Big Thighs Quotes

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i am really colored & really sad sometimes & you hurt me more than i ever danced outta/ i am ready to die like a lily in the desert/ & i cdnt let you in on it cuz i didnt know/ here is what i have/ poems/ big thighs/ lil tits/ & so much love/ will you take it from me this one time/ please this is for you
Ntozake Shange (For Colored Girls Who Have Considered Suicide / When the Rainbow Is Enuf)
How many of them were there?' Her voice wasn't joking around. Eighteen. Hundred.' Four,' Blaylock interjected. 'An honor guard of four.' What did they work you over with? Those bruises on your thighs are severe?' Crowbars. Big, massive-' Blay cut in. 'Clubs. Had to be those ceremonial black clubs.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
Oh my God, what if you wake up some day, and you're 65, or 75, and you never got your memoir or novel written, or you didn't go swimming in those warm pools and oceans all those years because your thighs were jiggly and you had a nice big comfortable tummy; or you were just so strung out on perfectionism and people-pleasing that you forgot to have a big juicy creative life, of imagination and radical silliness and staring off into space like when you were a kid? It's going to break your heart. Don't let this happen.
Anne Lamott
It is not a bad thing to settle for the Little Way, not the big search for the big happiness but the sad little happiness of drinks and kisses, a good little car and a warm deep thigh.
Walker Percy (The Moviegoer)
I was beautiful; after all, my skin was as rich and dark as wet, brown mud, a complexion that any and every pale white girl would pray for - that is, if she believed in God. My butt sat high in the air and my hips obviously gave birth to Creation. Titties like mangoes, firm, sweet, and ready. My thighs and legs were big and powerful, kicking Vanna White and Cindy Crawford to the curb.
Sister Souljah (No Disrespect)
Exploration was for those with a measure of peasant blood, those with big thighs and thick ankles who could take punishment as they took bread and salt, on every inch of flesh and spirit.
F. Scott Fitzgerald (Tender Is the Night)
Oh my God, what if you wake up some day, and you’re 65, or 75, and you never got your memoir or novel written; or you didn’t go swimming in warm pools and oceans all those years because your thighs were jiggly and you had a nice big comfortable tummy; or you were just so strung out on perfectionism and people-pleasing that you forgot to have a big juicy creative life, of imagination and radical silliness and staring off into space like when you were a kid? It’s going to break your heart. Don’t let this happen.
Anne Lamott (Bird by Bird)
Late in the afternoon, thunder growling, that same old green pickup rolled in and he saw Jack get out of the truck, beat up Resistol tilted back. A hot jolt scalded Ennis and he was out on the landing pulling the door closed behind him. Jack took the stairs two and two. They seized each other by the shoulders, hugged mightily, squeezing the breath out of each other, saying, son of a bitch, son of a bitch, then, and easily as the right key turns the lock tumblers, their mouths came together, and hard, Jack’s big teeth bringing blood, his hat falling to the floor, stubble rasping, wet saliva welling, and the door opening and Alma looking out for a few seconds at Ennis’s straining shoulders and shutting the door again and still they clinched, pressing chest and groin and thigh and leg together, treading on each other’s toes until they pulled apart to breathe and Ennis, not big on endearments, said what he said to his horses and his daughters, little darlin.
Annie Proulx (Brokeback Mountain)
She is all I could ever ask for, she is perfect, and right now, with those big, green eyes and pillowy lips and alabaster thighs, the idea of doing this for the rest of our lives doesn’t seem all that daunting. She’s the last reprieve. The stay of execution. She gives me hope. But times are tough for dreamers. And even if my dream is a simple one—all I want is for Her to be in love with me forever—I know it’s still a long shot. Life ruins everything.
Pete Wentz (Gray)
I think what it is is, if you're in school and you're not that bright or good-looking or popular or whatever, and one day you say something and someone laughs, well, you sort of grab onto it, don't you? You think, well I run funny and I've got this stupid big face and big thighs and no-one fancies me, but at least I can make people laugh. And it's such a nice feeling, making someone laugh, that maybe you get a bit reliant on it. Like, if you;re not funny then you're not...anything
David Nicholls
-You know how to call me although such a noise now would only confuse the air Neither of us can forget the steps we danced the words you stretched to call me out of dust Yes I long for you not just as a leaf for weather or vase for hands but with a narrow human longing that makes a man refuse any fields but his own I wait for you at an unexpected place in your journey like the rusted key or the feather you do not pick up.- -I WILL NEVER FIND THE FACES FOR ALL GOODBYES I'VE MADE.- For Anyone Dressed in Marble The miracle we all are waiting for is waiting till the Parthenon falls down and House of Birthdays is a house no more and fathers are unpoisoned by renown. The medals and the records of abuse can't help us on our pilgrimage to lust, but like whips certain perverts never use, compel our flesh in paralysing trust. I see an orphan, lawless and serene, standing in a corner of the sky, body something like bodies that have been, but not the scar of naming in his eye. Bred close to the ovens, he's burnt inside. Light, wind, cold, dark -- they use him like a bride. I Had It for a Moment I had it for a moment I knew why I must thank you I saw powerful governing men in black suits I saw them undressed in the arms of young mistresses the men more naked than the naked women the men crying quietly No that is not it I'm losing why I must thank you which means I'm left with pure longing How old are you Do you like your thighs I had it for a moment I had a reason for letting the picture of your mouth destroy my conversation Something on the radio the end of a Mexican song I saw the musicians getting paid they are not even surprised they knew it was only a job Now I've lost it completely A lot of people think you are beautiful How do I feel about that I have no feeling about that I had a wonderful reason for not merely courting you It was tied up with the newspapers I saw secret arrangements in high offices I saw men who loved their worldliness even though they had looked through big electric telescopes they still thought their worldliness was serious not just a hobby a taste a harmless affectation they thought the cosmos listened I was suddenly fearful one of their obscure regulations could separate us I was ready to beg for mercy Now I'm getting into humiliation I've lost why I began this I wanted to talk about your eyes I know nothing about your eyes and you've noticed how little I know I want you somewhere safe far from high offices I'll study you later So many people want to cry quietly beside you
Leonard Cohen (Flowers for Hitler)
As I dive between the legs of a big Gunnar, I see Mair wind up and slam her shockstick hard as she can between the V of another guy’s thighs. Falling, he makes a noise that I can’t say I’ve heard a human utter before, sort of like I imagine a puppy would sound being put through a juicer.
Ann Aguirre (Grimspace (Sirantha Jax, #1))
Here's the thing, say Shug. The thing I believe. God is inside you and inside everybody else. You come into the world with God. But only them that search for it inside find it. And sometimes it just manifest itself even if you not looking, or don't know what you looking for. Trouble do it for most folks, I think. Sorrow, lord. Feeling like shit. It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God loves 'em you enjoys 'em a lot more. You can just relax, go with everything that's going, and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love? and a mess of stuff you don't. But more than anything else, God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk? Well, us talk and talk bout God, but I'm still adrift. Trying to chase that old white man out of my head. I been so busy thinking bout him I never truly notice nothing God make. Not a blade of corn (how it do that?) not the color purple (where it come from?). Not the little wildflowers. Nothing. Now that my eyes opening, I feels like a fool. Next to any little scrub of a bush in my yard, Mr. ____s evil sort of shrink. But not altogether. Still, it is like Shug say, You have to git man off your eyeball, before you can see anything a'tall. Man corrupt everything, say Shug. He on your box of grits, in your head, and all over the radio. He try to make you think he everywhere. Soon as you think he everywhere, you think he God. But he ain't. Whenever you trying to pray, and man plop himself on the other end of it, tell him to git lost, say Shug. Conjure up flowers, wind,water, a big rock. But this hard work, let me tell you. He been there so long, he don't want to budge. He threaten lightening, floods and earthquakes. Us fight. I hardly pray at all. Every time I conjure up a rock, I throw it. Amen
Alice Walker (The Color Purple)
I’m going to lie this one right on the line, right here, right now: I’m pro big pants. Strident feminism NEEDS big pants. Really big. I’m currently wearing a pair that could have been used as a fire blanket to put out the Great Fire of London at any point during the first 48 hours or so. They extend from the top of my thigh to my belly button, and effectively double up as a second property that I can escape to at weekends. If I were going to run for parliament, it would be solely on a platform of ‘Get Women In Massive Grundie’s’.
Caitlin Moran (How to Be a Woman)
...still they clinched, pressing chest and groin and thigh and leg together, treading on each other’s toes until they pulled apart to breathe and Ennis, not big on endearments, said what he said to his horses and daughters, little darlin.
Annie Proulx (Brokeback Mountain)
Ohhhhh Je-sus you’re wet. Oh fuck, you’re so wet, baby. Are you serious with this? It’s all over your legs.” She blurted the words without thinking. “I’m sorry. I’m sorry.” Before trying to do something mitigating, like closing her legs. Doing so proved hard, however, with him almost between them and his big hands refusing to move from her thighs. And he looked so…so incredulous too. “Don’t be sorry. Don’t. You should know it’s hot as fuck that you’re like this. Seriously.” He paused. Seemed to consider, before continuing. “You always like this?
Charlotte Stein (Sheltered (Deeper Than Desire, #2))
My arrogance knows no bounds And I will make no peace today And you shall be so lucky To find a woman like me Today neither will the East claim me nor the West admit me Today my belly is a well wherein serpents are coiled ready to poison the world, and you should be so lucky. All I have is my arrogance I will teach it to lean back and smoke a cigarette in your faces, and you should be so lucky No I will make no peace even though my hands are empty I will talk as big as I please I will be all or nothing And I will jump before the heavy trucks And I will saw off my leg at the thigh before I bend one womanly knee I am poison And you will drink me And you should be so lucky.
Mohja Kahf
Here I am in the garden laughing an old woman with heavy breasts and a nicely mapped face how did this happen well that's who I wanted to be at last a woman in the old style sitting stout thighs apart under a big skirt grandchild sliding on off my lap a pleasant summer perspiration that's my old man across the yard he's talking to the meter reader he's telling him the world's sad story how electricity is oil or uranium and so forth I tell my grandson run over to your grandpa ask him to sit beside me for a minute I am suddenly exhausted by my desire to kiss his sweet explaining lips.
Grace Paley
And thigh gap?” he mutters to himself. “I hear that phrase all the time. I don’t understand it. Your thighs part well enough for my c*ck and hands and face. That’s a big enough gap for me.
Karina Halle (Racing the Sun)
Those big hands left my thighs and before I could wonder where they were going, they landed on my cheeks. In a split second, he tilted my face just slightly down and we were eye to eye, his breath on my face. Those amazing hazel eyes were closer than they’d ever been. Then he kissed me.
Mariana Zapata (Kulti)
Every time I blink, all I can see are my flaws. My body in a fun-house mirror. Hips too wide. Thighs too big. And a head too small for the rest of me.
Julie Murphy (Dumplin' (Dumplin', #1))
When it was time to play Boo's big scene, Jem would sneak into the house, steal the scissors from the sewingmachine drawer when Calpurnia's back was turned, then sit in the swing and cut up newspapers. Dill would walk by, cough at Jem, and Jem would fake a plunge into Dill's thigh. From where I stood it looked real.
Harper Lee (To Kill a Mockingbird)
Black Girls… Strive to be a woman of substance! Don’t solely allow your big butt, thick thighs, wide hips, large breasts, and overall good looks to define you as a woman. Your looks alone shouldn’t define who you are. What more do you have to offer? What is your TRUE character? How is your attitude? What have you accomplished? Do you have respect for yourself? What do you represent? Everywhere you look, there’s another beautiful, stunning, fine looking sista. Stand out from the rest and dare to be different! Your good looks should only be a bonus, not the main factor. #RealTalk
Stephanie Lahart
Gripping my shaft, I position myself between his big thighs. My breathing is equally unsteady. Hell, my hand is trembling around my cock as if I’ve never done this before. But I haven’t done this. Not with someone I love. The head of my cock nudges his hole. He tenses again, clenching to deny me entrance.
Sarina Bowen (Him (Him, #1))
He had slowed up to avoid the inevitable end of his thought: "--the frontiers of consciousness." The frontiers that artists must explore were not for her, ever. She was fine-spun, inbred--eventually she might find rest in some quiet mysticism. Exploration was for those with a measure of peasant blood, those with big thighs and thick ankles who could take punishment as they took bread and salt, on every inch of flesh and spirit. --Not for you, he almost said. It's too tough a game for you.
F. Scott Fitzgerald (Tender Is the Night)
I got big thighs...
Al Fletcher "Muscling Through" by JL Merrow
The witch approached it and pared its edges with a sword that she drew from her thigh. Then she sat down beside it on the earth and sang to it while it cooled. Not like the runes that enraged the flames was the song she sang to the sword: she whose curses had blasted the fire till it shrivelled big logs of oak crooned now a melody like a wind in summer blowing from wild wood gardens that no man tended, down valleys loved once by children, now lost to them but for dreams, a song of such memories as lurk and hide along the edges of oblivion, now flashing from beautiful years of glimpse of some golden moment, now passing swiftly out of remembrance again, to go back to the shades of oblivion, and leaving on the mind those faintest traces of little shining feet which when dimly perceived by us are called regrets. She sang of old Summer noons in the time of harebells: she sang on that high dark heath a song that seemed so full of mornings and evenings preserved with all their dews by her magical craft from days that had else been lost, that Alveric wondered of each small wandering wing, that her fire had lured from the dusk, if this were the ghost of some day lost to man, called up by the force of her song from times that were fairer.
Lord Dunsany (The King of Elfland's Daughter)
At night when I look at Boris' goatee lying on the pillow I get hysterical. O Tania, where now is that warm cunt of yours, those fat, heavy garters, those soft, bulging thighs? There is a bone in my prick six inches long. I will ream out every wrinkle in your cunt, Tania, big with seed. I will send you home to your Sylvester with an ache in your belly and your womb turned inside out. Your Sylvester! Yes, he knows how to build a fire, but I know how to inflame a cunt. I shoot hot bolts into you, Tania, I make your ovaries incandescent. Your Sylvester is a little jealous now? He feels something, does he? He feels the remnants of my big prick. I have set the shores a little wider. I have ironed out the wrinkles. After me you can take on stallions, bulls, rams, drakes, St. Bernards. You can stuff toads, bats, lizards up your rectum. You can shit arpeggios if you like, or string a zither across your navel. I am fucking you, Tania, so that you'll stay fucked. And if you are afraid of being fucked publicly I will fuck you privately. I will tear off a few hairs from your cunt and paste them on Boris' chin. I will bite into your clitoris and spit out two franc pieces...
Henry Miller (Tropic of Cancer (Tropic, #1))
Thanks for putting me in bed last night,” I said, watching the swift line of his throat as he yawned again. He grumbled, “Uh–huh,” as he rolled his shoulders before slipping his arms beneath the covers again. “And for giving me a massage.” I had already tried moving my legs, and sure they were sore, but I knew how much worse they could be. I’d done everything I was supposed to do to help prevent the stiffness, but there was only so much a body that wasn’t 100 percent to begin with could handle. “There wasn’t much to massage.” Uh. “What’s the supposed to mean?” “I have more muscles in my glutes than you have in your thighs.” Anyone who had seen Aiden’s ass would know that was a fact, so I wasn’t going to take it personally. Maybe because I was still so sleepy, I raised my eyebrows at him and said, “Have you seen your butt? That’s not an insult. It has more muscles in it than most people have all over their bodies.” His own thick eyebrows rose about a millimeter, just slightly but enough for me to notice. “I didn’t know you paid that much attention to it.” “Why do you think you have so many female fans?” Aiden let out another low groan, but he didn’t tell me to stop. “You could raise a small fortune if you ever auctioned off the chance for a person to take a—” “Vanessa!” Mr. Proper reached over to throw a hand over my mouth, like he was shocked. That big hand literally covered me from ear to ear, and I burst out laughing though it was muffled. “You make me feel cheap,” he said as he slowly pulled his hand away, but the shine in his eyes said he didn’t really mind it that much. I stretched my own limbs with a yawn. “I’m just telling you what anyone else would.” “No, no one else would ever say that to me.” So he had a point. “Well, I’ll tell you the truth then.” He made this noise that had me rolling to face him again. “You always have
Mariana Zapata (The Wall of Winnipeg and Me)
Come on, baby. You don’t remember me? You should. Your work is right here.” The girl turned around and sat up on her elbows, spreading her legs, she revealed tattooed butterfly wings on both sides of her inner thighs. “I remember the work. I don’t remember you,” King said stiffly. “Do you want me to finish this fucking tattoo or not?” “Yes, but I want your big cock first,” she cooed. “That’s not gonna fucking happen.” “Is it because of that ugly skinny bitch? She doesn’t even have any fucking tits!
T.M. Frazier (King (King, #1))
A dad standing up near the stands' top with a Toshiba viewfinder to his eye takes a tomahawking baton directly in the groin and falls forward onto somebody eating a Funnel Cake, and they take out good bits of several rows below them, and there's an extended halt to the action, during which I decamp--steering clear of the sixteen-year-olds on the basketball court--and as I clear the last row yet another baton comes wharp-wharping cruelly over my shoulder, caroming viciously off big R.'s inflated thigh.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
Pepper woke up thinking of butts. And nothing else. Ladies' butts. Skinny butts, big butts, saddlebag butts, flabby and firm butts, the kind that sit so high they seem like part of the woman's back, the kind that ride low and form a UU just above the thighs like in the old television commercials for Hanes Underalls, butts that wiggle and butts that jiggle, sagging butts and robust butts, butts that hardly make an impression under a pair of jeans; sidewinder butts and trumpet butts -- the ones so meaty they actually spread out until they appear to be a woman's thighs (ass so fat you can see it from the front), butts as knotty as acorns, butts as smooth as a slice of Gouda, butts with pimples and butts with cellulite, the kind that have pockmarks or red splotches, butts with tattoos and butts with bullet scars. Butts you can cup in your warm hands. Butts and butts and butts. In other words, Pepper woke up horny.
Victor LaValle (The Devil in Silver)
Ohhhhh." A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed. She's not thinking such a thought! Not her. She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath. "Oh! Ohhhhh." It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch. "Ohhhhhh." Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
Joyce Carol Oates (Blonde)
Twenty-one-year-old Chris Reed was gunned down with four bullets, including one that “exploded and took out a big chunk “of his left thigh. He listened in terror as troopers debated in front of him whether to kill him or let him bleed to death. As they discussed this the troopers had fun jamming their rifle butts into his injuries and dumping lime onto his face and injured legs, until he fell unconscious.
Heather Ann Thompson (Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy)
Let me sing the beauty of my Maggie. Legs:--the knees attached to the thighs, knees shiny, thighs like milk. Arms:--the levers of my content, the serpents of my joy. Back:--the sight of that in a strange street of dreams in the middle of Heaven would make me fall sitting from glad recognition. Ribs?--she had some melted and round like a well formed apple, from her thigh bones to waist I saw the earth roll. In her neck I hid myself like a lost snow goose of Australia, seeking the perfume of her breast. . . . She didn't let me, she was a good girl. The poor big alley cat, though almost a year younger, had black ideas about her legs that he hid from himself, also in his prayers didn't mention . . . the dog. Across the big world darkness I've come, in boat, in bus, in airplane, in train standing my shadow immense traversing the fields and the redness of engine boilers behind me making me omnipotent upon the earth of the night, like God--but I have never made love with a little finger that has won me since. I gnawed her face with my eyes; she loved that; and that was bastardly I didn't know she loved me--I didn't understand.
Jack Kerouac (Maggie Cassidy)
That was when General Johnston rode up. He came right past where I was standing, a fine big man on a bay stallion. He had on a broad-brim hat and a cape and thigh boots with gold spurs that twinkled like sparks of fire. I watched him ride by, his mustache flaring out from his mouth and his eyes set deep under his forehead. He was certainly the handsomest man I ever saw, bar none; he made the other officers on his staff look small.
Shelby Foote (Shiloh)
Marinus is leaning on the railing. "Warehouse number six needs rebuilding; there's a big hole in the seawall behind the guild; Constable Kosugi shall probably"--from Seawall Lane comes an almighty sigh and crash--"shall certainly be lodging elsewhere tonight, and I pissed my thigh from fear. Our glorious flag, as you see, is unhurt. Half of their shots flew over us"--the doctor looks landward--"and caused damage ashore. Quid non mortalia pectora cogis, Auri sacra fames.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
She leaned over him to pull the waistband of his flannel pants down. His erection popped out, startling her. "Oh!" She fell across his thighs. "Oh my. Good heavens." He groaned and dragged his hands down his face. "Ye needna stare at it in horror. It willna harm you." "Its . . . really big." He snorted. "It comes in peace.
Kerrelyn Sparks (Vampire Mine (Love at Stake, #10))
Fat,” the mechanic says, "liposuctioned fat sucked out of the richest thighs in America. The richest, fattest thighs in the world.” Our goal is the big red bags of liposuctioned fat we’ll haul back to Paper Street and render and mix with lye and rosemary and sell back to the very people who paid to have it sucked out. At twenty bucks a bar, these are the only folks who can afford it. "The richest, creamiest fat in the world, the fat of the land,” he says. "That makes tonight a kind of Robin Hood thing.
Chuck Palahniuk (Fight Club)
Dear Kai, The sun is probably streaming in through the big barn windows now, which means you're awake. And if you're awake, it means you're wondering where I went. I haven't run away from you, I promise. But I knew that today of all days, they'd need me in the house. Tatiana may be the head of our household now, but she's not the one our staff will look to in my mother's absence. And there is so much to do to prepare for the funeral. Also, I have to go tell my grandfather what has happened to his daughter. I don't want him to hear of her death from anyone but me. Thank you for last night. I wish I could say I don't know why you re the one I ran to,- you, Kai, not Tatiana or my father or even my grandfather. But I know why. And I have a confession to make. After you let me cry, after you let me sob and shout and choke on all that pain-after you did all that, and didn't say a word-I didn't fall asleep like you thought. Not right away. I lay there, wadded up into a ball, and you curved your body behind mine. You were barely touching me-your thigh against the edge of my hip, your arm draped lightly across my waist, your fingers entwined with mine. How many times have our hands touched, when we were passing each other tools or helping each other in and out of machines? Hundreds of times. Thousands. But last night was different. You cradled my hand in yours, palms up, our fingers curled in like a pair of fallen leaves. Fallen, maybe, but not dead. My hand never felt so alive. Every place you touched me sparked with energy. I couldn't sleep. Not like that. And so I bent my head, just the slightest bit, until my mouth reached our hands. I smelled the oil you never quite get off your fingers. I breathed in the scent of your skin. And then, as if that was all I was doing, just breathing, I let my bottom lip brush against your knuckle. Time stopped, I was sure you'd see through my ruse and pull away. I was sure you'd know that I was not asleep, that I was not just breathing. But you didn't move, so I did it again. And again. And in the third time, I let my top lip join my bottom. I kissed your hand, Kai. I didn't do it to thank you for letting me cry. For letting me sleep in your arms. I thought you should know. Yours, Elliot Dear Elliot, I know. When will I see you again? Yours, Kai
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
Boys don't go for fat girls. They talk about wanting 'real women', but what they mean is big tits. Not thighs, not bellies, not fat bums. They want skin and bone.
Claire Hennessy (Nothing Tastes as Good)
my issue with what they consider beautiful is their concept of beauty centers around excluding people i find hair beautiful when a woman wears it like a garden on her skin that is the definition of beauty big hooked noses pointing upward to the sky like they’re rising to the occasion skin the color of earth my ancestors planted crops on to feed a lineage of women with thighs thick as tree trunks eyes like almonds deeply hooded with conviction the rivers of punjab flow through my bloodstream so don’t tell me my women aren’t as beautiful as the ones in your country
Rupi Kaur (Milk and Honey)
Are you okay?” His big, warm palm came down on my thigh. I blinked at him some more, waiting for the oasis to fade. “I don’t think I am.” “You’re gonna be,” he promised. “From here on out, you’re gonna be.
Aly Martinez (The Truth About Us (The Truth Duet, #2))
I cross my legs and lean forward with my elbows on my thighs, catch a quick glance in the mirror to evaluate how much of me has changed and how much has stayed the same. I can't see a big difference and I wonder if I've changed more on the inside or the outside over the years.
Brandy Colbert (Pointe)
How’s the coffee?” “She hasn’t had any yet,” Cletus answered for me, then added, “but she wants you to ask her on a date tonight, no place public. Somewhere private, for discussing things.” Jethro’s eyes widened, and he glared at his brother’s reflection in the rearview mirror, snapping, “Cletus.” “Don’t clutch your pearls at me, big brother. Look at her, for hootenanny’s sake. She’s got the hots for your ugly face, Lord help her. And I know you’ve been thinking about her, judging by how long you took in the bathroom this morning.” I clamped a hand over my mouth just as shocked laughter burst from my lips. “Dammit, Cletus,” Jethro growled, turning the ignition and shooting his brother an incendiary look. “You are the worst. Just, don’t speak. Ever. Don’t speak ever again.” Jethro’s gaze darted to me then away as he sighed, looking remorseful. “I’m so sorry.” I placed my hand on Jethro’s thigh—FYI he had a really nice thigh—to ease his mind and because I wanted to touch him. “No, no. Please don’t apologize. He’s right and he’s wrong. I do have the hots for your face, but it isn’t at all ugly.” At this Cletus snorted and grumbled, “Well, it ain’t pretty.” Jethro pressed his lips together and I could see the hint of a smile there amidst his frustration. “Glad you have the hots for my face.” “Just ask her out already,” Cletus demanded. “She ain’t doing anything tonight. You two will go out tonight.
Penny Reid (Grin and Beard It (Winston Brothers, #2))
I was wondering where the real party was." I jumped, sending my pencil in a sharp line across the page. Alex was standing two feet away, one booted foot on my step, hands thrust into the pockets of what looked too much like Emo pants: black and tight. "Sorry," he said. "I didn't mean to surprise you." "You didn't surprise me," I gasped, left hand plastered to my chest. "You scared the crap out of me. Who raised you? Wolves?" He actually grinned. "You've met my parents. What do you think?" I wasn't going to touch that one. I just shrugged. "Why aren't you inside?" he asked after a few seconds. "It was too hot," I lied, closing my sketchbook as casually as I could. "Oppressive.Why aren't you?" "It was too...God, I don't know. Oppressive's a good word. Some fresh air seemed like a good idea." I looked past him, relieved not to see anyone else there. "All by yourself? That's...bold." His brows wen up. For a second, I thought he was going to turn around and leave. Instead,he took his hands out of his pockets and pointed at my step. "Big words for a small person. Can I sit down?" I swallowed. "Sure." He did, ending up with his elbows resting on his thighs and his right knee not quite touching mine. The silence went on just long enough to make in uncomfortable. But I wasn't going to help him with his small talk. I'm not very good at it in the best of circumstances. Sitting almost thigh to thigh with a guy who turned me into a mental pretzel was nowhere near a good circumstance.
Melissa Jensen (The Fine Art of Truth or Dare)
Clowns.” Clowns? “Really?” I tried to imagine a tiny Aiden crying over men and women with overly painted faces and red noses, but I couldn’t. The big guy was still facing me. His expression clear and even, as he dipped his chin. “Eh.” God help me, he’d gone Canadian on me. I had to will my face not to react at the fact he’d gone with the one word he usually used only when he was super relaxed around other people. “I thought they were going to eat me.” Now imagining that had me cracking a little smile. I slid my palm under my cheek. “How old were you? Nineteen?” Those big chocolate-colored eyes blinked, slow, slow, slow. His dark pink lips parted just slightly. “Are you making fun of me?” he drawled. “Yes.” The fractures of my grin cracked into bigger pieces. “Because I was scared of clowns?” It was like he couldn’t understand why that was amusing. But it was. “I just can’t imagine you scared of anything, much less clowns. Come on. Even I’ve never been scared of clowns.” “I was four.” I couldn’t help but snicker. “Four… fourteen, same difference.” Based on the mule-ish expression on his face, he wasn’t amused. “This is the last time that I come over to save you from the boogeyman.” Shocked out of my mind for a split second, I tried to pretend like I wasn’t, but… I was. He was joking with me. Aiden was in bed joking around. With me. “I’m sorry. I’m sorry, I was just messing with you.” I scooted one more millimeter closer to him, drawing my knees up so that they hit his thighs. “Please don’t leave yet.” “I won’t,” he said, settling on his pillow with his hands under his cheek, his eyes already drifting to a close. I didn’t need to ask him to promise not to leave me; I knew he wouldn’t if he said so. That was just the kind of man he was. “Aiden?” I whispered. “Hmm?” he murmured. “Thank you for coming in here with me.” “Uh-huh.” That big body adjusted itself just slightly before he let out a long, deep exhale. Without turning around, I laid the flashlight down behind me and aimed the beam toward the wall. He didn’t ask if I was really going to leave the flashlight on all night—or at least however long the battery lasted—instead, I just smiled at him as I took my glasses off and set them on the unused nightstand behind me. Then I tucked my hands under my cheek and watched him. “Good night. Thank you again for staying with me.” Peeking one eye open, just a narrow slit, he hummed. “Shh.” That ‘shh’ was about as close to a ‘you’re welcome’ as I was going to get. I closed my eyes with a little grin on my face. Maybe five seconds later, Aiden’s spoke up. “Vanessa?” “Hmm?” “Why was I saved on your work phone as Miranda P.?” That had my eyes snapping open. I hadn’t deleted that entry off the contacts when I quit, had I? “It’s a long, boring story, and you should go to sleep. Okay?” The “uh-huh” out of him sounded as disbelieving as it should have. He knew I was full of shit, but somehow, knowing he knew, wasn’t enough to keep me from falling asleep soon after
Mariana Zapata (The Wall of Winnipeg and Me)
Funnel The family story tells, and it was told true, of my great-grandfather who begat eight genius children and bought twelve almost-new grand pianos. He left a considerable estate when he died. The children honored their separate arts; two became moderately famous, three married and fattened their delicate share of wealth and brilliance. The sixth one was a concert pianist. She had a notable career and wore cropped hair and walked like a man, or so I heard when prying a childhood car into the hushed talk of the straight Maine clan. One died a pinafore child, she stays her five years forever. And here is one that wrote- I sort his odd books and wonder his once alive words and scratch out my short marginal notes and finger my accounts. back from that great-grandfather I have come to tidy a country graveyard for his sake, to chat with the custodian under a yearly sun and touch a ghost sound where it lies awake. I like best to think of that Bunyan man slapping his thighs and trading the yankee sale for one dozen grand pianos. it fit his plan of culture to do it big. On this same scale he built seven arking houses and they still stand. One, five stories up, straight up like a square box, still dominates its coastal edge of land. It is rented cheap in the summer musted air to sneaker-footed families who pad through its rooms and sometimes finger the yellow keys of an old piano that wheezes bells of mildew. Like a shoe factory amid the spruce trees it squats; flat roof and rows of windows spying through the mist. Where those eight children danced their starfished summers, the thirty-six pines sighing, that bearded man walked giant steps and chanced his gifts in numbers. Back from that great-grandfather I have come to puzzle a bending gravestone for his sake, to question this diminishing and feed a minimum of children their careful slice of suburban cake.
Anne Sexton
How cautious he was, first angling his knee against my thigh, such a small thing that could have been an accident, then his hand on my knee, a little pat, a friendly thing people do to each other. Pat-pat-pat. I'd seen teachers give students hug before, no big deal. It only accelerated after that, once he knew I was okay with it—and isn't that what consent is, always being asked what you want? Did I want him to kiss me? Did I want him to touch me? Did I want him to fuck me? Slowly guided into the fire—why is everyone so scared to admit how good that can feel? To be groomed is to be loved and handled like a precious, delicate thing.
Kate Elizabeth Russell (My Dark Vanessa)
Tits. Ass. Cock. I know those words, Mason, and I know you think I’m so deeply prissy and vanilla but I’m actually a big girl, so you can go ahead and use them on me.”… “You want it then?” His mutter was raspy and low and his eyes burned so deep into mine I felt paralyzed before he even spoke. “Fine, Taylor,” he whispered, pressing his hand down hard on my thigh. “You walked in here and the first thing I thought of was how goddamned good you looked and how bad I wanted to rip that dress off those perfect tits of yours. I thought about what you’d look like in those boots and those boots alone and it turned me into a fucking crazy person for a second because I had some very real thoughts about grabbing you, taking you home and fucking you on my bed till I could hear those pretty lips screaming my name. does that get the point across or do you want to hear just how hard and deep I imagined my cock inside you.” Holy fuck. Just like that, panties ruined.
Stella Rhys (Ex Games)
She saw Bran step through the heavy gate. A big smile spread across her face at the sight of him. Unable to stop herself she drank in the way his broad shoulders stretched out his long-sleeved shirt and the way his thick thigh muscles flexed and strained under his cargo pants. The male was walking, talking sex and he was all hers.
Katie Reus (Beyond the Darkness (Darkness, #3))
There are two things you should know about me, Victoria. One, I will play games with you.” Warmth flooded my body, centering between my thighs. I swallowed. “What’s the other thing, big guy?” He palmed the back of my head, drawing me close. Yet then he hesitated, as if relishing that he was about to kiss me. “You will like my games.
Kresley Cole (The Player (The Game Maker, #3))
With the smugness of an end man on parade, he bounced along on his sinewy legs, effortlessly marching to attention, floating with a lightness of step remarkably different from the heavy tread of the soldiers keeping time with him. Down by his thigh he carried, unsheathed, a thin little sword – it was a small curved sabre, for ceremonial use only – and he looked and turned sideways to the commander and back to the men behind, without straining his big powerful frame or getting out of step. He seemed to strive with every fibre of his soul to march past his commander with maximum style, and his strong sense of doing this well made him a happy man. ‘Left . . . left . . . left . . .’ he seemed to be mouthing to himself at each alternate step, and that was the rhythm to which the solid wall of military men, weighed down by packs and guns, advanced; each face was different in its stern concentration, and each one of these hundreds of soldiers seemed to mouth his own ‘Left . . . left . . . left . . .’ at each alternate step
Leo Tolstoy (War and Peace)
I did not mean to be so long away from you. I had clan business to take care of, which took longer than I anticipated.” She nodded. “I understand.” He blew out a breath. “I’m not sure you do. I was eager to get through that business precisely because I wanted it out of the way so that I could return to your side.” Now it was her turn to feel her body flush with heat. “Oh yeah?” “Aye.” He looked down at his hands and then slowly reached and clasped her hand resting against her thigh. The rough feel of his calloused hands on her skin, and the tentative vulnerability in the movement, about made her slide forward off the bench and melt in a puddle on the stone floor. He really was just a big—quiet—teddy bear.
Angela Quarles (Must Love More Kilts (Must Love, #4))
When I was in college, the board game RISK was popular for a while. We’d get stoned and I’d stare at the little plastic pieces moving across the territories and get utterly confused about allies and enemies, arguing that nothing could be that black and white, complicating the whole notion of the game. But I understand that estrogen is my enemy now, the very thing that made me big-busted and fertile and a terrific nurser, has turned on me, inside my milk ducts where my body incubated nourishment that made my babies pink cheeked and roly-poly thighed. It’s all so twisted and ironic and confusing. Tamoxifen, a hero and a hazard, my breasts, a giver and taker of life, and I, the protagonist and the antagonist in this story
Gail Konop Baker (Cancer Is a Bitch: Or, I'd Rather Be Having a Midlife Crisis)
Let's put our weapons down, okay?" He raises his hands to show he's unarmed. His hands are big enough to encircle my ankles. I swallow. To hide my awkwardness, I mime taking a gun out of my pocket and toss it aside. He reaches into an imaginary shoulder holsters and takes out a gun, putting it on his planner. I unsheathe an invisible knife from my thigh. "All of them." I indicate under the desk. He reaches down to his ankle and pretends to take a handgun out of an ankle holster. "That's better." I sink into my chair and close my eyes. "You're deeply weird, Shortcake." His voice is not unkind. I force my eyes open and the Staring Game almost kills me. His eyes are the blue of a peacock's chest. Everything is changing.
Sally Thorne (The Hating Game)
Why do women find it honorable to dismiss ourselves? Why do we decide that denying our longing is the responsible thing to do? Why do we believe that what will thrill and fulfill us will hurt our people? Why do we mistrust ourselves so completely? Here’s why: Because our culture was built upon and benefits from the control of women. The way power justifies controlling a group is by conditioning the masses to believe that the group cannot be trusted. So the campaign to convince us to mistrust women begins early and comes from everywhere. When we are little girls, our families, teachers, and peers insist that our loud voices, bold opinions, and strong feelings are “too much” and unladylike, so we learn to not trust our personalities. Childhood stories promise us that girls who dare to leave the path or explore get attacked by big bad wolves and pricked by deadly spindles, so we learn to not trust our curiosity. The beauty industry convinces us that our thighs, frizz, skin, fingernails, lips, eyelashes, leg hair, and wrinkles are repulsive and must be covered and manipulated, so we learn to not trust the bodies we live in. Diet culture promises us that controlling our appetite is the key to our worthiness, so we learn to not trust our own hunger. Politicians insist that our judgment about our bodies and futures cannot be trusted, so our own reproductive systems must be controlled by lawmakers we don’t know in places we’ve never been. The legal system proves to us again and again that even our own memories and experiences will not be trusted. If twenty women come forward and say, “He did it,” and he says, “No, I didn’t,” they will believe him while discounting and maligning us every damn time. And religion, sweet Jesus. The lesson of Adam and Eve—the first formative story I was told about God and a woman—was this: When a woman wants more, she defies God, betrays her partner, curses her family, and destroys the world. We weren’t born distrusting and fearing ourselves. That was part of our taming. We were taught to believe that who we are in our natural state is bad and dangerous. They convinced us to be afraid of ourselves. So we do not honor our own bodies, curiosity, hunger, judgment, experience, or ambition. Instead, we lock away our true selves. Women who are best at this disappearing act earn the highest praise: She is so selfless.
Glennon Doyle (Untamed)
Melisandre burned the Horn of Joramun.” “Did she?” Tormund slapped his thigh and hooted. “She burned that fine big horn, aye. A bloody sin, I call it. A thousand years old, that was. We found it in a giant’s grave, and no man o’ us had ever seen a horn so big. That must have been why Mance got the notion to tell you it were Joramun’s. He wanted you crows to think he had it in his power to blow your bloody Wall down about your knees.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Slowly, his hands coasted down to my hips, tracing my panties before he tugged them down. He looked up at me, even as his hand eased between my thighs. Ice-green eyes burned bright. "I've never wanted anyone as much as I want you." The calloused tips of his fingers slid along my swollen, slick sex. "Now that I have you, I don't know where to start." My lids fluttered, hands clutching at his shoulders as he rubbed back and forth. "Right there works for me." His smile was sin and promise. "You like that, honey?" "Yes." He toyed with the entrance to my sex, pausing there to push just enough for me to feel it, to want it. "How about here?" "There is..." My breath caught. He pushed in, long strong fingers filling me. "Is what?" he murmured darkly, those talented fingers slowly fucking me, as though he had all the time in the world. The blunt end of his thumb found my puffy clit and circled it. I whimpered again, falling against him, my arms wrapping around his neck. "So fucking good." He made a noise, possessive and greedy, his mouth finding my nipple, his long fingers pushing up into me. "God, you're perfect. So perfect for me." The slight curl of his fingers hit a spot, and that was it. I came in waves, shaking with it, heat swamping me. His eyes held mine as he coaxed me along, drawing my pleasure out. With a groan that sounded almost pained, Lucian slid to the floor, his wide shoulders edging between my legs. He palmed my thighs in his big hands to hold me steady. And then, with an impatient grunt, he leaned in and kissed my throbbing clit. Kissed it like he kissed my mouth, greedy and deep, licking and sucking, nibbling with firm lips. I cried out again, my knees so weak he had to hold me up. He ate me like a dessert, lapping at my slit before thrusting his tongue inside me. I couldn't take it. It was too much. I came again, writhing against his mouth. "That's it," he said between frantic kisses. "That's it, Em. Work that sweet pussy on my mouth." Oh, hell. I crumpled, dislodging myself before falling onto his lap. I cupped the thick column of his nape and kissed him, drawing in his breath as he groaned and devoured me.
Kristen Callihan (Make It Sweet)
the sweat and bloodstained wood of the cross he died on. He kicks in the frosted-glass door of a coffee franchise off Wall Street and beats seven shades of damnation out of the money changers gathered there. Painted, black-stockinged lady brokers twisting prostrate at his feet, red licked lips parted in horror and abandonment, thighs exposed under short, whorish skirts. Fat, big-nosed men in suits braying and panicking, trying to get away from the scything club. Blood and waxed coffee cups flying, screams. The capitalized crunch of broken bones.
Richard K. Morgan (Thirteen)
I started to turn toward the closest bus stop. Alex turned the other way. "Suivez-moi," he commanded. So I followed. "Bon.Je pensais que nous irions-" "Alex." He stopped. "Ella." "Don't do that, the immersion thing." "Mais, c'est tres important." "Alex." "Ella." "Please.I know you do this with other linguistic losers, but it makes me feel like I should have a great big L lipsticked onto my forehead in some swirly French calligraphy." "Do you often contemplate decorating yourself in such a manner?" I took a quick look down.I was wearing Sienna's turtleneck again, but my own jeans. There was a large blue sea horse from the art museum fountain running from my knee to the crease of my thigh. "Yeah," I admitted. "I do." "Quelle horreur!" he declared, eyes round in mock distress. "Casse-toi." He let out a bark of laughter that sounded just like a seal. "Tres bien, Mademoiselle Marino. Got any more?" "A couple.Frankie gave me a copy of How to Offend the French when I managed to get a B in 1B last year." "Well,I never trade insults on a first date. Not that kinda guy. But after two or three..." I liked that he'd said "date," instead of "tutoring session." Even if it wasn't and he totally didn't mean it. I couldn't help it.
Melissa Jensen (The Fine Art of Truth or Dare)
Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.
Natalie Díaz
But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.
Toni Morrison (The Bluest Eye)
It starts with chicken thigh meat cut into big, thick chunks. They're then set to marinate for the morning in a Nikumi- Original Marinade featuring soy sauce and cayenne pepper. "Breading done." "Thanks!" "Man, the smell of this chicken deep-frying is so good, it's making me hungry!" "Is it done yet? I wanna eat!" After the chicken breast has been fried not once but twice... ... it, along with lettuce leaves and other leafy herbs... ... is all wrapped up in our special, freshly cooked wrap! Some of our "Secret Chili Sauce" (which has a dash of Thai Nam Pla in it for flavor)... ... and a sprinkling of fresh cracked black pepper top it all off!
Yūto Tsukuda (食戟のソーマ 5 [Shokugeki no Souma 5] (Food Wars: Shokugeki no Soma, #5))
A strong back is a big help but not even the strongest back was built for that treatment, and there combine not just at the kidneys, ad rill down the thighs and up the spine and athwart the shoulders, the ticklish weakness of gruel or water, and an aching that increases in geometric progression, and at length, in the small of the spine, a literal sensation of yielding, buckling, splintering, and breakage: and all of this, even though the mercy of nature has strengthened and hardened your flesh and anesthetized your nerves and your powers of reflection and imagination, reaches in time the brain and the more mirrorlike nerves, and thereby makes itself much worse than before.
James Agee (Cotton Tenants: Three Families)
Scott still stares at Sid, then turns to Alice and hands her the Scotch. “We’re going to go see Joanie today,” he says. Alice grins. “And Chachi?” she asks. Sid bursts out laughing and Scott turns back to him, then places a hand on his shoulder, which makes me fear for his life. “You be quiet, son,” Scott says. “I could kill you with this hand. This hand has been places.” I shake my head and look at both Sid and Alex. Scott lifts his hand off Sid’s shoulder and turns again to his wife. “No, Alice. Our Joanie. Our daughter. We’re going to give her anything she wants.” He glares at me. “Think about what she would want, Alice. We’re going to get it for her and bring it to her. Bring it right to her bed.” “Joanie and Chachi,” Alice chants. “Joanie and Chachi!” “Shut up, Alice!” Scott yells. Alice looks at Scott as though he just said “Cheese.” She clasps her hands together and smiles, staying in the pose for a few seconds. He looks at her face and squints. “Sorry, old gal,” he says. “You go ahead and say whatever you want.” “It was funny,” Sid says. “All I was doing was laughing. She has a good sense of humor. That’s all. Maybe she knows she’s being funny. I think she does.” “I’m going to hit you,” Scott says. His arms hang alongside him, the muscles flexed, veins big like milk-shake straws. I know he’s going to hit Sid because that’s what he does. I’ve seen him hit Barry. I, too, have been hit by Scott after I beat him and his buddies at a game of poker. His hands are in fists, and I can see his knobby old-man knuckles, the many liver spots almost joining to become one big discoloration, like a burn. Then he pops his fist up toward Sid, a movement like a snake rearing its head and lunging forth. I see Sid start to bring his arm up to block his face, but then he brings it down and clutches his thigh. It’s almost as if he decided not to protect himself. The end result is a punch in his right eye, a screaming older daughter, a frightened younger daughter, a father trying to calm many people at once, and a mother-in-law cheering wildly as though we have all done something truly amazing.
Kaui Hart Hemmings (The Descendants)
Michael’s Magical Sweet Potato Muffins WHISK TOGETHER 1 cup dark brown sugar, 1/2 cup oil, 1 running-over teaspoon vanilla, and 2 eggs. Then, in another bowl, mix together 2 cups all-purpose flour, 2 teaspoons baking powder, 1 teaspoon cinnamon, 1 teaspoon nutmeg, 1/2 teaspoon allspice, and 1/2 teaspoon salt. To that, add 2 big giant sweet potatoes—either baked or boiled—and mashed. I suppose you COULD use canned ones, but it kinda makes me gag to think about. Add your egg/sugar mixture to all of that and stir it up without beating it to death. Put it in greased muffin tins and bake for about 25 to 30 minutes at 350°F. (If you want to, you could add 1/2 cup raisins or 1 cup pecans. I’d go with the pecans—not a big fan of raisins in stuff, but that’s just me.)   Okay—I have got
Jill Conner Browne (American Thighs: The Sweet Potato Queens' Guide to Preserving Your Assets)
I sit there. My breasts press against the cotton of my chemise; my thighs burn under my petticoat. I am conscious of my throat, my earlobes, my pulsing blood. My body is throbbing but this is because I have a fever. This is why I am aching, why I am both heavy and featherlight. The painter works. His eyes flick to me and back to his canvas. As he paints I feel his brush stroking my skin.... I am in bed with my sisters. I keep my eyes squeezed shut because I know he's sitting there, watching me. His red tongue flicks over his teeth. If I open my eyes the wolf will be there, sitting on his haunches beside my bed. My heart squeezes. I mutter my rosary... Holy Mary, Mother of God... I can feel his hot, meaty breath on my face. My hands cupping my budded breasts. I mutter faster, willing him to move closer.
Deborah Moggach (Tulip Fever)
Queen of the Night Salsa 2.0 This is a jazzed-up version of an earlier recipe from our Precious Darlin’ George. He is ever seeking new and more delicious ways to please us and we adore him for this and other reasons.   MIX ALL THIS stuff together—1 15-ounce can drained and rinsed black beans, 1 11-ounce can Niblets corn, 1 small can chopped green chilis, 1 small can chopped black olives, 2 to 3 chopped fresh tomatoes, at least 8 ounces shredded Monterey Jack, 1 bunch chopped green onions, some cilantro (fresh or dried, to taste), 1/2 teaspoon chili powder, 1/2 teaspoon cumin, 1/2 to 3/4 of a 16-ounce bottle of Wishbone Robusto Italian dressing, and a whole big lot of chopped-up bacon. Obviously, the more bacon, the better—duh. Chill all that overnight in the refrigerator and then eat it all at one sitting the next day with Fritos.
Jill Conner Browne (American Thighs: The Sweet Potato Queens' Guide to Preserving Your Assets)
Do you want me to kiss you for luck?" I asked. His eyes cut to me for a split second, then returned to the store. He waited so long that I thought he wasn't going to answer. He would ignore my inappropriate question. The he said, "Yes." I scooted next to him on the seat. The heat of his leg soaked through my jeans. Inhaling his cologne, I leaned my head toward his. He didn't turn to me or take his eyes off the store - and of course I didn't want him to, because that would not be safe. I closed my eyes and softly, slowly kissed his jaw. His big hand closed over my knee, then slid up my leg. His fingers massaged as they went. I opened my eyes again to make sure I wasn't runing his offical police work. He stil watched the store. But when I ended the kiss, he sighed. I kissed him again, farther back toward his ear. He took a sharp breath. His hand clamped my thigh.
Jennifer Echols (Going Too Far)
Indie Rokkers" i like the line between your belly and your thighs the smell of your hair the sparkle in your eyes the smoke in your breath the breathing hard and heavy the back of your neck the shine on your Chevy the moon was so big when i drove it to the levy, girl i found blood and i saw stars all in the backseat of your car and i told you it was love but you don't wanna know the truth i was young and in my prime with my heart still filled with fear and it goes on bleedin' the clean dreams, the sexy limousine Jason's (?) got the energy he used to be a coke fien the skinny brown arms coming round in your shirt heart is in the right place brain is in the dirt you live life like everyone's an enemy i found blood and i saw stars all in the backseat of your car and i told you it was love but you don't wanna know the truth i was young and in my prime with my heart still filled with fear and it goes on bleedin
MGMT
And then, Jane looks August straight on, folds her arms across her chest, and says, “What the fuck, August?” August mentally flips through the plan for tonight—nope, definitely not part of it. “What?” “I can’t do this anymore,” Jane says. She paces toward August, sneakers thumping hard on the floor of the car. She’s pissed off. Brow furrowed, eyes vivid and angry. August scrambles to figure out how she screwed this up so fast. “You—you can’t do what?” “August,” she says, and she’s right in front of her. “Is this a date? Am I on a date right now?” Fuck. August leans against the door, equivocating. “Do you want it to be a date?” “No,” Jane says, “you tell me, because I have been putting every move I know on you for months and I can’t figure you out, and you kept saying you were only kissing me for research, and then you stopped kissing me, but then you kissed me again, and you’re standing there looking like that in fucking thigh highs and bringing me wine and making me feel things I didn’t even know I could remember how to feel, and I’m going out of my goddamn mind—” “Wait.” August holds both hands up. Jane’s breaths are coming high and short, and August suddenly feels close to hysterical. “You like me?” Jane’s hands clench into fists. “Are you kidding me?” “But I asked you on a date!” “When?” “That time I asked you out to drinks!” “That was a date?” “I—but—and you—all those other girls you told me about, you were always—you just went for it, I thought if you wanted me like that, you would have gone for it by now—” “Yeah,” Jane says flatly, “but none of those girls were you.” August stares. “What do you mean?” “Jesus, August, what do you think I mean?” Jane says, voice cracking, arms thrown out at her sides. “None of them were you. Not a single one of them was this girl who dropped out of the fucking future to save me with her ridiculous hair and her pretty hands and her big, sexy brain, okay, is that what you want me to say? Because it’s the truth. Everything else about my life is fucked, so, can you—can you please just tell me, am I on a fucking date right now?” She makes a helpless gesture, and August is breathless at the pure frustration in it, the way it looks so broken in, like Jane’s been living with it for months. And her hands are shaking. She’s nervous. August makes her nervous. It sinks in and rearranges in August’s brain—the borrowed kisses, the times Jane’s bit her lip or slid her hand across August’s waist or asked her to dance, all the ways she’s tried to say it without saying it. They’re both hopeless at saying it, August realizes. So August opens her mouth and says, “It was never just research.” “Of course it fucking wasn’t,” Jane says, and she hauls August in by the sway of her waist and finally, finally kisses her.
Casey McQuiston (One Last Stop)
He leaned down and kissed her stomach, her hip bones, while his big hands held her in place. Then his mouth was on her, covering her, licking over her clit. She arched up, crying out as his tongue slid over her folds, making her mindless and crazy. She clutched the pillow, burying her head into the softness as he sucked and licked, nipping over her skin. She clamped her thighs around his head. Whimpered. He was going to drive her right over the edge. His tongue lapped over her clit. "Jack, stop," she said, her voice harsh and panting. "I'm going to... God... No... I want..." He didn't stop. Didn't ease up. He just pushed her harder. His tongue. It was magic. The condom packet slid off her stomach as she planted her feet and rocked into him. Giving up, surrendering to his will and determination. Everything that made Jack, Jack. She coiled tight and then she exploded. She bit her lip, stifling her moans as she rode out wave after wave of delicious sensation. She couldn't think, couldn't put together a sentence, but then he was on her, over her. His palm on her neck, his fingers on her jaw, twisting her face to meet his. His mouth covered hers. He tasted like sex. And lust. His grasp was tight on her jaw, and the way he kissed her, devoured her, sucked her right back under. It was a raw, dirty kiss that consumed her. Her fingers came up to where he held her, and she dug her nails into his wrists. He growled against her lips, biting her, sucking. And the kiss went on and on and on. He finally pulled away, grabbed the condom, and tore open the package. He tossed it onto her body again, ridding himself of his sweats, and then he was naked. And she could only gape at him. Her gaze wide. He had the best cock she'd ever seen in her life. Long and thick. A work of goddamn art. She reached for him, but he grabbed her wrist, shaking his head. "I can't wait, Chlo." He picked up the condom, threw the packet on the floor somewhere and rolled the condom down his hard shaft. She breathed out his name. "Jack." He leaned down, kissing her again, soft and sweet. His erection nudged between her legs. "Just let me inside.
Kate Angell (The Cottage on Pumpkin and Vine)
Where do you think you're going? I turn to see him, Cameron's dad. He is tall, a lot taller than my mom and most of the teachers at school, and has Cameron's big eyes. I recognize you, he says, studying me with a smile. You're Cam's little girlfriend. He's got a picture of you in his room. He sounds nicer now. Maybe he's just a regular dad, maybe what I heard him saying to Cameron before wasn't really mean, maybe it was like a joke. I don't know how fathers are. Mine's been gone since I was two years old. Maybe they are like this-a little scary and big but mostly teasing. But then he says: I guess my little guy is a chubby chaser, huh? Well at least he's not a fairy. Tears come to my eyes and my face is hot. I pull the hem of my T-shirt down to cover the part of my stomach that always pokes out, white and lumpy. It's baby fat, my mom says, baby fat that is also on the tops of my knees and inside my thighs that rub together and under my chin. She says I'll grow out of it. I don't want to be here. It's only one step to the door. And then Cameron is standing there, behind his father, looking at me and I can't leave him. I can't leave him here alone.
Sara Zarr (Sweethearts)
When he was sixteen (1923), Peter got a job as copy boy on a New York tabloid and entered a saltier, more hard-bitten world. It was a roaring, lush, lousy tabloid. Everybody was drunk all the time. The managing editor hired girl reporters on condition they sleep with him. New staffs moved in and were mowed down like the Light Brigade. Chorus girls, debutantes, and widows suspected of murdering their husbands were perched on desks with their thighs showing to be photographed. An endless parade of cranks, freaks, ministers, actresses, and politicians moved through the big babbling room, day and night. The city editor went crazy one afternoon. So did his successor. And among the typewriters and the paste pots and the thighs, Peter walked with simple delight. A young reporter took a liking to him, found he was homeless, and insisted he share an elegant bachelor apartment uptown. There were constant parties, starting at dawn and ending as the hush of twilight settled over the city. People went to work and went to parties until they got the two pursuits confused and never noticed the difference. Whisky was oxygen, women were furniture, thinking was masochism.
Jack Iams
Where is this?’ he asks. ‘Go. Walk. Go home,’ comes the answer. What was it that his mother used to say about such situations? Don’t spurn the goddess of wealth, waiting and ready at your hand, by pushing her away towards your feet. The thought of his mother brings a sudden constriction in his throat – have they robbed him of any kind of self-control, of masculinity? How will he ever find the words to ask her for forgiveness? He hobbles, stops, limps a bit more; no, he really cannot move. The policemen are watching him in silence. Should he crawl on all fours? He would be much faster if he did that. He tries walking on the sides of his feet; it is impossible after two steps. An axis of pain has brought together, in one rod, the discrete epicentres of where he has been worked upon – the right big toe, the soles of both feet, his raw, bloody left thigh – and is driving that into his entire body, from toe to head. He takes another couple of steps. ‘Run,’ comes an order. How can he run? He can hardly breathe. A shot rings out, then another. The first bullet gets him in the back of his skull, the second in his back, under his left shoulder blade. He falls to the ground face-down.
Neel Mukherjee (The Lives of Others)
I’ll climb right up on you, just straddle your face and smother you with my sweet stuff… bury your face in thighs and my big old butt until you just can’t breathe.”  Dan groaned again. “Oh, yeah, baby, you know what I like.” “And when I’m done riding your face and drowning you in my wetness, I’m going to slide down... way down and leave a little trail of my juice down your chest and tummy, all the way down to your knees.” Dan was beginning to breathe harder.  “Yeah, oh, yeah, baby,” he said. “Yeah.  And you know big old girls are hungry girls, so I’m going to savor that big hard monster, rub it all over my face.”  I moan and groan a bit while peeking out the livingroom window to make sure Shell is still where I can see her in the front yard.  She is.  I continue, “Dan, oh, baby, I’m rubbing it on my lips… my chin… my cheeks… over my eyes…”  He’s imagining me caressing his daylily.  In reality, though, I’m dipping my paint brush into mauve paint and spreading the almost-pink color on the walls. I can tell that Dan is feeling the heat.  “I kiss that big old head gently… now I’m licking just underneath it… where it’s so sensitive.  Do you like that, sweetheart?” I ask him provocatively. “Oh, yeah…” “Tell me how much you like it, baby.  You just tell Rosie…
Maggie Mistery (Diary of a Real-Life Phone Sex Operator--CENSORED EDITION)
I am your wife, but I will do as I please, I raged, and the spell rose in my head without effort. Belt that holds my husband’s pants, Loosen now and make him dance. Tiras’s belt flew from his breeches like a sea serpent, slithering through the air only to strike at him with its tail. He stepped back from me, his eyes growing wide as he gripped the gyrating length of leather, holding it at arm’s length with one hand as he held up his pants with the other. But I wasn’t finished. Boots upon my husband’s feet, Kick him so he’ll take a seat. Tiras fell flat on his behind as his boots shimmied and wriggled free, throwing him off balance. His boots then proceeded to kick him on his back and his thighs as he yowled in stunned outrage. “Lark!” Shirt upon my husband’s chest, Wrap yourself around his head. His tunic promptly rose like Tiras was shrugging it off, only it wrapped itself around him, obscuring his angry face. I started to laugh then. I couldn’t help it. He looked so ridiculous sitting on the floor of the library, his socks hanging from his feet, his breeches falling around his hips, his shirt over his head, and his boots and belt attacking him. Tiras lashed out and grabbed my skirts, yanking me down beside him. “Call off the hounds, Lark!” he bellowed, and I laughed even harder, shaking with mirth even as he rolled himself on top of me and valiantly fought the tunic that kept wrapping itself around his face. The tunic was slightly dangerous, the boots weren’t very accurate, and the tail end of the belt had made a welt across my cheek. I decided enough was enough. I performed a sloppy rhyme, and Tiras let out a stream of profanities as the shirt ceased its murderous attempts and the belt and boots fell to the floor, inanimate once again. Tiras’s breathing was harsh and fast, his hair mussed and falling over his eyes as he braced his forearms on either side of my head. His big body pressed me into the floor, making it hard to draw breath. I was well and truly trapped, but I felt like the victor regardless. Are you injured, husband? He was glaring and angry for all of three seconds. Then the lines around his eyes deepened and a smile broke out across his face. He laughed with me, but he kept me pinned beneath him, his face inches from mine. “You enjoyed that, didn’t you?” Immensely. “Tell me this, wife. Is there a spell to quickly remove your dress?” he whispered, still smiling, his breath tickling my mouth. I felt my face grow hot, and I closed my eyes, trying to retreat, even as I immediately considered a spell to render us both naked.
Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
Figure out the secret yet?” he asked, leaning on the nearest cot like he’d made himself dizzy. “Um. Not really,” Sophie admitted. Ro snorted. “Wow. You’re a horrible teacher.” “Psh, I’m the best,” Keefe insisted. “No boring lectures. And Foster’ll get it this time—you’ll see.” He floated the scrap of bandage back toward himself, then set it back down. “You know what? It’ll be easier to notice with something bigger. Hmmmmmm . . . Oh! I know!” He lunged and thrust his arms toward Ro—who yelped as she launched toward the ceiling. “Put. Me. Down!” “Aw, is the big, tough ogre princess scared of a little elf-y mind trick?” Keefe asked. “You realize I can end you with one dagger, right?” Ro asked, drawing one from the sheath around her thigh. “And there’s no way you’d be fast enough to stop it.” “Probably not,” Keefe agreed. “But I could do this.” He let her plummet, then blasted her back up with a big enough jolt to knock her weapon from her grasp. “Uh, I’m pretty sure she’s going to murder you in your sleep tonight,” Sophie warned. “Oh, I’m planning something much more painful than that,” Ro snarled. “See, and I thought you’d be honored to be part of this important moment, when Foster shows us how much she’s learned from my brilliant demonstration. Go ahead,” he told Sophie. “Tell Ro the secret.
Shannon Messenger (Flashback (Keeper of the Lost Cities #7))
Mr. Townsend quirks a brow at the other man, and when our boss walks away he sticks his tongue out to his back. I push my hair over my shoulder and look this man over a bit closer. His dark hair reaches his shoulders and falls in soft waves around his face. He has a strong jaw lined with stubble and high cheekbones under his impossibly dark eyes. His perfect teeth are framed beautifully with full lips and a dark goatee, which only highlight the voluptuous color of his mouth. He’s wearing a dark blue button up shirt that fits loosely around his arms and chest, but the fitted dark jeans show off the chiseled lines of his thighs. He pushes his chair back slightly and stands, extending his large hand toward me. “I’m Reid. Reid Townsend.” He’s tall, about 6’0”, with a smile right out of a toothpaste commercial, and when I take his hand (surely with a stupid look on my face) it’s rough from heavy use. “Nice to meet you. I’m Danielle Delaney,” I reply. “You can call me Dani… Or anything you’d like except DD, um, in high school some people called me Double D’s because of that name and because I have big boobs—” I cut off abruptly with a slightly choked sound, feeling the blood rush over my chest, face and ears. I’ve never blurted something like that before in my life, and I especially have never blurted anything because I’m standing in front of a beautiful guy—I’m the player, not the played.
Allana Kephart (Best Thing I Never Had (Anthology))
Cross," she whispered. "Please-" And in that plea, he lost himself. "Yes, love," he said, inhaling her heady, glorious scent. "I'll give you everything you want. Everything you need." He stroked into her softness again, and he wondered at the way she wept for him, not knowing what he would give her... what he could do to her... and wanting it nonetheless. "Do you feel it? The truth of it? How much you want me?" "I want..." she started, then stopped. He turned his head, nipping at the soft skin of her inner thigh, reveling in the softness there- that untouched, uncharted, silken spread. "Say it." He would give it to her. Anything in his power. Anything beyond it. She looked down at him, blue eyes fairly glowing with desire. "I want you to want me." He closed his eyes at that; trust Pippa to be forthright even here, even now, even as she bared herself to his eyes and mouth and hands. Trust her to strip this moment of all remaining shrouds, leaving it raw and bare and honest. God help him, he told her the truth. He wasn't certain he could do anything but. "I do, love. I want you more than you could ever know. More than I could have ever dreamed. I want you enough for two men. For ten." She laughed at that, the sound coming on a wicked movement of strong hips and soft stomach. "I don't require ten. Just you." Even as he knew he would never be worthy enough for her, the words went straight to the hard, straining length of him, and he knew he would never be able to resist her- not when she asked with truth in her big blue eyes and passion on her soft, lyric voice. He leaned in, and spoke to the heart of her. "And you shall have me.
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
She felt a soft touch on her ankles. She held very still, feeling no fear even as she sensed something moving beneath the surface of the water. Another touch... a hand... long fingers smoothed over her feet and massaged tenderly, rubbing over the sore insteps until she sighed in pleasure. The big masculine hands slid higher, caressing her calves and knees, while a large, sleek body emerged from the depths of the well. The spirit had taken the form of a man to court her. His arms slipped around her, and the feel of him was strange but so lovely that she kept her eyes closed, fearing that if she tried to look at him, he might vanish. His skin was hot and silken, the muscles of his back rippling beneath her fingers. Her dream lover whispered endearments as he embraced her, his mouth playing over her throat. Everywhere he touched, she felt a glow of sensation. "Shall I take you?" he whispered, carefully drawing away her clothes, baring her skin to the light and air and water. "Don't be afraid, little love, don't..." And as she shivered and held him blindly, he kissed her throat and breasts, and touched her nipples with his tongue. His hands coasted over her front, slipping down to cradle her breasts while his half-parted lips brushed over a budded peak. His tongue darted out to flick the sweetly aching flesh again and again, until a moan rose in her throat and she slid her fingers into his thick hair. Opening his mouth, he covered her nipple and drew on it with a gentle tug, then stroked with his tongue and pulled again... licking and suckling in a soft, clever rhythm. She arched and gasped, helplessly widening her thighs as he moved more tightly between them...
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
This is what you do to me, Jane,” he said in a voice raw with hunger. He grabbed her hand to press it against him there. “I’ve desired you from the day we first met.” As his flesh moved beneath the stockinette, she swallowed. “I don’t recall ever seeing you like this back then--all…big and thrusting. I think I would have noticed.” He choked back a laugh. “It’s the sort of thing a gentleman generally takes great pains to keep his lady from seeing. But tonight you’re making it difficult for me to behave.” “Good! I don’t want you to behave. I want you to be wicked.” She fondled him shamelessly. “With me.” A harsh breath escaped him. “You have no idea what being wicked entails.” “Then perhaps you should show me.” His eyes glinted in the lantern light and he growled, “Perhaps I should.” Next thing she knew, he was sweeping the tools and carriage lanterns off the table near them. Then he lifted her onto it and parted her thighs with his hands. “This, my sweet, is wicked,” he warned just before he knelt to place his mouth on the secret part of her that lay in the juncture of her thighs. Shock gripped her. It had been one thing to have him touch her furtively beneath her skirts last night, but this blatant, outrageous-- “Ohh, Dom…” She clasped the edge of the table to keep from dissolving into a puddle. “That is..that is…” “Wicked?” he asked hoarsely, his eyes dark with sinful promise. She nodded. Her cheeks surely shone as red as the tongue he now used to stroke her. Down there. In an intimate caress that sent heat licking up her belly to her breasts, which were already aching to feel that tongue on them. This was wicked, all right. Luxuriously decadent. It made her feel like a shameless wanton. But she didn’t care as long as she was being a shameless wanton with him.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Phoebe Kitzke?” The man had stopped in front of her. He had a deep, beautiful voice that made her thigh muscles quiver. This close she could see the multiple shades of deep blue that made up his eyes. He didn’t smile. On the whole she would say he looked about as far from happy as it was possible to be while still breathing. “I’m Phoebe,” she said, afraid she sounded as tentative as she felt. Why hadn’t Maya warned her? Saying Zane was good-looking was like saying summer in the desert was warm. “Zane.” He held out his hand. She wasn’t sure if he wanted to shake or take her luggage. She erred on the side of good manners and found her fingers engulfed in his. The instant heat didn’t surprise her, nor did the melting sensation. Everything else was going wrong in her life--it made sense for her body to betray her, too. She mentally jerked her attention away from her traitorous thighs and noticed that he had a really big hand. Phoebe tried not to think about those old wives’ tales. She tried not to think about anything except the fact that she was going to kill Maya the next time she saw her. “Nice to meet you,” she said when he’d released her. “Maya says the ranch is some distance from the airport, and I really appreciate you coming all this way to collect me.” His only response was to pick up her luggage. He didn’t bother with the wheels, instead carrying the bags out as if they weighed as much as a milk carton. Uh-huh. She’d nearly thrown out her entire back just wrestling them into the car. While in the past she’d never been all that interested in men with muscles, she could suddenly see the appeal of well-developed biceps. Zane headed for the parking lot, and Phoebe trailed after him. He didn’t seem to be much of a talker. That could make the drive to the ranch incredibly long.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Lemon Barley Chicken Soup: The first thing you have to do is make chicken broth. Over here in France, I can’t seem to find acceptable packaged chicken broth, so I make it from scratch; it’s really not tricky. Remove the skin from four or five chicken thighs. Put them in a big pot, along with a cut-up onion, a carrot or two, some celery, salt and pepper, and lots of water. Cook this mélange very, very slowly (bubbles just rising) for a few hours (at least three). When you’ve got the broth under way, cook the barley: take 1 cup of barley and simmer it slowly in 4 to 5 cups of water. When it’s soft, drain the barley, but reserve any remaining barley water so you can add it to the broth. When the broth is ready, skim off the froth. Then remove the chicken thighs and when they’re cool enough, strip the meat off the bones, saving it for the soup. Strain the broth and put it to the side. Now that you’ve got chicken broth, it’s time for the soup itself—the rest is even easier. Cut up some leeks, if you have them, though an onion works just fine, too. If you’ve got leeks, put some butter in your (now emptied) stockpot over low heat; use olive oil instead if you have onions. While the leeks/onions are softening, finely mince a knob of ginger and 2 or 3 garlic cloves. If you can get some, you can also crush some lemongrass and put it in at this point. I never seem to cook it right (it always stays tough), but it adds great flavor. Dump all that in with the softened leeks/onions. Cook until you can smell it, but take care to avoid browning. Then add the cut-up chicken and the barley, and pour in the broth. Simmer it over low heat for about half an hour. Add salt to taste. To get a great lemon kick, squeeze 2 lemons and beat the juice well with 2 egg yolks. With the pot removed from the heat source, briskly whisk this mixture into the soup, being careful that the eggs don’t separate and curdle. Then return the pot to the heat and stir vigorously for a bit, until the eggs are cooked. This soup is excellent for sick people (ginger, hot lemon, and chicken; need I say more?) and a tonic for sad people (total comfort). And it’s even better the next day.
Eloisa James (Paris In Love)
It? I ast. Yeah, It. God ain't a he or a she, but a It. But what do it look like? I ast. Don't look like nothing, she say. It ain't a picture show. It ain't something you can look at apart from anything else, including yourself. I believe God is everything, say Shug. Everything that is or ever was or ever will be. And when you can feel that, and be happy to feel that, you've found It. Shug a beautiful something, let me tell you. She frown a little, look out cross the yard, lean back in her chair, look like a big rose. She say, My first step from the old white man was trees. Then air. Then birds. Then other people. But one day when I was sitting quiet and feeling like a motherless child, which I was, it come to me: that feeling of being part of everything, not separate at all. I knew that if I cut a tree, my arm would bleed. And I laughed and I cried and I run all around the house. I knew just what it was. In fact, when it happen, you can't miss it. It sort of like you know what, she say, grinning and rubbing high up on my thigh. Shug! I say. Oh, she say. God love all them feelings. That's some of the best stuff God did. And when you know God love 'em you enjoys 'em a lot more. You can just relax, go with everything that's going and praise God by liking what you like. God don't think it dirty? I ast. Naw, she say. God made it. Listen, God love everything you love - and a mess of stuff you don't. But more than anything else. God love admiration. You saying God vain? I ast. Naw, she say. Not vain, just wanting to share a good thing. I think it pisses God off if you walk by the color purple in a field somewhere and don't notice it. What it do when it pissed off? I ast. Oh, it make something else. People think pleasing God is all God care about. But any fool living in the world can see it always trying to please us back. Yeah? I say. Yeah, she say. It always making little surprises and springing them on us when us least expect. You mean it want to be loved, just like the bible say. Yes, Celie, she say. Everything want to be loved. Us sing and dance, make faces and give flower bouquets, trying to be loved. You ever notice that trees do everything to git attention we do, except walk?
Alice Walker (The Color Purple)
Zane continued to look at her. Even better, he kept her hand in his, his thumb rubbing up and down the length of her fingers. Over and over. Up and down. It was very rhythmic. And sexual. Her thighs took on a life of their own, getting all hot and shaking slightly. Her mouth went dry, her breasts were jealous of the attention her hand was getting and her hormones were singing the “Hallelujah Chorus.” Obviously she needed intensive therapy…or maybe just sex. Zane’s eyes darkened. The muscles in his face tightened, and he stared at her with a hawkish expression. Had he been anyone else, she would have sworn that he’d just had a physical awakening of his own. Awareness crackled around them, like self-generated lightning. The tightness in her chest eased just enough for her to suck in a breath, which was really good, because the next second it all came rushing out again when he kissed her. Just like that. With no warning, Zane Nicholson bent his head and claimed her mouth. It wasn’t a movie-perfect kiss. They didn’t magically melt into each other. Instead their noses bumped, and somehow the hand still holding hers got trapped between them. But all that was fairly insignificant when compared with the intense, sensual heat generated by the pressure of his lips on hers. That part was exactly right. Not too hard, not too soft. When he moved against her, need shot through her body. Had she been breathing again, she would have whimpered. Had he tried to pull away, she would have fallen at his feet and begged him not to stop. Somehow he released her hand and pulled his free. He wrapped his arms around her and hauled her against him so her entire body pressed against his. The man was a rock. Big, unyielding and warmed by the sun. She wanted to snuggle even closer. She wanted to rip off her clothes and give the goats something to talk about. She wanted-- He licked her lower lip. The unexpected moist heat made her gasp as fire raced through her. Every singed nerve ending vibrated with need for more. The masculine, slightly piney scent of him surrounded her. Operating only on instinct, she parted her lips to allow him entry. She had a single heartbeat to brace herself for the power of his tongue touching hers. Then he swept inside and blew her away.
Susan Mallery (Kiss Me (Fool's Gold, #17))
When I start to feel him slide in, I gasp. I knew he was going to feel big---because he is big. I didn't know he'd feel this good, this quickly, though. I close my eyes and savor the way he stretches me, the immediate intensity I feel. When he starts that slow slide, my mouth falls open. Soon I'm clawing at the bedsheets like I'm crazed. I'm certain I'll go hoarse at the end of this, but I don't care. I could lose my voice for a year and it would be worth it, this feels so freaking incredible. Max eases to a slower pace, then leans over me and kisses my shoulder. "Damn it, Joelle. You are...god, you're..." My eyes roll to the back of my head as I smile to myself. His inability to finish a sentence while inside me is the highest compliment. My vision focuses, and I take in just how gorgeous he is in this moment: eyes glazed over with arousal, jaw clenched, brow dotted with sweat, lips swollen from kissing me. Seeing Max so turned on combined with just how good he feels has me tingling between my thighs once more. He digs his fingers into my hips and picks up the pace. "Do you have any idea how long I've wanted to do this with you?" he growls. I moan. "No" and push my hips up higher. "A long fucking time." "Same," I rasp. "Same, same, same." He goes harder and faster until my vision begins to go starry. And then he slips a hand between my legs and works the most sensitive part of me with the pads of his fingers. The intensity deepens until my legs start to shake. I reach around and grip a handful of his delectably rock-hard ass. "I'm gonna need to get a good look at this up close very, very soon," I say. He chuckles between pants. I babble that I'm close. "Thank fuck." And then Max puts it into some high gear I didn't know he was capable of. He goes harder and faster than I thought was humanly possible. It's enough, though. Because moments later I'm bursting once again. He isn't far behind. He tenses against me before shuddering, then grunting. He lightly bites the spot where my neck meets my shoulder. The soft scrape, so sweet and carnal at once, has me grinning in ecstasy. We collapse on the bed, him on top of me, and stay that way for nearly a minute. I close my eyes and breathe in the mint-spice scent on his bedsheets, relishing the weight of his body on top of mine.
Sarah Echavarre Smith (The Boy With the Bookstore)
The Deliverator's car has enough potential energy packed into its batteries to fire a pound of bacon into the Asteroid Belt. Unlike a bimbo box or a Burb beater, the Deliverator's car unloads that power through gaping, gleaming, polished sphincters. When the Deliverator puts the hammer down, shit happens. You want to talk contact patches? Your car's tires have tiny contact patches, talk to the asphalt in four places the size of your tongue. The Deliverator's car has big sticky tires with contact patches the size of a fat lady's thighs. The Deliverator is in touch with the road, starts like a bad day, stops on a peseta. Why is the Deliverator so equipped? Because people rely on him. He is a role model. This is America. People do whatever the fuck they feel like doing, you got a problem with that? Because they have a right to. And because they have guns and no one can fucking stop them. As a result, this country has one of the worst economies in the world. When it gets down to it -- talking trade balances here -- once we've brain-drained all our technology into other countries, once things have evened out, they're making cars in Bolivia and microwave ovens in Tadzhikistan and selling them here -- once our edge in natural resources has been made irrelevant by giant Hong Kong ships and dirigibles that can ship North Dakota all the way to New Zealand for a nickel -- once the Invisible Hand has taken all those historical inequities and smeared them out into a broad global layer of what a Pakistani brickmaker would consider to be prosperity -- y'know what? There's only four things we do better than anyone else: * music * movies * microcode (software) * high-speed pizza delivery The Deliverator used to make software. Still does, sometimes. But if life were a mellow elementary school run by well-meaning education Ph.D.s, the Deliverator's report card would say: "Hiro is so bright and creative but needs to work harder on his cooperation skills." So now he has this other job. No brightness or creativity involved -- but no cooperation either. Just a single principle: The Deliverator stands tall, your pie in thirty minutes or you can have it free, shoot the driver, take his car, file a class-action suit. The Deliverator has been working this job for six months, a rich and lengthy tenure by his standards, and has never delivered a pizza in more than twenty-one minutes.
Neal Stephenson (Snow Crash)
Suddenly I realized I was standing on the hot wood of the dock, still touching elbows with Adam, staring at the skull-and-crossbones pendant. And when I looked up into his light blue eyes, I saw that he was staring at my neck. No. Down lower. “What’cha staring at?” I asked. He cleared his throat. “Tank top or what?” This was his seal of approval, as in, Last day of school or what? or, Dallas Cowboys Cheerleaders or what? Hooray! He wasn’t Sean, but he was built of the same material. This was a good sign. I pumped him for more info, to make sure. “What about my tank top?” “You’re wearing it.” He looked out across the lake, showing me his profile. His cheek had turned bright red under his tan. I had embarrassed the wrong boy. Damn, it was back to the football T-shirt for me. No it wasn’t, either. I couldn’t abandon my plan. I had a fish to catch. “Look,” I told Adam, as if he hadn’t already looked. “Sean’s leaving at the end of the summer. Yeah, yeah, he’ll be back next summer, but I’m afraid I won’t be able to compete once he’s had a taste of college life and sorority girls. It’s now or never, and desperate times call for desperate tank tops.” Adam opened his mouth to say something. I shut him up by raising my hand. Imitating his deep boy-voice, I said, “I don’t know why you want to hook up with that jerk.” We’d had this conversation whenever we saw each other lately. I said in my normal voice, “I just do, okay? Let me do it, and don’t get in my way. Stay out of my net, little dolphin.” I bumped his hip with my hip. Or tried to, but he was a lot taller than me. I actually hit somewhere around his mid-thigh. He folded his arms, stared me down, and pressed his lips together. He tried to look grim. I could tell he was struggling not to laugh. “Don’t call me that.” “Why not?” “Dolphins don’t live in the lake,” he said matter-of-factly, as if this were the real reason. The real reason was that the man-child within him did not want to be called “little” anything. Boys were like that. I shrugged. “Fine, little brim. Little bass.” He walked toward the stairs. “Little striper.” He turned. “What if Sean actually asked you out?” I didn’t want to be teased about this. It could happen! “You act like it’s the most remote poss-“ “He has to ride around with the sunroof open just so he can fit his big head in the truck. Where would you sit?” “In his lap?” A look of disgust flashed across Adam’s face before he jogged up the stairs, his weight making the weathered planks creaked with every step.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Luna left, too, with a cheery, “Thanks for the morning entertainment. That provided a better jolt than a cup of espresso.” Then it was just Arabella, her brother, and the really, really big man, who had just turned his gaze on her. Given his threats and violent solution, Arabella should have been quaking. At the very least staring at her toes lest she incur his wrath. But the gentlest blue eyes caught hers, and his tone was soft and soothing when he addressed her. “You must be Arabella. I’m Leo, the pride’s omega.” “More like enforcer,” Jeoff muttered, still rubbing his head. “If you behave, then I don’t have to resort to my methods.” “He started it,” Jeoff accused, pointing at finger at Hayder, who emerged from the bedroom clad in low-hipped jeans that hugged his corded thighs and a soft T-shirt that clung to his chest. “Hey, it’s not my fault you jumped to the wrong conclusion when I answered the door.” “What else was I to think? You’re in my sister’s condo wearing only a rag.” “Protecting her.” “The same way you protected her last night when you took her out and flaunted her?” “I took her to dinner.” “What the hell do you mean you took her out to dinner? You put my baby sister in danger.” “She wasn’t in danger.” “They snatched her off the street!” “And I got her back.” The men glared at each, toe-to-toe, bodies bristling. Leo, who’d seated himself on a stool by the kitchen island, cleared his throat. “Don’t make me get off this stool.” The tension remained, but the impending violence moved down a few notches. Seeming satisfied, Leo turned to her. “Coffee?” He addressed that to Arabella, holding out a cup he’d brewed from the machine on the counter. With a wary look at both Hayder and her brother, she went toward him but then almost scalded herself when Hayder barked, “Baby, where are your pants?” Oh yeah. She peeked down at her bare legs. To his credit, Leo didn’t, but he did smile. “How about I add some sugar and milk to this while you find some pants? You look like you need something sweet.” She couldn’t help but return his smile. “Yes, please.” Still ignoring the other two men, she stepped past them to the bedroom, where she scrounged in a drawer for pants. As she dressed, she listened to the arguing. “She’s leaving with me.” Her brother hadn’t relented. Neither did Hayder. “Wrong. Arabella isn’t going anywhere.” Ouch. She knew her brother wouldn’t like that. She was right. “Excuse me? You don’t get a say. She’s my sister, my responsibility. I’m taking her.” Arabella stepped back into the living room. “What of the danger though, Jeoff? The pack is in town, and they’re looking for me.” “We’ll figure something out.” “We already have. She’ll stay here with me where she’s safe.” Hayder crossed his arms over his impressive chest, looking much too determined— and sexy. A certain brother wasn’t impressed. “As safe as she was last night?” Hayder rolled his eyes. “Oh please. What part of ‘we had the situation under control’ can you not grasp? Leo, tell the wolf that Arabella was never in any danger.” “I don’t lie to my friends,” Leo said as he re-handed Arabella her coffee. She took a sip of the hot brew and sighed as she listened to the arguing. When Leo patted the stool beside him, she hopped on. For such a big man, he offered a strangely calming effect. On her at least. Hayder and Jeoff, on the other hand, just couldn’t stem their tirade. “I was wrong to stick her here. So you can forget I asked.” “Too late. She’s part of the pride now.” “She’s a wolf, or have you forgotten? She belongs with her own kind.” Jeoff crooked his finger at her and inclined his head to the door. Arabella didn’t move, more because Hayder’s next words froze her. “She belongs with me. Arabella is my mate.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
What’s the matter? Can’t hear what I’m saying about you?” He raised a dark eyebrow at her. “Well, for starters, I hope this gray horse of mine reaches over and takes a big bite out of your thigh. And I hope it’s painful as heck and you need my help, because I’ll never again help you.” He rested the hand holding the reins on his thigh, as though tempting fate. “You know, Aunt Ruth said she never met a man she didn’t like, but she never met you. I’ll bet you would try her good Quaker soul to its further limits.
Kit Dee (Destiny's Warrior)
Chest? Yes. Abs? Oh, let her lick them, yes. Thighs? She wondered if he could support her with those big legs. He’d push her against the wall and she’d wrap her legs around… and then the thrusting… Okay, yeah, all of that was hornball worthy. His growl? Not so much. Because he wasn’t a werewolf no matter how hard he tried to convince her otherwise.
Celia Kyle (On the Growl)
had fluff. She had really big thighs and a wiggly belly but she didn’t care. She was more than some big girl. Her body was only a part of who she was. Besides, she loved how she looked. Seeing Jared’s reaction to her nakedness only reminded her why she embraced her curves. Being real and loving herself was much better than living a lie and showing him the vision of a slimmer body she didn’t have.
Milly Taiden (Hex Gone Wild (Hex and Sex, #2))
Why did you look at me?” He glances down at the floor, rubbing his thighs again. I wish he wouldn’t do that. It’s…distracting. I mean, as if the blue eyes and the mouth weren’t bad enough, he’s got these bloody thick legs. And big hands. And thick forearms. And the mouth. Did I mention the mouth? All of which were fine before, when I thought he was distant and controlled and safe. He’s not safe now. He shakes his head a little, pulls in a breath. His hands still. Then he looks up at me. “Because Amber didn’t make me hard.
Jane O'Reilly (Indecent... Exposure (Indecent, #1))
managed to snag the last available table and all three ordered the special with sweet tea to drink. “It’s like Thanksgiving,” Shiloh said. “Not for me. Thanksgiving was working an extra shift so the folks with kids could be home for the day. Christmas was the same,” Bonnie said. Abby shrugged. “The army served turkey and dressing on the holidays. It wasn’t what Mama made, but it tasted pretty damn good.” Since it was a special and only had to be dipped up and served, they weren’t long getting their meal. Abby shut her eyes on the first bite and made appreciative noises. “This is so good. I may eat here every Sunday.” “And break Cooper’s heart?” Bonnie asked. “Hey, now! One night of drinking together does not make us all bosom buddies or BFFs or whatever the hell it’s called these days.” Abby waved at the waitress, who came right over. “I want this plate all over again,” she said. “Did you remember that we do have pie for dessert?” the waitress asked. “Yes, I’ll have two pieces, whipped cream on both. What about you, Shiloh?” She blushed. “I shouldn’t, but . . . yes, and go away before I change my mind.” “Bonnie?” Abby asked. Bonnie shook her head. “Just an extra piece of pie will do me.” “So that’s two more specials and five pieces of pie, right?” the waitress asked. “You got it,” Abby said. “I’m having ice cream when we finish with hair and nails. You two are going to be moaning and groaning about still being too full,” Bonnie said. “Not me. By the middle of the afternoon I’ll be ready for ice cream,” Abby said. “My God, how do you stay so small?” Shiloh asked. “Damn fine genes. Mama wasn’t a big person.” “Well, my granny was as wide as she was tall and every bite of food I eat goes straight to my thighs and butt,” Shiloh said. “But after that wicked, evil stuff last night, I’m starving.” “It burned all the calories right out of your body,” Abby said. “Anything you eat today doesn’t even count.” “You are full of crap,” Shiloh leaned forward and whispered. The waitress returned with more plates of food and slices of pumpkin pie with whipped cream, taking the dirty dishes back away with her. Bonnie picked up the clean fork on the pie plate and cut a bite-size piece off. “Oh. My. God! This is delicious. Y’all can eat Cooper’s cookin’. I’m not the one kissin’ on him, so I don’t give a shit if I hurt his little feelin’s or not. I’m comin’ here for pumpkin pie next Sunday if I have to walk.” “If Cooper doesn’t want to cook, maybe we can all come back here with him and Rusty next Sunday,” Abby said. “And if he does?” Shiloh asked. “Then I’m eating a steak and you can borrow my truck, Bonnie. I’d hate to see you walk that far. You’d be too tired to take care of the milkin’ the next day,” Abby said. “And you don’t know how to milk a cow, do you?” Bonnie’s blue eyes danced when she joked. Abby took a deep breath and told the truth. “No, I don’t, and I don’t like chickens.” “Well, I hate hogs,” Shiloh admitted. “And I can’t milk a cow, either.” “Looks like it might take all three of us to run that ranch after all.” Bonnie grinned. The waitress refilled their tea glasses. “Y’all must be the Malloy sisters. I heard you’d come to the canyon. Ezra used to come in here pretty often for our Sunday special and he always took an extra order home with him. Y’all sound like him when you talk. You all from Texas?” “Galveston,” Abby said. “Arkansas, but I lived in Texas until I graduated high school,” Shiloh said. The waitress looked at Bonnie. “Kentucky after leavin’ Texas.” “I knew I heard the good old Texas drawl in your voices,” the waitress said as she walked away. “Wonder how much she won on that pot?” Abby whispered. Shiloh had been studying her ragged nails but she looked up.
Carolyn Brown (Daisies in the Canyon (The Canyon #2))
The guy walking past was wearing a shit five sizes too big (innovated by gangbangers to hide guns in their waistbands), shorts down below his knees (innovated by surfers to keep their thighs from getting sunburned), and oversized shoes (innovated by skaters to save their feet from injury).
Scott Westerfeld (So Yesterday)
It was the Easter Hat Parade, and the St. Angela’s mothers were out in force, dressed up in honor of Easter and the first truly autumnal day of the new season. Soft, pretty scarves looped necks, skinny jeans encased skinny and not-so-skinny thighs, spike-heeled boots tapped across the playground. It had been a humid summer, and the crispness of the breeze and the anticipation of a four-day, chocolate-filled weekend had put everyone in good moods. The mothers, sitting in a big double-rowed circle of blue fold-up chairs around the quadrangle, were frisky and high-spirited. The older children who weren’t taking part in the Easter
Liane Moriarty (The Husband's Secret)
Do you have to replace the front door every day?” Smiling at him, not a big smile, but a smile nonetheless. It warmed Jack from the inside out. “What are you talking about? I told you, you’re safe here.” “Are you safe here?” “What?” He didn’t understand what she meant, but he liked her sweet smile. “Women. They must beat down that door every day to get to you.” He cracked up with laughter. “You think so, huh.” “Oh, yeah.” “I think you’re pretty damn beautiful yourself.” “Yeah, right. I hear bandages and bruises are in this year.” “You’re beautiful.” They stared at each other, that invisible but undeniable something passing between them. He wanted to touch her, but knew now wasn’t the time. As forward as she’d been joking with him about women beating down his door, she shied away from acknowledging this thing between them. He broke off the look first and dug out his supplies. He wrapped a bandage around her thigh, trying not to think about the softness of her skin or the fact she was naked under the sheet. Her eyes fluttered shut. He bent down and kissed her on the forehead. She placed her hand on his cheek. Such a simple gesture. He leaned into her palm, felt her fingers brush against his skin. How long has it been since a simple touch affected him so deeply? Reluctant to leave her, nonetheless he drew back and her eyes remained closed. He took her hand from his cheek and placed it on the pillow next to her head. He nuzzled at her ear and whispered, “Beautiful. Believe it.” -Jenna & Jack
Jennifer Ryan (Saved by the Rancher (The Hunted, #1))
Hey,” a deep unfamiliar voice said from behind her. Every nerve went on alert. Her heart pounded with fear. Instinct told her to run, but how far could she go with him so close? She grabbed a knife from the butcher block beside her and spun around, hurting her sore feet but not really feeling the pain. “Stay where you are. Don’t come any closer.” Somewhere in her muddled mind he looked familiar, but the fear stole her rational thoughts. Her hands shook and she backed up into the counter, looking everywhere for an escape that seemed impossible. “Hey now, you’re okay. I’m not going to hurt you.” Tears filled her eyes. Too much to take in one night, she stammered, “Get out. Leave me alone.” The stranger took a step toward her, and she took one toward him. “Get out, or I’ll gut you where you stand.” One side of his mouth cocked up in a slanted grin. His eyes flashed with admiration, confusing her. “I’m not going to hurt you. I’m looking for Owen.” “He doesn’t live here. Why does everyone think he lives here?” she yelled. A flash of movement came from her left; she swung to face the new danger and inhaled when Owen rushed her, pushing the knife out of his way and pulling her close. She immediately dropped it and grabbed hold of him as he kept his back to the stranger, her back to the counter, and his big body protecting her. “You’re okay, sweetheart. That’s my brother, Brody. He came to help me board up the glass door.” He hugged her closer when she grabbed fistfuls of his shirt and held him tighter, crying all over the front of his shirt, her face buried in his chest, her bravado from a moment ago drained away, overwhelmed by her fear. Owen was here, holding her, keeping her safe. She needed him and refused to let go, even when he tried to back away. “Brody, man, you want to give us a minute.” “Sure. I just wanted to let her know I’m here. She’s got a lot of guts, facing off with me with that knife. I like her.” “Yeah, I like her, too.” Owen brushed his hand over her head and settled into her, holding her tight and close. Brody left with a chuckle and an “I bet you do.” All of a sudden she felt foolish, but it didn’t stop her from staying in Owen’s arms. She shifted on her feet, and he slid his big hands down her back to her waist, hoisting her up onto the counter. His warm hands settled on her thighs, spreading them wide so he could stand between them. Close. Intimate. Their eyes met, and he reached up and swiped his thumbs across both her cheeks, taking away the tears. She got hold of herself enough to say, “Your brother is huge.” “You just faced off with an ex– Army Ranger. He could take you out with one lethal smile.” “He wasn’t smiling.” “He doesn’t much, since he got home. Unless he’s with Rain." -Brody, Claire, & Owen
Jennifer Ryan (Falling for Owen (The McBrides, #2))