Berry Quotes

We've searched our database for all the quotes and captions related to Berry. Here they are! All 100 of them:

β€œ
The bird, the pin, the song, the berries, the watch, the cracker, the dress that burst into flames. I am the mockingjay. The one that survived despite the Capitol's plans. The symbol of the rebellion.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β€œ
Mistletoe," said Luna dreamily, pointing at a large clump of white berries placed almost over Harry's head. He jumped out from under it. "Good thinking," said Luna seriously. "It's often infested with nargles.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β€œ
It must be very fragile, if a handful of berries can bring it down.
”
”
Suzanne Collins (Catching Fire (The Hunger Games, #2))
β€œ
Don't own so much clutter that you will be relieved to see your house catch fire.
”
”
Wendell Berry (Farming: A Hand Book)
β€œ
Telling a story is like reaching into a granary full of wheat and drawing out a handful. There is always more to tell than can be told.
”
”
Wendell Berry (Jayber Crow)
β€œ
Cakes are healthy too, you just eat a small slice.
”
”
Mary Berry
β€œ
The Peace of Wild Things When despair for the world grows in me and I wake in the night at the least sound in fear of what my life and my children’s lives may be, I go and lie down where the wood drake rests in his beauty on the water, and the great heron feeds. I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free.
”
”
Wendell Berry (The Selected Poems of Wendell Berry)
β€œ
If Peeta and I were both to die, or they thought we were....My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the 74th Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District 12!
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β€œ
People use drugs, legal and illegal, because their lives are intolerably painful or dull. They hate their work and find no rest in their leisure. They are estranged from their families and their neighbors. It should tell us something that in healthy societies drug use is celebrative, convivial, and occasional, whereas among us it is lonely, shameful, and addictive. We need drugs, apparently, because we have lost each other.
”
”
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β€œ
Rats and roaches live by competition under the laws of supply and demand; it is the privilege of human beings to live under the laws of justice and mercy.
”
”
Wendell Berry
β€œ
Nobody can discover the world for somebody else. Only when we discover it for ourselves does it become common ground and a common bond and we cease to be alone.
”
”
Wendell Berry (A Place on Earth)
β€œ
You can best serve civilization by being against what usually passes for it.
”
”
Wendell Berry
β€œ
It may be that when we no longer know what to do, we have come to our real work and when we no longer know which way to go, we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings.
”
”
Wendell Berry
β€œ
Be joyful because it is humanly possible.
”
”
Wendell Berry
β€œ
Healing is impossible in loneliness; it is the opposite of loneliness. Conviviality is healing. To be healed we must come with all the other creatures to the feast of Creation. (pg.99, "The Body and the Earth")
”
”
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β€œ
I don't believe that grief passes away. It has its time and place forever. More time is added to it; it becomes a story within a story. But grief and griever alike endure.
”
”
Wendell Berry (Jayber Crow)
β€œ
It may be that when we no longer know which way to go that we have come to our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings.
”
”
Wendell Berry
β€œ
You mustn’t wish for another life. You mustn’t want to be somebody else. What you must do is this: β€œRejoice evermore. Pray without ceasing. In everything give thanks.” I am not all the way capable of so much, but those are the right instructions.
”
”
Wendell Berry (Hannah Coulter)
β€œ
A corporation, essentially, is a pile of money to which a number of persons have sold their moral allegiance.
”
”
Wendell Berry
β€œ
Do unto those downstream as you would have those upstream do unto you.
”
”
Wendell Berry
β€œ
Whether we and our politicians know it or not, Nature is party to all our deals and decisions, and she has more votes, a longer memory, and a sterner sense of justice than we do.
”
”
Wendell Berry
β€œ
If music stops, and art ceases, and beauty fades, what have we then?
”
”
Julie Berry (Lovely War)
β€œ
Some say the blacker the berry, the sweeter the juice I say the darker the flesh then the deeper the roots
”
”
Tupac Shakur
β€œ
So we grew together, Like to a double cherry, seeming parted, But yet an union in partition, Two lovely berries moulded on one stem.
”
”
William Shakespeare (A Midsummer Night’s Dream)
β€œ
There are, it seems, two muses: the Muse of Inspiration, who gives us inarticulate visions and desires, and the Muse of Realization, who returns again and again to say "It is yet more difficult than you thought." This is the muse of form. It may be then that form serves us best when it works as an obstruction, to baffle us and deflect our intended course. It may be that when we no longer know what to do, we have come to our real work and when we no longer know which way to go, we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings.
”
”
Wendell Berry
β€œ
November comes And November goes, With the last red berries And the first white snows. With night coming early, And dawn coming late, And ice in the bucket And frost by the gate. The fires burn And the kettles sing, And earth sinks to rest Until next spring.
”
”
Elizabeth Coatsworth
β€œ
We have lived by the assumption that what was good for us would be good for the world. ... We have been wrong. We must change our lives, so that it will be possible to live by the contrary assumption that what is good for the world will be good for us. . . We must recover the sense of the majesty of the creation and the ability to be worshipful in its presence. For it is only on the condition of humility and reverence before the world that our species will be able to remain in it.
”
”
Wendell Berry (The Long-Legged House)
β€œ
And the world cannot be discovered by a journey of miles, no matter how long, but only by a spiritual journey, a journey of one inch, very arduous and humbling and joyful, by which we arrive at the ground at our own feet, and learn to be at home.
”
”
Wendell Berry (The Unforeseen Wilderness: Kentucky's Red River Gorge)
β€œ
To crave and to have are as like as a thing and its shadow. For when does a berry break upon the tongue as sweetly as when one longs to taste it, and when is the taste refracted into so many hues and savors of ripeness and earth, and when do our senses know any thing so utterly as when we lack it? And here again is a foreshadowing -- the world will be made whole. For to wish for a hand on one's hair is all but to feel it. So whatever we may lose, very craving gives it back to us again.
”
”
Marilynne Robinson (Housekeeping)
β€œ
Eternity with Artemis?" He heaved a big sigh. Thalia rolled her eyes. "You satyrs. You're all in love with Artemis. Don't you get that she'll never love you back?" "But she's so…into nature," Grover swooned. "You're nuts," said Thalia. "Nuts and berries," Grover said dreamily. "Yeah.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
β€œ
If your library is not "unsafe," it probably isn't doing its job.
”
”
John Berry
β€œ
...And we pray, not for new earth or heaven, but to be quiet in heart, and in eye clear. What we need is here.
”
”
Wendell Berry
β€œ
I dislike the thought that some animal has been made miserable to feed me. If I am going to eat meat, I want it to be from an animal that has lived a pleasant, uncrowded life outdoors, on bountiful pasture, with good water nearby and trees for shade.
”
”
Wendell Berry (What Are People For?)
β€œ
Let them start their dreadful wars, let destruction rain down, and let plague sweep through, but I will still be here, doing my work, holding humankind together with love like this.
”
”
Julie Berry (Lovely War)
β€œ
Peeta opens his mouth for the first bite without hesitation. He swallows, then frowns slightly. "They're very sweet." "Yes they're sugar berries. My mother makes jam from them. Haven't you've ever had them before?" I say, poking the next spoonful in his mouth. "No," he says, almost puzzled. "But they taste familiar. Sugar berries?" "Well, you can't get them in the market much, they only grow wild," I say. Another mouthful goes down. Just one more to go. "They're sweet as syrup," he says, taking the last spoonful. "Syrup." His eyes widen as he realizes the truth. I clamp my hand over his mouth and nose hard, forcing him to swallow instead of spit. He tries to make himself vomit the stuff up, but it's too late, he's already losing consciousness. Even as he fades away, I can see in his eyes what I've done is unforgiveable. I sit back on my heels and look at him with a mixture of sadness and satisfaction. A stray berry stains his chin and I wipe it away. "Who can't lie, Peeta?" I say, even though he can't hear me.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β€œ
You have been given questions to which you cannot be given answers. You will have to live them out - perhaps a little at a time.' And how long is that going to take?' I don't know. As long as you live, perhaps.' That could be a long time.' I will tell you a further mystery,' he said. 'It may take longer.
”
”
Wendell Berry (Jayber Crow)
β€œ
There are no unsacred places; there are only sacred places and desecrated places.
”
”
Wendell Berry (Given)
β€œ
Love is what carries you, for it is always there, even in the dark, or most in the dark, but shining out at times like gold stitches in a piece of embroidery.
”
”
Wendell Berry (Hannah Coulter)
β€œ
The care of the Earth is our most ancient and most worthy, and after all our most pleasing responsibility. To cherish what remains of it and to foster its renewal is our only hope.
”
”
Wendell Berry
β€œ
Better than any argument is to rise at dawn and pick dew-wet red berries in a cup.
”
”
Wendell Berry
β€œ
She was beautiful, in the quiet way that lonely, unnoticed people are beautiful to those who notice them.
”
”
Jedediah Berry
β€œ
So, friends, every day do something that won't compute...Give your approval to all you cannot understand...Ask the questions that have no answers. Put your faith in two inches of humus that will build under the trees every thousand years...Laugh. Be joyful though you have considered all the facts....Practice resurrection.
”
”
Wendell Berry (The Country of Marriage)
β€œ
I could die in peace, I think, if the world was beautiful. To know it's being ruined is hard.
”
”
Wendell Berry (Jayber Crow)
β€œ
I envy the mortals. It's because they're weak and damaged that they can love.
”
”
Julie Berry (Lovely War)
β€œ
The soil is the great connector of lives, the source and destination of all. It is the healer and restorer and resurrector, by which disease passes into health, age into youth, death into life. Without proper care for it we can have no community, because without proper care for it we can have no life.
”
”
Wendell Berry (The Unsettling of America: Culture and Agriculture)
β€œ
I don't believe in miracles, but if the need is great, a girl might make her own miracle.
”
”
Julie Berry (All the Truth That's in Me)
β€œ
Especially among Christians in positions of wealth and power, the idea of reading the Gospels and keeping Jesus' commandments as stated therein has been replaced by a curious process of logic. According to this process, people first declare themselves to be followers of Christ, and then they assume that whatever they say or do merits the adjective "Christian".
”
”
Wendell Berry (Blessed are the Peacemakers: Christ's Teachings of Love, Compassion, and Forgiveness)
β€œ
It is easy for me to imagine that the next great division of the world will be between people who wish to live as creatures and people who wish to live as machines.
”
”
Wendell Berry (Life is a Miracle: An Essay Against Modern Superstition)
β€œ
I take literally the statement in the Gospel of John that God loves the world. I believe that the world was created and approved by love, that it subsists, coheres, and endures by love, and that, insofar as it is redeemable, it can be redeemed only by love. I believe that divine love, incarnate and indwelling in the world, summons the world always toward wholeness, which ultimately is reconciliation and atonement with God.
”
”
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β€œ
The most ordinary mortal bodies are housed by spectacular souls.
”
”
Julie Berry (Lovely War)
β€œ
The complexity of our present trouble suggests as never before that we need to change our present concept of education. Education is not properly an industry, and its proper use is not to serve industries, either by job-training or by industry-subsidized research. It's proper use is to enable citizens to live lives that are economically, politically, socially, and culturally responsible. This cannot be done by gathering or "accessing" what we now call "information" - which is to say facts without context and therefore without priority. A proper education enables young people to put their lives in order, which means knowing what things are more important than other things; it means putting first things first.
”
”
Wendell Berry
β€œ
What I stand for is what I stand on.
”
”
Wendell Berry
β€œ
I’ve blamed her for all of this, for leaving, for ruining me. And maybe that was the seed of it, but from that one little seed grew this tumor of a flowering plant. And I’m the one who nurtures it. I water it. I care for it.I nibble from its poison berries. I let it wrap around my neck, choking the air right out of me. I’ve done that. All by myself. All to myself.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
β€œ
My wish simply is to live my life as fully as I can. In both our work and our leisure, I think, we should be so employed. And in our time this means that we must save ourselves from the products that we are asked to buy in order, ultimately, to replace ourselves.
”
”
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β€œ
Kate smirked. "What?" "Your horse looks pink." "So?" "If you paste some stars on her butt you'll be riding My Little Pony." "Bugger off." I patted the mare's neck. "Don't listen to her, Sugar. You are the cutest horsey ever. The correct name for her color is strawberry roan, by the way." "Strawberry Shortcake, more like it. Does Strawberry Shortcake know you stole her horse? She will be berry, berry angry with you." I looked at her from under half-lowered eyelids. "I can shoot you right here, on this road, and nobody will ever find your body.
”
”
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
β€œ
Yes, when I get big and have my own home, no plush chairs and lace curtains for me. And no rubber plants. I'll have a desk like this in my parlor and white walls and a clean green blotter every Saturday night and a row of shining yellow pencils always sharpened for writing and a golden-brown bowl with a flower or some leaves or berries always in it and books . . . books . . . books. . . .
”
”
Betty Smith
β€œ
How joyful to be together, alone as when we first were joined in our little house by the river long ago, except that now we know each other, as we did not then; and now instead of two stories fumbling to meet, we belong to one story that the two, joining, made. And now we touch each other with the tenderness of mortals, who know themselves
”
”
Wendell Berry (Entries)
β€œ
We walked always in beauty, it seemed to me. We walked and looked about, or stood and looked. Sometimes, less often, we would sit down. We did not often speak. The place spoke for us and was a kind of speech. We spoke to each other in the things we saw.
”
”
Wendell Berry (Jayber Crow)
β€œ
I have always loved a window, especially an open one.
”
”
Wendell Berry (Jayber Crow)
β€œ
There comes . . . a longing never to travel again except on foot.
”
”
Wendell Berry (Remembering)
β€œ
The cloud is free only to go with the wind. The rain is free only in falling.
”
”
Wendell Berry
β€œ
Let us have the candor to acknowledge that what we call "the economy" or "the free market" is less and less distinguishable from warfare.
”
”
Wendell Berry
β€œ
Who cares even if I didn't?!" Conor shouted back. "They're just stupid berries. Woo-hoo, so scary. Oh, please, please, save me from the berries!" The monster looked at him quizzically. How strange, it said. The words you say tell me you are scared of the berries, but your actions seems to suggest otherwise.
”
”
Patrick Ness (A Monster Calls)
β€œ
Always in the big woods when you leave familiar ground and step off alone into a new place there will be, along with the feelings of curiosity and excitement, a little nagging of dread. It is the ancient fear of the Unknown, and it is your first bond with the wilderness you are going into.
”
”
Wendell Berry
β€œ
As I have read the Gospels over the years, the belief has grown in me that Christ did not come to found an organized religion but came instead to found an unorganized one. He seems to have come to carry religion out of the temples into the fields and sheep pastures, onto the roadsides and the banks of the rivers, into the houses of sinners and publicans, into the town and the wilderness, toward the membership of all that is here. Well, you can read and see what you think.
”
”
Wendell Berry (Jayber Crow)
β€œ
I've been down by the stream collecting berries. Would you care for some?" I would, actually, but I don't want to relent too soon. I do walk over and look at them. I've never seen this type before. No, I have. But not in the arena. These aren't Rue's berries, although they resemble them. Nor do they match any I learned about in training. I lean down and scoop up a few, rolling them between my fingers. My father's voice comes back to me. "Not these, Katniss. Never these. They're nightlock. You'll be dead before they reach your stomach." Just then the cannon fires. I whip around, expecting Peeta to collapseto the ground, but he only raises his eyebrows. The hoovercraft appears a hundred metres or so away.What's left of Foxface's emaciated body is lifted into the air.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β€œ
Eating is an agricultural act.
”
”
Wendell Berry (What Are People For?)
β€œ
The first casualty of war is the truth.
”
”
Julie Berry (Lovely War)
β€œ
In a society in which nearly everybody is dominated by somebody else's mind or by a disembodied mind, it becomes increasingly difficult to learn the truth about the activities of governments and corporations, about the quality or value of products, or about the health of one's own place and economy. In such a society, also, our private economies will depend less and less upon the private ownership of real, usable property, and more and more upon property that is institutional and abstract, beyond individual control, such as money, insurance policies, certificates of deposit, stocks, and shares. And as our private economies become more abstract, the mutual, free helps and pleasures of family and community life will be supplanted by a kind of displaced or placeless citizenship and by commerce with impersonal and self-interested suppliers... Thus, although we are not slaves in name, and cannot be carried to market and sold as somebody else's legal chattels, we are free only within narrow limits. For all our talk about liberation and personal autonomy, there are few choices that we are free to make. What would be the point, for example, if a majority of our people decided to be self-employed? The great enemy of freedom is the alignment of political power with wealth. This alignment destroys the commonwealth - that is, the natural wealth of localities and the local economies of household, neighborhood, and community - and so destroys democracy, of which the commonwealth is the foundation and practical means.
”
”
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β€œ
...the care of the earth is our most ancient and most worthy and, after all, our most pleasing responsibility. To cherish what remains of it, and to foster its renewal, is our only legitimate hope.
”
”
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β€œ
Some nights in the midst of this loneliness I swung among the scattered stars at the end of the thin thread of faith alone.
”
”
Wendell Berry (Jayber Crow)
β€œ
A community is the mental and spiritual condition of knowing that the place is shared, and that the people who share the place define and limit the possibilities of each other's lives. It is the knowledge that people have of each other, their concern for each other, their trust in each other, the freedom with which they come and go among themselves.
”
”
Wendell Berry
β€œ
If you don't know where you're from, you'll have a hard time saying where you're going.
”
”
Wendell Berry
β€œ
Kisses by the billions happen every day, even in a lonely world like ours. But this is a kiss for the ages.
”
”
Julie Berry (Lovely War)
β€œ
Love the quick profit, the annual raise, vacation with pay. Want more of everything ready-made. Be afraid to know your neighbors and to die. And you will have a window in your head. Not even your future will be a mystery any more. Your mind will be punched in a card and shut away in a little drawer. When they want you to buy something they will call you. When they want you to die for profit they will let you know. So, friends, every day do something that won’t compute. Love the Lord. Love the world. Work for nothing. Take all that you have and be poor. Love someone who does not deserve it. Denounce the government and embrace the flag. Hope to live in that free republic for which it stands. Give your approval to all you cannot understand. Praise ignorance, for what man has not encountered he has not destroyed. Ask the questions that have no answers. Invest in the millenium. Plant sequoias. Say that your main crop is the forest that you did not plant, that you will not live to harvest. Say that the leaves are harvested when they have rotted into the mold. Call that profit. Prophesy such returns. Put your faith in the two inches of humus that will build under the trees every thousand years. Listen to carrion β€” put your ear close, and hear the faint chattering of the songs that are to come. Expect the end of the world. Laugh. Laughter is immeasurable. Be joyful though you have considered all the facts. So long as women do not go cheap for power, please women more than men. Ask yourself: Will this satisfy a woman satisfied to bear a child? Will this disturb the sleep of a woman near to giving birth? Go with your love to the fields. Lie down in the shade. Rest your head in her lap. Swear allegiance to what is nighest your thoughts. As soon as the generals and the politicos can predict the motions of your mind, lose it. Leave it as a sign to mark the false trail, the way you didn’t go. Be like the fox who makes more tracks than necessary, some in the wrong direction. Practice resurrection.
”
”
Wendell Berry
β€œ
Young lovers see a vision of the world redeemed by love. That is the truest thing they ever see, for without it life is death.
”
”
Wendell Berry (Jayber Crow)
β€œ
People are fed by the food industry, which pays no attention to health, and are treated by the health industry, which pays no attention to food.
”
”
Wendell Berry
β€œ
After a while, though the grief did not go away from us, it grew quiet. What had seemed a storm wailing through the entire darkness seemed to come in at last and lie down.
”
”
Wendell Berry (Jayber Crow)
β€œ
When going back makes sense, you are going ahead.
”
”
Wendell Berry
β€œ
Hubby, At the pool. If I don’t return by nightfall, it’s your marital duty to rescue me. If it goes that late, this means I’ve passed out on a lounge chair in Vegas in summer so my advice is to stock up on aloe vera before you launch the rescue effort. Lexie Walker stared at the note thinking that Alexa Berry… Strike that. Alexa Walker was fucking funny.
”
”
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
β€œ
If you can read and have more imagination than a doorknob, what need do you have for a 'movie version' of a novel?
”
”
Wendell Berry (What Matters?: Economics for a Renewed Commonwealth)
β€œ
Odd as I am sure it will appear to some, I can think of no better form of personal involvement in the cure of the environment than that of gardening. A person who is growing a garden, if he is growing it organically, is improving a piece of the world. He is producing something to eat, which makes him somewhat independent of the grocery business, but he is also enlarging, for himself, the meaning of food and the pleasure of eating.
”
”
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β€œ
You're a brand-new piece of sheet music,' she said slowly, 'for a song which, once played, I'd swear I'd always known.
”
”
Julie Berry (Lovely War)
β€œ
One of the most important resources that a garden makes available for use, is the gardener's own body. A garden gives the body the dignity of working in its own support. It is a way of rejoining the human race.
”
”
Wendell Berry
β€œ
The mercy of the world is you don't know what's going to happen.
”
”
Wendell Berry (Jayber Crow)
β€œ
I felt breathless, like every question was a step up a stairway.
”
”
Terese Marie Mailhot (Heart Berries)
β€œ
He watched as she pressed the berry to her lower lip. He kept looking at her mouth after she'd done it. He knew he should look away, but he couldn't. "Right. Good. If there's no stinging, you'd put it to your tongue." Perry shot to his feet before he finished the words, nearly tripping over himself. He ran a hand over his head, feeling skitty, like he needed to laugh or run or do something. He picked up a stone and tossed it into the creek, trying to get the image of her tasting the berry out of his mind.
”
”
Veronica Rossi (Under the Never Sky (Under the Never Sky, #1))
β€œ
To me, at least in retrospect, the really interesting question is why dullness proves to be such a powerful impediment to attention. Why we recoil from the dull. Maybe it’s because dullness is intrinsically painful; maybe that’s where phrases like β€˜deadly dull’ or β€˜excruciatingly dull’ come from. But there might be more to it. Maybe dullness is associated with psychic pain because something that’s dull or opaque fails to provide enough stimulation to distract people from some other, deeper type of pain that is always there, if only in an ambient, low-level way, and which most of us spend nearly all our time and energy trying to distract ourselves from feeling, or at least from feeling directly or with our full attention. Admittedly, the whole thing’s pretty confusing, and hard to talk about abstractly…but surely something must lie behind not just Muzak in dull or tedious places any more but now also actual TV in waiting rooms, supermarkets’ checkouts, airport gates, SUVs’ backseats. Walkman, iPods, BlackBerries, cell phones that attach to your head. This terror of silence with nothing diverting to do. I can’t think anyone really believes that today’s so-called β€˜information society’ is just about information. Everyone knows it’s about something else, way down.
”
”
David Foster Wallace
β€œ
How to be a Poet (to remind myself) i Make a place to sit down. Sit down. Be quiet. You must depend upon affection, reading, knowledge, skillβ€”more of each than you haveβ€”inspiration work, growing older, patience, for patience joins time to eternity… ii Breathe with unconditional breath the unconditioned air. Shun electric wire. Communicate slowly. Live a three-dimensional life; stay away from screens. Stay away from anything that obscures the place it is in. There are no unsacred places; there are only sacred places and desecrated places. iii Accept what comes from silence. Make the best you can of it. Of the little words that come out of the silence, like prayers prayed back to the one who prays, make a poem that does not disturb the silence from which it came.
”
”
Wendell Berry (Given)
β€œ
The passive American consumer, sitting down to a meal of pre-prepared food, confronts inert, anonymous substances that have been processed, dyed, breaded, sauced, gravied, ground, pulped, strained, blended, prettified, and sanitized beyond resemblance to any part of any creature that ever lived. The products of nature and agriculture have been made, to all appearances, the products of industry. Both eater and eaten are thus in exile from biological reality.
”
”
Wendell Berry
β€œ
I am so often moved by souls whose first concern is not for their own lost years, but for the grief their passing will cause to those they love. It's more common than you might think. The most ordinary mortal bodies are housed by spectacular souls.
”
”
Julie Berry (Lovely War)
β€œ
But even in the much-publicized rebellion of the young against the materialism of the affluent society, the consumer mentality is too often still intact: the standards of behavior are still those of kind and quantity, the security sought is still the security of numbers, and the chief motive is still the consumer's anxiety that he is missing out on what is "in." In this state of total consumerism - which is to say a state of helpless dependence on things and services and ideas and motives that we have forgotten how to provide ourselves - all meaningful contact between ourselves and the earth is broken. We do not understand the earth in terms either of what it offers us or of what it requires of us, and I think it is the rule that people inevitably destroy what they do not understand.
”
”
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β€œ
Women could probably be trained quite easily to see men first as sexual things. If girls never experienced sexual violence; if a girl's only window on male sexuality were a stream of easily available, well-lit, cheap images of boys slightly older than herself, in their late teens, smiling encouragingly and revealing cuddly erect penises the color of roses or mocha, she might well look at, masturbate to, and, as an adult, "need" beauty pornography based on the bodies of men. And if those initiating penises were represented to the girl as pneumatically erectible, swerving neither left nor right, tasting of cinnamon or forest berries, innocent of random hairs, and ever ready; if they were presented alongside their measurements, length, and circumference to the quarter inch; if they seemed to be available to her with no troublesome personality attached; if her sweet pleasure seemed to be the only reason for them to exist--then a real young man would probably approach the young woman's bed with, to say the least, a failing heart.
”
”
Naomi Wolf (The Beauty Myth)
β€œ
Lovers must not, like usurers, live for themselves alone. They must finally turn from their gaze at one another back toward the community. If they had only themselves to consider, lovers would not need to marry, but they must think of others and of other things. They say their vows to the community as much as to one another, and the community gathers around them to hear and to wish them well, on their behalf and its own. It gathers around them because it understands how necessary, how joyful, and how fearful this joining is. These lovers, pledging themselves to one another "until death," are giving themselves away, and they are joined by this as no law or contract could join them. Lovers, then, "die" into their union with one another as a soul "dies" into its union with God. And so here, at the very heart of community life, we find not something to sell as in the public market but this momentous giving. If the community cannot protect this giving, it can protect nothing...
”
”
Wendell Berry (Sex, Economy, Freedom, and Community: Eight Essays)
β€œ
Ol' man Simon, planted a diamond. Grew hisself a garden the likes of none. Sprouts all growin' comin' up glowin' Fruit of jewels all shinin' in the sun. Colors of the rainbow. See the sun and the rain grow sapphires and rubies on ivory vines, Grapes of jade, just ripenin' in the shade, just ready for the squeezin' into green jade wine. Pure gold corn there, Blowin' in the warm air. Ol' crow nibblin' on the amnythyst seeds. In between the diamonds, Ol' man Simon crawls about pullin' out platinum weeds. Pink pearl berries, all you can carry, put 'em in a bushel and haul 'em into town. Up in the tree there's opal nuts and gold pears- Hurry quick, grab a stick and shake some down. Take a silver tater, emerald tomater, fresh plump coral melons. Hangin' in reach. Ol' man Simon, diggin' in his diamonds, stops and rests and dreams about one... real... peach.
”
”
Shel Silverstein (Where the Sidewalk Ends)
β€œ
Why do farmers farm, given their economic adversities on top of the many frustrations and difficulties normal to farming? And always the answer is: "Love. They must do it for love." Farmers farm for the love of farming. They love to watch and nurture the growth of plants. They love to live in the presence of animals. They love to work outdoors. They love the weather, maybe even when it is making them miserable. They love to live where they work and to work where they live. If the scale of their farming is small enough, they like to work in the company of their children and with the help of their children. They love the measure of independence that farm life can still provide. I have an idea that a lot of farmers have gone to a lot of trouble merely to be self-employed to live at least a part of their lives without a boss.
”
”
Wendell Berry (Bringing it to the Table: On Farming and Food)
β€œ
What marriage offers - and what fidelity is meant to protect - is the possibility of moments when what we have chosen and what we desire are the same. Such a convergence obviously cannot be continuous. No relationship can continue very long at its highest emotional pitch. But fidelity prepares us for the return of these moments, which give us the highest joy we can know; that of union, communion, atonement (in the root sense of at-one-ment)... To forsake all others does not mean - because it cannot mean - to ignore or neglect all others, to hide or be hidden from all others, or to desire or love no others. To live in marriage is a responsible way to live in sexuality, as to live in a household is a responsible way to live in the world. One cannot enact or fulfill one's love for womankind or mankind, or even for all the women or men to whom one is attracted. If one is to have the power and delight of one's sexuality, then the generality of instinct must be resolved in a responsible relationship to a particular person. Similarly, one cannot live in the world; that is, one cannot become, in the easy, generalizing sense with which the phrase is commonly used, a "world citizen." There can be no such think as a "global village." No matter how much one may love the world as a whole, one can live fully in it only by living responsibly in some small part of it. Where we live and who we live there with define the terms of our relationship to the world and to humanity. We thus come again to the paradox that one can become whole only by the responsible acceptance of one's partiality. (pg.117-118, "The Body and the Earth")
”
”
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
β€œ
We have lived by the assumption that what was good for us would be good for the world. And this has been based on the even flimsier assumption that we could know with any certainty what was good even for us. We have fulfilled the danger of this by making our personal pride and greed the standard of our behavior toward the world - to the incalculable disadvantage of the world and every living thing in it. And now, perhaps very close to too late, our great error has become clear. It is not only our own creativity - our own capacity for life - that is stifled by our arrogant assumption; the creation itself is stifled. We have been wrong. We must change our lives, so that it will be possible to live by the contrary assumption that what is good for the world will be good for us. And that requires that we make the effort to know the world and to learn what is good for it. We must learn to cooperate in its processes, and to yield to its limits. But even more important, we must learn to acknowledge that the creation is full of mystery; we will never entirely understand it. We must abandon arrogance and stand in awe. We must recover the sense of the majesty of creation, and the ability to be worshipful in its presence. For I do not doubt that it is only on the condition of humility and reverence before the world that our species will be able to remain in it.
”
”
Wendell Berry (The Long-Legged House)
β€œ
If you could do it, I suppose, it would be a good idea to live your life in a straight line - starting, say, in the Dark Wood of Error, and proceeding by logical steps through Hell and Purgatory and into Heaven. Or you could take the King's Highway past the appropriately named dangers, toils, and snares, and finally cross the River of Death and enter the Celestial City. But that is not the way I have done it, so far. I am a pilgrim, but my pilgrimage has been wandering and unmarked. Often what has looked like a straight line to me has been a circling or a doubling back. I have been in the Dark Wood of Error any number of times. I have known something of Hell, Purgatory, and Heaven, but not always in that order. The names of many snares and dangers have been made known to me, but I have seen them only in looking back. Often I have not known where I was going until I was already there. I have had my share of desires and goals, but my life has come to me or I have gone to it mainly by way of mistakes and surprises. Often I have received better than I deserved. Often my fairest hopes have rested on bad mistakes. I am an ignorant pilgrim, crossing a dark valley. And yet for a long time, looking back, I have been unable to shake off the feeling that I have been led - make of that what you will.
”
”
Wendell Berry (Jayber Crow)
β€œ
No settled family or community has ever called its home place an β€œenvironment.” None has ever called its feeling for its home place β€œbiocentric” or β€œanthropocentric.” None has ever thought of its connection to its home place as β€œecological,” deep or shallow. The concepts and insights of the ecologists are of great usefulness in our predicament, and we can hardly escape the need to speak of β€œecology” and β€œecosystems.” But the terms themselves are culturally sterile. They come from the juiceless, abstract intellectuality of the universities which was invented to disconnect, displace, and disembody the mind. The real names of the environment are the names of rivers and river valleys; creeks, ridges, and mountains; towns and cities; lakes, woodlands, lanes roads, creatures, and people. And the real name of our connection to this everywhere different and differently named earth is β€œwork.” We are connected by work even to the places where we don’t work, for all places are connected; it is clear by now that we cannot exempt one place from our ruin of another. The name of our proper connection to the earth is β€œgood work,” for good work involves much giving of honor. It honors the source of its materials; it honors the place where it is done; it honors the art by which it is done; it honors the thing that it makes and the user of the made thing. Good work is always modestly scaled, for it cannot ignore either the nature of individual places or the differences between places, and it always involves a sort of religious humility, for not everything is known. Good work can be defined only in particularity, for it must be defined a little differently for every one of the places and every one of the workers on the earth. The name of our present society’s connection to the earth is β€œbad work” – work that is only generally and crudely defined, that enacts a dependence that is ill understood, that enacts no affection and gives no honor. Every one of us is to some extent guilty of this bad work. This guilt does not mean that we must indulge in a lot of breast-beating and confession; it means only that there is much good work to be done by every one of us and that we must begin to do it.
”
”
Wendell Berry