Big Sister Quotes

We've searched our database for all the quotes and captions related to Big Sister. Here they are! All 100 of them:

I'm lonely. Why do you think I had to learn to act so independent? I also get mad too quickly, and I hog the covers, and my second toe is longer than my big one. My hair has it's own zip code. Plus, I get certifiably crazy when I've got PMS. You don't love someone because they're perfect. You love them in spite of the fact that they're not.
Jodi Picoult (My Sister’s Keeper)
Big sisters are the crab grass in the lawn of life.
Charles M. Schulz
no, no, it's not all random, if it really was all random, the universe would abandon us completely. and the universe doesn't. it takes care of its most fragile creations in ways we can't see. like with parents who adore you blindly. and a big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all its birds.
R.J. Palacio (Wonder (Wonder, #1))
You look like you're twelve. No. Maybe thirteen, but my sister has this doll that kinda reminds me of you. All big-eyed and vacant.
Jennifer L. Armentrout (Obsidian (Lux, #1))
Do you know why the big brother is born first? It’s to protect the little brothers and sisters that come after him. A brother telling his sister, "I’ll kill you"... You never, ever say something like that.
Tite Kubo (Bleach, Vol. 1)
Nico was devastatingly alone. He’d lost his big sister Bianca. He’d pushed away all other demigods who’d tried to get close to him. His experiences at Camp Half-Blood, in the Labyrinth and in Tartarus had left him scarred, afraid to trust anyone.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
If you don't annoy your big sister for no good reason from time to time, she thinks you don't love her anymore.
Pearl Cleage (What Looks Like Crazy on an Ordinary Day (Idlewild, #1))
Face it, you stupid little cookie maker,” Jenks said, almost sounding fond, “in the last couple of days you’ve seen what it’s like to be in a family, with all the touchy tempers and irritation that goes on. Now you get to see the other side, where we do stupid stuff for each other just because we like you. Rache is the little sister. Ivy’s the big sister. I’m the uncle from out of state, and you’re the rich nephew no one likes but we put up with you anyway because we feel sorry for you. Just let me help, huh? It won’t kill you.
Kim Harrison (Pale Demon (The Hollows, #9))
Katie nosed at the carpet and then gave it a good chew. When it proved recalcitrant enough that she couldn't pull it up, she growled. "Who's a fierce little girl?" I asked her. "Who's going to kick butt and take names and help her big sister get into all kinds of trouble someday?" Devon snorted. "Sometimes, I think the term bad influence was invented specifically with you in mind.
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
Whoa!" she says as I plow into her. " What are you DOING? Get off me!" I hang on tight. "Can't a girl just hug her big sister?" She stops fighting me. "Are you dying? Am I dying? Did Grandma die? I laugh. "No one died." "Then get off!
Wendy Mass (11 Birthdays (Willow Falls, #1))
Big bad wolf, are you going to eat me?" You're a dirty girl, Calloway. My gaze drops to her mouth. "Until you fucking scream.
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
I keep waiting to feel old, to feel like a grown-up, but I don't yet. Do you think that's the big secret adults keep from you? That you never feel like a grown-up?
Eleanor Brown (The Weird Sisters)
Starting over can be the scariest thing in the entire world, whether it’s leaving a lover, a school, a team, a friend or anything else that feels like a core part of our identity but when your gut is telling you that something here isn’t right or feels unsafe, I really want you to listen and trust in that voice.
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
I am not a pest," Ramona Quimby told her big sister Beezus.
Beverly Cleary (Ramona the Pest (Ramona, #2))
To take good care of ourselves, we must go back and take care of the wounded child inside of us. You have to practice going back to your wounded child every day. You have to embrace him or her terderly, like a big brother or a big sister. You have to talk to him, talk to her. And you can write a letter to the Little child in you, of two or three pages, to that you recognize his or her presence, and will do everything you can to heal his or her wounds.
Thich Nhat Hanh (Anger: Wisdom for Cooling the Flames)
This is your life – not your parents’, teachers’ or significant other’s. If you ever find yourself on a path that just doesn’t feel safe anymore, you have every right to stop the car, get out – change your shoes and start walking.
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
Once upon a time there were two sisters. One of them was really, really strong, and one of them wasn't.' You looked at me. 'Your turn.' I rolled my eyes. 'The strong sister went outside into the rain and realized the reason she was strong was because she was made out of iron, but it was raining and she rusted. The end.' No, because the sister who wasn't strong went outside into the rain when it was raining, and hugged her really tight until the sun came out again.
Jodi Picoult (Handle with Care)
Ready or not, here I come I'm so tired of this dumb game of hide and seek Olly olly oxen free Show yourself, you're scaring me Come out, come out, where ever you are You've taken this thing way too far
Sonya Sones (Stop Pretending: What Happened When My Big Sister Went Crazy)
I never want you to deny anything about yourself because you have grown up thinking it’s unacceptable or inconvenient for the people around you.
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
I hog the covers, and my second toe is longer than my big one. My hair has its own zip code...You don't love someone because they're perfect...You love them in spite of the fact that they're not.
Jodi Picoult (My Sister’s Keeper)
Don't talk." Alec gestured at him with an expression of vague disgust. "Every time I look at you, I keep remembering coming in here and seeing you draped all over my sister." Jace sat up. "I didn't hear about this." "Oh, come on -" said Simon. "Simon, you're blushing," observed Jace. "And you're a vampire and almost never blush, so this better be really juicy. And weird. Were bicycles involved in some kinky way? Vaccum cleaners? Umbrellas?" "Big umbrellas, or the little kind you get with drinks?" Alec asked. "Does it matter -
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
My first job is big sister and I take that very seriously.
Venus Williams
Palindrome as well. My sister's name is Hannah. Father liked word games. He was fourteen times World Scrabble Champion. When he died, we buried him at Queenzieburn to make use of the triple word score.
Jasper Fforde (The Big Over Easy (Nursery Crime, #1))
You think this is a big deal because, no offense, you've had a lot of people in your life who claimed to care about you but didn't act like it. That's not me. I can cook, and right now, you can't. So I'm doing it for you because that's how people should behave; they should fill in each other's gaps. Don't think about it too hard.
Talia Hibbert (Get a Life, Chloe Brown (The Brown Sisters, #1))
Folk caught up in a riot aren't our cousins and sisters, our brothers and uncles. They are part of a big animal with many arms and claws, armed with stones and sticks.
Tamora Pierce (Terrier (Beka Cooper, #1))
Goldfish get big enough only for the bowl you put them in. Bonsai trees twist in miniature. I would have given anything to keep her little. They outgrow us so much faster than we outgrow them.
Jodi Picoult (My Sister’s Keeper)
big sister says even if you aren’t their favorite, you’re always someone’s favorite. (you’re mine.)
Amanda Lovelace (Shine your Icy Crown (You Are Your Own Fairy Tale, #2))
You want to be an alchemist so badly? Don't wait to react to the immediate problem. Plan ahead. Look at the big picture and you won't ever have to deal with that problem. Better to save yourself from a major catastrophe than drag your feet over a bunch of little inconveniences.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
Tawny shrugged. "I was overreacting. Typical big sister move. He explained why he did it, and it makes sense, in a slightly twisted way. He's not a bad guy. He's just a jerk. But a nice one." "That doesn't make any sense." "Men rarely do.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
How you spend your time when you are not working or studying says everything about who you are and what is motivating your life.
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
Coulda fuckin’ told me, little sister,” he said quietly. “Would never let you go through all this shit by yourself.” Grabbing my hand, he threaded his large fingers through mine and squeezed. “This is what big brothers are fuckin’ here for … To pick their little sisters up when they fall the fuck down.
Madeline Sheehan (Unbeautifully (Undeniable, #2))
Big brothers are the ones who are supposed to pull their punches. Little sisters—well, we should be able to hit as hard as we like, shouldn’t we?
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
You're a big sister?' I was shocked. She seemed so good-natured and compassionate.
Natalie Standiford (The Secret Tree)
Sometimes I think that’s why we’re so drawn to each other. Because he’s used to being the steadfast big brother and I’m used to being the annoying little sister. It’s a dynamic we understand: I lovingly tease him; he makes the entire world feel safer for me.
Emily Henry (People We Meet on Vacation)
I’m totally getting more ass than Ryke Meadows.” She laughs as she squirms in his hold. “She’s not getting more ass than me,” he says … “Oh yeah? I have a boyfriend. What do you have?” “A six-pack and a big f**cking c*ck.
Krista Ritchie (Kiss the Sky (Calloway Sisters, #1))
Inej cleared her throat. “You do look a bit …” “Enchanting,” said Matthias. Nina was about to snap that she didn’t appreciate the sarcasm when she saw the expression on his face. He looked like someone had just given him a tuba full of puppies. “You could be a maiden on the first day of Roennigsdjel.” “What is Roennigsdjel?” asked Kuwei. “Some festival,” replied Nina. “I can’t remember. But I’m pretty sure it involves eating a lot of elk. Let’s go, you big goon—and I’m supposed to be your sister, stop looking at me like that.” “Like what?” “Like I’m made of ice cream.” “I don’t care for ice cream.” “Matthias,” Nina said, “I’m not sure we can continue to spend time together.” But she couldn’t quite keep the satisfaction from her voice. Apparently she was going to have to stock up on ugly knitwear.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
so doesn't that make the universe a giant lottery, then? you purchase a ticket when you're born. and it's all just random whether you get a good ticket or a bad ticket. it's all just luck. my head swirls on this, but then softer thoughts soothe, like a flatted third on a major chord. no, no, it's not all random, if it really was all random, the universe would abandon us completely. and the universe doesn't. it takes care of its most fragile creations in ways we can't see. like with the parents who adore you blindly. and the big sister who feels guilty for being human over you. and a little gravelly-voiced kid whose friends have left him over you. and even a pink-haired girl who carries your picture in her wallet. maybe it is a lottery, but the universe makes it all even out in the end. the universe takes care of all of its birds.
R.J. Palacio (Wonder (Wonder, #1))
I was beautiful; after all, my skin was as rich and dark as wet, brown mud, a complexion that any and every pale white girl would pray for - that is, if she believed in God. My butt sat high in the air and my hips obviously gave birth to Creation. Titties like mangoes, firm, sweet, and ready. My thighs and legs were big and powerful, kicking Vanna White and Cindy Crawford to the curb.
Sister Souljah (No Disrespect)
Of course, the Big Bad Wolf does yoga, Sabrina thought. Why did I even bother to ask?
Michael Buckley (The Unusual Suspects (The Sisters Grimm #2))
Something was going on. Something big, like the dreams that brought her sisters together. But this time, it wasn't a theater bringing them together. It was a killer tearing them apart.
Lisa Kessler (Lure of Obsession (Muse Chronicles, #1))
Regardless, they were as lovely as two bouquets of red roses Still, I remembered those hidden thorns! As a kid, they delivered a double dose of whip-ass that put more knots on my head than bumps on a toad frog. Yes, I had residual wounds and a set of T-shirts from those run-ins. The wrong wordor a misguided flirt could’ve restarted a continuum on my skull. Mary and Martha were Boss Chicks when I entered first grade. Jerry gave me big brotherly advice on how to greet beautiful girls. His Game: “Make eye contact, give off a big smile, and then tilt your cap.” Got it! I was down for a double fantasy. Well, as I approached the sisters and made the “Big Move,” unfortunately they delivered a few shots and a couple of jolts respectively to mycranium that rung every bell I had. Apparently, they didn’t like boys hitting on them at that stage of their youth. So, I learned to stay in my lane and never take any more tips from Jerry.
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
Remember that, Iz. Be a kid of honesty. Wave it like a banner for all to see. Also, while I'm thinking about it - be a kid who loves surprises. Squeal with delight over puppies and cupcakes and birthday parties. Be curious, but content. Be loyal, but independent. Be kind. To everyone. Treat every day like you're making waffles. Don't settle for the first guy (or girl) unless he's the right guy (or girl). Live your effing life. Do so with gusto, because my God, there's nothing sorrier than a gusto-less existence. Know yourself. Love yourself. Be a good friend. Be a kid of hope and substance. Be a kid of appetite, Iz. You know what I mean, don't you? (Of course you do. You're a Malone.) Okay, that's all for now. Catch you on the flip side. Blimey, get ready. Signing off, Mary Iris Malone, Your Big Sister
David Arnold (Mosquitoland)
I’ve never had two sisters. . . . ” he begins with a suggestive arched brow. Oh. My. God. “And you never will. Not these two sisters, anyway.” He shrugs. “Not at the same time, maybe.” “Don’t worry. When my baby sister gets laid for the first time, it won’t be with you.” “Do you know what you just did?” “Painted a big virginal bull’s-eye on your back?” Kacey confirms with a scrunched-up face.
K.A. Tucker (One Tiny Lie (Ten Tiny Breaths, #2))
You battled monsters. You sweat and cried your way to this one prolific moment where you finally realize that those dark days and sleepless nights were pre-requisites to your becoming.
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
I look for places like me: big, hollow, forgotten by almost everyone.
Jodi Picoult (My Sister’s Keeper)
The golden moment when I’m not yet awake enough to remember that there are things I would rather forget.
Sonya Sones (Stop Pretending: What Happened When My Big Sister Went Crazy)
Then he slid one big, warm hand over the nape of her neck, squeezed, and said, “Don’t look so surprised. You know I love your brain.
Talia Hibbert (Take a Hint, Dani Brown (The Brown Sisters, #2))
Being a Dream Girl is never going to be about what you look like or how much you weigh. After all, our physical appearances are just reflections of our inner worlds. What makes you a Dream Girl is your emotional sensitivity, your self-awareness, and your ability to communicate who you are effectively and compassionately in the world.
Jennifer Elisabeth (Born Ready: Unleash Your Inner Dream Girl)
The storm was really giving it everything it had. This was its big chance. It had spent years hanging around the provinces, putting in some useful work as a squall, building up experience, making contacts, occasionally leaping out on unsuspecting shepherds or blasting quite small oak trees. Now an opening in the weather had given it an opportunity to strut its hour, and it was building up its role in the hope of being spotted by one of the big climates.
Terry Pratchett (Wyrd Sisters (Discworld, #6; Witches, #2))
I look for places like me: big, hollow, forgotten by most everyone.
Jodi Picoult (My Sister’s Keeper)
There's a big difference between being a coward and putting your emotional safety first," he said.
Talia Hibbert (Get a Life, Chloe Brown (The Brown Sisters, #1))
It comes with being sixteen," Mom said. "You teenagers, you go into a cocoon when you turn fifteen and don't come out for years." "So they become butterflies when they finally come out?" my little sister Christina asked. "No," Mom said. "They're still caterpillars, only now they're big fat caterpillars that smell.
Neal Shusterman (The Schwa Was Here (Antsy Bonano, #1))
Well, the thing is, I don't think Indians are nomadic anymore. Most indians anyway.' No, we're not,' I said I'm not nomadic,' Rowdy said. 'Hardly anybody on this rez is nomadic. Except for you. You're the nomadic one.' Whatever.' No. I'm serious. I always knew you were going to leave. I always knew you were going to leave us behind and travel the world. I had this dream about you a few months ago. You were standing on the Great Wall of China. You looked happy. And I was happy for you.' Rowdy didn't cry. But I did. You're an old-time nomad,' Rowdy said. 'You're going to keep moving all over the world in search of food and water and grazing land. That's pretty cool.' I could barely talk. Thank you,' I said. Yeah,' Rowdy said. 'Just make sure you send me postcards, you asshole.' From everywhere,' I said. I would always love Rowdy. And I would always miss him, too. Just as I would always love and miss my grandmother, my big sister, and Eugene. Just as I would always love and miss my reservation and my tribe. I hoped and prayed that they would someday forgive me for leaving them. I hoped and prayed that I would someday forgive myself for leaving them.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
I just wish that God or my parents or Sam or my sister or someone would just tell me what's wrong with me. Just tell me how to be different in a way that makes sense. To make this all go away. And disappear. I know that's wrong because it's my responsibility, and I know that things get worse before they get better because that's what my psychiatrist says, but this is a worse that feels too big.
Stephen Chbosky (The Perks of Being a Wallflower)
Yeah," he grount out. "I nailed her." "Where?" Luc always wanted the dirty details. "Stockroom. Pay up." Luc snorted and reached for his wallet. "I really got taken on this one , didn't I?" He handed over four hundreds and five twenties. "Yeah, well, you can have the last laugh once the Sem brothers catch up with me. Seems she's their sister." "Dude." Luc streched out the word and then whistled, low and long. "Nice knowing you. So, will it at least have been worth it? Being gutted by Shade, I mean. Was she good ?" His body heated as though remembering. And wanting again. "Of course I was." Fuck. Con spun around to find Sin standing there, hands on hips and fury in her expression. Like a kid caught stealing candy, he whipped the money behind his back. She looked at him as if he was an idiot and grabbed his arm, briging it around. "It's not what you think," he said lamely, because it was exactly what she thought. "Really? So that big asshole behind you didn't bet you five hundred bucks that you couldn't fuck me ?" "Ah..." "That's what I thought. You dick. How stupid do you think I am ? Your name really fits you , Con." She snatched the money from him, took two hundreds and three twenties, and thrust the remaining two hundred and forty dollars back into his hand. Then, smiling broadly, she punched him in the shoulder. "Next time you make a bet like that, don't cheat me out of my half. I owe you a ten." She winked and left him, jaw-dropped and gaping, as she sauntered away.
Larissa Ione
Gingee, Gingee, it's meeeeeeeeeeee!!!' I could hear her panting up the stairs to my room. She kicked open my bedroom door and ran from the door and leapt onto the bed, covering me with kisses. 'I LOBE you, my big big sister.' I couldn't get her off me. 'Libby, just let me...' 'Kissy kissy kiss, snoggy snog.' 'That's enough, now let me...' 'Mmmmmm, groovy baby.' What is she talking about? She is supposed to be in kindergarten to learn how to grow up, not turn into an even madder person. Then she stood up on the bed and starting thrusting her hips out and singing her favorite: 'Sex bum sex bum I am a sex bum.' Quite spectacularly mad.
Louise Rennison (Then He Ate My Boy Entrancers (Confessions of Georgia Nicolson, #6))
There was no way his imagination could feel the impact of the whole Earth having gone, it was too big. He prodded his feelings by thinking that his parent and his sister had gone. No reaction.He thought of all the people he had been close to. No reaction. Then he thought of a complete stranger he had been standing behind in the queue at the supermarket two days before and felt a sudden stab: the supermarket was gone, everyone in it was gone! Nelson’s Column had gone! and there would be no outcry, because there was no one left to make an outcry! From now on Nelson’s Column only existed in his mind. England only existed in his mind. A wave of claustrophobia closed in on him. He tried again: America, he thought, has gone. He couldn’t grasp it, He decided to start smaller again. New York has gone. No reaction. He’d never seriously believed it existed anyway. The dollar, he thought, has sunk for ever. Slight tremor there. Every “Bogart” movie has been wiped, he said to himself, and that gave him a nasty knock. McDonald’s, he thought. There is no longer any such thing as a McDonald’s hamburger. He passed out.
Douglas Adams
I have a friend, an aspiring musician, whose sister said to her one day, quite reasonably, “What happens if you never get anything out of this? What happens if you pursue your passion forever, but success never comes? How will you feel then, having wasted your entire life for nothing?” My friend, with equal reason, replied, “If you can’t see what I’m already getting out of this, then I’ll never be able to explain it to you.” When it’s for love, you will always do it anyhow.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
What does a victorious or defeated black woman’s body in a historically white space look like? Serena and her big sister Venus Williams brought to mind Zora Neale Hurston’s “I feel most colored when I am thrown against a sharp white background.” This appropriated line, stenciled on canvas by Glenn Ligon, who used plastic letter stencils, smudging oil sticks, and graphite to transform the words into abstractions, seemed to be ad copy for some aspect of life for all black bodies.
Claudia Rankine (Citizen: An American Lyric)
I can't help it, Kate. And I'm laughing at me. I feel like one of those sappy men who run around with a big grin on his face all the time. I feel like grinning all the time around you, and it's so idiotic.
Christine Feehan (The Twilight Before Christmas (Drake Sisters, #2))
Once Pastor Keith hit a crescendo, Sister Gertrude would rise and jump, scream, kick, dance, and pass the hell out. Obviously, she required physical restraints to minimize damage to other parishioners and a cleanup crew for the broken pews, discarded clothing,mangled jewelry, and loose items strewn about. Yes, it took an army of ushers to physically restrain her. She was twice as big as a man. No one smaller than Shaquille O’Neal could take her down. Well, I became her parasite and First Responder. Whenever I saw aglare in her eyes, twitch in her neck, or frown on her face, I knew to move into position. But for me, getting injured was a badge of honor. I just had to be a part of her fiascos. Yet, on one Easter Sunday, I got more than I bargained for. When our youth choir created a stir, Sister Gertrude went haywire. First, she reverse dunked her grandbaby into my breadbasket. Once again, she knew I would be there for the airborne toddler. Second, a whole orchard of mixed fruits flew over my head. Third, a scarf, blouse, wig, and shoe were diverted my way. Finally, a bevy of oversized Ushers and Deacons twisted, pulled, and sacrificed themselves before Sister Gertrude went lax. It was the most outrageous display Zion Gate Union had ever seen. Mind you, she was never a disappointment for a would-be reverend like me.
Harold Phifer (My Bully, My Aunt, & Her Final Gift)
Okay, here are the top ten reasons why I can't stand my sister Lucy: 10. I get all her hand-me-downs, even her bras. 9. Whem I refuse to wear her hand-me-downs, especially her bras, I get the big lecture about waste and the environment. Look, I am way concerned about the environment. But that does not mean I want to wear me sister's old bras.I told Mom I see no reason why I should even have to wear a bra, seeing as how it's not like I've got a lot to put in one, causing Lucy to remark that if I don't wear a bra now, then if I ever do get anything up there. it will be all saggy like those tribal women we saw on the Discovery Channel. 8. This is another reason why I can't stand Lucy. Because she is always making these kind of remarks. What we should really do, if you ask me, is send Lucy's old bras to those tribal women. 7. Her conversations on the phone go like this: "No way... So what did he say?... Then what did she say?... No way... That is so totally untrue... I do not. I so do not... Who said that?... Well, it isn't true... No. I do not... I do not like him... Well, okay, maybe I do. Oh, gotta go, call-waiting.
Meg Cabot (All-American Girl (All-American Girl, #1))
Where do you come from?"...This is the number one most-asked question in all of South Carolina. We want to know if you are one of us, if your cousin knows our cousin, if your little sister went to school with our big brother, if you go to the same Baptist church as our ex-boss. We are looking for ways our stories fit together.
Sue Monk Kidd (The Secret Life of Bees)
I notice Ryke sitting on the edge of the bed with Daisy lounging drunkenly across his lap. “Big bad wolf…” She reaches up to touch his hair but her arm sags limply next to her. “Eat me.” It’s a provocative, intoxicated statement that I do my best to block out. Ryke lowers his head to her, kissing Daisy once…twice and then he says, “Every fucking day, sweetheart.
Krista Ritchie (Fuel the Fire (Calloway Sisters, #3))
These kids don't have a little brother working in the coal mine, they don't have a little sister coughing her lungs out in the looms of the big mill towns of the Northeast. Why? Because we organized; we broke the back of the sweatshops in this country; we have child labor laws. Those were not benevolent gifts from enlightened management. They were fought for, they were bled for, they were died for by working people, by people like us. Kids ought to know that.
Utah Phillips
It's a strange thing, but somehow we expect more of girls than of boys. It is the sisters and wives and mothers, you know, Caddie, who keep the world sweet and beautiful. What a rough world it would be if there were only men and boys in it, doing things in their rough way! A woman's task is to teach them gentleness and courtesy and love and kindness. It's a big task, too, Caddie--harder than cutting trees or building mills or damming rivers. It takes nerve and courage and patience, but good women have those things. They have them just as much as the men who build bridges and carve roads through the wilderness. A woman's work is something fine and noble to grow up to, and it is just as important as a man's.
Carol Ryrie Brink (Caddie Woodlawn (Caddie Woodlawn, #1))
Alexander speaks. “Anthony, I’m going to tell you something. In 1941, when I met your mother, she had turned seventeen and was working at the Kirov factory, the largest weapons production facility in the Soviet Union. Do you know what she wore? A ratty brown cardigan that belonged to her grandmother. It was tattered and patched and two sizes too big for her. Even though it was June, she wore her much larger sister’s black skirt that was scratchy wool. The skirt came down to her shins. Her too-big thick black cotton stockings bunched up around her brown work boots. Her hands were covered in black grime she couldn’t scrub off. She smelled of gasoline and nitrocellulose because she had been making bombs and flamethrowers all day. And still I came every day to walk her home.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
My sister, Judy, has always said that she would like to lie in state, propped up in her coffin with her eyes blared wide open, face fixed in a big grin, and have a taped greeting for all her mourners. Something real upbeat and, well, live-sounding, like: 'He-e-e-ey!Cuteshoestellyomamahi!
Jill Conner Browne (The Sweet Potato Queens' Book of Love: A Fallen Southern Belle's Look at Love, Life, Men, Marriage, and Being Prepared)
Grief is a curious thing, when it happens unexpectedly. It is a Band-Aid being ripped away, taking the top layer off a family. And the underbelly of a household is never pretty, ours no exception. There were times I stayed in my room for days on end with headphones on, if only so that I would not have to listen to my mother cry. There were the weeks that my father worked round-the-clock shifts, so that he wouldn't have to come home to a house that felt too big for us.
Jodi Picoult (My Sister’s Keeper)
Great way to impress your future brother-in-law, by the way," Kieran continued. "You look like you took a blood bath. The only thing missing is the axe. Would Dallas really let his little sister date a crazed murderer who hacks bodies in the basement? You need to change that shirt pronto. And oh, you're welcome. I just saved you from making a complete and utter fool of yourself, but don't mention it." I curled my lips into a fake smile. "Thanks. It's so nice to know you've got my back." Kieran regarded me coolly. "A hobby might help ease all that hunger. Have you ever considered fixing cars, or woodworking, or maybe a DIY project around the house?" "You're getting a big laugh out of this, aren't you?" Kieran shrugged. "There's nothing on TV.
Jayde Scott (A Job From Hell (Ancient Legends, #1))
Madame V begins the lesson by reading aloud the first stanza of a famous French poem: Il pleure dans mon coeur Comme il pleut sur la ville; Quelle est cette langueur Qui penetre mon coeur? Then she looks up and without any warning she calls on me to translate it. I swallow hard, and try: "It's raining in my heart like it's raining in the city. What is this sadness that pierces my heart?" Saying these words out loud, right in front of the whole class, makes me feel like I'm not wearing any clothes.
Sonya Sones (Stop Pretending: What Happened When My Big Sister Went Crazy)
Communication Was never big in my house. We sat together over dinner, but the only sound you'd hear was crunching and chewing and the little ones asking for more, please. We lived, all boxed up in invisible containers. We hardly knew the people we called sister or father. Jackie and I were the exceptions to that rule.
Ellen Hopkins (Burned (Burned, #1))
We do this thing. We open our hearts to the world around us. And the more we do that, the more we allow ourselves to love, the more we are bound to find ourselves one day - like Dave, and Morley, and Sam, and Stephanie - standing in the kitchen of our live, surrounded by the ones we love, and feeling empty, and alone, and sad, and lost for words, because one of our loved ones, who should be there, is missing. Mother or father, brother or sister, wife or husband, or a dog or cat. It doesn't really matter. After a while, each death feels like all the deaths, and you stand there like eveyone else has stood there before you, while the big wind of sadness blows around and through you. "He was a great dog," said Dave. "Yes," said Morley. "He was a great dog.
Stuart McLean
I made a big show of catching invisible words in my hands and putting them in my mouth and chewing on them. I knew my word-catching charade wasn't the best way to make a fast friend at Stoneberry Elementary School. But it was the only way I could think of to make my sister feel better. And I think if you're lucky, a sister is the same as a friend, but better. A sister is like a super-forever-infinity friend.
Natalie Lloyd (A Snicker of Magic)
What's the big idea?" Sabrina demanded. "I declared war on you, remember?" Puck said. Sabrina rolled her eyes. "Is this another one of your stupid pranks?" Puck sniffed. "You have contaminated me with your puberty virus and you called my villainy into question." "First of all, puberty isn't a virus," Sabrina said as she fought a tug of was with the Pegasus for her now rather damp pillow."Secondly, I'm sorry if I gave you the itty-bitty baby and boo-boo face. Do you wasnt me to give you a hug?" Puck curled his lip in anger. "Oh, now is the baby cranky. Perhaps we should put him down for a nap?" "We'll see who's laughing soon enough," Puck said. "You see these flying horses?" "Duh!" "These horses have a very special diet," Puck said. "For the last two days they have eaten nothing but chili dogs and prune juice." Sabrina heard a rumble coming from Puck's horse. It was so loud it drowned out the sound of its beating wings. Sabrina couldn't tell if the churn of the sound was worse for the Pegasus but it whined a bit and its eyes bulged nervously. Puck continued. "Now, chili dogs and prune juice are a hard combination on a person's belly. It can keep a human being on the toilet for a week. Imagine what would happen if I fed chili dogs and prune juice to an eight-hundred-and-fifty-pound flying horse. Oh, wait a minute! You don't have to imagine it. I did feed chili dogs and prune juice to an eight-hundred-and-fifty-pound flying horse. In fact, I fed them all the same thing!
Michael Buckley (The Everafter War (The Sisters Grimm, #7))
So how big is this thing anyway?” Desideria asked Chayden made a sound of irritation. “You know, that’s not really a question I want to hear my younger sister ask a man, especially not one I consider a friend, while he’s lying bare-assed on my floor.” Hauk and Fain laughed. Desideria was less than amused. “Remember, brother, I’m currently the only one holding a weapon.” Caillen glared at him. “Really, Chay, why don’t you concentrate on the people trying to kill us right now? ’Preciate it, pun’kin.” He turned his attention to her. “About the size of your smallest fingernail.” Fain laughed again. “Damn, I should have been taping that response and using it for playback at every party from here until I die.
Sherrilyn Kenyon (Born of Shadows (The League, #4))
Whoa, that's the kind of little sister I can dig!" said Edison. "Yes, we're all alike," I said. "We cover for you, we lie for you, we take the heat for you. We clean up your messes and mollify our parents for you. We never fail to come across with undying adoration, whether or not you deserve it, and we can't take our lives as seriously as yours. We snuffle up the crumbs from your table on the rare occasions you notice we're alive.
Lionel Shriver (Big Brother)
I don’t want to scare the guests with a big old guard dog,” Tara protested. “Safety is far more important than worrying about what anyone else thinks,” Sawyer told her. “You’re right, of course.” Tara looked at her sisters. “We’ll think about both an alarm and a dog.” “We can borrow Izzy from Jax,” Maddie said. “Sure,” Tara said. “And she can lick the next bad guy to death.
Jill Shalvis (Head Over Heels (Lucky Harbor, #3))
According to the three missed calls from her mother—who thought Madison had been kidnapped in the big, bad city and was now being held for an ungodly sum of money—the four text messages from her brother wondering if she knew how to navigate the beltway—because apparently little sisters couldn’t drive—and the voice mail from her father warning there was a problem with the reservations, she was late for brunch.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
George gives me a smile, the same dazzling sweet smile as his big brother, although, at this point, with green teeth. “I might marry you,” he allows. “Do you want a big family?” I start to cough and feel a hand pat my back. “George, it’s usually better to discuss this kind of thing with your pants on.” Jase drops boxer shorts at George’s feet, then sets Patsy on the ground next to him. She’s wearing a pink sunsuit and has one of those little ponytails that make one sprout of hair stick straight up on top all chubby arms and bowed legs. She’s, what, one now? “Dat?” she demands, pointing to me a bit belligerently. “Dat is Samantha,” Jase says. “Apparently soon to be your sister-in-law.” He cocks an eyebrow. “You and George move fast.” “We talked astronauts,” I explain…
Huntley Fitzpatrick (My Life Next Door)
And I am always flattered," Rusty continued, "but I love my sister. Not in an 'I love my sister and I want to make out with her' way, that would be terrible and disturbing, but in an 'I love my sister, and I'm not going anywhere near the girl she likes' way. Be a big mess. Life is hard for me, with all my irresistible sexual magnetism. It's a real problem, almost as bad as the fact that my steps are now the number one crying spot in Sorry-in-the-Vale. I have to maintain control of the situation at all times or my life would devolve into a nonstop romantical frenzy".
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
She shook her head. 'Look. We both know life is short, Macy. Too short to waste a single second with anyone who doesn't appreciate and value you.' 'You said the other day life was long,' I shot back. 'Which is it?' ' It's both,' she said, shrugging. 'IT all depends on how you choose to live it. It's like forever, always changing.' 'Nothing can be two opposite things at once,' I said. 'It's impossible.' 'No,' she replied, squeezing my hand,' what's impossible is that we actually think it could be anything other than that. Look, when I was in the hosptal, right after the accident, they thought I was going to die. I was really fucked up, big time.' 'Uh-huh,' Monica said, looking at her sister. 'Then,' Kristy continued, nodding at her, 'life was very short, literally. but now that I'm better it seems so long I have to squint to see even the edges of it. It's all in the view, Macy. That's what I mean about forever, too. For any one of us our forever could end in an hour, or a hundred years from now. You can never know for sure, so you'd better make every second count.' Monica, lighting another cigarette, nodded. 'Mmm-hmm,' she said. 'What you have to decide,' Kristy said to me, leaning foreward, 'is how you want your life to be. If your forever was ending tomorrow, would this be how you'd want to have spent it? It seemed like it was a choice I had already made. I'd spent the last year and a half with Jason, shaping my life to fit his, doing what I had to in order to make sure I had a plae in his perfect world, where things made sense. But it hadn't worked. 'Listen,' Kristy said,' the truth is, nohing is guaranteed. You know that more than anybody.' She looed at me hard, making sure I knew what she meant. I did. 'So don't be afraid. Be alive.' But then, I couldn't imagine, after everything that had happened, how you could live and not constantly be worrying about the dangers all around you. Especially when you'd already gotten teh scare of your life. 'It's the same thing,' I told her. 'What is?' 'Being afraid and being alive.' 'No,' she said slowly, and now it was as if she was speaking a language she knew at first I wouldn't understand, the very words, not to mention the concept, being foreign to me. 'Macy, no. It's not.
Sarah Dessen (The Truth About Forever)
How dare you tell me 'I am not like most girls,' when those 'girls' you refer to are my sisters and mothers, my friends, the very solace and the kindness I have sought when the worst things in my life have happened? How dare you assume I should take that as a compliment, and beam at you like it is praise when you are alienating me from the very core of my proudly female being? There are a thousand ways to tell me you love me, and making my sisters small to make me big isn't one of them. Tell me you love me, but not because I am different. Tell me you love me, just because you do.
Nikita Gill
Voodou isn’t like that. It isn’t concerned with notions of salvation and transcendence. What it’s about is getting things done. You follow me? In out system, there are many gods, spirits. Part of one big family, with all the virtues, all the vices. There’s a ritual tradition of communal manifestation, understand? Voodou says, there’s a God, sure, Gran Met, but He’s big, too big and too far away to worry Himself if your ass is poor, or you can’t get laid. Come on, man, you know how this works, it’s street religion, came out of dirt poor places a million years ago. Voodou’s like the street. Some duster chops out your sister, you don’t go camp on the Yakuza’s doorstep, do you? No way. You go to somebody, though, who can get the thing done. Right?
William Gibson (Count Zero (Sprawl, #2))
My sister's bringing up had made me sensitive. In the little world in which children have their existence whosoever brings them up, there is nothing so finely perceived and so finely felt, as injustice. It may be only small injustice that the child can be exposed to; but the child is small, and its world is small, and its rocking-horse stands as many hands high, according to scale, as a big-boned Irish hunter. Within myself, I had sustained, from my babyhood, a perpetual conflict with injustice. I had known, from the time when I could speak, that my sister, in her capricious and violent coercion, was unjust to me. I had cherished a profound conviction that her bringing me up by hand, gave her no right to bring me up by jerks. Through all my punishments, disgraces, fasts and vigils, and other penitential performances, I had nursed this assurance; and to my communing so much with it, in a solitary and unprotected way, I in great part refer the fact that I was morally timid and very sensitive.
Charles Dickens (Great Expectations)
Who are we to say getting incested or abused or violated or any of those things can’t have their positive aspects in the long run? … You have to be careful of taking a knee-jerk attitude. Having a knee-jerk attitude to anything is a mistake, especially in the case of women, where it adds up to this very limited and condescending thing of saying they’re fragile, breakable things that can be destroyed easily. Everybody gets hurt and violated and broken sometimes. Why are women so special? Not that anybody ought to be raped or abused, nobody’s saying that, but that’s what is going on. What about afterwards? All I’m saying is there are certain cases where it can enlarge you or make you more of a complete human being, like Viktor Frankl. Think about the Holocaust. Was the Holocaust a good thing? No way. Does anybody think it was good that it happened? No, of course not. But did you read Viktor Frankl? Viktor Frankl’s Man’s Search for Meaning? It’s a great, great book, but it comes out of his experience. It’s about his experience in the human dark side. Now think about it, if there was no Holocaust, there’d be no Man’s Search for Meaning… . Think about it. Think about being degraded and brought within an inch of your life, for example. No one’s gonna say the sick bastards who did it shouldn’t be put in jail, but let’s put two things into perspective here. One is, afterwards she knows something about herself that she never knew before. What she knows is that the most totally terrible terrifying thing that she could ever have imagined happening to her has now happened, and she survived. She’s still here, and now she knows something. I mean she really, really knows. Look, totally terrible things happen… . Existence in life breaks people in all kinds of awful fucking ways all the time, trust me I know. I’ve been there. And this is the big difference, you and me here, cause this isn’t about politics or feminism or whatever, for you this is just ideas, you’ve never been there. I’m not saying nothing bad has ever happened to you, you’re not bad looking, I’m sure there’s been some sort of degradation or whatever come your way in life, but I’m talking Viktor Frankl’s Man’s Search for Meaning type violation and terror and suffering here. The real dark side. I can tell from just looking at you, you never. You wouldn’t even wear what you’re wearing, trust me. What if I told you it was my own sister that was raped? What if I told you a little story about a sixteen-year-old girl who went to the wrong party with the wrong guy and four of his buddies that ended up doing to her just about everything four guys could do to you in terms of violation? But if you could ask her if she could go into her head and forget it or like erase the tape of it happening in her memory, what do you think she’d say? Are you so sure what she’d say? What if she said that even after that totally negative as what happened was, at least now she understood it was possible. People can. Can see you as a thing. That people can see you as a thing, do you know what that means? Because if you really can see someone as a thing you can do anything to him. What would it be like to be able to be like that? You see, you think you can imagine it but you can’t. But she can. And now she knows something. I mean she really, really knows. This is what you wanted to hear, you wanted to hear about four drunk guys who knee-jerk you in the balls and make you bend over that you didn’t even know, that you never saw before, that you never did anything to, that don’t even know your name, they don’t even know your name to find out you have to choose to have a fucking name, you have no fucking idea, and what if I said that happened to ME? Would that make a difference?
David Foster Wallace (Brief Interviews with Hideous Men)
There is always someone in the world waiting for someone else, whether in the middle of the desert or in the heart of some big city. And when these two people’s paths cross and their eyes meet, the whole of the past and the whole of the future lose all importance,and there only exists that moment and that incredible certainty that everything under the Sun was written by the very same Hand. The Hand that awakens Love and creates a sister soul for everyone who works, rests and seeks treasures under the Sun. Were it not for this, the dreams of the human race would make no sense.
Paulo Coelho (The Alchemist)
Okay, listen up, dudes. We have to book. Yesterday, when I find you guys are, like, AWOL? I, like, freak. Yelling at everybody–where are they, why did you let them leave–the hotel people are, like, whaaaa? Anyway, I pack up all your stuff, figuring I may never see the place again, and down in the lobby I find my man Arif. I'm, like, help me, and he takes all of our stuff to this launch–and then we're halfway across the sea when Arif gets this radio message, and he's all excited, but I don't know what he's saying until he's, like, 'POLICE!' in English. And we see these cop cars and somebody's getting a big old boat, so we're, like, sayonara, only in Indonesian, and we tool out into this boat-traffic jam to try to loose them, and I'm hearing these radio reports that are half English–there's been a fire and somebody's dead, yada yada, and I'm totally wigging out–Why did you do that? Why did you and your sister leave me in a hotel without even a note?
Peter Lerangis (The Viper's Nest (The 39 Clues, #7))
This election is about the past vs. the future. It's about whether we settle for the same divisions and distractions and drama that passes for politics today or whether we reach for a politics of common sense and innovation, a politics of shared sacrifice and shared prosperity. There are those who will continue to tell us that we can't do this, that we can't have what we're looking for, that we can't have what we want, that we're peddling false hopes. But here is what I know. I know that when people say we can't overcome all the big money and influence in Washington, I think of that elderly woman who sent me a contribution the other day, an envelope that had a money order for $3.01 along with a verse of scripture tucked inside the envelope. So don't tell us change isn't possible. That woman knows change is possible. When I hear the cynical talk that blacks and whites and Latinos can't join together and work together, I'm reminded of the Latino brothers and sisters I organized with and stood with and fought with side by side for jobs and justice on the streets of Chicago. So don't tell us change can't happen. When I hear that we'll never overcome the racial divide in our politics, I think about that Republican woman who used to work for Strom Thurmond, who is now devoted to educating inner city-children and who went out into the streets of South Carolina and knocked on doors for this campaign. Don't tell me we can't change. Yes, we can. Yes, we can change. Yes, we can. Yes, we can heal this nation. Yes, we can seize our future. And as we leave this great state with a new wind at our backs and we take this journey across this great country, a country we love, with the message we carry from the plains of Iowa to the hills of New Hampshire, from the Nevada desert to the South Carolina coast, the same message we had when we were up and when we were down, that out of many, we are one; that while we breathe, we will hope. And where we are met with cynicism and doubt and fear and those who tell us that we can't, we will respond with that timeless creed that sums up the spirit of the American people in three simple words -- yes, we can.
Barack Obama
Question." "Yes," Candace asked expectantly, eyes fixed on the dark street ahead. "Have you ever had to chose sides between a friend and a boyfriend?" Candace nodded. "Which side are you suppose to pick?" "The right one." "What if they're both right?" "They're not." "But they are," Melody insisted. "That's the problem." "No." Candace slowly rolled past a police cruiser. "They both think they're right. But who do you think is right? Which side represents the thing you think is worth fighting for?" Melody glanced out the window as though she was expecting the answer to be revealed on a neighbor's lawn. Every house except hers had the lights turned off. "I dunno." "You do," Candace insisted. "You just don't have the courage to be honest with yourself. Because then you'd have to do the thing you don't want to do, and you hate doing anything that's hard. Which is why you gave up singing and why you have no life and why you've always been a -" "Um okay! Can we get back to the part where you were sounding like Oprah?" "I'm just saying, Melly, what would you do if you weren't afraid? That's your answer. That's your side." She turned into the circular driveway and put the SUV in PARK. "And if you don't choose it, you're lying to yourself and everyone around you." She opened the door and grabbed her purse. "Oprah out!" The door slammed behind her.
Lisi Harrison (Monster High (Monster High, #1))
Lale’s emotional connection to his mother had shaped the way he related to girls and women. He was attracted to all women, not just physically but emotionally. He loved talking to them; he loved making them feel good about themselves. To him, all women were beautiful and he believed there was no harm in telling them so. His mother and sister subliminally taught Lale what it was a woman wanted from a man, and so far he had spent his life trying to live up to these lessons. “Be attentive, Lale; remember the small things, and the big things will work themselves out.” He heard his mother’s sweet voice.
Heather Morris (The Tattooist of Auschwitz (The Tattooist of Auschwitz, #1))
Silas continued, in his voice like velvet, "You had parents. An older sister. They were killed. I believe that you were to have been killed as well, and that you were not was due to chance, and the intervention of the Owenses." "And you," said Bod, who had had that night described to him over the years by many people, some of whom had even been there. It had been a big night in the graveyard. Silas said, "Out there, the man who killed your family is, I believe, still looking for you, still intends to kill you." Bod shrugged. "So?" he said. "It's only death. I mean, all of my best friends are dead.
Neil Gaiman (The Graveyard Book)
I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins. Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went. Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
Tim Tharp (The Spectacular Now)
You come to work every day but you hardly get to know anyone. I don't even know the names of half the people I see in the elevators. They say the company is a big family, but I don't know them. And even the people I do, like you two, and Elizabeth, and Roger - do I really? I mean, I like you guys, but we only ever talk about work. When I'm out with friends, or at home, I never talk about work. The other day, I tried to explain to my sister why it's such a huge deal that Elizabeth ate Roger's donut, and she thought I was insane. And you know what, I agreed with her. At home I couldn't even think why it mattered. Because I'm a different person at home. When I leave this place at night, I can feel myself changing. Like shifting gears in my head. And you guys don't know that; you just know what I'm like here, which is terrible, because I think I'm better away from work. I don't even like who I am here. Is that just me? Or is everyone different when they come to work? If they are, then what are they really like? How can we ever know? All we know are the Work People.
Max Barry (Company)
Once on yellow sheet of paper with green lines, he wrote a poem and he called it “Spot” because that was the name of his dog and that’s what it was all about and his teacher gave him an “A” and a big gold star and his mother hung it on the kitchen cupboard and showed it to his aunt and that was the year his sister was born-and his parents kissed all the time and the little girl around the corner sent him a postcard with a row of X’s on it and his father tucked him into bed at night and was always there. Then on a white sheet of paper with blue lines, he wrote another poem and he called it “Autumn” because that was the time of year and that’s what it was all about and his teacher gave him an “A” and told him to write more clearly and his mother told him not to hang it on the kitchen cupboard because it left marks and that was the year his sister got glasses and his parents never kissed anymore and the little girl around the corner laughed when he fell down with his bike and his father didn’t tuck him in at night. So, on another piece of paper torn from a notebook he wrote another poem and he called it “Absolutely Nothing” Because that’s what it was all about and his teach gave him an “A” and a hard searching look and he didn’t show it to his mother and that was the year he caught his sister necking on the back porch and the little girl around the corner wore too much make-up so that he laughed when he kissed her but he kissed her anyway and he tucked himself in bed at three AM with his father snoring loudly in the next room Finally, on the inside of a matchbook he wrote another poem and he called it “?” because that’s what it was all about And he gave himself an “A” and a slash on each wrist and hung it on the bathroom mirror Because he couldn’t make it to the kitchen.
Earl Reum
Because I questioned myself and my sanity and what I was doing wrong in this situation. Because of course I feared that I might be overreacting, overemotional, oversensitive, weak, playing victim, crying wolf, blowing things out of proportion, making things up. Because generations of women have heard that they’re irrational, melodramatic, neurotic, hysterical, hormonal, psycho, fragile, and bossy. Because girls are coached out of the womb to be nonconfrontational, solicitous, deferential, demure, nurturing, to be tuned in to others, and to shrink and shut up. Because speaking up for myself was not how I learned English. Because I’m fluent in Apology, in Question Mark, in Giggle, in Bowing Down, in Self-Sacrifice. Because slightly more than half of the population is regularly told that what happens doesn’t or that it isn’t the big deal we’re making it into. Because your mothers, sisters, and daughters are routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied, harassed, threatened, punished, propositioned, and groped, and challenged on what they say. Because when a woman challenges a man, then the facts are automatically in dispute, as is the speaker, and the speaker’s license to speak. Because as women we are told to view and value ourselves in terms of how men view and value us, which is to say, for our sexuality and agreeability. Because it was drilled in until it turned subconscious and became unbearable need: don’t make it about you; put yourself second or last; disregard your feelings but not another’s; disbelieve your perceptions whenever the opportunity presents itself; run and rerun everything by yourself before verbalizing it—put it in perspective, interrogate it: Do you sound nuts? Does this make you look bad? Are you holding his interest? Are you being considerate? Fair? Sweet? Because stifling trauma is just good manners. Because when others serially talk down to you, assume authority over you, try to talk you out of your own feelings and tell you who you are; when you’re not taken seriously or listened to in countless daily interactions—then you may learn to accept it, to expect it, to agree with the critics and the haters and the beloveds, and to sign off on it with total silence. Because they’re coming from a good place. Because everywhere from late-night TV talk shows to thought-leading periodicals to Hollywood to Silicon Valley to Wall Street to Congress and the current administration, women are drastically underrepresented or absent, missing from the popular imagination and public heart. Because although I questioned myself, I didn’t question who controls the narrative, the show, the engineering, or the fantasy, nor to whom it’s catered. Because to mention certain things, like “patriarchy,” is to be dubbed a “feminazi,” which discourages its mention, and whatever goes unmentioned gets a pass, a pass that condones what it isn’t nice to mention, lest we come off as reactionary or shrill.
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
I think it’s time to go ahead and start, don’t you? We don’t want them to have enough time to make a trip back to shore with her.” Galen swims to within an inch of my face. His lazy grin sends a thousand butterflies whipping up a tornado in my stomach. “Start what? The rescue, or the rest of our lives together?” Just the words make my heart jump, let alone the look he gives me when he says it. We haven’t had much time to talk about what all this means for us, but at least I know we can be together. On our own terms, in our own time. Finally. “Both,” I breathe. “This is not the time to be all mushy,” Rayna calls from below us. “I swear you two are expert time wasters. So inconsiderate.” Galen winks at me and dives to his sister. “Wait,” I call to him. He stops. “I just wanted to say, I like your big fin. I think it’s sexy.” Which is the truth. Now t’s more than double the size of any other Syrena. I know he’s self-conscious about it; he thinks it makes him stand out more. What Galen doesn’t realize is that he already stood out. He was already special. This new fin doesn’t change anything. Well, except for making me hotter for him than I already was. “Really?” Galen says. I nod and blow him a kiss. By his confused expression, he has no idea what I’m doing. My Syrena human ambassador still has a lot to learn about the intimate details of the human world. And I’ll be happy to assist him with that.
Anna Banks (Of Triton (The Syrena Legacy, #2))
did jesus have a baby sister? was she bitter? was she sweet? did she wind up in a convent? did she end up on the street? on the run? on the stage? did she dance? did he have a sister? a little baby sister? did jesus have a sister? did they give her a chance? did he have a baby sister? could she speak out by and large? or was she told by mother mary ask your brother he’s in charge he’s the whipped cream on the cake did he have a sister? a little baby sister? did jesus have a sister? did they give her a break? her brother’s birth announcement was pretty big pretty big i guess while she got precious little notice in the local press her mother was the virgin when she carried him carried him therein if the little girl came later then was she conceived in sin? and in sorrow? and in shame? did jesus have a sister? what was her name? and did she long to be the savior saving everyone she met? and in private to her mirror did she whisper saviorette? saviorwoman? saviorperson? save your breath! did he have a sister? a little baby sister? did jesus have a sister? was she there at his death? and did she cry for mary’s comfort as she watched him on the cross? and was mary too despairing ask your brother he’s the boss he’s the chief he’s the man he’s the show did he have a sister? a little baby sister? did jesus have a sister? doesn’t anyone know?
Dory Previn
Perhaps the deepest indication of our slavery is the monetization of time. It is a phenomenon with roots deeper than our money system, for it depends on the prior quantification of time. An animal or a child has “all the time in the world.” The same was apparently true for Stone Age peoples, who usually had very loose concepts of time and rarely were in a hurry. Primitive languages often lacked tenses, and sometimes lacked even words for “yesterday” or “tomorrow.” The comparative nonchalance primitive people had toward time is still apparent today in rural, more traditional parts of the world. Life moves faster in the big city, where we are always in a hurry because time is scarce. But in the past, we experienced time as abundant. The more monetized society is, the more anxious and hurried its citizens. In parts of the world that are still somewhat outside the money economy, where subsistence farming still exists and where neighbors help each other, the pace of life is slower, less hurried. In rural Mexico, everything is done mañana. A Ladakhi peasant woman interviewed in Helena Norberg-Hodge’s film Ancient Futures sums it all up in describing her city-dwelling sister: “She has a rice cooker, a car, a telephone—all kinds of time-saving devices. Yet when I visit her, she is always so busy we barely have time to talk.” For the animal, child, or hunter-gatherer, time is essentially infinite. Today its monetization has subjected it, like the rest, to scarcity. Time is life. When we experience time as scarce, we experience life as short and poor. If you were born before adult schedules invaded childhood and children were rushed around from activity to activity, then perhaps you still remember the subjective eternity of childhood, the afternoons that stretched on forever, the timeless freedom of life before the tyranny of calendar and clocks. “Clocks,” writes John Zerzan, “make time scarce and life short.” Once quantified, time too could be bought and sold, and the scarcity of all money-linked commodities afflicted time as well. “Time is money,” the saying goes, an identity confirmed by the metaphor “I can’t afford the time.” If the material world
Charles Eisenstein (Sacred Economics: Money, Gift, and Society in the Age of Transition)
There is unmistakable proof that abusers do get together in order to share children, abuse more children, and even learn from each other. As more cases have come into the public eye in recent years, this has become increasingly obvious. More and more of this type of abuse is coming to light. I definitely think it is the word ritual which causes people to question, to feel uncomfortable, or even just disbelieve. It seems almost incredible that such things would happen, but too many of us know exactly how bad the lives of many children are. A great deal of child pornography shows children being abused in a ritualised setting, and many have now come forward to share their experiences, but there is a still tendency to say it just couldn't happen. Why not? Why, given what we now know about paedophiles and about what they do to children? Would they have limits? It was all done to me and I have enough experiences to write many more books than this one, but this will have to do for now. I've tried to make sense of it and I've tried to tell you my story in a way that will, hopefully, let you understand how it was done, and how they managed to get away with it, but I haven't told you a big part of it yet. I haven't told you what happened that finally ended it all for me. There was something else. When I was eight, someone else came into my life and made a huge difference to what was happening and how things would turn out. I didn't know it then, but I see the whole picture now. Something I have often wondered is whether Andrew was there while I was being abused. Lots of people hide their faces, and there were often masks worn, so he certainly could have been. I have no evidence one way or another though, so I will leave it to the reader to decide whether it would seem in a paedophile's character to watch abuse continue when it has been masterminded by him. But I do know that it wasn't just me who he abused - I know that because I saw it. Andrew was away a lot with the Army until I was at high school, then he left that position. He was instrumental both in my abuse and in setting the scene, but when I was eight, something happened which would distract him and which would, at times, take his attention from me. My mother very kindly provided him with a new victim - my little sister.
Laurie Matthew (Groomed)