton said, “Well, we have now joined the parade of stars.” Bob Hope, on his program, was cut off the air for this joke: “Vegas is the only town in the world where you can get tanned and faded at the same time. Of course, Fred Allen can be faded anytime.” Allen told the press that NBC had a vice president who was in charge of “program ends.” When a show ran overtime, this individual wrote down the time he had saved by cutting it off: eventually he amassed enough time for a two-week vacation. Dennis Day took the last shot. “I’m listening to the radio,” he said to his girlfriend Mildred on his Wednesday night NBC sitcom. “I don’t hear anything,” said Mildred. “I know,” said Dennis: “Fred Allen’s on.” On that note, the network gave up the fight, announcing that its comedians were free to say whatever they wanted. It didn’t matter, said Radio Life: “They all were anyway.” Allen took a major ratings dive in 1948. Some

As I tried various restaurants, certain preconceptions came crashing down. I realized not all Japanese food consisted of carefully carved vegetables, sliced fish, and clear soups served on black lacquerware in a highly restrained manner. Tasting okonomiyaki (literally, "cook what you like"), for example, revealed one way the Japanese let their chopsticks fly. Often called "Japanese pizza," okonomiyaki more resembles a pancake filled with chopped vegetables and your choice of meat, chicken, or seafood. The dish evolved in Osaka after World War II, as a thrifty way to cobble together a meal from table scraps. A college classmate living in Kyoto took me to my first okonomiyaki restaurant where, in a casual room swirling with conversation and aromatic smoke, we ordered chicken-shrimp okonomiyaki. A waitress oiled the small griddle in the center of our table, then set down a pitcher filled with a mixture of flour, egg, and grated Japanese mountain yam made all lumpy with chopped cabbage, carrots, scallions, bean sprouts, shrimp, and bits of chicken. When a drip of green tea skated across the surface of the hot meal, we poured out a huge gob of batter. It sputtered and heaved. With a metal spatula and chopsticks, we pushed and nagged the massive pancake until it became firm and golden on both sides. Our Japanese neighbors were doing the same. After cutting the doughy disc into wedges, we buried our portions under a mass of mayonnaise, juicy strands of red pickled ginger, green seaweed powder, smoky fish flakes, and a sweet Worcestershire-flavored sauce. The pancake was crispy on the outside, soft and savory inside- the epitome of Japanese comfort food. Another day, one of Bob's roommates, Theresa, took me to a donburi restaurant, as ubiquitous in Japan as McDonald's are in America. Named after the bowl in which the dish is served, donburi consists of sticky white rice smothered with your choice of meat, vegetables, and other goodies. Theresa recommended the oyako, or "parent and child," donburi, a medley of soft nuggets of chicken and feathery cooked egg heaped over rice, along with chopped scallions and a rich sweet bouillon. Scrumptious, healthy, and prepared in a flash, it redefined the meaning of fast food.

Gray froze as Miss Turner emerged from the hold. For weeks, she’d plagued him-by day, he suffered glimpses of her beauty; by night, he was haunted by memories of her touch. And just when he thought he’d finally wrangled his desire into submission, today she’d ruined everything. She’d gone and changed her dress. Gone was that serge shroud, that forbidding thundercloud of a garment that had loomed in his peripheral vision for weeks. Today, she wore a cap-sleeved frock of sprigged muslin. She stepped onto the deck, smiling face tilted to the wind. A flower opening to greet the sun. She bobbed on her toes, as though resisting the urge to make a girlish twirl. The pale, sheer fabric of her dress billowed and swelled in the breeze, pulling the undulating contour of calf, thigh, hip into relief. Gray thought she just might be the loveliest creature he’d ever seen. Therefore, he knew he ought to look away. He did, for a moment. He made an honest attempt to scan the horizon for clouds. He checked the hour on his pocket watch, wound the small knob one, two, three, four times. He wiped a bit of salt spray from its glass face. He thought of England. And France, and Cuba, and Spain. He remembered his brother, his sister, and his singularly ugly Aunt Rosamond, on whom he hadn’t clapped eyes in decades. And all this Herculean effort resulting in nothing but a fine sheen of sweat on his brow and precisely thirty seconds’ delay in the inevitable. He looked at her again. Desire swept through his body with starling intensity. And beneath that hot surge of lust, a deeper emotion swelled. It wasn’t something Gray wished to examine. He preferred to let it sink back into the murky depths of his being. An unnamed creature of the deep, let for a more intrepid adventurer to catalog. Instead, he examined Miss Turner’s new frock. The fabric was of fine quality, the sprig pattern evenly stamped, without variations in shape or hue. The dressmaker had taken great pains to match the pattern at the seams. The sleeves of the frock fit perfectly square with her shoulders, in a moment of calm, the skirt’s single flounce lapped the laces of her boots. Unlike that gray serge abomination, this dress was expensive, and it had been fashioned for her alone. But it no longer fit. As she turned, Gray noted how the neckline gaped slightly, and the column of her skirt that ought to have skimmed the swell of her hip instead caught on nothing but air. He frowned. And in that instant, she turned to face him. Their gazes caught and held. Her own smile faded to a quizzical expression. And because Gray didn’t know how to answer the unspoken question in her eyes, and because he hated the fact that he’d banished the giddy delight from her face, he gave her a curt nod and a churlish, “Good morning.” And then he walked away.

I saw a pretty shop across the Sidra the other day. It sold what looked to be lots of lacy little things. Am I allowed to buy that on your credit, too, or does that come out of my personal funds?' Those violet eyes again drifted to me. 'I'm not in the mood.' There was no humour, no mischief. I could go warm myself by a fire inside, but... He had stayed. And fought for me. Week after week, he'd fought for me, even when I had no reaction, even when I had barely been able to speak or bring myself to care if I lived or died or ate or starved. I couldn't leave him to his own dark thoughts, his own guilt. He'd shouldered them alone long enough. So I held his gaze. 'I never knew Illyrians were such morose drunks.' 'I'm not drunk- I'm drinking,' he said, his teeth flashing a bit. 'Again semantics,' I leaned back in my seat, wishing I'd brought my coat. 'Maybe you should have slept with Cresseida after all- so you could both be sad and lonely together.' 'So you're entitled to have as many bad days as you want, but I can't get a few hours?' 'Oh, take however long you want to mope. I was going to invite you to come shopping with me for said lacy little unmentionables, but... sit up here forever, if you have to.' He didn't respond. I went on, 'Maybe I'll send a few to Tarquin- with an offer to wear them for him if he forgives us. Maybe he'll take those blood rubies right back.' His mouth barely, barely tugged up at the corners. 'He'd see that as a taunt.' 'I gave him a few smiles and he handed over a family heirloom. I bet he'd give me the keys to his territory if I showed up wearing those undergarments.' 'Someone thinks mighty highly of herself.' 'Why shouldn't I? You seem to have difficulty not staring at me day and night.' There it was - a kernel of truth and a question. 'Am I supposed to deny,' he drawled, but something sparked in those eyes, 'That I find you attractive?' 'You've never said it.' 'I've told you many times, and quite frequently, how attractive I find you.' I shrugged, even as I thought of all those times- when I'd dismissed them as teasing compliments, nothing more. 'Well, maybe you should do a better job of it.' The gleam in his eyes turned into something predatory. A thrill went through me as he braced his powerful arms on the table and purred, 'Is that a challenge, Feyre?' I held that predator's gaze- the gaze of the most powerful male in Prythian. 'Is it?' His pupils flared. Gone was the quiet sadness, the isolated guilt. Only that lethal force- on me. On my mouth. On the bob of my throat as I tried to keep my breathing even. He said, slow and soft, 'Why don't we go down to that store right now, Feyre, so you can try on those lacy little things- so I can help you pick which ones to send to Tarquin.' My toes curled inside my fleece-lined slippers. Such a dangerous line we walked together.

A9, the road that Bea was traveling this early morning after leaving the Isle of Skye, was part of Scotland’s answer to Route 66. It was also a driver’s sort of road as it wound its way along the north coast of the highlands above Inverness, and this time of year was the perfect jot in time to be on it. It was early enough in the day for the sun’s rays to still break across the landscape, highlighting every tree, shrub, mountain, loch, or beach in the crisp and clear Kodachrome of late autumn, and it was also just late enough in the season for the road to be safely navigated at speeds just a bit above normal

A9, the road that Bea was traveling this early morning after leaving the Isle of Skye, was part of Scotland’s answer to Route 66. It was also a driver’s sort of road as it wound its way along the north coast of the highlands above Inverness, and this time of year was the perfect jot in time to be on it. It was early enough in the day for the sun’s rays to still break across the landscape, highlighting every tree, shrub, mountain, loch, or beach in the crisp and clear Kodachrome of late autumn, and it was also just late enough in the season for the road to be safely navigated at speeds just a bit above normal. Her car was running great, and her tunes were vibrating the sideboard speakers with rhythm and base and melody. Using her gears, she took the corners and adjusted to the rise and fall of the road in a syncopated rhythm that made she and her car one. With her left hand on the gearshift, her right grasping the steering wheel, and her eyes shifting from road to scenery and back again, she felt the exhilaration of being on her first road trip alone and free.

Do you know what happened to the boxing club that was there?” Oliver’s eyes look to the corner where the club once stood before turning back to focus on the road. “It closed a few years ago. It was a bit of a kerfuffle, but then some minted hen tossed a coin at it, and Bob’s your uncle, the jammy bastards got a fresh place. It’s north of the High Street.

crop the length a bit so it’s a nice blunt bob and then get a balayage next

But you've seen all my bits and bobs,' he protested, his mental voice still light and laughing, like that damned feather I'd chosen.  'I don't care, you're not seeing mine!' I exclaimed. 'Please? I bet they're really nice.

Hello, ladies," I said gamely, noting the bones jutting out from their hindquarters. To an American, they seemed a bit svelte for good lavender ice cream. But this is France, so it shouldn't surprise me that even the livestock look like they're on a diet. The cows observed me with perfect detachment as my heels sank into the early-spring mud. One finally looked up and gave me her full attention. She chewed thoughtfully on a mouthful of hay, her large liquid eyes perfectly ringed with black, like Elizabeth Taylor in Cleopatra. Suddenly her head bobbed down toward my boots and immediately back up again, as if to say, Excusez-moi, madame, but it's clear from the cleanliness of your shoes that you're new around here. Very, very new. And, as a rule, we don't produce milk for anyone born in Manhattan.

Bob really, really, really, really (really really really really really really really really really) liked fishing.

thought about it for a bit. Bob does make a convincing argument… “Hm, okay. Let’s do it your way.” “YESSSS! Now, let’s go find Alex!” “Whoa, whoa, whoa! I didn’t mean do it right now!

The responsibility of owning so many fine and delicate possessions, so many sparkling bits and bobs that served no real purpose but must not be forgotten or lost or broken, worked on her like a kind of drag, slowing her.

It ain't all lavender, Don't you think it is. What with the crowded houses, the fish and the cord'roy trousers- It ain't all lavender, It makes you warm a bit; You'd better a-paid a bob to go down in the pit-for just an hour or two.

intricate patterns on the pavement. Her enormous brown eyes glittered with happiness at the attention she had attracted. Sarah wasn’t the only passerby who had stopped to watch, entranced. Then the song ended, and the gathered crowd applauded. The girl bobbed a curtsey and looked around expectantly. In a moment, coins appeared, fished from pockets and purses and offered in tribute. The coins disappeared again as if by magic, spirited away by little fingers as nimble as the little feet had been and deposited into the pocket of her dress. While the crowd disbursed, the girl turned and hurried back to the man who had produced the music. That was when Sarah recalled her purpose in being here. The child was emptying her pocket and giving the coins to a handsome youth who sat on a small stool with his back against the building. He held the organ between his knees, resting on a small stand. He wore a dark shirt and trousers and had a red bandanna tied rakishly at his throat. He looked so perfect that Sarah almost didn’t notice the wooden crutches tucked discreetly between his stool and the wall. Finally, she saw the pant leg pinned up at the ankle. She’d never expected Georgio to have a child, which was why she’d been so slow to realize she’d found him. Taking advantage of this lull, she stepped over to where the man and the girl were conversing in Italian. There seemed to be some question about whether she’d given him all the coins she’d collected. “Georgio?” Sarah tried. He looked up from beneath the bill of his small cap. His eyes were dark and liquid, his smile big and bright and charming. “Si, Signorina, do you want to see the little one dance?” His English was very good, probably honed from conversing with his customers. “No, although she dances very well,” Sarah added, giving the child an approving smile, in case she didn’t understand the compliment. “I wanted to ask you about your sister Emilia.” His charming smile vanished, and the dark eyes grew wary. “She is dead,” he said very carefully. “I know. I’m very sorry.” “Who are you and what do you want?” he asked suspiciously. When he frowned, Sarah realized how much he looked like his mother. “My name is Sarah Brandt, and I met Emilia at the Prodigal Son Mission.” His expression hardened from wariness into anger. Plainly, none of the Donato family had any love for the mission. “She was such a lovely girl, and she was trying very hard to become a respectable young woman,” Sarah hurried on, wishing she had some idea how Georgio felt about his sister. Seeing that the grown-ups were going to talk a bit, the little girl sank down onto the pavement with a weary sigh and leaned back against the wall. Sarah wondered vaguely how many times she

The Ovarrow of this world retained the pebble-like skin similar to that of a reptile. They had protrusions that stemmed from their shoulders, elbows, and parts of their chins. Their skin ranged in colors from pale gray to dark green. They had long arms and wide hands with four long fingers. Thick brow lines on both sides of their angular heads went all the way back to the base of their craniums. Their nostrils were at the same level as their jade-colored eyes. They were lean and strong but had a bit of a stoop that made their heads bob when they walked.

Muhammad Ali famously said that he didn’t start counting his sit-ups until they hurt. “They’re the only ones that count,” he said. “That’s what makes you a champion.” Bob Dylan said there’s pain behind every beautiful creation. You probably already know that this is true. I’m sure you’ve heard some of those popular sayings that get at this message. Get out of your comfort zone. Embrace the suck. Lean into the pain. Do something every day that scares you. These are just different ways of trying to tell you that if you want to grow, or you want to be great, it’s not going to be easy. It’s going to hurt a little bit. Or a lot.

Sid’s tan throat bobbed as he swallowed roughly. “Because when you first arrived, you reminded me of a puddle: still and gloomy. You can never tell how deep or shallow a puddle is just by looking at it. All it takes is a bit more rain and the puddle becomes a pond, then a lake. It grows when everything else drowns.

I rang out a couple more customers as I thought about it, and...he slowly walked up to the counter and set down two spools of line. I should really figure out what the point of one being thicker than the other was. “Hi, Mr. Rhodes,” I greeted him with a smile. He’d taken his sunglasses off and slid them through one of the gaps between the buttons of his work shirt. His gray eyes were steady on me as he said in that same uninterested, stern tone from before, “Hi.” I took the first package of fishing line and scanned it. “How is your day going?” “Fine.” I scanned the next package and figured I might as well go in for the kill since no one was around. “You remember that time you said you owed me?” A day ago. He didn’t say anything, and I peeked up at him. Since his eyebrows couldn’t talk, they formed a shape that told me exactly how distrustful he was feeling right then. “You do, okay. Well,” and I lowered my voice, “I was going to ask if I could redeem that favor.” Those gray eyes stayed narrowed. This was going well. I glanced around to make sure no one was listening and quickly said, “When you aren’t busy… could you teach me about all this stuff? Even if it’s just a little bit?” That got him to blink in what I was pretty sure was surprise. And to give him credit, he too lowered his voice as he asked slowly and possibly in confusion, “What stuff?” I tipped my head to the side. “All this stuff in here. Fishing, camping, you know, general knowledge I might need to work here so I have an idea of what I’m doing.” There was another blink. I might as well go for it. “Only when you aren’t super busy. Please. If you can, but if you can’t, that’s okay.” I’d just cry myself to sleep at night. No biggie. Worst case, I could hit up the library on my days off. Hang out in the grocery store parking lot and google information. I could make it work. I would, regardless. Dark, thick, black eyelashes dipped over his nice eyes, and his voice came out low and even. “You’re serious?” He thought I was shitting him. “Dead.” His head turned to the side, giving me a good view of his short but really pretty eyelashes. “You want me to teach you to fish?” he asked like he couldn’t believe it, like I’d asked him to… I don’t know, show me his wiener. “You don’t have to teach me to fish, but I wouldn’t be opposed to it. I haven’t been in forever. But more about everything else. Like, what is the point of these two different kinds of line? What are all the lures good for? Or are they called flies? Do you really need those gadgets to start a fire?” I knew I was whispering as I said, “I have so many random questions, and not having internet makes it hard to look things up. Your total is $40.69, by the way.” My landlord blinked for about the hundredth time at that point, and I was pretty sure he was either confused or stunned as he pulled his wallet out and slipped his card through the reader, his gaze staying on me for the majority of the time in that long, watchful way that was completely different from the way the older men had been eyeballing me earlier. Not sexually or with interest, but more like I was a raccoon and he wasn’t sure if I had rabies or not. In a weird way, I preferred it by a lot. I smiled. “It’s okay if not,” I told him, handing over a small paper bag with his purchases inside. The tall man took it from me and let his eyes wander to a spot to my left. His Adam’s apple bobbed; then he took a step back and sighed. “Fine. Tonight, 7:30. I’ve got thirty minutes and not one longer.” What! “You’re my hero,” I whispered. He looked at me, then blinked. “I’ll be there, thank you,” I told him. He grunted, and before I could thank him again, he was out of there so fast I had no chance to check out his butt in those work pants of his.

The theme of music making the dancer dance turns up everywhere in Astaire’s work. It is his most fundamental creative impulse. Following this theme also helps connect Astaire to trends in popular music and jazz, highlighting his desire to meet the changing tastes of his audience. His comic partner dance with Marjorie Reynolds to the Irving Berlin song “I Can’t Tell a Lie” in Holiday Inn (1942) provides a revealing example. Performed in eighteenth-century costumes and wigs for a Washington’s birthday–themed floor show, the dance is built around abrupt musical shifts between the light classical sound of flute, strings, and harpsichord and four contrasting popular music styles played on the soundtrack by Bob Crosby and His Orchestra, a popular dance band. Moderate swing, a bluesy trumpet shuffle, hot flag-waving swing, and the Conga take turns interrupting what would have been a graceful, if effete, gavotte. The script supervisor heard these contrasts on the set during filming to playback. In her notes, she used commonplace musical terms to describe the action: “going through routine to La Conga music, then music changing back and forth from minuet to jazz—cutting as he holds her hand and she whirls doing minuet.”13 Astaire and Reynolds play professional dancers who are expected to respond correctly and instantaneously to the musical cues being given by the band. In an era when variety was a hallmark of popular music, different dance rhythms and tempos cued different dances. Competency on the dance floor meant a working knowledge of different dance styles and the ability to match these moves to the shifting musical program of the bands that played in ballrooms large and small. The constant stylistic shifts in “I Can’t Tell a Lie” are all to the popular music point. The joke isn’t only that the classical-sounding music that matches the couple’s costumes keeps being interrupted by pop sounds; it’s that the interruptions reference real varieties of popular music heard everywhere outside the movie theaters where Holiday Inn first played to capacity audiences. The routine runs through a veritable catalog of popular dance music circa 1942. The brief bit of Conga was a particularly poignant joke at the time. A huge hit in the late 1930s, the Conga during the war became an invitation to controlled mayhem, a crazy release of energy in a time of crisis when the dance floor was an important place of escape. A regular feature at servicemen’s canteens, the Conga was an old novelty dance everybody knew, so its intrusion into “I Can’t Tell a Lie” can perhaps be imagined as something like hearing the mid-1990s hit “Macarena” after the 2001 terrorist attacks—old party music echoing from a less complicated time.14 If today we miss these finer points, in 1942 audiences—who flocked to this movie—certainly got them all. “I Can’t Tell a Lie” was funnier then, and for specifically musical reasons that had everything to do with the larger world of popular music and dance. As subsequent chapters will demonstrate, many such musical jokes or references can be recovered by listening to Astaire’s films in the context of the popular music marketplace.

afraid I’m a bit confused by the whole

We’ve covered the time and work and responsibility a jackpot often entails, the isolation, trust and security issues, and the reluctance of the superwealthy to engage with outsiders. Well, all of the above was shaping up to be a hurdle for Bob Kenny, who was eager to learn about the inner lives of America’s wealthiest citizens. We met Kenny before. He’s a developmental psychologist and cofounder of North Bridge Advisory Group, which helps superwealthy parents and their children “manage the unique opportunities, dilemmas, and challenges that can accompany family money.” Back in 2007, though, he was the newly minted associate director of Boston College’s Center on Wealth and Philanthropy. The center’s data guru, John Havens, had projected that the baby boomers and their successors would leave behind about $59 trillion in private wealth between 2007 and 2061. Some portion of that would go to charity, and so getting a handle on the mindset of America’s elite was of big interest to the philanthropic world. With a $250,000 grant from the Bill & Melinda Gates Foundation, Kenny and Havens set out to survey ultra-high-net-worth families. “If you’ve got kids and you got more money then you’re going to spend in your lifetime, you’ve got a dilemma,” Kenny explains. “And if you don’t think about it and plan it out a little bit, you’re going to cause a problem.… You gonna give it to them now, give it to them later, not going to give it to them at all? How do you talk about it? How do you think about it?

Turns out there are as many stories in the bits and bobs as there are in the books but those ones...those are the kind of stories that need to be shared while drinking lemonade and eating sugar & spice cookies

When you asked me to go fishing, Paul, yeah and I was a bit reluctant, let's be honest... after I’d had me operation… I were just thinking though, at some point I said 'Yes', yeah? And because of that my life has changed. And now I have these lovely fishing trips, so on and so forth, so my life's changed. Because I said 'Yes'. As you get older you say 'No' more: ‘Would you like to do this?' ' Would you like to come round to this?' 'Would you like to go to this?' You increasingly say 'No'. And you end up on your own watching the TV. So occasionally the word ‘Yes’ can be a cracker… I just think it is like a little pathway to isolation you know, to sitting in your bungalow, y’now.

Many of the players I work with also pick an intermediate target on the tee to help them with alignment. This can be an old divot, a bit of paper, or the remnants of a wooden tee. All that matters is that it is precisely on the line between the ball and the target. The player picks both the target and the intermediate target as he stands behind the ball. Then he walks up to the ball with his eye on the intermediate target. He uses it to help align his clubface and his body.

Jerod drew a ceremonial knife from his belt and sliced open his hand as he sprinkled blood on each of the nine circles around us. One by one, they burst into a slice of hellscape that began to melt the asphalt underneath. Tiny, clawed hands pried their way out of the cracked ground, red and black and gray hands that pulled ugly, devilish creatures out from below. Imps. They cackled as they emerged, the sound of it sending chills down my back as I tried to stay near Gavin without being in his way. "What in the ass crack of Satan are those doing here?" Gavin snapped as he punched another vampire in the face. "Helping," Jerod said. The imps themselves began to devour the meat we'd left out. They let blood and other juices dribble down their chins. They rubbed their horns in the offerings, smearing now-burned meat and bits on each other, eating the livers like they were delicacies and kicking around the rest of it. As they finally settled down, they turned one by one to face Jerod until he had a whole herd of imps at his feet, no higher than his waist. One imp stepped forward, glaring up at Jerod. "You have one hour, warlock. Why have you summoned us here?" it asked with narrowed eyes. Its comrades bobbed their heads and gnashed their teeth and shook their fists. They were ready for his command. Jerod simply flung his arms open wide, gesturing to the plaza around us. "My enemies are the vampires. Do what you can." The lead imp broke out into a nasty grin. "Yes, warlock. We have a deal." And they sprang into action. Imps leaped onto vampires, biting and clawing and in general causing mass confusion. The fae near us knew what was going on, but none of the rest of them did. Imps cackled and bit and clawed and threw handfuls of fire into the vampires. It was all very... efficient.

I sometimes tell young players that being nervous on the golf course is a little bit like being nervous the first time you make love with someone you really care about. Nearly everyone is nervous in that situation, but nerves are part of what makes the experience so exhilarating. If it didn’t make you nervous, it wouldn’t be so gratifying. In fact, it might be a little boring

Why do you call me Puddle?” I asked. Sid’s tan throat bobbed as he swallowed roughly. “Because when you first arrived, you reminded me of a puddle: still and gloomy. You can never tell how deep or shallow a puddle is just by looking at it. All it takes is a bit more rain and the puddle becomes a pond, then a lake. It grows when everything else drowns.

Someone once said about me that I make my living making other people funny. I think that sums it up. I helped them be funny. I never try to get a laugh at their expense. As a matter of fact, I played straight man for the contestant. I deliberately set them up for a laugh. I think I was able to establish rapport with guests quickly and I got them to open up and reveal themselves a bit because they felt they knew me already. I never played any other part on television. I was never a doctor or a detective. I was always Bob Barker: what you saw was what you got.

Life is apparently nothing but bobbing up and down and around our level-seven happiness. And this constant “seven” that we’re always coming back to plays a little trick on us, a trick that we fall for over and over again. The trick is that our brain tells us, “You know, if I could just have a little bit more, I’d finally get to ten and stay there.” Most of us live much of our lives this way, constantly chasing our imagined ten.

Bob wouldn’t believe this.” “Who’s Bob?” I asked, feeling a bit bad for the guy who we were leading into a place that clearly terrified him. “My husband. He died many, many years ago. We were only married a year before the accident.” He cleared his throat. “I never really got over that.

All the best bits of a film happen when I'm looking down at my phone. Life, is similar.

Even in a dress-down gray sweater, Bob Iger looks a bit mechanical. His mouth is almost geometrically straight, his face constructed of some cool alloy. His hair, of course, is perfect.

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We made a big fuss over the possibility of microbes on Mars. If orangutans were Martians we’d cherish them, we’d be so amazed at how they’re like us but not like us, they’d be invited to tea and cigars at the White House. But they’re apes, sad in zoos, funny in movies, useful in advertisements and in fantasy books, I’m almost ashamed to say, but at least the Discworld’s Librarian has done his bit for the species and caused more than a few bob to flow their way.

Funny though… and many of you know this… given a bit of slack, I’ll wander all over the place when telling a story.

Let the hips and torso lead the way. This should feel a bit like falling forward; you’ll need to move the feet quickly under your hips to catch yourself, with each foot landing below—and not ahead of—your vertical body. (A

Bob, a former marine, was a bit old-school as director, not given to what he saw as touchy-feely stuff. In the grueling days immediately after September 11, 2001, for example, his wife had prodded Bob to be sure his people were holding up under the stress. Early the next morning, or so I was told, he dutifully telephoned key members of his staff—whose offices were all within a ten-second walk of his—asking, “How’re you doing?” When each offered the perfunctory reply of “Fine, sir,” he replied, “Good,” and hung up.

Oh,” he said, stopping in the doorway. “I should probably warn you. Your beds might take a little getting used to.” “Why?” Tesla asked. “What’s wrong with them?” When Uncle Newt had shown them their room earlier, the beds had looked normal enough. Not that Nick and Tesla had paid much attention to them. They’d been distracted—and horrified—by the posters haphazardly stapled to the wall: Teletubbies, Elmo, Smurfs, Albert Einstein, and the periodic table. (Nick and Tesla had quickly agreed that the first three would “fall down” and “accidentally” “get ripped” at the first opportunity.) “There’s nothing wrong with your beds, and everything right!” Uncle Newt declared. “I’m telling you, kids. You haven’t slept till you’ve slept on compost!” “What?” Nick and Tesla said together. Even Uncle Newt couldn’t miss the disgust on their faces. “Maybe I’d better come up and explain,” he said. Uncle Newt pulled the comforter off Nick’s bed and revealed something that didn’t look like a bed at all. It was more like a lumpy black sleeping bag with tubes and wires poking out of one end. “Behold!” Uncle Newt said. “The biomass thermal conversion station!” Nick reluctantly gave it a test-sit. It felt like he was lowering himself onto a garbage bag stuffed with rotten old food. Because he was. “As you sleep,” Uncle Newt explained, “your body heat will help decompose food scraps pumped into the unit, which will in turn produce more heat that the convertor will turn into electricity. So, by the time you wake up in the morning, you’ll have enough power to—ta da!” Uncle Newt waved his hands at a coffeemaker sitting on the floor nearby. “Brew coffee?” Tesla said. Uncle Newt gave her a gleeful nod. “We don’t drink coffee,” said Nick. “Then you can have a hot cup of invigorating fresh-brewed water.” “Great,” Nick said. He experimented with a little bounce on his “bed.” He could feel slimy things squishing and squashing beneath his butt. “Comfy?” Uncle Newt asked. “Uhh … kind of,” Nick said. Uncle Newt beamed at his invention. “Patent pending,” he said. Uncle Newt was a gangly man with graying hair, but at that moment he looked like a five-year-old thinking about Christmas. Tesla gave the room a tentative sniff. “Shouldn’t the compost stink?” “Oh, no, no, no, no, no! Each biomass thermal conversion station is completely airtight!” Uncle Newt’s smile wavered just the teeniest bit. “In theory.” Nick opened his mouth to ask another question, but Uncle Newt didn’t seem to notice. “Well,” he said, slapping his hands together, “I guess you two should wash your teeth and brush your faces and all that. Good night!

Of course, problems come in threes, or at least twos. Rarely onesies. Major Truman Preston could hear the First Family screaming at each other and could care less. What worried him was that the White House was in lockdown, the president seemed a bit off his rocker, and he couldn’t get an outside line on his Department of Defense–issue cell phone. He needed to check in with his supervisor at the Pentagon, but neither cell nor landlines were working. So he sat on the second floor of the Residence, tucked away in a corner, a position he was more than used to, and held the football on his lap. Forty-five pounds of deadweight, with the emphasis on the dead. The surface of the case was dinged and battered and bruised from years of traveling. The damn case was older than he was. You’d think someone would have made the decision to swap the old thing out for a new case. Although the interior was updated with the latest electronics, never the outside. Tradition mattered, even in apparently trivial ways. Despite the turmoil raging and the lack of communication, Preston was his usual calm self

You were playing the song we like...” “That was the song?” A smile lit his face. “Yes. What was it?” I asked “Bob Dylan.” “What?!” I wailed. “I thought it was going to be Beethoven or something. Now I know I'm white trash.” Wilson bopped me on the head with his bow. “It's called 'Make You Feel my Love.' It's one of my favorite songs. I embellish it a bit, but it's all Dylan, definitely not Mozart. The lyrics are brilliant. Listen.” Wilson sang softly as he played. His voice was as rich as the moaning cello . “Of course,” I said sourly. “What?” Wilson stopped, startled. “You can sing. You have a beautiful voice. I can't even pretend that you suck. Why can't you suck at something? It's so unfair.” “You clearly haven't seen me try to carve something intricate and beautiful out of a tree stump,” Wilson said dryly, and started playing again.

You good?” “Yeah. Okay. Good.” “Now, I’m going to be right here to tell you what to do, and I’ll help you steer if you start running us off the road.” I revved the gas pedal and then placed her foot on it and let her do the same. I could tell she was trying not to bail off of my lap—her body was practically vibrating with nerves—but she didn’t. She stayed, listening intently. I gave her basic instructions, and then I helped her ease onto the road, going about five miles per hour. She didn’t move her hands from two and ten o’clock, and I had to tug at the wheel slightly to straighten us out. And then we picked up speed, just a bit. “How does that feel?” “Like falling,” she whispered, her body rigid, her arms locked on the wheel. “Relax. Falling is easier if you don’t fight it.” “And driving?” “That too. Everything is easier if you don’t fight it.” “What if someone sees us?” “Then I’ll tell you when to wave." She giggled and relaxed slightly against me. I kissed her temple where it rested against my cheek, and she was immediately stiff as a board once more. Shit. I hadn’t thought. I’d just reacted. “I would have patted you on the back, but your forehead was closer,” I drawled. “You’re doin’ it. You’re drivin’.” “How fast are we going?” she said breathlessly. I hoped it was fear and not that kiss. “Oh you’re flyin’, baby. Eight miles an hour. At this rate, we will reach Salt Lake in two days, my legs will be numb, and Henry will want a turn. Give it a little gas. Let’s see if we can push it up to ten.” She pressed her foot down suddenly and we shot forward with a lurch. “Whoa!” I cried, my arms shooting up to brace hers on the wheel. I saw Henry stir from the corner of my eye. “Danika Patrick is the first female NASCAR driver to ever win a NASCAR Sprint Cup Series pole,” he said woodenly, before slumping back down in his seat. I spared him a quick glance, only to see his eyes were closed once more. Millie obviously heard him and she hooted and pressed the gas pedal down a little harder. “Henry just compared you to Danika Patrick. And he obviously isn’t alarmed that you’re driving because he’s already asleep again.” “That’s because Henry knows I’m badass.” “Oh yeah. Badass, Silly Millie. ‘Goin’ ninety miles an hour down a dead-end street,’” I sang a little Bob Dylan, enjoying myself thoroughly.

Her cadre cracked up, and Jerry, who was a bit of a ringer for Bob Denver, rolled his eyes good-naturedly.

The song turns to a slow one, and Skip pulls me close to him. His hands encircle my waist and slip beneath my shirt to touch my naked skin. I pull his questing fingers out. Suddenly, Skip is gone, and he’s lying on the floor. I look up to find Bob staring down at me, his chest heaving. “What the fuck are you doing, Madison?” “Well, I was dancing.” “It looked more like he was trying to fuck you on the dance floor.” I snort. “I hate to be the one to tell you, Bob, but fucking is a bit different from that.” I tilt my head at him. “You want me to get you a book on the subject? Because it seems like you are woefully misguided.” “I don’t need a book,” he mutters. “Why are you here with him?” He jerks a thumb toward Skip, who is being helped up off the floor. Skip taps Bob on the shoulder, like he wants to repay the favor, and Bob turns his head just enough to growl at him through his clenched teeth. Skip’s face goes white and he backs up, holding up two hands. “No problem, buddy. Didn’t know you called dibs.” Skip turns and walks off the dance floor. “He didn’t call dibs!” I yell to Skip, but he doesn’t come back. “I did call dibs. I do call dibs. I will call dibs.” He grabs my hand and pulls me toward the exit. “I don’t accept your dibs!” I cry. I dig my heels in and he turns back to face me. Suddenly, he upends me over his shoulder, his arm clamped across the backs of my thighs. I beat on his back, but he pays me no mind. I bend close to him and bite the only thing I can get my teeth into, which just happens to be the tender skin just over his left butt cheek. “I like it rough, sweetheart,” he says. This time, I put some heat behind my teeth and really nail him. His butt flinches. “Rough enough for you, sweetheart?” I ask between bounces of my body.

I’ve had one rather insistent fantasy over the course of this beautiful Maine afternoon,” he said, hearing the rough edge come back into his voice, his hunger for her making his mouth go as dry as Cameroo in April. Her lips curved upward, and that gleaming light flickered to life in her eyes. “Does it involve pillaging?” “Aye,” he said, a bit of the pirate back in his voice. Het let the blanket slide from his fingers, then put his palms on her hips, wrapping his fingers around her so the tips pressed gently into the firm curve at the top end of her bum. His thumbs rubbed over her hip bones, pressing against the tight wrap of her dress. He felt a little shudder go through her and had to dig deep for what little restraint he had left. He kept his gaze tipped up and on hers. “I stood by the rail as you steered this big beast through that maze of bobbing boats in the harbor and imagined what it would be like if I walked over to stand behind you, to wrap my hands around your hips.” He did sink his fingertips into her softness a bit then, and was rewarded with a little gasp from her. Her parted lips called to him like a siren, but he remained where he was. “I wanted to slide them up, cup your breasts, find out if they’d fit as perfectly in my hands as I’ve imagined.” His actions mirrored his words, and he felt her intake of breath as he slid his palms up, over her rib cage. She didn’t stop him, and his gaze shifted to his hands as he slowly circled her breasts, all pushed up and bound tightly within her dress…and, indeed, perfectly shaped for his hands. Her body twitched under his hands as he rain his palms up and over her nipples, and she let out a little moan. He could feel them grow harder, pushing at the silky, gathered fabric, pushing against his hands. “I wanted to slide my fingertips under the top edge, here,” he said, curling his fingers until they slid under the inside edge of her bodice, “and tug it down, slowly, so the soft, silky fabric would rub over your nipples, making them stand up, full and pink and hard, just for me.” She took a swift intake of breath as he began to do what he’d described. He kept his attention focused solely on what he was doing, wondering why in the hell he thought torturing himself further was a good idea. By the time he got rid of her clothes, he might not be able to get his own off, or ever father children, but then he glanced up, saw her eyes were lit like the fire of glittering emeralds, but decided he’d gnaw his clothes off if necessary.

We’ll be done in a bit,” I said to Magnus as I shifted enough so he could see my very thick, very ready cock as it bobbed in front of Caterer Guy’s face. I snagged my fingers in the guy’s hair and forced his attention to me. I looked at him long enough to say, “Finish me off. Our friend here was just leaving.” I shifted my eyes back to Magnus and said, “Unless he wants to join us.” I