“
I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not.
I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women.
I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state.
I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste.
I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds.
I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman.
I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself.
I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck.
I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too.
I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system.
I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.
”
”
Neil Gaiman (American Gods (American Gods, #1))
“
And this mess is so big
And so deep and so tall,
We cannot pick it up.
There is no way at all!
”
”
Dr. Seuss (The Cat in the Hat (Cat in the Hat, #1))
“
The summer sun bowing out threw slashes of colour between the buildings. London looked big, empty, and lonely. She stood in the doorway, like a cat trying to make up its mind.
”
”
Sara Pascoe (Being a Witch, and Other Things I Didn't Ask For)
“
He leaned forward to inspect her closer. "Is that all hair?"
... Sudden, overwhelming panic clawed up Cress's throat. With a squeak, she ducked out of view of the camera and scrambled beneath the desk. Her back struck the wall with a thud that rattled her teeth. She crouched there, skin burning hot and pulse thundering as she took in the room before her— the room that he was now seeing too, with the rumpled bedcovers and the mustached man on all the screens telling her to grab her imaginary partner and swing them around.
"Wha—where'd she go?" Thorne's voice came to her through the screen.
"Honestly, Thorne." A girl. Linh Cinder? "Do you ever think before you speak?"
"What? What did I say?"
"'Is that all hair?'"
"Did you see it? It was like a cross between a magpie nest and ball of yarn after it's been mauled by a cheetah."
A beat. Then, "A cheetah?"
"It was the first big cat that came to mind.
”
”
Marissa Meyer (Cress (The Lunar Chronicles, #3))
“
My panties were still on but he didn’t let that stop him, nosing them out of the way and tonguing my sex, making low, growling noises in his throat like a big cat purring with pleasure while it devoured its prey.
”
”
Emme Rollins (Dear Rockstar (Dear Rockstar, #1))
“
Clary wasn't sure what she'd expected -exclamations of delight, perhaps a smattering of applause. Instead there was silence, broken only when Jace said, "Somehow, I thought it would be bigger."
Clary looked at the Cup in her hand. It was the size, perhaps, of an ordinary wineglass, only much heavier. Power thrummed through it, like blood through living veins. "It's a perfectly nice size," she said indignantly.
"Oh, it's big enough," he said patronizingly, "but somehow I was expecting something… you know." He gestured with his hands, indicating something roughly the size of a house cat.
"It's the Mortal Cup, Jace, not the Mortal Toilet Bowl," said Isabelle.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
You’d better not be messing with me. I like you, but if you’re feeding me a load of shit just to get some action, I’m going to plug a big silver stake right through your heart.(Cat)
”
”
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
“
Women intrinsically understand human dynamics, and that makes them unstoppable. Unfortunately, the average man is less adroit at fostering such rivalries, which is why most men remain average; males are better at hating things that can't hate them back (e.g., lawnmowers, cats, the Denver Broncos, et cetera). They don't see the big picture.
”
”
Chuck Klosterman (Chuck Klosterman IV: A Decade of Curious People and Dangerous Ideas)
“
A big leather-bound volume makes an ideal razorstrap. A thing book is useful to stick under a table with a broken caster to steady it. A large, flat atlas can be used to cover a window with a broken pane. And a thick, old-fashioned heavy book with a clasp is the finest thing in the world to throw at a noisy cat.
”
”
Mark Twain
“
But to yell at your creativity, saying, “You must earn money for me!” is sort of like yelling at a cat; it has no idea what you’re talking about, and all you’re doing is scaring it away, because you’re making really loud noises and your face looks weird when you do that.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
Alas," said the mouse, "the whole world is growing smaller every day. At the beginning it was so big that I was afraid, I kept running and running, and I was glad when I saw walls far away to the right and left, but these long walls have narrowed so quickly that I am in the last chamber already, and there in the corner stands the trap that I must run into."
"You only need to change your direction," said the cat, and ate it up.
”
”
Franz Kafka
“
Today on the way home, it snows. Big, soft caressing flakes fall onto our skin like cold moths; the air fills with feathers.
”
”
Margaret Atwood (Cat’s Eye)
“
A great library doesn't have to be big or beautiful. It doesn't have to have the best facilities or the most efficient staff or the most users. A great library provides. It is enmeshed in the life of a community in a way that makes it indispensable. A great library is one nobody notices because it is always there, and always has what people need.
”
”
Vicki Myron (Dewey: The Small-Town Library Cat Who Touched the World)
“
I thought you were dead."
Magnus smiled crookedly. "What, from that scratch?" He glanced down at the reddening jacket in Alec's hand. "Okay, a deep scratch. Like, from a really, really big cat.
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
She sighed, annoyed at her restlessness. “So,” she said, disrupting Wolf in another backward glance.
“Who would win in a fight—you or a pack of wolves?”
He frowned at her, all seriousness. “Depends,” he said, slowly, like he was trying to figure out her motive for asking. “How big is the pack?”
“I don’t know, what’s normal? Six?”
“I could win against six,” he said. “Any more than that and it could be a close call.”
Scarlet smirked. “You’re not in danger of low self-esteem, at least.”
“What do you mean?”
“Nothing at all.” She kicked a stone from their path. “How about you and … a lion?”
“A cat? Don’t insult me.”
She laughed, the sound sharp and surprising. “How about a bear?”
“Why, do you see one out there?”
“Not yet, but I want to be prepared in case I have to rescue you.”
The smile she’d been waiting for warmed his face, a glint of white teeth flashing. “I’m not sure. I’ve never had to fight a bear before.
”
”
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
“
She was charming way a cub is charming, a small cub that will grow up to be like one of the big cats. One you can't play with later
”
”
Thomas Harris (Hannibal (Hannibal Lecter, #3))
“
We can't make death fun, but we can make learning about it fun. Death is science and history, art and literature. It bridges every culture and unites the whole of humanity!
”
”
Caitlin Doughty (Will My Cat Eat My Eyeballs? Big Questions from Tiny Mortals About Death)
“
Even now, my back was still arched with sensual invitation, my bottom was questing up like a cat in heat, and my every move was supple, sinuous. I was one great big come-hither.
”
”
Karen Marie Moning (Darkfever (Fever, #1))
“
Oh, its big enough,” he said patronizingly, “but somehow I was expecting…you know.” He gestured with his hands, indicating something roughly the size of a house cat.
“It’s the Mortal Cup, Jace, not the Mortal Toilet Bowl,” said Isabelle.
-Jace & Isabelle, pg.349-
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
I flung open the door. I got a momentary flash of about a hundred and fifteen cats of all sizes and colours scrapping in the middle of the room, and then they all shot past me with a rush and out of the front door; and all that was left of the mobscene was the head of a whacking big fish, lying on the carpet and staring up at me in a rather austere sort of way, as if it wanted a written explanation and apology.
”
”
P.G. Wodehouse (A Wodehouse Bestiary)
“
It was either a very big cat or quite a small tiger,” said Harry.
”
”
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
“
The Wolf snarled, tensing his muscles, as if he wished he could climb the tree after the feline. "One day I will catch you on the ground, cat," he said through bared teeth. "And you won't even know I'm there until I tear your head off." "You have been saying that since before humans had fire, dog," Grimalkin replied, completely undisturbed. "You'll have to forgive me if I don't hold my breath."
- The Big Bad Wolf and Grimalkin
”
”
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
“
LADY LAZARUS
I have done it again.
One year in every ten
I manage it--
A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot
A paperweight,
My face a featureless, fine
Jew linen.
Peel off the napkin
O my enemy.
Do I terrify?--
The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.
Soon, soon the flesh
The grave cave ate will be
At home on me
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The peanut-crunching crowd
Shoves in to see
Them unwrap me hand and foot--
The big strip tease.
Gentlemen, ladies
These are my hands
My knees.
I may be skin and bone,
Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical
Comeback in broad day
To the same place, the same face, the same brute
Amused shout:
'A miracle!'
That knocks me out.
There is a charge
For the eyeing of my scars, there is a charge
For the hearing of my heart--
It really goes.
And there is a charge, a very large charge
For a word or a touch
Or a bit of blood
Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus,
I am your valuable,
The pure gold baby
That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash--
You poke and stir.
Flesh, bone, there is nothing there--
A cake of soap,
A wedding ring,
A gold filling.
Herr God, Herr Lucifer
Beware
Beware.
Out of the ash
I rise with my red hair
And I eat men like air.
-- written 23-29 October 1962
”
”
Sylvia Plath (Ariel)
“
But how can you walk away from something and still come
back to it?"
"Easy," said the cat. "Think of somebody walking around the
world. You start out walking away from something and end up
coming back to it."
"Small world," said Coraline.
"It's big enough for her," said the cat. "spiders' webs only have
to be large enough to catch flies."
Coraline shivered.
”
”
Neil Gaiman (Coraline)
“
Nellie grinned. "I always wanted to go to Venice. It's supposed to be the romance capital of the world."
"Sweet," put in Dan. "Too bad your date is an Egyptian Mau on a hunger strike."
The au pair sighed. "Better than an eleven-year-old with a big mouth.
”
”
Gordon Korman (One False Note (The 39 Clues, #2))
“
Hello? This is Clary Fairchild.”
“Clary? It’s me, Emma.”
“Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.”
“Tahiti sounds nice.”
“It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.”
“Is this a bad time?”
“What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.”
“What’s a trebuchet?”
“It’s a huge catapult.”
“What are they going to use it for?”
“I have no idea. Alec, you’re enabling! You’re an enabler!”
“Maybe it is a bad time.”
“I doubt there’ll be a better one. Is something wrong? Is there anything I can do?”
“I think we have your cat.”
“What?”
“Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.”
“Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.”
“I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.”
“How did you wind up with him?”
“Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.”
“Brother Zachariah left you a cat.”
“But I don’t even really know him. And he’s not a Silent Brother any more.”
“You may not know him, but he clearly knows you.”
“What do you think the J stands for?”
“His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.”
“Are you sure? The Lightwoods —“
‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.”
“Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.”
“Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.”
“Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.”
“I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.”
“That’s good. I have a feeling we’re going to need it.”
“Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.”
“But we can keep the cat?”
“You can keep the cat.
”
”
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
“
I always imagined that cats were the Paris Hiltons of the pet world: They didn't quite deserve all the attention but they got it anyway.
”
”
Sarah Andersen (Big Mushy Happy Lump (Sarah's Scribbles, #2))
“
Frozen yogurt is tastier than ice cream; nobody is too old for cartoons; bald men are sexy; chocolate is the best medicine; BIG books are better; cats secretly rule the planet; and everything should be available in the color pink, including monster trucks.
”
”
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
“
Fenestra was silent for a while, and Morrigan thought she’d fallen asleep standing up. Then she felt something warm, wet, and sandpapery lick the entire right side of her face. She sniffled again, and Fen’s big gray head rubbed her shoulder affectionately. “Thanks, Fen,” Morrigan said quietly. She heard Fenestra padding softly to the door. “Fen?” “Mmm?” “Your saliva smells like sardines.” “Yeah, well. I’m a cat.” “Now my face smells like sardines.” “I don’t care. I’m a cat.” “Night, Fen.
”
”
Jessica Townsend (Nevermoor: The Trials of Morrigan Crow (Nevermoor, #1))
“
I need to talk to you. I had a weird dream."
"Let me guess. You got tied up by lady ninjas. With big hooters."
"Uh, no." I take a sip of coffee and wince. It was ridiculously strong.
My grandfather shoves a strip of bacon in his mouth with a grin. "Guess it would have been kind of weird if we'd had the same dream."
I roll my eyes. "Well, you'd better not tell me anything else. Don't ruin the surprise in case I have it tonight.
”
”
Holly Black (White Cat (Curse Workers, #1))
“
Oh dear, is that a skunk?" Leonora asked.
"No," Alessandro gasped in horror. "No the smelly cat!"
"I've told you, Alessandro darling, they aren't cats."
"They look like cats. Like the big fluffy cat she's been stepped on and flattened to a big fluffy pancake cat," Alessandro argued.
”
”
Lynsay Sands (The Reluctant Vampire (Argeneau, #15))
“
Two of them drifted over to intercept me with the easy calm of big cats that have been fed recently.
”
”
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
“
Because I’m a cat. A big one, the Panther of Rough Storms, in fact. But still a cat. If there’s a saucer of milk to spill, I’d rather spill it than let it lie. If my mistress grows absent-minded and leaves a ball of yarn about, I’ll bat it between my paws, and unravel it. Because it’s fun. Because it’s what cats do best.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
We wanted to blast the world free of history.... picture yourself planting radishes and seed potatoes on the fifteenth green of a forgotten golf course. You'll hunt elk through the damp canyon forests around the ruins of Rockefeller Center, and dig clams next to the skeleton of the Space Needle leaning at a forty-five degree angle. We'll paint the skyscrapers with huge totem faces and goblin tikis, and every evening what's left of mankind will retreat to empty zoos and lock itself in cages as protection against the bears and big cats and wolves that pace and watch us from outside the cage bars at night.
”
”
Chuck Palahniuk (Fight Club)
“
There may be people who like centipedes... Personally, I would regard such an individual with deep suspicion. I have just petted my cat: "And how is this good little cat beast?" Now what sort of man or woman or monster would stroke a centipede on his underbelly? "And here is my good big centipede!" If such a man exists, I say kill him without more ado. He is a traitor to the human race.
”
”
William S. Burroughs (The Western Lands (The Red Night Trilogy,. #3))
“
Okay, so I'll admit I'm curious. Big deal. We both know what that leads to. Dead cat.
”
”
Susan Elizabeth Phillips (Call Me Irresistible (Wynette, Texas, #6))
“
Small world," said Coraline. "It's big enough for her," said the cat. "Spiders' webs only have to be large enough to catch flies.
”
”
Neil Gaiman (Coraline)
“
Can I ask a question, sir?" said Maurice, as Death turned to go.
You May Not Get An Answer.
"I suppose there isn't a Big Cat in the Sky, is there?"
I'm Surprised At You, Maurice. Of Course There Are No Cat Gods. That Would Be Too Much Like...Work.
Maurice nodded. One good thing about being a cat, apart from the extra lives, was that the theology was a lot simpler.
”
”
Terry Pratchett (The Amazing Maurice and His Educated Rodents (Discworld, #28))
“
The sky lay over the city like a map showing the strata of things and the big full moon toppled over in a furrow like the abandoned wheel of a gun carriage on a sunset field of battle and the shadows walked like cats and I looked into the white and ghostly interior of things and thought of you and I looked on their structural outsides and thought of you and was lonesome.
”
”
Zelda Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
“
This is the end to my Saturday night. My cat has watched me whack off to a vision of my best friend. “Don’t say a word,” I hiss. He looks away, lifting his chin haughtily. But he’ll keep my secret. I’ll keep his, too, the fucking little voyeur.
”
”
Lauren Blakely (Big Rock (Big Rock, #1))
“
She turned back to me, graceful as a big cat, straight and proud, not quite smiling, her warm dark eyes as curious as if she had never seen a man before. I knew damn well I ought to say something, but what? The only thing to say was “Will you marry me?” but that wouldn’t do because the idea of her washing dishes or darning socks was preposterous.
”
”
Rex Stout (Too Many Clients (Nero Wolfe, #34))
“
What's that smell in this room? Didn't you notice it, Brick? Didn't you notice a powerful and obnoxious odor of mendacity in this room? There ain't nothin' more powerful than the odor of mendacity. You can smell it. It smells like death.
—Big Daddy
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
“
Darius didn't have any trouble finding the Street Cats building. It was a cozy-looking square brick building with big front windows crowded with cat stuff. I made a mental note to pick up a little something for Nala from their gift shop. My cat was grumpy enough without her thinking that I'd been cheating on her (translation: I would smell like a zillion other cats) and hadn't even brought her a present.
”
”
Kristin Cast (Untamed (House of Night, #4))
“
Bye Caspian!' I called out. He stopped, and threw me a big grin over his shoulder. I grinned back like the Cheshire cat. What was it about him that made me feel so ridiculously happy?
”
”
Jessica Verday (The Hollow (The Hollow, #1))
“
Big Daddy: Ignorance - of mortality - is a comfort.
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
“
It posed the question posed by all such stone piles.: how had puny men moved stones so big? And, like all such stone piles, it answered the question itself. Dumb terror had moved those stones so big
”
”
Kurt Vonnegut Jr. (Cat’s Cradle)
“
You don't fall in love like you fall in a hole. You fall like falling through space. It’s like you jump off your own private planet to visit someone else’s planet. And when you get there it all looks different: the flowers, the animals, the colours people wear. It is a big surprise falling in love because you thought you had everything just right on your own planet, and that was true, in a way, but then somebody signalled to you across space and the only way you could visit was to take a giant jump. Away you go, falling into someone else’s orbit and after a while you might decide to pull your two planets together and call it home. And you can bring your dog. Or your cat. Your goldfish, hamster, collection of stones, all your odd socks. (The ones you lost, including the holes, are on the new planet you found.)
And you can bring your friends to visit. And read your favourite stories to each other. And the falling was really the big jump that you had to make to be with someone you don’t want to be without. That’s it.
PS You have to be brave.
”
”
Jeanette Winterson
“
Then it suddenly and theatrically began to clean itself in the way cats do when they want you to know what a big deal you aren't.
”
”
Adam Rex (Cold Cereal (The Cold Cereal Saga, #1))
“
Never make the mistake of badmouthing cats in front of her. I think she used to be one in a past life."
...
"Definitely a cat in a past life," Owen muttered next to me. "But, like, a big scary one that ate people.
”
”
Kelly Oram (The Avery Shaw Experiment (Science Squad, #1))
“
Meow,' Cat Norman said simply, parking his big butt by my foot and looking up at me. 'Meow.'
'I hate you,' I told him. He didn't even flinch.
”
”
Sarah Dessen (Keeping the Moon)
“
--- What is the victory of a cat on a hot tin roof? --- I wish I knew ...
Just staying on it, I guess, as long as she can ...
[More croquet sounds]
Later tonight I'm going to tell you I love you an' maybe by that time you'll be drunk enough to believe me. Yes, they're playing croquet ...
Big Daddy is dying of cancer ...
What were you thinking of when I caught you looking at me like that? Were you thinking of Skipper?
[Brick crosses to the bar, takes a quick drink, and rubs his head with a towel]
Laws of silence don't work ...
When something is festering in your memory or your imagination, laws of silence don't work, it's like shutting a door and locking it on a house on fire in hope of forgetting that the house is burning. But not facing a fire doesn't put it out. Silence about a thing just magnifies it. It grows and festers in silence, becomes malignant ....
Get dressed, Brick.
”
”
Tennessee Williams (Cat on a Hot Tin Roof and Other Plays)
“
Would you believe I was in the neighborhood?”
“No."
“Well, how about that I needed to see you.”
“Why? Did one of my neighbors call and say my cat’s been stalking their bunny?”
One corner of his mouth went up. “You know, that sounds like a euphemism. A kind of salacious one”
“Ooh, big words for Mr. Average Joe street cop,” she said, knowing she sounded bitchy but unable to help it.
“Can you take out the angry eyes, Mrs. Potato Head, and just let me talk to you?
”
”
Leslie Parrish (Cold Touch (Extrasensory Agents, #2))
“
That's it: watch your moods. Don't let people see you fluctuate. Don't let yourself run your mouth. Never ever cry, even alone, because your cat or your kettle might tell. Always smile, but don't laugh loudly. Mania is an extrovert, but if you need to vent, tell your mattress or maybe your therapist, but put nothing in writing and never tell a friend or coworker how you're really feeling. Downplay any problem or joy. Pay attention to any signs that your life is shitty or excellent, because either is an illusion. Be careful around men, especially ones with big arms or opinions. Stop talking.
”
”
Elissa Washuta (My Body Is a Book of Rules)
“
Big Daddy: What makes you so restless, have you got ants in your britches?
Brick: Yes, sir...
Big Daddy: Why?
Brick: - Something - Hasn't - Happened...
Big Daddy: Yeah? What is that?
Brick [sadly]: - the click...
Big Daddy: Did you say the click?
Brick: Yes, click.
Big Daddy: What click?
Brick: A click that I get in my head that makes me peaceful
Big Daddy: I sure in hell don't know what you're talking about, but it disturbs me.
Brick: It's just a mechanical thing.
Big Daddy: What is a mechanical thing?
Brick: This click that I get in my head that makes me peaceful. I got to drink till I get it.
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
“
A big seizure just kind of grabs the inside of your skull and squeezes. It feels as if it's twisting and turning your brain all up and down and inside out. Have you ever heard a washing machine suddenly flip into that bang-bang-bang sound when it gets out of balance, or a chain saw when the chain breaks and gets caught up in the gears, or an animal like a cat, screeching in pain? Those are what seizures felt like when I was little.
”
”
Terry Trueman (Stuck in Neutral)
“
Cowards say it can't be done, critics say it shouldn't have been done, creator say well done.
”
”
Amit Kalantri (Wealth of Words)
“
Belong to yourself, then, like me," said Big Tom. "That way, when changes come, you'll always be ready to hold your tail high and move along.
”
”
Natalie Babbitt (Nellie: A Cat on Her Own)
“
I can't believe in the impossible," he whispered as though trying to convince himself against what he had just witnessed. "A man can't be big and small at once. He can't be a freak and a hero."
The cat glared. "Do you believe in justice?"
The Chronicler hesitated. Then, only once, he nodded.
"Do you believe in mercy?" pressed the cat.
"Yes."
"Ha!" Eanrin lashed his tail again. "What an impossible contradiction. Ha!
”
”
Anne Elisabeth Stengl (Dragonwitch (Tales of Goldstone Wood, #5))
“
We do this thing. We open our hearts to the world around us. And the more we do that, the more we allow ourselves to love, the more we are bound to find ourselves one day - like Dave, and Morley, and Sam, and Stephanie - standing in the kitchen of our live, surrounded by the ones we love, and feeling empty, and alone, and sad, and lost for words, because one of our loved ones, who should be there, is missing. Mother or father, brother or sister, wife or husband, or a dog or cat. It doesn't really matter. After a while, each death feels like all the deaths, and you stand there like eveyone else has stood there before you, while the big wind of sadness blows around and through you.
"He was a great dog," said Dave.
"Yes," said Morley. "He was a great dog.
”
”
Stuart McLean
“
Look, I don’t want to stand here and watch you commune with ‘other.’ It’s been a long night, my brain is fried and my emotions shot. You can stay here and do your hocus-pocus cat prowl, looking for your invisible friends all you want. I’m going to head off to my media room and veg. (Danger)
If you need me, call. (Alexion)
Yeah, I’ll just do that when I need the great big, hulking he-man to charge in and save my weak, girly butt. (Danger)
”
”
Sherrilyn Kenyon (Sins of the Night (Dark-Hunter, #7))
“
Midget, midget, midget, how he struts and winks,
For he knows a man's as big as what he hopes and thinks!
”
”
Kurt Vonnegut Jr. (Cat’s Cradle)
“
My cat mocks me frequently. It's the universe's way of keeping me from getting too big of an ego.
”
”
Michelle M. Pillow
“
But how can you walk away from something and still come back to it?"
"Easy," said the cat. "Think of somebody walking around the world. You start out walking away from something and end up coming back to it."
"Small world," said Coraline.
"It's big enough for her," said the cat. "Spider's webs only have to be large enough to catch flies.
”
”
Neil Gaiman (Coraline)
“
Depression is not dramatic, but it is total. It’s sneaky - you almost don’t notice it at first. Like a cat burglar, it comes in through an open window while you’re sleeping. It takes little things at first; your appetite, your desire to return phone calls. Then it comes back for the big stuff, like your will to live.
Then next thing you know, your legs are filled with sand. The thought of brushing your teeth fills you with dread, it seems like such an impossible task. Suddenly you’re living your life in black and white – nothing is bright, nothing is pretty anymore. Music sounds tinny and distant. Things you found funny seem dull and off-key.
”
”
Lisa Unger (Sliver of Truth (Ridley Jones, #2))
“
I told him, 'You can start in the middle and kiss your way thirty-six inches to the right, and then you can go back to the middle and kiss your way thirty-six inches to the left. You can just kiss my big ass.
”
”
Blaize Clement (Curiosity Killed the Cat Sitter (A Dixie Hemingway Mystery, #1))
“
He dragged me back - just in time. A tree had crashed down on to the side walk, just missing us. Poirot stared at it, pale and upset.
"It was a near thing that! But clumsy, all the same - for I had no suspicion - at least hardly any suspicion. Yes, but for my quick eyes, the eyes of a cat, Hercule Poirot might now be crushed out of existence - a terrible calamity for the world. And you, too, mon ami - though that would not be such a national catastrophe."
"Thank you," I said coldly.
”
”
Agatha Christie (The Big Four (Hercule Poirot, #5))
“
Then the fire was shining on the hearth, the cold and the dark and the wild beasts were all shut out, and Jack the brindle bulldog and Black Susan the cat lay blinking at the flames in the fireplace. Ma sat in her rocking chair, sewing by the light
”
”
Laura Ingalls Wilder (Little House in the Big Woods (Little House, #1))
“
I'm a rich man, Brick, yep, I'm a mighty rich man. Y'know how much I'm worth? Guess, Brick! Guess how much I'm worth! Close to ten million in cash an' blue chip stocks, outside, mind you, of twenty-eight thousand acres of the richest land this side of the valley Nile! But a man can't buy his life with it, he can't buy back his life with it when his life has been spent, that's one thing not offered in the Europe fire-sale or in the American markets or any markets on earth, a man can't buy his life with it, he can't buy back his life when his life is finished...
Big Daddy: (pp. 65)
”
”
Tennessee Williams (Cat on a Hot Tin Roof)
“
Anyone getting starry-eyed about owning a bookstore should ask herself a few questions: Can you lift a box weighing fifty pounds? Do you know what cat pee on paper smells like and can you get it out? Will you exude patience while solving puzzles that start "I'm looking for a book..." and peter out somewhere between "it has 'The' in the title" and "It has a red cover and the author was a soldier whose last name started with S. Or was it Z?
”
”
Wendy Welch (The Little Bookstore of Big Stone Gap: A Memoir of Friendship, Community, and the Uncommon Pleasure of a Good Book)
“
„Like‟ is a mild sort of word for what Con and I have,” Collin replied, leaning forward to touch noses with the big doofus. Constantine half-closed his eyes and twitched his whiskers back. “I‟d go with the deeply twisted interpersonal relationship that a hero has for his nemesis, sort of a Batman/Joker thing, if the Joker suddenly started going down on Batman like a porn-star on Viagra.”
Jeff looked at him in alarm. “Jesus, Sparky, stop touching my cat!
”
”
Amy Lane (Living Promises (Promises, #3))
“
How’re the cats?” he asked, smiling a little. He did miss Angel Marie. Hell, he missed them all.
“Feral,” Benny sniffed. “And horny. Every time one of us walks in, they all start humping our shoes.”
“They’re fixed,” Shane mumbled, but the conversation was oddly reassuring. It sounded normal, and like home.
“Tell that to the big fuzzy brown one….”
“Orlando Bloom?”
“Yeah, whatever. Last time I was there that damned animal violated my knitting.”
Shane lost a battle with a laugh and then whined because it hurt his ribs.
“Violated?”
[...]
“Let’s just say that wool is no longer virgin,” she quipped dryly, and Shane’s chest shook.
”
”
Amy Lane (Making Promises (Promises, #2))
“
There is a joke about a little girl who is filling in a hole in her garden when a neighbor looks over the fence. He politely asks, "Hi! What are you up to?" "My goldfish died," replies the girl tearfully, "and I've just buried him." The neighbor asks, "Isn't that an awfully big hole for a goldfish?" The little girl tamps down the soil and replies, "That's because he's inside your stupid cat.
”
”
Steven Pinker (The Stuff of Thought: Language as a Window into Human Nature)
“
The purr is very important. It's the purr that does it every time. It's the purr that makes up for the Things Under the Bed, the occasional pungency, the 4 a.m. yowl. Other creatures went in for big teeth, long legs or over-active brains, while cats just settled for a noise that tells the world they're feeling happy.
”
”
Terry Pratchett (The Unadulterated Cat)
“
I am not a fan of supermarkets and I hate shopping there, even for things I can't get elsewhere, like cat food and bin bags. A big part of my dislike of them is the loss of vivid life. The dull apathy of existence now isn't just boring jobs and boring TV; it is the loss of vivid life on the streets; the gossip, the encounters, the heaving messy noise that made room for everyone, money or not.
”
”
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
“
Dante took the baby from the woman, cradled her against his broad chest, uncaring for the drool he got on his suit, cooing to her. “You missed Daddy, didn’t you, princess?” Then the fluffiest cat she'd seen walked out and rubbed against Dante's legs, getting fur over his pants. Zephyr’s ovaries melted. What was it about a big man with babies and kittens?
”
”
RuNyx (The Finisher (Dark Verse, #4))
“
After the monkeys came down from the trees and learned to hurl sharp objects, they had had to move into caves for protection--not only from the big predatory cats but, as they began to lose their monkey fur, from the elements. Eventually, they started transposing their hunting fantasies onto cave walls in the form of pictures, first as an attempt at practical magic and later for the strange, unexpected pleasure they discovered in artistic creation.
Time passed. Art came off the walls and turned into ritual. Ritual became religion. Religion spawned science. Science led to big business. And big business, if it continues on its present mindless, voracious trajectory, could land those of us lucky enough to survive its ultimate legacy back into caves again.
”
”
Tom Robbins (Villa Incognito)
“
Listening, it occurred to Randall that the love people feel for animals is the purest form of love. Loving an animal, a horse, cat, or dog, was always a romantic tragedy. It meant loving something that would die before you. Like that movie with Ali McGraw. There was no future, just the affection of the present moment. You didn't expect a big payoff, someday.
”
”
Chuck Palahniuk (Make Something Up: Stories You Can't Unread)
“
The big question of vampires, the question that hunts governments and individuals alike, the question that bug me every night when I see their red eyes watching citizens of Coldtown the ways hungry cats watch fishin a bucket is: what are they? Are they diseased or demonic? Are they humans who have become ill, deserving hospitals and care, as some have argued? Or are they the bodies of our loved ones animated by some dark force that we ought to seek to destroy?
”
”
Holly Black (The Coldest Girl in Coldtown)
“
Cheese and crackers? Really?" She looks at me skeptically. "Besides, he's not a gigolo, you prude! He's an escort. Big difference."
"An escort who, at the end of the night for a little more cash, will have sex with people. What do you call that?"
Sara's laugh has a wicked edge to it "I call it my good fortune.
”
”
Courtney Cole (Confessions of an Alli Cat (The Cougar Chronicles, #1))
“
I’m a sick woman, a madwoman, a ball-breaker, a man-eater; I don’t consume men gracefully with my fire-like red hair or my poisoned kiss; I crack their joints with these filthy ghoul’s claws and standing on one foot like a de-clawed cat, rake at your feeble efforts to save yourselves with my taloned hinder feet: my matted hair, my filthy skin, my big fat plaques of green bloody teeth. I don’t think my body would sell anything. I don’t think I’d be good to look at. O of all diseases self-hate is the worst and I don’t mean for the one who suffers it!
”
”
Joanna Russ (The Female Man)
“
And that is why a dog can go to the vet and have a really big operation and have metal pins sticking out of its leg but if it sees a cat it forgets that it has pins sticking out of its leg and chases after the cat. But when a person has an operation it has a picture in its head of the hurt carrying on for months and months. And it has a picture of all the stitches in its leg and the broken bone and the pins and even if it sees a bus it has to catch it doesn't run because it has a picture in its head of the bones crunching together and the stitches breaking and even more pain.
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
Beneath a toilet water of punctilio and restraint...a deep smell came off Kelly, a hint of a big foul cat, carnal as the meat on a butcher's block, and something else, some whiff of the icy rot and iodine in a piece of marine nerve left to bleach on the sand. With it all was that congregated odor of the wealthy, a mood within the nose of face powder, of perfumes which leave the turpentine of a witch's curse, the taste of pennies in the mouth, a whiff of the tomb. It was all of Deborah for me.
”
”
Norman Mailer (An American Dream)
“
I think I’m getting a notion of how to do this. O.K., a carnival works because people pay to feel amazed and scared. They can nibble around a midway getting amazed here and scared there, or both. And do you know what else? Hope. Hope they’ll win a prize, break the jackpot, meet a girl, hit a bull’s-eye in front of their buddies. In a carnival you call it luck or chance, but it’s the same as hope. Now hope is a good feeling that needs risk to work. How good it is depends on how big the risk is if what you hope doesn’t happen. You hope your old auntie croaks and leaves you a carload of shekels, but she might leave them to her cat. You might not hit the target or win the stuffed dog, you might lose your money and look like a fool. You don’t get the surge without the risk. Well. Religion works the same way. The only difference is that it’s more amazing than even Chick or the twins. And it’s a whole lot scarier than the Roll-a-plane or the Screamer, or any simp twister. This scare stuff laps over into the hope department too. The hope you get from religion is a three-ring, all-star hope because the risk is outrageous. Bad! Well, I’m working on it. I’ve got the amazing part down. And the scary bits are a snap. But I’ve got to come up with a hope.
”
”
Katherine Dunn (Geek Love)
“
I remember when I was probably about ten years old I had a pen pal, and writing letters back and forth with him was one of my favorite things to do. His name was Steve and he lived in one of those huge mansions that's so big it has a name. It was called the Louisiana State Penitentiary, and he told me it was even bigger than the mayor's mansion. We'd send letters back and forth and he'd ask me to send him my favorite books and small pieces of metal or wood that were lying around and all the money I could find in my house. And I'd gather them all up and put cute little stickers of cats on the packages and send them away. It was so fun. Eventually we stopped writing because I moved to another city and he moved out to live on his own. He called it "solitary confinement." I was always so impressed by his vocabulary.
”
”
Ellen DeGeneres (Seriously... I'm Kidding)
“
and you were sort of hypnotized by your boot or shoe or a finger-nail as it might be,and at the same time you were sort of picked up by the old scruff and shook like you might be a cat.you got shook and shook till there was nothing left.you lost your name and your body and your self and you just didn’t care,and you waited until your boot or finger-nail got yellow,then yellower and yellower all the time.then the lights started cracking like atomics and the boot or finger-nail or,as it might be,a bit of dirt on your trouser-bottom turned into a big big big mesto,bigger than the whole world,and you were just going to get introduced to old Bog or God when it was all over.you came back to here and now whimpering sort of,with your rot all squaring up for a boohoohoo.now that’s very nice but very cowardly.you were not put on this earth just to get in touch with God.that sort of thing could sap all the strength and the goodness out of a chelloveck.
”
”
Anthony Burgess (A Clockwork Orange)
“
Nicole had no right to be jealous.Hell,she didn´t even have a reason.They might have some sort of physical chemistry thing going on,but there wasn´t anything emotional.Nothing.She didn´t even like Riker.Liar."There´s nothing to finish,"she said.
"Nothing to finish?You wondered why sex with a vampire was such a big deal.I´m going to show you."Riker moved toward her,slowly,like a cat sneaking up on a bird."Stamina."He stepped closer."Multiple orgasms."Closer,and her mouth went dry."Flexibility."Closer.Her skin flushed hot."Strenght."Closer.Her stomach did a flip-flop."The ability to sense heat so we know what parts of the body are the most sensitive at the right time."Closer.A throbbing ache started low in her pelvis."The ability to hear the slightest change in the tempo of your pulse so we know exactly how every stroke,kiss,and lick effects you."
Oh.Dear.lord.
”
”
Larissa Ione (Bound by Night (MoonBound Clan Vampire, #1))
“
It was that summer, too, that I began the cutting, and was almost as devoted to it as to my newfound loveliness. I adored tending to myself, wiping a shallow red pool of my blood away with a damp washcloth to magically reveal, just above my naval: queasy. Applying alcohol with dabs of a cotton ball, wispy shreds sticking to the bloody lines of: perky. I had a dirty streak my senior year, which I later rectified. A few quick cuts and cunt becomes can't, cock turns into back, clit transforms to a very unlikely cat, the l and i turned into a teetering capital A.
The last words I ever carved into myself, sixteen years after I started: vanish.
Sometimes I can hear the words squabbling at each other across my body. Up on my shoulder, panty calling down to cherry on the inside of my right ankle. On the underside of a big toe, sew uttering muffled threats to baby, just under my left breast. I can quiet them down by thinking of vanish, always hushed and regal, lording over the other words from the safety of the nape of my neck.
Also: At the center of my back, which was too difficult to reach, is a circle of perfect skin the size of a fist.
Over the years I've made my own private jokes. You can really read me. Do you want me to spell it out for you? I've certainly given myself a life sentence. Funny, right? I can't stand to look myself without being completely covered. Someday I may visit a surgeon, see what can be done to smooth me, but now I couldn't bear the reaction. Instead I drink so I don't think too much about what I've done to my body and so I don't do any more. Yet most of the time that I'm awake, I want to cut. Not small words either. Equivocate. Inarticulate. Duplicitous. At my hospital back in Illinois they would not approve of this craving.
For those who need a name, there's a gift basket of medical terms. All I know is that the cutting made me feel safe. It was proof. Thoughts and words, captured where I could see them and track them. The truth, stinging, on my skin, in a freakish shorthand. Tell me you're going to the doctor, and I'll want to cut worrisome on my arm. Say you've fallen in love and I buzz the outlines of tragic over my breast. I hadn't necessarily wanted to be cured. But I was out of places to write, slicing myself between my toes - bad, cry - like a junkie looking for one last vein. Vanish did it for me. I'd saved the neck, such a nice prime spot, for one final good cutting. Then I turned myself in.
”
”
Gillian Flynn (Sharp Objects)
“
Georgette was a hip queer. She (he) didn't try to disguise or conceal it with marriage and mans talk, satisfying her homosexuality with the keeping of a secret scrapbook of pictures of favorite male actors or athletes or by supervising activities of young boys or visiting turkish baths or mens locker rooms, leering sidely while seeking protection behind a carefully guarded guise of virility (fearing that moment at a cocktail party or in a bar when this front may start crumbling from alcohol and be completely disintegrated with an attempted kiss or groping of an attractive young man and being repelled with a punch and - rotten fairy - followed with hysteria and incoherent apologies and excuses and running from the room) but, took a pride in being a homosexual by feeling intellectually and esthetically superior to those (especially women) who weren't gay (look at all the great artists who were fairies!); and with the wearing of womens panties, lipstick, eye makeup (this including occasionally gold and silver - stardust - on the lids),long marcelled hair, manicured and polished fingernails, the wearing of womens clothes complete with a padded bra, high heels and wig (one of her biggest thrills was going to BOP CITY dressed as a tall stately blond ( she was 6'4 in heels) in the company of a negro (he was a big beautiful black bastard and when he floated in all the cats in the place jumped and the squares bugged. We were at crazy pad before going and were blasting like crazy, and were up so high that I just didnt give ashit for anyone honey, let me tell you!); and the occasional wearing of menstrual napkin.
”
”
Hubert Selby Jr.
“
There have been complaints?' said Miss Susan.
'Er, no ... er ... although Miss Smith has told me that the children coming up from your class are, er, restless. Their reading ability is, she says, rather unfortunately advanced ...'
'Miss Smith thinks a good book is about a boy and his dog chasing a big red ball,' said Miss Susan. 'My children have learned to expect a plot. No wonder they get impatient. We're reading Grim Fairy Tales at the moment.'
'That is rather rude of you, Susan.'
'No, madam. That is rather polite of me. It would have been rude of me to say that there is a circle of Hell reserved for teachers like Miss Smith.'
'But that's a dreadf---' Madam Frout stopped, and began again. 'You should not be teaching them to read at all yet!' she snapped. [...] 'I mean,' the headmistress mumbled, 'childhood is a time for play and---'
'Learning,' said Miss Susan.
'Learning through play,' said Madam Frout, grateful to find familiar territory. 'After all, kittens and puppies---'
'---grow up to be cats and dogs, which are even less interesting,' said Miss Susan, 'whereas children should grow up to be adults.'"
[...]
'What precisely was it you wanted, madam?' she said. It's just that I've left the class doing algebra, and they get restless when they've finished.'
'Algebra?' said Madam Frout [...] 'But that's far too difficult for seven-year-olds!'
'Yes, but I didn't tell them that and so far they haven't found out,' said Susan.
”
”
Terry Pratchett (Thief of Time (Discworld, #26; Death, #5))
“
I couldn’t sleep, so I got up and took a walk around the house. Alex’s mother cat just had a batch of baby kittens and I sat on the porch and just kept looking at them. It was a revelation! Without drugs! Without anything but kittens whose fur is like all the softness in the world put together. It was so soft that when I closed my eyes I wasn’t sure I was even touching it, I put the little gray one, named Happiness, up to my ear, and felt the warmth in her tiny body and listened to her incredible purring. Then she tried to nurse my ear and the feeling in me was so big I thought I was going to break wide open. It was better than a drug trip, a thousand times better, a million times, a trillion times. These things are real! The softness was not a hallucination; the sounds of the night, the cars swishing by, the crickets. I was really there. I heard it! I saw it and I felt it and that’s the way I want life to always be! And that’s the way it will be!
”
”
Beatrice Sparks (Go Ask Alice (Anonymous Diaries))
“
Let me sing the beauty of my Maggie. Legs:--the knees attached to the thighs, knees shiny, thighs like milk. Arms:--the levers of my content, the serpents of my joy. Back:--the sight of that in a strange street of dreams in the middle of Heaven would make me fall sitting from glad recognition. Ribs?--she had some melted and round like a well formed apple, from her thigh bones to waist I saw the earth roll. In her neck I hid myself like a lost snow goose of Australia, seeking the perfume of her breast. . . . She didn't let me, she was a good girl. The poor big alley cat, though almost a year younger, had black ideas about her legs that he hid from himself, also in his prayers didn't mention . . . the dog. Across the big world darkness I've come, in boat, in bus, in airplane, in train standing my shadow immense traversing the fields and the redness of engine boilers behind me making me omnipotent upon the earth of the night, like God--but I have never made love with a little finger that has won me since. I gnawed her face with my eyes; she loved that; and that was bastardly I didn't know she loved me--I didn't understand.
”
”
Jack Kerouac (Maggie Cassidy)
“
And the days move on and the names of the months change and the four seasons bury one another and it is spring again and yet again and the small streams that run over the rough sides of Gormenghast Mountain are big with rain while the days lengthen and summer sprawls across the countryside, sprawls in all the swathes of its green, with its gold and sticky head, with its slumber and the drone of doves and with its butterflies and its lizards and its sunflowers, over and over again, its doves, its butterflies, its lizards, its sunflowers, each one an echo-child while the fruit ripens and the grotesque boles of the ancient apple trees are dappled in the low rays of the sun and the air smells of such rotten sweetness as brings a hunger to the breast, and makes of the heart a sea-bed, and a tear, the fruit of salt and water, ripens, fed by a summer sorrow, ripens and falls … falls gradually along the cheekbones, wanders over the wastelands listlessly, the loveliest emblem of the heart’s condition. And the days move on and the names of the months change and the four seasons bury one another and the field-mice draw upon their granaries. The air is murky, and the sun is like a raw wound in the grimy flesh of a beggar, and the rags of the clouds are clotted. The sky has been stabbed and has been left to die above the world, filthy, vast and bloody. And then the great winds come and the sky is blown naked, and a wild bird screams across the glittering land. And the Countess stands at the window of her room with the white cats at her feet and stares at the frozen landscape spread below her, and a year later she is standing there again but the cats are abroad in the valleys and a raven sits upon her heavy shoulder. And every day the myriad happenings. A loosened stone falls from a high tower. A fly drops lifeless from a broken pane. A sparrow twitters in a cave of ivy. The days wear out the months and the months wear out the years, and a flux of moments, like an unquiet tide, eats at the black coast of futurity. And Titus Groan is wading through his boyhood.
”
”
Mervyn Peake (The Illustrated Gormenghast Trilogy)
“
A puma is not a bird," said Tobias, after a hundred paces. "It is a kind of cat - felis concolor. You may see it soon: it is moving along with us, on the right."
The word cat brought nothing into Jack's mind but a fleeting image of a shabby, brownish-black little creature called Tib that disgraced the drawing-room at home, and he plodded on in silence. Every hundred yards or so they changed shoulders, and during the third change there was a coughing noise to their right, a series of coughs, huge, deep, throaty coughs, that culminated in a shattering roar, unimaginably loud.
"Not a bird, Jack, you see," said Tobias.
"How big?" cried Jack, vividly alive now, with terror coursing up and down his spine.
"The size of an indifferent lion," said Tobias. "You can see him if you bend and look under the yellow bush. He is tearing up the earth, and biting it."
"Can he climb?"
"Oh, admirably."
"Toby, what shall we do?"
"Why, unless you wish to go and look at him, we had better go on. It is getting late. But do not hurry so, Jack, nor make jerking movements. If he should come out, take no notice of him, or look at him kindly - do not provoke him. He is not a froward puma, I believe.
”
”
Patrick O'Brian
“
Ninja beats pirate. Pirate beats ghost.
Ghost beats zombie. Zombie beats most.
Werewolf beats vampire. Vamp beats Imp.
Imp beats fiend. Fiend beats wimp.
Wizard beats cyrborg. Cyborg surely beats troll.
Troll beats goblin. Goblin eats a hermit’s soul.
Hermit beats child. Child beats wagon.
Wagon beats moon snake. Moon snake beats dragon.
Dragon beats hydra. Hydra beats sailor.
Sailor beats teacher. Teacher beats tailor.
Tailor beats sun worm. Sun worm beats clown.
Clown beats robo-squid. Robo-squid beats town.
Town fights jackals. Town will win.
Town fights mummies. Town won’t fight again.
Zookeeper beats hell hound. Hell hound beats giant.
Giant beats accountant. Accountant beats client.
Client beats frog. Frog beats himself.
Knight beats Big Foot. Big Foot beats elf.
Elf beats pixie. Pixie beats specter.
Specter beats sea hag. Sea hag beats Hector.
Hector beats serpent. Serpent beats rat.
Rat beats Grandma. Grandma beats cat.
Lava beats demon. Demon beats warlock.
Warlock beats dinosaur. Dino beats Spock.
Spock beats Lando. Lando beats Qui-Gon.
Qui-Gon beats Jar-Jar. Jar-Jar beats none.
Rock beats scissors. Scissors beat paper.
Paper beats insect. Insect beats vapor.
Wood Woman beats Tree Man. Tree Man beats the dark.
The dark kills spider-fish. Spider-fish beats shark.
You beat me. I beat a dentist.
The dentist beats the barber. The barber is menaced.
These are the rules, and never forget.
Now hand over your money and place your bet.
”
”
Dan Bergstein
“
Umm, Ren? We have something important we need to discuss. Meet me on the veranda at sundown, okay?”
He froze with his sandwich halfway to his mouth. “A secret rendezvous? On the veranda? At sundown?” He arched an eyebrow at me. “Why, Kelsey, are you trying to seduce me?”
“Hardly,” I dryly muttered.
He laughed. “Well, I’m all yours. But be gentle with me tonight, fair maiden. I’m new at this whole being human business.”
Exasperated, I threw out, “I am not your fair maiden.”
He ignored my comment and went back to devouring his lunch. He also took the other half of my discarded peanut butter sandwich and ate that too, commenting, “Hey! This stuff’s pretty good.”
Finished, I walked over to the kitchen island and began clearing away Ren’s mess. When he was done eating, he stood to help me. We worked well together. It was almost like we knew what the other person was going to do before he or she did it. The kitchen was spotless in no time. Ren took off his apron and threw it into the laundry basket. Then, he came up behind me while I was putting away some glasses and wrapped his arms around my waist, pulling me up against him.
He smelled my hair, kissed my neck, and murmured softly in my ear, “Mmm, definitely peaches and cream, but with a hint of spice. I’ll go be a tiger for a while and take a nap, and then I can save all my hours for you this evening.”
I grimaced He was probably expecting a make-out session, and I was planning to break up with him. He wanted to spend time with a girlfriend, and my intention was to explain to him how we weren’t meant to be together. Not that we were ever officially together. Still, it felt like a break-up.
Why does this have to be so hard?
Ren rocked me and whispered, “’How silver-sweet sound lovers’ tongues by night, Like soft music to attending ears.’”
I turned around in his arms, shocked. “How did you remember that? That’s Romeo and Juliet!”
He shrugged. “I paid attention when you were reading it to me. I liked it.”
He gently kissed my cheek. “See you tonight, iadala,” and left me standing there.
The rest of the afternoon, I couldn’t focus on anything. Nothing held my attention for more than a few minutes. I rehearsed some sentences in front of the mirror, but they all sounded pretty lame to me: “It’s not you, it’s me,” “There are plenty of other fish in the sea,” “I need to find myself,” “Our differences are too big,” “I’m not the one,” “There’s someone else.” Heck, I even tried “I’m allergic to cats.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Contemporary writers use animal-transformation themes to explore issues of gender, sexuality, race, culture, and the process of transformation...just as storytellers have done, all over the world, for many centuries past. One distinct change marks modern retellings, however, reflecting our changed relationship to animals and nature. In a society in which most of us will never encounter true danger in the woods, the big white bear who comes knocking at the door [in fairy tales] is not such a frightening prospective husband now; instead, he's exotic, almost appealing.
Whereas once wilderness was threatening to civilization, now it's been tamed and cultivated; the dangers of the animal world have a nostalgic quality, removed as they are from our daily existence. This removal gives "the wild" a different kind of power; it's something we long for rather than fear. The shape-shifter, the were-creature, the stag-headed god from the heart of the woods--they come from a place we'd almost forgotten: the untracked forests of the past; the primeval forests of the mythic imagination; the forests of our childhood fantasies: untouched, unspoiled, limitless.
Likewise, tales of Animal Brides and Bridegrooms are steeped in an ancient magic and yet powerfully relevant to our lives today. They remind us of the wild within us...and also within our lovers and spouses, the part of them we can never quite know. They represent the Others who live beside us--cat and mouse and coyote and owl--and the Others who live only in the dreams and nightmares of our imaginations. For thousands of years, their tales have emerged from the place where we draw the boundary lines between animals and human beings, the natural world and civilization, women and men, magic and illusion, fiction and the lives we live.
”
”
Terri Windling (The Beastly Bride: Tales of the Animal People)
“
All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle
”
”
Andrew Clements (The Losers Club)
“
Are these black cats like the hare?"
"No. They're smaller; they only want me to play with them. Fly away with them to a place on the other side of the moon. There's a garden there, all silvery-gold, and the cats and hares dance and jump round and round. They can jump so much farther than they can on earth; it's like flying, and they love it so. Sometimes I've felt as if I'd like to dance and jump through the air too, they looked so happy, and I've thought maybe if I did I wouldn't be afraid any more, but when I look they're all dancing round a Figure that sits still in the middle of the garden. A big black Figure with a hood on. And It hasn't got any face. Its face is so awful that It keeps it covered. And then I get so terribly afraid. And everything stops."
"And you see all that in the picture?"
"I don't know." She hesitated again. "I think it's partly dreams. After I've thought they were at the windows - the cats and the big hare. They sit there and watch, you see, after I've gone to sleep. But they don't come often. I don't usually know what's there."
She came closer and whispered, her blue eyes earnest and weird, "I don't think it's an animal hare. I think it's Aunt Sarai's hare, that maybe it came from hell. It isn't swearing to say that word just as the name of a place, is it? That's why people used to be so scared of witches' black cats, isn't it, because they thought they weren't earth-cats, they were from the devil? Mother says there isn't any hell or any witches. But Aunt Sarai was a witch; that's why she can come back. I think they've all been witches here; the house is mad because mother wouldn't be; that's why it wants me now."
Carew said, "It was all dreams, Betty. There is no hell. There is no garden on the other side of the moon. It's a dead world, full of volcanic craters, with no air for anything to grow in or breathe. A hare frightened you and, being nervous, you've had nightmares about it - pictures that fear paints on your mind just as an artist would on canvas, with paints and brushes.
"Every dream is now a movie we make for ourselves in our sleep...
”
”
Evangeline Walton (Witch House)
“
In the beginning was the Word'. I have taken as my text this evening the almighty Word itself. Now get this: 'There was a man sent from God, whose name was John. The same came for a witness, to bear witness of the Light, that all men through him might believe.' Amen, brothers and sisters, Amen. And the riddle of the Word, 'In the beginning was the Word....' Now what do you suppose old John meant by that? That cat was a preacher, and, well, you know how it is with preachers; he had something big on his mind. Oh my, it was big; it was the Truth, and it was heavy, and old John hurried to set it down. And in his hurry he said too much. 'In the beginning was the Word, and the Word was with God, and the Word was God.' It was the Truth, all right, but it was more than the Truth. The Truth was overgrown with fat, and the fat was God. The fat was John's God, and God stood between John and the Truth. Old John, see, he got up one morning and caught sight of the Truth. It must have been like a bolt of lightning, and the sight of it made him blind. And for a moment the vision burned on the back of his eyes, and he knew what it was. In that instant he saw something he had never seen before and would never see again. That was the instant of revelation, inspiration, Truth. And old John, he must have fallen down on his knees. Man, he must have been shaking and laughing and crying and yelling and praying - all at the same time - and he must have been drunk and delirious with the Truth. You see, he had lived all his life waiting for that one moment, and it came, and it took him by surprise, and it was gone. And he said, 'In the beginning was the Word....' And man, right then and there he should have stopped. There was nothing more to say, but he went on. He had said all there was to say, everything, but he went on. 'In the beginning was the Word....' Brothers and sisters, that was the Truth, the whole of it, the essential and eternal Truth, the bone and blood and muscle of the Truth. But he went on, old John, because he was a preacher. The perfect vision faded from his mind, and he went on. The instant passed, and then he had nothing but a memory. He was desperate and confused, and in his confusion he stumbled and went on. 'In the beginning was the Word, and the Word was with God, and the Word was God.' He went on to talk about Jews and Jerusalem, Levites and Pharisees, Moses and Philip and Andrew and Peter. Don't you see? Old John had to go on. That cat had a whole lot at stake. He couldn't let the Truth alone. He couldn't see that he had come to the end of the Truth, and he went on. He tried to make it bigger and better than it was, but instead he only demeaned and encumbered it. He made it soft and big with fat. He was a preacher, and he made a complex sentence of the Truth, two sentences, three, a paragraph. He made a sermon and theology of the Truth. He imposed his idea of God upon the everlasting Truth. 'In the beginning was the Word....' And that is all there was, and it was enough.
”
”
N. Scott Momaday (House Made of Dawn)
“
Then it was horn time. Time for the big solo.
Sonny lifted the trumpet - One! Two! - He got it into sight - Three!
We all stopped dead. I mean we stopped.
That wasn't Sonny's horn. This one was dented-in and beat-up and the tip-end was nicked. It didn't shine, not a bit.
Lux leaned over-you could have fit a coffee cup into his mouth. "Jesus God," he said. "Am I seeing right?"
I looked close and said: "Man, I hope not."
But why kid? We'd seen that trumpet a million times.
It was Spoof's.
Rose-Ann was trembling. Just like me, she remembered how we'd buried the horn with Spoof. And she remembered how quiet it had been in Sonny's room last night...
I started to think real hophead thoughts, like - where did Sonny get hold of a shovel that late? and how could he expect a horn to play that's been under the ground for two years? and -
That blast got into our ears like long knives.
Spoof's own trademark!
Sonny looked caught, like he didn't know what to do at first, like he was hypnotized, scared, almighty scared. But as the sound came out, rolling out, sharp and clean and clear - new-trumpet sound - his expression changed. His eyes changed: they danced a little and opened wide.
Then he closed them, and blew that horn. Lord God of the Fishes, how he blew it! How he loved it and caressed it and pushed it up, higher and higher and higher. High C? Bottom of the barrel. He took off, and he walked all over the rules and stamped them flat.
The melody got lost, first off. Everything got lost, then, while that horn flew. It wasn't only jazz; it was the heart of jazz, and the insides, pulled out with the roots and held up for everybody to see; it was blues that told the story of all the lonely cats and all the ugly whores who ever lived, blues that spoke up for the loser lamping sunshine out of iron-gray bars and every hop head hooked and gone, for the bindlestiffs and the city slicers, for the country boys in Georgia shacks and the High Yellow hipsters in Chicago slums and the bootblacks on the corners and the fruits in New Orleans, a blues that spoke for all the lonely, sad and anxious downers who could never speak themselves...
And then, when it had said all this, it stopped and there was a quiet so quiet that Sonny could have shouted:
'It's okay, Spoof. It's all right now. You get it said, all of it - I'll help you. God, Spoof, you showed me how, you planned it - I'll do my best!'
And he laid back his head and fastened the horn and pulled in air and blew some more. Not sad, now, not blues - but not anything else you could call by a name. Except... jazz. It was Jazz.
Hate blew out of that horn, then. Hate and fury and mad and fight, like screams and snarls, like little razors shooting at you, millions of them, cutting, cutting deep...
And Sonny only stopping to wipe his lip and whisper in the silent room full of people: 'You're saying it, Spoof! You are!'
God Almighty Himself must have heard that trumpet, then; slapping and hitting and hurting with notes that don't exist and never existed. Man! Life took a real beating! Life got groined and sliced and belly-punched and the horn, it didn't stop until everything had all spilled out, every bit of the hate and mad that's built up in a man's heart. ("Black Country")
”
”
Charles Beaumont (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)