Biography Love Quotes

We've searched our database for all the quotes and captions related to Biography Love. Here they are! All 199 of them:

From that time on, the world was hers for the reading. She would never be lonely again, never miss the lack of intimate friends. Books became her friends and there was one for every mood. There was poetry for quiet companionship. There was adventure when she tired of quiet hours. There would be love stories when she came into adolescence and when she wanted to feel a closeness to someone she could read a biography. On that day when she first knew she could read, she made a vow to read one book a day as long as she lived.
Betty Smith (A Tree Grows in Brooklyn)
A sacrifice to be real must cost, must hurt, and must empty ourselves. Give yourself fully to God. He will use you to accomplish great things on the condition that you believe much more in his love than in your weakness.
Mother Teresa
Unusual financial activity: none, unless you count the fact that someone in the family is way too into Civil War biographies. (Can this be a possible indication of Confederate insurgents still living and working in Virginia? Must research further.)
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
Sé que mi familia es así pero este silencio me pesa. Tengo la impresión de tener millones de cosas que decir que, en el fondo, no interesan a nadie. Me viene a la memoria lo que decían los supervivientes de los campos de la última guerra al volver a su hogar: las pesadillas no se cuentan. Los demás no imaginan este género de pesadillas. Se instala, entre ellos y nosotras, una especie de statu quo que parece decir: ‘Estás aquí, se acabó, no hablemos más de ello.
Betty Mahmoody (For the Love of a Child)
I am not afraid of tomorrow, for I have seen yesterday and I love today.
Alexander Vassilieff (Odysseya: An Epic Journey from Russia to Australia)
Live your life in such a way that you'll be remembered for your kindness, compassion, fairness, character, benevolence, and a force for good who had much respect for life, in general.
Germany Kent
I love going out of my way, beyond what I know, and finding my way back a few extra miles, by another trail, with a compass that argues with the map…nights alone in motels in remote western towns where I know no one and no one I know knows where I am, nights with strange paintings and floral spreads and cable television that furnish a reprieve from my own biography, when in Benjamin’s terms, I have lost myself though I know where I am. Moments when I say to myself as feet or car clear a crest or round a bend, I have never seen this place before. Times when some architectural detail on vista that has escaped me these many years says to me that I never did know where I was, even when I was home.
Rebecca Solnit (A Field Guide to Getting Lost)
A friend is someone who can brighten your day with a simple smile, when others try to do it with a thousand words.
Beth Nimmo (Rachel's Tears: The Spiritual Journey of Columbine Martyr Rachel Scott)
CUSTOMER: I’m looking for a biography to read that’s really interesting. Could you recommend one? BOOKSELLER: Sure. What books have you read and liked? CUSTOMER: Well, I really loved Mein Kampf. BOOKSELLER: . . . CUSTOMER: Loved is probably not the right word. BOOKSELLER: No. Probably not. CUSTOMER: Liked, is probably better. Yes. Liked. I liked it a lot. BOOKSELLER: . . .
Jen Campbell (Weird Things Customers Say in Bookshops)
Swells, Marina? we ocean, depths, Marina? we sky!
Rainer Maria Rilke (The Best of Rilke: 72 Form-true Verse Translations with Facing Originals, Commentary and Compact Biography)
Just how difficult it is to write biography can be reckoned by anybody who sits down and considers just how many people know the real truth about his or her love affairs.
Rebecca West
Please watch out for each other and love and forgive everybody. It's a good life, enjoy it.' - Jim
Brian Jay Jones (Jim Henson: The Biography)
and I particularly loved biographies because they were about people who had to overcome obstacles or prejudices to get ahead. They made me think I could make it when nobody else believed in me, when even I didn’t believe in myself.
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
A tip from Lubitsch: 'Let the audience add up two plus two and they'll love you forever.
Charlotte Chandler (Nobody's Perfect: A Personal Biography of Billy Wilder)
Nicky Cruz: You come near me and I'll kill you! David Wilkerson: Yeah, you could do that. You could cut me up into a thousand pieces and lay them in the street, and every piece will still love you.
David Wilkerson (The Cross and the Switchblade)
Freedom wanders in the landscape of the mind, and nourishes the deepest yearnings of the soul.
Beth Kempton (Freedom Seeker: Live More. Worry Less. Do What You Love.)
The shadow-past is shaped by everything that never happened. Invisible, it melts the present like rain through karst. A biography of longing. It steers us like magnetism, a spirit torque. This is how one becomes undone by a smell, a word, a place, the photo of a mountain of shoes. By love that closes its mouth before calling a name.
Anne Michaels (Fugitive Pieces)
She said, 'No, you learned that you have power - power and determination. I love you and I am proud of you. With those two things, you can go anywhere and everywhere.
Maya Angelou (Mom & Me & Mom)
If loving the written word is wrong...I don't want to be right!
Junnita Jackson
The flowers that I left in the ground, that I did not gather for you, today I bring them all back, to let them grow forever, not in poems or marble, but where they fell and rotted. And the ships in their great stalls, huge and transitory as heroes, ships I could not captain, today I bring them back to let them sail forever, not in model or ballad, but where they were wrecked and scuttled. And the child on whose shoulders I stand, whose longing I purged with public, kingly discipline, today I bring him back to languish forever, not in confession or biography, but where he flourished, growing sly and hairy. It is not malice that draws me away, draws me to renunciation, betrayal: it is weariness, I go for weariness of thee, Gold, ivory, flesh, love, God, blood, moon- I have become the expert of the catalogue. My body once so familiar with glory, My body has become a museum: this part remembered because of someone's mouth, this because of a hand, this of wetness, this of heat. Who owns anything he has not made? With your beauty I am as uninvolved as with horses' manes and waterfalls. This is my last catalogue. I breathe the breathless I love you, I love you - and let you move forever.
Leonard Cohen (Selected Poems, 1956-1968)
Every human life has many aspects. The past of each one of us can be just as easily arranged into the biography of a beloved statesman as into that of a criminal.
Milan Kundera
I'll come and make love to you at five o'clock. If I'm late, start without me. Codeine...bourbon..." (Tallulah Bankhead's last coherent words).
Denis Brian (Tallulah, Darling: A Biography Of Tallulah Bankhead)
Pierre and Marie (then Maria Sklodowska, a penniless Polish immigrant living in a garret in Paris) had met at the Sorbonne and been drawn to each other because of a common interest in magnetism.
Siddhartha Mukherjee (The Emperor of All Maladies: A Biography of Cancer)
Christine did not live, or love, as most people do. She lived boundlessly, as generous as she could be cruel, prepared to give her life at any moment for a worthy cause, but rarely sparing a thought for the many casualties that fell in her wake.
Clare Mulley (The Spy Who Loved: The Secrets and Lives of Christine Granville)
...she herself loved the character of Elizabeth Bennet. "I must confess that I think her as delightful a creature as ever appeared in print, and how I shall be able to tolerate those who do not like her at least, I do not know.
Carol Shields (Jane Austen: A Life)
The difference between Marilyn’s and Jayne’s approach to intellectual pursuits is that Marilyn carried big heavy books around and hung out with brainy people to absorb their intellect, while Jayne really had a thirst for knowledge. Jayne was very proud of the fact that if she like something enough she would commit it to memory. At that time, The Satanic Bible was still in monograph form, and Jayne had pored over those pages until she knew most of it by heart...Marilyn gave me a copy of Stendhal’s On Love, and I still have a copy of Walter Benton’s This is My Beloved, which we bought together on Sunset Boulevard. Marilyn turned me on to it—wanted me to read it and write something in it for her. I got as far as writing her name in it, but I ended up with the book. It meant a lot to me during a particularly dark period in my life after I left L.A. Jayne kept insisting I read The Story of O and I, Jan Cremer. She gave me a dog-eared copy of each. It seems a distinctly feminine trait to want to share books with people they care deeply about.
Anton Szandor LaVey (The Secret Life of a Satanist: The Authorized Biography of Anton LaVey)
If it be good to come under the love of God once, surely it is good to keep ourselves there. And yet how reluctant we are!
Andrew A. Bonar (Memoir and Remains of R.M. M'Cheyne)
God loves us not because we are lovable, but because He is love.
James Bryan Smith (Rich Mullins: A Devotional Biography: An Arrow Pointing to Heaven)
It is indeed strange, given the heavy emphasis placed by chroniclers on Churchill's sheer magnitude of personality, that the ingredient of pure ambition should be so much ignored or even disallowed.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
By the second week of November 1990, a new character had begun to spring forth in Kurt's journal writings, and this figure would soon make its way into almost every image, song, or story. He intentionally misspelled its name, and in doing so he was granting it a life of its own. Oddly, he gave it a female persona, but since it became his great love that Fall - and even made him throw up, just like Tobi - there was a fairness in this gender choice. He called it 'heroine'.
Charles R. Cross (Heavier Than Heaven: A Biography of Kurt Cobain)
This is a rumour-filled society and if people want to sit around and talk about whom I've dated, then I'd say they have a lot of spare time and should consider other topics. Or masturbation. - Johnny Depp
Nigel Goodall (The Secret World of Johnny Depp: The Intimate Biography of Hollywood's Best-Loved Rebel)
Here was one of the white man's most characteristic behavior patterns - where black men are concerned. He loves himself so much that he is startled if he discovers that his victims don't share his vainglorious self-opinion.
Malcolm X (The Autobiography of Malcolm X)
We should be familiar with the great histories, the great biographies. We should be familiar with the great success stories, the great love stories, the great philosophies. It would also be a good idea to memorize potent passages from great poetry and other literary works. Our literature also may give us extra, pleasant hours as well as furnish contrasts and comparisons which may help us to evaluate and direct our own lives.
Sterling W. Sill
But Orlando was a woman — Lord Palmerston had just proved it. And when we are writing the life of a woman, we may, it is agreed, waive our demand for action, and substitute love instead. Love, the poet has said, is woman’s whole existence. And if we look for a moment at Orlando writing at her table, we must admit that never was there a woman more fitted for that calling. Surely, since she is a woman, and a beautiful woman, and a woman in the prime of life, she will soon give over this pretence of writing and thinking and begin at least to think of a gamekeeper (and as long as she thinks of a man, nobody objects to a woman thinking). And then she will write him a little note (and as long as she writes little notes nobody objects to a woman writing either) and make an assignation for Sunday dusk and Sunday dusk will come; and the gamekeeper will whistle under the window — all of which is, of course, the very stuff of life and the only possible subject for fiction. Surely Orlando must have done one of these things? Alas,— a thousand times, alas, Orlando did none of them. Must it then be admitted that Orlando was one of those monsters of iniquity who do not love? She was kind to dogs, faithful to friends, generosity itself to a dozen starving poets, had a passion for poetry. But love — as the male novelists define it — and who, after all, speak with greater authority?— has nothing whatever to do with kindness, fidelity, generosity, or poetry. Love is slipping off one’s petticoat and — But we all know what love is. Did Orlando do that? Truth compels us to say no, she did not. If then, the subject of one’s biography will neither love nor kill, but will only think and imagine, we may conclude that he or she is no better than a corpse and so leave her.
Virginia Woolf (Orlando)
He had the desperation, not the courage, to be himself. Once you do that, you can’t go wrong, because you can’t make any mistakes when people love you for being yourself. But for Kurt, it didn’t matter that other people loved him; he simply didn’t love himself enough.
Charles R. Cross (Heavier Than Heaven: A Biography of Kurt Cobain)
Love is a fine mingling of holding on and letting go.
Wan-Ling, Wong (Time to live: Jannie Tay's journey)
There began to appear before my romantic eyes...a vast and complicated network of espionage, terror, sadism and hate, from which no one, official or private, could escape.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
the story of a father’s love for his children, and the love they gave in return.
Charles J. Shields (I Am Scout: The Biography of Harper Lee)
what is LOVE ?
Kisshomaru Ueshiba (A Life in Aikido: The Biography of Founder Morihei Ueshiba)
For a once renowned woman who loved telling tales of dodging bullets, wielding grenades and subverting dogs trained to kill, Christine's story is, surprisingly, little known today.
Clare Mulley (The Spy Who Loved: The Secrets and Lives of Christine Granville)
I'm not a very good writer. But I'm a HELLUVA re-writer.
Laini Giles (Love Lies Bleeding)
Having something is not always better than not having it.
Beth Kempton (Freedom Seeker: Live More. Worry Less. Do What You Love.)
In America, they make a lot of fuss over little things.
Khushwant Singh (Truth, Love and a Little Malice)
Your heart knows there is a greater version of your life available to you.
Beth Kempton (Freedom Seeker: Live More. Worry Less. Do What You Love.)
If you’re passionate about something then it will definitely work out for you.” Ariana Grande
Tom Cannon (Ariana Grande: Biography, Facts, Quotes And Pictures (The Ultimate Ariana Grande Fanbook For Kids & Teens) (I Love My Celeb 3))
Outside and inside, life and soul, appear as parallels in “case history” and “soul history.” A case history is a biography of historical events in which one took part: family, school, work, illness, war, love. The soul history often neglects entirely some or many of these events, and spontaneously invents fictions and “inscapes” without major outer correlations. The biography of the soul concerns experience. It seems not to follow the one-way direction of the flow of time, and it is reported best by emotions, dreams, and fantasies … The experiences arising from major dreams, crises, and insights give definition to the personality. They too have “names” and “dates” like the outer events of case history; they are like boundary stones, which mark out one’s own individual ground. These marks can be less denied than can the outer facts of life, for nationality, marriage, religion, occupation, and even one’s own name can all be altered … Case history reports on the achievements and failures of life with the world of facts. But the soul has neither achieved nor failed in the same way … The soul imagines and plays – and play is not chronicled by report. What remains of the years of our childhood play that could be set down in a case history? … Where a case history presents a sequence of facts leading to diagnosis, soul history shows rather a concentric helter-skelter pointing always beyond itself … We cannot get a soul history through a case history.
James Hillman (Suicide and the Soul)
May be you find out I could be useful getting people out of camps and prisons in Germany - just before they got shot. I should love to do it and I like to jump out of a plane even every day.
Christine Granville
Or rather, it made him into two people. He was by nature a cheerful almost irrepressible person with a great zest for life. He loved good talk and physical activity. He had a deep sense of humour and a great capacity for making friends. But from now onwards there was to be a second side, more private but predominant in his diaries and letters. This side of him was capable of bouts of profound despair. More precisely, and more closely related to his mother's death, when he was in this mood he had a deep sense of impending loss. Nothing was safe. Nothing would last. No battle would be won for ever.
Humphrey Carpenter (J.R.R. Tolkien: A Biography)
After she married the Duke of York, she immediately transformed his life, bringing him love, understanding, sympathy and support for which he had always craved. She inspired him, she calmed him and she enabled him for the first time in his life to believe in himself. Her sense of humor awoke his own, her natural gaiety lightened him. Their marriage was a rare union in which each complemented and enhanced the other.
William Shawcross (The Queen Mother: The Official Biography)
Oh, magic hour when a child first knows it can read printed words! For quite a while, Francie had been spelling out letters, sounding them and then putting the sounds together to mean a word. But, one day, she looked at a page and the word "mouse" had instantaneous meaning. She looked at the word, and a picture of a gray mouse scampered through her mind. She looked further and when she saw "horse," she heard him pawing the ground and saw the sun glint on his glossy coat. The word "running" hit her suddenly and she breathed hard as though running herself. The barrier between he individual sound of each letter and the whole meaning of the word was removed and the printed word meant a thing at one quick glance. She read a few pages rapidly and almost became ill with excitement. She wanted to shout it out. She could read! She could read! From that time on, the world was hers for the reading. She would never be lonely again, never miss the lack of intimate friends. Books became her friends and there was one for every mood. There was poetry for quiet companionship. There was adventure when she tired of quiet hours. There would be love stories when she came to adolescence and when she wanted to feel a closeness to someone she could read a biography. On that day when she first knew she could read, she made a vow to read one book a day as long as she lived.
Betty Smith (A Tree Grows in Brooklyn)
We live in a world packed with desensitising forces, that strip the world of magic. The world is full of negativity, but we fight back with positivity. We're inspired by oceans, forests, animals, Marx Brothers films. We can't help but project uplifting vibrations, because we love each other so much and get off on playing together.
Dave Thompson (Red Hot Chili Peppers: By the Way: The Biography)
Perhaps the most difficult thing about loving and helping an addict, which most people who haven't been through it don't understand, is this: every day the cycle continues is your new worst day. When looked at from the outside it seems endless, the same thing over and over again; but when you're living it, it's like being a hamster on a wheel. Every day there's the chronic anxiety of waiting for news, the horrible rush when it turns out to be bad, the overwhelming sense of déjà vu - and the knowledge that, despite your best efforts, you'll probably be here again. Even so-called good days are not without their drawbacks. You enjoy them as much as you can, but in the back of your mind there's the lurking fear that tomorrow you could be back to square one again, or worse.
Mitch Winehouse (Amy, My Daughter)
The Jerusalem I was raised to love was the terrestrial gateway to the divine world where Jewish, Christian and Muslim prophets, men of vision and a sense of humanity, met—if only in the imagination. —SARI NUSSEIBEH, Once Upon a Country
Simon Sebag Montefiore (Jerusalem, The Biography)
Loving our parents, we bring them into us. They inhabit us. For a long time I believed that I could not bear to live without Mom and Dad—I could not bear to “outlive” them—for to be a daughter without parents did not seem possible to me.
Joyce Carol Oates (A Widow's Story)
For Plato, the quickening of the heart that occurred when a person saw his or her loved one was just a step in the ascent to true love, which could happen only in the mind, after the lover comprehended what was eternally true and beautiful in the beloved. Platonic love existed beyond all the blood and heat contained in the heart. This split between passion and piety, between lust and love, would resonate throughout the Middle Ages and the Renaissance, and it continues up to the present day.
Stephen Amidon (The Sublime Engine: A Biography of the Human Heart)
Why, it seemed to me I had lost the most of myself; and there was left only a brain which played with ideas, and a body that went delicately down pleasant ways. And I could not believe as my fellows believed, nor could I love them, nor could I detect anything in aught they said or did save their exceeding folly: for I had lost their cordial common faith of what use they made of half-hours and months and years... I had lost faith in the importance of my own actions, too. There was a little time of which the passing might be made endurable; beyond gaped unpredictable darkness: and that was all there was of certainty anywhere.
James Branch Cabell (Jurgen (The Biography of Manuel, #7))
The Jews had a love-hate relationship with the Greek culture. They craved its civilization but resented its dominance. Josephus says they regarded Greeks as feckless, promiscuous, modernizing lightweights, yet many Jerusalemites were already living the fashionable lifestyle using Greek and Jewish names to show they could be both. Jewish conservatives disagreed; for them, the Greeks were simply idolaters.
Simon Sebag Montefiore (Jerusalem: The Biography)
Joss was lonely kid who thought that if he could just crack the code, people would understand what an awesome person he was and love him for it. As Buffy executive producer and Angel cocreator David Greenwalt said, 'If JossWhedon had had one good day in high school, we wouldn't be here'.
Amy Pascale (Joss Whedon: The Biography)
Oh, don't get me started! I love fantasy, I read it for pleasure, even after all these years. Pat McKillip, Ursula Le Guin and John Crowley are probably my favorite writers in the field, in addition to all the writers in the Endicott Studio group - but there are many others I also admire. In children's fantasy, I'm particularly keen on Philip Pullman, Donna Jo Napoli, David Almond and Jane Yolen - though my favorite novels recently were Midori Snyder's Hannah's Garden, Holly Black's Tithe, and Neil Gaiman's Coraline. I read a lot of mainstream fiction as well - I particularly love Alice Hoffman, A.S. Byatt, Sara Maitland, Sarah Waters, Sebastian Faulks, and Elizabeth Knox. There's also a great deal of magical fiction by Native American authors being published these days - Louise Erdrich's Antelope Wife, Alfredo Vea Jr.'s Maravilla, Linda Hogan's Power, and Susan Power's Grass Dancer are a few recent favorites. I'm a big fan of Jane Austen, Charlotte Bronte, Charles Dickens, and Anthony Trollope - I re-read Jane Austen's novels in particular every year.Other fantasists say they read Tolkien every year, but for me it's Austen. I adore biographies, particularly biographies of artists and writers (and particularly those written by Michael Holroyd). And I love books that explore the philosophical side of art, such as Lewis Hyde's The Gift, Carolyn Heilbrun's Writing a Woman's Life, or David Abram's Spell of the Sensuous. (from a 2002 interview)
Terri Windling
Anne had wandered down the the Dryard's Bubble and was curled up among the ferns at the root of the n=big white birch where sher and Gilbert had so often sat ion summers gone by. Hew had gone into the newspaper office again when college was closed, and Avonlea seemed very dull without him. He never wrote to her, and Anne missed the letters that neer came. To be sure, Roy wrote twice a week; his letters were exquisite compositions which would have read beautifully in a memoir or biography. Anne felt herself more deeply in love with him that ever when she read the; but her heart never game that queer, quick, painful bound at sight of his letters which had given one day when Mrs. Hiram Sloane had handed her out an envelope addressed in Gilbert's black, upright handwriting. Anne had hurried home to the east gable and opened it eagrly--to find a typewritten copy of some college society report--"only that and nothing more." Anne flung the harmless screed across her room and sat down to write and especially nice epistle to Roy
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
Life, it has been agreed by everyone whose opinion is worth consulting, is the only fit subject for novelist or biographer; life, the same authorities have decided, has nothing whatever to do with sitting still in a chair and thinking. Thought and life are as the poles asunder. Therefore — since sitting in a chair and thinking is precisely what Orlando is doing now — there is nothing for it but to recite the calendar, tell one’s beads, blow one’s nose, stir the fire, look out of the window, until she has done… Surely, since she is a woman, and a beautiful woman, and a woman in the prime of life, she will soon give over this pretence of writing and thinking and begin at least to think of a gamekeeper (and as long as she thinks of a man, nobody objects to a woman thinking). And then she will write him a little note (and as long as she writes little notes nobody objects to a woman writing either) and make an assignation for Sunday dusk… She was kind to dogs, faithful to friends, generosity itself to a dozen starving poets, had a passion for poetry. But love — as the male novelists define it — and who, after all, speak with greater authority? — has nothing whatever to do with kindness, fidelity, generosity, or poetry. Love is slipping off one’s petticoat and — But we all know what love is… If then, the subject of one’s biography will neither love nor kill, but will only think and imagine, we may conclude that he or she is no better than a corpse and so leave her.
Virginia Woolf (Orlando)
When Jim left the planet so suddenly, all of us who loved him, worked with him, were inspired by him, gathered in New York City. We were like dandelion seeds clinging to the stem and to each other. And on May 16th, [the day Jim died] the wind began to blow. There’s no stem any more. We’re all floating on the breeze. And it’s scary and exhilarating, and there’s nothing we can do about it. But gradually, we’ll all drift to the ground and plant ourselves. And no matter what we grow into, it’ll be influenced by Jim. We’re Jim’s seeds. And it’s not only those of us who knew him. Everyone who was touched by his work is a Jim-seed.
Brian Jay Jones (Jim Henson: The Biography)
He laughed a lot, but as a boy he had been so self-conscious about being dark-skinned that he went to the fields to get buffalo milk to spread on his face, thinking it would make him lighter. It was only when he met my mother that he became comfortable in his own skin. Being loved by such a beautiful girl gave him confidence.
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
Jenny slowly awoke on the sacrificial altar to an Ethereal Light that flamed through the east wall, a radiant aura of love dispersing the frightful scene. A glow pulsating from Angeletta's body still burning in the fire pit slowly rose to join the Light. A Heavenly peace infused Jenny as she realized, "There's a man standing in the air straight above me!
Judy Byington (Twenty-Two Faces)
he had let go of the need to earn God's love,
James Bryan Smith (Rich Mullins: A Devotional Biography: An Arrow Pointing to Heaven)
Truth. Humans don't need the Truth.
Robert Neil Fleischer (Alien Biography)
It’s dangerous to be grateful for the cage that traps you.
Beth Kempton (Freedom Seeker: Live More. Worry Less. Do What You Love.)
Liberty is about being free and is granted by laws and conventions and government permissions. Freedom is about feeling free, and the only permission you need for that is your own.
Beth Kempton (Freedom Seeker: Live More. Worry Less. Do What You Love.)
Sometimes we have spent so long in the cage that it feels safer to be trapped inside.
Beth Kempton (Freedom Seeker: Live More. Worry Less. Do What You Love.)
In finding the courage and confidence to escape our cages and shine, we help others do the same.
Beth Kempton (Freedom Seeker: Live More. Worry Less. Do What You Love.)
Find It, Live It, Love It.
Larry Acquaviva (Nobody Cares Who You Are)
We tell ourselves stories in order to live,
Tracy Daugherty (The Last Love Song: A Biography of Joan Didion)
To love is to will the good of another.
Thomas Aquinas (Summa Theologica. On Prayer and The Contemplative Life. Moral Theology. Biography.)
People throughout the world may look different, or have a different religion, education or position but they are all the same. They are all people to be loved.” Above
Kathryn Spink (Mother Teresa (Revised Edition): An Authorized Biography)
...That is my biography from the first day of my chess life to the present. JOURNALIST. And your plans. PLAYER. To play!
Mikhail Tal (The Life and Games of Mikhail Tal)
This love for the memory of the countryside of his youth was later to become a central part of his writing, and it was intimately bound up with his love for the memory of his mother.
Humphrey Carpenter (J.R.R. Tolkien: A Biography)
The great trouble with baseball today is that most of the players are in the game for the money and that's it, not for the love of it, the excitement of it, the thrill of it - Ty Cobb
Dan Holmes (Ty Cobb: A Biography)
England has her Stratford, Scotland has her Alloway, and America, too, has her Dresden. For there, on August 11, 1833, was born the greatest and noblest of the Western World; an immense personality, -- unique, lovable, sublime; the peerless orator of all time, and as true a poet as Nature ever held in tender clasp upon her loving breast, and, in words coined for the chosen few, told of the joys and sorrows, hopes, dreams, and fears of universal life; a patriot whose golden words and deathless deeds were worthy of the Great Republic; a philanthropist, real and genuine; a philosopher whose central theme was human love, -- who placed 'the holy hearth of home' higher than the altar of any god; an iconoclast, a builder -- a reformer, perfectly poised, absolutely honest, and as fearless as truth itself -- the most aggressive and formidable foe of superstition -- the most valiant champion of reason -- Robert G. Ingersoll.
Herman E. Kittredge (Ingersoll: A Biographical Appreciation (1911))
The violence we preach is not the violence of the sword, the violence of hatred. It is the violence of love, of brotherhood, the violence that wills to beat weapons into sickles for work
Scott Wright (Oscar Romero and the Communion of Saints: A Biography)
At the Veracruz Mexico Temple dedication six weeks later, he spoke of the temple helping the members there. "We all have certain talents, and the Lord knows what they are," he said. "We all have limitations and the Lord knows what they are. Whatever our limitations may be, the Lord said this: 'Be ye therefore perfect, even as your Father which is in heaven is perfect,' [Matthew 5:48.] He would not give us commandments we could not fulfill. We can become perfect in our love of God. We can become perfect in our love of our fellow men. We can become perfect in the payment of our tithing. We can become perfect in living the Word of Wisdom. We can become perfect in our home teaching. In other words, all of those degrees of perfection are within our reach... We know what we must do.
Heidi S. Swinton (To the Rescue: The Biography of Thomas S. Monson)
Considering how common illness is, how tremendous the spiritual change it brings, how astonishing, when the lights of health go down, the undiscovered countries that are then disclosed, what wastes and deserts of the soul a slight attack of influenza brings to view, what precipices and lawns sprinkled with bright flowers a little rise of temperature reveals, what ancient and obdurate oaks are uprooted in us by the act of sickness…it is strange indeed that illness has not taken its place with love and battle and jealousy among the prime themes of literature.” from her essay, On Being Ill
Virginia Woolf (Novels by Virginia Woolf (Study Guide): The Years, to the Lighthouse, Mrs Dalloway, Orlando: A Biography, Flush: A Biography, Night and Day)
Robin’s experience is his love for his fellow man. He was in the fortunate position of having plenty of money, yet it wasn’t just money that he was willing to give away; he gave something far more important – his time and energy. There is little doubt that, were he still alive, he would be planning more ways to help those in need. Whether rich or poor, we can all do more than we do to help others.
Brian Morris (Robin Williams: Biography)
If you’re trapped in a cage, you don’t want to start being grateful for the protection of the bars. You need to be grateful that there are gaps in between them so you can see what’s on the other side.
Beth Kempton (Freedom Seeker: Live More. Worry Less. Do What You Love.)
You are aware that what they do, they do for the world, and the results are, of course, magnificent. But when you . . . read Douglas Adams. . . you feel you are, perhaps, the only person in the world who really gets them. Just about everybody else admires them, of course, but no one really connects with them in the way you do . . . It’s like falling in love. When an especially peachy Adams’ turn of phrase or epithet enters the eye and penetrates the brain, you want to tap the shoulder of the nearest stranger and share it. The stranger might laugh and seem to enjoy the writing, but you hug to yourself the thought that they didn’t quite understand its force and quality the way you do, just as your friends, thank heavens, don’t also fall in love with the person you are going on and on about to them.
Stephen Fry
I tried to lose myself in books. Our house is packed with them, and we keep adding more. Like my mother, I love mystery novels and can plow through one in a single sitting. Some of my recent favorites are by Louise Penny, Jacqueline Winspear, Donna Leon, and Charles Todd. I finished reading Elena Ferrante’s four Neapolitan novels and relished the story they tell about friendship among women. Our shelves are weighed down with volumes about history and politics, especially biographies of Presidents, but in those first few months, they held no interest for me whatsoever. I went back to things that have given me joy or solace in the past, such as Maya Angelou’s poetry: You may write me down in history With your bitter, twisted lies, You may trod me in the very dirt But still, like dust, I’ll rise. . . .
Hillary Rodham Clinton (What Happened)
Will we ever see his like again? It is doubtful. But at least for a brief moment in time we were lucky to have him as one of our own: an English lionheart who was the terror of the continent, who earned the love and respect of everyone who had the privilege to see him in action and above all was a thoroughly decent hero of whom we can be proud. Rest in peace 'Big Dunc'. Your feats will echo in eternity.
James Leighton (Duncan Edwards: The Greatest)
Maybe he'd never come across anybody as well versed at objectifying body parts as I was. In my defense, this was an occupational hazard; one of the tricks of my trade was the ability to work with whatever was at hand. Over the years I'd learned to pinpoint my focus to the width of a pubic hair if there was nothing else to work with. (...) Before my eyes -or, more precisely, in my mind- Rasher became Lovely Bum Man.
Aiden Shaw (Sordid Truths: Selling My Innocence for a Taste of Stardom)
From that time on, the world was hers for the reading. She would never be lonely again, never miss the lack of intimate friends. Books became her friends and there was one for every mood. There was poetry for quiet companionship. There was adventure when she tired of quiet hours. There would be love stories when she came into adolescence, and when she wanted to feel a closeness to someone she could read a biography.
Betty Smith (A Tree Grows in Brooklyn)
There is no right or wrong way to be pregnant, to become a mother, to make a family. There is only one way—your way, which will inevitably be filled with tears, mistakes, doubt, but also joy, relief, triumph, and love.
Angela Garbes (Like a Mother: A Feminist Journey Through the Science and Culture of Pregnancy)
A few minutes after they left, Harold bought the blanket from his bed, surrounded himself with his stuffed-toy animals, and built a fort out of them. Children project souls into their favorite stuffed animals and commune with them in the way adults commune with religious icons. Years later he would remember a happy childhood, but it was interwoven with painful separations, confusions, misapprehensions, traumas, and mysteries. This is why all biographies are inadequate; they can never capture the inner currents. This is why self knowledge is limited. Only a few remarkable people can sense the way early experience has built models in the brain. Later in life we build fictions and theories to paper over the mystery of what is happening deep inside, but in childhood, the inexplicableness of the world is still vivid and fresh, and sometimes hits with terrifying force.
David Brooks (The Social Animal: The Hidden Sources of Love, Character, and Achievement)
First, I give my gracious God an entire sacrifice of body and soul, with my most humble thanks for that assurance which His Blessed Spirit imprints in me now of the Salvation of the one, and the Resurrection of the other;
John Donne (JOHN DONNE COMPLETE WORKS ULTIMATE COLLECTION – All Poems, Love Poetry, Holy Sonnets, Devotions, Meditations, English Poems, Sermons PLUS BIOGRAPHIES and ANNOTATIONS [Annotated])
Obsessed with Christine to the end, his last statement as he left his cell was, 'to kill is the final possession'. But Muldowney was wrong. He had never possessed Christine; the resistance burning within her was too great.
Clare Mulley (The Spy Who Loved: The Secrets and Lives of Christine Granville)
Consider the great Samuel Clemens. Huckleberry Finn is one of the few books that all American children are mandated to read: Jonathan Arac, in his brilliant new study of the teaching of Huck, is quite right to term it 'hyper-canonical.' And Twain is a figure in American history as well as in American letters. The only objectors to his presence in the schoolroom are mediocre or fanatical racial nationalists or 'inclusivists,' like Julius Lester or the Chicago-based Dr John Wallace, who object to Twain's use—in or out of 'context'—of the expression 'nigger.' An empty and formal 'debate' on this has dragged on for decades and flares up every now and again to bore us. But what if Twain were taught as a whole? He served briefly as a Confederate soldier, and wrote a hilarious and melancholy account, The Private History of a Campaign That Failed. He went on to make a fortune by publishing the memoirs of Ulysses Grant. He composed a caustic and brilliant report on the treatment of the Congolese by King Leopold of the Belgians. With William Dean Howells he led the Anti-Imperialist League, to oppose McKinley's and Roosevelt's pious and sanguinary war in the Philippines. Some of the pamphlets he wrote for the league can be set alongside those of Swift and Defoe for their sheer polemical artistry. In 1900 he had a public exchange with Winston Churchill in New York City, in which he attacked American support for the British war in South Africa and British support for the American war in Cuba. Does this count as history? Just try and find any reference to it, not just in textbooks but in more general histories and biographies. The Anti-Imperialist League has gone down the Orwellian memory hole, taking with it a great swirl of truly American passion and intellect, and the grand figure of Twain has become reduced—in part because he upended the vials of ridicule over the national tendency to religious and spiritual quackery, where he discerned what Tocqueville had missed and far anticipated Mencken—to that of a drawling, avuncular fabulist.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
...I particularly loved biographies because they were about people who had to overcome obstacles or prejudices to get ahead. They made me think I could make it when nobody else believed in me, when even I didn't believe in myself.
Yeonmi Park (In Order to Live: A North Korean Girl's Journey to Freedom)
In the free, easy social atmosphere of pre–Civil War America, overt displays of affection between people of the same sex were common. Women hugged, kissed, slept with, and proclaimed love for other women. Men did the same with other men.
David S. Reynolds (Walt Whitman's America: A Cultural Biography)
Johnson argued that the most truthful life-writing is when ‘the writer tells his own story’, since only he knows the whole truth about himself. (He does not use the word ‘autobiography’, which only came into circulation in the early 19th century.) Those who write about another may want to over-praise him or ‘aggravate his infamy’; those who write about themselves, he says – optimistically – have no ‘motive to falsehood’ except ‘self-love’, and we are all on the watch for that.
Hermione Lee (Biography: A Very Short Introduction (Very Short Introductions))
England is seen at its worst when it has to deal with men like Wilde. In Germany Wilde and Byron are appreciated as authors: in England they still go pecking about their love-affairs. Anyone who calls a book ‘immoral’ or 'moral’ should be caned. A book by itself can be neither. It is only a question of the morality or immorality of the reader. But the English approach all questions of vice with such a curious mixture of curiosity and fear that it’s impossible to deal with them.
Charles Hamilton Sorley (The Letters of Charles Sorley, with a Chapter of Biography)
It is our responsibility to keep telling these tales--to tell them in a way that they teach and entertain and give meaning to our lives,' he [Jim] said later. 'This is not merely an obligation, it's something we must do because we love doing it.
Brian Jay Jones (Jim Henson: The Biography)
GT: You know how you think you know these things about yourself? GT: Like all these personal attributes about you as if theyre written down somewhere like a sort of mini biography so they have to be true. GT: So you just believe them and hope that the believing is what makes them true. GT: But then you spend so much time believing those things and taking their truth for granted that you somehow forget to MAKE them true with your words and deeds. GT: How can i truly love adventure when i never even knew what it was?
Andrew Hussie
My voice thick with frustration, I declared that if men and women could only meet each other under normal circumstances, that delusions of instant love would be more infrequent. While I do believe that great attractions lead to genuine love, such as it had with my sister, Sara, and her husband, Assad, such a happy outcome is rare. When men and women rarely have the opportunity to enjoy the other's company in ordinary social occasions, spontaneous emotions are quick to rise to the surface, often ending in terrible personal tragedies.
Jean Sasson (Princess Sultana's Daughters)
It was love, she thought, pretending to move her canvas, distilled and filtered; love that never attempted to clutch its object; but, like the love which mathematicians bear their symbols, or poets their phrases, was meant to be spread over the world and become part of the human gain.
Virginia Woolf (Virginia Woolf : Complete Works 8 novels, 3 'biographies', 46 short stories, 606 essays, 1 play, her diary and some letters (Annotated))
I strongly believe that teachers need to tell students about great lives and make children understand their history and heritage. It is only through this that a love for the country is born that is based on knowledge and understanding. This is how children not only know what is good and what is evil but also learn to judge for themselves the distinction between the two. They then know the best way to behave in many situations. These lessons can form the moral core around which our personalities are formed—something that no one can take away from us however old we get.
A.P.J. Abdul Kalam (My Life: An Illustrated Biography)
For now, the Simple Daily Practice means doing ONE thing every day. Try any one of these things each day: A) Sleep eight hours. B) Eat two meals instead of three. C) No TV. D) No junk food. E) No complaining for one whole day. F) No gossip. G) Return an e-mail from five years ago. H) Express thanks to a friend. I) Watch a funny movie or a stand-up comic. J) Write down a list of ideas. The ideas can be about anything. K) Read a spiritual text. Any one that is inspirational to you. The Bible, The Tao te Ching, anything you want. L) Say to yourself when you wake up, “I’m going to save a life today.” Keep an eye out for that life you can save. M) Take up a hobby. Don’t say you don’t have time. Learn the piano. Take chess lessons. Do stand-up comedy. Write a novel. Do something that takes you out of your current rhythm. N) Write down your entire schedule. The schedule you do every day. Cross out one item and don’t do that anymore. O) Surprise someone. P) Think of ten people you are grateful for. Q) Forgive someone. You don’t have to tell them. Just write it down on a piece of paper and burn the paper. It turns out this has the same effect in terms of releasing oxytocin in the brain as actually forgiving them in person. R) Take the stairs instead of the elevator. S) I’m going to steal this next one from the 1970s pop psychology book Don’t Say Yes When You Want to Say No: when you find yourself thinking of that special someone who is causing you grief, think very quietly, “No.” If you think of him and (or?) her again, think loudly, “No!” Again? Whisper, “No!” Again, say it. Louder. Yell it. Louder. And so on. T) Tell someone every day that you love them. U) Don’t have sex with someone you don’t love. V) Shower. Scrub. Clean the toxins off your body. W) Read a chapter in a biography about someone who is an inspiration to you. X) Make plans to spend time with a friend. Y) If you think, “Everything would be better off if I were dead,” then think, “That’s really cool. Now I can do anything I want and I can postpone this thought for a while, maybe even a few months.” Because what does it matter now? The planet might not even be around in a few months. Who knows what could happen with all these solar flares. You know the ones I’m talking about. Z) Deep breathing. When the vagus nerve is inflamed, your breathing becomes shallower. Your breath becomes quick. It’s fight-or-flight time! You are panicking. Stop it! Breathe deep. Let me tell you something: most people think “yoga” is all those exercises where people are standing upside down and doing weird things. In the Yoga Sutras, written in 300 B.C., there are 196 lines divided into four chapters. In all those lines, ONLY THREE OF THEM refer to physical exercise. It basically reads, “Be able to sit up straight.” That’s it. That’s the only reference in the Yoga Sutras to physical exercise. Claudia always tells me that yogis measure their lives in breaths, not years. Deep breathing is what keeps those breaths going.
James Altucher (Choose Yourself)
they filled her with the most astonishing sensation of synthesis-as though all the most disparate elements of her biography were at last knitting together. All the things that she had ever known or loved in the world were stitching themselves up and becoming one thing. Realizing this made her feel both unburdened and triumphant. She had that feeling again--of being most spectacularly alive. Not merely alive but outfitted with a mind that was functioning at the uppermost limits of its capacity--a mind that was seeing everything, and understanding everything, as though watching it all from the highest imaginable ridge.
Elizabeth Gilbert (The Signature of All Things)
It must be hard to switch from Doris Day to Roger Vadim,” journalist Bob Colacello suggested to Hudson when they chatted for Andy Warhol’s Interview. “That’s the fun of it,” Rock responded. “Ideally, I’d like to do a drama, a comedy, a western, a love story, a musical . . . I’ve tried every way I know to diversify.
Mark Griffin (All That Heaven Allows: A Biography of Rock Hudson)
Elizabeth was so sweet this afternoon trying to show P.B. his sitting room. He became absorbed in some jungle prints along the passage and would not come. The corners of her mouth went down after the third attempt & putting both hands on his shoulders she said angelically: ‘Bertie do listen to me.’ He kissed her and came at once.
William Shawcross (The Queen Mother: The Official Biography)
As soon as I was old enough to have a feeling about it, I felt like I was alone. No matter how much I loved my family -- and I actually got along better with my family than I think most people do -- I just always felt separate from everybody, and was terribly lonely all the time,' Joss said. 'I wasn't living a life that was particularly different from anybody else's ... It wasn't like I didn't have friends, but .. we, all of us, are alone in our own minds, and I was very much aware of that from the very beginning of my life. Loneliness and aloneness -- which are different things -- are very much, I would say, [among the] main things I focus on in my work.
Amy Pascale (Joss Whedon: The Biography)
Had Martha Foley returned William [James Sidis]'s passion as Margaret [Engemann] did Norbert [Wiener]'s, perhaps the two prodigies would have had more in common in the long run. ... In the life of a prodigy, perhaps more than in the average life, a marriage or a requited love is the greatest single factor that can heal the old childhood wounds. William and Norbert's response to their childhood and teenage rejections and humiliations was to retreat into the painless world of ideas, where successes and satisfactions abounded. A successful love affair could be the key to reentry into the world of feeling, bridging the gap between the cerebral and the emotional lives.
Amy Wallace (The Prodigy: A Biography of William James Sidis, America's Greatest Child Prodigy)
he was mainly a romantic comrade who had a series of intense relationships with young men, most of whom went on to get married and have children. Whatever the nature of his physical relationships with them, most of the passages about same-sex love in his poems were not out of keeping with then-current theories and practices that underscored the healthiness of such love.
David S. Reynolds (Walt Whitman's America: A Cultural Biography)
Iman has said, “What I love about David is that he’s a true gentleman, very old fashioned and English. He never lets me walk on the outside of the pavement, opens doors for me, and because we met on the fourteenth, he sends me flowers on the fourteenth of every month. He’s a scholar too—he reads a lot, writes, does sculpture and paints, so I’ve learned so much from him.
Wendy Leigh (Bowie: The Biography)
And then there are those you stop counting the years with because they are here to stay. They are here. And they aren't going anywhere. Nothing will make them flinch. Nothing will make them think twice. They know you at your worst, the worst you didn't even know you had. They know the sound of your mood swings, the color of your anger, how you curse when you curse, how you shout when you throw a tantrum. They know when you're avoiding a subject. They know when you're lying. They know when you're jealous. They know your vices by heart and they celebrate them. They celebrate you-- vices included. They know your lost dreams and how life fucked you over. They know the battles you lost. And they think your fabulous when you think you're just an unlucky mediocre person who once thought will make it big in life. They know the last time you were happy. They see the unspoken sadness in your eyes. They know the words behind your silence. They know the photographs playing in your mind when you're looking afar. They know YOU, the naked YOU, the raw YOU, not the embellished YOU people see, not the YOU that will be read in biographies or in elegies once you're dead, not the YOU that introduces you to others. They love you from the bottom of their heart. They are your family regardless of their blood. They are your squad. They are your people. And no matter how many times you make them open the door, they can't walk out. They just can't. Because, just sometimes, when people say forever, they mean it. They do.
Malak El Halabi
Jack Miles's wonderful literary reading of the Hebrew Bible as a biography of God offers the insight that after the Book of Job, God never speaks again. God may seem to silence Job, but Job silences God. It is lovely that Job silencing God is part of the text (though likely an accidental order of the books), because it reflects a real change in the real world after the Book of Job came into it.
Jennifer Michael Hecht (Doubt: A History)
The trouble with the world is, Frankie, that there are too many ideals and too little horse sense . . . Human beings don’t like peace and good will and everybody loving everybody else . . . they’re not made like that. Human beings like eating and drinking and loving and hating. They also like showing off, grabbing all they can, fighting for their rights and bossing anybody who’ll give ’em half a chance.
Philip Hoare (Noel Coward: A Biography of Noel Coward)
In 1970, Alix Kates Shulman, a wife, mother, and writer who had joined the Women's Liberation Movement in New York, wrote a poignant account of how the initial equality and companionship of her marriage had deteriorated once she had children. "[N]ow I was restricted to the company of two demanding preschoolers and to the four walls of an apartment. It seemed unfair that while my husband's life had changed little when the children were born, domestic life had become the only life I had." His job became even more demanding, requiring late nights and travel out of town. Meanwhile it was virtually impossible for her to work at home. "I had no time for myself; the children were always there." Neither she nor her husband was happy with the situation, so they did something radical, which received considerable media coverage: they wrote up a marriage agreement... In it they asserted that "each member of the family has an equal right to his/her own time, work, values and choices... The ability to earn more money is already a privilege which must not be compounded by enabling the larger earner to buy out of his/her duties and put the burden on the one who earns less, or on someone hired from outside." The agreement insisted that domestic jobs be shared fifty-fifty and, get this girls, "If one party works overtime in any domestic job, she/he must be compensated by equal work by the other." The agreement then listed a complete job breakdown... in other worde, the agreement acknowledged the physical and the emotional/mental work involved in parenting and valued both. At the end of the article, Shulman noted how much happier she and her husband were as a result of the agreement. In the two years after its inception, Shulman wrote three children's books, a biography and a novel. But listen, too, to what it meant to her husband, who was now actually seeing his children every day. After the agreement had been in effect for four months, "our daughter said one day to my husband, 'You know, Daddy, I used to love Mommy more than you, but now I love you both the same.
Susan J. Douglas (The Mommy Myth: The Idealization of Motherhood and How It Has Undermined All Women)
Maybe he'd never come acrross anybody as well versed at objectifying body parts as I was. In my defense, this was an occupational hazard; one of the tricks of my trade was the ability to work with whatever was at hand. Over the years I'd learned to pinpoint my focus to the width of a pubic hair if there was nothing else to work with. (...) Before my eyes -or, more precisely, in my mind- Rasher became Lovely Bum Man.
Aiden Shaw (Sordid Truths: Selling My Innocence for a Taste of Stardom)
I think that part of being human is being alone. And being lonely. I think one of the stresses on a lot of our friendships is that we require the people we love to take away that loneliness. And they really can't. And so, when we still feel lonely, even in the company of people we love, we become angry with them because they don't do what we think they're supposed to. Which is really something that they can't do for us.5
James Bryan Smith (Rich Mullins: A Devotional Biography: An Arrow Pointing to Heaven)
He learned from the Greek poets "not to expect too much from life; not to dream of a chimerical bliss, ... but to do his duty, without expecting to be rewarded ..., to cultivate his friends and love his country even to the point of self sacrifice." From ancient writers he learned the possibility of courageous resignation, and under their inspiration he worked out for himself a program which was little short of the heroic.
Dumas Malone (Jefferson the Virginian)
What elevates one and not another to the level of genius is not only talent and ambition and luck, but a gift for turning everything to the purpose. ... Perhaps that is a common element in the story of genius: beyond talent and ambition and luck, in some degree you have to be forcibly booted out of everyday life and everyday goals. In any case, it was like that with Brahms. The fulfillment of love was denied him so that other things might take wing.
Jan Swafford (Johannes Brahms: A Biography)
I watch CNN every night, but never afterward think much about anything I see--even the election, as stupid as it is. I've come to loathe most sports, which I used to love--a loss I attribute to having seen the same thing over and over again too many times. Only death-row stories and sumo wrestling (narrated in Japanese) will keep me at the TV longer than ten minutes. My bedside table, as I've said, has novels and biographies I've read thirty pages into but can't tell you much about.
Richard Ford (The Lay of the Land)
I believe in you my soul, the other I am must not abase itself to you, And you must not be abased to the other. Loafe with me on the grass, loose the stop from your throat, Not words, not music or rhyme I want, not custom or lecture, not even the best, Only the lull I like, the hum of your valvèd voice. I mind how once we lay such a transparent summer morning, How you settled your head athwart my hips and gently turn’d over upon me, And parted the shirt from my bosom-bone, and plunged your tongue to my bare-stript heart, And reach’d till you felt my beard, and reach’d till you held my feet. Swiftly arose and spread around me the peace and knowledge that pass all the art and argument of the earth, And I know that the hand of God is the promise [originally “elderhand”] of my own, And I know that the spirit of God is the brother of my own, And that all the men ever born are also my brothers, and the women my sisters and lovers, And that a kelson of the creation is love.
David S. Reynolds (Walt Whitman's America: A Cultural Biography)
So many of us go through life with our stories hidden, feeling ashamed or afraid when our whole truth doesn't live up to some established ideal. We grow up with messages that tell us there's only one way to be American -- that if our skin is dark or our hips are too wide, if we don't experience love in a particular way, if we speak another language or come from a different country, then we don't belong. That is, until someone dares to start telling that story differently. (From Becoming, 2018)
Michelle Obama
For most people there is a fascinating inconsistency in the position of St. Francis. He expressed in loftier and bolder language than any earthly thinker the conception that laughter is as divine as tears. He called his monks the mountebanks of God. He never forgot to take pleasure in a bird as it flashed past him, or a drop of water as it fell from his finger; he was perhaps the happiest of the sons of men. Yet this man undoubtedly founded his whole polity on the negation of what we think of the most imperious necessities; in his three vows of poverty, chastity, and obedience he denied to himself, and those he loved most, property, love, and liberty. Why was it that the most large-hearted and poetic spirits in that age found their most congenial atmosphere in these awful renunciations? Why did he who loved where all men were blind, seek to blind himself where all men loved? Why was he a monk and not a troubadour? We have a suspicion that if these questions were answered we should suddenly find that much of the enigma of this sullen time of ours was answered also.
G.K. Chesterton (Twelve Types: A Collection of Mini-Biographies)
The word cod is of unknown origin. For something that began as food for good Catholics on the days they were to abstain from sex, it is not clear why, in several languages, the words for salt cod have come to have sexual connotations. In the English-speaking West Indies, saltfish is the common name for salt cod. In slang, saltfish means "a woman's genitals", and while Caribbeans do love their salt cod, it is this other meaning that is responsible for the frequent appearance of the word saltfish in Caribbean songs such as the Mighty Sparrow's "Saltfish".
Mark Kurlansky (Cod: A Biography of the Fish that Changed the World)
Don Chrisantos Michael Wanzala "Don CM Wanzala" (born April 13), popularly known as Don Santo (stylized as DON SANTO) is a Kenyan singer, rapper, songwriter, arranger, actor, author, content producer, Photo-Videographer, Creative Director (Blame It On Don), entrepreneur, record executive and Leader of the Klassik Nation and chairman and president of Global Media Ltd, based in Nairobi City in Kenya. ​ The genius of DON SANTO rests in his willingness to break from traditional formula and constantly push the envelope. He flips the method of the moment with undeniable swagger and bold African sensibility. As a songwriter, Santo revisits simple, but profound aspects of the human experience – love, lust, desire, joy, and pain that define classical art and drama. He applies his concept to rich, full vocals that exude his intended effect. It is this uncanny ability to compose classics and deliver electrifying live performances that define everything that is essential DON SANTO. In 2015, Santo won the East Africa Music Awards in the Artist of the year Category while his song "Sina Makosa" won the Song of The year. A believer in GOD, FAMILY & GOOD LIFE (Klassikanity).
She wanted to shout it out. She could read! She could read! From that time on, the world was hers for the reading. She would never be lonely again, never miss the lack of intimate friends. Books became her friends and there was one for every mood. There was poetry for quiet companionship. There was adventure when she tired of quiet hours. There would be love stories when she came into adolescence and when she wanted to feel a closeness to someone she could read a biography. On that day when she first knew she could read, she made a vow to read one book a day as long as she lived. She
Betty Smith (A Tree Grows in Brooklyn)
And suddenly he became almost lyric. "For three thousand years the Common Man has been fended off from the full and glorious life he might have had, by Make Believe. For three thousand years in one form or another he has been asking for an unrestricted share in the universal welfare. He has been asking for a fair dividend from civilisation. For all that time, and still it goes on, the advantaged people, the satisfied people, the kings and priests, the owners and traders, the gentlefolk and the leaders he trusted, have been cheating him tacitly or deliberately, out of his proper share and contribution in the common life. Sometimes almost consciously, sometimes subconsciously, cheating themselves about it as well. When he called upon God, they said 'We'll take care of your God for you', and they gave him organised religion. When he calls for Justice, they say 'Everything decently and in order', and give him a nice expensive Law Court beyond his means. When he calls for order and safety too loudly they hit him on the head with a policeman's truncheon. When he sought knowledge, they told him what was good for him. And to protect him from the foreigner, so they said, they got him bombed to hell, trained him to disembowel his fellow common men with bayonets and learn what love of King and Country really means. "All with the best intentions in the world, mind you. "Most of these people, I tell you, have acted in perfect good faith. They manage to believe that in sustaining this idiot's muddle they are doing tremendous things -- stupendous things -- for the Common Man. They can live lives of quiet pride and die quite edifyingly in an undernourished, sweated, driven and frustrated world. Useful public servants! Righteous self-applause! Read their bloody biographies!
H.G. Wells (The Holy Terror)
I have said that in one respect my mind has changed during the last twenty or thirty years. Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare, especially in the historical plays. I have also said that formerly pictures gave me considerable, and music very great delight. But now for many years I cannot endure to read a line of poetry: I have tried lately to read Shakespeare, and found it so intolerably dull that it nauseated me. I have also almost lost my taste for pictures or music. Music generally sets me thinking too energetically on what I have been at work on, instead of giving me pleasure. I retain some taste for fine scenery, but it does not cause me the exquisite delight which it formerly did. On the other hand, novels which are works of the imagination, though not of a very high order, have been for years a wonderful relief and pleasure to me, and I often bless all novelists. A surprising number have been read aloud to me, and I like all if moderately good, and if they do not end unhappily–against which a law ought to be passed. A novel, according to my taste, does not come into the first class unless it contains some person whom one can thoroughly love, and if a pretty woman all the better. This curious and lamentable loss of the higher aesthetic tastes is all the odder, as books on history, biographies, and travels (independently of any scientific facts which they may contain), and essays on all sorts of subjects interest me as much as ever they did. My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive. A man with a mind more highly organised or better constituted than mine, would not, I suppose, have thus suffered; and if I had to live my life again, I would have made a rule to read some poetry and listen to some music at least once every week; for perhaps the parts of my brain now atrophied would thus have been kept active through use. The loss of these tastes is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.
Charles Darwin (Autobiography Life and Letters of Charles Darwin, Descent of Man A Naturalist's Voyage Round the World Coral Reefs Voyage of the Beagle Origin of Species Expression of Emotion in Man and Animals)
I thought to myself, who is this excellent man Van Doren who being employed to teach literature, teaches just that: talks about writing and about books and poems and plays: does not get off on a tangent about the biographies of the poets or novelists: does not read into their poems a lot of subjective messages which were never there? Who is this man who does not have to fake and cover up a big gulf of ignorance by teaching a lot of opinions and conjectures and useless facts that belong to some other subject? Who is this who really loves what he has to teach, and does not secretly detest all literature, and abhor poetry, while pretending to be a professor of it?...It was because of this virtual scholasticism of Mark's that he would never permit himself to fall into the naive errors of those who try to read some favorite private doctrine into every poet they like of ever nation or every age. And Mark abhorred the smug assurance with which second-rate left-wing critics find adumbrations of dialectical materialism in everyone who ever wrote from Homer and Shakespeare to whomever they happen to like in recent times. If the poet is to their fancy, then he is clearly seen to be preaching the class struggle. If they do not like him, then they are able to show that he was really a forefather of fascism. And all their literary heroes are revolutionary leaders, and all their favorite villains are capitalists and Nazis.
Thomas Merton (The Seven Storey Mountain)
So many requests, always, from a lover! None when they fall out of love. I'm glad the water does not move under the colourless ice of the river. And I'll stand - God help me! - on this ice, however light and brittle it is, and you...take care of our letters, that our descendants not misjudge us, That they may read and understand more clearly what you are, wise, brave. In your glorious biography No row of dots should stand. Earth's drink is much too sweet, love's nets too close together. May my name be in the textbooks of children playing in the street. When they've read my grievous story, may they smile behind their desklids... If I can't have love, if I can't find peace, give me a bitter glory. 1913
Anna Akhmatova (Selected Poems)
Now Kate is a senior member of the royal family and on the brink of motherhood, it is time to look at the woman behind the name. She is the first person for 350 years without aristocratic blood to marry an heir to the throne, and if it wasn't for tragedy on both sides of her family, she would probably not be in the position she is today. However, circumstances before she was born and the support her parents gave her only got her so far - the rest has been up to her. Although she was christened Catherine, she started to be called Kate at university and Kate is what William calls her. It became how she was referred to in the press, and therefore how she is known all around the world, and so that is how she will be referred to in this book. One day she will be Queen Catherine, but for now, she is known and loved as Kate.
Marcia Moody (Kate: A Biography)
[Huxley's Perennial Philosophy is concerned with] the need to love the earth and respect nature instead of following the example of those who 'chopped down vast forests to provide the newsprint demanded by that universal literacy which was to make the world safe for intelligence and democracy, and got wholesale erosion, pulp magazines, and organs of Fascist, Communist, capitalist, and nationalist propaganda.' He attacked 'technological imperialism' and the mechanisation which was 'increasing the power of a minority to exercise a co-ersive control over the lives of their fellows' and 'the popular philosophy of life... now moulded by advertising copy whose one idea is to persuade everybody to be as extroverted and uninhibitedly greedy as possible, since of course it is only the possessive, the restless, the distracted, who spend money on the things that advertisers want to sell.
Nicholas Murray (Aldous Huxley: A Biography)
He couldn’t have known it, but among the original run of The History of Love, at least one copy was destined to change a life. This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn’t exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges. The owner took her time unpacking the books she’d bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She’d never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.' The owner of the secondhand bookstore lowered the volume of the radio. She flipped to the back flap of the book to find out more about the author, but all it said was that Zvi Litvinoff had been born in Poland and moved to Chile in 1941, where he still lived today. There was no photograph. That day, in between helping customers, she finished the book. Before locking up the shop that evening, she placed it in the window, a little wistful about having to part with it. The next morning, the first rays of the rising sun fell across the cover of The History of Love. The first of many flies alighted on its jacket. Its mildewed pages began to dry out in the heat as the blue-gray Persian cat who lorded over the shop brushed past it to lay claim to a pool of sunlight. A few hours later, the first of many passersby gave it a cursory glance as they went by the window. The shop owner did not try to push the book on any of her customers. She knew that in the wrong hands such a book could easily be dismissed or, worse, go unread. Instead she let it sit where it was in the hope that the right reader might discover it. And that’s what happened. One afternoon a tall young man saw the book in the window. He came into the shop, picked it up, read a few pages, and brought it to the register. When he spoke to the owner, she couldn’t place his accent. She asked where he was from, curious about the person who was taking the book away. Israel, he told her, explaining that he’d recently finished his time in the army and was traveling around South America for a few months. The owner was about to put the book in a bag, but the young man said he didn’t need one, and slipped it into his backpack. The door chimes were still tinkling as she watched him disappear, his sandals slapping against the hot, bright street. That night, shirtless in his rented room, under a fan lazily pushing around the hot air, the young man opened the book and, in a flourish he had been fine-tuning for years, signed his name: David Singer. Filled with restlessness and longing, he began to read.
Nicole Krauss
Adela Rogers St. Johns, always the journalist closest to Gable, wrote that “The King is dead. Long live the King. There has been no successor, nor will be. The title died with him.” She recalled that Gable once told her, “I don’t believe I’m king of anything, but I know why they like to think I am. I’m not much of an actor, but I’m not bad unless it’s one of those things outside my comprehension. I work hard. I’m no Adonis, and I’m as American as the telephone poles I used to climb to make a living. So men don’t get sore if their women folks like me on the screen. I’m one of them, they know it, so it’s a compliment to them. They see me broke, in trouble, scared of things that go bump in the night, but I come out fighting. They see me making love to Jean Harlow or Claudette Colbert, and they say, ‘If he can do it, I can do it,’ and figure it’ll be fun to go home and to make love to their wives.
Warren G. Harris (Clark Gable: A Biography)
Nor are his purely intellectual merits by any means to be despised. He has, in many respects, clarified Plato's teaching; he has developed, with as much consistency as possible, the type of theory advocated by him in common with many others. His arguments against materialism are good, and his whole conception of the relation of soul and body is clearer than that of Plato or Aristotle. Like Spinoza, he has a certain kind of moral purity and loftiness, which is very impressive. He is always sincere, never shrill or censorious, invariably concerned to tell the reader, as simply as he can, what he believes to be important. Whatever one may think of him as a theoretical philosopher, it is impossible not to love him as a man. The life of Plotinus is known, so far as it is known, through the biography written by his friend and disciple Porphyry, a Semite whose real name was Malchus. There are, however, miraculous elements in this account, which make it difficult to place a complete reliance upon its more credible portions. Plotinus considered his spatio-temporal appearance
Bertrand Russell (A History of Western Philosophy)
You know...give peace a chance, not shoot people for peace. All we need is love. I believe it. it's damned hard but I absolutely believe it. We're not the first to say 'Imagine no countries' or 'Give peace a chance' but we're carrying that torch, like the Olympic torch, passing it from hand to hand, to each other, to each country, to each generation. That's our job...I've never claimed divinity. I've never claimed purity of soul. I've never claimed to have the answer to life. I can only put out songs and answer questions as honestly as I can, but only as honestly as I can, no more, no less. "I used to think that the world was doing it to me and that the world owed me something, and that either the conservatives or the socialists or the fascists or the communists or the Christians or the Jews were doing something to me, and when you're a teenybopper that's what you think. I'm 40 now. I don't think that anymore, 'cause I found out it doesn't fucking work. The thing goes on anyway and all you're doing is jacking off and screaming about what your mommy or daddy or society did...I have found out personally...that I am responsible for it as well as them. I am part of them.
Philip Norman (John Lennon: The Life)
There was however one real romance in his [J. Gresham Machen's] life, though unhappily it was not destined to blossom into marriage. One would never have learned of it from the files of his personal letters since it seems that he did not trust himself to write on the subject, extraordinary though that may seem when one considers how fully he confided in his mother. He did tell his brother Arthur about it, and in a conference concerning the projected biography in March, 1944, the elder brother told me that the story to be complete would have to include a reference to Gresham's one love affair. He identified the lady by name, as a resident of Boston, and as "intelligent, beautiful, exquisite." He further stated that apparently they were utterly devoted to each other for a time, but that the devotion never developed into an engagement to be married because she was a Unitarian. Miss S., as she may be designated, made a real effort to believe, but could not bring her mind and heart to the point where she could share his faith. On the other hand, as Arthur Machen hardly needed to add, Gresham Machen could not possibly think of uniting his life with one who could not come to basic agreement with him with regard to the Christian faith. . . . Machen had been advising her with respect to study of the Bible. He must have counseled her to read the Gospels through consecutively. He had a copy of his course of Bible study prepared for the Board of Christian education especially bound for her. He sent her copies of his books as they appeared. He had copies of Dr. Erdman's little commentaries and other books sent to her. On her part she indicated an interest in these things, but evidently it was stimulated more by the desire to please Machen than by an earnest agitation of spirit. At any rate her mind was set awhirl as she read some of the books and she was forced to come to the conclusion that, judged by his views as set forth for example in Christianity and Liberalism, published in 1923, if she was a Christian at all, she was a pretty feeble one. How tragic an ending to Machen's one real romance or approach to it! It does serve to underscore once again, however, how utterly devoted he was to his Lord. He could be counted upon in the public and conspicuous arenas of conflict but also in the utterly private relations of life to be true to his dearly-bought convictions.
Ned B. Stonehouse
Yes. I'm not unhappy about becoming old. I'm not unhappy about what must be. It makes me cry only when I see my friends go before me and life is emptied. I don't believe in an afterlife, but I still fully expect to see my brother again. And it's like a dream life. I am reading a biography of Samuel Palmer, which is written by a woman in England. I can't remember her name. And it's sort of how I feel now, when he was just beginning to gain his strength as a creative man and beginning to see nature. But he believed in God, you see, and in heaven, and he believed in hell. Goodness gracious, that must have made life much easier. It's harder for us nonbelievers. But, you know, there's something I'm finding out as I'm aging that I am in love with the world. And I look right now, as we speak together, out my window in my studio and I see my trees and my beautiful, beautiful maples that are hundreds of years old, they're beautiful. And you see I can see how beautiful they are. I can take time to see how beautiful they are. It is a blessing to get old. It is a blessing to find the time to do the things, to read the books, to listen to the music. You know, I don't think I'm rationalizing anything. I really don't. This is all inevitable and I have no control over it.
Maurice Sendak
The Portal Potion Success! After weeks and weeks of trying, I’ve finally discovered the correct ingredients for the potion I’d hoped to create for my son! With just a few drops, the potion turns any written work into a portal to the world it describes. Even with my ability to create portals to and from the Otherworld, I never thought it would be possible to create a substance that allowed me passage to any world I wished. My son will get to see the places and meet the characters he’s spent his whole childhood dreaming about! And best of all, I’ll get to watch his happiness soar as it happens! The ingredients are much simpler than I imagined, but difficult to obtain. Their purposes are more metaphysical than practical, so it took some imagination to get the concoction right. The first requirement is a branch from the oldest tree in the woods. To bring the pages to life, I figured the potion would need the very thing that brought the paper to life in the first place. And what else has more life than an ancient tree? The second ingredient is a feather from the finest pheasant in the sky. This will guarantee your potion has no limits, like a bird in flight. It will ensure you can travel to lands far and wide, beyond your imagination. The third component is a liquefied lock and key that belonged to a true love. Just as this person unlocked your heart to a life of love, it will open the door of the literary dimensions your heart desires to experience. The fourth ingredient is two weeks of moonlight. Just as the moon causes waves in the ocean, the moonlight will stir your potion to life. Last, but most important, give the potion a spark of magic to activate all the ingredients. Send it a beam of joy straight from your heart. The potion does not work on any biographies or history books, but purely on works that have been imagined. Now, I must warn about the dangers of entering a fictional world: 1. Time only exists as long as the story continues. Be sure to leave the book before the story ends, or you may disappear as the story concludes. 2. Each world is made of only what the author describes. Do not expect the characters to have any knowledge of our world or the Otherworld. 3. Beware of the story’s villains. Unlike people in our world or the Otherworld, most literary villains are created to be heartless and stripped of all morals, so do not expect any mercy should you cross paths with one. 4. The book you choose to enter will act as your entrance and exit. Be certain nothing happens to it; it is your only way out. The
Chris Colfer (Beyond the Kingdoms (The Land of Stories, #4))
From anywhere: where once he had feared that this immense city would set him adrift, a spinning atom in the ether, and where once he had seen in this the ultimate terror of insignificance, he now, and suddenly, and so clearly, saw that his fate had led him here. His fate had taken him off two trains this morning, had raised him to the surface at Whitehall Street, had shown him the spinning atoms, unraveling, the end of life, all of them people tethered by love, and habit, and work, and meaning, tied into a meaning suddenly exploded, because contrary to all he had imagined, being tied, being known, did not keep you safe. Quite the opposite: this, surely, was the meaning of Emerson, which he had so willfully and for so long misunderstood: great geniuses have the shortest biographies. Even their cousins know nothing about them. He had never been known rightly - how could he be, in the carapace of his ill-fitting names - but had thought that this imperfect knowledge was to be worked upon, bettered, but of course: mutability, precisely the capacity to spin like an atom, untethered, this thrill of absolute unknownness was not something to be feared. It was the point of it all. To be absolutely unrelated. Without context. To be truly and in every way self-reliant. At last.
Claire Messud (The Emperor's Children)
I think of published poets that you could know of...I think [Rainer Maria Rilke] probably has the most great published poems of any poet [...] but Rilke himself was an asshole. If you look at his biography, he was probably misogynist; he was a liar, a cheat; he was a terrible father; he was selfish; he put people down; he had no consideration for anyone [...] yet, he transcends that in his greatest poems. There's that ineffable, spiritual quality - that he himself couldn't reach! But somewhere underneath that reptilian exterior, that asshole exterior of Rainer Maria Rilke, there was some good that came through – like these little sunbursts coming through clouds – that had that moment. And he'd write the Duino Elegies, he'd write the New Poems, and somewhere, that came through. And that's an amazing thing: you can have a lot of great people who are great individuals, who are loving and caring – and they can't do that. And that's not to say that their lives are meaningless, but they will never be able to affect anyone past the propinquity of their existence. They are never going to be able to affect someone in China; they are never going to be able to affect someone in 2132 the way Rilke can. And that specialness needs to be acknowledged; that specialness needs to be upheld; it needs to be rewarded, and people need to say, 'Goddamn – that's a good thing! It's a good thing that people make art!
Dan Schneider
Each generation identifies with a small group of people said to have lived lives exemplifying the vices and virtues of that generation. If one were to choose a trial lawyer whose life reflected the unique characteristics of America’s “Wild West” of a criminal justice system in the latter half of the Twentieth Century, that person likely would be my father. New York City of the 1960s until the turn of the 21st century was the world’s epicenter of organized and white-collar crime. During those four decades, the most feared mafia chiefs, assassins, counterfeiters, Orthodox Jewish money launderers, defrocked politicians of every stripe, and Arab bankers arriving in the dead of night in their private jets, sought the counsel of one man: my father, Jimmy La Rossa. Once a Kennedy-era prosecutor, Brooklyn-born Jimmy La Rossa became one of the greatest criminal trial lawyers of his day. He was the one man who knew where all of the bodies were buried, and everyone knew it. It seemed incomprehensible that Jimmy would one day just disappear from New York. Forever. After stealing my dying father from New York Presbyterian Hospital to a waiting Medevac jet, the La Rossa Boys, as we became known, spent the next five years in a place where few would look for two diehard New Yorkers: a coastal town in the South Bay of Los Angeles, aptly named Manhattan Beach. While I cooked him his favorite Italian dishes and kept him alive using the most advanced medical equipment and drugs, my father and I documented our notorious and cinematic life together as equal parts biography and memoir. This is our story.
James M. LaRossa Jr. (Last of the Gladiators: A Memoir of Love, Redemption, and the Mob)
Olo-keZ G-- a tc There is an appointed time for everything. And there is a time for every event under heaven. -ECCLESIASTES 3:1 What would we do without our day planners? I have a large one for my desk and a carry-all that goes with me. I don't know how a person functions without some type of organizer. I just love it; it truly has become my daily-calendar bible. I take it with me everywhere. My whole life is in that book. Each evening I peek in to see what tomorrow has to bring. I just love to see a busy calendar; it makes me feel so alive. I've got this to do and that to do. Then I come upon a day that has all white space. Not one thing to do. What, oh what, will I do to fill the space and time? That's the way I used to think and plan. All my spaces had appointments written down, and many times they even overlapped. I now plan for white spaces. I even plan ahead weeks or months and black out "saved for me or my family" days. I have begun to realize that there are precious times for myself and my loved ones. Bob and I really try to protect these saved spaces just for us. We may not go anywhere or do anything out of the ordinary, but it's our special time. We can do anything we want: sleep in, stay out late, go to lunch, read a book, go to a movie, or take a nap. I really look forward with great anticipation to when these white spaces appear on my calendar. I've been so impressed when I've read biographies of famous people. Many of them are controllers of their own time. They don't let outsiders dictate their schedules. Sure, there are times when things have to be done on special days, but generally that isn't the case. When we begin to control our calendars, we will find that our lives are more enjoyable and that the tensions of life are more manageable. Make those white spaces your friend, not your enemy.
Emilie Barnes (The Tea Lover's Devotional)
The phone rang. It was a familiar voice. It was Alan Greenspan. Paul O'Neill had tried to stay in touch with people who had served under Gerald Ford, and he'd been reasonably conscientious about it. Alan Greenspan was the exception. In his case, the effort was constant and purposeful. When Greenspan was the chairman of Ford's Council of Economic Advisers, and O'Neill was number two at OMB, they had become a kind of team. Never social so much. They never talked about families or outside interests. It was all about ideas: Medicare financing or block grants - a concept that O'Neill basically invented to balance federal power and local autonomy - or what was really happening in the economy. It became clear that they thought well together. President Ford used to have them talk about various issues while he listened. After a while, each knew how the other's mind worked, the way married couples do. In the past fifteen years, they'd made a point of meeting every few months. It could be in New York, or Washington, or Pittsburgh. They talked about everything, just as always. Greenspan, O'Neill told a friend, "doesn't have many people who don't want something from him, who will talk straight to him. So that's what we do together - straight talk." O'Neill felt some straight talk coming in. "Paul, I'll be blunt. We really need you down here," Greenspan said. "There is a real chance to make lasting changes. We could be a team at the key moment, to do the things we've always talked about." The jocular tone was gone. This was a serious discussion. They digressed into some things they'd "always talked about," especially reforming Medicare and Social Security. For Paul and Alan, the possibility of such bold reinventions bordered on fantasy, but fantasy made real. "We have an extraordinary opportunity," Alan said. Paul noticed that he seemed oddly anxious. "Paul, your presence will be an enormous asset in the creation of sensible policy." Sensible policy. This was akin to prayer from Greenspan. O'Neill, not expecting such conviction from his old friend, said little. After a while, he just thanked Alan. He said he always respected his counsel. He said he was thinking hard about it, and he'd call as soon as he decided what to do. The receiver returned to its cradle. He thought about Greenspan. They were young men together in the capital. Alan stayed, became the most noteworthy Federal Reserve Bank chairman in modern history and, arguably the most powerful public official of the past two decades. O'Neill left, led a corporate army, made a fortune, and learned lessons - about how to think and act, about the importance of outcomes - that you can't ever learn in a government. But, he supposed, he'd missed some things. There were always trade-offs. Talking to Alan reminded him of that. Alan and his wife, Andrea Mitchell, White House correspondent for NBC news, lived a fine life. They weren't wealthy like Paul and Nancy. But Alan led a life of highest purpose, a life guided by inquiry. Paul O'Neill picked up the telephone receiver, punched the keypad. "It's me," he said, always his opening. He started going into the details of his trip to New York from Washington, but he's not much of a phone talker - Nancy knew that - and the small talk trailed off. "I think I'm going to have to do this." She was quiet. "You know what I think," she said. She knew him too well, maybe. How bullheaded he can be, once he decides what's right. How he had loved these last few years as a sovereign, his own man. How badly he was suited to politics, as it was being played. And then there was that other problem: she'd almost always been right about what was best for him. "Whatever, Paul. I'm behind you. If you don't do this, I guess you'll always regret it." But it was clearly about what he wanted, what he needed. Paul thanked her. Though somehow a thank-you didn't seem appropriate. And then he realized she was crying.
Ron Suskind (The Price of Loyalty: George W. Bush, the White House, and the Education of Paul O'Neill)
RESILIENCE QUESTIONNAIRE Please circle the most accurate answer under each statement: 1. I believe that my mother loved me when I was little. Definitely true Probably true Not sure Probably not true Definitely not true 2. I believe that my father loved me when I was little. Definitely true Probably true Not sure Probably not true Definitely not true 3. When I was little, other people helped my mother and father take care of me and they seemed to love me. Definitely true Probably true Not sure Probably not true Definitely not true 4. I’ve heard that when I was an infant someone in my family enjoyed playing with me, and I enjoyed it, too. Definitely true Probably true Not sure Probably not true Definitely not true 5. When I was a child, there were relatives in my family who made me feel better if I was sad or worried. Definitely true Probably true Not sure Probably not true Definitely not true 6. When I was a child, neighbors or my friends’ parents seemed to like me. Definitely true Probably true Not sure Probably not true Definitely not true 7. When I was a child, teachers, coaches, youth leaders, or ministers were there to help me. Definitely true Probably true Not sure Probably not true Definitely not true 8. Someone in my family cared about how I was doing in school. Definitely true Probably true Not sure Probably not true Definitely not true 9. My family, neighbors, and friends talked often about making our lives better. Definitely true Probably true Not sure Probably not true Definitely not true 10. We had rules in our house and were expected to keep them. Definitely true Probably true Not sure Probably not true Definitely not true 11. When I felt really bad, I could almost always find someone I trusted to talk to. Definitely true Probably true Not sure Probably not true Definitely not true 12. When I was a youth, people noticed that I was capable and could get things done. Definitely true Probably true Not sure Probably not true Definitely not true 13. I was independent and a go-getter. Definitely true Probably true Not sure Probably not true Definitely not true 14. I believed that life is what you make it. Definitely true Probably true Not sure Probably not true Definitely not true How many of these fourteen protective factors did I have as a child and youth? (How many of the fourteen were circled “Definitely True” or “Probably True”?) _______ Of these circled, how many are still true for me?
Donna Jackson Nakazawa (Childhood Disrupted: How Your Biography Becomes Your Biology, and How You Can Heal)
Jesus himself remains an enigma. There have been interesting attempts to uncover the figure of the ‘historical’ Jesus, a project that has become something of a scholarly industry. But the fact remains that the only Jesus we really know is the Jesus described in the New Testament, which was not interested in scientifically objective history. There are no other contemporary accounts of his mission and death. We cannot even be certain why he was crucified. The gospel accounts indicate that he was thought to be the king of the Jews. He was said to have predicted the imminent arrival of the kingdom of heaven, but also made it clear that it was not of this world. In the literature of the Late Second Temple period, there had been hints that a few people were expecting a righteous king of the House of David to establish an eternal kingdom, and this idea seems to have become more popular during the tense years leading up to the war. Josephus, Tacitus and Suetonius all note the importance of revolutionary religiosity, both before and after the rebellion.2 There was now keen expectation in some circles of a meshiah (in Greek, christos), an ‘anointed’ king of the House of David, who would redeem Israel. We do not know whether Jesus claimed to be this messiah – the gospels are ambiguous on this point.3 Other people rather than Jesus himself may have made this claim on his behalf.4 But after his death some of his followers had seen him in visions that convinced them that he had been raised from the tomb – an event that heralded the general resurrection of all the righteous when God would inaugurate his rule on earth.5 Jesus and his disciples came from Galilee in northern Palestine. After his death they moved to Jerusalem, probably to be on hand when the kingdom arrived, since all the prophecies declared that the temple would be the pivot of the new world order.6 The leaders of their movement were known as ‘the Twelve’: in the kingdom, they would rule the twelve tribes of the reconstituted Israel.7 The members of the Jesus movement worshipped together every day in the temple,8 but they also met for communal meals, in which they affirmed their faith in the kingdom’s imminent arrival.9 They continued to live as devout, orthodox Jews. Like the Essenes, they had no private property, shared their goods equally, and dedicated their lives to the last days.10 It seems that Jesus had recommended voluntary poverty and special care for the poor; that loyalty to the group was to be valued more than family ties; and that evil should be met with non-violence and love.11 Christians should pay their taxes, respect the Roman authorities, and must not even contemplate armed struggle.12 Jesus’s followers continued to revere the Torah,13 keep the Sabbath,14 and the observance of the dietary laws was a matter of extreme importance to them.15 Like the great Pharisee Hillel, Jesus’s older contemporary, they taught a version of the Golden Rule, which they believed to be the bedrock of the Jewish faith: ‘So always treat others as you would like them to treat you; that is the message of the Law and the Prophets.
Karen Armstrong (The Bible: A Biography (Books That Changed the World))
He walked rapidly, ate rapidly, and loved to drive fast horses. He was fond of antique furniture, books (especially biographies), travel (his church sent him to Europe and once he sailed as far as Japan), sweets, and iced drinks. His cup of coffee began as a cup of sugar, then the coffee was poured in! In spite of his mother’s pleas, Brooks continued to smoke; his ideal vacation was made up of “plenty of books and time and tobacco.
Warren W. Wiersbe (50 People Every Christian Should Know: Learning from Spiritual Giants of the Faith)
[Huxley's Perennial Philosophy is concerned with] the need to love the earth and respect nature instead of following the example of those who 'chopped down vast forests to provide the newsprint demanded by that universal literacy which was to make the world safe for intelligence and democracy, and got wholesale erosion, pulp magazines, and organs of Fascist, Communist, capitalist, and nationalist propaganda.' He attacked 'technological imperialism' and the mechanisation [sic] which was 'increasing the power of a minority to exercise a co-ersive control over the lives of their fellows' and 'the popular philosophy of life... now moulded by advertising copy whose one idea is to persuade everybody to be as extroverted and uninhibitedly greedy as possible, since of course it is only the possessive, the restless, the distracted, who spend money on the things that advertisers want to sell.
Nicholas Murray (Aldous Huxley: A Biography)
Honor children. Listen reverently to their words and speak to them with infinite love.
William Lanouette (Genius in the Shadows: A Biography of Leo Szilard, the Man Behind the Bomb)
I love to read the biographies of godly men and women who achieved great things for God. Generally I find that one line of truth is woven through all of their accounts: Each in his or her own way endured years and years of patient endurance and humble sacrifice. Many of us would like to bypass that season, but it is the very thing that lays the foundation for the time when God displays us as His beautiful Bride.
Aaron Fruh (Decree of Esther, The: Changing the Future through Prophetic Proclamation)
I've seen so much and lived it all. I  wanted  to  bite   the  earth  and  taste  it.  It  is  both  bitter  and  sweet,  and   if  I  had  my  time  to  live  over  again,  I  wouldn’t  change a  damn  thing —  Reg  Spiers
Julie McSorley Marcus McSorley
I love my fans [and] Slayer fans,” wrote Lombardo. “But the fact is: Today's Slayer is not SLAYER. They can play all of the songs, but the heart and the backbone is gone.  If the current mindset was present at the beginning, we would have never made it this far.  We were not greedy sellouts, going through the motions on stage merely to cash a check. We were the epitome of the punk/thrash mentality. If they ever get back
D.X. Ferris (Slayer 66 2/3: The Jeff & Dave Years. A Metal Band Biography.)
letter. That’s exactly what I am in God’s hand—a little pencil. God is writing his love letter to the world in this way, through works of love.
Kathryn Spink (Mother Teresa (Revised Edition): An Authorized Biography)
The Times ad marked a seminal intersection in the history of cancer. With it, cancer declared its final emergence from the shadowy interiors of medicine into the full glare of public scrutiny, morphing into an illness of national and international prominence. This was a generation that no longer whispered about cancer. There was cancer in newspapers and cancer in books, cancer in theater and in films: in 450 articles in the New York Times in 1971; in Aleksandr Solzhenitsyn's Cancer Ward, a blistering account of a cancer hospital in the Soviet Union; in Love Story, a 1970 film about a twenty-four-year-old woman who dies of leukemia; in Bang the Drum Slowly, a 1973 release about a baseball catcher diagnosed with Hodgkin's disease; in Brian's Song, the story of the Chicago Bears star Brian Piccolo, who died of testicular cancer. A torrent of op-ed pieces and letters appeared in newspapers and magazines.
Siddhartha Mukherjee (The Emperor of All Maladies: A Biography of Cancer)
So this book, your biography . . . you’re ready to come out as a gay woman?” Evelyn closes her eyes for a moment, and at first I think she is processing the weight of what I’ve said, but once she opens her eyes again, I realize she is trying to process my stupidity. “Haven’t you been listening to a single thing I’ve told you? I loved Celia, but I also, before her, loved Don. In fact, I’m positive that if Don hadn’t turned out to be a spectacular asshole, I probably never would have been capable of falling in love with someone else at all. I’m bisexual. Don’t ignore half of me so you can fit me into a box, Monique. Don’t do that.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
Aging and reclusive Hollywood movie icon Evelyn Hugo is finally ready to tell the truth about her glamorous and scandalous life. But when she chooses unknown magazine reporter Monique Grant for the job, no one in the journalism community is more astounded than Monique herself. Why her? Why now? Monique is not exactly on top of the world. Her husband, David, has left her, and her career has stagnated. Regardless of why Evelyn has chosen her to write her biography, Monique is determined to use this opportunity to jump-start her career. Summoned to Evelyn’s Upper East Side apartment, Monique listens as Evelyn unfurls her story: from making her way to Los Angeles in the 1950s to her decision to leave show business in the late ’80s, and, of course, the seven husbands along the way. As Evelyn’s life unfolds—revealing a ruthless ambition, an unexpected friendship, and a great forbidden love—Monique begins to feel a very a real connection to the actress. But as Evelyn’s story catches up with the present, it becomes clear that her life intersects with Monique’s own in tragic and irreversible ways.
Taylor Jenkins Reid (The Seven Husbands of Evelyn Hugo)
If you clear out all of that space in your mind you would have a door way.
Elizabeth Gilbert (Eat, Pray, Love)
When you receive love, it releases you from the things that trouble you. Just knowing that someone cares about can give you strength and courage.
Tom Farley Jr. (The Chris Farley Show: A Biography in Three Acts)
After all, anyone can love people who are lovely.
Charles J. Shields (I Am Scout: The Biography of Harper Lee)
According to my little experience, there are two criteria which work in the background i.e. while reading a book either you yearn for the climax or you remain engrossed with the text which entertains you continuously irrespective of the end of the story. This subconscious activity could be different for individuals according to their choices, for example a lover of biographies and philosophies would enjoy every paragraph of a book by Plato or Aristotle, on the other hand a lover of detective novels would love every chapter of a novel by Aghatha Chistie. But if you give a philosophy lover a detective novel, he or she would like to finish it as fast as they could to know the climax and might be possible the detective story lover would never finish a biography. But there must always be a possibility of 'swapping' of 'e t cetera's. Variety is very much natural... if a person reads 'economics' throughout the life he'd become as dry as a fallen tree trunk, no rain could make it green, he should have a pinch of fiction to his book choices...
My own
It seems to have been meeting Methodist missionaries from India that inspired Margaret with her ambition, curious in someone little more than a child, to join the Indian Civil Service After listening to them, she remembered, 'I wanted to be an Indian civil servant, because I thought that India was a remarkable place and I would love to be a part, a cog in the wheel, of this great empire. (page 6)
Charles Moore (Margaret Thatcher: The Authorized Biography, Volume Two: Everything She Wants)
The paths carved by the divine carpenter into her palms are actually treasure maps showing the way to heaven.
J.Y. Tacheva (How We Fall in Love: The Tale Scheherazade Didn't Tell)
The electron that scientists see in the laboratory-the electron that physicists, chemists, and engineers have known and loved for decades-is an impostor. It is not the true electron. The true electron is hidden in a shroud of particles, made up of the zero-point fluctuations, those particles that constantly pop in and out of existence. As an electron sits in the vacuum, it occasionally absorbs or spits out one of these particles, such as a photon. The swarm of particles makes it difficult to get a measurement of the electron's mass and charge, because the particles interfere with the measurement, madking the electron's true properties. The "true" electron is a bit heavier and carries a greater charge than the electron that physicists observe.
Charles Seife (Zero: The Biography of a Dangerous Idea)
Here is my book Decentralized Globalization: This is my life for the past 40 years, from the moment I have left Romania behind and defected to the West. Transylvania was a hard place to leave because it is so pristine and innocent peasants are so naive, and my parents I miss to this day. I love America, been studying capitalism from Bush Sr. to Trumpism.I did not vote for the idiot. This book also contains my Biography with pictures!
Dr Olga
I have sucked into my lungs molecules from not only the last breath of animals and people I have loved, but also from their exhalations at any of the moments I choose from their biographies: Marissa’s and Newton’s first yells after gulping air for the first time; Peter’s wholehearted “Ja” on our wedding day; my mother’s pant-pant-blows as she labored to push me into the world;
Gerda Saunders (Memory's Last Breath: Field Notes on My Dementia)
Freedom was my daring travel companion on the thrilling ride of life.
Beth Kempton (Freedom Seeker: Live More. Worry Less. Do What You Love.)
We often build our lives in a way that shuts out freedom.
Beth Kempton (Freedom Seeker: Live More. Worry Less. Do What You Love.)
Freedom is found within.
Beth Kempton (Freedom Seeker: Live More. Worry Less. Do What You Love.)
I am quite uneasy about your dear brother, not having heard from him since he went to Oxford; and am fearful of some misunderstanding. Your kind offices will set all right: he is the only man I ever did or could love, and I trust you will convince him of it.
Jane Austen (The Complete Works of Jane Austen (All Novels, Short Stories, Unfinished Works, Juvenilia, Letters, Poems, Prayers, Memoirs and Biographies - Fully Illustrated))
bought a pristine copy of Man on the Run, a biography of Paul McCartney that began not with the Beatles, but with what McCartney did after they broke up. Parker had always preferred McCartney’s work to John Lennon’s, whatever effect it might have had on his standing with the cool kids. Lennon could only ever really write about himself, and Parker felt that he lacked empathy. McCartney, by contrast, was capable of thinking, or feeling, himself into the lives of others. It was the difference between “Strawberry Fields Forever” and “Penny Lane”: although Parker loved both songs, “Penny Lane” was filled with characters, while “Strawberry Fields Forever” really had only one, and his name was John Lennon. Parker might even have taken the view that Lennon needed to get out of his apartment more, but when he did, an idiot shot him. He’d probably been right to spend the best part of a decade locked inside. Ross appeared just as McCartney
John Connolly (A Game of Ghosts (Charlie Parker, #15))
I remember when Elvis died. I wrote my sentiments with words of a little girl in my dear diary, "Many people wanted to see his body. They literally wanted to dig his bones out just to make sure that he was being buried. And I could not understand why. Why people could not leave him alone and let his soul rest in peace." I couldn't get it. I didn't grasp it at that time. In a head of a little girl it was hard to believe that there were mysteries to be solved. That there ruled a conspiracy theory that people thought it was odd that he was buried and the casket was never opened. They didn't believe he was dead! Oh yes. Elvis Lives! And as the world needs his songs, his words, his thoughts, his love, his light more than ever before.
Ana Claudia Antunes (Mysterious Murder of Marilyn Monroe)
poet Harold Hart Crane #203 on top 500 poets Poet's Page Poems Comments Stats E-Books Biography Videos Share on Facebook Share on Twitter Poems by Harold Hart Crane : 6 / 38 « prev. poem next poem » Exile - Poem by Harold Hart Crane Autoplay next video My hands have not touched pleasure since your hands, -- No, -- nor my lips freed laughter since 'farewell', And with the day, distance again expands Voiceless between us, as an uncoiled shell. Yet, love endures, though starving and alone. A dove's wings clung about my heart each night With surging gentleness, and the blue stone Set in the tryst-ring has but worn more bright.
Harold Hart Crane
To belong somewhere. That was something much more important than belonging to someone. Now, he used to think to himself that maybe he took too serious that 'mission' of belonging somewhere.
Robert Neil Fleischer (Alien Biography)
We approach truth only inasmuch as we depart from life”, said Socrates when preparing for death. “For what do we, who love truth, strive after in life? To free ourselves from the body, and from all the evil that is caused by the life of the body! If so, then how can we fail to be glad when death comes to us? “The wise man seeks death all his life and therefore death is not terrible to him.
Leo Tolstoy (A Confession (Annotated with Biography and Critical Essay))
Her locks an ancient lady gave Her loving husband's life to save; And men — they honored so the dame — Upon some stars bestowed her name. But to our modern married fair, Who'd give their lords to save their hair, No stellar recognition's given. There are not stars enough in heaven.
Ambrose Bierce (The Devil's Dictionary - With a Preface by the Author and a Short Biography of Ambrose Bierce)
IT has been said that pottery is not a medium that can express any very significant concept; that the technical processes which necessarily follow the artist’s work blur his line and color, destroying fine differences and taking away from the immediacy of his touch; that it is at its best when it is anonymous form and color; that in “personal” ceramics gaiety, decorativeness, and fantasy can survive but not much else; and that quite apart from the limitations of size and surface the ceramic equivalent of a “Guernica” is unthinkable. And in this particular case it has also been said that in the course of years the dispersion of Picasso’s energy over some thousands of minor objects encouraged his facility and, by sapping his concentration, did lasting damage to his creative power. This seems to me to overstate the case: but although I love many of the Picasso vases, figurines, and dishes I have seen I think few people would place his ceramics on the same level as his drawing, painting, or sculpture. It may be that he did not intend to express more than in fact he did express: or it may be that Picasso was no more able to perform the impossible than another man—that neither he nor anyone else could do away with the inherent nature of baked clay. Yet even if one were to admit that pottery cannot rise much above gaiety, fantasy, and decoration (and there are Sung bottles by the thousand as evidence to the contrary, to say nothing of the Greek vases), what a range is there! Picasso certainly thought it wide enough, and he worked on and on, learning and innovating among the wheels, the various kilns, and the damp mounds of clay in the Ramiés’ Madoura pottery, taking little time off for anything except some studies of young Claude, a certain number of lithographs and illustrations, particularly for Reverdy’s Le Chant des Morts, and for Góngora. He had always valued Góngora and this selection
Patrick O'Brian (Picasso: A Biography)
Yet at some point in all the happy turmoil Picasso changed, or was changed, from a capital painter, known as such a painter should be known, into a monstre sacré, a holy cow surrounded with an enormous, self-perpetuating, inescapable, and generally irrelevant notoriety. And whereas a capital painter may be a man among other men, of finer essence no doubt but still capable of bleeding when pricked, a sacred monster may not; and when he is pricked he must ooze gold rather than blood, or at least a kind of contagious fame. To the natural inequality between him and most men is added a factitious and often somewhat tawdry rank: he is never allowed to forget his status and he must live almost as lonely as the phoenix, surrounded by courtiers rather than friends—a hard fate for one who loved company as much as Picasso. The change did not come about at once, and its accompaniment of vast wealth, with all the possibility of corrupting power, authority, and freedom from restraint that wealth implies, was still some few years away, together with his full realization that fame was “the castigation by God of the artist,” and of the fact that a certain kind of fame means solitude.
Patrick O'Brian (Picasso: A Biography)
Three days later he burst out in a completely new direction: seven drawings transport the “Déjeuners” to the Golden Age, and they are a joy to see, for Picasso was the draughtsman of the world, and the first is as lovely as anything in his long career.
Patrick O'Brian (Picasso: A Biography)
If he was incapable of showing affection, it was because he could not love himself.
David A. Leeming (James Baldwin: A Biography)
Yet some few were foreigners, Hungarians, Germans, Czechs, long pale Swedes, concerned with the arts and in quest of particular artists: some looked for Picasso, and some of those who found him asked him to explain his painting—what did it mean? All his life he loathed questions of this kind, and all his life he was plagued with them. “Everyone wants to understand art,” he cried angrily. “Why not try to understand the song of a bird? Why does one love the night, flowers, everything around one, without trying to understand them? But in the case of painting people have to understand…
Patrick O'Brian (Picasso: A Biography)
He illustrated books magnificently; he owned a considerable number, some of the greatest bibliographical interest; but he did not read a great many. This is not to say that he was not a keenly intelligent man, capable of profound understanding; yet his was an exceedingly quick and sometimes impatient mind, not very well suited for the slow accumulative absorption of prose. Verse was another matter: here the concentrated essence could be grasped almost as quickly as a picture or a carving; Picasso certainly read poetry and he certainly loved poets all his life—Max Jacob, Guillaume Apollinaire, Paul Eluard, to name but three. To be a poet was a passport to his kindness.
Patrick O'Brian (Picasso: A Biography)
Similarly harmless are the albums by Lil' Romeo... Only you will know whether you want to listen to an album by an eleven-year-old rapper. "It's teen-age music, but it's also adult appealing," the biography on Lil' Romeo's Web site claims, but this seems extravagently hopeful, because it's hard to imagine that anyone in his teens would swallow this stuff, and it certainly didn't appeal to this particular adult. The intro features a version of "Frere Jacques;" track two is effectively a rap version of "Twinkle, Twinkle, Little Star;" and "Somebody's in Love" contains the line "Be my Mickey Mouse, and I'll be your Minnie.
Nick Hornby (Songbook)
Oh, magic hour when a child first knows it can read printed words! For quite a while, Francie had been spelling out letters, sounding them and then putting the sounds together to mean a word. But one day, she looked at a page and the word “mouse” had instantaneous meaning. She looked at the word and the picture of the gray mouse scampered through her mind. She looked further and when she saw “horse”, she heard him pawing at the ground and saw the sun glint on his glossy coat. The word “running” hit her suddenly and she breathed hard as though running herself. The barrier between the individual sound of each letter and the whole meaning of the word was removed sound of each letter and the printed word meant a thing at one quick glance. She read a few pages rapidly and almost became ill with excitement. She wanted to shout it out. She could read! She could read! From that time on, the world was hers for the reading, She would never be lonely again, never miss the lack of intimate friends. Books became her friends and there was one for every mood. There was a poetry for quiet companionship. There was adventure when she tired of quiet hours. There would be love stories when she came into adolescence and when she wanted to feel the closeness to someone she could read a biography. On that day she first knew she could read, she made a vow to read one book a day as long as she lived.
Betty Smith
Mani Ratnam is by no stretch of the imagination an expressive person. He does not show much emotion, except in his stories. But that does not mean he doesn’t feel it in real life. ‘I was stunned that day,’ he says, some twenty-five years later. ‘I could not believe what I was hearing. The music he played for me that day, it was fabulous.’ AR thought, at the time, that Mani Ratnam hated his music. ‘I didn’t think he would ever come back,’ he says.2 But a few days later, the director got in touch with AR and told him that he’d like to sign him on for his next film—as music director. ‘I love a lot of stuff,’ he said. ‘Let’s meet and I’ll tell you what will work for me.’3 It was a decision that would end up altering the course of AR’s life, as well as Tamil, Indian and world music and cinema.
Krishna Trilok (Notes of a Dream: The Authorized Biography of A.R. Rahman)
Share this poem: Share on Facebook Share on Twitter Tridib Mitra Rookie Tridib Mitra (7 April 1943 / Howrah, West Bengal, India) Poet's Page Poems Comments Stats Biography Share on Facebook Share on Twitter Poems by Tridib Mitra : 1 / 1 I And - Poem by Tridib Mitra Autumn's phantasmagoric tempest I am at the door of 1964 wooden knocks: who are you? 'Woodpecker! ' What's this? 'Shocked vision! ' Chances, dreams, haha reality has become very dense 'POOOEEETTT? ' Yet mad in love?
Tridib Mitra
The hidden secrets and immoral values were slowly sucking the natural beauty out of my native town. I’d become detached, perhaps traumatized. Even the memories of the sweetest coconut water, mangos, and sugar cane couldn’t make up for my discontentment.” Tested Innoence by Bernadette Jeudy - 2019
Bernadette Jeudy
Angie Dickinson has often spoken of her admiration for Brennan, and did so again for this biography: Brennan and I had no scenes together, and therefore rarely crossed paths. On a big set like that, if you don’t work, you don’t just come around and “hang out.” Either for me or for WB. One day we were on the set together in Tucson, and we had a lovely brief chat, and he was so very dear, gentle and calm. But we made no other contact. I can only say that he was a sweet man, and he was brilliant in Rio Bravo, as in everything he did. He was a true ACTOR. And by the way, I regret I did nothing to promote a friendship. . . . However, I think he was a very private man, and one just didn’t do that to a legend like WB. It was so like Brennan to be utterly accessible on a set, but also to draw a sharp distinction between work and his personal life.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends Series))
She leans her head on him again. "I have a secret." she says. He stays silent, touching her face. "I’d like to confide in you." She sits up. "But you have to swear not to tell anyone." She looks at him, raising an eyebrow, before lowering her head and a curtain of hair covers her face. "I’d die of shame." Andrea takes her strands of hair and moves them back. "I swear. Cross my heart, like when we were little. Okay?" he makes a sign on his chest. She nods and takes two deep breaths. "It's a little long. I don’t know where to start." "Take all the time you need." He sits up and plays with the grass while he waits. "Well…." She lifts her clasped hands to her mouth. "I've written two novels," she begins. "Really?" Andrea gasps. "Great! Have they been published?" She nods. "How are they doing?" "Well," she says, decisively. "I’m very happy." "I’ll look you up and have a read." She tucks a strand of hair behind her ear. "I’m under a pseudonym, to be honest." Andrea raises his eyebrows. "Ah, I see. So that you feel more free to express yourself, I guess." Susy shakes her head. That isn’t the reason. "Is it because of the stories? Are they strange?" Susy looks down and puts a finger to her mouth, biting the nail. "A little." "Are they really violent? Do you write Tarantino type stories?" he jokes. "No, no." Andrea senses that they have started a guessing game. One piece of information at a time and then he will get to the answer. "Ah! I’ve got it," he points at her. "Love stories? Or, wait. What are they called....?" He snaps his fingers. "Barbara reads them. Those books with vampires, angels and….." "Paranormal Romance? No, not that either." Andrea scratches his ear. "Thrillers, crime novels, science fiction?" Only biographies and reference books remain. She shakes her head again and Andrea folds his arms in puzzlement. "What books have you written then?" Susy whispers a word, her finger in her mouth, and Andrea doesn’t catch it. He takes away her hand and moves closer to her. "Huh?" "Erotic novels," she says, blushing. Andrea gasps and looks at her, wide-eyed, then bursts out laughing and throws himself onto the ground. He holds his stomach and rolls around. "I don’t believe it..." he says, doubled up with laughter. "I knew I shouldn’t have told you!" she blurts out and starts getting up. Andrea grabs her arm. "Please. Sorry," he says. "It’s just that you don’t seem like a housewife who does S&M in the living room." Susy folds her arms. "No, I don’t write about that kind of fantasy." "What type of fantasy do you write about?" he asks with a mischievous smile. "First love in the classroom? Romance, but with sex?" He waves his eyebrows, amused. "Stupid!" she replies, annoyed. "Alright." He clears his throat. "I won’t make fun of you. I promise. I'm listening." He becomes serious again, biting his lips. Susy
Key Genius (Heart of flesh)
Ian wanted to know how I got Michael to talk about such matters and I explained what I had discovered in Jill’s diary and what she herself had said about the need for candour in biography. I also mentioned that four-minute silence in which Michael seemed to be calculating what to say. “I know those silences,” Ian said, laughing again. “It’s going to be a good book,” Ian told me. “I’ve learned more from you than you have from me,” he added. “I try to give good value,” I replied. “So Elizabeth was not the innocent thing I thought she was,” he marvelled. I suggested perhaps nothing would have happened if Michael had not taken the initiative. “He did?” Ian asked. “How do you know?” “Because I asked him,” I told Ian. “Michael is not the man we always believe him to be,” Julie said. “There are other sides to Michael Foot, “ I announced, “which is what one should learn in a biography.” Ian wondered aloud about what the Daily Mail would do with such a story. Both Ian and Julie cautioned me to have nothing to do with the tabloids; publishing there would set Michael off. “Michael Foot: A Sexual Life,” Ian said, and laughed. “Michael Foot in Love,” Julie countered. “There is a passion there, yes,” I agreed. “ I always thought his interest was academic,” Ian noted. “No, it ain’t,” Julie said.
Carl Rollyson (A Private Life of Michael Foot)
Lastly, Spurgeon reminds us that piety and devotion to Christ are not preferable alternatives to controversy, but rather that they should - when circumstances demand it - lead to the latter. He was careful to maintain that order. The minister who makes controversy his starting point will soon have a blighted ministry and spirituality will wither away. But controversy which is entered into out of love for God and reverence for His Name, will wrap a man's spirit in peace and joy even when he is fighting in the thickest of battle. The piety which Spurgeon admired was not that of a cloistered pacifism but the spirit of men like William Tyndale and Samuel Rutherford who, while contending for Christ, could rise heavenwards, jeopardizing 'their lives unto the death in the high places of the field'. At the height of his controversies Spurgeon preached some of the most fragrant of all his sermons.
Iain H. Murray
find it interesting, given the controversies over alcohol that would eventually erupt in the history of the Christian church, that the arrival of Christianity in the world and its eventual sway over the empire did not diminish the Roman love of beer. For the early Christians, drunkenness was the sin—as their apostles had repeatedly taught—and not the consumption of alcohol. After all, their Lord had miraculously created wine at a wedding feast, the fledgling church drank wine at its sacred meals, and Christian leaders even instructed their disciples to take wine as a cure for ailments. Clearly, beer and wine used in moderation were welcomed by the early Christians and were taken as a matter of course. It was excess and drunkenness and the immorality that came from both that the Christians opposed.
Stephen Mansfield (The Search for God and Guinness: A Biography of the Beer that Changed the World)
England was seeking a literature to reflect its newly enriched status and it was to the courtiers, the knights of Elizabeth’s entourage, that the role fell to turn the English language into literature. The gentleman-poet was called up, he who could handle the pen with as much skill as the sword; it was his turn now to play his part in the adventure of English. The courtier wrote for pleasure, for show and for the love of writing; it was his plumage, playing with the language, seeking lines belonging only to him, looking for immortality in verse.
Melvyn Bragg (The Adventure of English: The Biography of a Language)
I will be pleasant to my friends, mild and placable to my enemies, I will forgive before my forgiveness is asked, I will satisfy all honest petitions. I shall know that the world is my country with the gods as its rulers, and these I shall regard as the judges of all I do and all I say. And so whenever Nature takes once more my spirit to herself, or when my reason releases it, I shall go hence bearing witness that I have loved a good conscience and a good manner of life, and that none through me have suffered loss of liberty, myself least of all.' 
Francis Caldwell Holland (The Stoic: A biography of Seneca (Illustrated))
Every Day is Canada Day for new Canadians
Maureen Haddock
Because I write women’s history I rarely have the luxury of a full and fair biography to study. Until about 1960 there were very few histories written about women at all, and often I am faced with a blank or—worse—with an unfair condemnation of the woman. Tracing Elizabeth of York’s life was often speculation, and sometimes I found myself simply rebelling against the picture that the medieval chroniclers tried to force on the real woman; those who spoke of her “truly wonderful obedience.” Clearly, we cannot believe that she was only the passive pawn of Tudor ambition, a baby-making machine who chose a married motto of “Humble and penitent” when she had been raised by a rebel, was a princess of royal blood, and her own motto before marriage was “Sans removyr” which means (surely defiantly?) “unmoving” or “unchanging.” A young woman of eighteen, who has witnessed her father driven from the throne and restored, her mother give birth in prison, her brother disappear from his own castle, who has engaged in an adulterous love affair with the king while betrothed to his enemy, and who claims the defiant motto “unchanging” is not anyone’s pawn!
Philippa Gregory (The White Princess (The Plantagenet and Tudor Novels, #5; Cousins War #5))
-My character and the History of me. From an early age, Marouane wants to take advantage and exploit of all that life can bring. I am the reckless who is always invincible through my childhood, i was very active, effective and curious by nature. I always follow my intuition by trusting in my instincts and asking myself alot of questions and listening to the first answer that pops into my head, this makes me always got the stature of rarely being mistaken, and its makes me different in many ways not mean wrong but equal. My mind is lively and businesslike. In the same time, i got an overview for the environment and how i can get a bearings for it. I saw myself loyal by trusting in my ability to be loyal and being supportive, for no other reason than friendship, and let them know that i am frank and direct in everything i undertake and does not give in to flattery. Seeking to avoid all forms of hypocrisy or false pretenses, it sometimes happens to be cold, abrupt, intolerant and devoid of tact. But deep inside me, i had a great sensitive by paying attention to the person’s face. I tried to be gentle and know how to benefit my loved ones, preferring to testify my devotion and affection by the acts. In love, a certain jealousy allows me and makes me remind my half who will hold for her. Child already, impressed by my vitality and clout and bountiful resources. I got the profile of a leader and captain, at street at school at videogames at everything, cause i was stalwart and authoritarian. I dont like to follow the rules and alot of diabolical ideas over my head, i was considered to be the most influential insensate and always be at the head of the herd. Professionally, with all my capacity, i can fully enjoy all opportunities and chances, my need for action makes me a valuable element in life. I am a man of value who has a heart on his hand, but whoever attempts to abuse or hurt me, i will throw myself at his own risk with one action.
What is funny though is how, with time, people seem to have forgotten that it was this period that really made Rahman what he is. The man is Tamil and Tamil music was how he started out, and some of his best songs are in Tamil. On 8 July 2017, AR performed at Wembley Stadium in London, a concert titled Netru, Indru, Naalai (Tamil for ‘yesterday, today, tomorrow’). Soon after the concert, Twitter went berserk with a number of fans who’d attended the concert taking to social media to attack the composer, accusing him of playing ‘too many Tamil songs’. Some claimed that they’d walked out of the show in protest. AR addressed the issue politely and diplomatically. He reasoned that he had ‘tried his best’, was grateful to his fans and loved them for all they’d given him. As for the walking out bit, he said that some people always tend to leave the venue before he finishes a concert. He said there would always be pockets in the seats, here and there, by the time he got to the end of a show. His actual response though was quite brilliant. For his next set of concerts in Canada, AR cleverly released two posters for two different shows—one of which would be Tamil songs only and the other Hindi songs only. That one move said more than all his statements to the media.
Krishna Trilok (Notes of a Dream: The Authorized Biography of A.R. Rahman)
He took the trophy and the mic and said, ‘Uhm,’ and then laughed, almost as if he were at a loss for words. When the presenters insisted though, he looked to the audience and thanked his crew again, Danny Boyle especially, the people of Mumbai and the optimism that he believed was the essence of the film. ‘All my life,’ he said, finally looking like he was starting to choke up, ‘I had a choice of hate and love. I chose love. And I’m here. God bless.’ Truer words he could not have spoken. At every point in his life he had faced this crucial choice. When his father died. When he had to start working before he was even a teenager. When he had to drop out of school. When he had to grow up faster than any child could have reasonably been expected to; when he had to become the man of the house at eleven, had to take care of his family. When he felt creatively stifled during his days as a sessions player and wondered if this was all his life was going to be about. When he felt his music wasn’t being appreciated widely or truly enough before Roja. When it seemed he was all alone, with no one to turn to. When he became famous. He could have chosen to be bitter, prideful or sad at every stage. But he didn’t. If not for his music, then simply for his capacity to choose light over dark, A.R. Rahman deserves every bit of adulation he got that day and ever since. His speech done, AR lowered his mic, as if not trusting himself to keep his composure for much longer, and walked off the stage.
Krishna Trilok (Notes of a Dream: The Authorized Biography of A.R. Rahman)
I do not think there is any thrill that can ago through the human heart like that felt by the inventor as he sees some creation of the brain unfolding to success… Such emotions make a man forget food, sleep, friends, love, everything.” ~ N. Tesla
Cynthia A. Parker (Master of Electricity - Nikola Tesla: A Quick-Read Biography About the Life and Inventions of a Visionary Genius)
I have a three-year policy,’ AR said during a highly publicized public conversation with none other than Bharat Bala in 2017. ‘After three years of doing something, I get bored. I want to do something else, something new. It applies to all aspects of my life.’ He paused for a second and then quickly added, ‘Not to my family, of course. I’m not bored of them. But everything else . . .’ People he worked with during his band days, during his time in advertising, second this. Even then, AR used to be obsessed with changing something or other—about himself, about his life. He would change his hairstyle, his equipment. He loved doing that. Not just for himself, but because he seemed to realize innately that frequent change is what jolts people, gives them a reason to refocus on him. Do something for too long and not only do you get bored of doing it, but people get bored watching you do it too—however good you are.
Krishna Trilok (Notes of a Dream: The Authorized Biography of A.R. Rahman)