Biting Good Quotes

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Coach: "All right, Patch. let's say you're at a party. the room is full of girls of all shapes and sizes. You see blondes, brunettes, redheads, a few girl with black hair. Some are talkive, while other appear shy. You've one girl who fits your profile - attractive, intelligent and vulnerable. Dow do you let her know you're interested?" Patch: "Single her out. Talk to her." Coach: "Good. Now for the big question - how do you know if she's game or if she wants you to move on?" Patch: "I study her. I figure out what she's thinking and feeling. She's not gonig to come right out and tell me, which is why i have to pay attention. Does she turn her body toward mine? Does she hold me eyes, then look away? Does she bite her lip and play with her hair, the way Nora is doing right now?
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
I took a bite of cookie and chewed. “Hmmm,” I said, trying not to spit crumbs. “Clear vanilla notes, too-sweet chocolate chips, distinct flavor of brown sugar. A decent cookie, not spectacular. Still, a good-hearted cookie, not pretentious.” I turned to Fang. “What say you?” “It’s fine.” Some people just don’t have what it takes to appreciate a cookie.
James Patterson (The Angel Experiment (Maximum Ride, #1))
Crossing the room, he stopped infront of me. "I'm not going to bite." "That's good." "Unless you want me to," He said with a devilish grin.
Jennifer L. Armentrout (Onyx (Lux, #2))
Everyone thinks I'm showing off when I talk, ridiculous when I'm silent, insolent when I answer, cunning when I have a good idea, lazy when I'm tired, selfish when I eat one bite more than I should.
Anne Frank (The Diary of a Young Girl)
He balled up my discarded sweatshirt and put it against his shoulder. “Go on,” he said. “I don’t bite.” “And from what I hear, that’s a good thing.” He gave a rumbling chuckle. “Yeah, it is.” I leaned against his shoulder.
Kelley Armstrong (The Awakening (Darkest Powers, #2))
It’s sarcasm, Josh.” “Sarcasm?” “It’s from the Greek, sarkasmos. To bite the lips. It means that you aren’t really saying what you mean, but people will get your point. I invented it, Bartholomew named it.” “Well, if the village idiot named it, I’m sure it’s a good thing.” “There you go, you got it.” “Got what?” “Sarcasm.” “No, I meant it.” “Sure you did.” “Is that sarcasm?” “Irony, I think.” “What’s the difference?” “I haven’t the slightest idea.” “So you’re being ironic now, right?” “No, I really don’t know.” “Maybe you should ask the idiot.” “Now you’ve got it.” “What?” “Sarcasm.
Christopher Moore (Lamb: The Gospel According to Biff, Christ’s Childhood Pal)
Well, even if the serpent bites off your head,” says Tatterfell, “the rest of you will still look good.” “That’s the spirit,” I tell her.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Farewell has a sweet sound of reluctance. Good-by is short and final, a word with teeth sharp to bite through the string that ties past to the future.
John Steinbeck (The Winter of Our Discontent)
How often do you have to drink?” “Every night, to feel good. Every few nights, to stay sane.” “Have you ever bitten anyone?” “No. I’m not a murderer.” “Does it have to be fatal every time? The biting? Couldn’t you just drink some of a person’s blood, then walk away?” “I can’t believe you’re asking me this, Snow. You, who can’t walk away from half a sandwich.
Rainbow Rowell (Carry On (Simon Snow, #1))
I have a foreboding of an America in my children's or grandchildren's time -- when the United States is a service and information economy; when nearly all the manufacturing industries have slipped away to other countries; when awesome technological powers are in the hands of a very few, and no one representing the public interest can even grasp the issues; when the people have lost the ability to set their own agendas or knowledgeably question those in authority; when, clutching our crystals and nervously consulting our horoscopes, our critical faculties in decline, unable to distinguish between what feels good and what's true, we slide, almost without noticing, back into superstition and darkness... The dumbing down of American is most evident in the slow decay of substantive content in the enormously influential media, the 30 second sound bites (now down to 10 seconds or less), lowest common denominator programming, credulous presentations on pseudoscience and superstition, but especially a kind of celebration of ignorance
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
I glanced at Derek. The boy wonder didn't melt into a pile of goo, although his gaze was glued to Rowena's chest. Avoiding eye contact. Good strategy.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
He’s kissing me like the world is rolling right off a cliff, like he’s trying to hang on and he’s decided to hold on to me, like he’s starving for life and love and he’s never known it could ever feel this good to be close to someone. Like it’s the first time he’s ever felt anything but hunger and he doesn’t know how to pace himself, doesn’t know how to eat in small bites, doesn’t know how to do anything anything anything in moderation.
Tahereh Mafi (Unravel Me (Shatter Me, #2))
Many people seem to think it foolish, even superstitious, to believe that the world could still change for the better. And it is true that in winter it is sometimes so bitingly cold that one is tempted to say, ‘What do I care if there is a summer; its warmth is no help to me now.’ Yes, evil often seems to surpass good. But then, in spite of us, and without our permission, there comes at last an end to the bitter frosts. One morning the wind turns, and there is a thaw. And so I must still have hope.
Vincent van Gogh
What's possible?' she asked. 'Anything,' he said absently. 'But that’s not what I was talking about. Oh, hello, Claire. You’re in good time. I need an extra pair of hands.' 'As long as I keep them attached,' she said, which earned her a startled stare. The things you say to me, you’d think I was some sort of monster.
Rachel Caine (Bite Club (The Morganville Vampires, #10))
Butch nodded, finding as comfortable a bite as he could on the leather. He braced himself as V lifted an arm. Except when his roommate's palm landed on his bare chest all he felt was a warm weight. Butch frowned. This was it? This was fucking it? Scaring the shit out of Marissa for no good- He looked down, pissed off. Oh, wrong hand.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
The way I see it, life is a jelly doughnut. You don't really know what it's about until you bite into it. And then, just when you decided it's good, you drop a big glob of jelly on your best T-shirt.
Janet Evanovich (Hard Eight (Stephanie Plum, #8))
For millions of years flowers have been producing thorns. For millions of years sheep have been eating them all the same. And it's not serious, trying to understand why flowers go to such trouble to produce thorns that are good for nothing? It's not important, the war between the sheep and the flowers? It's no more serious and more important than the numbers that fat red gentleman is adding up? Suppose I happen to know a unique flower, one that exists nowhere in the world except on my planet, one that a little sheep can wipe out in a single bite one morning, just like that, without even realizing what he'd doing - that isn't important? If someone loves a flower of which just one example exists among all the millions and millions of stars, that's enough to make him happy when he looks at the stars. He tells himself 'My flower's up there somewhere...' But if the sheep eats the flower, then for him it's as if, suddenly, all the stars went out. And that isn't important?
Antoine de Saint-Exupéry (The Little Prince)
Anything else?” asked Matthias. “I like singing,” said Alys. Wylan shook his head frantically, mouthing, No, no, no. “Shall I sing?” Alys asked hopefully. “Bajan says that I’m good enough to be on the stage.” “Maybe we save that for later—” suggested Jesper. Alys’ lower lip began to wobble like a plate about to break. “Sing,” Matthias blurted, “by all means, sing.” And then the real nightmare began. It wasn’t that Alys was so bad, she just never stopped. She sang between bites of food. She sang while she was walking through the graves. She sang from behind a bush when she needed to relieve herself. When she finally dozed off, she hummed in her sleep. “Maybe this was Van Eck’s plan all along,” Kaz said glumly when they’d assembled outside the tomb again. “To drive us mad?” said Nina. “It’s working.” Jesper shut his eyes and groaned. “Diabolical.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I slid Mallory a glance. “He’s (Jeff) your test? He thinks anything with breasts looks good.” "Since you don’t qualify, that’s why I asked him over.
Chloe Neill (Some Girls Bite (Chicagoland Vampires, #1))
Good people don't bow their heads and bite their tongues while other good people suffer. Good people are not complicit.
Alexis Henderson (The Year of the Witching (Bethel, #1))
They glared at her the way any intelligent persons ought to glare when what they need is a smoke, a bite, a cup of coffee, a piece of ass, or a good fast-paced story, and all they're getting is philosophy.
Tom Robbins (Still Life with Woodpecker)
You're a Dhampir," I breathed. "So are you." he teased. "Yeah, but I just thought—" "That I was human? Because of the bite marks?" "Yeah." I admitted, No point in lying. "We all have to survive," he said "And dhamphirs are good at figuring ways out to.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
To allow yourself to play with another person is no small risk. It means allowing yourself to be open, to be exposed, to be hurt. It is the human equivalent of the dog rolling on its back---I know you won't hurt me, even though you can. It is the dog putting its mouth around your hand and never biting down. To play requires trust and love. Many years later, as Sam would controversially say in an interview with the gaming website Kotaku, "There is no more intimate act than play, even sex." The internet responded: no one who had had good sex would ever say that, and there must be something seriously wrong with Sam.
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
Her Kind I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have done my hitch over the plain houses, light by light: lonely thing, twelve-fingered, out of mind. A woman like that is not a woman, quite. I have been her kind. I have found the warm caves in the woods, filled them with skillets, carvings, shelves, closets, silks, innumerable goods; fixed the suppers for the worms and the elves: whining, rearranging the disaligned. A woman like that is misunderstood. I have been her kind. I have ridden in your cart, driver, waved my nude arms at villages going by, learning the last bright routes, survivor where your flames still bite my thigh and my ribs crack where your wheels wind. A woman like that is not ashamed to die. I have been her kind.
Anne Sexton (To Bedlam and Part Way Back)
Sometimes the hand that feeds you needs a good bite.
Dan Wells (Partials (Partials Sequence, #1))
I hope you will grow up gentle and good, and never learn bad ways; do your work with a good will, lift your feet up well when you trot, and never bite or kick even in play.
Anna Sewell (Black Beauty)
What did you tell them?” “I don't recall. I think I mentioned your discipline and ability to follow orders. I may have said something about you being a team player.” Derek emitted a strangled cough. “Why?” I demanded. “It seemed like a good idea at the time.” Curran resumed hammering. “I'm sorry,” I said into the phone, sticking me finger into my other ear so I could hear. “His Majesty tends to exaggerate things. I'm not a team player. I'm undisciplined and I have a problem with authority. Also, the Beast Lord can't hammer for shit.” On the roof Derek was laughing his head off.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Anyway, George comes up to me the first day of filming and he takes one look at the dress and says, 'You can't wear a bra under that dress.' So, I say, 'Okay, I'll bite. Why?' And he says, 'Because... there's no underwear in space.' I promise you this is true, and he says it with such conviction too! Like he had been to space and looked around and he didn't see any bras or panties or briefs anywhere. Now, George came to my show when it was in Berkeley. He came backstage and explained why you can't wear your brassiere in other galaxies, and I have a sense you will be going to outer space very soon, so here's why you cannot wear your brassiere, per George. So, what happens is you go to space and you become weightless. So far so good, right? But then your body expands??? But your bra doesn't- so you get strangled by your own bra. Now I think that this would make a fantastic obit- so I tell my younger friends that no matter how I go, I want it reported that I drowned in moonlight, strangled by my own bra.
Carrie Fisher (Wishful Drinking)
Close your eyes and picture it. Can you see it?" I nod, eyes closed. "Imagine it right there before you. See its texture, shape, and color—got it?" I smile, holding the image in my head. "Good. Now reach out and touch it. Feel its contours with the tips of your fingers, cradle its weight in the palms of your hands, then combine all of your senses—sight, touch, smell, taste—can you taste it?" I bite my lip and suppress a giggle. "Perfect. Now combine that with feeling. Believe it exists right before you. Feel it, see it, touch it, taste it, accept it, manifest it!" he says. So I do. I do all of those things. And when he groans, I open my eyes to see for myself. "Ever." He shakes his head. "You were supposed to think of an orange. This isn't even close." "Nope, nothing fruity about him." I laugh, smiling ateach of my Damens—the replica I manifested before me, and the flesh and blood version beside me. Both of them equally tall, dark, and so devastatingly handsome they hardly seem real.
Alyson Noel (Blue Moon (The Immortals, #2))
I love music. For me, music is morning coffee. It's mood medicine. It's pure magic. A good song is like a good meal-I just want to inhale it and then share a bite with someone else.
Hoda Kotb (Hoda: How I Survived War Zones, Bad Hair, Cancer, and Kathie Lee)
Goodness! Golly! Good God! Blessed Allah! Zeus and Hera! Mary and Joseph! Nathaniel Hawthorne! Don't touch her! Grab her! Move closer! Run away! Don't move! Kill the snake! Leave it alone! Give it some food! Don't let it bite her! Lure the snake away! Here, snakey! Here, snakey snakey!
Lemony Snicket (The Reptile Room (A Series of Unfortunate Events, #2))
Good-bye, Cadan,' I said, backing out the door. 'If I hear anything new, I’ll come to you.' 'Be careful,' I warned. 'My guard dog bites.' He grinned, and that impish gleam returned to his eyes. 'And you don’t?' 'Wouldn’t you like to know.' 'Don’t get me excited.
Courtney Allison Moulton (Wings of the Wicked (Angelfire, #2))
I rented Ghostbusters, my all-time favorite inspirational movie. I picked up some microwave, popcorn, a KitKat, a bag of bite-sized Reese's peanut butter cups, and a box of instant hot chocolate with marshmallows. Do I know how to have a good time, or what?
Janet Evanovich (Two for the Dough (Stephanie Plum, #2))
She wondered why they didn't understand that their true selfs were good enough, and if they weren't, then the someones they weren't good enough for, were really the ones not good enough.
Lynsay Sands
Don’t let my youthful good looks confuse you. I now have two lifetimes of experience
Chloe Neill (Biting Cold (Chicagoland Vampires, #6))
I put my hand on the altar rail. 'What if ... what if Heaven is real, but only in moments? Like a glass of water on a hot day when you're dying of thirst, or when someone's nice to you for no reason, or ...' Mam's pancakes with Toblerone sauce; Dad dashing up from the bar just to tell me, 'Sleep tight, don't let the bedbugs bite'; or Jacko and Sharon singing 'For She's A Squishy Marshmallow' instead of 'For She's A Jolly Good Fellow' every single birthday and wetting themselves even though it's not at all funny; and Brendan giving his old record player to me instead of one of his mates. 'S'pose Heaven's not like a painting that's just hanging there for ever, but more like ... Like the best song anyone ever wrote, but a song you only catch in snatches, while you're alive, from passing cars, or ... upstairs windows when you're lost ...
David Mitchell (The Bone Clocks)
He gave me his word. That means something to a man like Donovan Caine. Yeah, it means you'll realize he's an exceptionally good liar when you're clutching your intestines and choking on your own blood on his living room floor.
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
As he filled the mug with coffee, Michael waited for Shane to make some sense. Which Shane finally did, holding up the cheaply printed white flyer. It curled around the edges from where it had been rolled up to fit in the mailbox. “What have I always wanted in this town?” he asked. “A strip club that would let in fifteen year olds?” Michael said. “When I was fifteen. No, seriously, what?” “Guns ‘R Us?” Shane made a harsh buzzer sound. “Okay, to be fair, yeah, that’s a good alternate answer. But no. I always wanted a place to seriously train to fight, right? Someplace that didn't think aerobics was a martial art? And look!
Rachel Caine (Bite Club (The Morganville Vampires, #10))
Sometimes when you get hammered till the small hours you feel pretty good in the morning, but really it's just because you're still a bit drunk. That old hangover is just toying with you, working out when to bite.
Jojo Moyes (Me Before You (Me Before You, #1))
Why didn't you become a sorcerer, Geralt? Weren't you ever attracted by the Art? Be honest.' 'I will. I was.' 'Why, then, didn't you follow the voice of that attraction?' 'I decided it would be wiser to follow the voice of good sense.' 'Meaning?' 'Years of practice in the witcher's trade have taught me not to bite off more than I can chew. Do you know, Vilgefortz, I once knew a dwarf, who, as a child, dreamed of being an elf. What do you think; would he have become one had he followed the voice of attraction?
Andrzej Sapkowski (Czas pogardy (Saga o Wiedźminie, #2))
What if I promise to make you a batch of brownies tomorrow?" she asked, deciding to use his love of baked goods against him. He snorted in disbelief as he got to his feet. "I'm not some whore you can buy with a pan of yummy baked goods, woman. How dare you insult me?" he said on a sniff as he folded his arms over his chest and did his best to look put out. "Fine," Haley said with a sigh. "What if I promise to make a big bowl of frosting tomorrow and let you lick it off me?" She had to bite back a smile as Jason shifted anxiously while he licked his lips and ran his eyes hungrily down her body. "Buttercream?" he croaked out. "Mmmmhmm," she said, walking over to him. She cupped the back of his head and gently tugged him down for a quick kiss. "And if you're good I might lick some off you," she said, loving the idea. "Get your own bowl of frosting. I don't share," he simply said, giving her one last kiss before walking out the door, whistling happily, no doubt thinking about the large bowl of frosting he was going to devour tomorrow.
R.L. Mathewson (Playing for Keeps (Neighbor from Hell, #1))
This book is dedicated to the rule breakers, the troublemakers, and the revolutionaries. Sometimes the hand that feeds you needs a good bite.
Dan Wells
I'm rarely good, Merit. But I'm often spectacular.
Chloe Neill (Biting Bad (Chicagoland Vampires, #8))
This is really good,” Donovan Caine said, attacking his third strawberry pancake. “You sound surprised,” I said. He shrugged. “I just didn’t think an assassin would be able to cook like this.” “Well, I do get lots of practice with knives. You could say I’m multitasking.” The detective froze, his fork halfway to his mouth. “I’m kidding. I enjoy cooking. It relaxes me.
Jennifer Estep (Spider's Bite (Elemental Assassin, #1))
He chuckled. Even as he said my most private thoughts, even as I burned with outrage and shame, I trembled at the grip still on my mind. Rhysand turned to the High Lord. "I'm curious: Why did she wonder if it would feel good to have you bite her breast the way you bit her neck?" "Let. Her. Go." Tamlin's face was twisted with such feral rage that it struck a different, deeper chord of terror in me. "If it's any consolation," Rhysand confided to him, "she would have been the one for you - and you might have gotten away with it. A bit late, though. She's more stubborn than you are.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Oh, yes, that feels so good," I moaned, and instead of punching Ian, pulled him closer. Breath tickled my neck as he laughed. "I know. I'm truly gifted.
Jeaniene Frost (The Bite Before Christmas (Argeneau, #15.5; Night Huntress, #6.5))
Her fingers bite into my arm, and I squeeze her wrist tight where I'm holding on to her, because this is what we're good at: hurting each other.
Tess Sharpe (Far From You)
Ethan chuckled. “And are you aware you keep looking over here like you’re nervous I’m going to disappear?” “It’s because you’re devastatingly handsome.” He grinned slyly. “I wasn’t questioning your good taste.
Chloe Neill (Biting Cold (Chicagoland Vampires, #6))
Some people when they see cheese, chocolate or cake they don't think of calories.
Amit Kalantri (Wealth of Words)
When Švejk subsequently described life in the lunatic asylum, he did so in exceptionally eulogistic terms: 'I really don't know why those loonies get so angry when they're kept there. You can crawl naked on the floor, howl like a jackal, rage and bite. If anyone did this anywhere on the promenade people would be astonished, but there it's the most common or garden thing to do. There's a freedom there which not even Socialists have ever dreamed of.
Jaroslav Hašek (The Good Soldier Švejk)
A kiss-goodnight Can last for hours Moaning into your mouth Licking the sweetness Of my lips Biting softly Holding on To the taste of yours Never wanting To let go Asking you To kiss me forever Asking the goodnight-kiss To become A kiss-good-morning A kiss-I-love-you An entwined faith Of two souls Becoming one In a single moment's kiss...
Veronika Jensen
You're such a good cook. You're going to make someone very fat and happy one day," he said, his mouth half full with a bite of apple. "I'm going to make you fat and happy. You know that." "Ah, to be fat!
Kiera Cass (The Selection (The Selection, #1))
For thirty years," he said, "I've sailed the seas and seen good and bad, better and worse, fair weather and foul, provisions running out, knives going, and what not. Well, now I tell you, I never seen good come o' goodness yet. Him as strikes first is my fancy; dead men don't bite; them's my views—amen, so be it.
Robert Louis Stevenson (Treasure Island)
Cinder grinned."I love you too." "Why are we not moving?" said Storm, his voice rumbling through the tunnel. "We grow inpatient to shred Levana and her court into tiny, bite-size pieces. We will suck the marrow from their bones and drink their blood as if it were fine wine." Iko fixed an uncomfortable look on Cinder. "Good thing they're on our side.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Travel is little beds and cramped bathrooms. It’s old television sets and slow Internet connections. Travel is extraordinary conversations with ordinary people. It’s waiters, gas station attendants, and housekeepers becoming the most interesting people in the world. It’s churches that are compelling enough to enter. It’s McDonald’s being a luxury. It’s the realization that you may have been born in the wrong country. Travel is a smile that leads to a conversation in broken English. It’s the epiphany that pretty girls smile the same way all over the world. Travel is tipping 10% and being embraced for it. Travel is the same white T-shirt again tomorrow. Travel is accented sex after good wine and too many unfiltered cigarettes. Travel is flowing in the back of a bus with giggly strangers. It’s a street full of bearded backpackers looking down at maps. Travel is wishing for one more bite of whatever that just was. It’s the rediscovery of walking somewhere. It’s sharing a bottle of liquor on an overnight train with a new friend. Travel is “Maybe I don’t have to do it that way when I get back home.” It’s nostalgia for studying abroad that one semester. Travel is realizing that “age thirty” should be shed of its goddamn stigma.
Nick Miller
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
Altogether, I think we ought to read only books that bite and sting us. If the book we are reading doesn’t shake us awake like a blow to the skull, why bother reading it in the first place? So that it can make us happy, as you put it? Good God, we’d be just as happy if we had no books at all; books that make us happy we could, in a pinch, also write ourselves. What we need are books that hit us like a most painful misfortune, like the death of someone we loved more than we love ourselves, that make us feel as though we had been banished to the woods, far from any human presence, like suicide. A book must be the ax for the frozen sea within us. That is what I believe.
Franz Kafka
But there was a cost. Being near Ethan was just... incendiary. Part animosity, part ridiculous chemistry, neither conducive to a peaceful home environment. And this was only my first night under his thumb. Not a good sign of things to come.
Chloe Neill
Girl, bite. Girl, devour. Girl, don't forgive. Girl, stay angry. Girl, be selfish. Girl, walk away from him when he raises his hand. There is no place that can handle you, but you must go anyway, to the hills, the mountains, the cities. They'll call you monster, and they'll be so right. Girl, show them. Girl, run your hands along the wound and seal it with your heat. Cauterize. They thought they could get to you. They thought they could take you and make you small. There may be bruises, but you are no little thing. Girl, show them your claws. Show them your wings. Rise. Show them your army of injuries who have come to fight. Show them the others like you. Take over the city. Own the mountains. Bite the hand and the one behind their back with all the good stuff. Girl, show your teeth. Never forget what you can do with them.
Caitlyn Siehl
O, who can hold a fire in his hand By thinking on the frosty Caucasus? Or cloy the hungry edge of appetite By bare imagination of a feast? Or wallow naked in December snow By thinking on fantastic summer's heat? O, no! the apprehension of the good Gives but the greater feeling to the worse: Fell sorrow's tooth doth never rankle more Than when he bites, but lanceth not the sore.
William Shakespeare (Richard II)
Hey, better than the real thing,” I said. “What do you even do with a chimera?” “What wouldn’t you do with a chimera?” Jeff asked. “They’re like the Swiss Army knife of animals.” “Party in the front, business in the back,” Catcher agreed. That earned a snort and laugh from me. “Any animal that can be compared to a mullet is a good animal in my book.
Chloe Neill (Biting Bad (Chicagoland Vampires, #8))
He stepped colser. Looked deep into my eyes. Hesitated a millisecond, and then dove in. "I think I'm falling in love with you." Oh. No. "Cole--" "I know how you feel. About me. About him. I just wanted you to know-we could be good together. We could have a life. Kids. Vacations. On Sunday mornings I could serve you breakfast in bed." He gave me his I-know-you-find-me-irrestible grin. "And then I could make you something to eat.
Jennifer Rardin (Biting the Bullet (Jaz Parks, #3))
I lift his chin with my fingertip. "I'm trying to tell you that if you keep following the good impulses, no matter how insignificant they might seem, I won't let you down like the others. I'll come back to you." I bite my tongue, careful not to show all of my hand. He can't know I've witnessed our future, only that I'm keeping a tally of his past. Morpheus laughs. "Come back to me?" "Someday." "Perhaps I won't want you then. Perhaps I'll tire of waiting." I swallow my pride. "Then it will be my turn to win YOU. I'm up for the challenge." -Unhinged, pg 353
A.G. Howard
A God who could make good children as easily a bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave is angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice, and invented hell--mouths mercy, and invented hell--mouths Golden Rules and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people, and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites his poor abused slave to worship him!
Mark Twain (The Mysterious Stranger)
We roll tonight to the guitar bite Stand up and be counted for what you are about to receive We are the dealers We'll give you everything you need Hail hail to the good times Cos rock has got the right of way We ain't no legends ain't no cause We're just livin' for today For those about to rock, we salute you For those about to rock, we salute you
AC/DC
Good-byes hurt. And they happen too much. The only thing I know for certain about this whole good-bye thing? You have to say it sometimes. You have to get real brave, and bite your bottom lip, and let people go sometimes. Fully, fully. Whether you feel ready or not, you're still going to grow up and use that word a lot more than you ever expected to.
Hannah Brencher (If You Find This Letter: My Journey to Find Purpose Through Hundreds of Letters to Strangers)
The abnormally large female cut the sandwich into four pieces and gave one to each before taking one for herself. They all took a bite and she grinned at their appreciative groans. “See?” she said around a mouthful of peanut butter and jelly. “Isn’t that good?” “And so decadent,” Berg sighed. “I feel like I’m eating evil. Pure, unadulterated evil.” “But good evil,” Finn added. “The finest evil ever.” “Come!” Carl, the unabashed history fan and future historical “re-creator” of the lot—an activity Irene had always thought was an incredible waste of time for any human being with a brain—cried out,“Let us tell the others of this glory and what we have learned here today from the enemy She-wolf!” “Huzzah!” they all cheered and ran out the kitchen back door.
Shelly Laurenston (Big Bad Beast (Pride, #6))
All right. I'll bite. Here's what I think, with the caveat that I may be wrong. I think we're here to make the world a better place than we found it. I think we don't always deserve the cards we're dealt, good or bad. But we are judged by how we play the cards we're dealt. Those of us with a bum deal that makes it harder to do good -- we just have to work a little more is all. There's no destiny. There's just muddling through without doing to much damage.
Carrie Vaughn (Kitty and the Silver Bullet (Kitty Norville, #4))
Seriously?" I shrugged. "He can't suspect much if every time we're alone instead of talking I have my way with him." Cole shook his head. "You don't think it'll work?" I asked. He rolled his eyes. "Vayl might be a vampire, but he's also a guy. Who's about to be deliriously happy. Good God, if you work this right, he won't even be mad if finds out because of the way you decided to hide it from him.
Jennifer Rardin (Bite Marks (Jaz Parks, #6))
I pray that the Lord might crown this year with His goodness and in the coming one give you a hallowed dare-devil spirit in lifting the biting sword of Truth, consuming you with a passion that is called by the cultured citizen of Christendom 'fanaticism', but known to God as that saint-ly madness that led His Son through bloody sweat and hot tears to agony on a rude Cross---and Glory!
Jim Elliot
Have you named her yet?” he asks. “She likes powerful names so maybe you could appease her by giving her a good one.” I bite my lip as I remember telling Dee-Dum what I named my sword. “Um, I could rename her anything she likes.” I give him a cheesy smile. He looks like he’s bracing himself for the worst. “She gets named once by each carrier. If you’ve named her, she’s stuck with it for as long as she’s with you.” Damn. He glares at me as if he already hates it. “What is it?” I consider lying but what’s the point? I clear my throat. “Pooky Bear.” He’s silent for so long I’m beginning to think he didn’t hear me when he finally says, “Pooky. Bear.” “It was just a little joke. I didn’t know.” “I’ve mentioned that names have power, right? Do you realize that when she fights battles, she’s going to have to announce herself to the opposing sword? She’ll be forced to say something ridiculous like, ‘I am Pooky Bear, from an ancient line of archangel swords.’ Or, ‘Bow down to me, Pooky Bear, who has only two other equals in all the worlds.’ ” He shakes his head. “How is she going to get any respect?
Susan Ee (World After (Penryn & the End of Days, #2))
She hated Mr. Meanie. But she'd gotten to know him and they'd reached an understanding of sorts. Now she was to have him for supper. "Don't tell me you're feeling guilty?" Breaking off a piece of the wing, she brought it to her lips and took a bite. It did taste good. Very good. "I wonder if all grouchy males are this palatable." Drew choked. She looked up, tilting her head. "Are you all right?" He turned a dull red. "Eat your supper, Connie.
Deeanne Gist (A Bride Most Begrudging)
Tadas was sent to the principal today," announced Jonas at dinner. He wedged a huge piece of sausage into his small mouth. "Why?" I asked. "Because he talked about hell," sputtered Jonas, juice from the plump sausage dribbling down his chin. "Jonas, don't speak with your mouth full. Take smaller pieces," scolded Mother. "Sorry," said Jonas with his moth stuffed. "It's good." He finished chewing. I took a bite of sausage. It was warm and the skin was deliciously salty. "Tadas told one of the girls that hell is the worst place ever and there's no escape for all eternity." "Now why would Tadas be talking of hell?" asked Papa, reaching for the vegetables. "Because his father told him that if Stalin comes to Lithuania, we'll all end up there.
Ruta Sepetys (Between Shades of Gray)
You are not you--you have no body, no blood, no bones, you are but a thought. I myself have no existence; I am but a dream--your dream, a creature of your imagination. In a moment you will have realized this, then you will banish me from your visions and I shall dissolve into the nothingness out of which you made me. I am perishing already, I am failing, I am passing away. In a little while you will be alone in shoreless space, to wander its limitless solitudes without friend or comrade forever—for you will remain a thought, the only existent thought, and by your nature inextinguishable, indestructible. But I, your poor servant, have revealed you to yourself and set you free. Dream other dreams, and better! Strange! that you should not have suspected years ago—centuries, ages, eons, ago!—for you have existed, companionless, through all the eternities. Strange, indeed, that you should not have suspected that your universe and its contents were only dreams, visions, fiction! Strange, because they are so frankly and hysterically insane—like all dreams: a God who could make good children as easily as bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave his angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice and invented hell—mouths mercy and invented hell—mouths Golden Rules, and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites this poor, abused slave to worship him! You perceive, now, that these things are all impossible except in a dream. You perceive that they are pure and puerile insanities, the silly creations of an imagination that is not conscious of its freaks—in a word, that they are a dream, and you the maker of it. The dream-marks are all present; you should have recognized them earlier. "It is true, that which I have revealed to you; there is no God, no universe, no human race, no earthly life, no heaven, no hell. It is all a dream—a grotesque and foolish dream. Nothing exists but you. And you are but a thought—a vagrant thought, a useless thought, a homeless thought, wandering forlorn among the empty eternities!
Mark Twain (The Mysterious Stranger)
Young Castle called me "Scoop." "Good Morning, Scoop. What's new in the word game?" "I might ask the same of you," I replied. "I'm thinking of calling a general strike of all writers until mankind finally comes to its senses. Would you support it?" "Do writers have a right to strike? That would be like the police or the firemen walking out." "Or the college professors." "Or the college professors," I agreed. I shook my head. "No, I don't think my conscience would let me support a strike like that. When a man becomes a writer, I think he takes a sacred obligation to produce beauty and enlightenment and comfort at top speed." "I just can't help thinking what a real shake up it would give people if, all of a sudden, there were no new books, new plays, new histories, new poems..." "And how proud would you be when people started dying like flies?" I demanded. "They'd die more like mad dogs, I think--snarling & snapping at each other & biting their own tails." I turned to Castle the elder. "Sir, how does a man die when he's deprived of the consolation of literature?" "In one of two ways," he said, "petrescence of the heart or atrophy of the nervous system." "Neither one very pleasant, I expect," I suggested. "No," said Castle the elder. "For the love of God, both of you, please keep writing!
Kurt Vonnegut Jr. (Cat’s Cradle)
Strange! that you should not have suspected years ago--centuries, ages, eons, ago!--for you have existed, companionless, through all the eternities. Strange, indeed, that you should not have suspected that your universe and its contents were only dreams, visions, fiction! Strange, because they are so frankly and hysterically insane--like all dreams: a God who could make good children as easily as bad, yet preferred to make bad ones; who could have made every one of them happy, yet never made a single happy one; who made them prize their bitter life, yet stingily cut it short; who gave his angels eternal happiness unearned, yet required his other children to earn it; who gave his angels painless lives, yet cursed his other children with biting miseries and maladies of mind and body; who mouths justice and invented hell--mouths mercy and invented hell--mouths Golden Rules, and forgiveness multiplied by seventy times seven, and invented hell; who mouths morals to other people and has none himself; who frowns upon crimes, yet commits them all; who created man without invitation, then tries to shuffle the responsibility for man's acts upon man, instead of honorably placing it where it belongs, upon himself; and finally, with altogether divine obtuseness, invites this poor, abused slave to worship him!
Mark Twain
I regretted what a serious teenager I'd been: There were no posters of pop stars or favorite movies, no girlish collection of photos or corsages. Instead there were paintings of sailboats, proper pastel pastorals, a portrait of Eleanor Roosevelt. The latter was particularly strange, since I'd known little about Mrs. Roosevelt, except that she was good, which at the time I suppose was enough. Given my druthers now, I'd prefer a snapshot of Warren Harding's wife, "the Duchess," who recorded the smallest offenses in a little red notebook and avenged herself accordingly. Today I like my first ladies with a little bite.
Gillian Flynn (Sharp Objects)
Do you know that feeling? When everything you do seems like a struggle. Where you dont wanna leave the house because you know everyone is judging you. Where you cant even ask for directions in fear that they critise you. Where everyone always seems to be picking out your flaws. That feeling where you feel so damn sick for no reason. Do you know that feeling where you look in the mirror and completly hate what you see. When you grab handfuls and handfuls of fat and just want to cut it all off. That feeling when you see other beautiful girls and just wish you looked like them. When you compare yourself to everyone you meet. When you realise why no one ever showed intrest in you. That feeling where you become so self conscious you dont even turn up at school. That feeling when you feel so disappointed in who you are and everything you have become. That feeling when every bite makes you wanna be sick. When hunger is more satifying that food. The feeling of failure when you eat a meal. Do you know that feeling when you cant run as far as your class. Fear knowing that everyone thinks of you as the"Unfit FAT BITCH" That feeling when you just wanna let it all out but you dont wanna look weak. The fear you have in class when you dont understand something but your too afraid to ask for help. The feeling of being to ashamed to stand up for yourself. Do you know the feeling when your deepest fear becomes a reality. Fear that you will NEVER be good enough. When you feel as if you deserve all the pain you give yourself. When you finally understand why everyone hates you. FINALLY realising the harsh truth. Understanding that every cut, every burn, every bruise you have even given yourself, you deserved. In fact you deserved worse. That feeling when you believe you deserve constant and brutal pain. Do you know what it feels like to just want to give up. When you just want all the pain to end but you want it to continue? Or am i just insane
Anonymous.
Your daddy is standing in a swimming pool out a little bit from the edge. You are, let’s say, three years old and standing on the edge of the pool. Daddy holds out his arms to you and says, “Jump, I’ll catch you. I promise.” Now, how do you make your daddy look good at that moment? Answer: trust him and jump. Have faith in him and jump. That makes him look strong and wise and loving. But if you won’t jump, if you shake your head and run away from the edge, you make your daddy look bad. It looks like you are saying, “he can’t catch me” or “he won’t catch me” or “it’s not a good idea to do what he tells me to do.” And all three of those make your dad look bad. But you don’t want to make God look bad. So you trust him. Then you make him look good–which he really is. And that is what we mean when we say, “Faith glorifies God” or “Faith gives God glory.” It makes him look as good as he really is. So trusting God is really important. And the harder it seems for him to fulfill his promise, the better he looks when you trust him. Suppose that you are at the deep end of a pool by the diving board. You are four years old and can’t swim, and your daddy is at the other end of the pool. Suddenly a big, mean dog crawls under the fence and shows his teeth and growls at you and starts coming toward you to bite you. You crawl up on the diving board and walk toward the end to get away from him. The dog puts his front paws up on the diving board. Just then, your daddy sees what’s happening and calls out, “Johnny, jump in the water. I’ll get you.” Now, you have never jumped from one meter high and you can’t swim and your daddy is not underneath you and this water is way over your head. How do you make your daddy look good in that moment? You jump. And almost as soon as you hit the water, you feel his hands under your arms and he treads water holding you safely while someone chases the dog away. Then he takes you to the side of the pool. We give glory to God when we trust him to do what he has promised to do–especially when all human possibilities are exhausted. Faith glorifies God. That is why God planned for faith to be the way we are justified.
John Piper
In our relentlessly busy contemporary world, we are forever trying to defer the onset of winter. We don’t ever dare to feel its full bite, and we don’t dare to show the way that it ravages us. An occasional sharp wintering would do us good. We must stop believing that these times in our lives are somehow silly, a failure of nerve, a lack of willpower. We must stop trying to ignore them or dispose of them. They are real, and they are asking something of us. We must learn to invite the winter in. We may never choose to winter, but we can choose how.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
I have a foreboding of America in my children’s or grandchildren’s time–when the United States is a service and information economy; when nearly all of the manufacturing industries have slipped away to other countries; when awesome technological powers are in the hands of a very few, and no one representing the public interest can even grasp the issues; when the people have lost the ability to set their own agendas or knowledgeably question those in authority; with our critical faculties in decline, unable to distinguish between what feels good and what’s true, we slide almost without noticing, back into superstition and darkness. And when the dumbing down of America is most evident in the slow decay of substantive content in the enormously influential media, the 30-second sound bites now down to 10 seconds or less, lowest-common-denominator programming, credulous presentations on pseudoscience and superstition, but especially a kind of celebration of ignorance.
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
But, look, it is good to have a dream so long as you do not let it gnaw at the substance of your present. I have seen men consumed by their dreams, and it is a sour business. If you cling too tightly to a dream—a poodle bitch or a personal sausage chef or whatever—then you miss the felicity of your heart beating and the smell of the grass growing and the sounds lizards make when you run through the neighborhood with our friend. Your dream should be like a favorite old bone that you savor and cherish and chew upon gently. Then, rather than stealing from you a wasted sigh or the life of an idle hour, it nourishes you, and you become strangely contented by nostalgia for a possible future, so juicy with possibility and redolent of sautéed garlic and decadent slabs of bacon that you feel full when you’ve eaten nothing. And then, one fine day when the sun smiles upon your snout, then the time is right, you bite down hard. The dream is yours. And then you chew on the next one.
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
This looks good." "That's Metamucil," Bricker said with disgust, snatching it from her hand. "So?" She turned to scowl at him. "What's wrong with Metamucil?" "It's--" He glanced at the container and read, "A dietary supplement." "That sounds healthy," she said, trying to grab it back. "Eshe," he said, his disgust giving way to amusement. "It's what old mortals take to get regular." "To get regular what?" she asked, and then poked him in the stomach, hard. The moment Bricker bent over with an "oomph," she snatched the container back and repeated, "Regular what?" "Crap," he gasped, clutching his stomach. "I didn't hit you that hard," she said with some disgust of her own. "No." He sighed, straightening. "I meant that's what they get regulated. Crap." Eshe dropped the can in dismay. "They buy crap?
Lynsay Sands (Born to Bite (Argeneau, #13))
You won't enjoy it," sighed Crowley. "It's been in the car for more than a fortnight." A heavy bass beat began to thump through the Bentley as they sped past Heathrow. Aziraphale's brow furrowed. "I don't recognize this," he said. "What is it?" "It's Tchaikovsky's 'Another One Bites the Dust'," said Crowley, closing his eyes as they went through Slough. To while away the time as they crossed the sleeping Chilterns, they also listened to William Byrd's "We Are the Champions" and Beethoven's "I Want To Break Free." Neither were as good as Vaughan Williams's "Fat-Bottomed Girls.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
Imagine you’re walking down the street eating a sandwich and someone says, Damn, that looks like a delicious sandwich, can I have a bite? You’d think, why would I ever let you eat this sandwich? This is my sandwich. So you’d walk on and continue eating, and they’d say, What? You’re not going to say anything? No need to get mad, I was just trying to compliment your sandwich. Let’s say this happened three times a day, strangers stopping you on the street, letting you know how good your food looks, asking if they can have some of it. What if people started yelling out of their cars about how much they wanted your sandwich. Let me have some! they’d exclaim, driving by with a honk. Were you supposed to say, I’m sorry, no thank you, every time? Would you feel obligated to explain over and over again that you don’t wish to share because it’s your lunch and you don’t know them? That you don’t owe them any of it? That it’s a little unreasonable that they’re asking in the first place? All you would want is to walk down the street eating your sandwich in peace. Maybe I am making this worse by comparing a woman’s body to a sandwich, but do you see what I mean?
Chanel Miller (Know My Name: A Memoir)
The way she sat now, leaning forward frowning, biting her pink bottom lip, her shirt dipping to reveal a hint of her cleavage... He wondered idly if he could get her to bend over a little farther... "Just what are you staring at, exactly?" Kadar snapped back to reality. "You. You've been thinking hard for the last five minutes. It's not good for you to strain your pretty little head like that. I'm waiting for the steam to shoot out of your ears to relieve the pressure on your brain." "Aha." Audrey glanced at Jack and George. "What you have here is a man who was caught gaping at my breasts, and now he's trying to cover it up with rudeness.
Ilona Andrews (Fate's Edge (The Edge, #3))
I think we ought to read only books that bite and sting us. If the book we are reading doesn't shake us awake like a blow on the skull, why bother reading it in the first place? So that it can make us happy, as you put it? Good God, we'd be just as happy if we had no books at all; books that make us happy we could, in a pinch, also write ourselves. What we need are books that hit us like a most painful misfortune, like the death of someone we loved more than we love ourselves, that make us feel as though we had been banished to the woods, far from any human presence, like a suicide. A book must be the axe for the frozen sea within us. That is what I believe.
Franz Kafka
Now The Head Lines How do you like your truth? Gently spoken on breakfast TV By a man and a woman who sit comfortably Saying riots, and murder, when will it end? As they struggle to act as if they are good friends. How do you like your truth? Bite-sized in sound bites cut easy to chew, With a talking head saying the victim's like you And when you've digested the horrors you've seen You find good, you find evil, and no in-between. How do you like your truth? Fantastic, sensational, printed in bold, Today it's exclusive, tomorrow it's old, All on the surface with nothin too deep With a story about animals to help you to sleep How do you like your youth? From perfect families with parents thet care, Or in perfect families but still in despair, Ten out of ten parents say they'd not choose To have bad kids like those in the news.
Benjamin Zephaniah (Teacher's Dead: Nelson Thornes Page Turners)
To restate an old law - when a man bites a fish, that's good, but when a fish bites a man, that's bad. This is one way of saying it's all right if man kills an animal, but if an animal attacks man, the act is reprehensible. The animal is labelled "killer," something to be feared, hated, shunned, punished, even killed by man. How dangerous are those sea animals with bad reputations? A few actually kill. A few maim. Some are poisonous when eaten by man. Most sting, stab,or poison and cause mild to severe discomfort to man. Yet man is one of the larger beings that sea creatures encounter, and these poisons usually can't kill him. Very often these poisons are used defensively against predators and offensively in food gathering. There are a few animals that have won themselves a bad reputation even though they have little or no effect on man. They have won their rating through man's interpretation of their attitude towards lower animals. These animals have been seen feeding in what appears to be a savage manner. But this behavior may perhaps be comparable to a man tearing the flesh off a chicken leg with his teeth.
Jacques-Yves Cousteau (The Ocean World (Abradale))
Dear friend…' The Witcher swore quietly, looking at the sharp, angular, even runes drawn with energetic sweeps of the pen, faultlessly reflecting the author’s mood. He felt once again the desire to try to bite his own backside in fury. When he was writing to the sorceress a month ago he had spent two nights in a row contemplating how best to begin. Finally, he had decided on “Dear friend.” Now he had his just deserts. 'Dear friend, your unexpected letter – which I received not quite three years after we last saw each other – has given me much joy. My joy is all the greater as various rumours have been circulating about your sudden and violent death. It is a good thing that you have decided to disclaim them by writing to me; it is a good thing, too, that you are doing so so soon. From your letter it appears that you have lived a peaceful, wonderfully boring life, devoid of all sensation. These days such a life is a real privilege, dear friend, and I am happy that you have managed to achieve it. I was touched by the sudden concern which you deigned to show as to my health, dear friend. I hasten with the news that, yes, I now feel well; the period of indisposition is behind me, I have dealt with the difficulties, the description of which I shall not bore you with. It worries and troubles me very much that the unexpected present you received from Fate brings you worries. Your supposition that this requires professional help is absolutely correct. Although your description of the difficulty – quite understandably – is enigmatic, I am sure I know the Source of the problem. And I agree with your opinion that the help of yet another magician is absolutely necessary. I feel honoured to be the second to whom you turn. What have I done to deserve to be so high on your list? Rest assured, my dear friend; and if you had the intention of supplicating the help of additional magicians, abandon it because there is no need. I leave without delay, and go to the place which you indicated in an oblique yet, to me, understandable way. It goes without saying that I leave in absolute secrecy and with great caution. I will surmise the nature of the trouble on the spot and will do all that is in my power to calm the gushing source. I shall try, in so doing, not to appear any worse than other ladies to whom you have turned, are turning or usually turn with your supplications. I am, after all, your dear friend. Your valuable friendship is too important to me to disappoint you, dear friend. Should you, in the next few years, wish to write to me, do not hesitate for a moment. Your letters invariably give me boundless pleasure. Your friend Yennefer' The letter smelled of lilac and gooseberries. Geralt cursed.
Andrzej Sapkowski (Krew elfów (Saga o Wiedźminie, #1))
George who is out somewhere there in the dark... George who is good to me, and whom I revile; who understands me, and whom I push off; who can make me laugh, and I choke it back in my throat; who can hold me, at night, so that it's warm, and whom I will bite so there's blood; who keeps learning the games we play as quickly as I can change the rules; who can make me happy and I do not wish to be happy, and yes I do wish to be happy. George and Martha: sad, sad, sad... whom I will not forgive for having come to rest; for having seen me and having said: yes; this will do; who has made the hideous, the hurting, the insulting mistake of loving me and must be punished for it. George and Martha: sad, sad, sad... who tolerates, which is intolerable; who is kind, which is cruel; who understands, which is beyond comprehension...
Edward Albee (Who's Afraid of Virginia Woolf?)
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven. even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory. and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite. of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
Annabel Giles (Birthday Girls)
Hardly had the light been extinguished, when a peculiar trembling began to affect the netting under which the three children lay. It consisted of a multitude of dull scratches which produced a metallic sound, as if claws and teeth were gnawing at the copper wire. This was accompanied by all sorts of little piercing cries. The little five-year-old boy, on hearing this hubbub overhead, and chilled with terror, jogged his brother's elbow; but the elder brother had already shut his peepers, as Gavroche had ordered. Then the little one, who could no longer control his terror, questioned Gavroche, but in a very low tone, and with bated breath:-- "Sir?" "Hey?" said Gavroche, who had just closed his eyes. "What is that?" "It's the rats," replied Gavroche. And he laid his head down on the mat again. The rats, in fact, who swarmed by thousands in the carcass of the elephant, and who were the living black spots which we have already mentioned, had been held in awe by the flame of the candle, so long as it had been lighted; but as soon as the cavern, which was the same as their city, had returned to darkness, scenting what the good story-teller Perrault calls "fresh meat," they had hurled themselves in throngs on Gavroche's tent, had climbed to the top of it, and had begun to bite the meshes as though seeking to pierce this new-fangled trap. Still the little one could not sleep. "Sir?" he began again. "Hey?" said Gavroche. "What are rats?" "They are mice." This explanation reassured the child a little. He had seen white mice in the course of his life, and he was not afraid of them. Nevertheless, he lifted up his voice once more. "Sir?" "Hey?" said Gavroche again. "Why don't you have a cat?" "I did have one," replied Gavroche, "I brought one here, but they ate her." This second explanation undid the work of the first, and the little fellow began to tremble again. The dialogue between him and Gavroche began again for the fourth time:-- "Monsieur?" "Hey?" "Who was it that was eaten?" "The cat." "And who ate the cat?" "The rats." "The mice?" "Yes, the rats." The child, in consternation, dismayed at the thought of mice which ate cats, pursued:-- "Sir, would those mice eat us?" "Wouldn't they just!" ejaculated Gavroche. The child's terror had reached its climax. But Gavroche added:-- "Don't be afraid. They can't get in. And besides, I'm here! Here, catch hold of my hand. Hold your tongue and shut your peepers!
Victor Hugo (Les Misérables)
Jason and Ferrin turned. Aram, face shiny with sweat, pulled a small pair of pants over his skinny legs. His shrunken hands trembled. Ferrin struggled not to smile. He was unsuccessful. Ferrin's involuntary grin forced Jason to bite his lip to keep from laughing. Ferrin noticed and began to shake, eyes watering. Aram hastily pulled on a shirt. Then he folded his arms, glaring grumpily up at the others. "Go ahead, let it out, have a good laugh." They did. Feeding off each other, magnified by the knowledge that their laughter was so inappropriate, their mirth was uncontrollable. Ferrin buried his face, attempting to compose himself. Jason stared at the ground, trying to summon sober thoughts. "We need to go," Aram said indignantly, clambering up onto his suddenly oversized horse. Atop the huge stallion, he looked like a little jockey. Jason coughed out a final laugh. Ferrin shook quietly, wiping tears from flushed cheeks. "Finished?" Aram asked. "You two are ruthless." He looked down at himself. "I guess it's quite a contrast." "We don't mean to rub it in," Jason apologized. "We've already seen you both ways. It isn't that big of a deal." "It doesn't help that you're so shy about it," Ferrin tried to explain. "It was more your expression than anything." "Let's leave it behind us," Aram said, nudging his horse with his heels. The stallion didn't respond. Ferrin buried his face in the crook of his arm. Jason ground his teeth.
Brandon Mull (Seeds of Rebellion (Beyonders, #2))
If you're anything like me, You bite your nails, And laugh when you're nervous. You promise people the world, because that's what they want from you. You like giving them what they want... But darling, you need to stop, If you're anything like me, You knock on wood every time you make plans. You cross your fingers, hold your breath, Wish on lucky numbers and eyelashes Your superstitions were the lone survivors of the shipwreck. Rest In Peace, to your naive bravado... If life gets too good now, Darling, it scares you. If you're anything like me, You never wanted to lock your door, Your secret garden gate or your diary drawer Didn't want to face the you you don't know anymore For fear she was much better before... But Darling, now you have to. If you're anything like me, There's a justice system in your head For names you'll never speak again, And you make your ruthless rulings. Each new enemy turns to steel They become the bars that confine you, In your own little golden prison cell... But Darling, there is where you meet yourself. If you're anything like me You've grown to hate your pride To love your thighs And no amount of friends at 25 Will fill the empty seats At the lunch tables of your past The teams that picked you last... But Darling, you keep trying. If you're anything like me, You couldn't recognize the face of your love Until they stripped you of your shiny paint Threw your victory flag away And you saw the ones who wanted you anyway... Darling, later on you will thank your stars for that frightful day. If you're anything like me, I'm sorry. But Darling, it's going to be okay.
Taylor Swift
The repetitive phases of cooking leave plenty of mental space for reflection, and as I chopped and minced and sliced I thought about the rhythms of cooking, one of which involves destroying the order of the things we bring from nature into our kitchens, only to then create from them a new order. We butcher, grind, chop, grate, mince, and liquefy raw ingredients, breaking down formerly living things so that we might recombine them in new, more cultivated forms. When you think about it, this is the same rhythm, once removed, that governs all eating in nature, which invariably entails the destruction of certain living things, by chewing and then digestion, in order to sustain other living things. In The Hungry Soul Leon Kass calls this the great paradox of eating: 'that to preserve their life and form living things necessarily destroy life and form.' If there is any shame in that destruction, only we humans seem to feel it, and then only on occasion. But cooking doesn't only distance us from our destructiveness, turning the pile of blood and guts into a savory salami, it also symbolically redeems it, making good our karmic debts: Look what good, what beauty, can come of this! Putting a great dish on the table is our way of celebrating the wonders of form we humans can create from this matter--this quantity of sacrificed life--just before the body takes its first destructive bite.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
If anyone attempted to rule the world by the gospel and to abolish all temporal law and sword on the plea that all are baptized and Christian, and that, according to the gospel, there shall be among them no law or sword - or need for either - pray tell me, friend, what would he be doing? He would be loosing the ropes and chains of the savage wild beasts and letting them bite and mangle everyone, meanwhile insisting that they were harmless, tame, and gentle creatures; but I would have the proof in my wounds. Just so would the wicked under the name of Christian abuse evangelical freedom, carry on their rascality, and insist that they were Christians subject neither to law nor sword, as some are already raving and ranting. To such a one we must say: Certainly it is true that Christians, so far as they themselves are concerned, are subject neither to law nor sword, and have need of neither. But take heed and first fill the world with real Christians before you attempt to rule it in a Christian and evangelical manner. This you will never accomplish; for the world and the masses are and always will be unchristian, even if they are all baptized and Christian in name. Christians are few and far between (as the saying is). Therefore, it is out of the question that there should be a common Christian government over the whole world, or indeed over a single country or any considerable body of people, for the wicked always outnumber the good. Hence, a man who would venture to govern an entire country or the world with the gospel would be like a shepherd who should put together in one fold wolves, lions, eagles, and sheep, and let them mingle freely with one another, saying, “Help yourselves, and be good and peaceful toward one another. The fold is open, there is plenty of food. You need have no fear of dogs and clubs.” The sheep would doubtless keep the peace and allow themselves to be fed and governed peacefully, but they would not live long, nor would one beast survive another. For this reason one must carefully distinguish between these two governments. Both must be permitted to remain; the one to produce righteousness, the other to bring about external peace and prevent evil deeds. Neither one is sufficient in the world without the other. No one can become righteous in the sight of God by means of the temporal government, without Christ's spiritual government. Christ's government does not extend over all men; rather, Christians are always a minority in the midst of non-Christians. Now where temporal government or law alone prevails, there sheer hypocrisy is inevitable, even though the commandments be God's very own. For without the Holy Spirit in the heart no one becomes truly righteous, no matter how fine the works he does. On the other hand, where the spiritual government alone prevails over land and people, there wickedness is given free rein and the door is open for all manner of rascality, for the world as a whole cannot receive or comprehend it.
Martin Luther (Luther and Calvin on Secular Authority (Cambridge Texts in the History of Political Thought))
As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower. "Mmm," I say.He's kissing my neck. "That's it," Rashmi says. "I'm outta here.Enjoy your hormones." Josh and Mer follow her exit,and we're alone.Just the way I like it. "Ha!" Ettiene says. "Just the way I like it." He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say. "I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want." I lace my fingers through his. "I want to stay right here,in this moment." "Isn't that the name of the latest James Ashley bestseller? In This Moment?" "Careful.Someday you'll meet him, and he won't be nearly as amusing in person." Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing." "I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run." "I'm not most people." I smile. "I know.But you still have to promise." His eyes lock on mine. "Anna,I promise that I will never leave you." My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says. I'm still dazed. "My what?" He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him." I pause. "Do you think he'll object to me?" "Oh,I'm sure he will." Okay.Not the answer I was looking for. Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you." "So....that's a good thing?" "I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails." "You've worn your pinkies to nubs," I say cheerfully. "Or if I need to start ironing my bedspread." "I DO NOT IRON MY BEDSPREAD." "You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you." "She goes?" "You're the only thing I've talked about all year.She's ecstatic we're together." I'm smiling inside and out. "I can't wait to meet her.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Every time I glanced at Ren, I saw that he was watching me. When we finally reached the end of the tunnel and saw the stone steps that led to the surface, Ren stopped. “Kelsey, I have one final request of you before we head up.” “And what would that be? Want to talk about tiger senses or monkey bites in strange places maybe?” “No. I want you to kiss me.” I sputtered, “What? Kiss you? What for? Don’t you think you got to kiss me enough on this trip?” “Humor me, Kells. This is the end of the line for me. We’re leaving the place where I get to be a man all the time, and I have only my tiger’s life to look forward to. So, yes, I want you to kiss me one more time.” I hesitated. “Well, if this works, you can go around kissing all the girls you want to. So why bother with me right now?” He ran a hand through his hair in frustration. “Because! I don’t want to run around kissing all the other girls! I want to kiss you!” “Fine! If it will shut you up!” I leaned over and pecked him on the cheek. “There!” “No. Not good enough. On the lips, my prema.” I leaned over and pecked him on the lips. “There. Can we go now?” I marched up the first two steps, and he slipped his hand under my elbow and spun me around, twisting me so that I fell forward into his arms. He caught me tightly around the waist. His smirk suddenly turned into a sober expression. “A kiss. A real one. One that I’ll remember.” I was about to say something brilliantly sarcastic, probably about him not having permission, when he captured my mouth with his. I was determined to remain stiff and unaffected, but he was extremely patient. He nibbled on the corners of my mouth and pressed soft, slow kisses against my unyielding lips. It was so hard not to respond to him. I made a valiant struggle, but sometimes the body betrays the mind. He slowly, methodically swept aside my resistance. And, feeling he was winning, he pressed ahead and began seducing me even more skillfully. He held me tightly against his body and ran a hand up to my neck where he began to massage it gently, teasing my flesh with his fingertips. I felt the little love plant inside me stretch, swell, and unfurl its leaves, like he was pouring Love Potion # 9 over the thing. I gave up at that point and decided what the heck. I could always use a rototiller on it. And I rationalized that when he breaks my heart, at least I will have been thoroughly kissed. If nothing else, I’ll have a really good memory to look back on in my multi-cat spinsterhood. Or multi-dog. I think I will have had my fill of cats. I groaned softly. Yep. Dogs for sure.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
A’ight, so what do you think it means?” “You don’t know?” I ask. “I know. I wanna hear what YOU think.” Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.” “Us who?” he asks. “Black people, minorities, poor people. Everybody at the bottom in society.” “The oppressed,” says Daddy. “Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?” “Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.” Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.” “A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?” “Racism?” “You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.” “He was a drug dealer.” It hurts to say that. “And possibly a gang member.” “Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?” I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.” “Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here. “Now, think ’bout this,” he says. “How did the drugs even get in our neighborhood? This is a multibillion-dollar industry we talking ’bout, baby. That shit is flown into our communities, but I don’t know anybody with a private jet. Do you?” “No.” “Exactly. Drugs come from somewhere, and they’re destroying our community,” he says. “You got folks like Brenda, who think they need them to survive, and then you got the Khalils, who think they need to sell them to survive. The Brendas can’t get jobs unless they’re clean, and they can’t pay for rehab unless they got jobs. When the Khalils get arrested for selling drugs, they either spend most of their life in prison, another billion-dollar industry, or they have a hard time getting a real job and probably start selling drugs again. That’s the hate they’re giving us, baby, a system designed against us. That’s Thug Life.
Angie Thomas (The Hate U Give (The Hate U Give, #1))