Biennale Quotes

The ghostly movement of the Parisian tribes. Watch the crowd rushing out in the (cold and rainy) spring night towards the urban deserts of La Villette to attend the inaugural cult of the Biennale and then, when that is ended, flowing back in great waves towards the inauguration of the Book Fair at the Grand Palais, crossing Paris in a tide of two thousand people (always the same ones) who, after having communed in fairground thronging and bookish vanity will meet up again around midnight at the end of a third collective migration, in the small number of Montparnasse restaurants marked with the sign of the tribe. Preceded perhaps by some minister or other, followed as ever by a horde of journalists. You can mark out the trajectory of this fauna culturalis every evening in advance, working from the order of the invitations, as in days gone by you could follow popular gatherings from place to place with certainty.

People come, students and everyone else, to be inspired by the biennale. They expect to see architecture as a kind of seismograph of where we are.

He knew this was bound to happen but he kept himself at a safe distance, though he saw it come in every possible form, in trees felled to make way for new streets or cities, in chemicals that mimicked the human cells to invade the body, in every huff and puff of a CO2-emitting vehicle. What about the evil armies raised in the robotics classes of kindergarteners? What about the fake food with which the children had been fed? What about the devil winning the people’s vote on a ticket of broken promises, empty threats, and outright lies and a mission to send them straight to hell?

And so here it was, one of them bleak futures the Venice Biennale had flirted with in a bid to showcase the painful truths of the age.