Billiards Sayings And Quotes

But he always liked to get visitors alone in the billiard room and tell them stories about a mysterious lady, a foreign royalty, with whom he had driven about London. 'A devilish temper she had,' he would say. 'But she was a dem fine woman, sir, a dem fine woman.

After some cogitation, it is difficult not to agree with Herman Bondi (1919 - 2005), who in his book 'Relativity and Common Sense' says: ... The surprising thing, surely, is that molecules in a gas behave so much as billiard balls, not that electrons behave so little like billiard balls.

Speaking about time’s relentless passage, Powell’s narrator compares certain stages of experience to the game of Russian Billiards as once he used to play it with a long vanished girlfriend. A game in which, he says, “...at the termination of a given passage of time...the hidden gate goes down...and all scoring is doubled. This is perhaps an image of how we live. For reasons not always at the time explicable, there are specific occasions when events begin suddenly to take on a significance previously unsuspected; so that before we really know where we are, life seems to have begun in earnest at last, and we ourselves, scarcely aware that any change has taken place, are careering uncontrollably down the slippery avenues of eternity."

Baudelaire" When I fall asleep, and even during sleep, I hear, quite distinctly, voices speaking Whole phrases, commonplace and trivial, Having no relation to my affairs. Dear Mother, is any time left to us In which to be happy? My debts are immense. My bank account is subject to the court’s judgment. I know nothing. I cannot know anything. I have lost the ability to make an effort. But now as before my love for you increases. You are always armed to stone me, always: It is true. It dates from childhood. For the first time in my long life I am almost happy. The book, almost finished, Almost seems good. It will endure, a monument To my obsessions, my hatred, my disgust. Debts and inquietude persist and weaken me. Satan glides before me, saying sweetly: “Rest for a day! You can rest and play today. Tonight you will work.” When night comes, My mind, terrified by the arrears, Bored by sadness, paralyzed by impotence, Promises: “Tomorrow: I will tomorrow.” Tomorrow the same comedy enacts itself With the same resolution, the same weakness. I am sick of this life of furnished rooms. I am sick of having colds and headaches: You know my strange life. Every day brings Its quota of wrath. You little know A poet’s life, dear Mother: I must write poems, The most fatiguing of occupations. I am sad this morning. Do not reproach me. I write from a café near the post office, Amid the click of billiard balls, the clatter of dishes, The pounding of my heart. I have been asked to write “A History of Caricature.” I have been asked to write “A History of Sculpture.” Shall I write a history Of the caricatures of the sculptures of you in my heart? Although it costs you countless agony, Although you cannot believe it necessary, And doubt that the sum is accurate, Please send me money enough for at least three weeks.

You see the river has overflowed its banks as well." "Good gracious! Have any lives been lost?" "Heaps, I should say. The second housemaid has already identified three bodies that have floated past the billiard-room window as being the young man she's engaged to. Either she's engaged to a large assortment of the population round here or else she's very careless at identification. Of course it may be the same body coming round again and again in a swirl; I hadn't thought of that.

After Evie had finished her plate, Sebastian tugged her to the billiards table and handed her a cue stick with a leather tip. Ignoring her attempts to refuse him, he proceeded to instruct her in the basics of the game. “Don’t try to claim this is too scandalous for you,” he told her with mock severity. “After running off with me to Gretna Green, nothing is beyond you. Certainly not one little billiards game. Bend over the table.” She complied awkwardly, flushing as she felt him lean over her, his body forming an exciting masculine cage as his hands arranged hers on the cue stick. “Now,” she heard him say, “curl your index finger around the tip of the shaft. That’s right. Don’t grip so tightly, sweet…let your hand relax. Perfect.” His head was close to hers, the light scent of sandalwood cologne rising from his warm skin. “Try to imagine a path between the cue ball—that’s the white one—and the colored ball. You’ll want to strike right about there”—he pointed to a place just above center on the cue ball—“to send the object ball into the side pocket. It’s a straight-on shot, you see? Lower your head a bit. Draw the cue stick back and try to strike in a smooth motion.” Attempting the shot, Evie felt the tip of the cue stick fail to make proper contact with the white ball, sending it spinning clumsily off to the side of the table. “A miscue,” Sebastian remarked, deftly catching the cue ball in his hand and repositioning it. “Whenever that happens, reach for more chalk, and apply it to the tip of the cue stick while looking thoughtful. Always imply that your equipment is to blame, rather than your skills.” Evie felt a smile rising to her lips, and she leaned over the table once more. Perhaps it was wrong, with her father having passed away so recently, but for the first time in a long while, she was having fun. Sebastian covered her from behind again, sliding his hands over hers. “Let me show you the proper motion of the cue stick—keep it level—like this.” Together they concentrated on the steady, even slide of the cue stick through the little circle Evie had made of her fingers. The sexual entendre of the motion could hardly escape her, and she felt a flush rise up from the neck of her gown. “Shame on you,” she heard him murmur. “No proper young woman would have such thoughts.” A helpless giggle escaped Evie’s lips, and Sebastian moved to the side, watching her with a lazy smile. “Try again.

Only last Sunday, when poor wretches were gay—within the walls playing with children among the clipped trees and the statues in the Palace Garden; walking, a score abreast, in the Elysian Fields, made more Elysian by performing dogs and wooden horses; between whiles filtering (a few) through the gloomy Cathedral of Our Lady to say a word or two at the base of a pillar within flare of a rusty little gridiron-full of gusty little tapers; without the walls encompassing Paris with dancing, love-making, wine-drinking, tobacco-smoking, tomb-visiting, billiard card and domino playing, quack-doctoring, and much murderous refuse, animate and inanimate—only last Sunday, my Lady, in the desolation of Boredom and the clutch of Giant Despair, almost hated her own maid for being in spirits. She cannot, therefore, go too fast from Paris. Weariness of soul lies before her, as it lies behind—her Ariel has put a girdle of it round the whole earth, and it cannot be unclasped—but the imperfect remedy is always to fly from the last place where it has been experienced. Fling Paris back into the distance, then, exchanging it for endless avenues and cross-avenues of wintry trees! And, when next beheld, let it be some leagues away, with the Gate of the Star a white speck glittering in the sun, and the city a mere mound in a plain—two dark square towers rising out of it, and light and shadow descending on it aslant, like the angels in Jacob's dream!

driving through the park I notice men and women playing golf driving in their powered carts over billiard table lawns, they are my age but their bodies are fat their hair grey their faces waffle batter, and I remember being startled by my own face scarred, and mean as red ants looking at me from a department store mirror and the eyes mad mad mad I drive on and start singing making up the sound a war chant and there is the sun and the sun says, good, I know you, and the steering wheel is humorous and the dashboard laughs, see, the whole sky knows I have not lied to anything even death will have exits like a dark theatre. I stop at a stop sign and as fire burns the trees and the people and the city I know that there will be a place to go and a way to go and nothing need ever be lost.

Computer simulation often works fine if we assume nothing more than Newton’s laws at the atomic scale, even though we know that really we should be using quantum, not classical, mechanics at that level. But sometimes approximating the behaviour of atoms as though they were classical billiard-ball particles isn’t sufficient. We really do need to take quantum behaviour into account to accurately model chemical reactions involved in industrial catalysis or drug action, say. We can do that by solving the Schrödinger equation for the particles, but only approximately: we need to make lots of simplifications if the maths is to be tractable. But what if we had a computer that itself works by the laws of quantum mechanics? Then the sort of behaviour you’re trying to simulate is built into the very way the machine operates: it is hardwired into the fabric. This was the point Feynman made in his article. But no such machines existed. At any rate they would, as he pointed out with wry understatement, be ‘machines of a different kind’ from any computer built so far. Feynman didn’t work out the full theory of what such a machine would look like or how it would work – but he insisted that ‘if you want to make a simulation of nature, you’d better make it quantum-mechanical’.

Einstein, on the other hand, believed, as did Spinoza, that a person’s actions were just as determined as that of a billiard ball, planet, or star. “Human beings in their thinking, feeling and acting are not free but are as causally bound as the stars in their motions,” Einstein declared in a statement to a Spinoza Society in 1932. Human actions are determined, beyond their control, by both physical and psychological laws, he believed. It was a concept he drew also from his reading of Schopenhauer, to whom he attributed, in his 1930 “What I Believe” credo, a maxim along those lines: I do not at all believe in free will in the philosophical sense. Everybody acts not only under external compulsion but also in accordance with inner necessity. Schopenhauer’s saying, “A man can do as he wills, but not will as he wills,” has been a real inspiration to me since my youth; it has been a continual consolation in the face of life’s hardships, my own and others’, and an unfailing wellspring of tolerance. Do you believe, Einstein was once asked, that humans are free agents? “No, I am a determinist,” he replied. “Everything is determined, the beginning as well as the end, by forces over which we have no control. It is determined for the insect as well as for the star. Human beings, vegetables, or cosmic dust, we all dance to a mysterious tune, intoned in the distance by an invisible player.

Matt is one of the people I most try to emulate. He is exceptionally calm and logical under pressure. I’ve seen him face multiple data-center collapses with near-indifference, calmly sipping beer before another billiards shot. What should I tell a hugely influential journalist asking about it? “Tell him we’re on it.” Then he sunk another ball. He’s the epitome of “getting upset won’t help things.” I frequently ask myself “What would Matt do?” or “What would Matt say to me?

What happens to a billiard ball, say, if you shoot it through a wormhole at its slightly younger self, trying to deflect it off course? A physicist at the Russian Space Institute in Moscow named Igor Novikov worked out the math that would govern a trans-temporal, suicidal (or at least self-inhibiting) billiards game (a sort of cross between billiards and Russian roulette), and he discovered something remarkably reassuring: physical law would actually prevent the billiard ball from inhibiting its past self. In fact, a principle of self-consistency would govern a wormhole-riddled universe. Even if an object could enter a wormhole at some time point B and emerge earlier, at some time point A, it could never actually interfere with its own entry into the wormhole at that later time point B.7 Two of Thorne’s students checked and found that Novikov was right: a time-traveling billiard ball cannot take the place of its younger self.8 (According to physicist Nick Herbert, it is analogous to the exclusion principle discovered by Wolfgang Pauli, which prevents any two electrons from occupying the same states simultaneously—a principle that ultimately makes the world built of tiny probabilistic particles solid.9) More recently, the physicist Seth Lloyd designed and actually conducted such an experiment using a photon and what he called a quantum gun—essentially shooting the photon a few billionths of a second back in time to interfere with its past self. He discovered he couldn’t. “No matter how hard the time-traveler tries, she finds her grandfather is a tough guy to kill.”10 This does not mean that time travel is impossible. Quite the contrary. It means that the time-traveling object encounters and interacts with its earlier self in precisely such a way that its later entry into the wormhole is facilitated rather than impeded. In other words, all possible paths of a billiard ball entering a wormhole would, upon exiting the wormhole earlier, nudge itself into the mouth of the wormhole later, thus completing the causal tautology, or what physicists call the closed-timelike curve. These days, quantum physicists like Lloyd use the idiom of postselection, a kind of informational-causal Darwinism that ensures that the only information that survives its journey into the past is information that does not foreclose its origins in the future. It’s not like there’s a Causality Police stepping in now and again to prevent grandfather paradoxes from occurring, or that time travelers need to step gingerly in the past to avoid disturbing things (a common trope in time-travel stories)—although they may in fact find that funny paranormal experiences impede them in ways they hadn’t expected. Guns might misfire at a crucial moment, for instance. (There’s nothing keeping you from trying to kill your grandfather.) But mainly, it is that time travelers from the future who survive their journey into the past are the ones whose actions somehow lead to the identical future from which they will have been sent back. Time loops, in other words.

Indeed, one view of the European debt crisis—the Greek street view—is that it is an elaborate attempt by the German government on behalf of its banks to get their money back without calling attention to what they are up to. The German government gives money to the European Union rescue fund so that it can give money to the Irish government so that the Irish government can give money to Irish banks, so the Irish banks can repay their loans to the German banks. “They are playing billiards,” says Enderlein. “The easier way to do it would be to give German money to the German banks and let the Irish banks fail.

Wrath bared his fangs. “John, as God is my fucking witness, I will cut you if you don’t—” “Easy, there, big guy,” V gritted out. “I’m going to translate. You want to hit the library where we can—” “No, I want to fucking know where my shellan is!” Wrath boomed. John started signing, and whereas most of the time people translated half sentences sequentially, V waited until he’d finished the whole report. A couple of the Brothers muttered in the background as they shook their heads. “In the library,” V ordered the King in a way John never could have. “You’re gonna wanna do this in the library.” Wrong thing to say. Wrath wheeled on the Brother and went for him with such speed and accuracy no one was prepared: One minute V was standing next to the King; the next he was defending himself against an attack that was as unprovoked as it was . . . well, vicious. And then things went shit-wild. Like Wrath knew he was on the thin edge of a bad ledge, he broke off from V, and went total wrecking ball on the billiards room. The first thing he ran into was the pool table Butch was chilling next to—and there was barely any time for the cop to get that ashtray up off the side rails: Wrath grabbed the gunnels and flipped the thing like it was nothing but a card table, the mahogany and slate-topped behemoth flying up so high, it wiped out the hanging light fixture above, its weight so great it splintered the marble floor beneath on landing. Without missing a breath, the King EF5’d into his next victim . . . the heavy leather sofa that Rhage had just leaped up off. Talk about your couch-icopters. The entire thing came at John at about five feet off the floor, the pair of ends trading places as it spun around and around, cushions flying in all directions. He didn’t take it personally—especially as its mate do-si-doed with the bar, smashing the top-shelf bottles, liquor splashing all over the walls, the floor, the fire that was crackling in the hearth. Wrath wasn’t finished. The King picked up a side table, hauled it overhead, and pitched it in the direction of the TV. It missed the plasma screen, but managed to shatter an old-fashioned mirror—although the Sony didn’t last. The coffee table that had been in between the two sofas did that deed, killing the muted image of the two Boston guys and the old man from Southie with the baseball bat shilling for DirectTV. The Brothers just let Wrath go. It wasn’t that they were afraid of getting hurt. Hell, Rhage stepped in and caught the first couch before it tore a hunk off of the archway’s molding. They just weren’t stupid. Wrath - Beth x Overnight = Psycho-hose Beast

When the whip-poor-will sings his melody in the moonlight, and it is answered by your own heart beating a bit faster in awed appreciation, who in their right mind would say that it was all conjured by imbecilic billiard balls slamming each other by the laws of chance? No observant person would be able to utter such a thing, which is why it always strikes me as slightly amazing that any scientist can aver, with a straight face, that they stand there at the lectern—a conscious, functioning organism with trillions of perfectly functioning parts—as the sole result of falling dice. Our least gesture affirms the magic of life’s design.

What happens is that people don’t know, and so they can’t help me,’ he was saying calmly. ‘But when they open their morning newspapers and see that thirty thousand elephants are being killed every year to make paper knives and billiard balls, and that there’s a man who's doing his damnedest to stop this mass murder, they’ll raise hell. When they hear that out of a hundred baby elephants captured for the zoos eighty die in the first days, you’ll see what public opinion will say. There's such a thing as popular feeling, you know. That’s the kind of thing that makes a government fall, I tell you. All that’s needed is for the people to know.’ ’It was intolerable. I listened gaping, absolutely struck dumb. The man had faith in us, totally and unshakably, and that was something, a faith in us that looked as strong, as natural, as irrational as the elements, as the sea or the wind — something, by God, that looked in the end like the force of truth itself. I had to make an effort to defend myself — not to succumb to that amazing naivete. He really believed that people still had the generosity, the heart, in the ugly times we live in, to worry not only about themselves, but about elephants as well. It was enough to make you weep. I stood there in silence, staring at him — admiring him, I should say — with that gloomy, obstinate expression of his, and that damned briefcase. Ridiculous, if you like, yet also disarming, because I felt he was completely convinced by all the beautiful things man has sung about himself in his moments of inspiration. And with it all, a pigheaded obstinacy — the revolting thoroughness of a schoolmaster who’s got it into his head that he’ll make humanity do its homework and would not hesitate to punish it if it misbehaved. You can see from what I say that he was a highly contagious man.

During the pandemic, when we were all stuck at home every day, I realized that we, too, were in captivity. And just like Mei Mei, I, too, stopped wanting to have sex. And the only thing that carried me through this dark time was believing that there were other miserable and sexless folks out there who felt the same.” She started hosting Zoom sex workshops, sharing her research, her discoveries. Clips from her workshops went viral, and by the time the pandemic was over, she had helped millions of people around the world want sex again. “What we’ve learned from studying pandas in captivity is that they are, essentially, trapped in paradise. There is too much leisure, too much comfort, too much bamboo. Too much ESPN, if you know what I mean.” Suz nods knowingly. “The males stopped trying and the females no longer rubbed their anal glands over nearby trees like they did in the wild,” the Sex Woman adds, and Suz stops nodding. “All their needs were met. There was no flirtation, no foreplay, no delicate dance, because through captivity, we eliminated almost all of the natural Darwinian factors in panda mating. What we know now, what we all know now, is that we can’t just put two animals in a room and expect them to have sex. We can’t even expect them to want it. So why do we expect this of ourselves?” The Sex Woman, and her colleagues, spent years teaching the pandas how to remember to want it. “We showed them videos of other pandas mating,” the Sex Woman says. “Videos to stimulate them.” “Like panda porn?” Suz asks. “Yes.” “Do pandas actually get turned on when they watch other pandas have sex?” Nat asks. “Of course.” “That’s kind of beautiful,” Suz says and looks at the rest of the group. But Lila is unmoved. “It’s not beautiful,” Lila insists. “It’s porn, Suz.” “Yeah, but panda porn.” “Porn is not suddenly beautiful just because two bears are doing it,” Lila says. “Are there … like … panda storylines?” Marla asks. “Two pandas, one a billiards champion and the other needs to learn,” Nat says.