Big Bum Quotes

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Karl Marx got a bum rap. All he was trying to do was figure out how to take care of a whole lot of people. Of course, socialism is just “evil” now. It’s completely discredited, supposedly, by the collapse of the Soviet Union. I can’t help noticing that my grandchildren are heavily in hock to communist China now, which is evidently a whole lot better at business than we are. You talk about the collapse of communism or the Soviet Union. My goodness, this country collapsed in 1929. I mean it crashed, big time, and capitalism looked like a very poor idea.
Kurt Vonnegut Jr.
Iggy nodded. “I’m bummed we couldn’t use Big Boy,” he said. “But I don’t want to waste it. We have to actually see them first. I mean, you do.” “Maybe tomorrow,” the Gasman said encouragingly. “We’ll go see what havoc we’ve wreaked.” “Wrought.
James Patterson (The Angel Experiment (Maximum Ride, #1))
Oh my God, sociability is just a big smile and a big smile is nothing but teeth, I wish I could just stay up here and rest and be kind." But somebody brought up some wine and that started me off.
Jack Kerouac (The Dharma Bums)
Newsflash she already has body image issues.  It's an intrinsic part of being a woman. Every woman in the world has some part of herself that she absolutely hates.  Her hands are too small, her feet are too big, her hair is too straight, too curly, her ears stick out, her bums too flat, her nose is too big and, you know, nothing you can say will change how we feel.  What men don't understand is, the right clothes, the right shoes, the right makeup it just... It, it hides the flaws we think we have.  They make us look beautiful to ourselves.  That's what makes us look beautiful to others. Used to be all she needed to feel beautiful was a pink tutu and a plastic tiara. And we spend our whole lives trying to feel that way again.
Richard Castle
And I sort of felt her...you know." Alan made an exaggerated shape of a heart. "You touched her heart?" Mike queried. "No! Her bum. It's sort of, you know, heart shaped. Big heart." He flexed his fingers, remembering the feel of it. "Soft.
Angela Verdenius (The Virgin Sex Queen)
Rubens! All bosom and bum, big cumulus clouds of pink flesh, eh? You can feel the heart beating like a kettledrum in a ton of that stuff. Every woman a bed; throw yourself on them, sink from sight.
Ray Bradbury (Driving Blind)
Gingee, Gingee, it's meeeeeeeeeeee!!!' I could hear her panting up the stairs to my room. She kicked open my bedroom door and ran from the door and leapt onto the bed, covering me with kisses. 'I LOBE you, my big big sister.' I couldn't get her off me. 'Libby, just let me...' 'Kissy kissy kiss, snoggy snog.' 'That's enough, now let me...' 'Mmmmmm, groovy baby.' What is she talking about? She is supposed to be in kindergarten to learn how to grow up, not turn into an even madder person. Then she stood up on the bed and starting thrusting her hips out and singing her favorite: 'Sex bum sex bum I am a sex bum.' Quite spectacularly mad.
Louise Rennison (Then He Ate My Boy Entrancers (Confessions of Georgia Nicolson, #6))
Oh my God, sociability is just a big smile and a big smile is nothing but teeth, I wish I could just stay up here and rest and be kind." ― Jack Kerouac, The Dharma Bums
Jack Kerouac (The Dharma Bums)
Street people use cardboard all the time, and bum alleys are just shanties or lean-tos, though. They’re nothing like my house! Mine is deluxe! It’s a big, thick, super sturdy refrigerator box that I found at an appliance store!
Wendelin Van Draanen (Runaway)
Oh my God, sociability is just a big smile and a big smile is nothing but teeth, I wish I could just stay up here and rest and be kind.
Jack Kerouac (The Dharma Bums: (Penguin Classics Deluxe Edition))
I also see courage in myself when I'm willing to risk being vulnerable and disappointed. For many years, if I really wanted something to happen-an invitation to speak at a special conference, a promotion, a radio interview-I pretended that it didn't matter that much. If a friend or colleague would ask, "Are you excited about that television interview?" I'd shrug it off and say, "I'm not sure. It's not that big of a deal." Of course, in reality, I was praying that it would happen. It's only in the last few years that I've learned that playing down the exciting stuff doesn't' take the pain away when it doesn't happen. It also creates a lot of isolation. Once you've diminished the importance of something, your friends are not likely to call and say, "I'm sorry that didn't work out. I know you were excited about it." Now when someone asks me about the potential opportunity that I'm excited about, I'm more likely to practice courage and say, "I'm so excited about the possibility. I'm trying to stay realistic, but I really hope it happens." When things haven't panned out, it's been comforting to be able to call a supportive friend and say, "Remember that event I told you about? It's not going to happen, and I'm so bummed.
Brené Brown (The Gifts of Imperfection)
Is six a.m. too early to watch The Bachelor and mock all the giggly, desperate women?" "Go for it. Though I bet it'd work better as a drinking game," Laurel said. "One shot for the flirty arm touch. Chug if they strip and bum-rush the pool." Anne hit play. "Like they'd get their hair wet." Laurel stared at the screen, laughed at Anne's comments but felt another weird pang upset her insides. "Would you say this show makes something incredibly complex--you know, relationships--into something mind-numbingly vapid? Or does it make something actually rather simple into a big fucking circus?" "Both. That's why I love it." "I couldn't stand competing for a man like that," Laurel murmured. "I don't have the right...programming for it. Like to fight like that. Some people get an adrenaline rush and they're like foosh, give me somebody to beat down. I just, like curl up into a ball and want to hide." "I'm somewhere in the middle," Anne said. "I'm like a ninja. I'll like, come out of my shadowy hiding space and beat you down, bitches. You won't even see me.
Cara McKenna (Willing Victim (Flynn and Laurel, #1))
you always go for the ones who don’t really want you—she really wanted Adam Moorad, she had just been rejected coldly and subterraneanly by Julien—she was interested in thin ascetic strange intellectuals of San Francisco and Berkeley and not in big paranoiac bums of ships and railroads and novels and all that hatefulness which in myself is to myself so evident and so to others too—though and because ten years younger than I seeing none of my virtues which anyway had long been drowned under years of drugtaking and desiring to die, to give up, to give it all up and forget it all, to die in the dark star—it was I stuck out my hand, not she—ah time.
Jack Kerouac (The Subterraneans)
Every telecomm company is as big a corporate welfare bum as you could ask for. Try to imagine what it would cost at market rates to go around to every house in every town in every country and pay for the right to block traffic and dig up roads and erect poles and string wires and pierce every home with cabling. The regulatory fiat that allows these companies to get their networks up and running is worth hundreds of billions, if not trillions, of dollars. If phone companies want to operate in the “free market,” then let them: the FCC could give them 60 days to get all their rotten copper out of our dirt, or we’ll buy it from them at the going scrappage rates. Then, let’s hold an auction for the right to be the next big telecomm company, on one condition: in exchange for using the public’s rights-of-way, you have to agree to connect us to the people we want to talk to, and vice-versa, as quickly and efficiently as you can.
Cory Doctorow (Context: Further Selected Essays on Productivity, Creativity, Parenting, and Politics in the 21st Century)
Japhy and I were kind of outlandish-looking on the campus in our old clothes in fact Japhy was considered an eccentric around the campus, which is the usual thing for campuses and college people to think whenever a real man appears on the scene ― colleges being nothing but grooming schools for the middle-class non-identity which usually finds its perfect expression on the outskirts of the campus in rows of well-to-do houses with lawns and television sets in each living room with everybody looking at the same thing at the same time while the Japhies of the world go prowling in the wilderness to hear the voice crying in the dark mysterious secret of the origin of faceless wonderless crapulous civilization. 'All these people,' said Japhy, 'they all got white-tiled toilets and take big dirty craps like bears in the mountains, but it's all washed away to convenient supervised sewers and nobody thinks of crap any more or realizes their origin is shit and civet and scum of the sea. They spend all day washing their hands with creamy soaps they secretly wanta eat in the bathroom.' He had a million ideas, he had 'em all.
Jack Kerouac (The Dharma Bums)
There was nowhere to go but everywhere, so just keep on rolling under the stars...
Jack Kerouac (Jack Kerouac (16 books): On the Road, Big Sur, The Dharma Bums...)
Boys don't go for fat girls. They talk about wanting 'real women', but what they mean is big tits. Not thighs, not bellies, not fat bums. They want skin and bone.
Claire Hennessy (Nothing Tastes as Good)
Big parties were sacred things in the valley, gatherings, times for exchanging ideas and getting closer to God.
Jonathan Grant (Snow Valley: Last of the Ski Bums)
Some day I'll probably marry a horny-handed son of a toil, and if I do it'll be the horny hands that will win me. If you want to know, I like 'em with their scars on them. There's something about a man who has fought for it - I don't know what it is - a look in his eye - the feel of his hand. He needn't have been successful - thought he probably would be. I don't know. I'm not very good at this analysis stuff. I know he - well, you haven't a mark on you. Not a mark. You quit being an architect, or whatever it was, because architecture was an uphill disheartening job at the time. I don't say that you should have kept on. For all I know you were a bum architect. But if you had kept on - if you had loved it enough to keep on - fighting, and struggling, and sitcking it out - why, that fight would show in your face to-day - in your eyes and your jaw and your hands and in your way of standing and walking and sitting and talking. Listen. I'm not critcizing you. But you're all smooth. I like 'em bumpy.
Edna Ferber (So Big)
All these people,” said Japhy, “they all got white-tiled toilets and take big dirty craps like bears in the mountains, but it’s all washed away to convenient supervised sewers and nobody thinks of crap any more or realizes that their origin is shit and civet and scum of the sea. They spend all day washing their hands with creamy soaps they secretly wanta eat in the bathroom.” He had a million ideas, he had ’em all.
Jack Kerouac (The Dharma Bums: (Penguin Classics Deluxe Edition))
Travis McGee, that big brown loose-jointed boat bum, that pale-eyed, wire-haired girl-seeker, that slayer of small savage fish, that beach-walker, gin-drinker, quip-maker, peace-seeker, iconoclast, disbeliever, argufier, that knuckly, scar-tissued reject from a structured society.
John D. MacDonald (The Deep Blue Good-By (Travis McGee #1))
How can trade be bad if you don’t make money even when it’s good?” inquired Gleed, reasonably applying the information Harrison had given him. Jeff’s big moon eyes went over him slowly then turned to Harrison. “So he’s another bum off your boat, eh? What’s he talking about?” “Money,” explained Harrison. “It’s stuff we use to simplify trade. It’s printed stuff, like documentary obs of various sizes.” “That tells me a lot,” Jeff Baines observed. “It tells a crowd that has to make a printed record of every ob is not to be trusted — because they don’t even trust each other.
Eric Frank Russell (The Great Explosion)
The definition of beauty is badly stuck in a triangular cage. 1. Puffy lips look like a bad version of duck lips. 2. big breasts like watermelon and 3. heavy bum like an elephant. The gentle expression of praising the beauty is also vanished, Now everything is sexy. It means influencing sex desire only, nothing more, just one feeling nothing more.
Mohammed Zaki Ansari ("Zaki's Gift Of Love")
I realized that I have gone through my experiences for a reason. My experiences have made me who I am. I used to try to hide who I was. Now I realize that can be used to help others, Carhamel D. Chesecake
Carhamel D. Chesecake (Things Never To Call Your Wife: Porky, Meatloaf, Big Bum)
Geographically, Jess's backside was a mountain range. The sun rose over it -eventually. Huge birds of prey nested on its craggy heights and hunted in its shadows. It wouldn't have been so bad if Jess's bum had been balanced by a nice big bosom. Jennifer Lopez, Britney Spears, and Serena Williams were designed with this pleasing sense of balance. But geographically, Jess's boobs could not balance her bum at all. Her chest was the kind of featureless plain upon which airports are constructed.
Sue Limb (Girl, 15, Charming but Insane (Jess Jordan, #1))
It was twenty-five minutes past nine when he got to the corner of Seventh and Spring, where the Metropole was. It was an old hotel that had once been exclusive and was now steering a shaky course between a receivership and a bad name at Headquarters. It had too much oily dark wood paneling, too many chipped gilt mirrors. Too much smoke hung below its low beamed lobby ceiling and too many grifters bummed around in its worn leather rockers. The blonde who looked after the big horseshoe cigar counter wasn’t young any more and her eyes were cynical from standing off cheap dates. (Nevada Gas)
Raymond Chandler (The Simple Art of Murder)
Life at the Chelsea was an open market, everyone with something of himself to sell. (..) the lobby hung with bad art. Big invasive stuff unloaded on Stanley Bard in exchange for rent. The hotel is an energetic, desperate haven for scores of gifted hustling children from every rung of the ladder. Guitar bums and stoned-out beauties in Victorian dresses. Junkie poets, playwrights, broke down filmmakers, and French actors. Everybody passing through here is somebody, if nobody in the outside world (…) The Chelsea was like a doll’s house in the Twilight Zone, with a hundred rooms, each a small universe.
Patti Smith (Just Kids)
You both need to understand the black woman, black man, black trans person is always last to be thought of as attractive in this white supremacist society. We are all—black and white alike —shown a beauty standard of light skin and ‘good hair,’ maybe big lips, maybe a big bum, but hardly ever on someone with darker skin. When a black person says they’re only into white people, that’s internalized racism. When a white person says they’re only into black people, that’s fetishization, which is also a form of racism. If their skin or racialized features matter more to you than the person within, that’s racism.
Dean Atta (The Black Flamingo)
Life at the Chelsea was an open market, everyone with something of himself to sell.” (p.107) (..)the lobby hung with bad art. Big invasive stuff unloaded on Stanley Bard [gerente do hotel] in exchange for rent. The hotel is an energetic, desperate haven for scores of gifted hustling children from every rung of the ladder. Guitar bums and stoned-out beauties in Victorian dresses. Junkie poets, playwrights, broke down filmmakers, and French actors. Everybody passing through here is somebody, if nobody in the outside world.” (p.91). (…) The Chelsea was like a doll’s house in the Twilight Zone, with a hundred rooms, each a small universe.
Patti Smith (Just Kids)
Success to me is: I think I would say to be happy, to be content, to have peace, to feel accepted, and to feel as if I am loved, and belong. I would also like to add - to have work, accomplishments, and activities that bring joy and purpose. Ten years from now I might give a different answer. It really does not matter what I have, if I am not happy.
Carhamel D. Chesecake (Things Never To Call Your Wife: Porky, Meatloaf, Big Bum)
Okay, it was agreed, Stan was coming with me. He was a rangy, bashful, shock-haired Denver boy with a big con-man smile . and slow, easy-going Gary Cooper movements. “Hot damn!” he said and stuck his thumbs on his belt and ambled down the street, swaying from side to side but slowly. His grandfather was having it out with him. He had been opposed to France and now he was opposed to the idea of going to Mexico. Stan was wandering around Denver like a bum because of his fight with his grandfather. That night after we’d done all our drinking and restrained Henry from getting his nose opened up in the Hot Shoppe on Colfax, Stan scraggled off to sleep in Henry’s hotel room on Glenarm. “I can’t even come home late—my grandfather starts fighting with me, then he turns on my mother. I tell you, Sal, I got to get out of Denver quick or I’ll go crazy.
Jack Kerouac (On the Road)
The first time Christina and Lachlan Meet ...Christina wasn't about to stop fighting—not until she took her last breath. Boring down with her heels, she thrashed. "Get off me, ye brute." She would hold her son in her arms this day if it was the last thing she did. And by the shift of the crushing weight on her chest, she only had moments before her life's breath completely whooshed from her lungs. The very thought of dying whilst her son was still held captive infused her with strength. With a jab, she slammed the heel of her hand across the man's chin. He flew from her body like a sack of grain. Praises be, had the Lord granted her with superhuman strength? Blinking, Christina sat up. No, no. Her strike hadn't rescued her from the pillager. A champion had. A behemoth of a man pummeled the pikeman's face with his fists. "Never. Ever." His fists moved so fast they blurred. "Harm. A. Woman!" Bloodied and battered, the varlet dropped to the dirt. A swordsman attacked her savior from behind. "Watch out," she cried, but before the words left her lips the warrior spun to his feet. Flinging his arm backward, he grabbed his assailant's wrist, stopped the sword midair and flipped the cur onto his back. Onward, he fought a rush of English attackers with his bare hands, without armor. Not even William Wallace himself had been so talented. This warrior moved like a cat, anticipating his opponent's moves before they happened. Five enemy soldiers lay on their backs. "Quickly," the man shouted, running toward her, his feet bare. No sooner had she rolled to her knees than his powerful arms clamped around her. The wind whipped beneath her feet. He planted her bum in the saddle. "Behind!" Christina screamed, every muscle in her body clenching taut. Throwing back an elbow, the man smacked an enemy soldier in the face resulting in a sickening crack. She picked up her reins and dug in her heels. "Whoa!" The big man latched onto the skirt of her saddle and hopped behind her, making her pony's rear end dip. But the frightened galloway didn't need coaxing. He galloped away from the fight like a deer running from a fox. Christina peered around her shoulder at the mass of fighting men behind them. "My son!" "Do you see him?" the man asked in the strangest accent she'd ever heard. She tried to turn back, but the man's steely chest stopped her. "They took him." "Who?" "The English, of course." The more they talked, the further from the border the galloway took them. "Huh?" the man mumbled behind her like he'd been struck in the head by a hammer. Everyone for miles knew the Scots and the English were to exchange a prisoner that day. The champion's big palm slipped around her waist and held on—it didn't hurt like he was digging in his fingers, but he pressed firm against her. The sensation of such a powerful hand on her body was unnerving. It had been eons since any man had touched her, at least gently. The truth? Aside from the brutish attack moments ago, Christina's life had been nothing but chaste. White foam leached from the pony's neck and he took in thunderous snorts. He wouldn't be able to keep this pace much longer. Christina steered him through a copse of trees and up the crag where just that morning she'd stood with King Robert and Sir Boyd before they'd led the Scottish battalion into the valley. There, she could gain a good vantage point and try to determine where the backstabbing English were heading with Andrew this time. At the crest of the outcropping, she pulled the horse to a halt. "The pony cannot keep going at this pace." The man's eyebrows slanted inward and he gave her a quizzical stare. Good Lord, his tempest-blue eyes pierced straight through her soul. "Are you speaking English?
Amy Jarecki (The Time Traveler's Christmas (Guardian of Scotland, #3))
You’re absolutely gorgeous! Hideously gorgeous! I hate to break it to you, Mick, but gorgeous men aren’t afraid of asking clever women out on dates. Quite the opposite.” “Did you work that out in your giant alien brain?” he says. Completely deadpan. See—not only is he gorgeous, he’s also funny enough to make me laugh in the middle of indignation. “No, but—” “Were there lots of equations involved? If X has a tight bum and Y has big knockers, do they intersect in column Z?” “I’ll intersect your column, in a minute.
Charlotte Stein (Waiting in Vain)
Keisha, my love,” I said in my fey-est, gayest drawl, “your bum doesn’t just look big, it is big. No, I take that back. It’s enormous. Planets feel inferior beside it . Lesser bums are drawn into orbit around it. Last time it went dark, everyone said, Oh, is it an eclipse? And I told them, ‘No, it’s Keisha’s bum blotting out the sun.’ I could compose odes to the size of your bum." Jude answering Keisha's question "Does my bum look big in this?" Merrow, JL (2013-04-09). Slam! (Kindle Locations 35-38).
J.L. Merrow
Ho deciso che, fosse l'ultima cosa che faccio, ce la metterò tutta per creare un mondo in cui si può star tranquille ad avere il sedere grosso.
Arabella Weir (Does My Bum Look Big in This?)
Light bulbs up the ass, no big deal!" you say. "On a good night I can fit a Butterball and two sweet potatoes up my bum!" Aye--But here's the rub: How did these bulbs come to shine so brightly? They weren't plugged into an electrical socket... An hour before her performance, Ida lay spread-eagle on the ground, and she had a helping hand (and how) slowly, carefully, millimeter by millimeter--INSERT A BATTERY PACK INTO HER UPPER INTESTINE.
James St. James (Party Monster: A Fabulous But True Tale of Murder in Clubland)
never use a halogen light bulb, as it could start a fire.
Jonny Staples (The Stick Man with a Big Bum)
What age is she now, twenty something. I’m not sure. She is very bright, quite the bluestocking. Not beautiful, however, I admitted that to myself long ago. I cannot pretend this is not a disappointment, for I had hoped that she would be another Anna. She is too tall and stark, her rusty hair is coarse and untameable and stand out around her freckled face in an unbecoming manner, and when she smiles she shows her upper gums, glistening and whitely pink. With those spindly legs and big bum, that hair, the long neck especially … Yet she is brave and makes the best of herself and of the world. She has the rueful, grimly humorous, clomping way to her that is common to so many ungainly girls. … Dear Claire, my sweet girl.
John Banville (The Sea)
That’s the problem, two of us with issues, insecurities and baggage.’ He put on a high-pitched whiny voice. ‘Does my hair look OK, did I wear the right shoes, does my breath smell, does my bum look big?’ ‘Not all girls have those issues.’ ‘I wasn’t talking about her, I was talking about me
Holly Martin (Snowflakes on Silver Cove (White Cliff Bay, #2))
Here’s how you parlay—in a nutshell. You try to pique the interest of someone else by inspiring the basest of human desires: jealousy that the other person is going to miss out on lightning. I’ve got this BIG EXCITING THING going on, and this person and this person are interested, and boy wouldn’t you be bummed if you didn’t snatch this/me/it/whatever right up? What I failed to realize at the time was this: It’s not about the connections. It’s only about the work. Only. If you don’t have work that stands up on its own, you are toast.
Mandy Stadtmiller (Unwifeable)
The “Johnson family” became so numerous that a “convention” must be held. In any well-ordered convention all persons of suspicious or doubtful intentions are thrown out at the start. When a bums’ “convention” is to be held, the jungle is first cleared of all outsiders such as “gay cats,” “dingbats,” “whangs,” “bindle stiffs,” “jungle buzzards,” and “scissors bills.” Conventions are not so popular in these droughty days. Formerly kegs of beer were rolled into the jungle and the “punks,” young bums, were sent for “mickies,” bottles of alcohol. “Mulligans” of chicken or beef were put to cooking on big fires. There was a general boiling up of clothes and there was shaving and sometimes haircutting.
Jack Black (You Can't Win (Tramp Lit Series Book 1))
bummed
Bob Goff (Dream Big: Know What You Want, Why You Want It, and What You’re Going to Do About It)
cornflakes
Jonny Staples (The Stick Man with a Big Bum and the Viking Adventure)
The lowest of the low-bottom groups in Jefferson and Orleans parishes was the Work the Steps or Die, Motherfucker meeting, a collection of outlaw bikers, prostitutes, street bums, wet-brains, and violent offenders known in Angola as “big stripes.” After
James Lee Burke (Creole Belle (Dave Robicheaux, #19))
Number 1 Share Your Artwork
Eric Trum (The Stick Man with a Big Bum Has Fun at Home)
got up and ambled through. He got my
Eric Trum (The Stick Man With a Big Bum and the MASSIVE Surprise)
Historically, the Germans had a habit of associating the names of objects with the sounds they made. After bell makers-turned-cannon-makers learned that by closing off the mouth of the cannon before lighting the fuse, the entire cannon could be made to explode, the device they invented became known as the 'bum' (for boom!). In keeping with this tradition, the first one-thousand-pound bomb was dubbed 'ein laussen bum' (meaning, "a loud boom"). After the first atomic bomb was dropped on Hiroshima, they called the fission device 'ein grossen laussen bum' (or, "a big loud boom"). The next obvious step was the fusion, or H-bomb, which was pronounced 'ein grossen laussen bum all ist kaput!
Charles Pellegrino (Dust)
For Kerouac, the embodiment of American Zen was Gary Snyder, the Pulitzer Prize-winning Buddhist poet and essayist, who he fictionalized as Japhy Ryder in The Dharma Bums. Snyder was a practicing Buddhist and a translator of classic Chinese texts before Kerouac met him. He was the Zen guru of the Beats at the same time that Alan Watts popularized Buddhism for middle-class Americans in best-selling books and magazine articles of the late 1950s. Snyder had studied with Watts for a while but thought him 'square.' 'He was cool in relation to the people around him,' Snyder once said, referring to 'middle class, needy' Americans, but he was 'never actually cool.' Then Snyder added with a wink, '[and] you know what I mean, as the Big Bopper says,' invoking the rock-and-roll classic 'Chantilly Lace' for those hip and in-the-know.
Joel Dinerstein (The Origins of Cool in Postwar America)
I’ve had one rather insistent fantasy over the course of this beautiful Maine afternoon,” he said, hearing the rough edge come back into his voice, his hunger for her making his mouth go as dry as Cameroo in April. Her lips curved upward, and that gleaming light flickered to life in her eyes. “Does it involve pillaging?” “Aye,” he said, a bit of the pirate back in his voice. Het let the blanket slide from his fingers, then put his palms on her hips, wrapping his fingers around her so the tips pressed gently into the firm curve at the top end of her bum. His thumbs rubbed over her hip bones, pressing against the tight wrap of her dress. He felt a little shudder go through her and had to dig deep for what little restraint he had left. He kept his gaze tipped up and on hers. “I stood by the rail as you steered this big beast through that maze of bobbing boats in the harbor and imagined what it would be like if I walked over to stand behind you, to wrap my hands around your hips.” He did sink his fingertips into her softness a bit then, and was rewarded with a little gasp from her. Her parted lips called to him like a siren, but he remained where he was. “I wanted to slide them up, cup your breasts, find out if they’d fit as perfectly in my hands as I’ve imagined.” His actions mirrored his words, and he felt her intake of breath as he slid his palms up, over her rib cage. She didn’t stop him, and his gaze shifted to his hands as he slowly circled her breasts, all pushed up and bound tightly within her dress…and, indeed, perfectly shaped for his hands. Her body twitched under his hands as he rain his palms up and over her nipples, and she let out a little moan. He could feel them grow harder, pushing at the silky, gathered fabric, pushing against his hands. “I wanted to slide my fingertips under the top edge, here,” he said, curling his fingers until they slid under the inside edge of her bodice, “and tug it down, slowly, so the soft, silky fabric would rub over your nipples, making them stand up, full and pink and hard, just for me.” She took a swift intake of breath as he began to do what he’d described. He kept his attention focused solely on what he was doing, wondering why in the hell he thought torturing himself further was a good idea. By the time he got rid of her clothes, he might not be able to get his own off, or ever father children, but then he glanced up, saw her eyes were lit like the fire of glittering emeralds, but decided he’d gnaw his clothes off if necessary.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Snow is a changing, fragile substance, which accumulates in layers: a deep puffy storm, followed by an inch of rain. Wind crust followed by cold light flakes. Avalanches are a combination of three factors: a sliding surface, a slope steep enough to slide, and a trigger. Here in Utah—and in other high, dry parts of the Rockies—more often than not, there’s a deep unbonded layer in that snowpack that could always slide, given a trigger. It seems to happen the same way almost every season. The first thin snowfall covers the mountains in a crystalized layer of sugar and anticipation. Then it stops, like climatic clockwork, for a few weeks. That layer of unbonded snow is exposed to the air, which sucks out moisture, creating slippery, faceted snow crystals called depth hoar. It forms a perfect sliding surface. When the snow starts in earnest, that surface, which avalanche forecasters call a persistent weak layer, is at the very bottom, slick and unbonded, ready to slide. That’s one of the constant hazards of skiing, you always know it’s down there. Just how big it could break is a question of what comes in on top of it.
Heather Hansman (Powder Days: Ski Bums, Ski Towns and the Future of Chasing Snow)
The Big Jump had been made. Man had finally reached the stars, and every clerk and shopgirl, every housewife, busisnessman, and bum felt a personal hysteria of pride and achievement. They swayed in dense masses across Times Square feeling big with a sense of history, sensing the opening drumbeats of an epoch in what they saw and heard from the huge news-service screens.
Leigh Brackett (The Big Jump (Vintage Ace SF, G-683))
That hunting by fire was still practiced by the natives on a large scale, and it had been his lot to stumble on six baby elephants, victims of a fire from which only fully grown animals had managed to escape thanks to their size and speed? That whole herds of elephants sometimes escaped from the blazing savanna with bums up to their bellies, and that they suffered for weeks? Many a night he had lain awake in the bush listening to their cries of agony. That the contraband traffic in ivory was still practiced on a large scale by Arab and Asiatic merchants, who drove the tribes to poaching? Thirty thousand elephants a year— was it possible to think for a moment of what that meant, without shame? Did she know that a man like Haas, who was the favorite supplier of the big zc^s, saw half the young elephants he captured die under his eyes? The natives, at least, had an excuse: they needed proteins. For them, elephants were only meat. To stop them, they only had to raise the standard of living in Africa: this was the first step in any serious campaign for the protection of nature. But the whites? The so-called “civilized” people? They had no excuse. They hunted for what they called “trophies,” for the excitement of it, for pleasure, in fact. The flame that attracted him so irresistibly burned him in the end. He was the first to recognize the enemy and to cry tally-ho, and he had gone on the attack with all the passion of a man who feels himself challenged by everything that makes too-noble demands upon human nature, as if humanity began somewhere around. thirty thousand feet above the surface of the earth, thirty thousand feet above Orsini. He was determined to defend his own height, his own scale, his own smallness. "Listen to me,” he said. "All right, you're a priest A missionary. As such, you've always had your nose right in it I mean, you have all the sores, all the ugliness before your eyes all day long. All right. All sorts of open wounds— naked human wretchedness. And then, when you’ve well and truly wiped the bottom of mankind, don’t you long to climb a hill and take a good look at something different, and big, and strong, and free?”“When I feel like taking a good look at something different and big and strong and free,” roared Father Fargue, giving the table a tremendous bang with his fist, “it isn't elephants I turn to, it's God I” The man smiled. He licked his cigarette and stuck it in his mouth. “Well, it isn't a pact with the Devil I'm asking you to sign. It's only a petition to stop people from killing elephants. Thirty thousand of them are killed each year. Thirty thousand, and that's a .small e.stimate. You can’t deny it . . . And remember—'* there was a spark of gaiety in his eyes— “and remember. Father, remember: they haven’t sinned.” He was stabbing me in the back, aiming straight at my faith. Original sin, and the whole thing— you know all that better than I do. You know me. I’m a man of action: give me a good case of galloping syphilis and I'm all right. But theory . . . this is between ourselves. Faith, God— I've got all that in my heart, in my guts, but not in my brain. I’m not one of the brainy ones. So I tried offering him a drink, but he refused.” The Jesuit’s face lit up for a moment, and its wrinkles seemed to disappear in the youthfulness of a smile. Fargue suddenly remembered that he was rather frowned upon in his Order; he had several times been forbidden to publish his scientific papers; it was even whispered that his stay in Africa was not entirely voluntary He had heard tell that Father Tassin, in his writings, represented salvation as a mere biological mutation, and humanity, in the form in which we still know it, as an archaic species doomed to join other vanished species in the obscurity of a prehistoric past. His face clouded over: that smacked of heresy.
Romain Gary
the
Jonny Staples (The Stick Man with a Big Bum)
superglue my big fat bum
Kate Cullen (GAME ON BOYS : Minecraft Superhero (Game on Boys Series Book 4))
he had a big hairy wart on his bum, so big and hard that it felt like he was sitting on a sharp stone every time he sat down (which he did a lot, because pillagers are notoriously lazy creatures).
Splendiferous Steve (Pete the Pirate Pillager 1: An Unofficial Minecraft Series)
The definition of beauty is badly stuck in a triangular cage. 1. Puffy lips look like a bad version of duck lips 2. Extra big artificial breasts like ugly plastic balloons 3. heavy big bum like an elephant The gentle expression of praising the beauty is also vanished, Now everything is sexy. It means influencing sex desire only, nothing more, just one feeling nothing more.
Mohammed Zaki Ansari ("Zaki's Gift Of Love")
First, I was going to put my bean bag in front of the TV and superglue my big fat bum to it from the moment the sun came up until the moment it went down. I was going to play Star Wars, Dragonball Z, Sky landers, watch movies, catch up on all my fav cartoons and TV shows, overdose on Minecraft and eat chocolate and ice-cream straight from the container. Man it was going to be an insanely cool holiday.
Kate Cullen (GAME ON BOYS : Minecraft Superhero (Game on Boys Series Book 4))
I came back from this tour feeling really cleansed,” he offers. “All the things that had been happening between me and Stevie and between John and Chris mellowed into the situations they are now. And it was important that I met a lot of beautiful women who I like a lot because, y’know, with the exception of one intervening summer, for the past ten years I’ve been tied up with just two ladies. Now here I am at 26, re-realizing capabilities about myself and being a little more aggressive socially and having a good time. “And for Stevie, someone like Don Henley is good for her. It’s strange; it’s one thing to accept not being with someone and it’s another to see them with someone else, especially someone like Don, right? A big star in another group. I could see it coming and I really thought it was gonna bum me out, but it was really a good thing just to see her sitting with him. It actually made me happy. I thought there was something to fear but there wasn’t. So the whole break-up has forced me to redefine my whole individuality—musically as well. I’m no longer thinking of Stevie and me as a duo. That thought used to freak me out but now it’s made me come back stronger, to be Lindsay Buckingham.
Sean Egan (Fleetwood Mac on Fleetwood Mac: Interviews and Encounters (Musicians in Their Own Words Book 10))
London returns in damp, fragmented flurries when I should be doing something else. A scrap of song, a pink scarf, and I’m back to curries and pub food, long, wet walks without a map, bouts of bronchitis, a case of the flu, my halfhearted studies, and brooding thoughts and scanning faces in every bar for you. Those months come down to moments or small plots, like the bum on the Tube, enraged that no one spoke, who raved and spat, the whole car thick with dread, only to ask, won’t someone tell a joke? and this mouse of a woman offered, What’s big and red and sits in the corner? A naughty bus. Not funny, I know. But neither’s the story of us.
Chelsea Rathburn
KATHRYN CRAVENS, the first female radio commentator, whose series News Through a Woman’s Eyes ran on CBS for Pontiac from Oct. 19, 1936, until April 8, 1938. Cravens began her career at KMOX, the CBS affiliate in St. Louis. She had been an actress, and now, on radio, she told stories, sang, and did Negro dialect by memory of her mammy in Texas. She had no news background and paid little attention to the tenets of reporting. As she told Radio Guide, the “five w’s” were less important in her stories than the big question, “how does it feel?” … “how does it feel to be the mother of a murdered boy, of one to be executed that night? … how does it feel to survive flood and misery? … to be America’s most notorious shoplifter? … to be mayor of a great city, a congressional lobbyist, a famous playwright, a war-torn cripple, a flophouse bum?” This was her scope.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
The Golem, The Monster was in love with herself; the Goy was in love with her too. She was in love with Club Golan. A perfect storm was approaching and I could almost feel it. I didn't know what was wrong with my beautiful girlfriend as her face gradually began to look like a monster's and she started treating me like garbage. What was controlling her mind? Who was behind her, making her get so sick again so quickly after meeting some new people at the beach bar? Why did Sabrina say that I would die lonely and sad, and why was Martina's perception of me so wrong and unreal? How was their plan on track, I didn't understand while I was running after Martina and I couldn't understand where our happiness had slipped out of our hands again? I was desperately trying to figure out what had happened to my life, my career, and what had happened to my pretty girlfriend, what had happened to my baby? It was almost like my girlfriend's perceptions were all wrong somehow. She had seen me as a useless homeless bum and she had seen the only value or service in Europe and Barcelona which could make a living or money as, 'short shorts and loose legs'. I felt hopeless and I didn't understand what the spell was. How was my 'Stupid Bunny' a Frankenstein? I could feel it on my skin, and I could see it in Martina's eyes, that the criminals' plans were in play and had been working since the moment Adam arrived in Spain, or maybe even before that somehow. Before I even met Martina. Before we even broke all up with Sabrina. Before the Red Moon, the last date and before the provocation the following night. I felt like 10-20 criminals were trying to bully me and trying to woo Martina and outsmart me with her, but I was so worried for her and was so busy trying to save her every day with her on my mind, as if I too was under spells, under possession and couldn't do anything about it to help her or break the illusions keeping her possessed, even when supposedly she was, we were, rid of the bad people. I felt like I was in a screenplay in the set up stages of a drama. I felt like someone had sat down with a piece of paper and a pen, and was drawing plans against my life. I felt like someone had written a screenplay on how to play this out, how to take the club from me and Martina. Someone must have written a list of characters. Casting. I never called Sabrina a bitch. Adam and Martina both called her “bitch.” Martina said “The Bitch” and Adam said “that Crazy Bitch.” ’The Goy’ ’The Bitch’ ’The Gipsy’ ’The Giants’ ’The Golem’ ’The Lawyer’ ’The Big Boss’ ’My Girlfriend’ ’The False Flag’ ’The Big Brother’ ’The Stupid Bunny’ ’The Big Boss Daddy’ ’The Italian Connection’, etc. I was unable to break any illusion, the secret, the code; I was dumbstruck in love with “my girlfriend” (who I thought was my “stupid bunny”), being the ‘false flag’, and maybe it was actually “the bitch” portrayed by Sabrina who was my true love perhaps, putting me to the tests, with Adam and the rest, using Martina and her brother, playing with strings, with her long pretty fingernails, teaching me a lesson for cheating when I thought she was cheating too and making me unhappy when I thought she was unhappy with me. As if I knew, Sabrina had been behind my new girlfriend, Martina playing roles; I had seen all the signs and jokes. I just couldn't comprehend it having a cover over my eyes. I was unsure what should I do what would be real wise? I didn't think Sabrina would be capable of hurting me at all. Why did Martina keep saying, Tomas you are so nice and tall?
Tomas Adam Nyapi
think
Jonny Staples (The Stick Man with a Big Bum)
In his interactions with the men he was training, Stillman didn’t bother to distinguish between the two. “Big or small, champ or bum, I treat ’em all the same—bad,” he once said, in what Budd Schulberg described as his “garbage disposal voice.” “If you treat them like humans, they’ll eat you alive.
John Buntin (L.A. Noir: The Struggle for the Soul of America's Most Seductive City)
(Please feel free to copy this picture and send it to friends.)
Eric Trum (The Stick Man with a Big Bum and the Viking Adventure)
he had a big hairy wart on his bum, so big and hard that it felt like he was sitting on a sharp stone every time he sat down
Splendiferous Steve (Pete the Pirate Pillager 1: An Unofficial Minecraft Series)
Anorexia is a complex disorder with cultural, personality and biological factors all implicated in its ontogenesis, but human beings like to identify a single cause that they can pick out and say ‘if only that hadn’t happened …’. This single cause is usually something fairly random (so that any random family could potentially be affected) and external to the family (so that no blame could be attached to the family). The PE teacher who commented that Tracy was too fat to be any good at games, the boyfriend who said that Jane’s bum was too big for her skinny jeans, the doctor who quipped that his patient could do with losing a little weight. It was always things like that. It reminded me of what Friedrich Nietzsche wrote: ‘To trace something unknown back to something known is alleviating, soothing, gratifying, and gives us moreover a feeling of power. Danger, disquiet, anxiety attend the unknown, and the first instinct is to eliminate these distressing states. First principle: any explanation is better than none’.
Geoffrey Beattie (Why Aren't We Saving the Planet?: A Psychologist's Perspective)
you know what
Eric Trum (The Stick Man With a Big Bum and the MASSIVE Surprise)
Sometimes "just fine" can seem so superficial. Have you ever been really struggling and feeling sick or down, and someone asked "how are you?" and you answered "just fine" because you felt that was the only thing the other person wanted to hear?
Carhamel D. Chesecake (Things Never To Call Your Wife: Porky, Meatloaf, Big Bum)
The only one who really wants to hear you brag about your kids is your mother.
Carhamel D. Chesecake (Things Never To Call Your Wife: Porky, Meatloaf, Big Bum)
I realized that I have gone through my experiences for a reason. My experiences have made me who I am. I used to try to hide who I was. Now I realize that can be used to help others.
Carhamel D. Chesecake (Things Never To Call Your Wife: Porky, Meatloaf, Big Bum)
on
Eric Trum (The Stick Man With a Big Bum and the MASSIVE Surprise)
Today, we’re in times where we acknowledge, boldly, that: A woman with toned muscles is feminine. A woman who is dark-skinned is beautiful. A woman with a strong jawline, or a wide forehead and nose is gorgeous. A woman with a big toned bum is attractive. And noone will silence us in our beauty anymore.
Mitta Xinindlu
Shooting a Quidditch match or another big broomstick scene was slow, painstaking, bum-numbing process.
Tom Felton (Beyond the Wand: The Magic and Mayhem of Growing Up a Wizard)