β
I am no bird; and no net ensnares me: I am a free human being with an independent will.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild. So you let them go, or when you open the cage to feed them they somehow fly out past you. And the part of you that knows it was wrong to imprison them in the first place rejoices, but still, the place where you live is that much more drab and empty for their departure.
β
β
Stephen King (Rita Hayworth and Shawshank Redemption)
β
Jane, be still; don't struggle so like a wild, frantic bird, that is rending its own plumage in its desperation."
"I am no bird; and no net ensnares me; I am a free human being, with an independent will; which I now exert to leave you.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
The caged bird sings with a fearful trill,
of things unknown, but longed for still,
and his tune is heard on the distant hill,
for the caged bird sings of freedom.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
The only thing crueler than a cage so
small that a bird canβt fly is a cage so
large that a bird thinks it can fly.
β
β
Caroline Kepnes (You (You, #1))
β
Birds make great sky-circles of their freedom.
How do they learn it?
They fall and falling,
they're given wings.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
She decided to free herself, dance into the wind, create a new language. And birds fluttered around her, writing βyesβ in the sky.
β
β
Monique Duval
β
To be left alone on the tightrope of youthful unknowing is to experience the excruciating beauty of full freedom and the threat of eternal indecision. Few, if any, survive their teens. Most surrender to the vague but murderous pressure of adult conformity. It becomes easier to die and avoid conflict than to maintain a constant battle with the superior forces of maturity.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
The way of love is not
a subtle argument.
The door there
is devastation.
Birds make great sky-circles
of their freedom.
How do they learn it?
They fall, and falling,
they're given wings.
β
β
Jalal ad-Din Muhammad ar-Rumi
β
To be left alone on the tightrope of youthful unknowing is to experience the excruciating beauty of full freedom and the threat of eternal indecision.
β
β
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
β
A person isn't a bird. You can't cage a person.
β
β
Sharon Creech (Walk Two Moons)
β
Caged Bird
A free bird leaps on the back of the wind
and floats downstream till the current ends
and dips his wing in the orange suns rays and dares to claim the sky.
But a bird that stalks down his narrow cage
can seldom see through his bars of rage
his wings are clipped and his feet are tied so he opens his throat to sing.
The caged bird sings with a fearful trill
of things unknown but longed for still
and his tune is heard on the distant hill
for the caged bird sings of freedom.
The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn-bright lawn and he names the sky his own.
But a caged bird stands on the grave of dreams
his shadow shouts on a nightmare scream
his wings are clipped and his feet are tied so he opens his throat to sing.
The caged bird sings with a fearful trill
of things unknown but longed for still
and his tune is heard on the distant hill
for the caged bird sings of freedom.
β
β
Maya Angelou (The Complete Collected Poems)
β
Power said to the world,
"You are mine."
The world kept it prisoner on her throne.
Love said to the world, "I am thine."
The world gave it the freedom of her house.
β
β
Rabindranath Tagore (Stray Birds)
β
I am no bird; and no net ensnares me; I am a free human being, with an independent will; which I now exert to leave you.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
[Marriage] happens as with cages: the birds without despair to get in, and those within despair of getting out.
β
β
Michel de Montaigne (The Complete Essays)
β
How can a bird that is born for joy
Sit in a cage and sing?
β
β
William Blake
β
She was a free bird: queen of the world and laughing.
β
β
Roman Payne (The Wanderess)
β
It was cruel. Like opening a birdcage to let the bird fly out, whilst all the while it's tethered by the leg, and freedom is only an illusion.
β
β
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
β
Society is the choice between freedom on someone elseβs terms and slavery on yours.
β
β
Charlie Jane Anders (All the Birds in the Sky)
β
I am no bird, no net ensnares me.
β
β
Charlotte BrontΓ«
β
Freedom is not the same as lack of accountability.
β
β
Kevin Powers (The Yellow Birds)
β
Artists talk a lot about freedom. So, recalling the expression "free as a bird," Morton Feldman went to a park one day and spent some time watching our feathered friends. When he came back, he said, "You know? They're not free: they're fighting over bits of food.
β
β
John Cage (Silence: Lectures and Writings)
β
A Rule: Life without Islam is a naked tree,
Birds without trees can never feel free.
β
β
Leena Ahmad Almashat (Harmony Letters)
β
The freedom of birds is an insult to me. I'd have them all in zoos.
That would be a hell of a zoo.
The judge smiled. Yes, he said. Even so.
β
β
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
β
Truth can be awful and even excruciating, but once it's released, it's like a bird that's been caged too long who finally flies to freedom. I felt a little like that. Free
β
β
Ilsa Madden-Mills (Very Bad Things (Briarcrest Academy, #1))
β
The paradox of vengefulness is that it makes men dependent upon those who have harmed them, believing that their release from pain will come only when they make their tormentors suffer. In seeking the Bird's death to free himself, Louie had chained himself, once again, to his tyrant. During the war, the Bird had been unwilling to let go of Louie; after the war, Louie was unable to let go of the Bird.
β
β
Laura Hillenbrand (Unbroken: A World War II Story of Survival, Resilience and Redemption)
β
The freedom of birds is an insult to me.
β
β
Cormac McCarthy
β
Why is it,β Jonathan puzzled, βthat the hardest thing in the world is to convince a bird that he is free, and that he can prove it for himself if heβd just spend a little time practicing? Why should that be so hard?
β
β
Richard Bach (Jonathan Livingston Seagull)
β
Now for a good twelve-hour sleep, I told myself. Twelve solid hours. Let birds sing, let people go to work. Somewhere out there, a volcano might blow, Israeli commandos might decimate a Palestinian village. I couldn't stop it. I was going to sleep.
β
β
Haruki Murakami (Hard-Boiled Wonderland and the End of the World)
β
Everybody's a bird, locked up in a pretty cage. Sometimes you fly to a slightly bigger one, but you never quite have the courage to abandon captivity completely.
β
β
Dave McKean (Cages)
β
I love the freedom of my wings. I love the empty space above the ground. I rejoice in my freedom. Freedom is my religion. Peace is my God. Love is my worship.
β
β
Banani Ray (World Peace: The Voice of a Mountain Bird)
β
Who do you suppose decided that the birds are free? Even if they can fly the skies unless they have a destination and a branch upon which to perch and rest their wings they might even come to resent having those wings. True freedom... true freedom may be having somewhere to return to.
β
β
Kazuya Minekura
β
Children are born to be free.
Just like birds, there comes a day when they have to leave their nests and fly away to explore new horizons and live their own lives.
β
β
Mouloud Benzadi
β
A relationship is like a bird:
If you set it free, it will thrive.
If you put it in a cage, it will struggle to survive.
β
β
Mouloud Benzadi
β
At the end of her life she was aware of heat but not pain. She had time to consider his eyes, eyes of that blue which is the color of the sky at first light of the morning. She had time to think of him on the Drop, riding Rusher flat out with his black hair flying back from his temples and his neckerchief rippling; to see him laughing with an ease and freedom he would never find again in the long life which stretched out for him beyond hers, and it was his laughter she took with her as she went out, fleeing the light and heat in to the silkly, consoling dark, calling to him over and over as she went, calling bird and bear and hare and fish.
β
β
Stephen King (Wizard and Glass (The Dark Tower, #4))
β
Kinship with all creatures of the earth, sky, and water was a real and active principle. In the animal and bird world there existed a brotherly feeling that kept us safe among them... The animals had rights - the right of man's protection, the right to live, the right to multiply, the right to freedom, and the right to man's indebtedness. This concept of life and its relations filled us with the joy and mystery of living; it gave us reverence for all life; it made a place for all things in the scheme of existence with equal importance to all.
β
β
Luther Standing Bear
β
The truth is an offense but not a sin
Is he who laugh last, children! is he who win
Is a foolish dog bark at a flying bird
One sheep must learn, children! to respect the sheperd
β
β
Bob Marley (Complete Lyrics of Bob Marley: Songs of Freedom)
β
The man who believes that the secrets of the world are forever hidden lives in mystery and fear. Superstitiion will drag him down. The rain will erode the deeds of his life. But that man who sets himself the task of singling out the thread of order from the tapestry will by the decision alone have taken charge of the world and it is only by such taking charge that he will effect a way to dictate the terms of his own fate.
I dont see what that has to do with catchin birds.
The freedom of birds is an insult to me. I'd have them all in zoos.
That would be a hell of a zoo.
The judge smiled. Yes, he said. Even so.
β
β
Cormac McCarthy
β
I always wonder why birds stay in the same place when they can fly anywhere on the earth. Then I ask myself the same question.
β
β
Harun Yahya
β
Leaving what is safe so you can be more, Derek said. The cage is what the bird knows; the sky is all the things he still wants to do even if it's a risk.
β
β
Ilona Andrews (Magic Rises (Kate Daniels, #6))
β
Birds are born to have wings; wings are symbols of freedom.
β
β
Nancy Yi Fan (Swordbird (Swordbird, #1))
β
Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild.
β
β
Stephen King (Rita Hayworth and Shawshank Redemption)
β
I KNOW THE WAY YOU CAN GET
I know the way you can get
When you have not had a drink of Love:
Your face hardens,
Your sweet muscles cramp.
Children become concerned
About a strange look that appears in your eyes
Which even begins to worry your own mirror
And nose.
Squirrels and birds sense your sadness
And call an important conference in a tall tree.
They decide which secret code to chant
To help your mind and soul.
Even angels fear that brand of madness
That arrays itself against the world
And throws sharp stones and spears into
The innocent
And into one's self.
O I know the way you can get
If you have not been drinking Love:
You might rip apart
Every sentence your friends and teachers say,
Looking for hidden clauses.
You might weigh every word on a scale
Like a dead fish.
You might pull out a ruler to measure
From every angle in your darkness
The beautiful dimensions of a heart you once
Trusted.
I know the way you can get
If you have not had a drink from Love's
Hands.
That is why all the Great Ones speak of
The vital need
To keep remembering God,
So you will come to know and see Him
As being so Playful
And Wanting,
Just Wanting to help.
That is why Hafiz says:
Bring your cup near me.
For all I care about
Is quenching your thirst for freedom!
All a Sane man can ever care about
Is giving Love!
β
β
null
β
-The little comfort of love?
-Is that comfort so little?
-Caged birds accept each other but flight is what they long for.
β
β
Tennessee Williams
β
One saw a bird dying, shot by a man. It was flying with rhythmic beat and beautifully, with such freedom and lack of fear. And the gun shattered it; it fell to the earth and all the life had gone out of it. A dog fetched it, and the man collected other dead birds. He was chattering with his friend and seemed so utterly indifferent. All that he was concerned with was bringing down so many birds, and it was over as far as he was concerned. They are killing all over the world. Those marvellous, great animals of the sea, the whales, are killed by the million, and the tiger and so many other animals are now becoming endangered species. Man is the only animal that is to be dreaded.
β
β
J. Krishnamurti (Krishnamurti to Himself: His Last Journal)
β
There shall come a day when Birds shall be free... :) and humans will see...
β
β
K. Hari Kumar
β
I realized that If I had to choose, I would rather have birds than airplanes.
In wilderness I sense the miracle of life, and behind it our scientific accomplishments fade to trivia. Real freedom lies in wildness, not in civilization.
β
β
Charles A. Lindbergh
β
Toni Morrison said, "The function of freedom is to free someone else," and if you are no longer wracked or in bondage to a person or a way of life, tell your story. Risk freeing someone else. Not everyone will be glad that you did. Members of your family and other critics may wish you had kept your secrets. Oh, well, what are you going to do? Get it all down. Let it pour out of you and onto the page. Write an incredibly shitty, self-indulgent, whiny, mewling first draft. Then take out as many of the excesses as you can.
β
β
Anne Lamott (Bird by Bird)
β
Like the most of you, I was raised among people who knew - who were certain. They did not reason or investigate. They had no doubts. They knew that they had the truth. In their creed there was no guess β no perhaps. They had a revelation from God. They knew the beginning of things. They knew that God commenced to create one Monday morning, four thousand and four years before Christ. They knew that in the eternity β back of that morning, he had done nothing. They knew that it took him six days to make the earth β all plants, all animals, all life, and all the globes that wheel in space. They knew exactly what he did each day and when he rested. They knew the origin, the cause of evil, of all crime, of all disease and death.
At the same time they knew that God created man in his own image and was perfectly satisfied with his work... They knew all about the Flood -- knew that God, with the exception of eight, drowned all his children -- the old and young -- the bowed patriarch and the dimpled babe -- the young man and the merry maiden -- the loving mother and the laughing child -- because his mercy endureth forever. They knew too, that he drowned the beasts and birds -- everything that walked or crawled or flew -- because his loving kindness is over all his works. They knew that God, for the purpose of civilizing his children, had devoured some with earthquakes, destroyed some with storms of fire, killed some with his lightnings, millions with famine, with pestilence, and sacrificed countless thousands upon the fields of war. They knew that it was necessary to believe these things and to love God. They knew that there could be no salvation except by faith, and through the atoning blood of Jesus Christ.
Then I asked myself the question: Is there a supernatural power -- an arbitrary mind -- an enthroned God -- a supreme will that sways the tides and currents of the world -- to which all causes bow?
I do not deny. I do not know - but I do not believe. I believe that the natural is supreme - that from the infinite chain no link can be lost or broken β that there is no supernatural power that can answer prayer - no power that worship can persuade or change β no power that cares for man.
Is there a God?
I do not know.
Is man immortal?
I do not know.
One thing I do know, and that is, that neither hope, nor fear, belief, nor denial, can change the fact. It is as it is, and it will be as it must be.
We can be as honest as we are ignorant. If we are, when asked what is beyond the horizon of the known, we must say that we do not know. We can tell the truth, and we can enjoy the blessed freedom that the brave have won. We can destroy the monsters of superstition, the hissing snakes of ignorance and fear. We can drive from our minds the frightful things that tear and wound with beak and fang. We can civilize our fellow-men. We can fill our lives with generous deeds, with loving words, with art and song, and all the ecstasies of love. We can flood our years with sunshine β with the divine climate of kindness, and we can drain to the last drop the golden cup of joy.
β
β
Robert G. Ingersoll (The Works of Robert G. Ingersoll, Vol 1: Lectures)
β
Degraded bird, I give you back your eyes forever, ascend now whither you are tossed;
Forsake this wrist, forsake this rhyme;
Soar, eat ether, see what has never been seen; depart, be lost,
But climb.
β
β
Edna St. Vincent Millay (Wine from These Grapes)
β
Do I, then, belong to the heavens?
Why, if not so, should the heavens
Fix me thus with their ceaseless blue stare,
Luring me on, and my mind, higher
Ever higher, up into the sky,
Drawing me ceaselessly up
To heights far, far above the human?
Why, when balance has been strictly studied
And flight calculated with the best of reason
Till no aberrant element should, by rights, remain-
Why, still, should the lust for ascension
Seem, in itself, so close to madness?
Nothing is that can satify me;
Earthly novelty is too soon dulled;
I am drawn higher and higher, more unstable,
Closer and closer to the sun's effulgence.
Why do these rays of reason destroy me?
Villages below and meandering streams
Grow tolerable as our distance grows.
Why do they plead, approve, lure me
With promise that I may love the human
If only it is seen, thus, from afar-
Although the goal could never have been love,
Nor, had it been, could I ever have
Belonged to the heavens?
I have not envied the bird its freedom
Nor have I longed for the ease of Nature,
Driven by naught save this strange yearning
For the higher, and the closer, to plunge myself
Into the deep sky's blue, so contrary
To all organic joys, so far
From pleasures of superiority
But higher, and higher,
Dazzled, perhaps, by the dizzy incandescence
Of waxen wings.
Or do I then
Belong, after all, to the earth?
Why, if not so, should the earth
Show such swiftness to encompass my fall?
Granting no space to think or feel,
Why did the soft, indolent earth thus
Greet me with the shock of steel plate?
Did the soft earth thus turn to steel
Only to show me my own softness?
That Nature might bring home to me
That to fall, not to fly, is in the order of things,
More natural by far than that improbable passion?
Is the blue of the sky then a dream?
Was it devised by the earth, to which I belonged,
On account of the fleeting, white-hot intoxication
Achieved for a moment by waxen wings?
And did the heavens abet the plan to punish me?
To punish me for not believing in myself
Or for believing too much;
Too earger to know where lay my allegiance
Or vainly assuming that already I knew all;
For wanting to fly off
To the unknown
Or the known:
Both of them a single, blue speck of an idea?
β
β
Yukio Mishima (Sun & Steel)
β
It's like watching a bird that's been caged its whole existence and is suddenly released, overwhelmed with freedom and life, filling its lungs with what it never dared breathe and filling its eyes with what it never dared see.
β
β
Velvetoscar (Young & Beautiful)
β
This is what people donβt see, wrapped up in their cities, with the noise and the smoke, and their tiny boxes for houses. Up there you can breathe. You canβt hear the town talking and talking. No eyes on you, βcept Godβs. Itβs just you and the trees and the birds and the river and the sky and freedomΒ .Β .Β . Out there, itβs good for the soul.
β
β
Jojo Moyes (The Giver of Stars)
β
While America will always, I think, feel foreign to me, New York City is my home. This is where I can construct my own identity freely and reject labels imposed on me.
β
β
Raquel Cepeda (Bird of Paradise: How I Became Latina)
β
The Sunlight on the Garden
The sunlight on the garden
Hardens and grows cold,
We cannot cage the minute
Within its nets of gold,
When all is told
We cannot beg for pardon.
Our freedom as free lances
Advances towards its end;
The earth compels, upon it
Sonnets and birds descend;
And soon, my friend,
We shall have no time for dances.
The sky was good for flying
Defying the church bells
And every evil iron
Siren and what it tells:
The earth compels,
We are dying, Egypt, dying
And not expecting pardon,
Hardened in heart anew,
But glad to have sat under
Thunder and rain with you,
And grateful too
For sunlight on the garden.
β
β
Louis MacNeice (Collected Poems 1925-1948)
β
A lark, caught in a hunterβs net
Sang sweeter then than ever,
As if the falling melody
Might wing and net dissever
At dusk the hunter took his prey,
The lark his freedom never.
All birds and men are sure to die
But songs may live forever.
β
β
Ken Follett (The Pillars of the Earth (Kingsbridge, #1))
β
Be like a Bird in Flight. Be able to see Before You, Around You, and Behind You At All Times. - Kailin Gow on Awareness
β
β
Kailin Gow
β
In alien lands I keep the body
Of ancient native rites and things:
I gladly free a little birdie
At celebration of the spring.
I'm now free for consolation,
And thankful to almighty Lord:
At least, to one of his creations
I've given freedom in this world!
β
β
Alexander Pushkin (Poems)
β
That so many of the well fed young television-watchers in the world's most powerful democracy should be so completely indifferent to the idea of self-government, so blankly uninterested in freedom of thought and the right to dissent, is distressing, but not too surprising. "Free as a bird", we say, and envy the winged creatures for their power of unrestricted movement in all the three dimensions. But alas, we forget the dodo. Any bird that has learned how to grub up a good living without being compelled to use its wings will soon renounce the privilege of flight and remain forever grounded.
β
β
Aldous Huxley (Brave New World Revisited)
β
L'union libre [Freedom of Love]"
My wife with the hair of a wood fire
With the thoughts of heat lightning
With the waist of an hourglass
With the waist of an otter in the teeth of a tiger
My wife with the lips of a cockade and of a bunch of stars of the last magnitude
With the teeth of tracks of white mice on the white earth
With the tongue of rubbed amber and glass
My wife with the tongue of a stabbed host
With the tongue of a doll that opens and closes its eyes
With the tongue of an unbelievable stone
My wife with the eyelashes of strokes of a child's writing
With brows of the edge of a swallow's nest
My wife with the brow of slates of a hothouse roof
And of steam on the panes
My wife with shoulders of champagne
And of a fountain with dolphin-heads beneath the ice
My wife with wrists of matches
My wife with fingers of luck and ace of hearts
With fingers of mown hay
My wife with armpits of marten and of beechnut
And of Midsummer Night
Of privet and of an angelfish nest
With arms of seafoam and of riverlocks
And of a mingling of the wheat and the mill
My wife with legs of flares
With the movements of clockwork and despair
My wife with calves of eldertree pith
My wife with feet of initials
With feet of rings of keys and Java sparrows drinking
My wife with a neck of unpearled barley
My wife with a throat of the valley of gold
Of a tryst in the very bed of the torrent
With breasts of night
My wife with breasts of a marine molehill
My wife with breasts of the ruby's crucible
With breasts of the rose's spectre beneath the dew
My wife with the belly of an unfolding of the fan of days
With the belly of a gigantic claw
My wife with the back of a bird fleeing vertically
With a back of quicksilver
With a back of light
With a nape of rolled stone and wet chalk
And of the drop of a glass where one has just been drinking
My wife with hips of a skiff
With hips of a chandelier and of arrow-feathers
And of shafts of white peacock plumes
Of an insensible pendulum
My wife with buttocks of sandstone and asbestos
My wife with buttocks of swans' backs
My wife with buttocks of spring
With the sex of an iris
My wife with the sex of a mining-placer and of a platypus
My wife with a sex of seaweed and ancient sweetmeat
My wife with a sex of mirror
My wife with eyes full of tears
With eyes of purple panoply and of a magnetic needle
My wife with savanna eyes
My wife with eyes of water to he drunk in prison
My wife with eyes of wood always under the axe
My wife with eyes of water-level of level of air earth and fire
β
β
AndrΓ© Breton (Poems of AndrΓ© Breton: A Bilingual Anthology)
β
One day I asked a wingless bird what will she do now. She replied, βIf I canβt fly than I shall run. If I canβt run I shall walk. If I canβt walk I shall crawl. But I will never be stuck in cage.
β
β
Joyce Guo
β
Rena noticed me watching it pass. 'You think they don't got problem?' Rena said. 'Everybody got problem. You got me, they got insurance, house payment, Preparation H.' She smiled, baring the part between her two upper teeth. 'We are the free birds. They want to be us.
β
β
Janet Fitch (White Oleander)
β
You see, Julian, it always takes courage to be kind. But in those days, when such kindness could cost you everything - your freedom, your life - Kindness becomes a miracle. It becomes that light in the darkness that Papa talked about, the very essence of our humanity. It is hope.
β
β
R.J. Palacio (White Bird)
β
She does not want the world to tell her how to live her life. She does not want the world to put her into a category. She will smile even when not all is good with her. She will believe what should not be. And she will dream wild! She is a bird. She just wants to fly in the wide blue sky!
β
β
Avijeet Das
β
If it werenβt for her setting me free, I may still be a caged bird today, holding my own daughter captive on a shit-laden perch.
β
β
Raquel Cepeda (Bird of Paradise: How I Became Latina)
β
How surely gravity's law,
strong as an ocean current,
takes hold of the smallest thing
and pulls it toward the heart of the world.
Each thing---
each stone, blossom, child---
is held in place.
Only we, in our arrogance,
push out beyond what we each belong to
for some empty freedom.
If we surrendered
to earth's intelligence
we could rise up rooted, like trees.
Instead we entangle ourselves
in knots of our own making
and struggle, lonely and confused.
So like children, we begin again
to learn from the things,
because they are in God's heart;
they have never left him.
This is what the things can teach us:
to fall,
patiently to trust our heaviness.
Even a bird has to do that
before he can fly.
β
β
Rainer Maria Rilke (Rilke's Book of Hours: Love Poems to God)
β
EVERYONE suddenly burst out singing;
And I was filled with such delight
As prisoned birds must find in freedom,
Winging wildly across the white
Orchards and dark-green fields;
onβonβand out of sight.
Everyoneβs voice was suddenly lifted;
And beauty came like the setting sun:
My heart was shaken with tears; and horror Drifted away ... O, but Everyone
Was a bird; and the song was wordless; the singing will never be done.
β
β
Siegfried Sassoon (Collected Poems 1908-1956)
β
For why trap what is already trapped? It is only in flight that we know the freedom of the bird
β
β
Josephine Hart
β
Foisting an identity on people rather than allowing them the freedom and space to create their own is shady.
β
β
Raquel Cepeda (Bird of Paradise: How I Became Latina)
β
Even the juncture in history and the zeitgeist we live in is something we choose, setting the scene for the spiritual fodder we need to grow and achieve deeper elevation of our souls.
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Raquel Cepeda (Bird of Paradise: How I Became Latina)
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When the woman you live with is an artist, every day is a surprise. Clare has turned the second bedroom into a wonder cabinet, full of small sculptures and drawings pinned up on every inch of wall space. There are coils of wire and rolls of paper tucked into shelves and drawers. The sculptures remind me of kites, or model airplanes. I say this to Clare one evening, standing in the doorway of her studio in my suit and tie, home from work, about to begin making dinner, and she throws one at me; it flies surprisingly well, and soon we are standing at opposite ends of the hall, tossing tiny sculptures at each other, testing their aerodynamics. The next day I come home to find that Clare has created a flock of paper and wire birds, which are hanging from the ceiling in the living room. A week later our bedroom windows are full of abstract blue translucent shapes that the sun throws across the room onto the walls, making a sky for the bird shapes Clare has painted there. It's beautiful.
The next evening I'm standing in the doorway of Clare's studio, watching her finish drawing a thicket of black lines around a little red bird. Suddenly I see Clare, in her small room, closed in by all her stuff, and I realize that she's trying to say something, and I know what I have to do.
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Audrey Niffenegger (The Time Traveler's Wife)
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In the long years to come, not only will the people of this island but of the world, wherever the bird of freedom chirps in human hearts, look back to what we've done, and they will say 'do not despair, do not yield...march straightforward.
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Winston S. Churchill
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5. Then on a rainy day in early July the words she was copying from one of Martha the Benevolentβs ancient sayings spoke to her:
Birds fly free until they are put in a cage, but the cage does not bind their wings
When the cage is opened, the wings spread out, and the bird flies free again
So the poor are trapped in a cage by the avarice of the rich
Not in a cage made of gold, but one of hunger, despair and need
So the prisoner dreams of the wide open spaces
Wind in her hair, breathing in the freedom, beyond the four walls of her cell
Our mission is to free the prisoner, to help the poor to spread their wings
To open the door of the oppressorβs cage, to find a way to a fairer age.
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Robert Reid (The Empress (The Emperor, The Son and The Thief #4))
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Experience cannot beat logic, and interpretations of observational evidence which are not in line with the laws of logical reasoning are no refutation of these but the sign of a muddled mind (or would one accept someoneβs observational report that he had seen a bird that was red and non-red all over at the same time as a refutation of the law of contradiction rather than the pronouncement of an idiot?).
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Hans-Hermann Hoppe (The Economics and Ethics of Private Property: Studies in Political Economy and Philosophy)
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Do you have a pet bird?' I asked, looking around the room.
'Oh, heavens, no. I'd never cage a bird. I can't imagine a worse fate, can you? I bought this cage at a market in Peru several years ago. I hung it here and wired the door open to remind myself how delicious freedom is -- financial and otherwise.
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Beth Hoffman (Saving CeeCee Honeycutt)
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It is hard to explain to a privileged child the difference between freedom and captivity. For him, the world functions differently, all rains bear fruits and all men are free. He catches a golden bird and puts it inside a gold cage. He watches it grow, captivated, unaware that with its beautiful body comes a pair of wings that can set it free.
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Kanza Javed (Ashes, Wine and Dust)
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I feel life trembling within me, in my tongue, on the soles of my feet, in my desire or my suffering, I want my soul to be a wandering thing, able to move back into a hundred forms, I want to dream myself into priests and wanderers, female cooks and murderers, children and animals, and, more than anything else, birds and trees; that is necessary, I want it, I need it so I can go on living, and if sometime I were to lose these possibilities and be caught in so-called reality, then I would rather die.
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Hermann Hesse (Wandering)
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He dabbed at his tuxedo with a damp rag, and the fungi came away easily. "Hate to do this, Bill," he said of the fungi he was murdering. "Fungi have as much right to life as I do. they know what they want, Bill. Damned if I do anymore."
Then he thought about what Bill himself might want. It was easy to guess. "Bill," he said, "I like you so much, and I am such a big shot in the Universe, that I will make your three biggest wishes come true." He opened the door of the cage, something Bill couldn't have done in a thousand years.
Bill flew over to the windowsill. He put his little shoulder against the glass. there was just one layer of glass between Bill and the great out-of-doors. Although Trough was in the storm window business, he had no storm windows on his own abode.
"Your second wish is about to come true," said Trout, and he again did something which Bill could never have done. he opened the window. But the opening of the window was such an alarming business to the parakeet that he flew back to his cage and hopped inside.
Trout closed the door of the cage and latched it. "That's the most intelligent use of three wishes I ever heard of," he told the bird. "You made sure you'd still have something worth wishing for--to get out of the cage.
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Kurt Vonnegut Jr. (Breakfast of Champions)
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But there are two types of people,β Inspector Yu added, his voice quiet. βThose that retreat and huddle together like frightened birds, overwhelmed by the darkness of this kingdom, and those that grasp their freedom to struggle on the behalf of others, their eyes fixed on a great light that will always shine for those who seek it.
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June Hur (The Forest of Stolen Girls)
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I frowned. Evidently, Sangris wasn't a cat who could shape-shift. It was more difficult than that. He was a nothing who occasionally pretended to be a cat. "I wish I could know what it's like for myself, that's all," I said. I felt rather the way a jail inmate would if a bird flew up and shouted through her window bars: This freedom thing? Yeah, not so great.
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Rinsai Rossetti (The Girl with Borrowed Wings)
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Lately, it had been an endless procession of long, black nights and gray mornings, when her sense of failure swept over her like a five-hundred-pound wave; and she was scared. But it wasn't death that she feared. She had looked down into that black pit of death and had wanted to jump in, once too often. As a matter of fact, the thought began to appeal to her more and more.
She even knew how she would kill herself. It would be with a silver bullet. As round and as smooth as an ice-cold blue martini. She would place the gun in the freezer for a few hours before she did it, so it would feel frosty and cold against her head. She could almost feel the ice-cold bullet shooting through her hot, troubled brain, freezing the pain for good. The sound of the gun blast would be the last sound she would ever hear. And then... nothing. Maybe just the silent sound that a bird might hear, flying in the clean, cool air, high above the earth. The sweet, pure air of freedom.
No, it wasn't death she was afraid of. It was this life of hers that was beginning to remind her of that gray intensive care waiting room.
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Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
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Donβt try to change the world; just change yourself. Why? Because the whole world is only relative to the eyes that are looking at it. Your world actually only exists for as long as you exist and with the death of you, includes the death of your world. Therefore, if there is no peace in your heart; you will find no peace in this world, if there is no happiness in your life; you will find no happiness anywhere around you, if you have no love in your heart; you will not find love anywhere and if you do not fly around freely inside your own soul like a bird with perfectly formed wings; then there will never be any freedom for you regardless if you are on a mountaintop removed from all attachments to all of mankind! Even the mountaintop cannot give you freedom if it is not already flying around there inside your own soul! So I say, change yourself. Not the world.
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C. JoyBell C.
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Once upon a time, there was a bird. He was adorned with two perfect wings and with glossy, colorful, marvelous feathers.
One day, a woman saw this bird and fell in love with him.
She invited the bird to fly with her, and the two travelled across the sky in perfect harmony. She admired and venerated and celebrated that bird.
But then she thought: He might want to visit far-off mountains!
And she was afraid, afraid that she would never feel the same way about any other bird.
And she thought: βIβm going to set a trap. The next time the bird appears, he will never leave again.β
The bird, who was also in love, returned the following day, fell into the trap and was put in a cage.
She looked at the bird every day. There he was, the object of her passion, and she showed him to her friends, who said: βNow you have everything you could possibly want.β
However, a strange transformation began to take place: now that she had the bird and no longer needed to woo him, she began to lose interest.
The bird, unable to fly and express the true meaning of his life, began to waste away and his feathers to lose their gloss; he grew ugly; and the woman no longer paid him any attention, except by feeding him and cleaning out his cage.
One day, the bird died. The woman felt terribly sad and spent all her time thinking about him. But she did not remember the cage, she thought only of the day when she had seen him for the first time, flying contentedly amongst the clouds.
If she had looked more deeply into herself, she would have realized that what had thrilled her about the bird was his freedom, the energy of his wings in motion, not his physical body.
Without the bird, her life too lost all meaning, and Death came knocking at her door.
βWhy have you come?β she asked Death.
βSo that you can fly once more with him across the sky,β Death replied.
βIf you had allowed him to come and go, you would have loved and admired him ever more; alas, you now need me in order to find him again.
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Paulo Coelho (Eleven Minutes)
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What time is it?β
βWhatever time you want it to be,β she gave him a cheeky wink. βNow be honest, did you ask for free will?β
βHow did youβ?β
Amanita joined Mario beneath the covers. The ethereal Threads tethering her wrists phased through the thick wool blankets like sunlight through a windowpane.
βThe bird that acknowledges its cage only ever sings of freedom,β she said dreamily.
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Louise Blackwick (The Underworld Rhapsody)
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Nina Simone Feeling Good
Birds flying high you know how I feel
Sun in the sky you know how I feel
Breeze driftin' on by you know how I feel
It's a new dawn
It's a new day
It's a new life
For me
And I'm feeling good
Fish in the sea you know how I feel
River running free you know how I feel
Blossom on the tree you know how I feel
Dragonfly out in the sun you know what I mean, don't you know
Butterflies all havin' fun you know what I mean
Sleep in peace when day is done
That's what I mean
And this old world is a new world
And a bold world
For me
Stars when you shine you know how I feel
Scent of the pine you know how I feel
Oh freedom is mine
And I know how I feel
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Nina Simone
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Β XII Para Mi Corazon (Your Breast is Enough)"
Your breast is enough for my heart,
and my wings for your freedom.
What was sleeping above your soul will rise
out of my mouth to heaven.
In you is the illusion of each day.
You arrive like the dew to the cupped flowers.
You undermine the horizon with your absence.
Eternally in flight like the wave.
I have said that you sang in the wind
like the pines and like the masts.
Like them you are tall and taciturn,
and you are sad, all at once, like a voyage.
You gather things to you like an old road.
You are peopled with echoes and nostalgic voices.
I awoke and at times birds fled and migrated
that had been sleeping in your soul.
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Pablo Neruda (Twenty Love Poems and a Song of Despair)
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The old face, crinkled and dented with canals running every which way, pushed and shoved up against itself for a while, till a big old smile busted out from beneath 'em all, and his grey eyes fairly glowed. It was the first time I ever saw him smile free. A true smile. It was like looking at the face of God. And I knowed then, for the first time, that him being the person to lead the colored to freedom weren't no lunacy. It was something he knowed true inside him. I saw it clear for the first time. I knowed then, too, that he knowed what I was - from the very first.
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James McBride (The Good Lord Bird)
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Human life is exhausted from serving as the head of, or the reason for, the universe. To the extent that it becomes this head and this reason, to the extent that it becomes necessary to the universe, it accepts servitude. If it is not free, existence becomes empty or neutral, and if it is free, it is in play. The Earth, as long as it only gave rise to cataclysms, trees, and birds, was a free universe; the fascination of freedom was tarnished when the Earth produced a being who demanded necessity as law above the universe. Man however has remained free not to respond to any necessity; he is free to resemble everything that is not himself in the universe. He can set aside the thought that it is he or God who keeps the rest of things from being absurd.
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Georges Bataille (Visions of Excess: Selected Writings, 1927β1939)
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Do you know what it means to love somebody? Do you know what it means to love a tree, or a bird, or a pet animal, so that you take care of it, feed it, cherish it, though it may give you nothing in return, though it may not offer you shade, or follow you, or depend on you? Most of us donβt love in that way, we donβt know what that means at all because our love is always hedged about with anxiety, jealousy, fearβwhich implies that we depend inwardly on another, we want to be loved. We donβt just love and leave it there, but we ask something in return; and in that very asking we become dependent.
So freedom and love go together. Love is not a reaction. If I love you because you love me, that is mere trade, a thing to be bought in the market; it is not love. To love is not to ask anything in return, not even to feel that you are giving somethingβand it is only such love that can know freedom.
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J. Krishnamurti (Think on These Things)
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The free spirit again draws near to life - slowly, to be sure, almost reluctantly, almost mistrustfully. It again grows warmer about him, yellower as it were; feeling and feeling for others acquire depth, warm breezes of all kind blow across him. It seems to him as if his eyes are only now open to what is close at hand. he is astonished and sits silent: where had he been? These close and closest things: how changed they seem! what bloom and magic they have acquired!
He looks back gratefully - grateful to his wandering, to his hardness and self-alienation, to his viewing of far distances and bird-like flights in cold heights. What a good thing he had not always stayed "at home," stayed "under his own roof" like a delicate apathetic loafer! He had been -beside himself-: no doubt about that.
Only now does he see himself - and what surprises he experiences as he does so! What unprecedented shudders! What happiness even in the weariness, the old sickness, the relapses of the convalescent! How he loves to sit sadly still, to spin out patience, to lie in the sun! Who understands as he does the joy that comes in winter, the spots of sunlight on the wall!
They are the most grateful animals in the world, also the most modest, these convalescents and lizards again half-turned towards life: - there are some among them who allow no day to pass without hanging a little song of praise on the hem of its departing robe. And to speak seriously: to become sick in the manner of these free spirits, to remain sick for a long time and then, slowly, slowly, to become healthy, by which I mean "healthier," is a fundamental cure for all pessimism.
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Friedrich Nietzsche (Human, All Too Human: A Book for Free Spirits)
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The tropical sun flickered between the swaying fronds of palm trees overhead. Ray and Ilsa rubbed their necks and blinked as they came out of their stupor. Their hair stood on end in frazzled locks, like quills upon the fretful porcupine. Their clothes were scorched, but they were alive. Or were they? Speechless, they gazed at their surroundings. Above them was an azure sky with fluffy clouds shaped like Spanish galleons sailing across a celestial sea. Birds chattered and sang in the foliage, which was fragrant and brilliant with blue, and pink and yellow flowers. Had they died? Was this heaven? Or, perish the thought, since obviously they were in the tropics, the other place?
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James Allen Moseley (The Duke of D.C.: The American Dream)
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They laughed and put their arms around each other and kissed, first gently, then more passionately, and Harry pulled his face back a few inches and looked lovingly at Marion, I love you, and kissed her on the tip of her nose, her eyelids, her cheeks, then her soft lips, her chin, her neck, her ears, then nuzzled his face in her hair and caressed her back with his hands and breathed her name in her ear, Marion, Marion, I love you, and she gently moved with the flow and felt his words and kisses and feelings flow through her, easing away all her problems, her doubts, her fears, her anxieties and she felt warm and alive and vital. She felt loved. She felt necessary. Harry felt real and substantial. He could feel all the loose pieces starting to fall into place. He felt on the verge of something momentous. They felt whole. They felt united. Though they were still on the couch they felt a part of the vastness of the sky and the stars and moon. They were somehow on the crest of a hill with a gentle breeze blowing Marions hair flowingly; and walking through a sunlit woods and flower studded field feeling the freedom of the birds as they flew through the air chirping and singing and the night was comfortingly warm as the soft filtered light continued to push the darkness into the shadows as they held each other and kissed and pushed each others darkness into the corner, believing in each others light, each others dream.
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Hubert Selby Jr. (Requiem for a Dream)
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Now, to look is one of the most difficult things in life β or to listen β to look and listen are the same. If your eyes are blinded with your worries, you cannot see the beauty of the sunset. Most of us have lost touch with nature. Civilisation is tending more and more towards large cities; we are becoming more and more an urban people, living in crowded apartments and having very little space even to look at the sky of an evening and morning, and therefore we are losing touch with a great deal of beauty. I donβt know if you have noticed how few of us look at a sunrise or a sunset or the moonlight or the reflection of light on water. Having lost touch with nature we naturally tend to develop intellectual capacities. We read a great many books, go to a great many museums and concerts, watch television and have many other entertainments. We quote endlessly from other peopleβs ideas and think and talk a great deal about art. Why is it that we depend so much upon art? Is it a form of escape, of stimulation? If you are directly in contact with nature; if you watch the movement of a bird on the wing, see the beauty of every movement of the sky, watch the shadows on the hills or the beauty on the face of another, do you think you will want to go to any museum to look at any picture? Perhaps it is because you do not know how to look at all the things about you that you resort to some form of drug to stimulate you to see better. There
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J. Krishnamurti (Freedom from the Known)
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Ariel looked at her then, instead of the sky, instead of the horizon that surely beckoned to him. βOut of a thousand different winds, I think I can resist nine hundred and ninety-nine of them.
Now she was the one unable to swallow. βAnd the last one?β
"That one wrenches the beating heart from my chest, the blood from my veins, the marrow from my bones.β Grasping her hand, he brought it up to his face and rubbed it against his cheek. Pain radiated from his pale skin, from his eyes, from his lips when they grazed her knuckles. βYouβve two birds to do your bidding, my fair huntress, but I want you to choose me, to love me above all others, to make the pain in my soul worthwhileβ¦ or I would be free of you.
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Lisa Mantchev (So Silver Bright (ThéÒtre Illuminata, #3))
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There are gigantic trees that have grown tall into the winds and the clouds over the thousands of years of their lives, their tops are rustled and tossed by the mists of the atmosphere! Then there are the short trees that don't live for long, they are young with no deep roots and only a few annual rings to tell their stories.The tall, ancient trees sway in the realm of freedom while the short young trees cannot even raise their branches into that direction of the sky! Now, you are the bird who needs a tree to live in; if you choose to live in the tree which thrives in the realm of freedom, that doesn't mean you are not committed to that tree. You are still committed to your tree, but together you and your tree live in freedom. Freedom is not the absence of commitment. If you are the bird who chooses to fly around amongst the short trees and live in them, that's because your wings are too short to make it any higher and your vision too near to see any further into the clouds. And if you move from one short tree to the next short tree, that doesn't mean you are free, you are still down there below, freedom is still nowhere near you.
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C. JoyBell C.
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Loneliness"
To think of you surcharged with
Loneliness. To hear your voice
Over the record say,
βLoneliness.β The word, the voice,
So full of it, and I, with
You away, so lost in it -
Lost in loneliness and pain.
Black and unendurable,
Thinking of you with every
Corpuscle of my flesh, in
Every instant of night
And day. O, my love, the times
We have forgotten love, and
Sat lonely beside each other.
We have eaten together,
Lonely behind our plates, we
Have hidden behind children,
We have slept together in
A lonely bed. Now my heart
Turns towards you, awake at last,
Penitent, lost in the last
Loneliness. Speak to me. Talk
To me. Break the black silence.
Speak of a tree full of leaves,
Of a flying bird, the new
Moon in the sunset, a poem,
A book, a person β all the
Casual healing speech
Of your resonant, quiet voice.
The word freedom. The word peace.
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Kenneth Rexroth (Collected Shorter Poems)
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If I am in a state of becoming, it has no endpoint. I imagine replacing the memories of everyone I've ever spoken to with the impression that they have only ever seen me as a being clothed in light. In the early part of the twentieth century, homophobes and eugenicists joined forces to study what they called inversion, an early term for homosexuality, gender nonconformity, and transness. They believed they could read and police queerness on the body.
Maybe this is why I don't want to make myself legible. I want to erase the meanings that have been ascribed to my breath, to my sweat, to my hair and fat and skin. I trace the green veins in my neck that branch down into my breasts as feathers. I am painting myself as the bird that, to the world outside this room, does not exist. I draw myself clothed in wings and tell myself that even the angels are sexless.
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Zeyn Joukhadar (The Thirty Names of Night)
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There is coming a day, when freedom will just be a essence of the mind, an inner dwelling that was once physically attainable. They will tell you where you can live, and what you can wear and drive, what and how much you can eat and drink, and how to purchase those. They will strip you of your religion, race, gender, national origin, age, color, creed, views and power, and have control of the population. They will set in a new world order, and put you in the back of the line, marked and branded. Everything before will be erased, and the new will be manipulated. And what you believe most, can only be kept secret, for all must fall in line of their govern. Anything outside will be abolished. Even death, will be sought, but restrained. They will execute complete and total control over everything, and be sole owners of your soul. The light, that once guided will go dim, and liberty will be like an unwilled bird, suppressed in the cage of your ribs; wings cut off.
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Anthony Liccione
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The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist β a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earthβs support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earthβs force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earthβs rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers β¦ all these things support, transport and nourish us.
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FrΓ©dΓ©ric Gros (A Philosophy of Walking)
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The travelers emerged into a spacious square. In the middle of this square were several dozen people on a wooden bandstand like in a public park. They were the members of a band, each of them as different from one another as their instruments. Some of them looked round at the approaching column. Then a grey-haired man in a colorful cloak called out and they reached for their instruments. There was a burst of something like cheeky, timid bird-song and the air β air that had been torn apart by the barbed wire and the howl of sirens, that stank of oily fumes and garbage β was filled with music. It was like a warm summer cloud-burst ignited by the sun, flashing as it crashed down to earth.
People in camps, people in prisons, people who have escaped from prison, people going to their death, know the extraordinary power of music. No one else can experience music in quite the same way.
What music resurrects in the soul of a man about to die is neither hope nor thought, but simply the blind, heart-breaking miracle of life itself. A sob passed down the column. Everything seemed transformed, everything had come together; everything scattered and fragmented -home, peace, the journey, the rumble of wheels, thirst, terror, the city rising out of the mist, the wan red dawn β fused together, not into a memory or a picture but into the blind, fierce ache of life itself. Here, in the glow of the gas ovens, people knew that life was more than happiness β it was also grief. And freedom was both painful and difficult; it was life itself.
Music had the power to express the last turmoil of a soul in whose blind depths every experience, every moment of joy and grief, had fused with this misty morning, this glow hanging over their heads. Or perhaps it wasn't like that at all. Perhaps music was just the key to a man's feelings, not what filled him at this terrible moment, but the key that unlocked his innermost core.
In the same way, a child's song can appear to make an old man cry. But it isn't the song itself he cries over; the song is simply a key to something in his soul.
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Vasily Grossman (Life and Fate)