Biscuit Sayings And Quotes

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But with dogs, we do have "bad dog." Bad dog exists. "Bad dog! Bad dog! Stole a biscuit, bad dog!" The dog is saying, "Who are you to judge me? You human beings who’ve had genocide, war against people of different creeds, colors, religions, and I stole a biscuit?! Is that a crime? People of the world!" "Well, if you put it that way, I think you’ve got a point. Have another biscuit, sorry.
Eddie Izzard (Glorious)
You can put your boots in the oven, but that doesn't make them biscuits. - You can say whatever you want about something, but that doesn't change what it is.
Charles Martin (Chasing Fireflies)
It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea-lions, lions, human beings and daffodils and murder and art and love and confusion and death and madness and biscuits.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
Prince Henry is a biscuit,' Nora says, 'let him sop you up.
Casey McQuiston (Red, White & Royal Blue)
I don't remember saying you could give away my biscuits. " "It's for a good cause, besides you've barely touched them. " "I'm saving them for later, and you should not cross me when it's comes to sweets. " Jasper nodded. "She's like a dessert-hoarding dragon.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Would it not be better if they spent more money on wholesome things like oranges and wholemeal bread or if they even, like the writer of the letter to the New Statesman, saved on fuel and ate their carrots raw? Yes, it would, but the point is that no ordinary human being is ever going to do such a thing. The ordinary human being would sooner starve than live on brown bread and raw carrots. And the peculiar evil is this, that the less money you have, the less inclined you feel to spend it on wholesome food. A millionaire may enjoy breakfasting off orange juice and Ryvita biscuits; an unemployed man doesn't. Here the tendency of which I spoke at the end of the last chapter comes into play. When you are unemployed, which is to say when you are underfed, harassed, bored, and miserable, you don't want to eat dull wholesome food. You want something a little bit 'tasty'. There is always some cheaply pleasant thing to tempt you.
George Orwell (The Road to Wigan Pier)
This book I'm reading says if you want to be as thin as a stalk of celery, then that's what you should be eating. I'm not sure I want to look like celery, but I know I don't want to look like a biscuit.
Rebecca Rasmussen (The Bird Sisters)
Nina sat down next to Alys. “Would you um … like some tea?” “With honey?” Alys asked. “I, uh … I think we have sugar?” “I only like tea with honey and lemon.” Nina looked like she might tell Alys exactly where she could put her honey and lemon, so Matthias said hurriedly, “How would you like a chocolate biscuit?” “Oh, I love chocolate!” Nina’s eyes narrowed. “I don’t remember saying you could give away my biscuits.” “It’s for a good cause,” Matthias said, retrieving the tin. He’d purchased the biscuits in the hope of getting Nina to eat more. “Besides, you’ve barely touched them.” “I’m saving them for later,” said Nina with a sniff. “And you should not cross me when it comes to sweets.” Jesper nodded. “She’s like a dessert-hoarding dragon.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Once upon a time Somebody say to me (This is a dog talkin' now) What is your Conceptual Continuity? Well, I told him right then (Fido said) It should be easy to see The crux of the biscuit Is the Apostrophe(')
Frank Zappa (Apostrophe ('))
Suddenly, in the space of a moment, I realized what it was that I loved about Britain - which is to say, all of it. Every last bit of it, good and bad - Marmite, village fetes, country lanes, people saying 'mustn't grumble' and 'I'm terribly sorry but', people apologizing to me when I conk them with a nameless elbow, milk in bottles, beans on toast, haymaking in June, stinging nettles, seaside piers, Ordnance Survey maps, crumpets, hot-water bottles as a necessity, drizzly Sundays - every bit of it. What a wondrous place this was - crazy as fuck, of course, but adorable to the tiniest degree. What other country, after all, could possibly have come up with place names like Tooting Bec and Farleigh Wallop, or a game like cricket that goes on for three days and never seems to start? Who else would think it not the least odd to make their judges wear little mops on their heads, compel the Speaker of the House of Commons to sit on something called the Woolsack, or take pride in a military hero whose dying wish was to be kissed by a fellow named Hardy? ('Please Hardy, full on the lips, with just a bit of tongue.') What other nation in the world could possibly have given us William Shakespeare, pork pies, Christopher Wren, Windsor Great Park, the Open University, Gardners' Question Time and the chocolate digestive biscuit? None, of course. How easily we lose sight of all this. What an enigma Britain will seem to historians when they look back on the second half of the twentieth century. Here is a country that fought and won a noble war, dismantled a mighty empire in a generally benign and enlightened way, created a far-seeing welfare state - in short, did nearly everything right - and then spent the rest of the century looking on itself as a chronic failure. The fact is that this is still the best place in the world for most things - to post a letter, go for a walk, watch television, buy a book, venture out for a drink, go to a museum, use the bank, get lost, seek help, or stand on a hillside and take in a view. All of this came to me in the space of a lingering moment. I've said it before and I'll say it again. I like it here. I like it more than I can tell you.
Bill Bryson (Notes from a Small Island)
A towel, it says, is about the most massively useful thing an interstellar hitchhiker can have. Partly it has great practical value - you can wrap it around you for warmth as you bound across the cold moons of Jaglan Beta; you can lie on it on the brilliant marble-sanded beaches of Santraginus V, inhaling the heady sea vapours; you can sleep under it beneath the stars which shine so redly on the desert world of Kakrafoon; use it to sail a mini raft down the slow heavy river Moth; wet it for use in hand-to- hand-combat; wrap it round your head to ward off noxious fumes or to avoid the gaze of the Ravenous Bugblatter Beast of Traal (a mindboggingly stupid animal, it assumes that if you can't see it, it can't see you - daft as a bush, but very ravenous); you can wave your towel in emergencies as a distress signal, and of course dry yourself off with it if it still seems to be clean enough. More importantly, a towel has immense psychological value. For some reason, if a strag (strag: non-hitch hiker) discovers that a hitch hiker has his towel with him, he will automatically assume that he is also in possession of a toothbrush, face flannel, soap, tin of biscuits, flask, compass, map, ball of string, gnat spray, wet weather gear, space suit etc., etc. Furthermore, the strag will then happily lend the hitch hiker any of these or a dozen other items that the hitch hiker might accidentally have "lost". What the strag will think is that any man who can hitch the length and breadth of the galaxy, rough it, slum it, struggle against terrible odds, win through, and still knows where his towel is is clearly a man to be reckoned with.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
In tiny Denmark the system wasso ingenious that if you knew some dirt about somebody, they also knew something just as bad about you. If it wasn't hushed up, the one person's offense quickly infected the other's. A strange, practical principle that meant that no one would say anything about anyone else, not even if they were caught with their hands in the biscuit tin.
Jussi Adler-Olsen
Mother-trucker biscuit fucker,” I said, a saying my mother had always used when I was in the room and she was trying not to swear. By the last word, she’d apparently given up.
K.F. Breene (Sin & Chocolate (Demigods of San Francisco, #1))
I’ve learnt that you’ve got to be really non-apologetic... You’ve got to say, ‘Hi, I’m here, can I have a cup of tea? And one of those biscuits?’ If you say that, it’s fine. If you go in and say, ‘Excuse me, I’m a transvestite, I’ll be in the corner, I won’t be a problem, I’ll face away,’ everyone will go, ‘Oh-oh, problem case in the corner.’ So don’t apologise.
Eddie Izzard (Eddie Izzard: Dress to kill)
Still, Lindsay stops getting dressed, even though he's only half-done, because he gets this urge to ambush the kid with a hug. Just that, nothing else. He wraps his arms around Valentine's skinny body and pulls him close and rests his cheek on the still-damp hair and inhales the cherry-almond scent of his shampoo, and Valentine says, "Oh!" in a really odd way, like he's just read a particularly interesting fact on the back of a Penguin biscuit wrapper. Lindsay's got his eyes shut but he can feel the kid's hands creeping up his bare arms, over his shoulders. One stays there and the other comes to rest on the back of his neck, fingers playing idly with the ends of his hair, and several minutes pass without sound or movement, just the gentle thud of heartbeats. "What's that for?" Valentine asks, when Lindsay finally lets him go. "Don't know. Nothing. Just seemed the kind of thing you'd like. BAM, surprise ninja cuddles.
Richard Rider (Stockholm Syndrome (Stockholm Syndrome, #1))
Miss Trudie said, “Well, like my momma used to say, butter my butt and call me a biscuit. This takes the cake.
Dorothea Benton Frank (All the Single Ladies)
We always say in the South that good manners are a kind of passport. If you have good manners, you can go everywhere and people are glad to have you around.
Reese Witherspoon (Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits)
Granny says they're soft in the head, but Elsa just thinks they're nice. And they always have dreams and hugs - dreams are a kind of biscuit; hugs are just normal hugs.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea-lions, seals, lions, human beings and daffodils and murder and art and love and confusion and death and madness and biscuits.
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
Helping a woman make biscuits should not make a fellow this happy. But when the woman was the fellow’s wife, and she smiled at him as if he were the noblest hero of her acquaintance—well, it couldn’t be helped.
Karen Witemeyer (More Than Words Can Say (Patchwork Family, #2))
And then Robinson Crusoe stripped naked, swam out to his ship, filled his pockets with biscuits, and swam back to shore...." "What?" I said, hefting my pack and frowning at the child. "Nothing," she said, getting to her feet. "Just an old preHegira book that Uncle Martin used to read to me. He used to say that proofreaders have always been incompetent assholes-even 1400 years ago.
Dan Simmons (Endymion (Hyperion Cantos, #3))
I remind my American readers that biscuits in England and Australia are crispy flat things such as you call cookies, and the soft doughy things you call biscuits are what we call scones. And they say we speak the same language…
Kerry Greenwood (Murder in the Dark (Phryne Fisher, #16))
I hold the biscuits in front of his face and he stands up. "What do I have to do?" he says. "Nothing," I say. "They're for you." "Are they poisoned?" he says. "No," I say. "Eat one," he says. So I do. "Probably the others are poisoned," he says. "Eat a fraction of each." I eat a corner off each biscuit. He looks at the reminders suspiciously, then sniffs them. "I'm not sure it's worth it," he says. "How I wish you'd never come. Perhaps you've left the poison off of just those corners." I begin to realize I'll doubt whatever information he gives me. "Lick the entire biscuit," he says. "Then give them to me." So I lick each biscuit. "Both sides," he says. I lick both sides of each biscuit. I give him the wet biscuits and he cracks them open and sniffs them. Then he puts them in his pocket. "What do you want?" he says. "Now that you've failed to poison me to death.
George Saunders (Pastoralia)
Now, this is my little public service announcement: If you get invited to something, it's incumbent upon you to RSVP as soon as possible. A quick “no” is better than a long “maybe.” People go to a lot of trouble to plan a party, and it's a big deal to open up your home. What's more, it's essential to show up if you say you will. I have a busy life, but I still don't cancel unless it's a superduper emergency – I'm talking hospital-visit, in-the-newspapers-the-next-day emergency. Being tired just isn't a good enough excuse. C'mon! Make an effort! One trick I use to determine whether or not to say yes to an invite is: Would I want to go right then and there? If the party were that second, would I get dressed and rush out of the house to go to the party? If the answer is yes, I probably do want to go, but if the answer is no, I don't accept the invitation.
Reese Witherspoon (Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits)
Are there biscuits hidden somewhere? I wouldn’t even know where to look –that’s your mother’s domain,’ he says, heading for the kitchen to first check the USA biscuit tin that we were convinced was a sewing kit. Turns out Mammy had been using it as a kind of double-bluff in her quest to keep anything ‘good’ away from us. A
Emer McLysaght (Oh My God, What a Complete Aisling)
His eyes light up upon seeing the cookies. “Did you make them?” “My sister did. They’re just the break-and-bake kind.” “Those are my favorite.” “No they’re not,” Victoria says. “Hey, how about you head upstairs and start getting ready for bed?” “It’s seven o’clock.” “How about you head upstairs and just … stay there?” They look at each other for a long moment and seem to be having some kind of nonverbal sibling communication. Finally Victoria sighs and steps away from the door. “I get half of those cookies.
Emma Mills (Foolish Hearts)
After a long moment, he heard his mother say ruefully, “Sometimes I miss the days when I could solve any of my children’s problems with a nap and a biscuit.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
They have a saying, the Basque. That just because the cat has kittens in the oven, it doesn’t make them biscuits.
Craig Johnson (Death Without Company (Walt Longmire, #2))
They say diamonds are a girl’s best friend, but my grandmother Dorothea always said that pearls are a southern girl’s best friend.
Reese Witherspoon (Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits)
Yes, he was a good kisser, and there was tongue.” “I fucking knew it,” she says. “Still waters, deep dicking.” “Stop,” he groans. “Prince Henry is a biscuit,” Nora says, “let him sop you up.
Casey McQuiston (Red, White & Royal Blue)
The women we become after children, she typed, then stopped to adjust the angle of the paper....We change shape, she continued, we buy low-heeled shoes, we cut off our long hair, We begin to carry in our bags half-eaten rusks, a small tractor, a shred of beloved fabric, a plastic doll. We lose muscle tone, sleep, reason, persoective. Our hearts begin to live outside our bodies. They breathe, they eat, they crawl and-look!-they walk, they begin to speak to us. We learn that we must sometimes walk an inch at a time, to stop and examine every stick, every stone, every squashed tin along the way. We get used to not getting where we were going. We learn to darn, perhaps to cook, to patch knees of dungarees. We get used to living with a love that suffuses us, suffocates us, blinds us, controls us. We live, We contemplate our bodies, our stretched skin, those threads of silver around our brows, our strangely enlarged feet. We learn to look less in the mirror. We put our dry-clean-only clothes to the back of the wardrobe. Eventually we throw them away. We school ourselves to stop saying 'shit' and 'damn' and learn to say 'my goodness' and 'heavens above.' We give up smoking, we color our hair, we search the vistas of parks, swimming-pools, libraries, cafes for others of our kind. We know each other by our pushchairs, our sleepless gazes, the beakers we carry. We learn how to cool a fever, ease a cough, the four indicators of meningitis, that one must sometimes push a swing for two hours. We buy biscuit cutters, washable paints, aprons, plastic bowls. We no longer tolerate delayed buses, fighting in the street, smoking in restaurants, sex after midnight, inconsistency, laziness, being cold. We contemplate younger women as they pass us in the street, with their cigarettes, their makeup, their tight-seamed dresses, their tiny handbags, their smooth washed hair, and we turn away, we put down our heads, we keep on pushing the pram up the hill.
Maggie O'Farrell (The Hand That First Held Mine)
So you like Bake Off, huh?” “It’s just so soothing,” Henry says. “Everything’s all pastel-colored and the music is so relaxing and everyone’s so lovely to one another. And you learn so much about different types of biscuits, Alex.
Casey McQuiston (Red, White & Royal Blue)
In her eyes, he’d never grown up. He was still a ten-year-old who needed hugs and biscuits when he scraped his knees, and wasn’t truly safe away from her watchful eye. He wished there was something he could say to give her comfort.
Darcy Coates (The Haunting of Rookward House)
How dare you give the poor woman trouble over those nasty biscuits! If you made biscuits worth eating, sir, perhaps she wouldn’t throw them to the fish!” He blinked his eyes in astonishment. “Biscuits worth eating? I’ll have you know, madam, that I bake the best biscuit on the high seas!” “That’s not saying much, considering that ship’s biscuits are notoriously awful!” “It’s alright, Louisa, you needn’t defend me—“ Sara began. Louisa just ignored her. “Those biscuits were so hard, I could scarcely choke them down. As for that stew—” “Look here, you disrespectful harpy,” the cook said, punctuating his words with loud taps of his cane. “There ain’t nothin’ wrong with Silas Drummond’s stew, and I defy any man—or woman—to make a better one!
Sabrina Jeffries (The Pirate Lord)
Because time is not like space. And when you put something down somewhere, like a protractor or a biscuit, you can have a map in your head to tell you where you have left it, but even if you don't have a map it will still be there because a map is a representation of things that actually exist so you can find the protractor or the biscuit again. And a timetable is a map of time, except that if you don't have a timetable time is not there like the landing and the garden and the route to school. Because time is only the relationship between the way different things change, like the earth going round the sun and atoms vibrating and clocks ticking and day and night and waking up and going to sleep, and it is like west or nor-nor-east, which won't exist when the earth stops existing and falls into the sun because it is only a relationship between the North Pole and the South Pole and everywhere else, like Mogadishu and Sunderland and Canberra. And it isn't a fixed relationship like the relationship between our house and Mrs. Shears's house, or like the relationship between 7 and 865, but it depends on how fast you are going relative to a specific point. And if you go off in a spaceship and you travel near the speed of light, you may come back and find that all your family is dead and you are still young and it will be the future but your clock will say that you have only been away for a few days or months. And because nothing can travel faster than the speed of light, this means that we can only know about a fraction of the things that go on in the universe,
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." [...] "So let me give you the layout. Me sitting at the table, on my left, the newspaper, on my right, the cup of coffee, in the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and . . ." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for, is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience, or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could. . ." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur, "couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open. . ." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate the biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," said Arthur, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject the second time around. What do you say? 'Excuse me... I couldn't help noticing, er . . .' Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day . ." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine."” "We went through the whole packet like this. Him, me, him, me . . ." "The whole packet?" "Well, it was only eight biscuits, but it seemed like a lifetime of biscuits we were getting through at this point. Gladiators could hardly have had a tougher time." "Gladiators," said Fenchurch, "would have had to do it in the sun. More physically gruelling." "There is that. So. When the empty packet was lying dead between us the man at last got up, having done his worst, and left. I heaved a sigh of relief, of course. "As it happened, my train was announced a moment or two later, so I finished my coffee, stood up, picked up the newspaper, and underneath the newspaper . . ." "Yes?" "Were my biscuits." "What?" said Fenchurch. "What?" "True." "No!
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
If I had the money I could buy a torch and read till dawn. In America a torch is called a flashlight. A biscuit is called a cookie, a bun is a roll. Confectionery is pastry and minced meat is ground. Men wear pants instead of trousers and they’ll even say this pant leg is shorter than the other which is silly. When I hear them saying pant leg I feel like breathing faster. The lift is an elevator and if you want a WC or a lavatory you have to say bathroom even if there isn’t a sign of a bath there. And no one dies in America, they pass away or they’re deceased and when they die the body, which is called the remains, is taken to a funeral home where people just stand around and look at it and no one sings or tells a story or takes a drink and then it’s taken away in a casket to be interred. They don’t like saying coffin and they don’t like saying buried. They never say graveyard. Cemetery sounds nicer.
Frank McCourt ('Tis)
Biscuit rage, I call it,” Gretchen says. “It’s that sudden rising up of irrational and completely outsize anger you can experience when you least expect it. You know what I mean: someone takes that last biscuit that you were just going to take, and you just want to bite their ear off. It’s like road rage, only domestic.
Elizabeth Berg (The Confession Club (Mason, #3))
Let’s not go home yet,” I say. “Let’s go somewhere.” Peter thinks about it for a minute, tapping his fingers on the steering wheel, and then he says, “I know where we can go.” “Where?” “Wait and see,” he says, and he puts the windows down, and the crisp night air fills the car. I lean back into my seat. The streets are empty; the lights are off in most of the houses. “Let me guess. We’re going to the diner because you want blueberry pancakes.” “Nope.” “Hmm. It’s too late to go to Starbucks, and Biscuit Soul Food is closed.” “Hey, food isn’t the only thing I think about,” he objects. Then: “Are there any cookies left in that Tupperware?
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Southern is a design element these days. A large craft market exists for this Decorative Southernness. Framed art and throw pillows saying – "I Love You Like Biscuits and Gravy" and "Bless Your Heart!" But I've yet to see a "You Don't Look Like You're From Around Here" dish towel. This was the phrase I heard most growing up in small town Florida.
Damon Thomas (Some Books Are Not For Sale)
Look,” said the man. “It don’t make no sense. This fella wants eight hunderd men. So he prints up five thousand of them things an’ maybe twenty thousan’ people sees ’em. An’ maybe two-three thousan’ folks gets movin’ account a this here han’bill. Folks that’s crazy with worry.” “But it don’t make no sense!” Pa cried. “Not till you see the fella that put out this here bill. You’ll see him, or somebody that’s workin’ for him. You’ll be a-campin’ by a ditch, you an’fifty other famblies. An’ he’ll look in your tent an’ see if you got anything lef’ to eat. An’ if you got nothin’, he says, ‘Wanna job?’ An’ you’ll say, ‘I sure do, mister. I’ll sure thank you for a chance to do some work.’ An’ he’ll say, ‘I can use you.’ An’ you’ll say, ‘When do I start?’ An’ he’ll tell you where to go, an’ what time, an’ then he’ll go on. Maybe he needs two hundred men, so he talks to five hundred, an’ they tell other folks, an’ when you get to the place, they’s a thousand’, men. This here fella says, ‘I’m payin’ twenty cents an hour.’ An’ maybe half the men walk off. But they’s still five hundred that’s so goddamn hungry they’ll work for nothin’ but biscuits. Well, this here fella’s got a contract to pick them peaches or—chop that cotton. You see now? The more fellas he can get, an’ the hungrier, less he’s gonna pay. An’ he’ll get a fella with kids if he can, ’cause—hell, I says I wasn’t gonna fret ya.
John Steinbeck (The Grapes of Wrath)
In tiny Denmark the system was so ingenious that if you knew some dirt about somebody, they also knew something just as bad about you. If it wasn't hushed up, the one person's offense quickly infected the other's. A strange, practical principle that meant that no one would say anything about anyone else, not even if they were caught with their hands in the biscuit tin.
Jussi Adler-Olsen
This reminds me of something funny Mama said the last time she came for a visit. I had taken her and the girls to an early morning swim meet, picking up some coffee and bagels on the way. Mama didn’t say a thing when I bought the food, but the funniest look came over her face when she bit into her bagel. “Well!” she said. “Whoever thinks this is good has clearly never tasted a biscuit!
Lee Smith (The Christmas Letters)
Tell me the story," said Fenchurch firmly. "You arrived at the station." "I was about twenty minutes early. I'd got the time of the train wrong." "Get on with it." Fenchurch laughed. "So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee." "You do the crossword?" "Yes." "Which one?" "The Guardian usually." "I think it tries to be too cute. I prefer The Times. Did you solve it?" "What?" "The crossword in the Guardian." "I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee." "All right then. Buy the coffee." "I'm buying it. I am also," said Arthur, "buying some biscuits." "What sort?" "Rich Tea." "Good Choice." "I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." "All right." "So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he look like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine.
Douglas Adams
I sat up straight, lifted my chin, and said, “Well, I’m a lady, and I’m going to handle it like a lady.” Where did that voice come from? I wondered. I’d never said those words out loud before. (Men in that room told me they’d never heard anyone say them before, either!) But in my voice that day, I heard all the women I knew growing up in the South—women for whom being a southern lady was a source of confidence and strength in times of trial and a source of joy in good t
Reese Witherspoon (Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits)
Tell me, Mar,” she would say (and here it must be explained, that when she called him by the first syllable of his first name, she was in a dreamy, amorous, acquiescent mood, domestic, languid a little, as if spiced logs were burning, and it was evening, yet not time to dress, and a thought wet perhaps outside, enough to make the leaves glisten, but a nightingale might be singing even so among the azaleas, two or three dogs barking at distant farms, a cock crowing—all of which the reader should imagine in her voice)—“Tell me, Mar,” she would say, “about Cape Horn.” Then Shelmerdine would make a little model on the ground of the Cape with twigs and dead leaves and an empty snail shell or two. “Here’s the north,” he would say. “There’s the south. The wind’s coming from hereabouts. Now the Brig is sailing due west; we’ve just lowered the top-boom mizzen; and so you see—here, where this bit of grass is, she enters the current which you’ll find marked—where’s my map and compasses, Bo’sun?—Ah! thanks, that’ll do, where the snail shell is. The current catches her on the starboard side, so we must rig the jib boom or we shall be carried to the larboard, which is where that beech leaf is,—for you must understand my dear—” and so he would go on, and she would listen to every word; interpreting them rightly, so as to see, that is to say, without his having to tell her, the phosphorescence on the waves, the icicles clanking in the shrouds; how he went to the top of the mast in a gale; there reflected on the destiny of man; came down again; had a whisky and soda; went on shore; was trapped by a black woman; repented; reasoned it out; read Pascal; determined to write philosophy; bought a monkey; debated the true end of life; decided in favour of Cape Horn, and so on. All this and a thousand other things she understood him to say and so when she replied, Yes, negresses are seductive, aren’t they? he having told her that the supply of biscuits now gave out, he was surprised and delighted to find how well she had taken his meaning. “Are you positive you aren’t a man?” he would ask anxiously, and she would echo, “Can it be possible you’re not a woman?” and then they must put it to the proof without more ado.
Virginia Woolf (Orlando: A Biography)
It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea-lions, seals, lions, human beings and daffodils and murder and art and love and confusion and death and madness and biscuits. Whatever the truth, science today agrees that everything is destined to return to Chaos. It calls this inevitable fate entropy: part of the great cycle from Chaos to order and back again to Chaos. Your
Stephen Fry (Mythos: The Greek Myths Retold (Stephen Fry's Great Mythology, #1))
When things are serious and either Amy Eleni or I need to beat our personal hysteric, the informal code is to seize your head and twist coils of your hair around your fingers and groan, "I'm not mad! I'm not mad! I don't want to die!" And if you have a friend who knows, then the friend grabs her head too and replies, "There's someone inside of me, and she says I must die!" That way it is stupid, and funny, and serious. Our hysteric is the revelation that we refuse to be consoled for all this noise, for all this noise and for the attacks on our softnesses, the loss of sensitivity to my scalp with every batch of box braids. Sometimes we cannot see or hear or breathe because of our fright that this is all our bodies will know. We're scared by the happy, hollow disciple that lines our brains and stomachs if we manage to stop after one biscuit. We need some kind of answer. We need to know what that biscuit-tin discipline is, where it comes from. We need to know whether it's a sign that our bones are turning against the rest of us, whether anyone will help us if our bones win out, or whether the people who should help us will say "You look wonderful!" instead.
Helen Oyeyemi
She does say the most amusing things, doesn’t she? ‘Pretty girl,’ and ‘yes,’ and—Do you hear that one? ‘Fancy a . . .’ what? I never can catch what she’s saying at the end. It’s certainly not biscuit. ‘Fancy a cuppa,’ perhaps? But who gives a parrot tea? It sounds a great deal like ‘fancy a foxglove,’ but that makes even less sense. I don’t mind saying the mystery is driving me a bit mad.” “Fuck.” She froze. “I’m not that upset about it.” He returned to the bedchamber, now clothed in a pair of trousers and an unbuttoned shirt. “It’s what the parrot’s saying. ‘Fancy a fuck, love.’ That bird came from a whorehouse.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
I’m not sure what I believe, I say, sharply. No one deserves to go through this. That’s all I know. You’re lovely. I leave the room. I take my rage out on the kettle and cutlery drawer. The nurses can hear me make the tea, fucking London can hear me make the tea. Onto a plate, I pile biscuits that I don’t even feel like eating, and return to his room. How are you with food? I ask him. Not too good right now, he says. These are mine then, I say, and I sit down and place the chocolate bourbons on my lap. You’ll get fat, he says. I am fat, and I lift up my jumper. This wasn’t here yesterday, I say. This is trespassing.
Sarah Winman (When God was a Rabbit / A Year of Marvellous Ways / Tin Man)
As the third evening approached, Gabriel looked up blearily as two people entered the room. His parents. The sight of them infused him with relief. At the same time, their presence unlatched all the wretched emotion he'd kept battened down until this moment. Disciplining his breathing, he stood awkwardly, his limbs stiff from spending hours on the hard chair. His father came to him first, pulling him close for a crushing hug and ruffling his hair before going to the bedside. His mother was next, embracing him with her familiar tenderness and strength. She was the one he'd always gone to first whenever he'd done something wrong, knowing she would never condemn or criticize, even when he deserved it. She was a source of endless kindness, the one to whom he could entrust his worst thoughts and fears. "I promised nothing would ever harm her," Gabriel said against her hair, his voice cracking. Evie's gentle hands patted his back. "I took my eyes off her when I shouldn't have," he went on. "Mrs. Black approached her after the play- I pulled the bitch aside, and I was too distracted to notice-" He stopped talking and cleared his throat harshly, trying not to choke on emotion. Evie waited until he calmed himself before saying quietly, "You remember when I told you about the time your f-father was badly injured because of me?" "That wasn't because of you," Sebastian said irritably from the bedside. "Evie, have you harbored that absurd idea for all these years?" "It's the most terrible feeling in the world," Evie murmured to Gabriel. "But it's not your fault, and trying not to make it so won't help either of you. Dearest boy, are you listening to me?" Keeping his face pressed against her hair, Gabriel shook his head. "Pandora won't blame you for what happened," Evie told him, "any more than your father blamed me." "Neither of you are to blame for anything," his father said, "except for annoying me with this nonsense. Obviously the only person to blame for this poor girl's injury is the woman who attempted to skewer her like a pinioned duck." He straightened the covers over Pandora, bent to kiss her forehead gently, and sat in the bedside chair. "My son... guilt, in proper measure, can be a useful emotion. However, when indulged to excess it becomes self-defeating, and even worse, tedious." Stretching out his long legs, he crossed them negligently. "There's no reason to tear yourself to pieces worrying about Pandora. She's going to make a full recovery." "You're a doctor now?" Gabriel asked sardonically, although some of the weight of grief and worry lifted at his father's confident pronouncement. "I daresay I've seen enough illness and injuries in my time, stabbings included, to predict the outcome accurately. Besides, I know the spirit of this girl. She'll recover." "I agree," Evie said firmly. Letting out a shuddering sigh, Gabriel tightened his arms around her. After a long moment, he heard his mother say ruefully, "Sometimes I miss the days when I could solve any of my children's problems with a nap and a biscuit." "A nap and a biscuit wouldn't hurt this one at the moment," Sebastian commented dryly. "Gabriel, go find a proper bed and rest for a few hours. We'll watch over your little fox cub.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
It’s just so soothing,” Henry says. “Everything’s all pastel-colored and the music is so relaxing and everyone’s so lovely to one another. And you learn so much about different types of biscuits, Alex. So much. When the world seems awful, such as when you’re trapped in a Great Turkey Calamity, you can put it on and vanish into biscuit land.” “American cooking competition shows are nothing like that. They’re all sweaty and, like, dramatic death music and intense camera cuts,” Alex says. “Bake Off makes Chopped look like the fucking Manson tapes.” “I feel like this explains loads about our differences,” Henry says, and Alex gives a small laugh.
Casey McQuiston (Red, White & Royal Blue)
Rosy’s mummy hands Franny a clear plastic bag full of reject biscuits, then Rosy holds her cheek out for Franny’s wet kiss. Rosy wipes the slime from her face and Franny cackles, then shows them both into the lounge. There on Franny’s coffee table is a biscuit tin with a Christmas picture on the lid. Proper shop-bought biscuits, not factory rejects. “Please, may I have a biscuit?” Rosy says. “Oh, there are no biscuits in that my darling,” Franny says, and pulls the tin from Rosy’s prying fingers. Franny holds open the bag of crumb-speckled chocolate digestives. “Help yourself, my wee hen.” Rosy settles for a reject. Franny puts the Christmas tin up high, way up high, way out of reach.
R.G. Manse (Screw Friendship (Frank Friendship, #1))
At this point doubts started to creep in. One was always reading of young men running away to sea, or people shipping as deck-hands and working their passages. There seemed to be no special qualifications needed. No ropes had to be spliced. No rigging had to be climbed. All you did was paint the anchor, chip rust off the deck plating and say 'aye, aye, sir', when addressed by an officer. It was a tough life and you met tough men. There were weevils in the ship's biscuits and you had little to eat but skilly. Quarrels were settled with bare fists and you went about naked to the waist. But one of the crew always had a concertina and there were sing-songs when the day's work was done. In after life you wrote a book about it.
Eric Ambler (Epitaph for a Spy)
For lunch, I may say, I ate and greatly enjoyed the following: anchovy paste on hot buttered toast, then baked beans and kidney beans with chopped celery, tomatoes, lemon juice and olive oil. (Really good olive oil is essential, the kind with a taste, I have brought a supply from London.) Green peppers would have been a happy addition only the village shop (about two miles pleasant walk) could not provide them. (No one delivers to far-off Shruff End, so I fetch everything, including milk, from the village.) Then bananas and cream with white sugar. (Bananas should be cut, never mashed, and the cream should be thin.) Then hard water-biscuits with New Zealand butter and Wensleydale cheese. Of course I never touch foreign cheeses.
Iris Murdoch (The Sea, The Sea)
All we can really do is to take the revolution a meal at a time. Be the first woman in the office to take a biscuit from the communal tin; be the person brave enough to take the last one, too. In the company of people you feel comfortable with and safe around, eat your heart out. Practise ordering greedily on dates. Be the only person at the table to get a dessert. When it arrives, don't share it. Try out speaking your mind when you're alone -- talk to yourself in the mirror, saying things like 'I would like you to go down on me, and I want the last slice of the strudel.' No doubt some people, probably guys, will be thrown off balance by your forthrightness. Who cares. Eat their leftovers. If they carry on judging you, eat them, too.
Ruby Tandoh (Eat Up: Food, Appetite and Eating What You Want)
Whether Chaos brought life and substance out of nothing or whether Chaos yawned life up or dreamed it up, or conjured it up in some other way, I don’t know. I wasn’t there. Nor were you. And yet in a way we were, because all the bits that make us were there. It is enough to say that the Greeks thought it was Chaos who, with a massive heave, or a great shrug, or hiccup, vomit, or cough, began the long chain of creation that has ended with pelicans and penicillin and toadstools and toads, sea lions, seals, lions, human beings, and daffodils and murder and art and love and confusion and death and madness and biscuits. Whatever the truth, science today agrees that everything is destined to return to Chaos. It calls this inevitable fate entropy: part of the great cycle from Chaos to order and back again to Chaos.
Stephen Fry (Mythos: The Greek Myths Reimagined (Stephen Fry's Great Mythology, #1))
I'm here, Papa," she whispered, saying the words she had longed to say for her entire life. "I'm here, and I'm never going to leave you again." He made a sound of contentment and closed his eyes. Just as Evie thought he had fallen asleep, he murmured, "Where shall we walk first today, lovey? The biscuit baker, I s'pose..." Realizing that he imagined this was one of her long-ago childhood visits, Evie replied softly, "Oh, yes." Hastily she knuckled away the excess moisture from her eyes. "I want an iced bun... and a cone of broken biscuits... and then I want to come back here and play dice with you." A rusty chuckle came from his ravaged throat, and he coughed a little. "Let Papa take forty winks before we leaves... there's a good girl..." "Yes, sleep," Evie murmured, turning the cloth over on his forehead. "I can wait, Papa.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Then there was the time when he picked up a two-by-four on the side of the road and put it in the front seat by me and stuck it out the window. He told me to hold it, which I did, but when the wind hit the board, it turned around and hit me in the head and knocked me out. Another time, when a friend of Daddy’s bought a brand-new Buick, Daddy pressed the push-button window up on my neck. But that time I think it was just a matter of him not being familiar with the equipment. The main thing Momma bases her theory on is once Daddy, who is very artistic, wanted to make a life mask of my face. He put plaster of paris on me but forgot the breathing holes. On top of that he also forgot to put Vaseline on my face. He had to crack the plaster off with a hammer. Momma didn’t speak to him for a week on that one. I myself was sorry that it didn’t turn out. She also says he is going to ruin my nervous system because of the time he sneaked up on me when I was listening to Inner Sanctum on the radio. Just as the squeaking door opened, he grabbed me and yelled, “Got ya,” real loud, which caused me to faint. She also didn’t like him telling me Santa Claus had been killed in a bus accident and making me throw up. The Pettibones have very delicate nervous systems. That’s true. Momma is nervous all the time. She’s worn a hole in the floor on the passenger’s side of Daddy’s car from putting on the brakes. Momma always looks like she is on the verge of a hissy fit, but that’s mainly because when she was eighteen, she stuck her head in a gas oven looking at some biscuits and blew her eyebrows off. So she paints them on like little half-moons. People love to talk to her because she always looks interested, even if she isn’t.
Fannie Flagg (Daisy Fay and the Miracle Man)
So what's going on with you and your boyfriend?" Eli asked me right before he shoved a forkful of eggs into his mouth during breakfast the next morning. I made a face in the direction of my plate before shooting a glance upward to find Gordo’s eyes on me, a smirk on his face. "Mason?" I asked, going back to my food. Eli made a gagging noise, elbowing me hard in the ribs. "I'm not gonna go into details on how disturbing it is that I say ‘your boyfriend’ and you automatically think of fucking Mase." "He's always calling me his wife, or telling people I don't know that we're getting married," I replied, elbowing him back as hard as he got me. It was partially the truth… but mostly, I didn’t want to talk about the man who had been kissing my shoulder hours ago. "I love Mase, but it'll be a sunny day in my asshole before you and him get together," he mumbled. I snorted, biting into my biscuit. "Who the heck else would you be talking about?" I asked, but I knew. Oh, I knew damn well he was referring to Sacha. Freaking Gordo snickered from across the table before putting his hands up in surrender when I glared at him. "I didn’t say anything." "Sacha, Flabby. Sacha. Your boyfriend. Your snuggle bug." Eliza finally answered. Suddenly the half-eaten biscuit on my plate needed to be eaten immediately. I shoved the entire piece into my mouth to avoid the conversation my brother was trying to edge into. I'd had talks about boys with Eli in the past, and they never ended—or started—well. "There's nothing going on between us. We're just friends." Because we were. Eli made a noise that sounded like “hmmph” deep in his throat. It was incredulous and disbelieving. Then he asked the question to prove it, his attention back on his band mate. "Gordo, do you think I'm blind?" Gordo shook his head. "Gaby, do you think I'm blind?" he asked. "Not blind, just dumb.” I smiled. He shot me a frown. A moment later, he threw his arm over my shoulders and started shoving his plate away with his free hand. "Flabby Gaby, that kid is in love with you." In love. With me? I leaned forward and tried to sniff his breath. “Are you still drunk?” But my brother kept talking before I could keep going. "Anyone with eyes and ears knows that guy thinks you shit out Lucky Charms." Gordo and I burst out laughing. "Is that a good thing?" I asked him. Eliza shoved my face away with his palm, ignoring my commentary again. "And I think that you love him, too." The noise that came out of my mouth sounded like a hybrid “moo” and squawk at the same time. "I—,” I slammed my mouth shut before opening it again with a sputter. “What?
Mariana Zapata (Rhythm, Chord & Malykhin)
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
Sally Rooney (Conversations with Friends)
So, a little desperate and surprisingly inspired, I bought a cap. Not just any cap. I picked one with a bright-gold visor, a gold button at the top, a crown of navy blue, an American flag on the left temple, and—on the forehead emblem—a spread-winged eagle over a rising sun and a red-and-green tractor-trailer and the white letters “America— Spirit of Freedom.” On the back, over my cerebellum, was a starred banner in blue, white, red, green, and gold that said “Carnesville, GA Petro.” I put on that hat and disappeared. The glances died like flies. I could sit anywhere, from Carnesville to Tacoma. In Candler, North Carolina, while Ainsworth was outside fuelling the truck, I sat inside in my freedom hat saying “Biscuits and gravy” to a waitress. She went “Oooooo wheeeee” and I thought my cover wasn’t working, but a trucker passing her had slipped his hand between the cheeks of her buttocks, and she did not stop writing.
John McPhee (Uncommon Carriers)
Do you ever think? What? They were lying together on the sofa that had always been there, the crappy beat-up biscuit-colored sofa that was managing, as best it could, its promotion from threadbare junk to holy artifact. You know. What if I don't know? You fucking do. Okay, yeah. Yes. I, too, wonder if Dad worried so much about every single little goddamned thing . . . That he summoned it. Thanks. I couldn't say it. That some god or goddess heard him, one time too many, getting panicky about whether she'd been carjacked at the mall, or had, like, hair cancer . . . That they delivered the think even he couldn't imagine worrying about. It's not true. I know. But we're both thinking about it. That may have been their betrothal. That may have been when they took their vows: We are no longer siblings, we are mates, starship survivors, a two-man crew wandering the crags and crevices of a planet that may not be inhabited by anyone but us. We no longer need, or want, a father. Still, they really have to call him. It's been way too long.
Michael Cunningham (The Snow Queen)
Please tidy your room this instant!” Gertrude’s mother would plead. The poor lady was in torment. She prided herself on keeping the rest of her house utterly spotless. If a single biscuit crumb dropped on to the carpet, Mother would get the vacuum cleaner out. The grubbiness of Gertrude’s bedroom was absolutely horrifying to her. How had she, a lady who always kept a vase of fresh flowers on the dining table, given birth to a child who chose to live in a… swamp? “BOG OFF!” Gertrude would reply with a laugh. She knew that her mother (always immaculately turned out with her hair in a swirl and a string of pearls round her neck) loathed her saying the word ‘BOG’. So Gertrude always, always, always made sure she used it when speaking to her. “Daughter! I forbid you from using that foul word!” Mother would wail. “What?‘BOG’?” Gertrude would answer mischievously. “Yes. It’s a frightful word that has no place in my otherwise delightful home. Now, young lady, I need you to tidy your room this instant!”“BOG OFF!” Gertrude would shout back. 135
David Walliams (The World’s Worst Children)
Poetry is the report of a nuance between two moments, when people say 'Listen!' and 'Did you see it?' 'Did you hear it? What was it?' Poetry is a plan for a slit in the face of a bronze fountain goat and the path of fresh drinking water. Poetry is a slipknot tightened around a time-beat of one thought, two thoughts, and a last interweaving thought there is not yet a number for. Poetry is the journal of a sea animal living on land, wanting to fly the air. Poetry is any page from a sketchbook of outlines of a doorknob with thumb-prints of dust, blood, dreams. Poetry is a type-font design for an alphabet of fun, hate, love, death. Poetry is the silence and speech between a wet struggling root of a flower and a sunlit blossom of that flower. Poetry is a fresh morning spider-web telling a story of moonlit hours of weaving and waiting during a night. Poetry is a packsack of invisible keepsakes. Poetry is the establishment of a metaphorical link between white butterfly-wings and the scraps of torn-up love letters. Poetry is the achievement of the synthesis of hyacinths and biscuits.
Carl Sandburg (Selected Poems)
should perhaps make allowances. England isn’t all he remembers it to be. I think he has a rather romantic notion of what “Blighty” should be like, and all this has quite shattered his illusions.’ ‘I dare say,’ said the inspector distractedly, as he made some notes in his notebook. There was a knock on the door and Jenkins entered with a tray of coffee, sandwiches, and some shortbread biscuits. ‘Your luncheon, my lady,’ he said, pointedly ignoring the inspector. ‘Mrs Brown thought you might appreciate some biscuits, too.’ ‘She’s very thoughtful, Jenkins,’ said Lady Hardcastle. ‘Please thank her for us.’ ‘Yes, my lady. Will there be anything else?’ ‘No, Jenkins, thank you.’ ‘Very good, my lady,’ he said with a slight bow. He left as quietly as he had entered. Inspector Sunderland seemed to be on the verge of another tirade, but thought better of it and went to pour the coffee instead. ‘Please,’ I said, stepping forward. ‘Allow me.’ ‘Certainly, miss. If you insist.’ ‘Thank you, Inspector,’ I said, as I poured coffee for the two of them. ‘Just doing my duty.’ ‘Don’t show off, Armstrong,’ said Lady Hardcastle. ‘Pour yourself one, too.’ I curtseyed. ‘Thank you, m’lady. You’re very generous to a poor servant
T.E. Kinsey (A Quiet Life in the Country (Lady Hardcastle Mysteries, #1))
Once inside the confectioners, she was spellbound by sugared fruits hung in garlands and glass bottles sparkling with morsels of sugar. While Loveday spoke to the shop girl, Biddy trailed the shelves slowly, looking inside the glass jars, mouthing the words on the Bill of Fare. 'Look Mr Loveday, "Macaroons- As Made In Paris"', she sighed, staring at a heap of biscuits made in every color from blue to shiny gold. Carefully he ordered his goods from the jars of herbs behind the counter. First, there was Mr Pars' packet of coltsfoot that he smoked to ease his chest. Then a bag of comfrey tea for his mistress's stomach. Finally, boxes of the usual violet pastilles. Biddy came up behind him while the girl tied the parcel with ribbon. 'Begging your pardon, miss. Is it right you're selling that Royal Ice Cream?' The girl shrugged. 'That's what it says on the board if you can read it.' 'Aye, I've been studying it all right. I've only ever read of ices before. So I'll have a try of it.' When the girl reappeared Biddy sniffed at the glass bowl, and then cautiously licked the ice cream from the tiny spoon. 'Why, it is orange flowers.' She looked happy enough to burst. 'And something else, some fragrant nut- do you put pistachio in it too?
Martine Bailey (An Appetite for Violets)
I beg your pardon?" says Howard. Freddie clears his throat, and forces himself to look Howard in the eye. "I said, I'm God." He folds his arms very tightly, and looks away over Howard's shoulder. He is plainly embarrassed. So is Howard. He is embarrassed to have embarrassed Freddie. "I'm terribly sorry," says Howard. "Can't be helped," says Freddie. "Just one of those things." "I mean, I'm sorry not to have known." "Not at all. I'm sorry I had to spring it on you like that." There is an awkward silence. Freddie fiddles with his biscuit, breaking it into small pieces, and dropping crumbs which catch in the hairy surface of his trousers. "Well," says Howard. "Congratulations." "Oh," says Freddie. "Thanks." ---------- The more Howard thinks about it, the less he knows where to look or what to do with his hands. He tries putting them behind his back and looking at the floor, smiling reflectively. Freddie is having difficulties, too. He puts his dry biscuit down, and with his left hand seizes his right elbow. With his right hand he takes hold of his chin. Then he, too, examines the floor. "On second thoughts," he says, "I don't know about congratulations. Not like being elected to a fellowship, or whatever. Wasn't open to other candidates, you see.
Michael Frayn (Sweet Dreams)
Separately they surveyed their individual plates, trying to decide which item was most likely to be edible. They arrived at the same conclusion at the same moment; both of them picked up a strip of bacon and bit into it. Noisy crunching and cracking sounds ensued-like those of a large tree breaking in half and falling. Carefully avoiding each other’s eyes, they continued crunching away until they’d both eaten all the bacon on their plates. That finished, Elizabeth summoned her courage and took a dainty bite of egg. The egg tasted like tough, salted wrapping paper, but Elizabeth chewed manfully on it, her stomach churning with humiliation and a lump of tears starting to swell in her throat. She expected some scathing comment at any moment from her companion, and the more politely he continued eating, the more she wished he’d revert to his usual unpleasant self so that she’d at least have the defense of anger. Lately everything that happened to her was humiliating, and her pride and confidence were in tatters. Leaving the egg unfinished, she put down her fork and tried the biscuit. After several seconds of attempting to break a piece off with her fingers she picked up her knife and sawed away at it. A brown piece finally broke loose; she lifted it to her mouth and bit-but it was so tough her teeth only made grooves on the surface. Across the table she felt Ian’s eyes on her, and the urge to weep doubled. “Would you like some coffee?” she asked in a suffocated little voice. “Yes, thank you.” Relieved to have a moment to compose herself, Elizabeth arose and went to the stove, but her eyes blurred with tears as she blindly filled a mug with freshly brewed coffee. She brought it over to him, then sat down again. Sliding a glance at the defeated girl sitting with her head bent and her hands folded in her lap, Ian felt a compulsive urge to either laugh or comfort her, but since chewing was requiring such an effort, he couldn’t do either. Swallowing the last piece of egg, he finally managed to say, “That was…er…quite filling.” Thinking perhaps he hadn’t found it so bad as she had, Elizabeth hesitantly raised her eyes to his. “I haven’t had a great deal of experience with cooking,” she admitted in a small voice. She watched him take a mouthful of coffee, saw his eyes widen with shock-and he began to chew the coffee. Elizabeth lurched to her feet, squired her shoulders, and said hoarsely, “I always take a stroll after breakfast. Excuse me.” Still chewing, Ian watched her flee from the house, then he gratefully got rid of the mouthful of coffee grounds.
Judith McNaught (Almost Heaven (Sequels, #3))
Lady Rose, you grow lovelier every time I see you.” Had it been a stranger who spoke she might have been flustered, but since it was Archer, Grey’s younger brother, she merely grinned in response and offered her hand. “And your eyesight grows poorer every time you see me, sir.” He bowed over her fingers. “If I am blind it is only by your beauty.” She laughed at that, enjoying the good-natured sparkle in his bright blue eyes. He was so much more easy-natured than Grey, so much more full of life and flirtation. And yet, the family resemblance could not be denied even if Archer’s features were a little thinner, a little sharper. How would Grey feel if she found a replacement for him in his own brother? It was too low, even in jest. “Careful with your flattery, sir,” she warned teasingly. “I am trolling for a husband you know.” Archer’s dark brows shot up in mock horror. “Never say!” Then he leaned closer to whisper. “Is my brother actually fool enough to let you get away?” Rose’s heart lurched at the note of seriousness in his voice. When she raised her gaze to his she saw only concern and genuine affection there. “He’s packing my bags as we speak.” He laughed then, a deep, rich sound that drew the attention of everyone on the terrace, including his older brother. “Will you by chance be at the Devane musicale next week, Lord Archer?” “I will,” he remarked, suddenly sober. “As much as it pains me to enter that viper’s pit. I’m accompanying Mama and Bronte. Since there’s never been any proof of what she did to Grey, Mama refuses to cut the woman. She’s better than that.” Archer’s use of the word “cut” might have been ironic, but what a relief knowing he would be there. “Would you care to accompany Mama and myself as well?” He regarded her with a sly smile. “My dear, Lady Rose. Do you plan to use me to make my brother jealous?” “Of course not!” And she was honest to a point. “I wish to use your knowledge of eligible beaux and have you buoy my spirits. If that happens to annoy your brother, then so much the better.” He laughed again. This time Grey scowled at the pair of them. Rose smiled and waved. Archer tucked her hand around his arm and guided her toward the chairs where the others sat enjoying the day, the table before them laden with sandwiches, cakes, scones, and all kinds of preserves, cream, and biscuits. A large pot of tea sat in the center. “What are you grinning at?” Grey demanded as they approached. Archer gave his brother an easy smile, not the least bit intimidated. “Lady Rose has just accepted my invitation for both she and her dear mama to accompany us to the Devane musicale next week.” Grey stiffened. It was the slightest movement, like a blade of grass fighting the breeze, but Rose noticed. She’d wager Archer did too. “How nice,” he replied civilly, but Rose mentally winced at the coolness of his tone. He turned to his mother. “I’m parched. Mama, will you pour?” And he didn’t look at her again.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Our streets have days, and even hours. Where I was born, and where my baby will be born, you look down the street and you can almost see what's happening in the house: like, say, Saturday, at three in the afternoon, is a very bad hour. The kids are home from school. The men are home from work. You'd think that this might be a very happy get together, but it isn't. The kids see the men. The men see the kids. And this drives the women, who are cooking and cleaning and straightening hair and who see what men won't see, almost crazy. You can see it in the streets, you can hear it in the way the women yell for their children. You can see it in the way they come down out of the house - in a rush, like a storm - and slap the children and drag them upstairs, you can hear it in the child, you can see it in the way the men, ignoring all this, stand together in front of a railing, sit together in the barbershop, pass a bottle between them, walk to the corner to the bar, tease the girl behind the bar, fight with each other, and get very busy, later, with their vines. Saturday afternoon is like a cloud hanging over, it's like waiting for a storm to break. But, on Sunday mornings the clouds have lifted, the storm has done its damage and gone. No matter what the damage was, everybody's clean now. The women have somehow managed to get it all together, to hold everything together. So, here everybody is, cleaned, scrubbed, brushed, and greased. Later, they're going to eat ham hocks or chitterlings or fried or roasted chicken, with yams and rice and greens or combread or biscuits. They're going to come home and fall out and be friendly: and some men wash their cars, on Sundays, more carefully than they wash their fo­reskins.
James Baldwin (If Beale Street Could Talk)
Now, son, I don’t pay much mind to idle talk, never have done. But there’s a regular riptide of gossip saying you’ve got something going with that girl in the marsh.” Tate threw up his hands. “Now hold on, hold on,” Scupper continued. “I don’t believe all the stories about her; she’s probably nice. But take a care, son. You don’t want to go starting a family too early. You get my meaning, don’t you?” Keeping his voice low, Tate hissed, “First you say you don’t believe those stories about her, then you say I shouldn’t start a family, showing you do believe she’s that kind of girl. Well, let me tell you something, she’s not. She’s more pure and innocent than any of those girls you’d have me go to the dance with. Oh man, some of the girls in this town, well, let’s just say they hunt in packs, take no prisoners. And yes, I’ve been going out to see Kya some. You know why? I’m teaching her how to read because people in this town are so mean to her she couldn’t even go to school.” “That’s fine, Tate. That’s good of you. But please understand it’s my job to say things like this. It may not be pleasant and all for us to talk about, but parents have to warn their kids about things. That’s my job, so don’t get huffy about it.” “I know,” Tate mumbled while buttering a biscuit. Feeling very huffy. “Come on now. Let’s get another helping, then some of that pecan pie.” After the pie came, Scupper said, “Well, since we’ve talked about things we never mention, I might as well say something else on my mind.” Tate rolled his eyes at his pie. Scupper continued. “I want you to know, son, how proud I am of you. All on your own, you’ve studied the marsh life, done real well at school, applied for college to get a degree in science. And got accepted. I’m just not the kind to speak on such things much. But I’m mighty proud of you, son. All right?” “Yeah. All right.” Later in his room, Tate recited from his favorite poem: “Oh when shall I see the dusky Lake, And the white canoe of my dear?” •
Delia Owens (Where the Crawdads Sing)
We need more baskets,” Pandora said triumphantly, entering the hall. The twins, who were clearly having a splendid time, had adorned themselves outlandishly. Cassandra was dressed in a green opera cloak with a jeweled feather ornament affixed to her hair. Pandora had tucked a light blue lace parasol beneath one arm, and a pair of lawn tennis rackets beneath the other, and was wearing a flowery diadem headdress that had slipped partially over one eye. “From the looks of it,” Kathleen said, “you’ve done enough shopping already.” Cassandra looked concerned. “Oh, no, we still have at least eighty departments to visit.” Kathleen couldn’t help glancing at Devon, who was trying, without success, to stifle a grin. It was the first time she had seen him truly smile in days. Enthusiastically the girls lugged the baskets to her and began to set objects on the counter in an unwieldy pile…perfumed soaps, powders, pomades, stockings, books, new corset laces and racks of hairpins, artificial flowers, tins of biscuits, licorice pastilles and barley sweets, a metal mesh tea infuser, hosiery tucked in little netted bags, a set of drawing pencils, and a tiny glass bottle filled with bright red liquid. “What is this?” Kathleen asked, picking up the bottle and viewing it suspiciously. “It’s a beautifier,” Pandora said. “Bloom of Rose,” Cassandra chimed in. Kathleen gasped as she realized what it was. “It’s rouge.” She had never even held a container of rouge before. Setting it on the counter, she said firmly, “No.” “But Kathleen--” “No to rouge,” she said, “now and for all time.” “We need to enhance our complexions,” Pandora protested. “It won’t do any harm,” Cassandra chimed in. “The bottle says that Bloom of Rose is ‘delicate and inoffensive’…It’s written right there, you see?” “The comments you would receive if you wore rouge in public would assuredly not be delicate or inoffensive. People would assume you were a fallen woman. Or worse, an actress.” Pandora turned to Devon. “Lord Trenear, what do you think?” “This is one of those times when it’s best for a man to avoid thinking altogether,” he said hastily.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
can hardly blame ye for not waiting.” I could see Ian in profile, leaning over the log basket. His long, good-natured face wore a slight frown. “Weel, I didna think it right, especially wi’ me being crippled …” There was a louder snort. “Jenny couldna have a better husband, if you’d lost both legs and your arms as well,” Jamie said gruffly. Ian’s pale skin flushed slightly in embarrassment. Jamie coughed and swung his legs down from the hassock, leaning over to pick up a scrap of kindling that had fallen from the basket. “How did ye come to wed anyway, given your scruples?” he asked, one side of his mouth curling up. “Gracious, man,” Ian protested, “ye think I had any choice in the matter? Up against a Fraser?” He shook his head, grinning at his friend. “She came up to me out in the field one day, while I was tryin’ to mend a wagon that sprang its wheel. I crawled out, all covered wi’ muck, and found her standin’ there looking like a bush covered wi’ butterflies. She looks me up and down and she says—” He paused and scratched his head. “Weel, I don’t know exactly what she said, but it ended with her kissing me, muck notwithstanding, and saying, ‘Fine, then, we’ll be married on St. Martin’s Day.’ ” He spread his hands in comic resignation. “I was still explaining why we couldna do any such thing, when I found myself in front of a priest, saying, ‘I take thee, Janet’… and swearing to a lot of verra improbable statements.” Jamie rocked back in his seat, laughing. “Aye, I ken the feeling,” he said. “Makes ye feel a bit hollow, no?” Ian smiled, embarrassment forgotten. “It does and all. I still get that feeling, ye know, when I see Jenny sudden, standing against the sun on the hill, or holding wee Jamie, not lookin’ at me. I see her, and I think, ‘God, man, she can’t be yours, not really.’ ” He shook his head, brown hair flopping over his brow. “And then she turns and smiles at me …” He looked up at his brother-in-law, grinning. “Weel, ye know yourself. I can see it’s the same wi’ you and your Claire. She’s … something special, no?” Jamie nodded. The smile didn’t leave his face, but altered somehow. “Aye,” he said softly. “Aye, she is that.” Over the port and biscuits, Jamie and
Diana Gabaldon (The Outlander Series 7-Book Bundle: Outlander, Dragonfly in Amber, Voyager, Drums of Autumn, The Fiery Cross, A Breath of Snow and Ashes, An Echo in the Bone)
He returned to the table with a pile of pastries and two coffees. “Hungry?” she asked. “Let’s figure out what you like.” He waved at the pastries. How thoughtful. She picked up a small biscuit cookie to nibble but shook her head. “Too crunchy.” “Try the scone,” he recommended. One bite. “Nope. No scones. Maybe I’m not a pastry person.” “I’m taking notes over here.” He almost spit out his sip of coffee from laughter when she had to empty her mouth into a small napkin after biting into a cheesy sweet concoction. “Sorry.” Her face went hot. “I’ll stick with croissants. What about you? What do you like?” He shrugged. “I’m not picky.” “Is it bad to be picky? Does it mean I’m high maintenance?” “Maybe you’re not into sweets.” “If I dribbled chocolate all over you, I’d lick it off and like it.” She slapped a hand over her mouth. “Did I just say that out loud? Forget I said that.” “No undoing that. It’s stuck in here.” He tapped his head. “Moon madness.” “It’s mid-morning. There’s no moon in the sky.” He peeked out the window. “Maybe not a full moon, but there’s one in the sky. This insanity is our bodies cranking up for the main event later today.” His eyes traveled down her body and back up; he wet his lips with his tongue. Her mind flashed back to the moment his lips were on hers, the way his fingers had dug into her, the desperation flowing from his fingertips. Things were about to get a lot more interesting as the day wore on. In silence, they ate for a while. She leaned back and stared at him. “You may have to answer to someone, but you like what you do most of the time. Why do you do it? Save humans against things that bump in the night?” “I’m cursed to follow orders.” “Sure, you’re forced into some things, but that only goes so far.” He wiped a few crumbs off the table. “Perhaps so. It’s a good cause. Most of the time. Occasionally, the missions we’re ordered on are based on erroneous information.” She reached out and put her hand over his. “I might be as bad as they made me out. I don’t remember. I appreciate you trying to help me figure it out, but if I start to show an inclination toward evil or world domination, do your job.” He rotated his hand to hold hers and stared at their connection. “The fact you considered it means you’re not someone I should kill.” “We don’t know.” She removed her hand from his. “Tell me something about yourself. What pastry do you like? Are you a scones person?” He shook his head. “I’m not into a lot of sweets, but I’ve realized I like chocolate.
Zoe Forward (Bad Moon Rising (Crown's Wolves, #1))
Gray burst into the galley. “Miss Turner is not eating.” The cramped, boxed-in nature of the space, the oppressive heat-it seemed an appropriate place to take this irrational surge of resentment. If only his emotion could dissipate through the ventilation slats as quickly as steam. “And good morning to you, too.” Gabriel wiped his hands on his apron without glancing up. “She’s not eating,” Gray repeated evenly. “She’s wasting away.” He didn’t even realize his knuckled cracked. He flexed his fingers impatiently. “Wasting away?” Gabriel’s face split in a grin as he picked up a mallet and attacked a hunk of salted pork. “Now what makes you say that?” “Her dress no longer fits properly. The neckline of her bodice is too loose.” Gabriel stopped pounding and looked up, meeting Gray’s eyes for the first time since he’d entered the galley. The mocking arch of the old man’s eyebrows had Gray clenching his teeth. They stared at each other for a second. Then Gray blew out his breath and looked away, and Gabriel broke into peals of laughter. “Never thought I’d live to see the day,” the old cook finally said, “when you would complain that a beautiful lady’s bodice was too loose.” “It’s not that she’s a beautiful lady-“ Gabriel looked up sharply. “It’s not merely that she’s a beautiful lady,” Gray amended. “She’s a passenger, and I have a duty to look out for her welfare.” “Wouldn’t that be the captain’s duty?” Gray narrowed his eyes. “And I know my duty well enough,” Gabriel continued. “It’s not as though I’m denying her food, now is it? I’m thinking Miss Turner just isn’t accustomed to the rough living aboard a ship. Used to finer fare, that one.” Gray scowled at the hunk of cured pork under Gabriel’s mallet and the shriveled, sprouted potatoes rolling back and forth with each tilt of the ship. “Is this the noon meal?” “This, and biscuit.” “I’ll order the men to trawl for a fish.” “Wouldn’t that be the captain’s duty?” Gabriel’s tone was sly. Gray wasn’t sure whether the plume of steam swirling through the galley originated for the stove or his ears. He didn’t care for Gabriel’s flippant tone. Neither did he care for the possibility of Miss Turner’s lush curves disappearing when he’d never had any chance to appreciate them. Frustrated beyond all reason, Gray turned to leave, wrenching open the galley door with such force, the hinges creaked in protest. He took a deep breath to compose himself, resolving not to slam the door shut behind him. Gabriel stopped pounding. “Sit down, Gray. Rest your bones.” With another rough sigh, Gray complied. He backed up two paces, slung himself onto a stool, and watched as the cook grabbed a tin cup from a hook on the wall and filled it, drawing a dipper of liquid from a small leather bucket. Then Gabriel set the cup on the table before him. Milk. Gabriel stared it. “For God’s sake, Gabriel. I’m not six years old anymore.” The old man raised his eyebrows. “Well, seeing as how you haven’t outgrown a visit to the kitchen when you’re in a sulk, I thought maybe you’d have a taste for milk yet, too. You did buy the goats.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
MONKEY BREAD   Preheat oven to 350 degrees F., rack in the middle position. 1 and ¼ cups white (granulated) sugar 1 and ½ teaspoons ground cinnamon 4 cans (7.5 ounce tube) unbaked refrigerated biscuits (I used Pillsbury) 1 cup chopped nuts of your choice (optional) 1 cup chocolate chips (optional) (that’s a 6-ounce size bag) ½ cup salted butter (1 stick, 4 ounces, ¼ pound) Hannah’s 1st Note: If you prefer, you can use 16.3 ounce tubes of Pillsbury Grands. If you do this, buy only 2 tubes. They are larger—you will use half a tube for each layer. Tony’s Note: If you use chocolate chips and/or nuts, place them between each biscuit layer. Spray the inside of a Bundt pan with Pam or another nonstick cooking spray. Set your prepared pan on a drip pan just in case the butter overflows. Then you won’t have to clean your oven. Mix the white sugar and cinnamon together in a mixing bowl. (I used a fork to mix it up so that the cinnamon was evenly distributed.) Open 1 can of biscuits at a time and break or cut them into quarters. You want bite-size pieces. Roll the pieces in the cinnamon and sugar mixture, and place them in the bottom of the Bundt pan. Sprinkle one-third of the chopped nuts and one-third of the chocolate chips on top of the layer, if you decided to use them. Open the second can of biscuits, quarter them, roll them in the cinnamon and sugar, and place them on top of the first layer. (If you used Pillsbury Grands, you’ll do this with the remainder of the first tube.) Sprinkle on half of the remaining nuts and chocolate chips, if you decided to use them. Repeat with the third can of biscuits (or the first half of the second tube of Grands). Sprinkle on the remainder of the nuts and chocolate chips, if you decided to use them. Repeat with the fourth can of biscuits (or the rest of the Grands) to make a top layer in your Bundt pan. Melt the butter and the remaining cinnamon and sugar mixture in a microwave safe bowl on HIGH for 45 seconds. Give it a final stir and pour it over the top of your Bundt pan. Bake your Monkey Bread at 350 degrees F. for 40 to 45 minutes, or until nice and golden on top. Take the Bundt pan out of the oven and let it cool on a cold burner or a wire rack for 10 minutes while you find a plate that will fit over the top of the Bundt pan. Using potholders or oven mitts invert the plate over the top of the Bundt pan and turn it upside down to unmold your delicious Monkey Bread. To serve, you can cut this into slices like Bundt cake, but it’s more fun to just let people pull off pieces with their fingers. Hannah’s 2nd Note: If you’d like to make Caramel Monkey Bread, use only ¾ cup of white sugar. Mix it with the cinnamon the way you’d do if it was the full amount of white sugar. At the very end when you melt the butter with the leftover cinnamon and sugar mixture, add ¾ cup of brown sugar to the bowl before you put it in the microwave. Pour that hot mixture over the top of your Bundt pan before baking and it will form a luscious caramel topping when you unmold your Monkey Bread. Hannah’s 3rd Note: I don’t know why this is called “Monkey Bread”. Norman thinks it has something to do with the old story about the monkey that couldn’t get his hand out of the hole in the tree because he wouldn’t let go of the nut he was holding in his fist. Mike thinks it’s because monkeys eat with their hands and you can pull this bread apart and eat it with your hands. Mother says it’s because monkeys are social animals and you can put this bread in the center of the table and everyone can sit around it and eat. Tracey says it’s because it’s a cute name. Bethie doesn’t care. She just wants to eat it.
Joanne Fluke (Red Velvet Cupcake Murder (Hannah Swensen, #16))
Louie and Phil were separated again, and Louie was locked in an officer’s cabin. Every few days, he had strange visits from a grinning sailor who would lean into the room, say, “Thump on the head for a biscuit?,” rap his knuckles on Louie’s head, hand him a biscuit, and amble away.
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
Did the two of you talk about it?” “There was nothing to talk about. Nothing happened.” “And ‘nothing’ makes you jump every time I get near you.” He tipped his bowl, mopping up with a biscuit. “You know he can’t find you here. I’ll keep you safe.” “It’s not a problem.” “Well then, what is? I’ve promised never to hurt you. I’ve promised not to go in debt. I’ll build you a decent house soon as I can pay cash. I’ll get a haircut the minute there’s a barber within a hundred miles.” His thumb slid under the cuff of her sleeve. “Say, you’re not pining away for some poor soldier who didn’t make it back from the War, are you? My older brother’s sweetheart moped around for two years. They weren’t even engaged. Or maybe there’s someone else you’d rather marry, maybe someone who didn’t ask in time.” “There’s no one.” “So what is the problem? Are you homesick? Miss your folks? Just tell me what’s got you so fidgety, and I’ll fix it.” “It’s nothing.
Catherine Richmond (Spring for Susannah)
When he raises a brow in surprise, I give him a look that must be bordering on feral. “I’m craving a heaping bucket of crispy fried chicken with a side of biscuits like you wouldn’t believe.” “And she eats,” he says to the car. “A girl after my own heart.” “Just drive, Cupcake.” “Easy now, Special Sauce, I’ll get you your chicken.
Anonymous
Maybe it was the aftermath of a dream that he couldn’t remember – so he told me – but Theophilus Baxter woke up one morning in the middle of October 1658, with an unpleasant sensation of trouble. The second session of the General Court of Sagadac Bay would begin its final meeting later in the day. Although the discussions had been uproarious, Theophilus believed that his presentiment related to matters beyond the court’s jurisdiction He shook his head vigorously and walked barefoot across the cold floor to a water basin on a small table in the corner. A splash of water on his face drove away tiny fragments of sleep. While still in his nightshirt, he took his leather-bound Bible – one Elizabeth gave when they were married – from its shelf next to the door and brought it to the edge of his bed, where he sat down to say a short prayer and to read a passage from Paul’s writings. He then dressed and went down the narrow pine stairs to the kitchen, where Elizabeth was setting the table for breakfast. During a pause in their talk about the needs of the day, his premonition of eventfulness returned. Elizabeth noticed the look in his eyes, a look of happiness cut short. (You’ll find scholarly summaries of our controversy in other places. I want to tell the personal side now, so I’ll add and subtract, embroider and elaborate. I’ll invent conversations. Some will complain about the liberties I’m taking, but our colony, an experiment in living, invites adventures that work to create understanding.) “What is it now?” Elizabeth brought a tray of biscuits from the hearth to the table. “We’ve had too much talk lately about God and the Bible,” Theophilus said. “I don’t understand much of the chatter, and I doubt anyone else does either. It’s bad for the country. I had a dream last night about Lydia Bowstreet.” “What would you want to dream about that troublemaker for?” “Things stick in our minds sometimes in the strangest way.
Richard French (The Opinionists)
Kate’s mind was obviously not lodged as firmly in the gutter as his, since she chose to sit in the chair opposite him, even though there was plenty of room in his chair, provided they didn’t mind squeezing next to each other. Even the chair kitty-corner to his would have been better; at least then he could have yanked her up and hauled her onto his lap. If he tried that maneuver where she was seated across the table, he’d have to drag her through the middle of the tea service. Anthony narrowed his eyes as he assessed the situation, trying to guess exactly how much tea would spill on the rug, and then how much it would cost to replace the rug, and then whether he really cared about such a piddling amount of money, anyway . . . “Anthony? Are you listening to me?” He looked up. Kate was resting her arms on her knees as she leaned forward to talk with him. She looked very intent and just a little bit irritated. “Were you?” she persisted. He blinked. “Listening to me?” she ground out. “Oh.” He grinned. “No.” She rolled her eyes but didn’t bother to scold him any further than that. “I was saying that we should have Edwina and her young man over for dinner one night. To see if we think they suit. I have never before seen her so interested in a gentleman, and I do so want her to be happy.” Anthony reached for a biscuit. He was hungry, and he’d pretty much given up on the prospect of getting his wife into his lap. On the other hand, if he managed to clear off the cups and saucers, yanking her across the table might not have such messy consequences . . . He surreptitiously pushed the tray bearing the tea service to the side. “Hmmm?” he grunted, chewing on the biscuit. “Oh, yes, of course. Edwina should be happy.” Kate eyed him suspiciously. “Are you certain you don’t want some tea with that biscuit? I’m not a great aficionado of brandy, but I would imagine that tea would taste better with shortbread.” Actually, Anthony thought, the brandy did quite well with shortbread, but it certainly couldn’t hurt to empty out the teapot a bit, just in case he toppled it over. “Capital idea,” he said, grabbing a teacup and thrusting it toward her. “Tea’s just the thing. Can’t imagine why I didn’t think of it earlier.” “I can’t imagine, either,” she murmured acerbically— if one could murmur in an acerbic manner, and after hearing Kate’s low sarcasm, Anthony rather thought one could. But he just gave her a jovial smile as he reached out and took his teacup from her outstretched hand.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
Mama: You men kill me. You come in here, drink your beer, take your pleasure, and then wanna judge the way I run my “business.” The front door swings both ways. I don’t force anyone’s hand. My girls, Emilene, Mazima, Josephine, ask them, they’d rather be here, than back out there in their villages where they are taken with- out regard. They’re safer with me than in their own homes, because this country is picked clean, while men, poets like you, drink beer, eat nuts and look for some place to disappear. And I am without mercy, is that what you’re saying? Because I give them something other than a beggar’s cup. (With ferocity) I didn’t come here as Mama Nadi, I found her the same way miners find their wealth in the muck. I stumbled off of that road without two twigs to start a fire. I turned a basket of sweets and soggy biscuits into a business. I don’t give a damn what any of you think. This is my place, Mama Nadi’s.
Lynn Nottage
Here they are," she exclaims, packet of biscuits in hand. They’re his favorite: chocolate with cream filling. "Nice," he says, arching his chest towards her. "Can I have one?" "I brought them on purpose," she smiles. She opens the packet and offers him one. He shakes his head. "Open it for me," he says, kissing her neck. "Hold the two sides, turn slowly and pull them apart." She does so and hands him the half with the cream on. Andrew grabs her wrist, puts his thumb in her palm and her breathing alters. He brings her hand closer and licks a hole in the cream with just the tip of his firm tongue. He looks at her and swallows the sweet, strong fingertip. She’s startled and her hand begins to shake. Then, he slowly licks all the cream with light movements as he intertwines his fingers in hers. He imagines that he’s licking her, her skin, his precious Susy. Then, he leans forward for a kiss. "Thank you." She’s enveloped in embarrassment, her cheeks painted red. "Do you always eat biscuits like that?" she jokes. He caresses her neck with his lips, licks, kisses and nibbles it slightly. "If my girlfriend’s not wearing anything under her dress, yes." She
Key Genius (Heart of flesh)
Robert never has liked my biscuits.” She retrieved the basket, trying for a carefree tone. “Honestly, I can’t say I blame him. I’m not much good at baking.” Or anything else with Robert, it would seem. Silence answered back, and she bowed her head, wondering if she was wrong to have come here. “That may be true on the baking part, ma’am. But . . . from what I hear . . .” Something in his voice drew her gaze. “You make right fine saddles.” Her eyes widened. How did Dunn know she made saddles? She’d given Casey Trenton her word she wouldn’t tell anyone she worked for him. If she lost this job at the livery . . . “I–I’m sorry, Sheriff Dunn. But I’m not quite sure I understand your meaning.” His sheepish smile held mischief, and looked out of place on such a seasoned man of the law. “Let’s just say I heard it from someone who’s right proud of you, ma’am.” He glanced again toward the hallway. “Even though I’m not sure he realizes how true that is just yet.” “Thank you, Sheriff Dunn.
Tamera Alexander (The Inheritance)
I really am prepared to push Sally for information. I’m dying to know what’s put a huge smile on her face and provoked the introduction of scoop neck tops. ‘What did you get up to at the weekend, Sal?’ I ask casually as I dunk the biscuit tin. I catch her blushing again. I’m definitely onto something here. If she says she’s done a cross-stitch and cleaned the windows, I’ll hang myself.
Jodi Ellen Malpas (Beneath This Man (This Man, #2))
he found the general seated on a log, quite motionless, with his eyes closed. His cap, as usual, was pulled down to his nose. Hampton gave Jackson his report and volunteered to lead an advance over his new bridge. To Hampton’s complete amazement, the general did not speak, nor did he even move. He “sat in silence for some time, then rose and walked off in silence.” Jackson later was found prostrate and asleep underneath a tree, in spite of the daylong artillery battle that was screaming overhead. He seemed almost perfectly passive. When Longstreet sent an aide to him asking for his help, Jackson replied that he could do nothing. He later fell into such a deep sleep that his aides had trouble waking him. He fell asleep at dinner with a biscuit between his teeth. When he was awakened, he suddenly seemed to come to his senses, saying, “Now, gentlemen, let us at once to bed, and rise with the dawn, and see if tomorrow we cannot do something.
S.C. Gwynne (Rebel Yell: The Violence, Passion, and Redemption of Stonewall Jackson)
Mom was very warm and loving. My favorite moments with her were spent in the kitchen, helping her make biscuits or chicken and dumplings. She would use our time together to share life lessons or talk about the Bible. She always had time for me. She used to take me with her to deliver food to some of the hungry people around our part of the river. “We’re all just people,” Mom would say. “Every race, every color, we all have the same blood.” We used to take garden vegetables to a woman who lived nearby. She’d had eighteen children but was older now and very poor. Mom knew I was still young, and she was worried about what I might say, so she tried to prepare me in advance. “Look, her stuff’s going to be different, so don’t make a big to-do about it.” When I walked into the older woman’s rickety house for the first time, I noticed she had a bed sheet hanging in the kitchen doorway instead of a door. “That’s pretty,” I said, pointing to the sheet-curtain. Mom looked at me, raising her eyebrows. I ran through it a couple of times, pretending I was a superhero busting through a wall. Next, I noticed her old-fashioned rotary dial phone. “I never saw a phone that color before,” I said. Mom held her breath, nervous. “That’s pretty,” I added. Mom gave the woman the food we had brought, and as we left, I didn’t want her to think we were going to forget her. “My mom’s going to bring more stuff. She’s got lots of it,” I volunteered. I think I made my mama proud and didn’t embarrass her too much. She always says I have a tender heart and that my oldest brother, Alan, and I are most like her.
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
I have clients that feel like family, I make far more money than I've got a right to, considering the workload, and I have amazing benefits. What could be bad?" "I suppose I meant if you are satisfied creatively." I'd never really thought about that. The Farbers give me free rein, but they have a repertoire of my dishes that they love and want to have regularly in the rotation, and everything has to be kid friendly; even if we are talking about kids with precocious tastes, they are still kids. Lawrence is easy: breakfasts, lunches, and healthy snacks for his days; he eats most dinners out with friends, or stays home with red wine and popcorn, swearing that Olivia Pope stole the idea from him. And I'm also in charge of home-cooked meals for Philippe and Liagre, his corgis, who like ground chicken and rice with carrots, and home-baked peanut butter dog biscuits. Simca was a gift from him, four years ago. She was a post-Christmas rescue puppy, one of those gifts that a family was unprepared for, who got left at a local shelter where Lawrence volunteers. He couldn't resist her, but knew that Philippe and Liagre barely tolerate each other, and he couldn't imagine bringing a female of any species into their manly abode. Luckiest thing that ever happened to me, frankly. She's the best pup ever. I named her Simca because it was Julia Child's nickname for her coauthor Simone Beck. She is, as the other Eloise, my own namesake, would say, my mostly companion. Lawrence's dinner parties are fun to do- he always has a cool group of interesting people, occasionally famous ones- but he is pretty old-school, so there isn't a ton of creativity in those menus, lots of chateaubriand and poached salmon with the usual canapés and accompaniments.
Stacey Ballis (How to Change a Life)
The dessert plates were arranged with delicate biscuits and pineapple cream served in cunning little glazed pots. Sir Ross introduced a new topic of conversation concerning some recently proposed amendments to the Poor Law, which both he and Gentry supported. Surprisingly, Sophia offered her own opinions on the subject, and the men listened attentively. Lottie tried to conceal her astonishment, for she had been taught for years that a proper woman should never express her opinions in mixed company. Certainly she should say nothing about politics, an inflammatory subject that only men were qualified to debate. And yet here was a man as distinguished as Sir Ross seeming to find nothing wrong in his wife's speaking her mind. Nor did Gentry seem displeased by his sister's outspokenness. Perhaps Gentry would allow her the same freedom. With that pleasant thought in her mind, Lottie consumed her pineapple cream, a rich, silky custard with a tangy flavor. Upon reaching the bottom of the pot, she thought longingly of how nice it would be to have another. However, good manners and the fear of appearing gluttonous made it unthinkable to request seconds. Noticing the wistful glance Lottie gave her empty dish, Gentry laughed softly and slid his own untouched dessert to her plate. "You have even more of a taste for sweets than little Amelia," he murmured in her ear. His warm breath caused the hair on the back of her neck to rise. "We didn't have desserts at school," she said with a sheepish smile. He took his napkin and dabbed gently at the corner of her mouth. "I can see that I'll have a devil of a time trying to compensate for all the things you were deprived of. I suppose you'll want sweets with every meal now." Pausing in the act of lifting her spoon, Lottie stared into the warm blue eyes so close to hers, and suddenly she felt wreathed in heat. Ridiculous, that all he had to do was speak with that caressing note in his voice, and she could be so thoroughly undone.
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
This brisket must have taken you hours," Hudson says, sitting next to me. "A brisket like this takes all night, son," Shawn says, not even looking at Hudson. All of the guards laugh. "Then you'd better walk me through how to serve this before I embarrass myself further," Hudson says. "Definitely," I say, passing the brisket to Shawn, at the head of the table. "You didn't have to agree so quickly," Hudson says. "You can do it a couple of ways. The white bread and the barbecue sauce plus the brisket make a nice sandwich, like Jace is doing," I say, pointing to the now silenced doubting Thomas. I continue, "Or you can just have the brisket with or without barbecue sauce and with or without the ranch beans and slaw, kind of blending in, like turkey, cranberries, and mashed potatoes at Thanksgiving," I say. "Isn't brisket supposed to be served with biscuits?" Hudson asks, serving himself some ranch beans. The conversation at the table screeches to a halt. The guards and Warden Dale just shake their heads and continue talking and eating. "I think from here on out, you just need to start actively censoring your thoughts and opinions. For your own safety," I say, laughing.
Liza Palmer (Nowhere But Home)
We also ate well in the kitchen, and I found that I had inherited my father's palate and appreciation of good food. Our cuisine at home always been rather basic, even in the days when we had a cook, and I became fascinated with the process of creating such wonderful flavors. "Show me how you made that parsley sauce, those meringues, that oyster stew," I'd say to Mrs Robbins, the cook. And if she had a minute to spare, she would show me. After a while, seeing my willingness as well as my obvious aptitude for cooking, she suggested to Mrs Tilley that her old legs were not up to standing for hours any more and that she needed an assistant cook. And she requested me. Mrs Tilley agreed, but only if she didn't have to pay me more money and I should still be available to do my party piece whenever she entertained. And so I went to work in the kitchen. Mrs Robbins found me a willing pupil. After lugging coal scuttles up all those stairs, it felt like heaven to be standing at a table preparing food. We had a scullery maid who did all the most menial of jobs, like chopping the onions and peeling the potatoes, but I had to do the most basic of tasks- mashing the potatoes with lots of butter and cream until there wasn't a single lump, basting the roast so that the fat was evenly crisp. I didn't mind. I loved being amongst the rich aromas. I loved the look of a well-baked pie. The satisfaction when Mrs Robbins nodded with approval at something I had prepared. And of course I loved the taste of what I had created. Now when I went home to Daddy and Louisa, I could say, "I roasted that pheasant. I made that apple tart." And it gave me a great rush of satisfaction to say the words. "You've a good feel of it, I'll say that for you," Mrs Robbins told me, and after a while she even sought my opinion. "Does this casserole need a touch more salt, do you think? Or maybe some thyme?" The part I loved the best was the baking. She showed me how to make pastry, meringues that were light as air, all sorts of delicate biscuits and rich cakes.
Rhys Bowen (Above the Bay of Angels)
Then how did he come to learn that I was back in town?” Buster said. “It’s a small town, Buster,” Mrs. Fang answered. “When you got here, you had a grotesquely swollen face. It attracted attention.” When they first arrived back home, Buster, still adjusting to the high dosage of the medication he had given himself, woke in the van and demanded that they stop for fried chicken. “Buster, I don’t think solid food is a great idea yet,” his mother had told him, but Buster had leaned into the front of the van and reached for the steering wheel, saying, over and over in a strange monotone, “Fer-ide chick-hen.” The Fangs pulled into a Kentucky Fried Chicken ten minutes later and walked inside the restaurant. Buster swayed unsteadily as his parents directed him to a table. “What do you want?” they asked him. “Fer-ide chick-hen,” he said, “all-you-can-eat.” They left the table and returned a few minutes later with a breast, wing, thigh, and leg, a mound of gravy-soaked mashed potatoes, and a biscuit. Everyone in a five-table radius was staring at the Fangs by this point. Buster, oblivious, unpacked some bloodstained gauze from his mouth, picked up the chicken leg, extra crispy, and took a ravenous bite. He felt something come loose inside his mouth, his muscles stretched beyond comfort after so much time in atrophy, and he began to moan, a funeral dirge, dropping the leg back onto the tray. The barely chewed scrap of chicken fell from his mouth, stained a foamy red with Buster’s blood. “Okay,” Mr. Fang said, sweeping the tray off of the table, dumping it into the trash. “This little experiment is over. Let’s go home.” Buster tried to pack the gauze back into his mouth, but his mother and father were already carrying him into the parking lot. “I’m a monster,” Buster bellowed, and his parents did nothing to dissuade him of this belief. “Well, I’m not going to do it,” Buster said. “I think you should,” Annie said. Mr. and Mrs. Fang agreed. Buster did not want to talk about writing. It had been years since his last novel had been published, a spectacular failure at that.
Kevin Wilson (The Family Fang)
good ideas. Junior was there, saying hi to people and getting petted like crazy. We also had homemade dog biscuits from Grandma Dotty to give away. And I drew the T-shirt designs myself. “Step right up! Check it out!” Flip kept saying. Georgia was signing up customers. And I helped Magic Murray
James Patterson (Dog's Best Friend (Middle School #8))
Sullivan was quoted as saying. “We took the fight to them and it’s over.” It certainly felt over, Rye thought as he stared into the fire. There was no mention of Gig in the news story, and he wondered if Lem Brand had lied about getting his brother out of jail. He slept uneasily again, repeating over and over in his mind what he’d say to Early if he came back (Look, I don’t want any trouble for Gig and me . . . ). In the morning, another skiff of snow had fallen, like sugar onto a biscuit. After breakfast, Rye swept Mrs. Ricci’s steps and walked downtown along the old hobo highway. It was rare to walk the trail and see no one, but with so many men in jail or wintered up, Rye felt alone in the world. He emerged in the fuel and freight yards east of downtown, then walked the tenderloin into the center of downtown and eventually to the building where Fred Moore had a small office on the second floor, and where Rye took off his bowler and asked to see his old lawyer. Fred came out of his office in shirtsleeves. He clapped Rye on the shoulder
Jess Walter (The Cold Millions)
Did you just say that bustles are expected to get even larger?” Miss Griswold nodded. “I’m afraid so. According to one of my sources—er . . . friends, I mean—quite a few designers are beginning to contemplate a new silhouette for ladies—one that will require bustles to achieve the size of a large birdcage in order to pull off the look designers are convinced will be complimentary to every lady’s figure.” “Who in the world would want to wear a birdcage on their behind?” Miss Cadwalader asked, once again in possession of the platter of treats, treats she immediately began perusing, looking completely delighted. Miss Griswold reached out, snagged a sugar biscuit, popped it into her mouth, and shrugged even as she swallowed. “I’m sure there are very few ladies who’d appreciate such an appendage attached to them, but evidently the gentlemen in charge of our fashions seem to believe that larger behinds are . . .” She stopped talking, shot a look to Edgar, turned pink in the face, and immediately returned her attention to Wilhelmina.
Jen Turano (At Your Request (Apart from the Crowd, #0.5))
Dear Prudence, I’m sitting in this dusty tent, trying to think of something eloquent to write. I’m at wit’s end. You deserve beautiful words, but all I have left are these: I think of you constantly. I think of this letter in your hand and the scent of perfume on your wrist. I want silence and clear air, and a bed with a soft white pillow… Beatrix felt her eyebrows lifting, and a quick rise of heat beneath the high collar of her dress. She paused and glanced at Prudence. “You find this boring?” she asked mildly, while her blush spread like spilled wine on linen. “The beginning is the only good part,” Prudence said. “Go on.” …Two days ago in our march down the coast to Sebastopol, we fought the Russians at the Alma River. I’m told it was a victory for our side. It doesn’t feel like one. We’ve lost at least two thirds of our regiment’s officers, and a quarter of the noncommissioned men. Yesterday we dug graves. They call the final tally of dead and wounded the “butcher’s bill.” Three hundred and sixty British dead so far, and more as soldiers succumb to their wounds. One of the fallen, Captain Brighton, brought a rough terrier named Albert, who is undoubtedly the most badly behaved canine in existence. After Brighton was lowered into the ground, the dog sat by his grave and whined for hours, and tried to bite anyone who came near. I made the mistake of offering him a portion of a biscuit, and now the benighted creature follows me everywhere. At this moment he is sitting in my tent, staring at me with half-crazed eyes. The whining rarely stops. Whenever I get near, he tries to sink his teeth into my arm. I want to shoot him, but I’m too tired of killing. Families are grieving for the lives I’ve taken. Sons, brothers, fathers. I’ve earned a place in hell for the things I’ve done, and the war’s barely started. I’m changing, and not for the better. The man you knew is gone for good, and I fear you may not like his replacement nearly so well. The smell of death, Pru…it’s everywhere. The battlefield is strewn with pieces of bodies, clothes, soles of boots. Imagine an explosion that could tear the soles from your shoes. They say that after a battle, wildflowers are more abundant the next season--the ground is so churned and torn, it gives the new seeds room to take root. I want to grieve, but there is no place for it. No time. I have to put the feelings away somewhere. Is there still some peaceful place in the world? Please write to me. Tell me about some bit of needlework you’re working on, or your favorite song. Is it raining in Stony Cross? Have the leaves begun to change color? Yours, Christopher Phelan
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Carrot pudding?” Kitty turned to the biscuits, her words spilling out in a hurried stream. “We had so many carrots, I needed to do something with them ere they turn rotten.”  “Indeed.” Eliza stepped closer. The sisterly teasing in her dark eyes grew more potent until Kitty could hardly stand the weight of it. Eliza smiled. “I must say I find that quite remarkable.” “Remarkable?” Kitty swallowed. “Thomas and I do not care for carrot pudding. And neither do you.” The hint of accusation in Eliza’s tone met its mark. “If you’re implying I’ve made it for Nathaniel then you’re wrong.” Her cheeks grew hot. Mercy, why must she always be so transparent? She dipped her fingers in a bowl of water and wiped off the dough, praying the meager acting skill she employed would mask at least a portion of her emotions. “I’ve developed a taste for it, despite what you might think.” With a shrug and a smile that made Kitty’s embarrassment bleed into her cheeks, Eliza snatched a slice of apple peel and took a small bite.  “I don’t know if that’s true about the pudding, but I do think you have grown to like a certain someone quite particularly over the past few weeks.
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
It takes Burnett only a moment to figure out what I'm talking about, but says, 'I'm on it. What's wrong with your voice?' 'I'm eating biscuits.' 'You're eating biscuits?' Burnett is obviously still a bit sleepy, since I couldn't have made myself much clearer. 'Yes, sir. I'm eating biscuits. Stolen chocolate digestives. Oh, also, we're going to need some ambulances.' 'Ambulances?' 'Sir, is this a new game where you repeat everything I say?
Harry Bingham (The Dead House (Fiona Griffiths, #5))
I hacked an old Crock-Pot and turned it into a sous vide machine, and did a turkey breast, and then seared the skin on the stovetop, so it is totally crispy, but the meat is BEYOND juicy. And the stuffing is a combination of homemade corn bread, homemade buttermilk biscuits, and brioche, with sage and thyme and celery and onion and shallot. And I tried the Robuchon Pommes Puree, and thought that there was no way to put THAT much butter into that much potato, but holy moley is it amazeballs! And I did a butternut squash soup with fried ginger and almond cake with apple compote." All the bustle has roused Volnay, who wanders over to greet Benji, and receives a dog biscuit for her trouble from Eloise. "Honey, breathe a little," I say, laughing. "It's just... I... I mean... THANKSGIVING!" he says, which cracks us all up.
Stacey Ballis (Out to Lunch)