Beverly Hillbillies Quotes

It is a sobering thought that Gomer Pyle and the Beverly Hillbillies may be among our chief interstellar emissaries.

The Beverly Hillbillies?" Roger says. "Yeah," I say. "Call it therapy for the sleep-deprived." "Really?" He shakes his head. "A bunch of hicks jumping around acting stupid?" I stiffen. My acquired Yankee accent may sound like his, but I don't appreciate it when people from up north move south for the warm weather and then disrespect southerners. I recite the thesis from my freshman television studies paper. "Listen, Roger, The Beverly Hillbillies is based on a classic archetype: the stranger in a strange land." "Oh yeah?" he says. I lean against the kitchen doorway and hook one pink slipper over the other. "You see, the viewer identifies with the residents of Beverly Hills, who live by the rules of the 'regular' world. But Jed and Granny and Elly May reverse our expectations. We end up empathizing with them because our own cultural norms prove cold-hearted and illogical." "This is so interesting," he says, checking his watch. "Yes, it is, Roger, because we have come to understand that the naïve but kind 'hicks' are wiser than those who consider themselves sophisticated and smart.

Your average hillbilly probably has better manners than most billionaires, and that’s where I come in.

Hauling the dogs up to the Artic at the beginning of every season was hectic to say the least. Most mushers’ trucks are equipped with two story dog boxes that slide nicely into the bed of the truck. They can fit a whole team comfortably in individual cubbies. That might work for 45 lb racing dogs, but dog boxes make no sense for a team of 25 burly malamutes. Not only would it require a five story box, but I’d also have to lift dogs in excess of 100 lbs up over my head to get them in. That’s just unreasonable. So, instead I tethered 11 dogs in the back of the truck, and 11 in the trailer and off we went up the Dalton Highway looking like some insane combination of the Beverly Hillbillies and a clown car with the dogs drooling on each other and their bushy tails waving in the breeze.

The Pickard Family arrived at NBC in 1928, a scene that might have inspired The Beverly Hillbillies more than 30 years later. May Singhi Breen recalled their arrival for Radio Guide. They pulled up at the NBC Fifth Avenue studio in a big touring car overflowing with clothes, bags, and household possessions and “announced calmly that they were the best musicians in their part of the country, and wanted to play on ‘this here radio.’” Everyone was given an audition in those days, and Breen recalled the Pickards’ as “a riot … they were immediately spotted as one of the greatest novelties of all time.

dlaurent The Ballad of Johnny Jihad (Down Desert Storm Way). © c. 2001 During the Gulf War (1990-1991), American Pro-Taliban Jihadist John Philip Walker Lindh was captured while serving with the enemy forces. Here is his tale in song and legend. My nowex at the time did not want me to run to the radio station with this, thought I’d look singularly ridiculii. The following, 'The Ballad of Johnny Jihad' is sung to the tune of 'The Ballad of Jed Clampett' (1962), commonly known as 'The Beverly Hillbillies' song, the theme tune for the TV show series starring Buddy Ebsen. (Lyrics, Paul Henning, vocals Jerry Scoggins, Lester Flatt; master musicians of the art of the ballad and bluegrass ways, Lester Flatt and Earl Scruggs). The Ballad of Johnny Jihad (Sung) Come and listen to the story of Johnny Jihad, Who left home and country to study his Islam, And then one day he was shooting at our troops, So down through the camp did the government swoop. (Voice Over): ‘Al Que-da that is, Af-ghani Tali-ban, Terror-ist . . .’ (Sung) Well, the first thing you know ol’ John from ’Frisco roamed, The lawman said ‘he’s a lad misunderstood very far from home.’ Said, ‘Californee is the place he oughta be,’ So they request his trial be moved to Berkeley . . . (Voice Over): ‘Liberals that is, group-ies, peace-activists . . .’ Announcer: The Johnny Jihad Show! (Intense bluegrass banjo pickin’ music) . . . (Sung) Now its time to say goodbye to John and all his kin, Hope ya don’t think of him as a fightin’ Taliban, You’re all invited back again to this insanity, To get yourself a heapin’ helpin’ of this travesty . . . Johnny Jihad, that’s what they call ’im now Nice guy; don’t get fooled now, y’hear? (Voice Over): ‘Lawyerin’ that is, O.J.ism, media-circus . . .’ (Music) . . . end

Numerous Monroe protégés formed their own groups performing in his style. The most famous were Lester Flatt and Earl Scruggs, respectively the guitarist-lead vocalist and the banjo picker who were core members of the classic Blue Grass Boys lineup of the late 1940s. They left to form the tremendously successful partnership of Flatt and Scruggs & the Foggy Mountain Boys, gaining crossover fame in the 1960s by contributing music to the soundtracks of the Beverly Hillbillies television show and the movie Bonnie and Clyde.