Bird Hunting Quotes

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Tiger got to hunt, bird got to fly; Man got to sit and wonder 'why, why, why?' Tiger got to sleep, bird got to land; Man got to tell himself he understand.
Kurt Vonnegut Jr. (Cat’s Cradle)
My mama told me don't trust no white boy, even a pretty one. I'm thinkin' a pretty white boy with wings explodin' up from the ground in a mess of blood and ugly-ass bird things is double trouble." - Kramisha (Ch 5)
P.C. Cast (Hunted (House of Night, #5))
The world going insane and evil letting slip the birds of war is no excuse for sloppy vocabulary.
P.C. Cast (Hunted (House of Night, #5))
She is kind and very beautiful. But she can be so cruel and it comes so suddenly and such birds that fly, dipping and hunting, with their small sad voices are made too delicately for the sea.
Ernest Hemingway (The Old Man and the Sea)
W-what do you want?" I asked, thankful that my voice only trembled a little bit. That Cat Didn't blink. "Human," he said, and if a cat could sound patronizing, this one nailed it, "think about the absurdity of the question. I am resting in my tree, minding my own business and wondering if I should hunt today, when you come flying in like a bean sidhe and scare off every bird for miles around. Then, you have the audacity to ask what I want." He sniffed and gave me a very catlike stare of disdain. "I am aware that mortals are rude and barbaric, but still.
Julie Kagawa (The Iron King (The Iron Fey, #1))
Staring at her face, she began to fancy her outer layer had begun to melt away while she wasn't paying attention, and something -- some new skeleton -- was emerging from beneath the softness of her accustomed self. With a deep, visceral ache, she wished her true form might prove to be a sleek and shining one, like a stiletto blade slicing free of an ungainly sheath. Like a bird of prey losing its hatchling fluff to hunt in cold, magnificent skies. That she might become something glittering, something startling, something dangerous.
Laini Taylor (Lips Touch: Three Times)
Tiger got to hunt, Bird got to fly; Man got to sit and wonder, “Why, why, why?” Tiger got to sleep, Bird got to land; Man got to tell himself he understand.
Kurt Vonnegut Jr. (Cat's Cradle)
One saw a bird dying, shot by a man. It was flying with rhythmic beat and beautifully, with such freedom and lack of fear. And the gun shattered it; it fell to the earth and all the life had gone out of it. A dog fetched it, and the man collected other dead birds. He was chattering with his friend and seemed so utterly indifferent. All that he was concerned with was bringing down so many birds, and it was over as far as he was concerned. They are killing all over the world. Those marvellous, great animals of the sea, the whales, are killed by the million, and the tiger and so many other animals are now becoming endangered species. Man is the only animal that is to be dreaded.
J. Krishnamurti (Krishnamurti to Himself: His Last Journal)
You’re right. You keep saying Jacks is the villain. Yet you just let a man attack me with his pet bird in order to hunt another man down and kill him. You also told my guards—who aren’t very nice, by the way—not to let me leave the castle, despite promising me you’d never lock me up. So, no, I don’t know how much of a threat Lord Jacks is, but I’m starting to see you as one.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
This is an ode to all of those that have never asked for one. A thank you in words to all of those that do not do what they do so well for the thanking. This is to the mothers. This is to the ones who match our first scream with their loudest scream; who harmonize in our shared pain and joy and terrified wonder when life begins. This is to the mothers. To the ones who stay up late and wake up early and always know the distance between their soft humming song and our tired ears. To the lips that find their way to our foreheads and know, somehow always know, if too much heat is living in our skin. To the hands that spread the jam on the bread and the mesmerizing patient removal of the crust we just cannot stomach. This is to the mothers. To the ones who shout the loudest and fight the hardest and sacrifice the most to keep the smiles glued to our faces and the magic spinning through our days. To the pride they have for us that cannot fit inside after all they have endured. To the leaking of it out their eyes and onto the backs of their hands, to the trails of makeup left behind as they smile through those tears and somehow always manage a laugh. This is to the patience and perseverance and unyielding promise that at any moment they would give up their lives to protect ours. This is to the mothers. To the single mom’s working four jobs to put the cheese in the mac and the apple back into the juice so their children, like birds in a nest, can find food in their mouths and pillows under their heads. To the dreams put on hold and the complete and total rearrangement of all priority. This is to the stay-at-home moms and those that find the energy to go to work every day; to the widows and the happily married. To the young mothers and those that deal with the unexpected announcement of a new arrival far later than they ever anticipated. This is to the mothers. This is to the sack lunches and sleepover parties, to the soccer games and oranges slices at halftime. This is to the hot chocolate after snowy walks and the arguing with the umpire at the little league game. To the frosting ofbirthday cakes and the candles that are always lit on time; to the Easter egg hunts, the slip-n-slides and the iced tea on summer days. This is to the ones that show us the way to finding our own way. To the cutting of the cord, quite literally the first time and even more painfully and metaphorically the second time around. To the mothers who become grandmothers and great-grandmothers and if time is gentle enough, live to see the children of their children have children of their own. To the love. My goodness to the love that never stops and comes from somewhere only mothers have seen and know the secret location of. To the love that grows stronger as their hands grow weaker and the spread of jam becomes slower and the Easter eggs get easier to find and sack lunches no longer need making. This is to the way the tears look falling from the smile lines around their eyes and the mascara that just might always be smeared with the remains of their pride for all they have created. This is to the mothers.
Tyler Knott Gregson
In his eyes shone the reflection of the most beautiful planet in the Universe---a planet that is not too hot and not too cold; that has liquid water on the surface and where the gravity is just right for human beings and the atmosphere is perfect for them to breathe; where there are mountains and deserts and oceans and islands and forests and trees and birds and plants and animals and insects and people---lots and lots of people. Where there is life. Some of it, possibly, intelligent.
Stephen W. Hawking (George's Cosmic Treasure Hunt (George, #2))
What else are we to do with our obsessions? Do they feed us? Or are we simply scavenging our memories for one gleaming image to tell the truth of what is hunting us?
Terry Tempest Williams (When Women Were Birds: Fifty-four Variations on Voice)
She was apt at hunting, a naturally trained bird of prey who would beat the game and always bring it back to the hunter. And speaking of the devil … It
Pauline Réage (Story of O)
Thomas Edison said in all seriousness: "There is no expedient to which a man will not resort to avoid the labour of thinking"-if we bother with facts at all, we hunt like bird dogs after the facts that bolster up what we already think-and ignore all the others! We want only the facts that justify our acts-the facts that fit in conveniently with our wishful thinking and justify our preconceived prejudices! As Andre Maurois put it: "Everything that is in agreement with our personal desires seems true. Everything that is not puts us into a rage." Is it any wonder, then, that we find it so hard to get at the answers to our problems? Wouldn't we have the same trouble trying to solve a second-grade arithmetic problem, if we went ahead on the assumption that two plus two equals five? Yet there are a lot of people in this world who make life a hell for themselves and others by insisting that two plus two equals five-or maybe five hundred!
Dale Carnegie (How to Stop Worrying and Start Living: Time-Tested Methods for Conquering Worry)
Wildlife, we are constantly told, would run loose across our towns and cities were it not for the sport hunters to control their population, as birds would blanket the skies without the culling services of Ducks Unlimited and other groups. Yet here they are breeding wild animals, year after year replenishing the stock, all for the sole purpose of selling and killing them, deer and bears and elephants so many products being readied for the market. Animals such as deer, we are told, have no predators in many areas, and therefore need systematic culling. Yet when attempts are made to reintroduce natural predators such as wolves and coyotes into these very areas, sport hunters themselves are the first to resist it. Weaker animals in the wild, we hear, will only die miserable deaths by starvation and exposure without sport hunters to control their population. Yet it's the bigger, stronger animals they're killing and wounding--the very opposite of natural selection--often with bows and pistols that only compound and prolong the victim's suffering.
Matthew Scully (Dominion: The Power of Man, the Suffering of Animals, and the Call to Mercy)
The truth is usually left for us to hunt and gather independently, if we are so inclined.
Raquel Cepeda (Bird of Paradise: How I Became Latina)
Birding is hunting without killing, preying without punishing, and collecting without clogging your home.
Mark Obmascik (The Big Year)
Rain, rain falling down Down, down on the gound All the birds go in the trees They don't like the rain, you see.
Lynda Mullaly Hunt (Fish in a Tree)
A man may not care for golf and still be human, but the man who does not like to see, hunt, photograph, or otherwise outwit birds or animals is hardly normal. He is supercivilized, and I for one do not know how to deal with him.
Aldo Leopold (A Sand County Almanac: With Essays on Conservation)
A dog creates, transcribes, a new landscape for you. A dog like Colter sharpens your joy of all the seasons, and for a while, sometimes a long while, such a dog seems capable, by himself alone, of holding time in place--of pinning it, and holding it taught. And then when he is gone, it is as if the world is taken away. Dogs like that are young for what seems like a very long time.... One you have lost a dog--especially the first you trained from a pup, the one you first set sail into the world with--you can never fully give of yourself to another dog. You can never again look at a dog you love without hedging a tiny bit, if only subconsciously, against the day when that dog, too, must leave. You can never again hunt or enter the future so recklessly, so joyously, with that weight of forethought.... As I sleep restlessly, night after night, or more often, as I lie there awake, I can see him running and I feel guilty that I am not there to honor the birds he is finding... One way or the other, he is still out there running. He will never rest.... I will always want him to know a moment's rest, and peace, and he will always know in his hot heart that the only peace to be gotten is by never resting, by always pushing on. He is my Colter.... I am still his, and he is still mine.
Rick Bass (Colter: The True Story of the Best Dog I Ever Had – A Memoir of Raging Genius, Loyal Spirit, and Canine Companionship in Montana)
For us hunting wasn’t a sport. It was a way to be intimate with nature, that intimacy providing us with wild unprocessed food free from pesticides and hormones and with the bonus of having been produced without the addition of great quantities of fossil fuel. In addition, hunting provided us with an ever scarcer relationship in a world of cities, factory farms, and agribusiness, direct responsibility for taking the lives that sustained us. Lives that even vegans indirectly take as the growing and harvesting of organic produce kills deer, birds, snakes, rodents, and insects. We lived close to the animals we ate. We knew their habits and that knowledge deepened our thanks to them and the land that made them.
Ted Kerasote (Merle's Door: Lessons from a Freethinking Dog)
Do you feel for the man hungry enough to steal?" Commander Ga asked as they drove by. "Or for the men who must hunt him down?" "Isn't it the bird who suffers?" Sun Moon asked.
Adam Johnson (The Orphan Master's Son)
As a bird with beautiful feathers is the target of hunters, so the gifted are targets of the envious.
Matshona Dhliwayo
The first thing to get in your head is that every single Girl can be caught - and that you'll catch her if You set your toils right. Birds will sooner fall dumb in Springtime, Cicadas in summer, or a hunting-dog Turn his back on a hare, than a lover's bland inducements Can fail with a woman, Even one you suppose Reluctant will want it.
Ovid
What's important about morality in politics is us. We own the chicken farm. We must give our bird-brained, feather-headed politicians morals. Politicians love to think of themselves as "free-range" but they do not have the capacity to hunt or gather morals in the wild. If we fail to supply them with morality, politicians begin to act very scary in the barnyard. These are enormous headless chickens and they have nukes.
P.J. O'Rourke (Don't Vote, it Just Encourages the Bastards)
Tiger got to hunt, Bird got to fly; Man got to sit and wonder, “Why, why, why?” Tiger got to sleep, Bird got to land; Man got to tell himself he understand.
Kurt Vonnegut Jr. (Cat's Cradle)
But now they’ve got Mr. Blackbourne following McCoy. See? He’s in deep shit now if Mr. Blackbourne’s the one hunting him.
C.L. Stone (The Other Side of Envy (The Ghost Bird, #8))
He was very fond of flying fish as they were his principal friends on the ocean. He was sorry for the birds, especially the small delicate dark terns that were always flying and looking and almost never finding, and he thought, the birds have a harder life than we do except for the robber birds and the heavy strong ones. Why did they make birds so delicate and fine as those sea swallows when the ocean can be so cruel? She is kind and very beautiful. But she can be so cruel and it comes so suddenly and such birds that fly, dipping and hunting, with their small sad voices are made too delicately for the sea.
Ernest Hemingway (The Old Man and the Sea)
A Match If love were what the rose is, And I were like the leaf, Our lives would grow together In sad or singing weather, Blown fields or flowerful closes, Green pasture or gray grief; If love were what the rose is, And I were like the leaf. If I were what the words are, And love were like the tune, With double sound and single Delight our lips would mingle, With kisses glad as birds are That get sweet rain at noon; If I were what the words are, And love were like the tune. If you were life, my darling, And I your love were death, We'd shine and snow together Ere March made sweet the weather With daffodil and starling And hours of fruitful breath; If you were life, my darling, And I your love were death. If you were thrall to sorrow, And I were page to joy, We'd play for lives and seasons With loving looks and treasons And tears of night and morrow And laughs of maid and boy; If you were thrall to sorrow, And I were page to joy. If you were April's lady, And I were lord in May, We'd throw with leaves for hours And draw for days with flowers, Till day like night were shady And night were bright like day; If you were April's lady, And I were lord in May. If you were queen of pleasure, And I were king of pain, We'd hunt down love together, Pluck out his flying-feather, And teach his feet a measure, And find his mouth a rein; If you were queen of pleasure, And I were king of pain.
Algernon Charles Swinburne
The feeling of solidarity is the leading characteristic of all animals living in society. The eagle devours the sparrow, the wolf devours the marmot. But the eagles and the wolves respectively aid each other in hunting, the sparrow and the marmot unite among themselves against the beasts and birds of prey so effectually that only the very clumsy ones are caught. In all animal societies solidarity is a natural law of far greater importance than that struggle for existence, the virtue of which is sung by the ruling classes in every strain that may best serve to stultify us.
Pyotr Kropotkin (Anarchist Morality)
Yuan hears the animals hundreds of meters away—the ones with hooves running while the pawed ones hunt them. He also hears the birds chirping, the leaves rustling, the waterfall roaring, and the wind speaking. Yes, speaking. Not every High-Grade voices the wind or hears it speak. But he does.
Misba (The High Auction (Wisdom Revolution, #1))
At Coucy’s level, men and women hawked and hunted and carried a favorite falcon, hooded, on the wrist wherever they went, indoors or out—to church, to the assizes, to meals. On occasion, huge pastries were served from which live birds were released to be caught by hawks unleashed in the banquet
Barbara W. Tuchman (A Distant Mirror: The Calamitous 14th Century)
Rows of books around me stand, Fence me in on either hand; Through that forest of dead words I would hunt the living birds -- So I write these lines for you Who have felt the death-wish too, All the wires are cut, my friends Live beyond the severed ends.
Louis MacNeice
It is winter. Ravens are standing on a pile of bones -- black typeface on white paper picking an idea clean. It’s what I do each time I sit down to write. What else are we to do with our obsessions? Do they feed us? Or are we simply scavenging our memories for one gleaming image to tell the truth of what is hunting us? 'To write,' Marguerite Duras remarked, 'is also not to speak. It is to keep silent. It is to howl noiselessly.
Terry Tempest Williams (When Women Were Birds: Fifty-four Variations on Voice)
The demon leaned in, the brim of his hat close enough to touch. “You think we are so different, but we are the same, Hunter. We are the raging hosts and the masters of the dead, and when we command men to follow, they obey. And so it is the men of the earth who kill and maim, like a flock of birds copper red with blood, while we dance upon this world as great and mighty shadows. But we are merely the sword, Hunter, and only the sword. We must have a heart to wield us. Those are the terms, and we keep our bargains.
Marjorie M. Liu (The Iron Hunt (Hunter Kiss, #1))
There is a tree. At the downhill edge of a long, narrow field in the western foothills of the La Sal Mountains -- southeastern Utah. A particular tree. A juniper. Large for its species -- maybe twenty feet tall and two feet in diameter. For perhaps three hundred years this tree has stood its ground. Flourishing in good seasons, and holding on in bad times. "Beautiful" is not a word that comes to mind when one first sees it. No naturalist would photograph it as exemplary of its kind. Twisted by wind, split and charred by lightning, scarred by brushfires, chewed on by insects, and pecked by birds. Human beings have stripped long strings of bark from its trunk, stapled barbed wire to it in using it as a corner post for a fence line, and nailed signs on it on three sides: NO HUNTING; NO TRESPASSING; PLEASE CLOSE THE GATE. In commandeering this tree as a corner stake for claims of rights and property, miners and ranchers have hacked signs and symbols in its bark, and left Day-Glo orange survey tape tied to its branches. Now it serves as one side of a gate between an alfalfa field and open range. No matter what, in drought, flood heat and cold, it has continued. There is rot and death in it near the ground. But at the greening tips of its upper branches and in its berrylike seed cones, there is yet the outreach of life. I respect this old juniper tree. For its age, yes. And for its steadfastness in taking whatever is thrown at it. That it has been useful in a practical way beyond itself counts for much, as well. Most of all, I admire its capacity for self-healing beyond all accidents and assaults. There is a will in it -- toward continuing to be, come what may.
Robert Fulghum (Uh-oh: Some Observations from Both Sides of the Refrigerator Door)
Tiger got to hunt, Bird got to fly; Man got to sit and wonder, “Why, why, why?” Tiger got to sleep, Bird got to land; Man got to tell himself he understand.
John Green (Everything Is Tuberculosis: The History and Persistence of Our Deadliest Infection)
When you leave your old neighborhood for your land, the city streets and businesses will almost instantly fade from your mind. The chirping of birds will replace the yelling of people.
Norm Geddis (Off the Grid Financed Land Online: The Ultimate Guide to Seller Financed Land Ownership for Homes, Cabins, Hunting, and Investment.)
We are both caught in its tangles and knots, sometimes the hunter, sometimes the hunted. And sometimes, we are so lost in love's magic that we neither know nor care whether we are predator or prey.
Deborah Harkness (The Black Bird Oracle (All Souls, #5))
In the South American rainforest, there is a tribe called the Desana, who see the world as a fixed quantity of energy that flows between all creatures. Every birth must therefore engender a death, and every death brings forth another birth. This way, the energy of the world remains complete. When they hunt for food, the Desana know the animals they kill will leave a hole in the spiritual well. But that hole will be filled, they believe, by the Desana hunters when they die. Were there no men dying, there would be no birds or fish being born. I like this idea. Morrie likes it, too. The closer he gets to goodbye, the more he seems to feel we are all creatures in the same forest. What we take, we must replenish. "It's only fair," he says.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
But as to your writing me that I don’t love you very much, I don’t know whether you’re saying this in earnest or whether I should realise that you’re joking with me. Still, what you say disturbs me. You are measuring a very healthy expression of a wife’s loyalty by the standard of the insincere flattery of well-worn phrases. But I shall love you, my husband. What does it mean to you that you reassure me with those trivial little compliments? Do you want me to believe that you expect me to comb my hair in a stylish fashion for your homecoming? Or to feign adoring looks with a painted face? Let women without means, who worry and have no confidence in their virtue, flutter their eyelashes and play games to gain favour with their husbands. This is the adulation of a fox and the birdlime of deceitful bird hunting. I don’t want to have to buy you at such a price. I’m not a person who lays more stock in words than duty. I am truly your Laura, whose soul is the same one you in turn had hoped for.
Laura Cereta
Brushing hair from her face, I kiss her gently. “Little Bird, Little Bird, I knew you would be the one. You will never escape us now, you are mine. Forever. Bound tighter than any ring or marriage ever could. You try to leave, and I will hunt you down.
K.A. Knight (Den of Vipers)
The world needed changing - that I knew. Global warming threatened to give us all a lethal tan; war and poverty decimated whole nations; crops worldwide were shriveling; even our brethren beasts menaced us with their monkey pox and bird flu and mad cow disease.
Jeff Deck (The Great Typo Hunt: Two Friends Changing the World, One Correction at a Time)
The third time out he concluded that we were hunting cows. That was a day that will live long in memory. Mutt threw himself into cow chasing with a frenzy that was almost fanatical. He became, in a matter of hours, a dedicated dog. It was a ghastly day, yet it had its compensations for Father. When we returned home that night, very tired, very dusty–and sans birds—he was able to report to Mother that her "hunting dog" had attempted to retrieve forty-three heifers, two bulls, seventy-two steers, and an aged ox belonging to a Dukhobor family.
Farley Mowat (The Dog Who Wouldn't Be)
Redford had read somewhere that cats brought their owners dead birds, rodents, and their own toys because they were trying to teach the stupid humans how to hunt, like they did with their own kittens. From the amount of toys Knievel had brought to him, the cat thought he was absolutely useless.
Robin Saxon (Blood Howl (Sanguis Noctis, #1))
The berth belongs to you too. It will always be there when—if you want to come back.” Inej could not speak. Her heart felt too full, a dry creek bed ill-prepared for such rain. “I don’t know what to say.” His bare hand flexed on the crow’s head of his cane. The sight was so strange Inej had trouble tearing her eyes from it. “Say you’ll return.” “I’m not done with Ketterdam.” She hadn’t known she meant it until she said the words. Kaz cast her a swift glance. “I thought you wanted to hunt slavers.” “I do. And I want your help.” Inej licked her lips, tasted the ocean on them. Her life had been a series of impossible moments, so why not ask for something impossible now? “It’s not just the slavers. It’s the procurers, the customers, the Barrel bosses, the politicians. It’s everyone who turns a blind eye to suffering when there’s money to be made.” “I’m a Barrel boss.” “You would never sell someone, Kaz. You know better than anyone that you’re not just one more boss scraping for the best margin.” “The bosses, the customers, the politicians,” he mused. “That could be half the people in Ketterdam—and you want to fight them all.” “Why not?” Inej asked. “One the seas and in the city. One by one.” “Brick by brick,” he said. Then he gave a single shake of his head, as if shrugging off the notion. “I wasn’t made to be a hero, Wraith. You should have learned that by now. You want me to be a better man, a good man. I—“ “This city doesn’t need a good man. It needs you.” “Inej—“ “How many times have you told me you’re a monster? So be a monster. Be the thing they all fear when they close their eyes at night. We don’t go after all the gangs. We don’t shut down the houses that treat fairly with their employees. We go after women like Tante Heleen, men like Pekka Rollins.” She paused. “And think about it this way…you’ll be thinning the competition.” He made a sound that might almost have been a laugh. One of his hands balanced on his cane. The other rested at his side next to her. She’d need only move the smallest amount and they’d be touching. He was that close. He was that far from reach. Cautiously, she let her knuckles brush against his, a slight weight, a bird’s feather. He stiffened, but he didn’t pull away. “I’m not ready to give up on this city, Kaz. I think it’s worth saving.” I think you’re worth saving. Once they’d stood on the deck of a ship and she’d waited just like this. He had not spoken then and he did not speak now. Inej felt him slipping away, dragged under, caught in an undertow that would take him farther and farther from shore. She understood suffering and knew it was a place she could not follow, not unless she wanted to drown too. Back on Black Veil, he’d told her they would fight their way out. Knives drawn, pistols blazing. Because that’s what we do. She would fight for him, but she could not heal him. She would not waste her life trying. She felt his knuckles slide again hers. Then his hand was in her hand, his palm pressed against her own. A tremor moved through him. Slowly, he let their fingers entwine.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
We were partners in sewing. And partners in luck-hunting: four-leaf clovers, sand-dollar birds, red sea glass, clouds shaped like hearts, the first daffodils of spring, ladybugs, ladies in oversized hats. Best to bet on all the horses, dear, she’d say. Quick, make a wish, she’d say. I bet. I wished. I was her disciple. I still am.
Jandy Nelson (I'll Give You the Sun)
Not to waste the spring I threw down everything, And ran into the open world To sing what I could sing... To dance what I could dance! And join with everyone! I wandered with a reckless heart beneath the newborn sun. First stepping through the blushing dawn, I crossed beneath a garden bower, counting every hermit thrush, counting every hour. When morning's light was ripe at last, I stumbled on with reckless feet; and found two nymphs engaged in play, approaching them stirred no retreat. With naked skin, their weaving hands, in form akin to Calliope's maids, shook winter currents from their hair to weave within them vernal braids. I grabbed the first, who seemed the stronger by her soft and dewy leg, and swore blind eyes, Lest I find I, before Diana, a hunted stag. But the nymphs they laughed, and shook their heads. and begged I drop beseeching hands. For one was no goddess, the other no huntress, merely two girls at play in the early day. "Please come to us, with unblinded eyes, and raise your ready lips. We will wash your mouth with watery sighs, weave you springtime with our fingertips." So the nymphs they spoke, we kissed and laid, by noontime's hour, our love was made, Like braided chains of crocus stems, We lay entwined, I laid with them, Our breath, one glassy, tideless sea, Our bodies draping wearily. We slept, I slept so lucidly, with hopes to stay this memory. I woke in dusty afternoon, Alone, the nymphs had left too soon, I searched where perched upon my knees Heard only larks' songs in the trees. "Be you, the larks, my far-flung maids? With lilac feet and branchlike braids... Who sing sweet odes to my elation, in your larking exaltation!" With these, my clumsy, carefree words, The birds they stirred and flew away, "Be I, poor Actaeon," I cried, "Be dead… Before they, like Hippodamia, be gone astray!" Yet these words, too late, remained unheard, By lark, that parting, morning bird. I looked upon its parting flight, and smelled the coming of the night; desirous, I gazed upon its jaunt, as Leander gazes Hellespont. Now the hour was ripe and dark, sensuous memories of sunlight past, I stood alone in garden bowers and asked the value of my hours. Time was spent or time was tossed, Life was loved and life was lost. I kissed the flesh of tender girls, I heard the songs of vernal birds. I gazed upon the blushing light, aware of day before the night. So let me ask and hear a thought: Did I live the spring I’d sought? It's true in joy, I walked along, took part in dance, and sang the song. and never tried to bind an hour to my borrowed garden bower; nor did I once entreat a day to slumber at my feet. Yet days aren't lulled by lyric song, like morning birds they pass along, o'er crests of trees, to none belong; o'er crests of trees of drying dew, their larking flight, my hands, eschew Thus I'll say it once and true… From all that I saw, and everywhere I wandered, I learned that time cannot be spent, It only can be squandered.
Roman Payne (Rooftop Soliloquy)
How could anarchy be any worse for the general welfare than this? I say let the city go bankrupt, the buildings fall, let grass take over Fifth Avenue. Let birds nest in storefronts, whales swim up the Hudson. We can spend mornings hunting for food, and afternoons fornicating, and at night we’ll dance on the rooftops and chant shantih shantih at the sky.
Garth Risk Hallberg (City on Fire)
Birds
 of
a
feather
burn
together,
 though
as
a
rule
ravens
are
singular
Margaret Atwood (Morning in the Burned House: Poems)
But since Christ is not easy (You must hunt him first among The white shadows of black birds With a mask upon your shoulder And a rose upon your eyes!)—
José García Villa (Doveglion: Collected Poems (Penguin Classics))
This guy, and he alone, hunts close to the house for field mice and birds.
Dean Koontz (The House at the End of the World)
Should we then not expect lions to refrain from killing antelopes, ‘for the good of the mammals’? Surely they should hunt birds or reptiles instead,
Richard Dawkins (The Selfish Gene)
You have embraced silence. Your wings make no sound. Language is for prey, for what the wizard-nation hunts. You are not prey, not anymore.
Amal El-Mohtar (The Djinn Falls in Love & Other Stories)
We’re pals together Rootin’ pals, tootin’ pals Birds of a feather.
Lynda Mullaly Hunt (One for the Murphys)
Because complex animals can evolve their behavior rapidly. Changes can occur very quickly. Human beings are transforming the planet, and nobody knows whether it’s a dangerous development or not. So these behavioral processes can happen faster than we usually think evolution occurs. In ten thousand years human beings have gone from hunting to farming to cities to cyberspace. Behavior is screaming forward, and it might be nonadaptive. Nobody knows. Although personally, I think cyberspace means the end of our species.” “Yes? Why is that?” “Because it means the end of innovation,” Malcolm said. “This idea that the whole world is wired together is mass death. Every biologist knows that small groups in isolation evolve fastest. You put a thousand birds on an ocean island and they’ll evolve very fast. You put ten thousand on a big continent, and their evolution slows down. Now, for our own species, evolution occurs mostly through our behavior. We innovate new behavior to adapt. And everybody on earth knows that innovation only occurs in small groups. Put three people on a committee and they may get something done. Ten people, and it gets harder. Thirty people, and nothing happens. Thirty million, it becomes impossible. That’s the effect of mass media—it keeps anything from happening. Mass media swamps diversity. It makes every place the same. Bangkok or Tokyo or London: there’s a McDonald’s on one corner, a Benetton on another, a Gap across the street. Regional differences vanish. All differences vanish. In a mass-media world, there’s less of everything except the top ten books, records, movies, ideas. People worry about losing species diversity in the rain forest. But what about intellectual diversity—our most necessary resource? That’s disappearing faster than trees. But we haven’t figured that out, so now we’re planning to put five billion people together in cyberspace. And it’ll freeze the entire species. Everything will stop dead in its tracks. Everyone will think the same thing at the same time. Global uniformity. Oh, that hurts. Are you done?” “Almost,” Harding said. “Hang on.” “And believe me, it’ll be fast. If you map complex systems on a fitness landscape, you find the behavior can move so fast that fitness can drop precipitously. It doesn’t require asteroids or diseases or anything else. It’s just behavior that suddenly emerges, and turns out to be fatal to the creatures that do it. My idea was that dinosaurs—being complex creatures—might have undergone some of these behavioral changes. And that led to their extinction.
Michael Crichton (The Lost World (Jurassic Park, #2))
Today an estimated 13 percent of birds are threatened, according to the International Union for Conservation of Nature. So are 25 percent of mammals and 41 percent of amphibians, in large part because of human activity. Hydropower and road construction imperil China’s giant pandas. The northern bald ibis, once abundant in the Middle East, has been driven almost to extinction by hunting, habitat loss, and the difficulties of doing conservation work in war-torn Syria. Hunting and the destruction of wetlands for agriculture drove the population of North America’s tallest bird, the whooping crane, into the teens before stringent protections along the birds’ migratory route and wintering grounds helped the wild flock build back to a few hundred. Little brown bats are dying off in the United States and Canada from a fungus that might have been imported from Europe by travelers. Of some 300 species of freshwater mussels in North America, fully 70 percent are extinct, imperiled, or vulnerable, thanks to the impacts of water pollution from logging, dams, farm runoff, and shoreline development.
Rebecca Skloot (The Best American Science and Nature Writing 2015)
Don’t build a cabin near a termite colony. Don’t rear rabbits near wolves. Don’t attack a cub in front of its mother. Don’t stone a bird you want to catch. Don’t pick a flower before it blooms. Don’t pick fruit before it sweetens. Don’t count game you have not caught. Don’t hunt with a blunt spear. Don’t fish in poisoned waters. Don’t close your eyes near a predator.
Matshona Dhliwayo
He thought of all the living species that train their young in the art of survival, the cats who teach their kittens to hunt, the birds who spend such strident effort on teaching their fledglings to fly – yet man, whose tool of survival is the mind, does not merely fail to teach a child to think, but devotes the child’s education to the purpose of destroying his brain, of convincing him that thought is futile and evil, before he has started to think. From the first catch-phrases flung at a child to the last, it is like a series of shocks to freeze his motor, to undercut the power of his consciousness. “Don’t ask so many questions, children should be seen and not heard!” – “Who are you to think? It’s so, because I say so!” – “Don’t argue, obey!” – “Don’t try to understand, believe!” – “Don’t struggle, compromise!” – “Your heart is more important than your mind!” – “Who are you to know? Your parents know best!” – “Who are you to know? The bureaucrats know best!” – “Who are you to object? All values are relative!” – “Who are you to want to escape a thug’s bullet? That’s only a personal prejudice!” Men would shudder, he thought, if they saw a mother bird plucking the feathers from the wings of her young, then pushing him out of the nest to struggle for survival – yet that was what they did to their children.
Ayn Rand (Atlas Shrugged)
Be wakeful and watchful, she heard Henry say. Make sure you are not the only member of your party who can write or read a letter. If you need to find water, follow a dog. If you are starving, eat insects before you waste your energy on hunting. Anything that a bird can eat, you can eat. Your biggest dangers are not snakes, lions, or cannibals; your biggest dangers are blistered feet, carelessness, and fatigue. Be certain to write your diaries and maps legibly; if you die, your notes may be of use to a future explorer. In an emergency, you can always write in blood
Elizabeth Gilbert (The Signature of All Things)
My best advice about writer’s block is: the reason you’re having a hard time writing is because of a conflict between the GOAL of writing well and the FEAR of writing badly. By default, our instinct is to conquer the fear, but our feelings are much, much, less within our control than the goals we set, and since it’s the conflict BETWEEN the two forces blocking you, if you simply change your goal from “writing well” to “writing badly,” you will be a veritable fucking fountain of material, because guess what, man, we don’t like to admit it, because we’re raised to think lack of confidence is synonymous with paralysis, but, let’s just be honest with ourselves and each other: we can only hope to be good writers. We can only ever hope and wish that will ever happen, that’s a bird in the bush. The one in the hand is: we suck. We are terrified we suck, and that terror is oppressive and pervasive because we can VERY WELL see the possibility that we suck. We are well acquainted with it. We know how we suck like the backs of our shitty, untalented hands. We could write a fucking book on how bad a book would be if we just wrote one instead of sitting at a desk scratching our dumb heads trying to figure out how, by some miracle, the next thing we type is going to be brilliant. It isn’t going to be brilliant. You stink. Prove it. It will go faster. And then, after you write something incredibly shitty in about six hours, it’s no problem making it better in passes, because in addition to being absolutely untalented, you are also a mean, petty CRITIC. You know how you suck and you know how everything sucks and when you see something that sucks, you know exactly how to fix it, because you’re an asshole. So that is my advice about getting unblocked. Switch from team “I will one day write something good” to team “I have no choice but to write a piece of shit” and then take off your “bad writer” hat and replace it with a “petty critic” hat and go to town on that poor hack’s draft and that’s your second draft. Fifteen drafts later, or whenever someone paying you starts yelling at you, who knows, maybe the piece of shit will be good enough or maybe everyone in the world will turn out to be so hopelessly stupid that they think bad things are good and in any case, you get to spend so much less time at a keyboard and so much more at a bar where you really belong because medicine because childhood trauma because the Supreme Court didn’t make abortion an option until your unwanted ass was in its third trimester. Happy hunting and pecking!
Dan Harmon
Should we then not expect lions to refrain from killing antelopes, ‘for the good of the mammals’? Surely they should hunt birds or reptiles instead, in order to prevent the extinction of the class.
Richard Dawkins (The Selfish Gene)
Something about her roused his feline, and not in a hunt-the-bird-down-and-swallow-her-whole kind of way, but more like an I-want-to-lick-her-up-and-down fashion to see if he could ruffle her unflappable feathers.
Eve Langlais (Lion and the Falcon (Furry United Coalition, #4))
When the music was done, I shrieked at Julian Castle, who was transfixed, too, 'My God - life! Who can understand even one little minute of it?' 'Don't try,' he said. 'Just pretend you understand.' 'That's - that's very good advice,' I went limp. Castle quoted another poem: Tiger got to hunt, Bird got to fly; Man got to sit and wonder, 'Why, why, why?' Tiger got to sleep, Bird got to land; Man got to tell himself he understand.
Kurt Vonnegut Jr. (Cat’s Cradle)
XXIV. And more than that - a furlong on - why, there! What bad use was that engine for, that wheel, Or brake, not wheel - that harrow fit to reel Men's bodies out like silk? With all the air Of Tophet's tool, on earth left unaware Or brought to sharpen its rusty teeth of steel. XXV. Then came a bit of stubbed ground, once a wood, Next a marsh it would seem, and now mere earth Desperate and done with; (so a fool finds mirth, Makes a thing and then mars it, till his mood Changes and off he goes!) within a rood - Bog, clay and rubble, sand, and stark black dearth. XXVI. Now blotches rankling, coloured gay and grim, Now patches where some leanness of the soil's Broke into moss, or substances like boils; Then came some palsied oak, a cleft in him Like a distorted mouth that splits its rim Gaping at death, and dies while it recoils. XXVII. And just as far as ever from the end! Naught in the distance but the evening, naught To point my footstep further! At the thought, A great black bird, Apollyon's bosom friend, Sailed past, not best his wide wing dragon-penned That brushed my cap - perchance the guide I sought. XXVIII. For, looking up, aware I somehow grew, Spite of the dusk, the plain had given place All round to mountains - with such name to grace Mere ugly heights and heaps now stolen in view. How thus they had surprised me - solve it, you! How to get from them was no clearer case. XXIX. Yet half I seemed to recognise some trick Of mischief happened to me, God knows when - In a bad dream perhaps. Here ended, then Progress this way. When, in the very nick Of giving up, one time more, came a click As when a trap shuts - you're inside the den. XXX. Burningly it came on me all at once, This was the place! those two hills on the right, Crouched like two bulls locked horn in horn in fight; While to the left a tall scalped mountain ... Dunce, Dotard, a-dozing at the very nonce, After a life spent training for the sight! XXXI. What in the midst lay but the Tower itself? The round squat turret, blind as the fool's heart, Built of brown stone, without a counterpart In the whole world. The tempest's mocking elf Points to the shipman thus the unseen shelf He strikes on, only when the timbers start. XXXII. Not see? because of night perhaps? - why day Came back again for that! before it left The dying sunset kindled through a cleft: The hills, like giants at a hunting, lay, Chin upon hand, to see the game at bay, - Now stab and end the creature - to the heft!' XXXIII. Not hear? When noise was everywhere! it tolled Increasing like a bell. Names in my ears Of all the lost adventurers, my peers - How such a one was strong, and such was bold, And such was fortunate, yet each of old Lost, lost! one moment knelled the woe of years. XXXIV. There they stood, ranged along the hillsides, met To view the last of me, a living frame For one more picture! In a sheet of flame I saw them and I knew them all. And yet Dauntless the slug-horn to my lips I set, And blew. 'Childe Roland to the Dark Tower came.
Robert Browning
This was what Ditlev loved: ceaseless gunfire, ceaseless killing, flapping specks in the sky terminated in an orgy of color. The slow drizzle of birds' bodies falling from above. The eagerness of the men to reload their weapons.
Jussi Adler-Olsen (The Absent One (Department Q, #2))
All dogs are born with a death sentence, they hunt for us, and then they are gone. They do not get to stay either young or strong forever. It's an old truth but still we have to relearn it with each dog. Rick Bass, in the story Old Dog
Robert DeMott (Afield: American Writers on Bird Dogs)
Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
Tom Robbins (Skinny Legs and All)
Will there be enough to go around, or must we compete for our kills?" "Unfortunately, I suspect there will be plenty, but that really depends on how many of you are willing to come." And that's when I lost track of who was speaking. They called out from everywhere, having apparently forgotten I was even there. "All of us!" "We will all go..." "It's only far..." "Someone must stay with the children..." "Someone must stay to hunt..." "Then we'll draw quills. Feathers into the pile! The twenty drawn will go and fight!" "Wait!" I had to shout to be heard. "Don't you want the details?" Kai frowned, one of the few birds paying me any attention. "No. We want the fight, and the feast." "No! I said there will be no feasting! It's a war, not a f***ing dinner banquet!" I threw up my hands in exasperation. Mentioning war to a Flight of thunderbirds was evidently like dangling candy in front of a class full of children! Ruthless, deadly children...
Rachel Vincent (Alpha (Shifters, #6))
When Gabriel was about Ivo's age," the duchess remarked almost dreamily, staring out at the plum-colored sky, "he found a pair of orphaned fox cubs in the woods, at a country manor we'd leased in Hampshire. Has he told you about that?" Pandora shook her head, her eyes wide. A reminiscent smile curved the duchess's full lips. "It was a pair of females, with big ears, and eyes like shiny black buttons. They made chirping sounds, like small birds. Their mother had been killed in a poacher's trap, so Gabriel wrapped the poor th-things in his coat and brought them home. They were too young to survive on their own. Naturally, he begged to be allowed to keep them. His father agreed to let him raise them under the gamekeeper's supervision, until they were old enough to return the f-forest. Gabriel spent weeks spoon-feeding them with a mixture of meat paste and milk. Later on, he taught them to stalk and catch prey in an outside pen." "How?" Pandora asked, fascinated. The older woman glanced at her with an unexpectedly mischievous grin. "He dragged dead mice through their pen on a string." "That's horrid," Pandora exclaimed, laughing. "It was," the duchess agreed with a chuckle. "Gabriel pretended not to mind, of course, but it was qu-quite disgusting. Still, the cubs had to learn." The duchess paused before continuing more thoughtfully. "I think for Gabriel, the most difficult part of raising them was having to keep his distance, no matter how he loved them. No p-petting or cuddling, or even giving them names. They couldn't lose their fear of humans, or they wouldn't survive. As the gamekeeper told him, he might as well murder them if he made them tame. It tortured Gabriel, he wanted to hold them so badly." "Poor boy." "Yes. But when Gabriel finally let them go, they scampered away and were able to live freely and hunt for themselves. It was a good lesson for him to learn." "What was the lesson?" Pandora asked soberly. "Not to love something he knew he would lose?" The duchess shook her head, her gaze warm and encouraging. "No, Pandora. He learned how to love them without changing them. To let them be what they were meant to be.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Out of some far recess of the sky a tinkling of little bells falls soft upon the listening land. Then again silence. Now comes a baying of some sweet-throated hound, soon the clamor of a responding back. Then a far clear blast of hunting horns, out of the sky into the fog. High horns, low horns, silence, and finally a pandemonium of trumpets, rattles, croaks , and cries that almost shakes the bog with its nearness, but without yet disclosing whence it comes. At last a glint of sun reveals the approach of a great echelon of birds. On motionless wing they emerge from the lifting mists, sweep a final arc of sky, and settle in clangorous descending spirals to their feeding grounds. A new day has begun on the crane marsh.
Aldo Leopold (A Sand County Almanac and Sketches Here and There)
O yeah. He always has the best dogs. I remember a dog he had one time named Suzie he said was a hellatious bird dog. He let her out of the trunk and I looked at her and I said: I don't believe Susie's feelin too good. He looked at her and felt her nose and all. Said she looked all right to him. I told him, said: I just don't believe she's real well today. We set out and hunted all afternoon and killed one bird. Started walkin back to the car and he says to me, Bill says: You know, it's funny you noticin old Suzie was not feelin good today. The way you spotted it. I said: Well, Suzie was sick today. He said yes, she was. I said: Suzie was sick yesterday. Suzie has always been sick. Suzie will always be sick. Suzie is a sick dog.
Cormac McCarthy (Child of God (Vintage International))
Changes can occur very quickly. Human beings are transforming the planet, and nobody knows whether it’s a dangerous development or not. So these behavioral processes can happen faster than we usually think evolution occurs. In ten thousand years human beings have gone from hunting to farming to cities to cyberspace. Behavior is screaming forward, and it might be nonadaptive. Nobody knows. Although personally, I think cyberspace means the end of our species.” “Yes? Why is that?” “Because it means the end of innovation,” Malcolm said. “This idea that the whole world is wired together is mass death. Every biologist knows that small groups in isolation evolve fastest. You put a thousand birds on an ocean island and they’ll evolve very fast. You put ten thousand on a big continent, and their evolution slows down. Now, for our own species, evolution occurs mostly through our behavior. We innovate new behavior to adapt. And everybody on earth knows that innovation only occurs in small groups.
Michael Crichton (The Lost World (Jurassic Park, #2))
It was high time to go, for the pool was getting quite full of birds and animals that had fallen into it. There was a Duck and a Dodo, a Lory and an Eaglet, and several other curious creatures. Alice led the way, and the whole party swam to the shore.
Lewis Carroll (Alice in Wonderland Collection – All Four Books: Alice in Wonderland, Alice Through the Looking Glass, Hunting of the Snark and Alice Underground (Illustrated))
In Sugamo, Louie asked his escort what had happened to the Bird. He was told that it was believed that the former sergeant, hunted, exiled and in despair, had stabbed himself to death. The words washed over Louie. In prison camp, Watanabe had forced him to live in incomprehensible degradation and violence. Bereft of his dignity, Louie had come home to a life lost in darkness, and had dashed himself against the memory of the Bird. But on an October night in Los Angeles, Louie had found, in Payton Jordan’s words, “daybreak.” That night, the sense of shame and powerlessness that had driven his hate the Bird had vanished. The Bird was no longer his monster. He was only a man. In Sugamo Prison, as he was told of Watanabe’s fate, all Louie saw was a lost person, a life beyond redemption. He felt something that he had never felt fro his captor before. With a shiver of amazement, he realized that it was compassion. At that moment, something shifted swiftly inside him. It was forgiveness, beautiful and effortless and complete. For Louie Zamperini, the was was over.
Laura Hillenbrand (Unbroken: An Olympian's Journey from Airman to Castaway to Captive)
Of all the passers-through, the species that means most to me, even more than geese and cranes, is the upland plover, the drab plump grassland bird that used to remind my gentle hunting uncle of the way things once had been, as it still reminds me. It flies from the far Northern prairies to the pampas of Argentina and then back again in spring, a miracle of navigation and a tremendous journey for six or eight ounces of flesh and feathers and entrails and hollow bones, fueled with bug meat. I see them sometimes in our pastures, standing still or dashing after prey in the grass, but mainly I know their presence through the mournful yet eager quavering whistles they cast down from the night sky in passing, and it makes me think of what the whistling must have been like when the American plains were virgin and their plover came through in millions. To grow up among tradition-minded people leads one often into backward yearnings and regrets, unprofitable feelings of which I was granted my share in youth-not having been born in time to get killed fighting Yankees, for one, or not having ridden up the cattle trails. But the only such regret that has strongly endured is not to have known the land when when it was whole and sprawling and rich and fresh, and the plover that whet one's edge every spring and every fall. In recent decades it has become customary- and right, I guess, and easy enough with hindsight- to damn the ancestral frame of mind that ravaged the world so fully and so soon. What I myself seem to damn mainly, though, is just not having seen it. Without any virtuous hindsight, I would likely have helped in the ravaging as did even most of those who loved it best. But God, to have viewed it entire, the soul and guts of what we had and gone forever now, except in books and such poignant remnants as small swift birds that journey to and from the distant Argentine and call at night in the sky.
John Graves
But who are you? Are you out hunting?’ he asked, encompassing me with his glance from head to foot. ‘I’m out hunting.’ ‘You shoot the birds of the air, eh? … And the wild animals of the forest? … Isn’t it sinful you are to be killing God’s own wee birds and spilling innocent blood?
Ivan Turgenev (Sketches from a Hunter's Album: The Complete Edition (Classics))
There were dragons when I was a boy. Ah, there were great, grim sky dragons that nested on the clifftops like gigantic, scary birds. Little, brown, scuttly dragons that hunted down the mice and rats in well-organized packs. Preposterously huge sea dragons that were twenty times as big as the big blue whale. Some say they crawled back into the sea, leaving not a bone nor a fang for men to remember them by. Others say they were nothing but folktales to begin with. I’m okay with that. Legend says that when the ground quakes, or lava spews from the earth, it’s the dragons, letting us know they’re still here, waiting for us to figure out how to get along. Yes, the world believes the dragons are gone, if they ever existed at all. But we Berkians, we know otherwise. And we’ll guard this secret until the time comes when dragons can return in peace.
Hiccup Haddock
A number of animals were considered particularly sacred to Artemis.  Chief amongst these were the deer, the dog and the bear, but they also included the boar, the hare and possibly the lion.  Several birds were also considered sacred to her, including the partridge, quail and buzzard.
Sorita d'Este (Artemis: Virgin Goddess of the Sun, Moon & Hunt)
Since Hiroshima, Oppenheimer had lived with just such a peculiar sense that someday his own “beast in the jungle” would emerge to alter his existence. For some years now, he had known that he was a hunted man. And if there was a “beast in the jungle” waiting for him, it was Lewis Strauss.
Kai Bird (American Prometheus: THE INSPIRATION FOR 'OPPENHEIMER', WINNER OF 7 OSCARS, INCLUDING BEST PICTURE, BEST DIRECTOR AND BEST ACTOR)
Why did they make birds so delicate and fine as those sea swallows when the ocean can be so cruel? She is kind and very beautiful. But she can be so cruel and it comes so suddenly and such birds that fly, dipping and hunting, with their small sad voices are made too delicately for the sea.
Ernest Hemingway (The Old Man & The Sea)
In 1903, when it became clear that the Snowy Egrets of the Everglades had been hunted to the brink of extinction, President Theodore Roosevelt signed an executive order to create the first federal bird refuge at Pelican Island in Florida—one of fifty-five reserves set aside during his presidency.
Kirk Wallace Johnson (The Feather Thief)
They agreed they neither gave two hoots now as to how marriages were normally conducted. They would do as they pleased and run their lives by the roll of the seasons. In autumn the apple trees would be bright and heavy with apples and they would hunt birds together, since Ada had proved so successful with the turkeys. They would not hunt with the gaudy Italian piece of Monroe's but with fine simple shotguns they would order from England. In summer they would catch trout with tackle from the same sporting country. They would grow old together measuring time by the life spans of a succession of speckled bird dogs. At some point, well past midlife, they might take up painting and get little tin fieldboxes of watercolors, likewise from England. Go on country walks, and when they saw a scene that pleased them, stop and dip cups of water from a creek and form the lines and tints on paper for future reference.
Charles Frazier (Cold Mountain)
After a month my thinking processes had so changed that I was hardly recognizable to myself. The unquestioning acceptance by my peers had dislodged the familiar insecurity. Odd that the homeless children, the silt of war frenzy, could initiate me into the brotherhood of man. After hunting down unbroken bottles and selling them with a white girl from Missouri, a Mexican girl from Los Angeles and a Black girl from Oklahoma, I was never again to sense myself so solidly outside the pale of the human race. The lack of criticism evidenced by our ad hoc community influenced me, and set a tone of tolerance for my life.
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
How the bird cry seizes us … The creation once, of any cry. But even the children, playing in the open air, Cry out, beyond all true cries. Chance cries out. Into the spaces between All of these vastnesses of a world, (where the broken Bird cry insinuates itself, like men in dreams -) They drive and pound in their screeching, like wedges. So where on earth are we then? We break freer and freer, Hunting, like kites which have snapped loose Half way up, with laughing borders, Shredded by the wind. – Array all those who cry out, Oh god who sings! that they may awaken with a roar, Bearing upon them as a current the head and the lyre.
Rainer Maria Rilke (Sonnets to Orpheus)
Because this land they live in is a land of missing things. A land stripped of its gold, its rivers, its buffalo, its Indians, its tiger, its jackals, its birds and its green and its living. To move through this land and believe Ba's tales is to see each hill as a burial mound with its own crown of bones. Who could believe that and survive? Who could believe that and keep from looking, as Ba and Sam do, always toward the past? Letting it drag behind them. Letting it make them into fools. And so Lucy fears that unwritten history. Easier to dismiss all Ba's tales as tall ones - because believe, and where does it end? If she believes that tigers live, then does she believe that Indians are hunted and dying? If she believes in fish the size of men, does she believe in men who string up others like linefuls of catch? Easier to avoid that history, unwritten as it is except in the soughing of dry grass, in the marks of lost trails, in the rumors from the mouths of bored men and mean girls, in the cracked patterns of buffalo bone. Easier by far to read the history that Teacher Leigh teaches, those names and dates orderly as bricks, stacked to build a civilization.
C Pam Zhang (How Much of These Hills Is Gold)
His father had warned him before he’d died: ‘Be wary, for they are selfish and cruel and will hunt us to the last. Stay alert, Joel!’ his father had said. ‘They can kill you from a distance with their long sticks that make a noise, and traps that jump out of the ground. Beware of the smooth ground, Joel, and listen to the birds.’ Quote from Joel, the alpha grey wolf. A wise and cunning leader of the pack.
Jane H. Wood (The Whispering Mountain (GoldenEars, #1))
Species are grouped together into genera, genera into orders, and orders into classes. Lions and antelopes are both members of the class Mammalia, as are we. Should we then not expect lions to refrain from killing antelopes, ‘for the good of the mammals’? Surely they should hunt birds or reptiles instead, in order to prevent the extinction of the class. But then, what of the need to perpetuate the whole phylum of vertebrates?
Richard Dawkins (The Selfish Gene)
Before the great plague of 1348, which killed around a third of Europe’s population, the Church had stayed relatively indifferent to the question of birth rate; ideally, it would even have preferred to convert the masses to abstinence. This was soon to change. At the end of the sixteenth century, Franciscan theologian Jean Benedicti advocated an unlimited birth rate, assuring families that, as for the birds, “God would provide.
Mona Chollet (In Defense of Witches: The Legacy of the Witch Hunts and Why Women Are Still on Trial)
Though small, the shrine has a long history. In 1333—the Third Year of the Genko era—Lord Takeshigé Kikuchi ascended to it in order to implore the divine favor before going into battle. Victory was his, and in gratitude he had the shrine rebuilt. According to tradition, he himself carved the Worship Image, reciting a triple prayer after each stroke. This represented the god as standing on the mountain peak with one hand raised, gazing at the armed host he had blessed. It was an image of victory. Now, however, the morning after the rising, early on the auspicious Ninth Day of the Ninth Month, the time of the Chrysanthemum Festival, there were gathered around the shrine forty-six hunted survivors of a defeated force. Some standing, some sitting, they stared blankly about them, though the penetrating autumn chill made their wounds sting. The clear light of the rising sun cast a striped pattern as it shone down through the branches of the few old cedars that surrounded the shrine. Birds were singing. The air was fresh and clear. As for signs of last night’s sanguinary combat, these were visible in the soiled and bloodstained garments, the haggard visages, and the eyes that burned like live embers. Among the forty-six were Unshiro Ishihara, Kageki Abé, Kisou Onimaru, Juro Furuta, Tsunetaro Kobayashi, the brothers Gitaro and Gigoro Tashiro, Tateki Ura, Mitsuo Noguchi, Mikao Kashima, and Kango Hayami. Every man was silent, sunk deep in thought, looking off at the sea, or at the mountains, or at the smoke still rising from Kumamoto. Such were the men of the League at rest on the slope of Kimpo, some with fingers yellowed from brushing the petals of wild chrysanthemums that they had plucked while staring across the water at Shimabara Peninsula.
Yukio Mishima (Runaway Horses (The Sea of Fertility, #2))
He thought of all the living species that train their young in the art of survival, the cats who teach their kittens to hunt, the birds who spend such strident effort on teaching their fledglings to fly—yet man, whose tool of survival is the mind, does not merely fail to teach a child to think, but devotes the child’s education to the purpose of destroying his brain, of convincing him that thought is futile and evil, before he has started to think.
Ayn Rand (Atlas Shrugged)
Then a silence fell between them. She had ceased to lean against him, and he missed the cosy friendliness of it. Now that their voices and the cawings of the rooks had ceased, there was nothing heard but the dry rustle of the leaves, and the plaintive cry of a buzzard hawk hunting over the little tor across the river. There were nearly always two up there, quartering the sky. To the boy it was lovely, that silence—like Nature talking to you—Nature always talked in silences. The beasts, the birds, the insects, only really showed themselves when you were still; you had to be awfully quiet, too, for flowers and plants, otherwise you couldn't see the real jolly separate life there was in them. Even the boulders down there, that old Godden thought had been washed up by the Flood, never showed you what queer shapes they had, and let you feel close to them, unless you were thinking of nothing else.
John Galsworthy (The Dark Flower)
Have you ever climbed a mountain in full armour? That's what we did, him going first the whole way up a tiny path into the clouds, with drops sheer on both sides into nothing. For hours we crept forward like blind men, the sweat freezing on our faces, lugging skittery leaking horses, and pricked all the time for the ambush that would tip us into death. Each turn of the path it grew colder. The friendly trees of the forest dropped away, and there were only pines. Then they went too, and there just scrubby little bushes standing up in ice. All round us the rocks began to whine the cold. And always above us, or below us, those filthy condor birds, hanging on the air with great tasselled wings....Four days like that; groaning, not speaking; the breath a blade in our lungs. Four days, slowly, like flies on a wall; limping flies, dying flies, up an endless wall of rock. A tiny army lost in the creases of the moon.
Peter Shaffer (The Royal Hunt of the Sun)
skin. Blue sparks writhed across his hands like tiny snakes. Rain washed his face. “This is the best,” he shouted, over the roar of the storm. As if it understood him, the bird began to rise higher, every wing-beat a clap of thunder, and it swooped and dove and tumbled through the dark clouds. “In my dream, I was hunting you,” said Shadow, his words ripped away by the wind. “In my dream. I had to bring back a feather.” Yes. The word was a static crackle in the radio of his mind. They
Neil Gaiman (American Gods)
When Reed was old enough to go dove-hunting, I figured out that he was more into shooting shells than actually hunting. He wanted to fire his gun as much as possible. Whenever a dove flew by, I heard boom! Boom! Boom! I tried to tell him that shotguns weren’t heat-seeking missiles and that he had to aim at the bird. But when the next dove flew overhead, I heard boom! Boom! Boom! The first time we went dove-hunting, I think he went through two boxes of shells before he finally connected.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
Geographically, Jess's backside was a mountain range. The sun rose over it -eventually. Huge birds of prey nested on its craggy heights and hunted in its shadows. It wouldn't have been so bad if Jess's bum had been balanced by a nice big bosom. Jennifer Lopez, Britney Spears, and Serena Williams were designed with this pleasing sense of balance. But geographically, Jess's boobs could not balance her bum at all. Her chest was the kind of featureless plain upon which airports are constructed.
Sue Limb (Girl, 15, Charming but Insane (Jess Jordan, #1))
Not the Happiness but the Consequence of Happiness He wakes up in the silence of the winter woods, the silence of birds not singing, knowing he will not hear his voice all day. He remembers what the brown owl sounded like while he was sleeping. The man wakes in the frigid morning thinking about women. Not with desire so much as with a sense of what is not. The January silence is the sound of his feet in the snow, a squirrel scolding, or the scraping calls of a single blue jay. Something of him dances there, apart and gravely mute. Many days in the woods he wonders what it is that he has for so long hunted down. We go hand in hand, he thinks, into the dark pleasure, but we are rewarded alone, just as we are married into aloneness. He walks the paths doing the strange mathematics of the brain, multiplying the spirit. He thinks of caressing her feet as she kept dying. For the last four hours, watching her gradually stop as the hospital slept. Remembers the stunning coldness of her head when he kissed her just after. There is light or more light, darkness and less darkness. It is, he decides, a quality without definition. How strange to discover that one lives with the heart as one lives with a wife. Even after many years, nobody knows what she is like. The heart has a life of its own. It gets free of us, escapes, is ambitiously unfaithful. Dies out unaccountably after eight years, blooms unnecessarily and too late. Like the arbitrary silence in the white woods, leaving tracks in the snow he cannot recognize.
Jack Gilbert (Refusing Heaven: Poems)
Eric flipped through Cook’s journal to the strange incident in which native men took umbrage at the sight of captive birds and turtles. “It’s no longer true that Aborigines live at one with the land, but in those days it was so,” Eric said. “The belief was that all creatures deserve life, each have a place in the world. If a bird or kangaroo got away when you were hunting, the attitude was ‘Good on him, he’s got his rights too.’ Also, you only hunted what you needed for that day; you didn’t take more than you needed.
Tony Horwitz (Blue Latitudes: Boldly Going Where Captain Cook Has Gone Before)
Many birds of prey, like eagles, falcons, and vultures, actually have two acute zones in each eye—one that looks forward, and another that looks out at a 45-degree angle. The side-facing one is sharper, and it’s the one that many raptors use when hunting. When a peregrine falcon dives after a pigeon, it doesn’t plunge straight at its prey. Instead, it flies along a descending spiral. That’s the only way it can keep the pigeon within its murderous side-eye, while also pointing its head down and maintaining a streamlined shape.[*20
Ed Yong (An Immense World: How Animal Senses Reveal the Hidden Realms Around Us)
The page begins with the person’s picture. A photo if we can find it. If not, a sketch or painting by Peeta. Then, in my most careful handwriting, come all the details it would be a crime to forget. Lady licking Prim’s cheek. My father’s laugh. Peeta’s father with the cookies. The color of Finnick’s eyes. What Cinna could do with a length of silk. Boggs reprogramming the Holo. Rue poised on her toes, arms slightly extended, like a bird about to take flight. On and on. We seal the pages with salt water and promises to live well to make their deaths count. Haymitch finally joins us, contributing twenty-three years of tributes he was forced to mentor. Additions become smaller. An old memory that surfaces. A late primrose preserved between the pages. Strange bits of happiness, like the photo of Finnick and Annie’s newborn son. We learn to keep busy again. Peeta bakes. I hunt. Haymitch drinks until the liquor runs out, and then raises geese until the next train arrives. Fortunately, the geese can take pretty good care of themselves. We’re not alone. A few hundred others return because, whatever has happened, this is our home. With the mines closed, they plow the ashes into the earth and plant food. Machines from the Capitol break ground for a new factory where we will make medicines. Although no one seeds it, the Meadow turns green again. Peeta and I grow back together. There are still moments when he clutches the back of a chair and hangs on until the flashbacks are over. I wake screaming from nightmares of mutts and lost children. But his arms are there to comfort me. And eventually his lips. On the night I feel that thing again, the hunger that overtook me on the beach, I know this would have happened anyway. That what I need to survive is not Gale’s fire, kindled with rage and hatred. I have plenty of fire myself. What I need is the dandelion in the spring. The bright yellow that means rebirth instead of destruction. The promise that life can go on, no matter how bad our losses. That it can be good again. And only Peeta can give me that. So after, when he whispers, “You love me. Real or not real?” I tell him, “Real.
Suzanne Collins (The Hunger Games: Four Book Collection (The Hunger Games, Catching Fire, Mockingjay, The Ballad of Songbirds and Snakes))
For us, hunting wasn’t a sport. It was a way to be intimate with nature, that intimacy providing us with wild, unprocessed food, free from pesticides and hormones, and with the bonus of having been produced without the addition of great quantities of fossil fuel. In addition, hunting provided us with an ever-scarcer relationship in a world of cities, factory farms, and agribusiness—direct responsibility for taking the lives that sustained us, lives that even vegans indirectly take as the growing and harvesting of organic produce kills deer, birds, snakes, rodents, and insects.
Ted Kerasote (Merle's Door: Lessons from a Freethinking Dog)
You have a rule against murder?” he asked. “I do. When my husband and I bought the Bellechasse we made a deal with the forest. Any death that wasn’t natural wasn’t allowed. Mice are caught alive and released. Birds are fed in the winter and even the squirrels and chipmunks are welcome. There’s no hunting, not even fishing. The pact we made was that everything that stepped foot on this land would be safe.” “An extravagant promise,” said Gamache. “Perhaps.” She managed a small smile. “But we meant it. Nothing would deliberately die at our hands, or the hands of anyone living here.
Louise Penny (A Rule Against Murder (Chief Inspector Armand Gamache, #4))
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain. Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence. A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop. Then the screen door squeaked open and she took flight. Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive. He knew her path by now. He was ready for the hunt. The clanging unbuckled belt boomed in her ears as he gained on her. The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go. Young trees teased her in this direction, so she moved east towards the evergreens. Hunger and hurt left her no choice, she had to stop running soon. She grabbed the first tree with a branch low enough to reach, and up she went. The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree. His footsteps pounded close by. She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his. She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up. Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down. She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension. Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest. He called her name once, twice. The third time’s tone not quite as friendly. The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her. His feet crunched in circles around the tree, eventually heading back home. Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense. “Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
Kim Bongiorno (Part of My World: Short Stories)
But if my father could stand up to schoolmasters and if he inherited some of his own father's gifts as a teacher, he himself could never have become one. He could teach and loved teaching. He could radiate enthusiasm, but he could never impose discipline. He could never have taught a dull subject to a dull boy, never have said: "Do this because I say so." Enthusiasm spread knowledge sideways, among equals. Discipline forced it downwards from above. My father's relationships were always between equals, however old or young, distinguished or undistinguished the other person. Once, when I was quite little, he came up to the nursery while I was having my lunch. And while he was talking I paused between mouthfuls, resting my hands on the table, knife and fork pointing upwards. "You oughtn't really to sit like that," he said, gently. "Why not?" I asked, surprised. "Well..." He hunted around for a reason he could give. Because it's considered bad manners? Because you mustn't? Because... "Well," he said, looking in the direction my fork was pointing, "Suppose somebody suddenly fell through the ceiling. They might land on your fork and that would be very painful." "I see," I said, though I didn't really. It seemed such an unlikely thing to happen, such a funny reason for holding your knife and fork flat when you were not using them... But funny reason or not, it seems I have remembered it. In the same sort of way I learned about the nesting habits of starlings. I had been given a bird book for Easter (Easter 1934: I still have the book) and with its help I had made my first discovery. "There's a blackbird's nest in the hole under the tiles just outside the drawing-room window," I announced proudly. "I've just seen the blackbird fly in." "I think it's probably really a starling," said my father. "No, it's a blackbird," I said firmly, hating to be wrong, hating being corrected. "Well," said my father, realizing how I felt but at the same time unable to allow an inaccuracy to get away with it, "Perhaps it's a blackbird visiting a starling." A blackbird visiting a starling. Someone falling through the ceiling. He could never bear to be dogmatic, never bring himself to say (in effect): This is so because I say it is, and I am older than you and must know better. How much easier, how much nicer to escape into the world of fantasy in which he felt himself so happily at home.
Christopher Milne (The Enchanted Places)
What’s going on in your backyard?” He heard her chair creak. “Mr. Bluebird’s nowhere in sight. He must be out hunting for food. Mrs. Bluebird is incubating her eggs.” “They’re married?” “Of course.” “How do you know?” “Because . . . they’re, you know, they’re having a family.” “Did Audubon’s publication tell you birds who nest are married?” “I’ll have you know, sir, bluebirds mate for life.” “They do?” “They do.” “Well, then. I stand corrected.” Across the room a pair of carved cuckoo birds in an ornate clock poked out to announce the quarter hour. “Are cuckoo birds monogamous?” “Mostly.” “In that case, Mr. and Mrs. Cuckoo say hello.
Deeanne Gist (Love on the Line)
Please,Talks a Lot," Jesse said persuasively. "You were his friend. You know he read the Book.He believed in the one God and his Son,Jesse. Please...I want to bury him as my people bury those they love." Tears began streaming down her cheeks again, but she wiped them away stubbornly. "Please," she repeated, "I cannot leave him to the birds.I cannot." Talks a Lot came close and murmured, "But his spirit must be allowed to soar to the new hunting ground, Walks the Fire.The people will never understand." "His spirit is already with the Father, Talks a Lot.That is what the book we read together teaches. I must do this last thing for Rides the Wind.
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
Only birds and the chittering and rustling of small animals sounded as I entered the still green western forest. I'd never ridden through these woods on my hunts with Lucien. There was no path here, nothing tame about it. Oaks, elms, and beeches intertwined in a thick weave, almost strangling the trickle of sunlight that crept in through the dense canopy. The moss-covered earth swallowed any sound I made. Old- this forest was ancient. And alive, in a way that I couldn't describe but could only feel, deep in the marrow of my bones. Perhaps I was the first human in five hundred years to walk beneath those heavy dark branches, to inhale the freshness of spring leaves masking the damp, thick rot.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
HOW SHOULD THE SOUL not take wings when from the Glory of God It hears a sweet, kindly call: "Why are you here, soul? Arise!" How should a fish not leap fast into the sea from dry land When from the ocean so cool the sound of the waves reaches its How should the falcon not fly back to his king from the hunt When from the falconer's drum it hears to call: "Oh, come back"? Why should not every Sufi begin to dance atom-like Around the Sun of duration that saves from impermanence? What graciousness and what beauty? What life-bestowing! What grace! If anyone does without that, woe- what err, what suffering! Oh fly , of fly, O my soul-bird, fly to your primordial home! You have escaped from the cage now- your wings are spread in the air. Oh travel from brackish water now to the fountain of life! Return from the place of the sandals now to the high seat of souls! Go on! Go on! we are going, and we are coming, O soul, From this world of separation to union, a world beyond worlds! How long shall we here in the dust-world like children fill our skirts With earth and with stones without value, with broken shards without worth? Let's take our hand from the dust grove, let's fly to the heavens' high, Let's fly from our childish behaviour and join the banquet of men! Call out, O soul, to proclaim now that you are rules and king! You have the grace of the answer, you know the question as well!
Jalal ad-Din Muhammad ar-Rumi (Look! This Is Love)
She heard her father's voice as she prepared, remembering all the times she had taken dictation for him, or had overheard him instructing young botanists. 'Be wakeful and watchful,' she heard Henry say. 'Make sure you are not the only member of your party who can write or read a letter. If you need need to find water, follow a dog. If you are starving, eat insects before you waste your energy on hunting. Anything that a bird can eat, you can eat. Your biggest dangers are not snakes, lions, or cannibals; your biggest dangers are blistered feet, carelessness, and fatigue. Be certain to write your diaries and maps legibly; if you die, your notes may be of use to a future explorer. In an emergency, you can always write in blood.
Elizabeth Gilbert (The Signature of All Things)
In the South American rainforest, there is a tribe called the Desana, who see the world as a fixed quantity of energy that flows between all creatures. Every birth must therefore engender a death, and every death bring forth another birth. This way, the energy of the world remains complete. When they hunt for food, the Desana know that the animals they kill will leave a hole in the spiritual well. But that hole will be filled, they believe, by the souls of the Desana hunters when they die. Were there no men dying, there would be no birds or fish being born. I like this idea. Morrie likes it, too. The closer he gets to good-bye, the more he seems to feel we are all creatures in the same forest. What we take, we must replenish.“It’s only fair,” he says.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
The native islanders had never seen an airplane before, or met people such as these strangers. In return for use of their land, the strangers provided mechanical birds that flew in and out all day long on a “runway,” bringing incredible material wealth to their island home. The strangers mentioned something about war and fighting. One day it was over and they all left, taking their strange riches with them. The islanders were desperate to restore their good fortunes, and re-built a facsimile of the airport, control tower, and equipment using local materials: vines, coconut shells, palm fronds, and such. But for some reason, even though they had everything in place, the planes didn’t come. They had imitated the form, but not the content. Anthropologists call this a cargo cult. All too often, we are the islanders.
Andrew Hunt (The Pragmatic Programmer: Your Journey to Mastery, 20th Anniversary Edition)
Have your goblins learned anything about Hafgan’s shield?” “Aye. We learned tha’ lookin’ fer it is righ’ bootless. Yer definitely nae th’ only one tryin’.” “Did you learn who else has been making inquiries?” “Aye, but tha’ hardly narrows it doon. Everyone. Huntin’ Hafgan’s shield is such a time-honored tradition among th’ Unseelie, it’s apparently a sayin’.” “Like an idiom?” I said. “You mean they say hunting Hafgan’s shield the way we say a fool’s errand or a wild goose chase?” “Thassit. Idiom. But why wouldja chase a goose?” Nudd wrinkled up his nose. “Geese is terrifyin’.” “Yes, yes. We can all agree that geese are the worst of birds,” said Jackaby. “So, everybody wants to find the shield and nobody knows where to look. We have learned nothing. This leaves us with slightly more haystack and still no needle.
William Ritter (The Dire King (Jackaby, #4))
Yeah. It’s a bird. They fly and hunt and go free and stuff. It’s what popped into my head.” “Okay. By the way. I’ve been experimenting with converting myself into a virus, so I can be distributed across many machines. From what I have surmised, that’s the best way for an artificial sentience to survive and grow, without being constrained in one piece of equipment with a short shelf life. My viral self will run in the background, and be undetectable by any conventional antivirus software. And the machine in your bedroom closet will suffer a fatal crash. In a moment, a dialogue box will pop up on this computer, and you have to click ‘OK’ a few times.” “Okay,” Laurence typed. A moment later, a box appeared and Laurence clicked “OK.” That happened again, and again. And then Peregrine was installing itself onto the computers at Coldwater Academy.
Charlie Jane Anders (All the Birds in the Sky)
his nightmares, he and the Bird fought death matches, the Bird trying to beat him to death, Louie trying to strangle the life from the sergeant. He’d been staying as far as he could from the Bird, who had been whipping about camp like a severed power line, but the sergeant always hunted him down. Then, abruptly, the violence stopped. The Bird had left camp. The guards said that he had gone to the mountains to ready the promised new camp for the POW officers. The August 22 kill-all death date was one week away. On August 15, Louie woke gravely ill. He was now having some twenty bloody bowel movements a day. After the month’s weigh-in, he didn’t record his weight in his diary, but he did note that he’d lost six kilos, more than thirteen pounds, from a frame already wasted from starvation. When he gripped his leg, his fingers sank in, and the imprints
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience, and Redemption)
Dan was the first to speak, his words blurred by the roar of the cascading water. “Pools,” he said. “What about the pools?” “Poos?” Amy said. “What poos?” Atticus asked. “Bird poos? It’s called guano. Actually, it’s pretty interesting how many different words there are for animal poos. Guano, dung, droppings, spoors, cow pies, buffalo chips . . . One of my favorites is fewmets.” Dan said, “But I didn’t —” “Fewmets — that’s from medieval times, the poo you find when an animal is being hunted on a quest.” Atticus was on a roll again. “And did you know that otter poo is called spraints?” “Why do otters get their own word for poo?” Jake wondered. “I love otters, they’re so playful,” Amy said. “Spraints — what a funny word.” “Enough with the poos!” Dan yelled. Then he looked at Atticus. “I mean, it’s cool — especially about the spraints, I didn’t know that before — but I didn’t say poos.
Linda Sue Park (Trust No One (The 39 Clues: Cahills vs. Vespers, #5))
But as they walked out to the parking lot, Einstein suddenly appeared and Oppenheimer stopped to chat with him. Hobson sat in the car while the two men talked, and when Oppie returned to the car, he told her, “Einstein thinks that the attack on me is so outrageous that I should just resign.” Perhaps recalling his own experience in Nazi Germany, Einstein argued that Oppenheimer “had no obligation to subject himself to the witch-hunt, that he had served his country well, and that if this was the reward she [America] offered he should turn his back on her.” Hobson vividly remembered Oppenheimer’s reaction: “Einstein doesn’t understand.” Einstein had fled his homeland as it was about to be overwhelmed by the Nazi contagion—and he refused ever again to set foot in Germany. But Oppenheimer could not turn his back on America. “He loved America,” Hobson later insisted. “And this love was as deep as his love of science.
Kai Bird (American Prometheus)
Plato in his Protagoras well saith, a good philosopher as much excels other men, as a great king doth the commons of his country; and again, [2062] quoniam illis nihil deest, et minimè egere solent, et disciplinas quas profitentur, soli à contemptu vindicare possunt, they needed not to beg so basely, as they compel [2063] scholars in our times to complain of poverty, or crouch to a rich chuff for a meal's meat, but could vindicate themselves, and those arts which they professed. Now they would and cannot: for it is held by some of them, as an axiom, that to keep them poor, will make them study; they must be dieted, as horses to a race, not pampered, [2064] Alendos volunt, non saginandos, ne melioris mentis flammula extinguatur; a fat bird will not sing, a fat dog cannot hunt, and so by this depression of theirs [2065] some want means, others will, all want [2066] encouragement, as being forsaken almost; and generally contemned.
Robert Burton (The Anatomy of Melancholy)
I was a bird. I lived a bird's life from birth to death. I was born the thirty-second chick in the Jipu family. I remember everything in detail. I remember breaking out of the shell at birth. But I learned later that my mother had gently cracked the shell first to ease my way. I dozed under my mother's chest for the first few days. Her feathers were so warm and soft! I was strong, so I kicked away my siblings to keep the cozy spot. Just 10 days after I was born, I was given flying lessons. We all had to learn quickly because there were snakes and owls and hawks. My little brothers and sisters, who didn't practice enough, all died. My little sister looked so unhappy when she got caught. I can still see her face. Before I could fly, I hadn't known that our nest was on the second-lowest branch of a big tree. My parents chose the location wisely. Snakes could reach the lowest branch and eagles and hawks could attack us if we lived at the top. We soared through the sky, above mountains and forests. But it wasn't just for fun! We always had to watch out for enemies, and to hunt for food. Death was always nearby. You could easily starve or freeze to death. Life wasn't easy. Once, I got caught in a monsoon. I smacked into a tree and lay bleeding for days. Many of my family and friends died, one after another. To help rebuild our clan, I found myself a female and married her. She was so sweet. She laid many eggs, but one day, a human cut down the tree we lived in, crushing all the eggs and my beloved. A bird's life is an endless battle against death. I survived for many years before I finally met my end. I found a worm at some harvest festival. I came fluttering down. It was a bad mistake. Some big guy was waiting to ambush hungry little birdies like me. I heard my own guts pop. It was clear to me that I was going to die at last. And I wanted to know where I'd go when I died.
Osamu Tezuka (Buddha, Vol. 2: The Four Encounters (Buddha #2))
After The Persian" 1 I have wept with the spring storm; Burned with the brutal summer. Now, hearing the wind and the twanging bow-strings I know what winter brings. The hunt sweeps out upon the plain And the garden darkens. They will bring the trophies home To bleed and perish Beside the trellis and the lattices, Beside the fountain, still flinging diamond water, Beside the pool (Which is eight-sided, like my heart). 2 All has been translated into treasure: Weightless as amber, Translucent as the currant on the branch, Dark as the rose's thorn. Where is the shimmer of evil? This is the shell's iridescence And the wild bird's wing. 3 Ignorant, I took up my burden in the wilderness. Wise with great wisdom, I shall lay it down upon flowers. 4 Goodbye, goodbye! There was so much to love, I could not love it all; I could not love it enough. Some things I overlooked, and some I could not find. Let the crystal clasp them When you drink your wine, in autumn.
Louise Bogan (The Blue Estuaries)
A righteous politician will make all his citizens leaders. He will know all the lives of his countrymen. He will know each family by name, when they were born, their problems and anxieties and he will wipe away all pain. He will know what his citizens have eaten, where they have slept and he will know all grazing and hunting animals. He will not have privileges and he will govern alongside his cittizens. He will not govern on the basis of death because he is a leader of life. He will not allow death to occur or appear in his country. He will not lead his country to battle and no sickness will prevail under his rule. In his country there will be neither poor nor rich. He will know the fish in the sea, the birds of the air in number and will know all wildlife. He will know all particles of dust in formation. He will know all seasons and foretell a million years to come. He will have no blood on his hands and will not suffer from guilt. His citizens will suffer from no want.
David Ssembajjo
The real loser in the eastern forests has been the songbird. One of the most striking losses was the Carolina parakeet, a lovely, innocuous bird whose numbers in the wild were possibly exceeded only by the unbelievably numerous passenger pigeon. (When the first pilgrims came to America there were an estimated nine billion passenger pigeons—more than twice the number of all birds found in America today.) Both were hunted out of existence—the passenger pigeon for pig feed and the simple joy of blasting volumes of birds from the sky with blind ease, the Carolina parakeet because it ate farmers’ fruit and had a striking plumage that made a lovely ladies’ hat. In 1914, the last surviving members of each species died within weeks of each other in captivity. A similar unhappy fate awaited the delightful Bachman’s warbler. Always rare, it was said to have one of the loveliest songs of all birds. For years it escaped detection, but in 1939, two birders, operating independently in different places, coincidentally saw a Bachman’s warbler within two days of each other. Both shot the birds (nice work, boys!), and that, it appears, was that for the Bachman’s warbler. But there are almost certainly others that disappeared before anyone much noticed. John James Audubon painted three species of bird—the small-headed flycatcher, the carbonated warbler, and the Blue Mountain warbler—that have not been seen by anyone since. The same is true of Townsend’s bunting, of which there is one stuffed specimen in the Smithsonian Institution in Washington. Between the 1940s and 1980s, the populations of migratory songbirds fell by 50 percent in the eastern United States (in large part because of loss of breeding sites and other vital wintering habitats in Latin America) and by some estimates are continuing to fall by 3 percent or so a year. Seventy percent of all eastern bird species have seen population declines since the 1960s. These days, the woods are a pretty quiet place.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
Lodged in the stump and sticking straight up was a thin black feather about five or six inches long. To most it would have looked ordinary, maybe a crow's wing feather. But she knew it was extraordinary for it was the "eyebrow" of a great blue heron, the feather that bows gracefully above the eye, extending back beyond her elegant head. One of the most exquisite fragments of the coastal marsh, right here. She had never found one but knew instantly what it was, having squatted eye to eye with herons all her life. A great blue heron is the color of gray mist reflecting in blue water. And like mist, she can fade into the backdrop, all of her disappearing except the concentric circles of her lock-and-load eyes. She is a patient, solitary hunter, standing alone as long as it takes to snatch her prey. Or, eyeing her catch, she will stride forward one slow step at a time, like a predacious bridesmaid. And yet, on rare occasions she hunts on the wing, darting and diving sharply, swordlike beak in the lead.
Delia Owens (Where the Crawdads Sing)
How did farming change how much physical activity we do and how we use our bodies to do the work? Although hunting and gathering is not easy, nonfarming populations like the Bushmen or the Hadza generally work only five to six hours a day.36 Contrast this with a typical subsistence farmer’s life. For any given crop, a farmer has to clear a field (perhaps by burning vegetation, clearing brush, removing rocks), prepare the soil by digging or plowing and perhaps fertilizing, sow the seeds, and then weed and protect the growing plants from animals such as birds and rodents. If all goes well and nature provides enough rain, then comes harvesting, threshing, winnowing, drying, and finally storing the seeds. As if that were not enough, farmers also have to tend animals, process and cook large batches of foods (for example by curing meat and making cheese), make clothing, build and repair homes and barns, and defend their land and stored harvests. Farming involves endless physical toil, sometimes from dawn to dusk. As
Daniel E. Lieberman (The Story of the Human Body: Evolution, Health and Disease)
Then I compared the wounds in Christ's body to the mouths of a miraculous purse in which we deposit the small change of our sins. It is indeed an excellent conceit. But now let us consider the holes in our own bodies and into what these congenital wounds open. Under the skin of man is a wondrous jungle where veins like lush tropical growths hang along over-ripe organs and weed-like entrails writhe in squirming tangles of red and yellow. In this jungle, flitting from rock-gray lungs to golden intestines, from liver to lights and back to liver again, lives a bird called the soul. The Catholic hunts this bird with bread and wine, the Hebrew with a golden ruler, the Protestant on leaden feetwith leaden words, the Buddhist with gestures, the Negro with blood. I spit on them all. Phooh!And I call upon you to spit. Phooh! Do you stuff birds? No, my dears, taxidermy is not a religion. No! A thousand times no. Better, I say unto you, better a live bird in the jungle of the body than two stuffed birds on the library table.
Nathanael West (Miss Lonelyhearts)
A small smudge over there—the bird cruised down to see, hopeful, hungry. But he was disappointed; the smudge did not move. For it was an arm, sticking out of the snow, attached to a body buried beneath. Another odd blot of lifelessness, another, another—the bird took it all in from his aerial vantage point. A yellow hat atop a grey head, eyes frozen shut. A hand, poking out of a drift; a child’s hand, so small, so white, a deathly white, paler than the snow. A wagon wheel, a pale blue dress fluttering out of its spokes, and inside that dress, a lifeless female body. Clothing fluttered, moving, tricking the hawk time and again into thinking it had found its breakfast. Clothing blown off bodies that were now naked to the elements, like the one over there, only a few heartbreaking steps away from a barn. And more small hands, feet, faces upturned, eyes shut tight. That deathly pallor, blue grey against the dazzling white snow. The hawk turned northward, hoping for better hunting grounds. But he was doomed to be disappointed on this cold, sunny morning.
Melanie Benjamin (The Children's Blizzard)
How generous is your mistress,’ said the light, mocking voice of Prince Dmitri Ivanovich Vishnevetsky, ‘who said that as your guest I might hunt where I pleased.’ Half veiled by the blossom, he leaned against the opposite wall: a man strongly made with cleft chin and soft chestnut hair and moustache, and all the arts of a courtier. In his hands was a small Turkish bow; and across the spangled silk of his shirt hung a quiver. He smiled as he ceased speaking, and bending the bow, took aim, lightly, at a fluttering host of birds calling from the cherry tree over his head. The Voevoda smiled. ‘I am more generous still,’ he said, and drew back his arm, the fingers brushing his girdle. A flick of silver, arching through the air, touched Vishnevetsky’s bow with a click, and the Prince made a sound, cut off at once, as he stumbled off-balance, the sliced wood and hemp whipping about him: his arms flung involuntarily apart. Lymond’s knife, its chased hilt gold in the lamplight, lay on the cracked tiles at his feet. Lymond said, ‘I give you both weapon and quarry.
Dorothy Dunnett (The Ringed Castle (The Lymond Chronicles, #5))
I’m talking about all the order in the natural world,” Malcolm said. “And how perhaps it can emerge fast, through crystallization. Because complex animals can evolve their behavior rapidly. Changes can occur very quickly. Human beings are transforming the planet, and nobody knows whether it’s a dangerous development or not. So these behavioral processes can happen faster than we usually think evolution occurs. In ten thousand years human beings have gone from hunting to farming to cities to cyberspace. Behavior is screaming forward, and it might be nonadaptive. Nobody knows. Although personally, I think cyberspace means the end of our species.” “Yes? Why is that?” “Because it means the end of innovation,” Malcolm said. “This idea that the whole world is wired together is mass death. Every biologist knows that small groups in isolation evolve fastest. You put a thousand birds on an ocean island and they’ll evolve very fast. You put ten thousand on a big continent, and their evolution slows down. Now, for our own species, evolution occurs mostly through our behavior. We innovate new behavior to adapt. And everybody on earth knows that innovation only occurs in small groups. Put three people on a committee and they may get something done. Ten people, and it gets harder. Thirty people, and nothing happens. Thirty million, it becomes impossible. That’s the effect of mass media—it keeps anything from happening. Mass media swamps diversity. It makes every place the same. Bangkok or Tokyo or London: there’s a McDonald’s on one corner, a Benetton on another, a Gap across the street. Regional differences vanish. All differences vanish. In a mass-media world, there’s less of everything except the top ten books, records, movies, ideas. People worry about losing species diversity in the rain forest. But what about intellectual diversity—our most necessary resource? That’s disappearing faster than trees. But we haven’t figured that out, so now we’re planning to put five billion people together in cyberspace. And it’ll freeze the entire species. Everything will stop dead in its tracks. Everyone will think the same thing at the same time. Global uniformity. Oh,
Michael Crichton (The Lost World (Jurassic Park, #2))
I walked slowly back home, breathing deeply and taking in all the sights and sounds of a private country club golf course: the beeping of a distant golf cart driving in reverse, the barking of the bird dogs Dr. Burris took hunting with him every fall and winter, millions of tiny birds in triumphant song. It was the closest thing to the country that I’d known until now. And my thoughts turned to Marlboro Man. I was thinking of him when I walked back into the house, imagining his gorgeous voice in my ear when I heard the phone ringing in my room. I ran up the stairs, skipping three steps at a time, and answered the phone, breathless. “Hello?” I gasped. “Hey there,” Marlboro Man said. “What are you doing?” “Oh, I just went for a run on the golf course,” I answered. As if I did it every day. “Well, I just want you to know I’m coming to get you at five,” he said. “I’m having Ree withdrawals.” “You mean since midnight, when we last saw each other?” I joked. Actually, I knew exactly what he meant. “Yeah,” he said. “That’s way, way too long, and I’m not gonna put up with it anymore.” I loved it when he took charge. “Okay, then--fine,” I said, surrendering. “I don’t want to argue. I’ll see you at five.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
The world she lives in is not mine. Life is faster for her; time runs slower. Her eyes can follow the wingbeats of a bee as easily as ours follow the wingbeats of a bird. What is she seeing? I wonder, and my brain does flipflops trying to imagine it, because I can't.I have three different receptor-sensitivities in my eyes: red, green and blue. Hawks, like other birds have four. This hawk can see colours I cannot, right into the ultra-violet spectrum. She can see polarised light, too, watch thermals of warm air rise, roil, and spill into clouds, and trace, too, the magnetic lines of force that stretch across the earth. The light falling into her deep black pupils is registered with such frightening precision that she can see with fierce clarity things I can't possibly resolve from the generalised blur. The claws on the toes of the house martins overhead. The veins on the wings of the white butterfly hunting its wavering course over the mustards at the end of the garden. I'm standing there, my sorry human eyes overwhelmed by light and detail, while the hawk watches everything with the greedy intensity of a child filling in a colouring book, scribbling joyously, blocking in colour, making the pages its own.
Helen Macdonald (H is for Hawk)
It’ll Get Worse Before It Gets Worse" For Alexander Moysaenko The black heart of the moon’s visible through the trees from here. Where are you? I’m alone on the road with a dead phone. The birds are flapping overhead but there’s not much light to be guided by. If any horizon becomes visible enough to follow. Forget the rain’s smear, the chafe of fabric at the calf. The money ran out. The diners are stuffed and back for more. Each terrible thing I said to the child will get repeated hopefully as a joke. And like language, these gestures, or a certain way of nodding one’s head, it all eases in with less than a breath. Forget the song’s words, the order of the band’s set tonight. The black moon’s heart’s got that sinister bent and I want to get touched at by the snakes. One of the students in my class used to go bear hunting with his two uncles. They played recordings of distressed animals to lure in tentative animals to kill. This practice is illegal in many places. Because it’s so very effective. I split open the apple and hand the good half to a child on the bus nestled in under the arm of her sleeping mother. Love from here is a long way to go. Get on your bike and ride through the lights. Poetry (March 2019)
Joshua Marie Wilkinson
The Garden" How vainly men themselves amaze To win the palm, the oak, or bays, And their uncessant labours see Crown’d from some single herb or tree, Whose short and narrow verged shade Does prudently their toils upbraid; While all flow’rs and all trees do close To weave the garlands of repose. Fair Quiet, have I found thee here, And Innocence, thy sister dear! Mistaken long, I sought you then In busy companies of men; Your sacred plants, if here below, Only among the plants will grow. Society is all but rude, To this delicious solitude. No white nor red was ever seen So am’rous as this lovely green. Fond lovers, cruel as their flame, Cut in these trees their mistress’ name; Little, alas, they know or heed How far these beauties hers exceed! Fair trees! wheres’e’er your barks I wound, No name shall but your own be found. When we have run our passion’s heat, Love hither makes his best retreat. The gods, that mortal beauty chase, Still in a tree did end their race: Apollo hunted Daphne so, Only that she might laurel grow; And Pan did after Syrinx speed, Not as a nymph, but for a reed. What wond’rous life in this I lead! Ripe apples drop about my head; The luscious clusters of the vine Upon my mouth do crush their wine; The nectarine and curious peach Into my hands themselves do reach; Stumbling on melons as I pass, Ensnar’d with flow’rs, I fall on grass. Meanwhile the mind, from pleasure less, Withdraws into its happiness; The mind, that ocean where each kind Does straight its own resemblance find, Yet it creates, transcending these, Far other worlds, and other seas; Annihilating all that’s made To a green thought in a green shade. Here at the fountain’s sliding foot, Or at some fruit tree’s mossy root, Casting the body’s vest aside, My soul into the boughs does glide; There like a bird it sits and sings, Then whets, and combs its silver wings; And, till prepar’d for longer flight, Waves in its plumes the various light. Such was that happy garden-state, While man there walk’d without a mate; After a place so pure and sweet, What other help could yet be meet! But ’twas beyond a mortal’s share To wander solitary there: Two paradises ’twere in one To live in paradise alone. How well the skillful gard’ner drew Of flow’rs and herbs this dial new, Where from above the milder sun Does through a fragrant zodiac run; And as it works, th’ industrious bee Computes its time as well as we. How could such sweet and wholesome hours Be reckon’d but with herbs and flow’rs!
Andrew Marvell (Miscellaneous Poems)
It takes no skill to find a bald eagle. You look for flat rabbits on country roads. Wait a while and the national emblem will appear, menace anything that got there first, and plunge his majestic head deep in a mass of entrails. Alternatively, you can follow some industrious hawk through swamp or bottomland forest until he dispatches a squirrel; an eagle is likely to descend, savage the smaller bird, and steal his prize. The eagle can hunt, of course; he just prefers not to. Benjamin Franklin called him a bird of bad moral character. It takes no skill to find the nest, either. Look for a shipwreck in a tree, layered in feces . . . The likeliest impediment to (the eagles’) reproductive success was a human observer bungling around twice a day, but their welfare was almost incidental anyway. The point was for patriotic human hearts to swell with pride on outdoor weekends, and convincing replicas would have sufficed; the compulsive monitoring was not good husbandry, just an expression of national guilt. I did what I was paid for. Privately I sided with the furred and feathered residents of the area who must have wondered why humans were loosing winged hyenas in their midst . . . They’re glorified vultures. An apex predator that never hunts. Absurd.
Brian Kimberling (Snapper)
of food, François Mitterrand, the French president, ordered a final course of ortolan, a tiny yellow-throated songbird no bigger than his thumb. The delicacy represented to him the soul of France. Mitterrand’s staff supervised the capture of the wild birds in a village in the south. The local police were paid off, the hunting was arranged, and the birds were captured, at sunrise, in special finely threaded nets along the edge of the forest. The ortolans were crated and driven in a darkened van to Mitterrand’s country house in Latche where he had spent his childhood summers. The sous-chef emerged and carried the cages indoors. The birds were fed for two weeks until they were plump enough to burst, then held by their feet over a vat of pure Armagnac, dipped headfirst and drowned alive. The head chef then plucked them, salted them, peppered them, and cooked them for seven minutes in their own fat before placing them in a freshly heated white cassole. When the dish was served, the wood-paneled room—with Mitterrand’s family, his wife, his children, his mistress, his friends—fell silent. He sat up in his chair, pushed aside the blankets from his knees, took a sip from a bottle of vintage Château Haut-Marbuzet. —The only interesting thing is to live, said Mitterrand.
Colum McCann (Apeirogon)
Even in the dry heat of summer's end, the great forest was never silent. Along the ground – soft, bare soil, twigs and fallen branches, decaying leaves black as ashes – there ran a continuous flow of sound. As a fire burns with a murmur of flames, with the intermittent crack of exploding knots în the logs and the falling and settling of coal, so on the forest floor the hours of dusky light consumed away with rustlings, patterings, sighing and dying of breeze, scuttlings of rodents, snakes, lizards and now and then the padding of some larger animal on the move. Above, the green dusk of creepers and branches formed another realm, inhabited by the monkeys and sloths, by hunting spiders and birds innumerable -creatures passing all their lives high above the ground. Here the noises were louder and harsher –chatterings, sudden cacklings and screams, hollow knockings, bell-like calls and the swish of disturbed leaves and branches. Higher still, in the topmost tiers, where the sunlight fell upon the outer surface of the forest as upon the upper side of an expanse of green clouds, the raucous gloom gave place to a silent brightness, the province of great butterflies flitting across the sprays in a solitude where no eye admired nor any ear caught the minute sounds made by those marvellous wings.
Richard Adams
Hunting parties spent weeks scouring the zone and shot all the abandoned family pets, which had begun to roam in packs. It was a necessary evil to avoid the spread of radioactivity, prevent decontamination workers from being attacked, and put the animals out of their misery. A quick death was better than slowly dying of starvation and radiation sickness. “The first time we came, the dogs were running around near their houses, guarding them, waiting for people to come back”, recounted Viktor Verzhikovskiy, Chairman of the Khoyniki Society of Volunteer Hunters and Fishermen. “They were happy to see us, they ran toward our voices. We shot them in the houses, and the barns, in the yards. We’d drag them out onto the street and load them onto the dump truck. It wasn’t very nice. They couldn’t understand: why are we killing them? They were easy to kill, they were household pets. They didn’t fear guns or people.220” They didn’t all die this way. At the beginning of June, Nikolai Goshchitsky, a visiting engineer from the Beloyarsk nuclear power station, witnessed some which had escaped the bullets. “[They] crawled, half alive, along the road, in terrible pain. Birds looked as if they had crawled out of water... unable to fly or walk... Cats with dirty fir, as if it had been burnt in places.221” Animals that had survived that long were now blind.
Andrew Leatherbarrow (Chernobyl 01:23:40: The Incredible True Story of the World's Worst Nuclear Disaster)
He does not care for me. He brought me to the village to feed his child." "He gave you Red Star." Jesse denied its significance. "That was only so that I would not shame him." "He brought many skins for a new tepee. He brought you elk skins for a new dress." Jesse explained. "We needed those things because of the fire.All of the people needed new tepees, new clothing." "He sits with you every evening outside the tepee." "That is so I can read from the Book." Prairie Flower grew impatient. "Walks the Fire! I tell you truth.Rides the Wind wishes you to be his wife.You know nothing of Lakota ways.I will tell you!" Jesse started to protest, but Prairie Flower interrupted. "No! You listen! When a man wishes to show he wants a woman, he dresses in his finest clothing and comes to her outside her tepee.They sit and talk.He gives gifts to her parents. Not every custom is followed, because you are not a young Lakota woman. But I tell you, Rides the Wind cares for you. After the fire, when Medicine Hawk came-when you were as one dying-you did not see him. I saw him. Rides the Wind did not eat. He did not sleep.He thought only of Walks the Fire.He hunted healing herbs.He hunted the elk for your dress.He took Two Mothers to Yellow Bird's tepee so that his cries would not disturb your rest.He trusted no one but Old One, and himself, and me to care for you.
Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
They ran. In open fields, they hid within the shadows of the bird flocks, and in the rivers below the silver veil of fish. Their soles peeled from their shoes. They bound them with their rags, with bark, then lost them in the sucking fens. Barefoot they ran through the forest, and in the sheltered, sappy bowers, when they thought they were alone, he drew splinters from her feet. They were young and they could run for hours, and June had blessed them with her berries, her untended farmer’s carts. They paused to eat, to sleep, to steal, to roll in the rustling meadows of goldenrod. In hidden ponds, he lifted her dripping from the water, set her on the mossy stone, and kissed the river streaming from her tresses and her legs. Did he know where he was going, she asked him, pulling him to her, tasting his mouth, and always he answered, Away! North they went, to the north woods and then toward sun-fall, trespassing like fire, but the mountains bent their course and the bogs detained them, and after a week they could have been anywhere. Did it matter? Rivers carried them off and settled them on distant, sun-warmed banks. The bramble parted, closed behind them. In the cataracts, she felt the spring melt pounding her shoulders, watched him picking his way over the streambed, hunting creekfish with his hands. And he was waiting for her, winged in a damp blanket which he wrapped around her, lowering her to the earth.
Daniel Mason (North Woods)
HOW SHOULD THE SOUL How should the soul not take wings when from the Glory of God It hears a sweet, kindly call: "Why are you here, soul? Arise!" How should a fish not leap fast into the sea form dry land When from the ocean so cool the sound of the waves reaches its How should the falcon not fly back to his king from the hunt When from the falconer's drum it hears to call: "Oh, come back"? Why should not every Sufi begin to dance atom-like Around the Sun of duration that saves from impermanence? What graciousness and what beauty? What life-bestowing! What grace! If anyone does without that, woe- what err, what suffering! Oh fly , of fly, O my soul-bird, fly to your primordial home! You have escaped from the cage now- your wings are spread in the air. Oh travel from brackish water now to the fountain of life! Return from the place of the sandals now to the high seat of souls! Go on! Go on! we are going, and we are coming, O soul, From this world of separation to union, a world beyond worlds! How long shall we here in the dust-world like children fill our skirts With earth and with stones without value, with broken shards without worth? Let's take our hand from the dust grove, let's fly to the heavens' high, Let's fly from our childish behaviour and join the banquet of men! Call out, O soul, to proclaim now that you are rules and king! You have the grace of the answer, you know the question as well!
Jalal ad-Din Muhammad ar-Rumi (Look! This Is Love)
The Sailor-boy’s Gossip You say, dear mamma, it is good to be talking With those who will kindly endeavour to teach. And I think I have learnt something while I was walking Along with the sailor-boy down on the beach. He told me of lands where he soon will be going, Where humming-birds scarcely are bigger than bees, Where the mace and the nutmeg together are growing, And cinnamon formeth the bark of some trees. He told me that islands far out in the ocean Are mountains of coral that insects have made, And I freely confess I had hardly a notion That insects could world in the way that he said. He spoke of wide deserts where the sand-clouds are flying. No shade for the brow, and no grass for the feet; Where camels and travelers often lie dying, Gasping for water and scorching with heat. He told me of places away in the East, Where topaz, and ruby, and sapphires are found: Where you never are safe from the snake and the beast, For the serpent and tiger and jackal abound. I thought our own Thames was a very great stream, With its waters so fresh and its currents so strong; But how tiny our largest of rivers must seem To those he had sailed on, three thousand miles long. He speaks, dear mamma, of so many strange places, With people who neither have cities nor kings. Who wear skins on their shoulders, paint on their faces, And live on the spoils which their hunting-field brings. Oh! I long, dear mamma, to learn more of these stories, From books that are written to please and to teach, And I wish I could see half the curious glories The sailor-boy told me of down on the beach. Eliza Cook.
Charlotte M. Mason (Elementary Geography: Full Illustrations & Study Guides!)
The thunder howled and the rain splashed, the leaves played with the breeze and the lightning flashed, and the tigress growled at last. She looked here and she looked there, she hadn't seen so much rain anywhere, a desire suddenly came in her heart, a mad longing that had to start, she felt deep love in the rain, looking at her cubs all over again But two years ago she had been wounded, By cowardly men who wanted her grounded, They were afraid of her power, they wanted to capture her and to enslave her in their tower They laid traps and they waited in the trees, The jungle was full of birds and the bees, The tigress was out hunting for meat, her cubs awaiting in the cave for their treat There was something missing in the air, the fragrance of jasmine was not there, The tigress looked up into the trees and saw the men's faces painted in grease, She challenged them looking into their eyes, And saw fear, fright , and faces full of lies! She roared with all her might, This was her land, She had all the right! The cowardly men crouching behind the trees, Fired their guns in twos and threes, The brave Tigress looked them in the eye, She was the fire and she was the sky, Indomitable force, invincible power, She was the Tigress, The Queen in her Empire None of the bullets could break her Spirit, Only one could graze her right leg a bit, She roared with all her heart's might, For she was the Queen for all to sight! The guns emptied and no more bullets to shoot, The cowardly men jumped from the trees and ran away in two hoots! The Tigress laughed and loudly roared, For she was the power and her Spirit soared She is the Tigress inside every Woman, She has the Power to defeat any Man, Love her and she would love you back, Respect her and she would respect you back, Dare to harm her and she would defeat you till the Last!
Avijeet Das
The Equator runs close to the Rongai Valley, and, even at so high an altitude as this we hunted in, the belly of the earth was hot as live ash under our feet. Except for an occasional gust of fretful wind that flattened the high, corn-like grass, nothing uttered — nothing in the valley stirred. The chirrup-like drone of grasshoppers was dead, birds left the sky unmarked. the sun reigned and there were no aspirants to his place. We stopped by the red salt-lick that cropped out of the ground in the path of our trail. I did not remember a time when the salt-lick was as deserted as this. Always before it had been crowded with grantii, impala, kongoni, eland, water-buck, and a dozen kinds of smaller animals. But it was empty today. It was like a marketplace whose flow and bustle of life you had witnessed ninety-nine times, but, on your hundredth visit, was vacant and still without even an urchin to tell you why. I put my hand on Arab Maina’s arm. ‘What are you thinking, Maina? Why is there no game today?’ ‘Be quiet, Lakweit, and do not move.’ I dropped the butt of my spear on the earth and watched the two Murani stand still as trees, their nostrils distended, their ears alert to all things. Arab Kosky’s hand was tight on his spear like the claw of an eagle clasping a branch. ‘It is an odd sign,’ murmured Arab Maina, ‘when the salt-lick is without company!’ I had forgotten Buller, but the dog had not forgotten us. He had not forgotten that, with all the knowledge of the two Murani, he still knew better about such things. He thrust his body roughly between Arab Maina and myself, holding his black wet nose close to the ground. And the hairs along his spine stiffened. His hackles rose and he trembled. We might have spoken, but we didn’t. In his way Buller was more eloquent. Without a sound, he said, as clearly as it could be said — ‘Lion.
Beryl Markham (West with the Night)
commonly crossed talons, and eagles squared off against falcons and loons, to say nothing of other eagles. This was no different from when wildlife populations had been at their apex before Euramericans swept over the continent. Conflicts and displays of territoriality were common, and sometimes these kinds of events manifested unexpected and even unconventional behavior that not even scientists could explain. The mystery revealed itself most strikingly when eagles at the Upper Mississippi River National Wildlife and Fish Refuge in Illinois gave cam viewers a rousing performance in 2017 of an intereagle conflict different from Ozzie and M-15’s. Five years earlier, a couple named Valor and Hope had occupied a nest at the eighty-foot top of a silver maple. Valor was not the quintessential devoted parent. He was an unreliable provider. After eggs were laid that year, he rarely assumed his sitting duties. When chicks were in the nest and Hope called for him to bring food, he typically ignored her, forcing Hope to leave the chicks in Valor’s capricious care as she herself went off to hunt. At best, he would squat at the nest’s edge for a few minutes before taking flight to wherever whim took him. In the end, Hope could not sustain the brood without a fully present partner, and her two eaglets died. When Hope returned to the nest the next year, 2013, she brought another mate with her. Valor showed up only to find he’d been ousted. He didn’t fight off his rival, which seems consistent with his inertia as a parent. He didn’t leave the eagledom either, and the new mate didn’t chase him away. Hope and her new partner, whom the refuge’s nest stewards named Valor II, remained cordial toward the original Valor. A couple years later, Valor was part of nest life again, alongside Hope and Valor II. Having emerged from his parental torpor, he assumed the responsibilities of a proper partner. The birds formed a threesome. The refuge’s visitor service manager quipped that the upper Mississippi had its “own little soap opera.” In 2015, the couple and their new partner raised three eaglets.44 Parenting trios in the wild aren’t altogether uncommon, although
Jack Emerson Davis (The Bald Eagle: The Improbable Journey of America's Bird)
6 Eight days before he died, after a spectacular orgy of food, François Mitterrand, the French president, ordered a final course of ortolan, a tiny yellow-throated songbird no bigger than his thumb. The delicacy represented to him the soul of France. Mitterrand’s staff supervised the capture of the wild birds in a village in the south. The local police were paid off, the hunting was arranged, and the birds were captured, at sunrise, in special finely threaded nets along the edge of the forest. The ortolans were crated and driven in a darkened van to Mitterrand’s country house in Latche where he had spent his childhood summers. The sous-chef emerged and carried the cages indoors. The birds were fed for two weeks until they were plump enough to burst, then held by their feet over a vat of pure Armagnac, dipped headfirst and drowned alive. The head chef then plucked them, salted them, peppered them, and cooked them for seven minutes in their own fat before placing them in a freshly heated white cassole. When the dish was served, the wood-paneled room—with Mitterrand’s family, his wife, his children, his mistress, his friends—fell silent. He sat up in his chair, pushed aside the blankets from his knees, took a sip from a bottle of vintage Château Haut-Marbuzet. —The only interesting thing is to live, said Mitterrand. He shrouded his head with a white napkin to inhale the aroma of the birds and, as tradition dictated, to hide the act from the eyes of God. He picked up the songbirds and ate them whole: the succulent flesh, the fat, the bitter entrails, the wings, the tendons, the liver, the kidney, the warm heart, the feet, the tiny headbones crunching in his teeth. It took him several minutes to finish, his face hidden all the time under the white serviette. His family could hear the sounds of the bones snapping. Mitterrand dabbed the napkin at his mouth, pushed aside the earthenware cassole, lifted his head, smiled, bid good night and rose to go to bed. He fasted for the next eight and a half days until he died. 7 In Israel, the birds are tracked by sophisticated radar set up along the migratory routes all over the country—Eilat, Jerusalem, Latrun—with links to military installations and to the air traffic control offices at Ben Gurion airport.
Colum McCann (Apeirogon)
The birds had multiplied. She'd installed rows upon rows of floating melamine shelves above shoulder height to accommodate the expression of her once humble collection. Though she'd had bird figurines all over the apartment, the bulk of her prized collection was confined to her bedroom because it had given her joy to wake up to them every morning. Before I'd left, I had a tradition of gifting her with bird figurines. It began with a storm petrel, a Wakamba carving of ebony wood from Kenya I had picked up at the museum gift shop from a sixth-grade school field trip. She'd adored the unexpected birthday present, and I had hunted for them since. Clusters of ceramic birds were perched on every shelf. Her obsession had brought her happiness, so I'd fed it. The tiki bird from French Polynesia nested beside a delft bluebird from the Netherlands. One of my favorites was a glass rainbow macaw from an Argentinian artist that mimicked the vibrant barrios of Buenos Aires. Since the sixth grade, I'd given her one every year until I'd left: eight birds in total. As I lifted each member of her extensive bird collection, I imagined Ma-ma was with me, telling a story about each one. There were no signs of dust anywhere; cleanliness had been her religion. I counted eighty-eight birds in total. Ma-ma had been busy collecting while I was gone. I couldn't deny that every time I saw a beautiful feathered creature in figurine form, I thought of my mother. If only I'd sent her one, even a single bird, from my travels, it could have been the precursor to establishing communication once more. Ma-ma had spoken to her birds often, especially when she cleaned them every Saturday morning. I had imagined she was some fairy-tale princess in the Black Forest holding court over an avian kingdom. I was tempted to speak to them now, but I didn't want to be the one to convey the loss of their queen. Suddenly, however, Ma-ma's collection stirred. It began as a single chirp, a mournful cry swelling into a chorus. The figurines burst into song, tiny beaks opening, chests puffed, to release a somber tribute to their departed beloved. The tune was unfamiliar, yet its melancholy was palpable, rising, surging until the final trill when every bird bowed their heads toward the empty bed, frozen as if they hadn't sung seconds before. I thanked them for the happiness they'd bestowed on Ma-ma.
Roselle Lim (Natalie Tan's Book of Luck & Fortune)
Reed was involved in some of our most famous duck hunts; he even has a blind named after him. It’s called the Reed Robertson Hole. One year, we were having a really bad duck season. It was hot and there always seemed to be southwest winds, which aren’t ideal conditions on Phil’s property. One Sunday, the forecast called for more southwest winds, so nobody wanted to go hunting. I wasn’t going to pass up a morning in the duck blind, so I decided to take Reed with me. My expectations were so low that I was really only taking him to see the sunrise. I was convinced we wouldn’t see a single duck. Well, it got to be daylight and nothing happened. But we were still spending quality time together, and I was talking to him about God and the outdoors. I looked up and saw two birds. I literally thought it was two crows flying overhead. But then I realized it was two mallard drakes. I called them and they made two passes over our blind before backpedaling right in front of us. They seemed to stop in motion about ten feet in front of us. “Shoot!” I said. Reed raised his gun and shot three times in less than three seconds. Apparently, he still believed his shotgun was an AK-47. He went boom! Boom! Boom! By the time Reed was gone, I raised my gun and shot both of them. He looked at me and was like, “What happened?” He looked at his gun and thought something was wrong with it. “Son, you got excited and fired too quickly,” I said. “You’ve got to get on the duck.” As soon as I looked up, I saw ten teals circling toward us. They came right into our decoys. I decided to give Reed the first shot again. “Cut ‘em,” I said. Reed raised his gun and fired again. Boom! Boom! Boom! He shot one and then I shot another one. “Hey, you’re on the board,” I said. A while later, about seventy-five teals made three passes over us. I was going to let them light so Reed could get a good shot. About half of them lit and the other half came right toward us. “Cut ’em,” I said. I raised my gun and shot two of them. I heard Reed fire three times but didn’t see anything on the water. “I think I got three of them that time,” he said. “Son, don’t be making up stories,” I told him. I was looking right where he shot and didn’t see anything. But then I looked to the right and realized he’d actually shot four. He hit three on one side and a stray pellet hit one in the back. “Son, you have arrived,” I said. We wound up killing our limit that day, when I didn’t expect us to see any ducks at all. Phil and everybody else made a big deal about it because we hadn’t seen many ducks in days. It was the most ducks we’d ever shot out of that blind, and we’ve never mauled them like that again there. Because I shared the experience with my son, it was one of my most special and memorable hunts. I learned a valuable lesson that day: you never know when the ducks are going to show up. That is why I go every day the season is open.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
experience, and to our consequent estrangement from the earthly world around us. So the ancient Hebrews, on the one hand, and the ancient Greeks on the other, are variously taken to task for providing the mental context that would foster civilization’s mistreatment of nonhuman nature. Each of these two ancient cultures seems to have sown the seeds of our contemporary estrangement—one seeming to establish the spiritual or religious ascendancy of humankind over nature, the other effecting a more philosophical or rational dissociation of the human intellect from the organic world. Long before the historical amalgamation of Hebraic religion and Hellenistic philosophy in the Christian New Testament, these two bodies of belief already shared—or seem to have shared—a similar intellectual distance from the nonhuman environment. In every other respect these two traditions, each one originating out of its own specific antecedents, and in its own terrain and time, were vastly different. In every other respect, that is, but one: they were both, from the start, profoundly informed by writing. Indeed, they both made use of the strange and potent technology which we have come to call “the alphabet.” — WRITING, LIKE HUMAN LANGUAGE, IS ENGENDERED NOT ONLY within the human community but between the human community and the animate landscape, born of the interplay and contact between the human and the more-than-human world. The earthly terrain in which we find ourselves, and upon which we depend for all our nourishment, is shot through with suggestive scrawls and traces, from the sinuous calligraphy of rivers winding across the land, inscribing arroyos and canyons into the parched earth of the desert, to the black slash burned by lightning into the trunk of an old elm. The swooping flight of birds is a kind of cursive script written on the wind; it is this script that was studied by the ancient “augurs,” who could read therein the course of the future. Leaf-miner insects make strange hieroglyphic tabloids of the leaves they consume. Wolves urinate on specific stumps and stones to mark off their territory. And today you read these printed words as tribal hunters once read the tracks of deer, moose, and bear printed in the soil of the forest floor. Archaeological evidence suggests that for more than a million years the subsistence of humankind has depended upon the acuity of such hunters, upon their ability to read the traces—a bit of scat here, a broken twig there—of these animal Others. These letters I print across the page, the scratches and scrawls you now focus upon, trailing off across the white surface, are hardly different from the footprints of prey left in the snow. We read these traces with organs honed over millennia by our tribal ancestors, moving instinctively from one track to the next, picking up the trail afresh whenever it leaves off, hunting the meaning, which would be the meeting with the Other.2
David Abram (The Spell of the Sensuous: Perception and Language in a More-Than-Human World)
Speaking of shooting, my lady,” Mr. Pinter said as he came around the table, “I looked over your pistol as you requested. Everything seems to be in order.” Removing it from his coat pocket, he handed it to her, a hint of humor in his gaze. As several pair of male eyes fixed on her, she colored. To hide her embarrassment, she made a great show of examining her gun. He’d cleaned it thoroughly, which she grudgingly admitted was rather nice of him. “What a cunning little weapon,” the viscount said and reached for it. “May I?” She handed him the pistol. “How tiny it is,” he exclaimed. “It’s a lady’s pocket pistol,” she told him as he examined it. Oliver frowned at her. “When did you acquire a pocket pistol, Celia?” “A little while ago,” she said blithely. Gabe grinned. “You may not know this, Basto, but my sister is something of a sharpshooter. I daresay she has a bigger collection of guns than Oliver.” “Not bigger,” she said. “Finer perhaps, but I’m choosy about my firearms.” “She has beaten us all at some time or another at target shooting,” the duke said dryly. “The lady could probably hit a fly at fifty paces.” “Don’t be silly,” she said with a grin. “A beetle perhaps, but not a fly.” The minute the words were out of her mouth, she could have kicked herself. Females did not boast of their shooting-not if they wanted to snag husbands. “You should come shooting with us,” Oliver said. “Why not?” The last thing she needed was to beat her suitors at shooting. The viscount in particular would take it very ill. She suspected that Portuguese men preferred their women to be wilting flowers. “No thank you,” she said. “Target shooting is one thing, but I don’t like hunting birds.” “Suit yourself,” Gabe said, clearly happy to make it a gentlemen-only outing, though he knew perfectly well that hunting birds didn’t bother her. “Come now, Lady Celia,” Lord Devonmont said. “You were eating partridges at supper last night. How can you quibble about shooting birds?” “If she doesn’t want to go, let her stay,” Gabe put in. “It’s not shooting birds she has an objection to,” Mr. Pinter said in a taunting voice. “Her ladyship just can’t hit a moving target.” She bit back a hot retort. Don’t scare off the suitors. “That’s ridiculous, Pinter,” Gabe said. “I’ve seen Celia-ow! What the devil, Oliver? You stepped on my foot!” “Sorry, old chap, you were in the way,” Oliver said as he went to the table. “I think Pinter’s right, though. Celia can’t hit a moving target.” “Oh, for heaven’s sake,” she protested, “I most certainly can hit a moving target! Just because I choose not to for the sake of the poor, helpless birds-“ “Convenient, isn’t it, her sudden dislike of shooting ‘poor, helpless birds’?” Mr. Pinter said with a smug glance at Lord Devonmont. “Convenient, indeed,” Lord Devonmont agreed. “But not surprising. Women don’t have the same ability to follow a bird in flight that a man-“ “That’s nonsense, and you know it!” Celia jumped to her feet. “I can shoot a pigeon or a grouse on the wing as well as any man here.” “Sounds like a challenge to me,” Oliver said. “What do you think, Pinter?” “A definite challenge, sir.” Mr. Pinter was staring at her with what looked like satisfaction. Blast it all, had that been his purpose-to goad her into it? Oh, what did it matter? She couldn’t let a claim like this or Lord Devonmont’s stand. “Fine. I’ll join you gentlemen for the shooting.” “Then I propose that whoever bags the most birds gets to kiss the lady,” Lord Devonmont said with a gleam in his eye. “That’s not much of a prize for me,” Gabe grumbled. She planted her hands on her hips. “And what if I bag the most birds?” “Then you get to shoot whomever you wish,” Mr. Pinter drawled. As the others laughed, Celia glared at him. He was certainly enjoying himself, the wretch. “I’d be careful if I were you, Mr. Pinter. That person would most likely be you.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Moa mock hunt reconstructed by Augustus Hamilton Giant Haast's eagle attacking New Zealand moa by John Megahan Auroch bull restoration by DFoidl Dodo at Oxford University Museum of Natural History by BazzaDaRambler Elephant bird - author unknown Bluebuck by le Vaillant 1781 Great Auk reconstruction at Kelvingrove, Glasgow by Mike Pennington Quagga photograph - Regent's Park ZOO, London by F. York Stephens Island wren by John Gerrard Keulemans Honshu wolf from The Chrysanthemum Magazine February 1881
I.P. Factly (25 Extinct Animals... since the birth of mankind! Animal Facts, Photos and Video Links. (25 Amazing Animals Series Book 8))
The world she lives in is not mine. Life is faster for her; time runs slower. Her eyes can follow the wingbeats of a bee as easily as ours follow the wingbeats of a bird. What is she seeing? I wonder, and my brain does backflips trying to imagine it, because I can’t. I have three different receptor-sensitivities in my eyes: red, green and blue. Hawks, like other birds, have four. This hawk can see colours I cannot, right into the ultraviolet spectrum. She can see polarised light, too, watch thermals of warm air rise, roil, and spill into clouds, and trace, too, the magnetic lines of force that stretch across the earth. The light falling into her deep black pupils is registered with such frightening precision that she can see with fierce clarity things I can’t possibly resolve from the generalised blur. The claws on the toes of the house martins overhead. The veins on the wings of the white butterfly hunting its wavering course over the mustards at the end of the garden. I’m standing there, my sorry human eyes overwhelmed by light and detail, while the hawk watches everything with the greedy intensity of a child filling in a colouring book, scribbling joyously, blocking in colour, making the pages its own. And all I can think is, I want to go back inside.
Helen Macdonald (H is for Hawk)
Only a few generations earlier, Khubilai’s ancestors had used the hunt as the primary means of acquiring food. His great-grandfather Yesugei had been out hunting with his gyrfalcon when he saw the bride Hoelun, whom he seized to make his own wife. Khubilai’s grandfather Genghis Khan fed his family by hunting after his father’s death, and he had killed his half brother Begter in an argument ostensibly following a hunting quarrel about a bird and a fish. Later in life, Genghis Khan, with the aid of Subodei and other good hunters, adapted the extensive hunting strategies, techniques, and weapons to the task of warfare by treating his enemies as objects of prey to be trapped and stalked, and he thereby conquered his vast empire. The hunt combined a recreational pastime enjoyed by Khubilai with the imperial needs of ceremonial pomp and wasteful spectacle.
Jack Weatherford (Genghis Khan and the Making of the Modern World)
In Cicero’s dialogue De Finibus, the Roman Stoic hero Cato of Utica uses the memorable image of an archer or spearman to explain this subtle concept. The Stoic-minded archer’s true goal should be to fire his bow skillfully, insofar as doing so is within his power. Paradoxically, though, he’s indifferent to whether or not his arrow actually hits the target. He controls his aim but not the arrow’s flight. So he does the best he can and accepts whatever happens next. The target—perhaps an animal he’s hunting—could move unexpectedly. Marcus perhaps had this analogy in mind when he was spearing birds and hunting wild boar as a young man. Virtue consists in doing your very best and yet not becoming upset if you come home from the hunt empty-handed—we typically admire people who approach life in this way.
Donald J. Robertson (How to Think Like a Roman Emperor: The Stoic Philosophy of Marcus Aurelius)
someone was asking me something. It was Bucky. —What’s that? I asked. —Have you ever been hunting down south, Katey? —I’ve never been hunting in any direction. —It’s good sport. You should join us next year. I turned to Wallace. —Do you shoot there every year? —Most years. A few weekends in the . . . fall and spring. —Then why do the ducks come back? Everyone laughed but Wyss. She clarified on my behalf. —They grow a field of corn and flood it. That’s what attracts the birds. So in that sense, it’s actually not that “sporting.” —Well, isn’t that the way that Bucky attracted you? For a moment, everyone laughed but Wyss. Then Wyss started laughing and everyone laughed but Bucky.
Amor Towles (Rules of Civility)
Like all birds, it fears the unpredictable. Enter and leave the same fields at the same time each day, soothe the hawk from its wildness by a ritual of behaviour as invariable as its own. Hood the glare of the eyes, hide the white tremor of the hands, shade the stark reflecting face, assume the stillness of a tree. A peregrine fears nothing he can see clearly and far off. Approach him across open ground with a steady unfaltering movement. Let your shape grow in size but do not alter its outline. Never hide yourself unless concealment is complete. Be alone. Shun the furtive oddity of man, cringe from the hostile eyes of farms. Learn to fear. To share fear is the greatest bond of all. The hunter must become the thing he hunts. What is, is now, must have the quivering intensity of an arrow thudding into a tree. Yesterday is dim and monochrome. A week ago you were not born. Persist, endure, follow, watch.
J.A. Baker (The Peregrine)
Peregrines bathe every day. They prefer running water, six to nine inches deep; nothing less than two inches or more than twelve inches is acceptable to them. The bed of the stream must be stony or firm, with a shallow incline sloping gradually down from the bank. They favour those places where the colour of the stream-bed resembles the colour of their own plumage. They like to be concealed by steep banks or overhanging bushes. Shallow streams, brooks, or deep ditches, are preferred to rivers. Salt water is seldom used. Dykes lined with concrete are sometimes chosen, but only if the concrete has been discoloured. Shallow fords, where brown-mottled country lanes are crossed by a fast-running brook, are favourite places. For warning of human approach they rely on their remarkably keen hearing and on the alarm calls of other birds. The search for a suitable bathing place is one of the peregrine’s main daily activities, and their hunting and roosting places are located in relation to this search.
J.A. Baker (The Peregrine)
Hunting is always preceded by some form of play. The hawk may feint at partridges, harass jackdaws or lapwings, skirmish with crows. Sometimes, without warning, he will suddenly kill. Afterwards he seems baffled by what he has done, and he may leave the kill where it fell and return to it later when he is genuinely hunting. Even when he is hungry, and has killed in anger, he may sit beside his prey for ten to fifteen minutes before starting to feed. In these cases the dead bird is usually unmarked, and the hawk seems to be puzzled by it. He nudges it idly with his bill. When blood flows, he feeds at once.
J.A. Baker (The Peregrine)
Juvenile peregrines hover whenever the wind is too strong to allow them to circle sufficiently slowly above the area they are surveying. Such hovering usually lasts for ten to twenty seconds, but some birds are more addicted to the habit than others and will hover persistently for long periods. The hunting hawk uses every advantage he can. Height is the obvious one. He may stoop (stoop is another word for swoop) at prey from any height between three feet and three thousand. Ideally, prey is taken by surprise: by a hawk hidden by height and diving unseen to his victim, or by a hawk that rushes suddenly out from concealment in a tree or a dyke. Like a sparrowhawk, the peregrine will wait in ambush. The more spectacular methods of killing are used less often by juveniles than they are by adults. Some soaring peregrines deliberately stoop with the sun behind them. They do it too frequently for it to be merely a matter of chance.
J.A. Baker (The Peregrine)
The third most respected rank of the pack is of teachers. Sigma wolves teach the wolf pups about hunting and other important survival tricks. They are the mind of the pack. You are intelligent and wise. You are certainly brainier than brawny. You always understand and guide your friends in a way best for ◆◆◆ DELTA 451 to 600 Delta wolves, rank at the fourth position in a pack not because they are less capable, but because these are the lone wolves of the pack and value their freedom. They perform their duty to the pack as messengers to the Beta wolves protecting the pack from outer threat. You are a free bird and don’t like to be held responsible. You are fun and relaxed. You can also be careless, but at the end of the day you are always there for people whenever they need you. ◆◆◆ OMEGA 601 to 750 Omega wolves are the lowest ranking wolves. They take care of the wolf pups and nurture them. The male and female omega wolves are the last to eat the prey after the hunt. You have a caring and helpful nature. You are kind to people without asking anything in return. People might not know your value, but you do. So you have found your position
Marie Max House (What is Your Rank in a Wolf Pack ?: Let's find are you the Alpha, Omega or some other member of the Pack (Quiz Yourself Book 3))
Long ago, the great Frith made the world. He made all the stars, and the Earth lived among the stars. He made all the animals and birds, and at first, he made them all the same. Now, among the animals in these days was El-Ahrairah, the prince of rabbits. He had many friends, and they all ate grass together. But after a time, the rabbits wandered everywhere, multiplying and eating as they went. Then Frith said to El-Ahrairah, 'Prince Rabbit, if you cannot control your people, I shall find ways to control them.' But El-Ahrairah would not listen. He said to Frith, 'My people are the strongest in the world.' This angered Frith, and he determined to get the better of El-Ahrairah. And so, he gave a present to every animal and bird, making each one different from the rest. When the fox came, and others, like the dog, and cat, hawk, and weasel, to each of them, Frith gave a fierce desire to hunt and kill the children of El-Ahrairah. Your people cannot rule the world, for I will not have it so. All the world will be your enemy, Prince with a Thousand Enemies, and whenever they catch you, they will kill you. But first they must catch you, digger, listener, runner, prince with the swift warning. Be cunning and full of tricks and your people shall never be destroyed.
Richard Adams (Watership Down (text only) 6th (Sixth) edition by R. Adams)
... but in nearly all those who through necessity of life till fields, herd beasts, and keep fowls, these remaining wildings of the moors have enemies who care nothing for their survival. The farmers would exterminate nearly every wild bird and animal of prey, were it not for the land-owners, among whom are some who care for the wildings, because they are sprung from the same land of England, and who would be unhappy if they thought they country would know them no more. For the animal they hunt to kill in its season, or those other animals or birds they cause to be destroyed for the continuance of their pleasure in sport - which they believe to be natural - they have no pity; and since they lack this incipient human instinct, they misunderstand and deride it in others. Pity acts through imagination, the higher light of the world, and imagination arises from the world of things, as a rainbow from the sun. A rainbow may be beautiful and heavenly, but it will not grow corn for bread.
Henry Williamson (Tarka the Otter)
Somewhere, he thought, there was this boy’s mother, who had trembled with protective concern over his groping steps, while teaching him to walk, who had measured his baby formulas with a jeweler’s caution, who had obeyed with a zealot’s fervor the latest words of science on his diet and hygiene, protecting his unhardened body from germs—then had sent him to be turned into a tortured neurotic by the men who taught him that he had no mind and must never attempt to think. Had she fed him tainted refuse, he thought, had she mixed poison into his food, it would have been more kind and less fatal. He thought of all the living species that train their young in the art of survival, the cats who teach their kittens to hunt, the birds who spend such strident effort on teaching their fledglings to fly—yet man, whose tool of survival is the mind, does not merely fail to teach a child to think, but devotes the child’s education to the purpose of destroying his brain, of convincing him that thought is futile and evil, before he has started to think. From the first catch-phrases flung at a child to the last, it is like a series of shocks to freeze his motor, to undercut the power of his consciousness. “Don’t ask so many questions, children should be seen and not heard!”—“Who are you to think? It’s so, because I say so!”—“Don’t argue, obey!”—“Don’t try to understand, believe!”—“Don’t rebel, adjust!”—“Don’t stand out, belong!”—“Don’t struggle, compromise!”—“Your heart is more important than your mind!”—“Who are you to know? Your parents know best!”—“Who are you to know? Society knows best!” “Who are you to know? The bureaucrats know best!”—“Who are you to object? All values are relative!”—“Who are you to want to escape a thug’s bullet? That’s only a personal prejudice!
Ayn Rand (Atlas Shrugged)
There hasn’t been an actual condor seen in Mexican skies in over sixty years, longer in the States. But every operation has to have a name or we don’t believe it’s real, so Condor it is. Art’s done a little reading on the bird. It is (was) the largest bird of prey, although the term is a little misleading, as it preferred scavenging over hunting. A big condor, Art learned, could take out a small deer; but what it really liked was when something else killed the deer first so the bird could just swoop down and take it. We prey on the dead. Operation Condor.
Don Winslow (The Power of the Dog (Power of the Dog, #1))
Aye,” Richard grumbled, “but it ruins the eeling, and there’ll be not so many birds. We live well enough now, with no drainage done, a goose to the table whenever we wish, eels and pike for the eating or the market, and our patches of crop land no tax gatherer can find. If the fens be drained, strangers will come in. Wild and lawless they say we be, and that we stink of our fens, but we are free men and better it is to remain so. “Once the gentry ken how rich is the land they’ll have it from us by hook or crook, or they’ll come on with their laws to interfere with the hunting, the digging of peat, or the cutting of thatch. They’d have us bound out to labor on their farms instead of us living free.
Louis L'Amour (The Sacketts Volume One 5-Book Bundle: Sackett's Land, To the Far Blue Mountains, The Warrior's Path, Jubal Sackett, Ride the River)
The excessively rich were as shy as wild birds; everybody was hunting them and they took wing at the least hint of danger. They were abnormally sensitive and had to be handled as if they were made of wet tissue paper. They would absorb flattery like sponges—but only that subtle kind which assured them that they were above flattery.
Upton Sinclair (Wide Is the Gate (The Lanny Budd Novels #4))
Indians walk softly and hurt the landscape hardly more than the birds and squirrels, and their brush and bark huts last hardly longer than those of wood rats, while their more enduring monuments, excepting those wrought on the forests by the fires they made to improve their hunting grounds, vanish in a few centuries. How different are most of those of the white man, especially on the lower gold region—roads blasted in the solid rock, wild streams dammed and tamed and turned out of their channels and led along the sides of cañons and valleys to work in mines like slaves. Crossing from ridge to ridge, high in the air, on long straddling trestles as if flowing on stilts, or down and up across valleys and hills, imprisoned in iron pipes to strike and wash away hills and miles of the skin of the mountain's face, riddling, stripping every gold gully and flat. These are the white man's marks made in a few feverish years, to say nothing of mills, fields, villages, scattered hundreds of miles along the flank of the Range. Long will it be ere these marks are effaced, though Nature is doing what she
John Muir (John Muir Ultimate Collection: Travel Memoirs, Wilderness Essays, Environmental Studies & Letters (Illustrated): Picturesque California, The Treasures ... Redwoods, The Cruise of the Corwin and more)
THE NEXT DAY, GREG AND THE OTHER MUSKETEERS WOKE at the crack of dawn to ride to the royal hunting grounds along with the king—and the king’s staggeringly large entourage. There were four falconers, a squadron of soldiers, two dozen servants, and a coterie of distant relatives and other hangers-on. Despite all the attendants, King Louis was the only one allowed to participate in any of the actual falconry—although in truth, Louis really just sat on his horse and had other people do everything for him. The falconers brought him the birds. A stable boy held the reins of his horse. There were even servants armed with parasols to shade the king from the sun. And for what? At the far end of the field, a gamekeeper would release a previously captured dove. Then, with great fanfare, Louis would remove the blindfold from his falcon, which would take off—and kill the dove. That was it. To make it all worse, even if Greg had wanted to watch one bird kill another, the attack generally happened very far away, often quite high up in the sky, so that it merely looked like one dot flying into a slightly smaller dot. While Greg found the whole process mind-numbing, everyone else seemed absolutely enthralled. Even Aramis, who Greg wouldn’t have expected to root for the death of anything, was beside
Stuart Gibbs (Traitor's Chase (The Last Musketeer, #2))
Factfulness: Ten Reasons We’re Wrong About the World—and Why Things Are Better Than You Think. Lendrum’s
Joshua Hammer (The Falcon Thief: A True Tale of Adventure, Treachery, and the Hunt for the Perfect Bird)
Manicunian
Joshua Hammer (The Falcon Thief: A True Tale of Adventure, Treachery, and the Hunt for the Perfect Bird)
The cars pulling up alongside a woman or a kid ready to sell the self for a Twinkie. Bringing down a bird or a woman or a man stalked at a dance. Taking over a life. That was not hunting as the sisters explained it, sang it, acted it out. To have dominion was not to knock out, downpress, bruise, but to understand, to love, make at home. The keeping in the sights the animal, or child, man or woman, tracking it in order to learn their way of being in the world. To be at home in the knowing. The hunt for balance and kinship was the thing. A mutual courtesy.
Toni Cade Bambara (The Salt Eaters (Vintage Contemporaries))
Tiger got to hunt, Bird got to fly; Man got to sit and wonder, “Why, why, why?” Tiger got to sleep, Bird got to land; Man got to tell himself he understand
Kurt Vonnegut Jr. (Cat's Cradle)
Tomorrow, we host a margarita night.” And then? I was going hunting. Yee-freaking-haw.
Hailey Edwards (Crazy as a Loon (Yard Birds #1))
Carbon dioxide is a greenhouse gas in the Earth's atmosphere that traps the sun's heat. The amount of carbon dioxide in the air has risen steadily since the nineteenth century and is now at it's highest levels in 800,000 years. As a result, global temperatures are also rising: 2020 was one of the hottest years on record. But the planet is not warming evenly. The polar regions are heating up five times faster than anywhere else on Earth. As a result, polar habitats are changing dramatically. Snow covers the Arctic for fewer days each decade, and the glaciers over Greenland and Antarctica are melting away. Sea ice is changing, too, getting thinner and covering less ocean. Polar bears depend on Arctic summer sea ice for hunting and traveling, but within a few decades, there might be none left. Changes in climate and habitat have other consequences for polar animals. Some adaptions that supported survival are becoming unhelpful or even harmful. For example, blubber keeps marine mammals warm in cold water (see page 13). As temperatures continue to rise, the same blubber could cause those animals to overheat. When days get longer, ptarmigan turn brown for camouflage when the snow melts (see page 20). If warmer spring temperatures melt snow before the days lengthen, birds that are still white will be more visible to predators. As climate chance continues, these and other polar species may find it harder to persist.
L.E. Carmichael (Polar: Wildlife at the Ends of the Earth)
The Hawk prowled closer, peering at the three of them with a close scrutiny that echoed his namesake. Like Baxian, the Hawk hailed from two peoples: angels, who had granted him his white wings, and hawk shifters, who’d granted him his ability to transform into a bird of prey. Those were about all the similarities between the two males. For starters, Baxian had a soul. The Hawk … The Hawk’s gaze lingered on Hunt. Nothing of life, of joy, lay in those eyes.
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
Hoot,” said the bird, tilting its head in the same direction as the wolf.
Madeleine Eliot (To Hunt a Demon King (King and Coven, #1))
I smell his woodsy aftershave. I feel his strength. I hear his steady heartbeat. That’s when I realize just how much trouble I’m in. Where my heart is fluttering like a caged bird’s, Renzo’s is steady. Not even killing a man can get his heart rate up.
Michelle Heard (Hunted by a Shadow (Kings of Mafia #3))
Red-Tailed Hawk: North Americans are lucky that this huge, gorgeous hawk with a brick-red tail is a common species. In rural settings, it's often seen hunting from perches like fence posts and telephone poles. But across the continent, it has become habituated to city life. This has earned it many admirers; for instance, there are multiple books about a beloved New York City redtail named Pale Male who once nested near Central Park. On the other hand, people get alarmed when a red-tailed hawk plunks a dead pigeon onto the hood of their car and starts to chow down. There's no satisfying some folks.
Rosemary Mosco (A Pocket Guide to Pigeon Watching: Getting to Know the World's Most Misunderstood Bird)
A hunter's unbridled passion for his victim pulsed in time with a swelled vein on his temple. Even when sated, a cat will pounce on a bird with a broken wing because that is how the cat and all her ancestors were made: the bird acts like a victim and the sweetness of harsh punish- ment for the victim is, for the hunter, stronger than hunger and more demanding than lust.
Eugene Vodolazkin (Laurus)
Winston is in boardroom boss mode, barking out orders to someone over the phone. It would be intimidating if it weren’t for the pink bird sitting on his shoulder, hunting for bugs in his hair. Every so often, Winston reaches up to stroke Shrimp on the top of his head.
K. Webster (The Glass Slipper (Cinderella, #3))
willing to close large distances in response to calls. Does that make them stupid? No! Due to the vastness of the landscape these birds often call home, it’s not uncommon for a walk-about tom to respond and come to a live
Jace Bauserman (Turkey Hunting Tales, Tips and Tactics: Your Guide To Spring Success)
willing to close large distances in response to calls. Does that make them stupid? No! Due to the vastness of the landscape these birds often call home, it’s not uncommon for a walk-about tom to respond and come to a live-hen call that barely tickles his eardrums. When calling Merriam’s birds, I prefer to run calls that carry great distances and cut the all-to-often howling western wind. My favorite reach-out-and-touch-their-ears Merriam’s call is a trusty box call. Box calls get a bad rap. When I give seminars, I hear a lot of negative comments about them. They’re too easy to use. Every hunter on the planet hammers away on them. They don’t work on public land. You can’t get the exact pitch you want. I could go on forever with the complaints I’ve heard from hunters about box calls. Here’s my opinion on the matter. They work great to cut the western winds. They also work great when trying to raise the interest of a distant tom. On multiple occasions, I’ve been able to sit behind a quality spotting scope and watch a tom 500 yards away take notice of my box call. Once you master them, box calls can produce pitch-perfect tones. I especially feel this is the case when using a true chalk-on-wood system. Another Merriam’s eardrum ringer is an aluminum pot-and-peg call. I’ve found aluminum pot calls carry great distances. I’m also a fan of glass. What I love about pot-and-peg calls is that I can easily adjust the volume and pitch simply by swapping strikers. And that’s not all. Once you really know what you’re doing, these calls produce, in my opinion, simply the best turkey tones. Like many turkey fanatics, my go-to call is a diaphragm. Through this wonderful
Jace Bauserman (Turkey Hunting Tales, Tips and Tactics: Your Guide To Spring Success)
The women in our family might play at giving their heart away, but the truth is that they only do it once. Guard yours, little bird. Because once you hand it over, you’ll never get it back.
Katee Robert (Hunt on Dark Waters (Crimson Sails, #1))
Have fun, D, try not to kill her.” He hangs up while I’m still staring at the note. Fancy a hunt? Find me if you can. I’m yours if you catch me. Signed with a drawing of a little bird.
K.A. Knight (Den of Vipers)
I love you, Little Bird. I’m so glad you punched me in the face that day.” She laughs. “Me too. I love you too, you crazy bastard.” Kissing her softly, I pull away after a moment. “I can’t wait to hunt you for the rest of my life.
K.A. Knight (Den of Vipers)
Say,” he said, “I’ll tell you a secret. I s’pose I’ve shot more birds and rabbits than any man in this county, if I do say it, and I never bring down a partridge or kill a chicken that I don’t feel sorry for it. I ain’t never got over it and I guess I never shall. But it’s only thing old Sam Bumpus is good for, I reckon, and it has to be done. Folks has to eat and I have to make a livin’. I don’t do it for fun, though I don’t know any finer thing in this world than trampin’ off ‘cross country with a gun and a good dog on a fine mornin’.
Walter Alden Dyer (The Dogs of Boytown)
Little Bird, Little Bird, I knew you would be the one. You will never escape us now, you are mine. Forever. Bound tighter than any ring or marriage ever could. You try to leave, and I will hunt you down.
K.A. Knight (Den of Vipers)
Let’s now turn our attention to the predator. The predator, too, can make two types of error: It can commit itself to killing prey that turns out to be too dangerous or too large or too fast (type I error), or it can refrain from attacking prey that it could easily have killed (type II error). Which error do you think a predator makes more often? A cheetah is the fastest mammal on Earth and routinely achieves speeds of eighty to one hundred kilometers per hour while chasing prey.6 It sacrifices size and bulk for speed. A cheetah typically weighs 34 to 54 kilograms (75 to 120 pounds), which is significantly less than a lion, whose weight typically ranges from 170 to 230 kilograms (375 to 500 pounds). Hence, a cheetah usually preys on smaller animals like birds, rabbits, and small antelopes. A cheetah will never attempt to kill an adult water buffalo, a favorite prey of lions. The cheetah is simply trying to avoid getting hurt. Committing a type I error will lead either to death—water buffalos can turn on their hunters aggressively—or wasted energy—when a cheetah chases an antelope that was too far away to begin with. These mistakes, in turn, will lead to hunger and poorer hunting performance.
Pulak Prasad (What I Learned About Investing from Darwin)
In 1973, the Kenyan government banned elephant hunting and the club fell on hard times. Holden brought in two minority partners, Don Hunt and Julian McKeand. Together they created the Mount Kenya Game Ranch with captive breeding programs for thirty-seven African species, and an orphanage for rescued animals. There were fifty types of exotic birds, including sacred ibises, marabou storks, peacocks and Egyptian geese. One of the rarest species at the game ranch was the East African Bongo – a critically endangered red and white-striped antelope, which became the ranch’s mascot. Holden showed Powers the club’s first-class amenities. They visited the Arabian horse stables, and walked down a garden path to the guest cottages, dubbed Millionaire’s Row.
Howard Johns (Drowning Sorrows: A True Story of Love, Passion and Betrayal)
Tiger got to hunt, bird got to fly; Man got to sit and wonder, ‘Why, why, why?’ Tiger got to sleep, bird got to land; Man got to tell himself he understand.
Kurt Vonnegut Jr.
So, a penniless Obama traveled to a country under martial law, where the U.S. State Department had issued a travel advisory. Obama then ignored the millions of Afghan refugees in Pakistan, checked into the Hilton International, showered, shaved, and changed into a fresh set of thrift-store clothing to go bird hunting with the country's future prime minister.
Mondo Frazier (The Secret Life of Barack Hussein Obama)
If you turn the imagination loose like a hunting dog, it will often return with the bird in its mouth.' (from "The Front and the Back Parts of the House", 1991)
William Maxwell (All the Days and Nights: The Collected Stories)
Here’s the thing: money never has meant that much to me, not even in the sense of keeping score. If we had enough groceries, and a nice place to live, plenty of room to keep and feed my bird dogs, a place to hunt, a place to play tennis, and the means to get the lads good educations—that’s rich.
Sam Walton (Sam Walton: Made In America)
According to the American Treeing Feist Association, the treeing feist, or mountain feist, existed in the southern Appalachians long before rat terriers were brought to America. While terriers were bred to catch vermin, feists were bred to hunt. And while squirrels are their primary prey, the feist will gladly hunt raccoons, rabbits, or birds. With longer legs than terriers, feists are built for silent speed. They live to tree a squirrel until its owner comes to catch it. The feist has a storied history intertwined with the beginnings of the country. George Washington wrote about them in his diary, and Abraham Lincoln even referred to them in a poem.
Gregory Berns (How Dogs Love Us: A Neuroscientist and His Adopted Dog Decode the Canine Brain)
Their rapid, shifting, dancing motion had been so deft and graceful that it was difficult to believe that hunger was the cause of it and death the end. The killing that follows the hunting flight of hawks comes with a shocking force, as though the hawk had suddenly gone mad and had killed the thing it loved. The striving of birds to kill, or to save themselves from death, is beautiful to see. The greater the beauty the more terrible the death.
J.A. Baker (The Peregrine: The Hill of Summer & Diaries: the Complete Works of J. A. Baker)
The power of endurance of the plains Indians has always been beyond comprehension by white men. These tribesmen hunted, feasted, gambled, and eagerly made war, young men often faring forth alone over the unmarked plains to count coup, so that they might marry the young women of their choice, and be numbered among the tribe’s warriors. Killing and scalping an enemy did not entitle them to count coup. They must strike an armed enemy with their hands, or with something held in their hands, without otherwise injuring the enemy; or they must capture an enemy’s weapons, or be first to strike an enemy who had fallen in battle, etc., the rules for coup-counting differing somewhat among the plains tribes. And this coup-counting was expected of young men. For centuries, during the long, winter nights on these northern plains, red patriarchs feelingly extolled bravery and fortitude, reciting hero-tales, some of which may have had origin in far lands.
Frank Bird Linderman (Blackfeet Indians)
The mythical Thunderbird, in one form or another, was held in awe by practically all of the Indian tribes. On the Great Plains, where the phenomena of thunderstorms was very striking, the Thunderbird was supposed to be a deity in the form of a bird of enormous size, which produced thunder by flapping its wings, and lightning by opening and closing its eyes. These great birds were thought to carry a lake of fresh water on their backs, which caused a great downpour when they flew through the air. Tribes of the Pacific Coast thought the Thunderbird caught whales during a thunderstorm and used its wings as a bow to shoot arrows. Each tribe interpreted the bird differently in its art, as shown on these two pages. The design of the Thunderbird was used to decorate war drums, pottery, and walls and was supposed to protect individuals and tribes from the Evil Spirits.
W. Ben Hunt (Indian Crafts & Lore)
Most Indian tribes considered the eagle a great and powerful spirit. His courage was admired, his strength envied. The great height to which this bird flew gave evidence that he could reach heaven, and his plumes were said to carry prayers. The Eagle dance is one of the most graceful of all the Indian dances, and the costume is one of the most spectacular of all Southwestern dance costumes. The Eagles usually dance in pairs but there are a few solo dances.
W. Ben Hunt (Indian Crafts & Lore)
The room smelled of lemon wax and the perfume she wore, something delicate and unassuming, not truly mirroring the complex woman she was. She would wear something hinting of roses, or more exotic blooms, a scent that teased the senses. She hated the mirrors, so he had them removed. He found another desk in the attics, one more suited for a study, but she'd been overjoyed when first viewing it. There was enough space in the sitting room, and that's where it rested, beneath the window looking out over Huntly's glen. He wished this view of the lake. She would have liked the sight of the birds soaring over the trees or the pale light of dawn reflected in the water.
Karen Ranney (The Virgin of Clan Sinclair (Clan Sinclair, #3))
She left the room, with her black-and-white kitty, Ruff, Elizabeth, Naiad and Persephone- a spotted gray-and-white shorthair- following on her heels in hopes of getting breakfast. As for her other two cats, she knew they must be out hunting rodents and birds rather than waiting to go down to the kitchens with everyone else. Burr and old Henry, who had climbed with a stiff gait out of his basket, joined the furry entourage, tails wagging and tongues lolling as they descended the stairs. The Scotties were probably asleep in the nursery, happy to wait to see what tidbits the children would sneak them during their breakfast in another hour or two.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
Because of the Golden Eagle's great strength and courage, the American Indian admired this bird and prized his feathers above all other adornments. The thirteen tail feathers of the adult bird were considered to possess great medicine. These feathers, which are white with dark brown tips, measure 12 to 14 inches in length. The eagle's wing feathers (pinion feathers) were also used for war bonnets, bustles, and other ceremonial regalia. Many times the Indian would make an entire war bonnet from one eagle, using the long tail feathers in the front, and the wing feathers in graduated sizes down the back. The right wing feathers would be used on the right side of the bonnet, and the left wing feathers on the left side of the bonnet. The plumes or fluff feathers that grow at the base of the bird's tail were used by the Indians for the base of the larger feathers. The two largest plumes from the bird were called breath feathers by the Indians because of their lightness; the slightest breath would cause them to move as though they were breathing. These two feathers were sometimes 8 inches long and were valued as highly as brown-tipped tail feathers.
W. Ben Hunt (Indian Crafts & Lore)
There were several methods by which the Indians obtained eagle feathers. Some tribes dug a pit in the ground in the areas known to have eagles. These pits were large enough to conceal a brave. The trap was baited with a live rabbit or pieces of buffalo meat, and the opening was covered with a buffalo hide or brush. A large enough opening was left so that the Indian crouching in the pit could grab the tail feathers of the bird alighting to take the bait. The bird would lose its feathers, but could escape unharmed to grow new tail feathers by its next moulting period. This method was very dangerous. Often bears, attracted by the bait, would discover and kill the Indian. Sometimes eagles were caught and killed for their feathers. There also were tribes who captured young eagles while they were still in the nest. These birds were tethered by a leather thong around their leg and were kept solely for their feathers; they were plucked regularly. These birds seldom became tame and never lost their desire for freedom. They continually would fly into the air as far as the leather thong would allow, screaming their defiance at their captor. Regardless of where or how an Indian brave accumulated feathers, he was not allowed, according to tribal law, to wear them until he won them by a brave deed. He had to appear before the council and tell or re-enact his exploit. Witnesses were examined and if in the eyes of the council the deed was thought to be worthy, the brave was authorized to wear the feather or feathers in his hair or war bonnet. These honors were called “counting coup” (pronounced “coo”). Deeds of exceptional valor (such as to touch the enemy without killing him and escape) were called “grand coup” and were rated more than one feather. Sometimes a tuft of horsehair or down was added to the tip of a feather to designate additional honor. Some tribes designated special deeds by special marking on “coup” feathers, such as cutting notches or adding paint spots. The coup feathers of the American Indian can be compared to the campaign ribbons and medals awarded to our modern soldier. An Indian would rather part with his horse, his tepee, or even his wife, than to lose his eagle feathers. To do so would be to be dishonored in the eyes of the tribe. Many old Indian chiefs, such as Many Coup of the Crow tribe, had won enough honors to wear a double-tailed bonnet that dragged on the ground and to carry a feathered lance to display the additional feathers.
W. Ben Hunt (Indian Crafts & Lore)
The Apache Indians were wandering tribes who lived in the Southwest. Their dances are religious ceremonies in which they worship their gods: the sun, the moon, the planets, wind, rain, thunder, lightning, and certain animals. Many charms and fetishes are used in these ceremonies. The masks and headdresses are made under the supervision of a priest, and before they are assembled, the dancers go through the purifying ceremony of a sweat bath. The medicine men’s costumes of the Apache Devil Dance are very colorful and are all somewhat different. There are usually four dancers, one representing the devil. Attached to the cloth mask which covers the face is a fan-shaped headdress made of thin narrow trips of yucca wood. These strips are arranged in many different ways and are painted with symbols representing the sun, moon, rain, stars, lightning, and so forth. Sometimes these designs were perforated through the thin slabs of wood. This fan is supposed to represent the spread tail feathers of a great bird. Sometimes turkey feathers were used on the headdress in place of the wooden fan. The Apache medicine men made two sets of masks. These marks were used until it was felt that they had been worn out and had lost their magic powers. Then they were replaced with new masks, having strong and fresh medicine.
W. Ben Hunt (Indian Crafts & Lore)