Billiard Life Quotes

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Life is either a collision of random events, like billiard balls during a break careening off and into one another, or if you are so inclined to believe, our predetermined fate—what my mother took such great comfort in calling God’s will.
Robert Dugoni (The Extraordinary Life of Sam Hell)
If we're open to it, God can use even the smallest thing to change our lives... to change us. It might be a laughing child, car brakes that need fixing, a sale on pot roast, a cloudless sky, a trip to the woods to cut down a Christmas tree, a school teacher, a Dunhill Billiard pipe...or even a pair of shoes. Some people will never believe. They may feel that such things are too trivial, too simple, or too insignificant to forever change a life. But I believe. And I always will.
Donna VanLiere
It seemed to work at first. I tried hard to forget, but there remained inside me a vague knot-of-air kind of thing. And as time went by, the knot began to take on a clear and simple form, a form that I am able to put into words, like this: Death exists, not as the opposite but as a part of life. Translate into words, it's a cliche, but at the time I felt it not as words but as that knot of air inside me. Death exists - in a paperweight, in four red and white balls on a billiard table - and we go on living and breathing it into our lungs like fine dust. Until that time, I had understood death as something entirely separate from and independent of life. The hand of death is bound to take us, I had felt, but until the day it reaches out for us, it leaves us alone. This had seemed to me the simple, logical truth. Life is here, death is over there. I am here, not over there. The night Kizuki died, however, I lost the ability to see death (and life) in such simple terms. Death was not the opposite of life. It was already here, within my being, it had always been here, and no struggle would permit me to forget that... I lived through the following spring...with that kind knot of air in my chest, but I struggled all the while against becoming serious. Becoming serious was not the same thing as approaching truth, I sensed, however vaguely. But death was a fact, a serious fact, no matter how you looked at it. stuck inside this suffocating contradiction, I went on endlessly spinning in circles...In the midst of life, everything revolved around death.
Haruki Murakami (Norwegian Wood)
I sometimes have the feeling that her entire life was merely a continuation of her mother's, much as the course of a ball on the billiard table is merely the continuation of the player's arm movement.
Milan Kundera (The Unbearable Lightness of Being)
Hello, tiny life-form of star compost, did you know that your lizardly life, too, is billiarded this way and that by quantum scissors, papers and stones? That your particles exist in a time-froth of little bridges and holes forever going back and around and under itself ? That the universe is the shape of a doughnut, and that if you had a powerful enough telescope you would see the tip of your tail?
David Mitchell (Ghostwritten)
I had concluded that I no longer shared her faith in a God who controlled the universe like a puppet master pulling and tugging strings and making us all dance. Our lives, I believed, were more like billiard balls on a pool table, ricocheting randomly with the impact of the cue ball. To believe otherwise was to believe that a God to whom my mother had devoted her life had responded by striking down her husband and causing her so much pain. I couldn’t accept that.
Robert Dugoni (The Extraordinary Life of Sam Hell)
Death exists, not as the opposite but as a part of life. Translated into words, it’s a cliché, but at the time I felt it not as words but as that knot of air inside me. Death exists—in a paperweight, in four red and white balls on a billiard table—and we go on living and breathing it into our lungs like fine dust.
Haruki Murakami (Norwegian Wood)
Speaking about time’s relentless passage, Powell’s narrator compares certain stages of experience to the game of Russian Billiards as once he used to play it with a long vanished girlfriend. A game in which, he says, “...at the termination of a given passage of time...the hidden gate goes down...and all scoring is doubled. This is perhaps an image of how we live. For reasons not always at the time explicable, there are specific occasions when events begin suddenly to take on a significance previously unsuspected; so that before we really know where we are, life seems to have begun in earnest at last, and we ourselves, scarcely aware that any change has taken place, are careering uncontrollably down the slippery avenues of eternity."
Anthony Powell (A Dance to the Music of Time: 1st Movement (A Dance to the Music of Time, #1-3))
The biocentric view of the timeless, spaceless cosmos of consciousness allows for no true death in any real sense. When a body dies, it does so not in the random billiard-ball matrix but in the all-is-still-inescapably-life matrix.
Robert Lanza (Biocentrism: How Life and Consciousness are the Keys to Understanding the True Nature of the Universe)
The only advantage he could see in the change was that he had a small desk in his room; his capacity for isolation was thereby increased. But none of this changed his life very much. He continued his games of billiards and his reading. And was periodically overwhelmed by abominable fits of despair from which he was abruptly extricated by a ridiculous but stubborn optimism, an absurd love of life.
Raymond Queneau (The Last Days)
Her continued devotion in the face of all that had happened amazed me, but at this point I had concluded that I no longer shared her faith in a God who controlled the universe like a puppet master pulling and tugging strings and making us all dance. Our lives, I believed, were more like billiard balls on a pool table, ricocheting randomly with the impact of the cue ball.
Robert Dugoni (The Extraordinary Life of Sam Hell)
Baudelaire" When I fall asleep, and even during sleep, I hear, quite distinctly, voices speaking Whole phrases, commonplace and trivial, Having no relation to my affairs. Dear Mother, is any time left to us In which to be happy? My debts are immense. My bank account is subject to the court’s judgment. I know nothing. I cannot know anything. I have lost the ability to make an effort. But now as before my love for you increases. You are always armed to stone me, always: It is true. It dates from childhood. For the first time in my long life I am almost happy. The book, almost finished, Almost seems good. It will endure, a monument To my obsessions, my hatred, my disgust. Debts and inquietude persist and weaken me. Satan glides before me, saying sweetly: “Rest for a day! You can rest and play today. Tonight you will work.” When night comes, My mind, terrified by the arrears, Bored by sadness, paralyzed by impotence, Promises: “Tomorrow: I will tomorrow.” Tomorrow the same comedy enacts itself With the same resolution, the same weakness. I am sick of this life of furnished rooms. I am sick of having colds and headaches: You know my strange life. Every day brings Its quota of wrath. You little know A poet’s life, dear Mother: I must write poems, The most fatiguing of occupations. I am sad this morning. Do not reproach me. I write from a café near the post office, Amid the click of billiard balls, the clatter of dishes, The pounding of my heart. I have been asked to write “A History of Caricature.” I have been asked to write “A History of Sculpture.” Shall I write a history Of the caricatures of the sculptures of you in my heart? Although it costs you countless agony, Although you cannot believe it necessary, And doubt that the sum is accurate, Please send me money enough for at least three weeks.
Delmore Schwartz
Death exists, not as the opposite but as a part of life. Translate into words, it's a cliche, but at the time I felt it not as words but as that knot of air inside me. Death exists - in a paperweight, in four red and white balls on a billiard table - and we go on living and breathing it into our lungs like fine dust.
Haruki Murakami (Norwegian Wood)
It happened overnight—the evolution of an atomic identity towards a manifestation of life. There it was, polymers shrinking, disintegrating like Phenol without its Benzene. It was simply there, haphazard and hazardous as a series of exploding celluloid billiard balls. And there it was, until the sudden surge. And there was silence.
Dew Platt (If I were a Guy)
Speaking to a foreigner was the dream of every student, and my opportunity came at last. When I got back from my trip down the Yangtze, I learned that my year was being sent in October to a port in the south called Zhanjiang to practice our English with foreign sailors. I was thrilled. Zhanjiang was about 75 miles from Chengdu, a journey of two days and two nights by rail. It was the southernmost large port in China, and quite near the Vietnamese border. It felt like a foreign country, with turn-of-the-century colonial-style buildings, pastiche Romanesque arches, rose windows, and large verandas with colorful parasols. The local people spoke Cantonese, which was almost a foreign language. The air smelled of the unfamiliar sea, exotic tropical vegetation, and an altogether bigger world. But my excitement at being there was constantly doused by frustration. We were accompanied by a political supervisor and three lecturers, who decided that, although we were staying only a mile from the sea, we were not to be allowed anywhere near it. The harbor itself was closed to outsiders, for fear of 'sabotage' or defection. We were told that a student from Guangzhou had managed to stow away once in a cargo steamer, not realizing that the hold would be sealed for weeks, by which time he had perished. We had to restrict our movements to a clearly defined area of a few blocks around our residence. Regulations like these were part of our daily life, but they never failed to infuriate me. One day I was seized by an absolute compulsion to get out. I faked illness and got permission to go to a hospital in the middle of the city. I wandered the streets desperately trying to spot the sea, without success. The local people were unhelpful: they did not like non-Cantonese speakers, and refused to understand me. We stayed in the port for three weeks, and only once were we allowed, as a special treat, to go to an island to see the ocean. As the point of being there was to talk to the sailors, we were organized into small groups to take turns working in the two places they were allowed to frequent: the Friendship Store, which sold goods for hard currency, and the Sailors' Club, which had a bar, a restaurant, a billiards room, and a ping-pong room. There were strict rules about how we could talk to the sailors. We were not allowed to speak to them alone, except for brief exchanges over the counter of the Friendship Store. If we were asked our names and addresses, under no circumstances were we to give our real ones. We all prepared a false name and a nonexistent address. After every conversation, we had to write a detailed report of what had been said which was standard practice for anyone who had contact with foreigners. We were warned over and over again about the importance of observing 'discipline in foreign contacts' (she waifi-lu). Otherwise, we were told, not only would we get into serious trouble, other students would be banned from coming.
Jung Chang (Wild Swans: Three Daughters of China)
Death exists -- in a paperweight, in four red and white balls on a billiard table -- and we go on living and breathing it into our lungs like fine dust. Until that time, I had understood death as something entirely separate from and independent life. The hand of death is bound to take us, I had felt, but until it reaches out for us, it leaves us alone. This had seemed to be the simple, logical truth. Life is here, death is there. I am here, not over there. The night Kizuki died, however, I lost the ability to see death (and life) in such simple terms. Death was not the opposite of life. It was already here, in my being, it had always been here, and no struggle would permit me to forget that. When it took the seventeen-year-old Kizuki that night in May, death took me as well.
Haruki Murakami (Norwegian Wood)
Death exists -- in a paperweight, in four red and white balls on a billiard table -- and we go on living and breathing it into our lungs like fine dust. Until that time, I had understood death as something entirely separate from and independent of life. The hand of death is bound to take us, I had felt, but until the day it reaches out for us, it leaves us alone. This had seemed to be the simple, logical truth. Life is here, death is there. I am here, not over there. The night Kizuki died, however, I lost the ability to see death (and life) in such simple terms. Death was not the opposite of life. It was already here, in my being, it had always been here, and no struggle would permit me to forget that. When it took the seventeen-year-old Kizuki that night in May, death took me as well.
Haruki Murakami (Norwegian Wood)
Moody blinked and looked around him. Balfour’s narrative, disjunctive and chaotic as it was, had indeed accounted for the presence of every man in the room. There by the window was the Maori man, Te Rau Tauwhare, who had been Crosbie’s loyal friend in life, though he had unwittingly betrayed him at the last. There in the farthest corner was Charlie Frost, the banker who had engineered the sale of Wells’s house and land, and opposite him, the newspaperman Benjamin Löwenthal, who had heard about the death within mere hours of its occurrence. Edgar Clinch, purchaser of Wells’s estate, was sitting on the sofa beside the billiard table, smoothing his mustache with his finger and thumb.
Eleanor Catton (The Luminaries)
Forget about green-felt pool tables and red N-360s and white flowers on school desks; about smoke rising from tall crematorium smokestacks, and chunky paperweights in police interrogation rooms. Death exists, not as the opposite but as a part of life. Death exists - in a paperweight, in four red and white balls on a billiard table - and we go on living and breathing it into our lungs like fine dust. I had understood death as something entirely separate from and independent of life. This had seemed to me the simple, logical truth. Life is here, death is over there. I am here, not over there. But death was a fact, a serious fact, no matter how you looked at it. Stuck inside this suffocating contradiction, I went on endlessly spinning in circles.
Haruki Murakami (Norwegian Wood)
There was only one thing for me to do when I started my new life in the dorm: stop taking everything so seriously; establish a proper distance between myself and everything else. Forget about green-felt pool tables and red N-360s and white flowers on school desks; about smoke rising from tall crematorium smokestacks, and chunky paperweights in police interrogation rooms. It seemed to work at first. I tried hard to forget, but there remained inside me a vague knot-of-air kind of thing. And as time went by, the knot began to take on a clear and simple form, a form that I am able to put into words, like this: Death exists, not as the opposite but as a part of life. Translated into words, it’s a cliché, but at the time I felt it not as words but as that knot of air inside me. Death exists—in a paperweight, in four red and white balls on a billiard table—and we go on living and breathing it into our lungs like fine dust.
Haruki Murakami (Norwegian Wood)
Although quick to become bored by everything, I am always patient with the smallest details: I am endowed with the fortitude to face every impediment and, even when I grow weary of my object, my persistence is always greater than my boredom. I have never abandoned any project worth the trouble of completing. There are many things in my life that I have pursued for fifteen or twenty years with as much ardor on the last day as the first. My supple intelligence has extended itself to secondary matters also. I was deft at chess, skilled at billiards, hunting, and fencing, and I was a passable draughtsman. I would have sung well, too, if my voice had been trained. All this, combined with my unusual education and my experience as a soldier and a traveler, explains why I have never been a pedant, nor ever displayed the dull conceit, awkwardness, and slovenliness of the literary men of the last century, nor the arrogant self-assurance, the vain and envious braggadocio, of the new authors.
François-René de Chateaubriand (Memoirs from Beyond the Grave: 1768-1800)
Only as a young man playing pool all night for money had he been able to find what he wanted in life, and then only briefly. People thought pool hustling was corrupt and sleazy, worse than boxing. But to win at pool, to be a professional at it, you had to deliver. In a business you could pretend that skill and determination had brought you along, when it had only been luck and muddle. A pool hustler did not have the freedom to believe that. There were well-paid incompetents everywhere living rich lives. They arrogated to themselves the plush hotel suites and Lear Jets that America provided for the guileful and lucky far more than it did for the wise. You could fake and bluff and luck your way into all of it. Hotel suites overlooking Caribbean private beaches. Bl*wj*bs from women of stunning beauty. Restaurant meals that it took four tuxedoed waiters to serve, with the sauces just right. The lamb or duck in tureen sliced with precise and elegant thinness, sitting just so on the plate, the plate facing you just so on the heavy white linen, the silver fork heavy gleaming in your manicured hand below the broad cloth cuff and mother of pearl buttons. You could get that from luck and deceit even while causing the business or the army or the government that supported you to do poorly at what it did. The world and all its enterprises could slide downhill through stupidity and bad faith. But the long gray limousines would still hum through the streets of New York, of Paris, of Moscow, of Tokyo. Though the men who sat against the soft leather in back with their glasses of 12-year-old scotch might be incapable of anything more than looking important, of wearing the clothes and the hair cuts and the gestures that the world, whether it liked to or not, paid for, and always had paid for. Eddie would lie in bed sometimes at night and think these things in anger, knowing that beneath the anger envy lay like a swamp. A pool hustler had to do what he claimed to be able to do. The risks he took were not underwritten. His skill on the arena of green cloth, cloth that was itself the color of money, could never be only pretense. Pool players were often cheats and liars, petty men whose lives were filled with pretensions, who ran out on their women and walked away from their debts. But on the table with the lights overhead beneath the cigarette smoke and the silent crowd around them in whatever dive of a billiard parlor at four in the morning, they had to find the wherewithal inside themselves to do more than promise excellence. Under whatever lies might fill the life, the excellence had to be there, it had to be delivered. It could not be faked. But Eddie did not make his living that way anymore.
Walter Tevis (The Color of Money (Eddie Felson, #2))
Einstein, on the other hand, believed, as did Spinoza, that a person’s actions were just as determined as that of a billiard ball, planet, or star. “Human beings in their thinking, feeling and acting are not free but are as causally bound as the stars in their motions,” Einstein declared in a statement to a Spinoza Society in 1932. Human actions are determined, beyond their control, by both physical and psychological laws, he believed. It was a concept he drew also from his reading of Schopenhauer, to whom he attributed, in his 1930 “What I Believe” credo, a maxim along those lines: I do not at all believe in free will in the philosophical sense. Everybody acts not only under external compulsion but also in accordance with inner necessity. Schopenhauer’s saying, “A man can do as he wills, but not will as he wills,” has been a real inspiration to me since my youth; it has been a continual consolation in the face of life’s hardships, my own and others’, and an unfailing wellspring of tolerance. Do you believe, Einstein was once asked, that humans are free agents? “No, I am a determinist,” he replied. “Everything is determined, the beginning as well as the end, by forces over which we have no control. It is determined for the insect as well as for the star. Human beings, vegetables, or cosmic dust, we all dance to a mysterious tune, intoned in the distance by an invisible player.
Walter Isaacson (Einstein: His Life and Universe)
Newton had bequeathed to Einstein a universe in which time had an absolute existence that tick-tocked along independent of objects and observers, and in which space likewise had an absolute existence. Gravity was thought to be a force that masses exerted on one another rather mysteriously across empty space. Within this framework, objects obeyed mechanical laws that had proved remarkably accurate—almost perfect—in explaining everything from the orbits of the planets, to the diffusion of gases, to the jiggling of molecules, to the propagation of sound (though not light) waves. With his special theory of relativity, Einstein had shown that space and time did not have independent existences, but instead formed a fabric of spacetime. Now, with his general version of the theory, this fabric of spacetime became not merely a container for objects and events. Instead, it had its own dynamics that were determined by, and in turn helped to determine, the motion of objects within it—just as the fabric of a trampoline will curve and ripple as a bowling ball and some billiard balls roll across it, and in turn the dynamic curving and rippling of the trampoline fabric will determine the path of the rolling balls and cause the billiard balls to move toward the bowling ball. The curving and rippling fabric of spacetime explained gravity, its equivalence to acceleration, and, Einstein asserted, the general relativity of all forms of motion.92 In the opinion of Paul Dirac, the Nobel laureate pioneer of quantum mechanics, it was “probably the greatest scientific discovery ever made.” Another of the great giants of twentieth-century physics, Max Born, called it “the greatest feat of human thinking about nature, the most amazing combination of philosophical penetration, physical intuition and mathematical skill.
Walter Isaacson (Einstein: His Life and Universe)
Instruction in handwriting, and the establishment of ‘artistic penmanship’ in his life can lead to a moral transformation, too. ‘Very soon’ – for the student of handwriting – ‘vulgar stories, bar-room scandals and billiard halls begin to lose their attractiveness.
Philip Hensher (The Missing Ink: The Lost Art of Handwriting)
Pursuing ghosts on Clark Street. … Panorama of ripped sights along the rows of ubiquitous loan shops, poolrooms, “bargain” centers, billiard halls, cheap moviehouses. Zombies in a ritualistic hungover imitation of life. Men staring dumbly at nothing. A body hes unnoticed in a heap by a doorway. An epileptic woman totters along the block . … Staring startled eyes. Mutilated harpies wobble along the street—past crippled bodies. A man beats a woman ruthlessly as the man’s two husky friends stand guard over the scene.
John Rechy (City of Night (Independent Voices))
In the plain ordinary hustle you hide your true speed; in the psychological hustle you try to drive your opponent out of his fucking skull... There is a small-time pool player in San Francisco called Snakeface who pretends that if he gets beat he might go crazy or get a heart attack. He's no youngster, but when he misses a shot or gets a bad break he jumps back, swings his cue in a circle, cusses with all his strength, and turns beet red. Years ago he used to put his head down and run himself into the wall, but he gave that up. This act puts quite a bit of pressure on the guy he is playing, who may not want to kill an old man for two dollars.
Danny McGoorty (McGoorty: A Billiard Hustler's Life)
What are your aptitudes? Your talents?” Their footsteps slowed as they reached the woods. His talents…he could hold his liquor, beat a man at billiards or cards, seduce a woman. He was a crack shot and an excellent rider. Then Christopher thought of the thing in his life he had most been lauded for, and showered with praise and medals. “I have one talent,” he said, taking Albert’s leash from Beatrix’s hand. He looked down into her round eyes. “I’m good at killing.” Without another word, he left her standing at the edge of the forest.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
But quand même. The best things in life are free. A round of billiards with sailors is more beautiful than Charleston in springtime, if they’re the right sailors.
Nell Zink (Mislaid)
We can only break through the vise grip that mechanistic science has on our consciousness by recognizing the role of God in everything. The Baal Shem Tov, founder of Hasidism, taught that no leaf falls without God’s willing it. Each of us experiences amazing events—from coincidences to clear miracles—in our lives. We must see the Divine acting in all these and have the courage to tell those stories. When we do, we will see that the billiard-ball causation of the old mechanistic science is not the only force in the universe. God is in our midst, with the force of cohesion rather than mere causation, bringing people and events together for an ultimate good. “God sent me before you.
Tamar Frankiel (The Gift of Kabbalah: Discovering the Secrets of Heaven, Renewing Your Life on Earth)
The sooner we can face the bizarre fact that we make our past in the process of finding it, and find it in the process of making it, the sooner our attitude can become one of care for our Long Self in the block universe. Dream journaling with an eye to precognition—precognitive dreamwork—is the first step. But you may find, as you build up a corpus of precognitive dreams and come face to face with the reality of that Long Self on a daily or near-daily basis, that mapping out those dream connections and reexploring what may have seemed like dead-and-gone territory—your past life, however meandering it may have seemed at the time, however traumatic it may have been, even—starts to brings even more amazing rewards and insights than just identifying discrete precognitive dream hits. This is because even if we can’t change the past or future, precognition (and the retrocausation it implies) changes everything we thought we knew about both. It is redemptive. We see our past and future selves unclearly and obliquely. But in fact, the distance between you now and you decades from now, or decades ago, may be just a wrinkled piece of cellophane. When we realize that our major upheavals in the second half of life may actually have been the billiard balls deflecting us when we were younger, it compels a new kind of sympathy and understanding for that immature being we once were—and by extension, a new kind of loyalty to the person we will become. The Long Self is truly an epic composition, and you are the one composing it. Like a writer of your soul, your aesthetic decisions now turn out to have shaped yourself long in the past, and your decisions in your future are shaping your experience now. Tobi characterizes it this way: “I believe we are involved in creating the already-written lives that we enact.” To consciously manifest and realize this amazing fact, you must build habits of self-care. Recognize that care for yourself at other ages is not just an attitude but has a real effect, a real outcome in the past—and via the past, in your future. “This is the part of the route without a short cut,” Tobi insists. “You must do the tasks, you must care.” Tobi wrote in another email: “It delights me to think that all those times I wished aloud to my family that I could go back and assure my younger self and the younger selves of my family members that we got through that time, that all would be well, that we survived, that I actually was doing that.
Eric Wargo (Precognitive Dreamwork and the Long Self: Interpreting Messages from Your Future (A Sacred Planet Book))
For a long time I felt cut off from the world, a billiard ball in a Cartesian space, and a gulf separated me from the fish, animals, trees, and people—my mind was not content or whole. There were symptoms, such as having more thoughts than I could possibly use at any given moment, and clumsiness with people, but probably the main symptom was of being shut out of the magic in things. I worried at the problem, studying animals and plants and noticing that all the steps I took did not help. Then one day the gap wasn’t there anymore. After the gap disappeared, I could let a situation tell me what it was about, let people reveal themselves to me, without finding a problem. Sometimes wholeness is just given. It has to be given actually, because effort leads to effort, not to wholeness.
John Tarrant (Bring Me the Rhinoceros: And Other Zen Koans That Will Save Your Life)
Reflecting Christ, the Church suffuses all of life, the way sunlight fills up the day. It does not displace ordinary life, the way one billiard ball displaces another. Rather, it informs and instructs ordinary life—wherever you are in the town, out in the kingdom, whatever you are doing, whether changing a tire or changing a diaper, you can turn around and look, and from that place you can always see the church spire. And whenever you do, whatever you are doing, you are reminded that you are part of the Bride, the wife of the Lamb.
Douglas Wilson (Gashmu Saith It: How to Build Christian Communities that Save the World)
the principal reason why many scientists were (and many still are) very skeptical toward the notion that the avian compass could be governed by quantum mechanics. You may remember that, when discussing this issue in chapter 1, we described the quantum properties of matter as being “washed away” by the random arrangement of molecules in big objects. With our thermodynamic insight we can now see the source of that dissipation: it is the billiard-ball-like molecular jostling that Schrödinger identified as the source of the “order from disorder” statistical laws. Scattered particles can be realigned to reveal their hidden quantum depths, but only in special circumstances and usually only very briefly.
Johnjoe McFadden (Life on the Edge: The Coming of Age of Quantum Biology)
She took after her mother, and not only physically. I sometimes have the feeling that her entire life was merely a continuation of her mother's, much as the course of a ball on the billiard table is merely the continuation of the player's arm movement. Where and when did it begin, the movement that later turned into Tereza's life?
Milan Kundera (The Unbearable Lightness of Being)
The Captain experienced a feeling of elation which was extraordinarily pleasant. He was a man who was profoundly interested in the art of living. Rembrandt gave him pleasure, and so did the Fifth Symphony; so did bouillabaisse at Marseilles or Southern cooking at New Orleans or a properly served Yorkshire pudding in the North of England; so did a pretty girl or an elegant woman; so did a successful winning hazard from a difficult position at billiards, or a Vienna coup at bridge; and so did success in battle. These were the things that gilded the bitter pill of life which everyone had to swallow. They were as important as life and death; not because they were very important, but because life and death were not very important.
C.S. Forester (The Ship)
I do not profess to know what matter is in itself, and feel no confidence in the divination of those esprits forts who, leading a life of vice, thought the universe must be composed of nothing but dice and billiard-balls. I wait for the men of science to tell me what matter is, in so far as they can discover it, and am not at all surprised or troubled at the abstractness and vagueness of their ultimate conceptions : how should our notions of things so remote from the scale and scope of our senses be anything but schematic ? But whatever matter may be, I call it matter boldly, as I call my acquaintances Smith and Jones without knowing their secrets : whatever it may be, it must present the aspects and undergo the motions of the gross objects that fill the world : and if belief in the existence of hidden parts and movements in nature be metaphysics, then the kitchen-maid is a metaphysician whenever she peels a potato.
George Santayana (Skepticism and Animal Faith: Introduction to a System of Philosophy)
The problem with using gunk as the starting material for generating organized life is that the random thermodynamic forces that were available in the primordial earth—the billiard-ball-like molecular motions that we discussed in chapter 2—tend to destroy order rather than create it.
Johnjoe McFadden (Life on the Edge: The Coming of Age of Quantum Biology)
In this country, a man is nothing but a billiard ball, waiting and looking to see where he rolls. I’ve watched this all my life. I see those balls hitting one another, being scattered, coming close, dispersing,
Bakhtiyar Ali (I Stared at the Night of the City)
(In billiards) sometimes focusing much on the ball position make you lose the match, Also (in life) overthinking on the consequences will lose you the opportunity
Mutaz zaher
He had gone to parties for a year or two, and during those years had essayed the life of a young man about town, frequenting theatres and billiard-rooms, and doing a few things which he should have left undone, and leaving undone a few things which should not have been so left.
Anthony Trollope (Miss Mackenzie)
Sometimes . . . life seems hardly worth living, does it, sir?" "If it were not for billiards," Sir Barry said, "I might consider shooting myself, m'boy.
Mary Balogh (A Certain Magic)
When the whip-poor-will sings his melody in the moonlight, and it is answered by your own heart beating a bit faster in awed appreciation, who in their right mind would say that it was all conjured by imbecilic billiard balls slamming each other by the laws of chance? No observant person would be able to utter such a thing, which is why it always strikes me as slightly amazing that any scientist can aver, with a straight face, that they stand there at the lectern—a conscious, functioning organism with trillions of perfectly functioning parts—as the sole result of falling dice. Our least gesture affirms the magic of life’s design.
Robert Lanza (Biocentrism: How Life and Consciousness are the Keys to Understanding the True Nature of the Universe)