Satin Sayings Quotes

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Home, Ms. Lane?” His deep voice was gently amused. “I have to call it something,” I said morosely. “They say home is where the heart is. I think mine’s satin-lined and six feet under.
Karen Marie Moning (Bloodfever (Fever, #2))
When I am an old woman I shall wear purple with a red hat which doesn't go, and doesn't suit me. And I shall spend my pension on brandy and summer gloves and satin sandles, and say we've no money for butter. I shall sit down on the pavement when I'm tired And gobble up samples in shops and press alarm bells And run my stick along the public railings And make up for the sobriety of my youth. I shall go out in my slippers in the rain and pick flowers in other people's gardens And learn to spit. You can wear terrible shirts and grow more fat And eat three pounds of sausages at a go Or only bread and pickle for a week And hoard pens and pencils and beer mats and things in boxes. But now we must have clothes that keep us dry And pay our rent and not swear in the street And set a good example for the children.
Jenny Joseph (Warning: When I Am an Old Woman I Shall Wear Purple)
So before we end and then begin We'll drink a toast to how it's been A few more hours to be complete A few more nights on satin sheets A few more times that I can say I've loved these days
Billy Joel (Billy Joel - Turnstiles)
Now, Miss Bentley,” he said with mock seriousness.   “I’ll have you know that yes, you are correct, I will always be the master in a relationship.   I will always be the master when it comes to sex.   I am the man.” Harly was having a hard time trying to maintain her own contrite, meek expression; her quivering lips gave that away.   “Yes, Sir.” “See, when I say strip, you strip.   When I say come here, you come.   When I say kiss me, you kiss me.   When I say you’re walking around in my presence in nothing but silk stockings and a garter belt and a red satin bra, you will do so.” “Not happening.” “Insubordination will not be tolerated.” “I’ll tell my mother.” “I’m not scared of her.” “All right.   I’ll tell your mother.” “Okay, some insubordination will be tolerated.” “I thought so.” “And when I say get the bondage gear-” She guffawed right in his face.
Angela Verdenius (Alex (The Lawson Boys #1))
There’s a stereotype of what we are all meant to find attractive and erotic, but I don’t neatly fall into those categories. Satin lingerie, a heart-shaped tub, flowers and champagne don’t turn me on. You shouldn’t be scrubbed clean before you have sex. I hate boys who are frightened of pee and shit and menstrual blood. I say no to boys who want to wake up next to a fully made-up woman. I say no to boys who prefer stockings and garters to perfect nudity. Who wants a boy who won’t kiss you when you’ve just been sick? I want a man who will let me pee in his belly button. I want a man to accept the beast in me. I don’t want a man who thinks the woman of his dreams doesn’t go to the toilet. One does, you know.
Shirley Manson
We require experience to stay ahead, if only by a nose, of our consciousness of experience—if for no other reason than that the latter needs to make sense of the former, to (as Peyman would say) narrate it both to others and ourselves, and, for this purpose, has to be fed with a constant, unsorted supply of fresh sensations and events.
Tom McCarthy (Satin Island)
I wrote home to say how lovely everything was, and I used flourishing words and phrases, as if I were living life in a greeting card - the kind that has a satin ribbon on it, and quilted hearts and roses, and is expected to be so precious to the person receiving it that the manufacturer has placed a leaf of plastic on the front to protect it.
Jamaica Kincaid (Lucy)
Her eyes are green, angry. Her nipples are hard. Lust is absurd. It strikes in the strangest places at the oddest times. She doesn’t even realize she’s feeling it. She’s erected a barricade of propriety and lies between us. I despise the type of woman she is. I loathe her soft pink innocence. My body doesn’t concur. I wonder why her? Why not, say, a streetlamp, for all we have in common? She’s chiffon and satin ribbons. I’m raw meat and razor blades. I have never been drawn to my opposite. I like what I am.
Karen Marie Moning (Burned (Fever, #7))
Beth hates me." I chuckled, loving Echo for calling it straight. I framed her face with my hands, letting my fingers enjoy the feel of her satin skin. "You 're my world, so i'd say that evens things out." Echo's eyes widened and she paled. Why was she upset? My mind replayed every moment carefully and then froze, rewound, replayed and froze again on the words i'd said. It had been so long since i'd let myself fall for anybody. I gazed into her beautiful green eyes and her fear melted. A shy smile tugged at her lips and at my heart. Fuck me and the rest of the world, I was in love. Echo's gloved hands reached up and guided my head to hers. I let myself bask in her warmth and deepened our kiss, enjoying the teasing taste of her tongue and the way her soft lips moved against mine. Very easily, i could lose myself in her...forever.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
The first move of any strategy of cultural production, he’d say, must be to liberate things – objects, situations, systems – into uselessness.
Tom McCarthy (Satin Island)
Master-meaning! Concealed revealment! I spent my twenties wanting to be Lévi-Strauss – which is ironic, since he spent most of his life wanting to be somebody or something else: a philosopher, say, or novelist, or poet.
Tom McCarthy (Satin Island)
Sometimes, as a great treat, I was allowed to remove Nursie's snowy ruffled cap. Without it, she somehow retreated into private life and lost her official status. Then, with elaborate care, I would tie a large blue satin ribbon round her head - with enormous difficulty and holding my breath, because tying a bow is no easy matter for a four-year-old. After which I would step back and exclaim in ecstasy: "Oh Nursie, you ARE beautiful!" At which she would smile and say in her gentle voice: "Am I, love?
Agatha Christie (Agatha Christie: An Autobiography)
Howard adores Sam's looks. He loves the strong cut of jaw made satin with thickening peach fuzz, loses himself in the green eyes. Howard stares at them like a lover, but always obliquely. (Sometimes we watch our son from a distance. "I wonder what he's thinking," Howard will say.)
Chandler Burr (You or Someone Like You)
How about . . . what’s 6.9?” I eye him and shrug. “Good sex interrupted by a period,” he says, laughing at his own juvenile humor.
Lauren Landish (Satin and Pearls (The Virgin Diaries #1))
My father was forty-nine on the day of his second wedding, and his new wife in her champagne satin was thirty-one. Still, Maeve and I had no idea why he married her. Looking back, I have to say we lacked imagination.
Ann Patchett (The Dutch House)
Septon Cellador spoke up. “This boy Satin. It’s said you mean to make him your steward and squire, in Tollett’s place. My lord, the boy’s a whore … a … dare I say … a painted catamite from the brothels of Oldtown.” And
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened. "Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes. "What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy. "I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds." "Oh, my god." I groaned and pulled the covers over my head. "You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time." "A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you." "Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him. "What about you, Princess?" Loki's gaze cut to me as he filled another glass. "I'm not hungry." I sighed and sat up. "Oh, really?" Loki arched an eyebrow. "Does that mean that last night-" "It means that last night is none of your business," I snapped. I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before. "Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen." "Oh, I have plenty you haven't seen," I said and pulled the robe around me. "You should get married more often," Loki teased. "It makes you feisty." I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself. "What are you doing?" I asked. "Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas." "Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed. "He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care." In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life. "So, how did everyone sleep last night?" Loki asked. There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding. "Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly. "Finn?" I asked, stunned. Finn looked appalled and pointed at Loki. "What are you doing here?" "I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?" "What is he doing here?" Finn asked, turning his attention to me. "Never mind him." I waved it off. "What's going on?" "See, Finn, you should've told me when I asked," Loki said between sips of his drink.
Amanda Hocking (Ascend (Trylle, #3))
People need foundation myths, some imprint of year zero, a bolt that secures the scaffolding that in turn holds fast the entire architecture of reality, of time: memory-chambers and oblivion-cellars, walls between eras, hallways that sweep us on towards the end-days and the coming whatever-it-is. We see things shroudedly, as through a veil, an over-pixellated screen. When the shapeless plasma takes on form and resolution, like a fish approaching us through murky waters or an image looming into view from noxious liquid in a darkroom, when it begins to coalesce into a figure that's discernible, if ciphered, we can say: This is it, stirring, looming even if it isn't really, if it's all just ink-blots.
Tom McCarthy (Satin Island)
I hate you. I wish you was dead." Mrs. Carey gasped. He said the words so savagely that it gave her quite a start. She had nothing to say. She sat down in her husband's chair; and as she thought of her desire to love the friendless, crippled boy and her eager wish that he should love her--she was a barren woman and, even though it was clearly God's will that she should be childless, she could scarcely bear to look at little children sometimes, her heart ached so--the tears rose to her eyes and one by one, slowly, rolled down her cheeks. Philip watched her in amazement. She took out her handkerchief, and now she cried without restraint. Suddenly Philip realised that she was crying because of what he had said, and he was sorry. He went up to her silently and kissed her. It was the first kiss he had ever given her without being asked. And the poor lady, so small in her black satin, shrivelled up and sallow, with her funny corkscrew curls, took the little boy on her lap and put her arms around him and wept as though her heart would break. But her tears were partly tears of happiness, for she felt that the strangeness between them was gone. She loved him now with a new love because he had made her suffer.
W. Somerset Maugham
Taking both of my hands, he pulls me into the tide. Salt water deepens the lavender satin of my gown to almost black. The waves push into it, making it heavier and heavier. “Tell me when,” he says. I nod. When Galen is neck deep and I’m clinging to him to keep my head above water. When my saturated prom dress feels like an anchor grasping at my limbs. When the moon is directly overhead and makes the silver flecks in his eyes shimmer like gems. That’s when I’m ready. “Now,” I breathe. He brushes his lips against mine. Once Twice. So soft it barely feels like anything. But it also feels like everything. He pulls me under. One day, when Galen and I are mated, I’ll be a princess. But I’ll never feel more like a princess than right now, in his arms, dancing on the ocean floor. He pulls my from my trance with his lips against me ear. “Emma.” It’s silly how my own name can send tingles shooting everywhere. “Hmm?” “I’ve been thinking. About us.” He pulls away from me. “I think…I think I need a distraction.” “Um. A distraction? From me?” The words taste vinegary in my mouth. They turn sweet again when Galen throws his head back and laughs. “Emma,” he says, brushing his thumb across my bottom lip. “You are the one thing I’m sure of. Completely. Without thinking twice. But I want to get away from here for a little while. And I want you to come with me. I know you’re set on going to college in the fall. I’m only asking for the summer. Let’s go somewhere. Do something.” I float up until I’m eye level with him. “Let’s. Where will we go?” He shrugs. “I don’t care, as long as it’s away from any ocean.” “So…the desert?” He grimaces. “The mountains?” I laugh. “Deal. We’ll go to the mountains.” “You’re sure?” I pull him by the neck until our noses touch. “Completely. Without thinking twice.
Anna Banks (Of Triton (The Syrena Legacy, #2))
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane. On the other side, Parker lifts his hand and mouths: “Hi.” I mouth “Hi” back. He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page. . . . and strange . . . I lift an eyebrow. . . . but please hear read me out. He flips to the next page. I know I told you I never lied . . . . . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar. I lied. I lied to myself . . . . . . and to you. Parker watches as I read. Our eyes meet, and he flips the page. But only because I had to. I wasn’t supposed to fall in love with you, Jaden . . . . . . but it happened anyway. I clear my throat, and swallow hard, but it’s squeezed shut again, tight. And it gets worse. Not only am I a liar . . . I’m selfish. Selfish enough to want it all. And I know if I don’t have you . . . I hold my breath, waiting. . . . I don’t have anything. He turns another page, and I read: I’m not Parker . . . . . . and I’m not going to give up . . . . . . until I can prove to you . . . . . . that you are the only thing that matters. He flips to the next page. So keep sending me away . . . . . . but I’ll just keep coming back to you. Again . . . He flips to the next page. . . . and again . . . And the next: . . . and again. Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly. And if you can ever find it in your (heart) to forgive me . . . There’s a big, black “heart” symbol where the word should be. I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart. I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close. “You know you’re beautiful? Even when you cry?” He smiles, holding my face in his hands, smearing the tears away with his thumbs. I breathe in, lungs shuddering. “I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.” “Doesn’t make it right.” “Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
Katie Klein (Cross My Heart (Cross My Heart, #1))
She turned to him, lifted her eyes, and smiled. “Want to hear a joke?” “Dying to.” “A soldier is being led to his execution,” Tatiana began. “‘Some bad weather we’re having,’ he says to his convoy. ‘Look who’s complaining,’ they say. ‘We have to go back.’” Alexander laughed so instantly and loudly, his merry eyes never leaving her face, that Tatiana felt herself—just a little bit—melting within. “That’s funny, Tania,” he said. “Thank you.” She smiled and said quickly, “I have another joke: ‘General, what do you think about the upcoming battle?’” Alexander said, “I know this one. The general says, ‘God knows it will be lost.’” Tatiana continued, “‘Then why should we try?’” And Alexander finished, “‘To find out who is the loser.’” They both smiled and looked away from each other. “Your straps are untied,” she heard him say. “My what?” “Your straps. At the back of the dress. They’ve come undone. Here, turn your back to me a little more. I’ll tie them for you.” She turned her back to him and felt his fingers pulling on the satin ribbons. “How tight do you want them?” “That’s good,” she said hoarsely, not breathing. It occurred to her that he must be seeing down to the small of her bare back underneath the straps, and she became suddenly and keenly self-conscious.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
I am going to hate New Orleans," he whispered against her silken hair before she began lowering her head. Her breath warmed the velvet tip of him, sending fire racing through his blood. "Maybe we can think of something interesting to make it more enjoyable for you," she ventured. Her mouth was satin soft, moist and hot. Gregori pressed his hips forward, forcing her back on the bed, his knees on the thick blanket above her. She was so beautiful, her flawless skin like cream, her thick hair spilling around her slender shoulders. Sitting up, she slowly peeled off the cotton shirt, baring her full breasts to his silver gaze. She looked lush and sexy in the dark of the night, a mysterious,erotic gift to him. "You think you might make New Orleans more bearable for me then?" His eyes were saying more than his mouth, touching her here and there, dwelling on every curve of her body. Her hand spanned his flat stomach and lingered there. "I'm sure I can be inventive enough to make you forget your dread of crowds. Take off my jeans." "Your jeans?" he echoed. "You put them on me, and they're definitely in the way. Take them off." Her hand was wandering lower, her fingeres walking lightly over his clenching muscles, a deliberate persuasion. His hands made quick work of unfastening her jeans and tugging them down her legs. She kicked them aside and leaned forward to press a kiss onto his stomach. Her hair slid over his heavy fullness, a silken tangle that nearly drove him out of his mind. "Sometimes your orders are very easy to follow,ma cherie," he murmured, his eyes closing as her mouth wandered lower.
Christine Feehan (Dark Magic (Dark, #4))
Peridots and periwinkle blue medallions Gilded galleons spilled across the ocean floor Treasure somewhere in the sea and he will find where Never mind the questions there's no answer for The roll of the harbor wake The songs that the rigging makes The taste of the spray he takes And he learns to give He aches and he learns to live He stakes all his silver On a promise to be free Mermaids live in colonies All his sea dreams come to me City satins left at home I will not need them I believe him when he tells of loving me Something truthful in the sea all lies will find you Leave behind your streets he said and come to me Come down from the neon lights Come down from the tourist sights Run down till the rain delights You do not hide Sunlight will renew your pride Skin white by skin golden Like a promise to be free Dolphins playing in the sea All his sea dreams come to me Seabird I have seen you fly above the pilings I am smiling at your circles in the air I will come and sit by you while he lies sleeping Fold your fleet wings I have brought some dreams to share A dream that you love someone A dream that the wars are done A dream that you tell no one but the gray sea They'll say that you're crazy And a dream of a baby Like a promise to be free Children laughing out to sea All his sea dreams come to me
Joni Mitchell
I look in the jewelry box where Joanie found the drugs. She showed me a miniature Ziploc bag filled with a clear, hard rock. “What is this?” I said. I never did drugs, so I had no idea. Heroin? Cocaine? Crack? Ice? “What is this?” I screamed at Alex, who screamed back, “It’s not like I shoot it!” A plastic ballerina pops up and slowly twirls to a tinkling song whose sound is discordant and deformed. The pink satin liner is dirty, and other than a black pearl necklace, the box holds only rusty paper clips and rubber bands noosed with Alex’s dark hair. I see a note stuck to the mirror and pick up the jewelry box and move the ballerina aside. She twirls against my finger. The note says, I wouldn’t hide them in the same place twice. I let out a short breath through my nose. Good one, Alex. I close the jewelry box and shake my head, missing her tremendously. I wish she never went back to boarding school, and I don’t understand her sudden change of plans. What did they fight about? What could have been so bad?
Kaui Hart Hemmings (The Descendants)
Just before Willow and Rider boarded the stage, Owen and Miriam pulled them aside. Owen looked terribly uncomfortable, and for a moment Willow thought they were about to hear some dreaful news. "Yes,Pa?" Willow prodded. "Is there a problem?" "No.Just got something to say, is all." "Well,what is it,Owen?" Rider chuckled. Owen put his arm around Miriam and yanked her close. She scowled and smoothed her pretty peach satin gown. "Well,I guess me and Miriam here are getting hitched." "You guess?" Miriam snapped, slapping at the arm squeezing the air out of her. "Congratulations!" Rider shouted out. "Mrs. Brigham, how did you ever talk this stubborn father-in-law of mine into it?" Owen winked at Rider. And to his future wife's horror, he replied, "She rode and broke the stallion.
Charlotte McPherren (Song of the Willow)
what rainbow silks and satins! what pinking of thin stockings, and pinching of thin shoes, and fluttering of ribbons and silk tassels, and display of rich cloaks with gaudy hoods and linings! The young gentlemen are fond, you see, of turning down their shirt-collars and cultivating their whiskers, especially under the chin; but they cannot approach the ladies in their dress or bearing, being, to say the truth, humanity of quite another sort.
Charles Dickens (American Notes and Pictures from Italy)
A wicked look twinkled in her eye. "I'd say it's time to nut up or shut up. All this talking is gonna make me think you're all bark and no bite. "Wouldn't want to let you down." On a curse, he covered her eager mouth with his, and the world he knew ripped wide open. She tasted cool, sweet, and rich, like ice cream in the summertime, and in that instant Killian knew he would never, ever get enough of her. Laws of nature could be damned. This woman's taste was all he would ever crave. Were there other women? Who the hell cared? Sadie's soft, pliant lips opened to him as he ran his tongue along the seam of her mouth and she welcomed him in. Grasping her head with both hands, he groaned and took full control of the plundering kiss. He tangled his hands in her long, wet hair, which felt like ribbons of satin as it rushed through his fingers. Killian groaned when her tongue swept along his, seeking him out with the same desperation and urgency. This was what he needed. This woman. Her touch. Her taste. How on earth could this be wrong?
Sara Humphreys (Vampires Never Cry Wolf (Dead in the City, #3))
I’m insatiable? I am?” Alessandro asked cocking an eyebrow as he ran his warm hands along the satin material covering her body. “Alessandro. You’re alive. I can touch you, look into your eyes and hear your arrogant English voice. We’re gonna spend the rest of our lives together, that’s plenty romantic for me.” Bree pressed her mouth against him. He tasted of coffee and peppermint. He nibbled slightly on her lower lip before pulling away. “Darling, that sounds lovely, but my wedding night fantasy was more along the lines of fucking you into the mattress.” Bree smacked his shoulder. “Patience, Dardano. Tonight we take things slow, the mattress fucking will come in time. Now, get on your back and let me put my hands on you and assure myself that you’re real.” Alessandro sighed but did as she ordered. “Now if you feel anything-” “I certainly hope so or we have a very big problem,” Alessandro joked. She smacked his chest. “If you feel any pain you let me know and we’ll stop.” “Says the woman who’s smacked me twice in the past five minutes,” Alessandro said, but his eyes were shining with amusement.
E. Jamie (The Betrayal (Blood Vows, #2))
It was a book that started all the trouble. “Read, read, read! That’s all grown-ups ever say to me,” said Bean, “but when I finally do read, I get in trouble.” She slumped in her chair. “And then the grown-ups take the book away.” Ivy nodded. “It’s totally not fair,” she agreed. “And they shouldn’t blame us anyway. It’s all Grandma’s fault.” Ivy’s grandma had sent her the book. It was called The Royal Book of the Ballet. Each chapter told the story of a different ballet, with pictures of fancy girls in feathery tutus and satin toe shoes. Bean was at Ivy’s house on the day it arrived. They were supposed to be subtracting, but
Annie Barrows (Ivy and Bean: Bound to be Bad)
Reading historical fiction from a very young age, fired my imagination. I loved the history, the development of the characters and almost always, the romance filling the many pages. I try to write with feeling and compassion, of a world as I would like it to be, with adventure, suspense and, of course, romance. I'm a sucker for a love story, and what's a love story without a few tears. I think they are always good for the soul. As the author, I am in complete control of my work and with everything I write, I let the words flow from my heart. Very few days go by that I don't get an idea arising from a historical event and say: 'What If? ...
Sheldon Friedman
The King, he went a -walking, on merry morn in May. The King, he laid him down to rest, and fell asleep, they say. And when he woke, 'twas even, (The hour of magic mood) And Bluebell, Wild Bluebell, was dancing in the wood. The king, he gave a banquet to all the flowers (save one), With hungry eyes he watched them, a-seeking one alone. The rose was there in satin. The Lily with green hood But Bluebell, wild Bluebell only dances in the wood. The King, he frowned in anger, his hand upon his sword. He sent his men to seize her, and bring her to their Lord. With silken cords they bound her, Before the King she stood, Bluebell, wild Bluebell, who dances in the wood. The King, he rose to greet her, the maid he'd sword to wed. The King, he took his golden crown and set it on her head. And then he paled and shivered, The courtiers gazed in fear, At Bluebell, grey Bluebell, so pale and ghostly there. "O King, your grown is heavy, 'twould bow my head with care. Your palace walls would shut me in, who live as free as air. The wind, he is my lover, The sun my lover too, And Bluebell, whild Bluebell, shall ne'er be Queen to you." The King, he mourned a twelvemonth, and none could ease his pain. The King, he went a-walking a-down a lovers' lane. He laid aside his golden crown, Into the wood went he, Where Bluebell, wild Bluebell, dances ever wild and free.
Agatha Christie (Agatha Christie: An Autobiography)
Becky fell unusually quiet as she smoothed Macy's overalls that had scrunched under her legs. A tender gesture probably nobody else had noticed. "I don't want to say this the wrong way, Shah-loh, but we're all gonna die." "Of course we are." A drop of water fell from the end of the snapdragon stem. "But I prefer not to kill my flowers before their time." "Well, cut er not cut, we're all goin'." Becky spoke so soberly that I turned my eyes to her. "Ain't no stoppin' it. You know that." "Sure I do, but isn't it a waste? All that beautiful bloom for what-an hour?" "Mebbe in some ways, but..." She gathered a handful of roses and freesia, delicately perfumed, and pressed them in my hands. "Ya gotta remember though-this was their purpose all along. And they did it to their fullest. It's their gift." I felt strangely moved, standing there with shoppers laughing in the background. And me looking down at those beautiful doomed flowers in my hands, their glowing colors trembling with drops. "But it's such a waste, Becky!" "Or a sacrifice. Depends on how ya look at it. They lived and bloomed, jest like they were made to do. And when it was time to go, they gracefully said yes." She ran her hands over the petals, which gleamed like bits of satin. "We're seein' their last magnificent moments and enjoyin' 'em. If you was a flower, wouldn't that make ya happy to know you'd done what you was born ta do? Even if ya didn't get to do it very long?
Jennifer Rogers Spinola ('Til Grits Do Us Part (Southern Fried Sushi #3))
I panted as he pulled me back through the entryway, hands on my waist, kissing the whole way, and collapsed backward onto the gray leather couch, which felt softer than my skin. I fell on top of him, straddling his lap. He kissed his way down my neck and across the collar of my blouse, leaving a trail of fire behind. "Enough of that," I panted, ripping my shirt over my head. Thank goodness I'd worn a decent bra today---blue satin with a bow in the middle, not frayed or torn anywhere. He eyed it with a growl of approval, but maybe it wasn't a growl for the bra at all, because a moment of fumbling over my back and---pop---I shook off my now unfastened bra. "And to think you didn't like me at first." He drank me in unabashedly, his eyes roaming from belly to breasts to nose to eyes, and each inch his eyes traveled made me feel more and more powerful. Like I could go anywhere, do anything. Except all I wanted to do was right here. I ground against him, feeling his cock already hard and strong under his zipper. "Who says I like you now?" He gasped and pulled me tighter onto him. "If this is what you do to people you don't like, what do you do to people you do like?" I silenced him with another kiss as I rubbed up and down him again. Now my own sex was throbbing, and I sucked in a breath with every movement. I kept moving up and down as he kissed my breasts, tongue tracing lightly over each nipple. When I couldn't take it anymore, I tumbled to the side, lying down on the couch and pulling him on top of me. Because his was an expensive couch and not the cheap one my old roommate had bought at Ikea, there was plenty of room for us to writhe without making me feel like I might topple off the edge. He went down to kiss my breasts again... and kept going. His tongue slid down my stomach, did a lazy circle around my belly button. I clenched my teeth, holding back a beg for more as he slowly, slowly, way too slowly unzipped my skirt and tugged it down. I kicked it off, along with my underwear, when he reached my knees, nearly clipping him on the ear. When I felt close to the edge, I reached down and pulled him up. My hand moved down and took over, zeroing in on just the right spot on my clit. It didn't take long. I shuddered against his shoulder, biting back a cry, then wondered why I was biting it back and let it out. Breathing hard, my head collapsed back into the cushion. I was a little worried that now post-orgasm clarity would descend upon me and be like, What the hell are you doing, Julie? but the post-orgasm clarity seemed to approve. With a wink and a nudge, it made me pull away, and the desire roared back inside me. "That's why it's great to have a clitoris," I told Bennett. "Multiple orgasms.
Amanda Elliot (Best Served Hot)
For a second he thought she might chuckle, and honest to God he didn't know what he would do if she did. "Grey, society didn't give you that scar. A woman you treated with no more regard than your dirty stockings gave you that scar. You cannot blame the actions of one on so many." HIs fingers tightened into fists at his side. "I do not blame all of society for her actions, of course not." "How could you? You don't even know who it was, do you?" "No." But he had suspicions. He was almost completely certain it had been Maggie-Lady Devane. He'd broken her heart the worst of them all. "Of course you don't." Suddenly her eyes were very dark and hard. "I suspect it could be one of a large list of names, all women who you toyed with and cast aside." A heavy chill settled over Grey's chest at the note of censure, and disapproval in her tone. He had known this day would come, when she would see him for what he truly was. He just hadn't expected it quite so soon. "Yes," he whispered. "A long list indeed." "So it's no wonder you would rather avoid society. I would too if I had no idea who my enemies were. It's certainly preferable to apologizing to every conquest and hope that you got the right one." She didn't say it meanly, or even mockingly, but there was definitely an edge to her husky voice. "Is this what we've come to, Rose?" he demanded. "You've added your name to the list of the women I've wronged?" She laughed then, knocking him even more off guard. "Of course not. I knew what I was getting myself into when I hatched such a foolhardy plan. No, your conscience need not bear the weight of me, grey." When she moved to stand directly before him, just inches away, it was all he could do to stand his ground and not prove himself a coward. Her hand touched his face, the slick satin of her gloves soft against his cheek. "I wish you would stop living under all this regret and rejoin the world," she told him in a tone laden with sorrow. "You have so much to offer it. I'm sure society would agree with me if you took the chance." Before he could engineer a reply, there was another knock at the door. Rose dropped her hand just as her mother stuck her head into the room. "Ah, there you are. Good evening, Grey. Rose, Lord Archer is here." Rose smiled. "I'll be right there, Mama." When the door closed once more, she turned to Grey. "Let us put an end to this disagreeable conversation and put it in the past where it belongs. Friends?" Grey looked down at her hand, extended like a man's. He didn't want to take it. In fact, he wanted to tell her what she could do with her offer of friendship and barely veiled insults. He wanted to crush her against his chest and kiss her until her knees buckled and her superior attitude melted away to pleas of passion. That was what he wanted.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Is this a date? Are you on a date with him? And who the hell’s car is this?” Before I can answer, Genevieve makes a move toward me, which I dodge. I run behind the pillar. “Don’t be such a baby, Lara Jean,” she says. “Just accept that you lose and I win!” I peek from behind the pillar, and John is giving me a look--a look that says, Get in. Quickly I nod. Then he throws open the passenger door, and I run for it, as fast as I can. I’ve barely got the door closed before he’s driving off, Peter and Gen in our dust. I turn back to look. Peter is staring after us, his mouth open. He’s jealous, and I’m glad. “Thanks for the save,” I say, still trying to catch my breath. My heart is pounding in my chest so hard. John is looking straight ahead, a broad smile on his face. “Anytime.” We stop at a stoplight, and he turns his head and looks at me, and then we’re looking at each other, laughing like crazy, and I’m breathless again. “Did you see the looks on their faces?” John gasps, dropping his head on the steering wheel. “It was classic!” “Like a movie!” He grins at me, jubilant, blue eyes alight. “Just like a movie,” I agree, leaning my head back against the seat and opening my eyes wide up at the moon, so wide it hurts. I’m in a red Mustang convertible sitting next to a boy in uniform, and the night air feels like cool satin on my skin, and all the stars are out, and I’m happy. The way John is still grinning to himself, I know he is too. We got to play make-believe for the night.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
But my dreaming self refuses to be consoled. It continues to wander, aimless, homeless, alone. It cannot be convinced of its safety by any evidence drawn from my waking life. I know this because I continue to have the same dream, over and over. I’m in the other place, a place that’s very familiar to me, although I’ve never lived in it or even seen it except in this dream. Details vary – the space has many different rooms, mostly bare of furniture, some with only the sub-flooring – but it always contains the steep, narrow stairway of that distant apartment. Somewhere in it, I know – as I open door after door, walk through corridor after corridor – I’ll come upon the gold mirror, and also the green satin bedspread, which has taken on a life of its own and is able to morph into cushions, or sofas, or armchairs, or even – once – a hammock. It’s always dusk, in this place; it’s always a cool dank summer evening. This is where I’ll have to live, I think in the dream. I’ll have to be all by myself, forever. I’ve missed the life that was supposed to be mine. I’ve shut myself off from it. I don’t love anyone. Somewhere, in one of the rooms I haven’t yet entered, a small child is imprisoned. It isn’t crying or wailing, it stays completely silent, but I can feel its presence there. Then I wake up, and retrace the steps of my dream, and try to shake off the sad feeling it’s left me with. Oh yes, the other place, I say to myself. That again. There was quite a lot of space in it, this time. It wasn’t so bad.
Margaret Atwood (Moral Disorder and Other Stories)
One of the most effective ways to quicken your story’s pace is to move from a static description of an object, place or person to an active scene. The classic method for accomplishing this is to have your character interact with the subject that’s been described. For instance, let’s say you’ve just written three paragraphs describing a wedding dress in a shop window. You’ve detailed the Belgian lace veil, the beaded bodice, the twelve-foot train, even the row of satin buttons down the sleeves. Instinctively you feel it’s time to move into an action scene, but how do you do it without making your transition obvious? A simple, almost seamless way is to initiate an action between your character (let’s call her Miranda) and the dress you’ve just described. Perhaps Miranda could be passing by on the sidewalk when the dress in the window catches her attention. Or she could walk into the shop and ask the shopkeeper how much the dress costs. This method works well to link almost any static description with a scene of action. Describe an elegant table, for instance, complete with crystal goblets, damask tablecloth, monogrammed napkins and sterling silver tableware; then let the maid pull a cloth from her apron and begin to polish one of the forks. Or describe a Superman kite lying beside a tree, then watch as a little girl grabs the string and begins to run. You will still be describing, but the nature of your description will have changed from static to active, thus quickening the story’s pace. Throughout
Rebecca McClanahan (Word Painting: A Guide to Writing More Descriptively)
Maria managed to avoid Oliver for most of St. Valentine’s Day. It wasn’t difficult-apparently he spent half of it sleeping off his wild night. Not that she cared one bit. She’d learned her lesson with him. Truly she had. Not even the beautiful bouquet of irises he’d sent up to her room midafternoon changed that. Now that she was dressing for tonight’s ball, she was rather proud of herself for having only thought of him half a dozen times. Per hour, her conscience added. “There, that’s the last one,” Betty said as she tucked another ostrich feather into Maria’s elaborate coiffure. According to Celia, the new fashion this year involved a multitude of feathers drooping from one’s head in languid repose. Maria hoped hers didn’t decide to find their repose on the floor. Betty seemed to have used a magical incantation to keep them in place, and Maria wasn’t at all sure they would stay put. “You look lovely, miss,” Betty added. “If I do,” Maria said, “it’s only because of your efforts, Betty.” Betty ducked her head to hide her blush. “Thank you, miss.” It was amazing how different the servant had been ever since Maria had taken Oliver’s advice to heart, letting the girl fuss over her and tidy her room and do myriad things that Maria would have been perfectly happy to do for herself. But he’d proved to be right-Betty practically glowed with pride. Maria wished she’d known sooner how to treat them all, but honestly, how could she have guessed that these mad English would enjoy being in service? It boggled her democratic American mind. Casting an admiring glance down Maria’s gown of ivory satin, Betty said, “I daresay his lordship will swallow his tongue when he sees you tonight.” “If he does, I hope he chokes on it,” Maria muttered. With a sly glance, Betty fluffed out the bouffant drapery of white tulle that crossed Maria’s bust and was fastened in the center with an ornament of gold mosaic. “John says the master didn’t touch a one of those tarts at the brothel last night. He says that his lordship refused every female that the owner of the place brought before him.” “I somehow doubt that.” Paying her no heed, Betty continued her campaign to salvage her master’s dubious honor. “Then Lord Stoneville went to the opera house and left without a single dancer on his arm. John says he never done that before.” Maria rolled her eyes, though a part of her desperately wanted to believe it was true-a tiny, silly part of her that she would have to slap senseless. Betty polished the ornament with the edge of her sleeve. “John says he drank himself into a stupor, then came home without so much as kissing a single lady. John says-“ “John is inventing stories to excuse his master’s actions.” “Oh no, miss! John would never lie. And I can promise you that the master has never come home so early before, and certainly not without…that is, at the house in Acton he was wont to bring a tart or two home to…well, you know.” “Help him choke on his tongue?” Maria snapped as she picked up her fan. Betty laughed. “Now that would be a sight, wouldn’t it? Two ladies trying to shove his tongue down his throat.” “I’d pay them well to do it.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
If it was a video-file that I was trying to watch, then at the bottom of the screen there’d be that line, that bar that slowly fills itself in—twice: once in bold red and, at the same time, running ahead of that, in fainter grey; the fainter section, of course, has to remain in advance of the bold section, and of the cursor showing which part of the video you’re actually watching at a given moment; if the cursor and red section catch up, then buffering sets in again. Staring at this bar, losing myself in it just as with the circle, I was granted a small revelation: it dawned on me that what I was actually watching was nothing less than the skeleton, laid bare, of time or memory itself. Not our computers’ time and memory, but our own. This was its structure. We require experience to stay ahead, if only by a nose, of our consciousness of experience—if for no other reason than that the latter needs to make sense of the former, to (as Peyman would say) narrate it both to others and ourselves, and, for this purpose, has to be fed with a constant, unsorted supply of fresh sensations and events. But when the narrating cursor catches right up with the rendering one, when occurrences and situations don’t replenish themselves quickly enough for the awareness they sustain, when, no matter how fast they regenerate, they’re instantly devoured by a mouth too voracious to let anything gather or accrue unconsumed before it, then we find ourselves jammed, stuck in limbo: we can enjoy neither experience nor consciousness of it. Everything becomes buffering, and buffering becomes everything. The revelation pleased me. I decided I would start a dossier on buffering.
Tom McCarthy (Satin Island)
I’m standing in front of Enrique’s Auto Body, doing deep-breathing exercises to keep from being nervous. Enrique’s Camry is nowhere in sight, so I know Alex is alone. I’m going to seduce Alex. If what I’m wearing doesn’t capture his attention, nothing will. I’m giving this my all…bringing out all the artillery. I rap on the door, then close my eyes tight and pray this goes as planned. I open my long, silver satin jacket and the cool night air rushes onto my exposed skin. When the creak of the door alerts me to Alex’s presence, I slowly open my eyes. But it’s not Alex’s black eyes staring at my scantily clad body. It’s Enrique--who’s staring at my pink lace bra and pom-pom skirt as if he’s won the lottery. Ripped with embarrassment, I wrap my coat around myself. If I could wrap it around twice, I would. “Uh, Alex,” Enrique laughs. “There’s a trick-or-treater here to see you.” My face is probably beet red, but I’m determined to see this through. I’m here to show Alex I’m not going to desert him. “Who is it?” comes Alex’s voice from somewhere inside the garage. “I was just leavin’,” Enrique says, slipping past me. “Tell Alex to lock up. Adiós.” Enrique walks across the darkened street, humming to himself. “Yo, Enrique. ¿Quién está ahi?” Alex’s voice fades when he reaches the front of the shop. He looks at me with contemp. “Need directions or your car fixed.” “None of the above,” I say. “Trick-or-treatin’ on my side of town?” “No.” “It’s over, mujer. ¿Me oyes? Why do you keep droppin’ into my life and fuckin’ with my head? Besides, aren’t you supposed to be at the Halloween dance with some college guy?” “I blew him off. Can we talk?” “Listen, I’ve got a shitload of work that still needs to get done. What did you come here for? And where’s Enrique?” “He, uh, left,” I say nervously. “I think I scared him away.” “You? I don’t think so.” “I showed him what I was wearing under my coat.” Alex’s eyebrows shoot up.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Come here,” he growled, his body so heavy with need that he was afraid he would explode into fragments if he took one step. She shook her head slowly, her tongue deliberately moistening her full lower lip. “I only want my true lifemate. I hunger tonight. My body is hungry.” Her hand drifted slowly, enticingly, over her satin skin, and his eyes followed the graceful movement while his body raged at him. Gregori covered the distance between them in a sudden surge, catching her up, the momentum taking them to the wall. He held her prisoner there, his mouth fastened on hers, commanding her response, feeding, devouring, his hands claiming her body for his own. “No one else will ever touch you and live,” he snarled, his mouth burning a trail of fire down her throat to her breast. He fed hungrily, his teeth grazing the creamy fullness. “No other, Savannah.” “Why, Gregori? Why can no other touch my body like this?” she whispered, her mouth on his skin, her tongue lapping at his pulse. “Tell me why my body is only yours and your body is only mine.” His hands cupped her bottom, brought her hard against him. “You know why, Savannah.” “Say it, Gregori. Say it if you believe it. I won’t have lies between us. You have to feel it in your heart as I do. You have to feel it in your mind. Your body has to burn for mine. But most of all, in your deepest soul, you have to know I’m your other half.” He lifted her, set her up high on the rim of the sleeping chamber, his hands parting her thighs. “I know I burn for you. Even in my sleep, the sleep of our people where there can be no thought, I burn for you.” He bent his head to taste her, his wet hair bathing her inner thighs as he dragged her body closer to him. Savannah cried out at the first touch of his mouth, the rush of hot desire turning her into a liquid, living flame. She bunched his hair into her fists and held him to her. “Say it, Gregori,” she bit out between clenched teeth. “I need to hear you say it.” I am saying it, lifemate. Can you not hear me?
Christine Feehan (Dark Magic (Dark, #4))
I’d met Madison, as I’ve already mentioned, two months earlier, in Budapest. I’d been at a conference. She’d been there with some girlfriends. We’d got talking in the hotel bar. An anthropologist, she’d said; that’s … exotic. Not at all, I’d replied; I work for an incorporated business, in a basement. Yes, she said, but … But what? I asked. Dances, and masks, and feathers, she eventually responded: that’s the essence of your work, isn’t it? I mean, even if you’re writing a report on workplace etiquette, or how to motivate employees or whatever, you’re seeing it all through a lens of rituals, and rites, and stuff. It must make the everyday all primitive and strange—no? I saw what she was getting at; but she was wrong. For anthropologists, even the exotic’s not exotic, let alone the everyday. In his key volume Tristes Tropiques, Claude Lévi-Strauss, the twentieth century’s most brilliant ethnographer, describes pacing the streets, all draped with new electric cable, of Lahore’s Old Town sometime in the nineteen-fifties, trying to piece together, long after the event, a vanished purity—of local colour, texture, custom, life in general—from nothing but leftovers and debris. He goes on to describe being struck by the same impression when he lived among the Amazonian Nambikwara tribe: the sense of having come “too late”—although he knows, from having read a previous account of life among the Nambikwara, that the anthropologist (that account’s author) who came here fifty years earlier, before the rubber-traders and the telegraph, was struck by that impression also; and knows as well that the anthropologist who, inspired by the account that Lévi-Strauss will himself write of this trip, shall come back in fifty more will be struck by it too, and wish—if only!—that he could have been here fifty years ago (that is, now, or, rather, then) to see what he, Lévi-Strauss, saw, or failed to see. This leads him to identify a “double-bind” to which all anthropologists, and anthropology itself, are, by their very nature, prey: the “purity” they crave is no more than a state in which all frames of comprehension, of interpretation and analysis, are lacking; once these are brought to bear, the mystery that drew the anthropologist towards his subject in the first place vanishes. I explained this to her; and she seemed, despite the fact that she was drunk, to understand what I was saying. Wow, she murmured; that’s kind of fucked. 2.8 When I arrived at Madison’s, we had sex. Afterwards,
Tom McCarthy (Satin Island)
When a little of his strength returned he moved onto his side, taking her with him, still a part of her. Her hair spilled over his naked chest like a rumpled satin waterfall, and he lifted a shaking hand to smooth it off her face, feeling humbled and blessed by her sweetness and unselfish ardor. Several minutes later Elizabeth stirred in his arms, and he tipped her chin up so that he could gaze into her eyes. “Have I ever told you that you are magnificent? She started to shake her head, then suddenly remembered that he had told her she was magnificent once before, and the recollection brought poignant tears to her eyes. “You did say that to me,” she amended, brushing her fingers over his smooth shoulder because she couldn’t seem to stop touching him. “You told me that when we were together-“ “In the woodcutter’s cottage,” he finished for her, recalling the occasion as well. In reply she had chided him for acting as if he also thought Charise Dumont was magnificent, Ian remembered, regretting all the time they had lost since then…the days and nights she could have been in his arms as she was now. “Do you know how I spent the rest of the afternoon after you left the cottage?” he asked softly. When she shook her head, he said with a wry smile, “I spent it pleasurably contemplating tonight. At the time, of course, I didn’t realize tonight was years away.” He paused to draw the sheet up over her back so she wouldn’t be chilled, then he continued in the same quiet voice, “I wanted you so badly that day that I actually ached while I watched you fasten that shirt you were wearing. Although,” he added dryly, “that particular condition, brought on by that particular cause, has become my normal state for the last four weeks, so I’m quite used to it now. I wonder if I’ll miss it,” he teased. “What do you mean?” Elizabeth asked, realizing that he was perfectly serious despite his light tone. “The agony of unfulfilled desire,” he explained, brushing a kiss on her forehead, “brought on by wanting you.” “Wanting me?” she burst out, rearing up so abruptly that she nearly overturned him as she leaned up on an elbow, absently clutching the sheet to her breasts. “Is this-what we’ve just done, I mean-“ “The Scots think of it as making love,” he interrupted gently. “Unlike most English,” he added with flat scorn, “who prefer to regard it as ‘performing one’s marital duty.’” “Yes,” Elizabeth said absently, her mind on his earlier remark about wanting her until it caused him physical pain, “but is this what you meant all those times you’ve said you wanted me?” His sensual lips quirked in a half smile. “Yes.” A rosy blush stained her smooth cheeks, and despite her effort to sound severe, her eyes were lit with laughter. “And the day we bargained about the betrothal, and you told me I had something you wanted very badly, what you wanted to do with me…was this?” “Among other things,” he agreed, tenderly brushing his knuckles over her flushed cheek. “If I had known all this,” she said with a rueful smile, “I’m certain I would have asked for additional concessions.” That startled him-the thought that she would have tried to drive a harder bargain if she’d realized exactly how much and what sort of power she really held. “What kind of additional concessions?” he asked, his face carefully expressionless. She put her cheek against his shoulder, her arms curving around him. “A shorter betrothal,” she whispered. “A shorter courtship, and a shorter ceremony.
Judith McNaught (Almost Heaven (Sequels, #3))
I’ve always said I didn’t want an ordinary life. Nothing average or mundane for me. But as I stared at the rather ample naked derriere wiggling two inches from my face today, I realized I should have been more specific with my goals. Definitely not ordinary, but not exactly what I had in mind. The Texas-flag tattoo emblazoned across the left cheek waved at me as she shifted her weight from foot to foot. The flag was distorted and stretched, as was the large yellow rose on the right cheek, both tattoos dotted with dimples and pock marks. An uneven script scrawled out “The Yellow Rose of Texas” across the top of her rump. Her entire bridal party—her closest friends and relatives, mind you—had left her high and dry. They’d stormed off the elevator as I tried to enter it, a flurry of daffodil-yellow silk, spouting and sputtering about their dear loved one, Tonya the bride. “That’s it! We’re done!” They sounded off in a chorus of clucking hens. “We ain’t goin’ back in there. She can get ready on her own!” “Yeah, she can get ready on her own!” “Known her since third grade and she’s gonna talk to me like that?” “Third grade? She’s my first cousin. I’ve known her since the day she was born. She’s always been that way. I don’t know why y’all acting all surprised.” I felt more than a little uneasy about what all this meant for our schedule. The ceremony was supposed to start in fifteen minutes. The bride should have already been downstairs and loaded in the carriage to make her way to the hotel’s beach. My unease grew to panic when I knocked on Tonya’s door and she opened it clad only in a skimpy little satin robe. “Honey, you’re supposed to be dressed and downstairs already.” I tried to say it as sweetly as possible, but I’m sure my panic came through. My Southern accent kicked in thick, which usually only happens when I’m panicked or frustrated. Or pissed. Or drunk. “Do you think I don’t know that?” she asked, arching a perfectly drawn-on eyebrow. “Do you think somehow when I booked this wedding and had invitations printed and planned the entire damned event, I somehow didn’t realize what time the ceremony started? And just who the hell are you anyway?” Well, alrighty then. Obviously this was going to be a fun day. “Um, I’m Tyler Warren. I’m assisting Lillian with your wedding today.” “Fine. Those bitches left me with my nails wet.” She held up both hands to show me the glossy, fresh manicure. “How the hell am I supposed to get dressed with wet nails?” she asked, arching both eyebrows now and glaring at me like I was somehow responsible for this. “Oh.” My mind spun with the limited time frame I had available, the amount of clothing she still needed to put on, and the amount of time it would take to get her in the carriage and to the ceremony. “Give me just a second to let Lillian know we’ll be down shortly.” I smiled what I hoped was my sweetest smile and stepped backward into the hallway. She slammed the door as I frantically dialed Lillian’s cell. “You’d better be calling to tell me she is in the carriage and on her way,” Lillian said. “It is hotter than Hades out here. I have several people looking like they’re about to faint, and I may possibly dunk a cranky, tuxedoed five-year-old
Violet Howe (Diary of a Single Wedding Planner (Tales Behind the Veils, #1))
Your highness,” he said below the burble of conversations. “You have just snubbed the Baroness of Crawford.” “Have I?” Her fine eyes were alight and her mouth offered him the smile he found himself wishing she reserved for him alone. “I must be terribly rude.” “On her afternoon calls tomorrow she will undoubtedly inform her every acquaintance of your outrageous foreign snobbery.” “She did not notice I passed. None of them ever do.” “Why—” “Oh, let’s not talk about that,” she said hurriedly. “Tell me what you wished to speak with me about.” “Did I?” “Of course you did. You were staring at me from all the way across the room.” Her tongue was sweet and gentle over the harsh Saxon syllables of his native language. She wrote in French, the language most of her people adopted at birth— though Cam had learned from her diary that the Sensaire dialect was, in some instances, quite a different thing indeed. He wished he knew the endearments she spoke to her fantasy version of him. “I thought it rather the opposite,” he said honestly. “Oh, it could not have been, my lord. Princesses do not stare.” He glanced aside. “Only queens, I suppose.” She shifted her attention to her mother and released a short breath of frustration. “Daggers, as they say,” he murmured. “Daggers indeed.” “She doesn’t like it when I speak with you, does she?” he said because he knew it to be true, and justifiably so. If Claire were eight years older, he wouldn’t like her talking to a man like him either. “No. She does not. But I do.” She seemed to study him. Her lips parted, then closed abruptly. “Your highness?” he said quietly. “Sometimes,” she said upon a rush of air, “I wish that I were an entirely different person and not a princess at all.” He watched her eyes, wide and without any hint of spoiled complaint in them. “Do you?” “Yes. For instance, I wish that I were standing here wearing a shockingly red satin gown and singing Christmas carols at the top of my lungs.” He chuckled. “Do you like singing, princess?” “Singing?” Twin creases appeared between her brows. “What about the red gown? Shouldn’t you ask me about that first?” “Probably. But since I should like to see you wearing a shockingly red satin gown, it wasn’t my principal curiosity.” Her mouth split into a perfect smile. “Now you’ve done it,” he said. “Your mother will have you cleaning the floors in punishment for that grin.” Candlelight twinkled in her eyes. “Princesses do not grin, my lord.” “Perhaps not. But they smile beautifully.” -Cam & Jacqueline
Katharine Ashe (Kisses, She Wrote (The Prince Catchers, #1.5))
My back is pressed against the side of the garage, Jake's body pinning me to the wood. He looks down at my lips and back to my eyes. The rain is soaking us as we stare at each other, waiting for the other to make the first move. Jake grabs my chin in his hands, pointing my face up to his, then coldly whispers, 'I suppose you think it's selfish when I rip this dress from your body and fuck you right here in the rain.' I can't say another word. Jake's mouth finds mine and we savagely kiss each other. Our lips press hard into each other as the passion and love I have for this man comes spilling out of me. True to his word, Jake grabs ahold of my dress where the millions of buttons trail down my back and yanks. He yanks and then yanks again. The delicate lace and satin tears away from my body and falls to shreds, billowing at my feet when he says, 'You've ruined me.' He kisses me hard, bordering on painful, as he pours his torn heart out to me. 'I'm a complete fucking mess without you.
M.S. Brannon (Blind Love (Sulfur Heights, #3))
Inside it looks like a nineteenth century palace, given the attention to detail and the elegance of the furniture: there are two carpets on the floor, more paintings in gilt frames, wooden furniture along the walls, and a large table with a flower arrangement in the center. All lit with spotlights. Andrea feels like he’s in another era and another season; it doesn’t look like a home in the mountains and there's no summer heat. He expects some nobility to appear. Indeed, standing next to the table is Ian. And he’s watching them. Andrea gasps silently. "Here we are," says Carlotta. "We’re very sorry for making you wait, Count." "Don’t worry, Carlotta," he says politely, moving closer. Ian’s wearing a white top with a black satin jacket and pants, also satin, with a stripe down the side. It creates a strange Casual Count effect that both stuns and disturbs Andrea. Always ambiguous, Ian doesn’t seem to want to adapt to anything. Not even a normal style. Was he not sure whether to go for a stroll or to a party? Andrea feels his brain smoking so much that it must be on fire. "These inconveniences can happen." He smiles at her and she blushes to the point of melting. Her knees buckle and she touches her face, embarrassed. Typical! Andrea grunts. "Can you introduce your friend to me?" says Ian. "Of course. He’s the guy.....," she stops. "Nearest to our Maicol." Ian looks at him and pretends not to know him. Andrea does the same. "Exactly," says Carlotta.
Key Genius (Heart of flesh)
The moral of the story: Every day is a special day. A tear in your chiffon? So what! A food stain on that satin ruffle? Big deal! A little paint spatter on that velvet blazer merely adds to your overall patina. When women ask me for fashion advice, I always say the same thing: “Go home and throw out all your ‘work’ clothes!” If you always dress as if you are going to a party or a Bowie concert—or a Black Eyed Peas concert—you will always have more fun.
Simon Doonan (Eccentric Glamour: Creating an Insanely More Fabulous You)
You wanna tell me what you’re so pissed off with Yulian about? Does it have something to do with Marina?” “He was the one who found her body,” I say grudgingly. “But then… how is she alive?” “He claimed she was maimed when he found her. Her face was unrecognizable. So he burned her body and we buried what remained.
Nicole Fox (Satin Princess (Stepanov Bratva, #2))
If you hadn’t acted without thinking, we wouldn’t be in this mess,” I say. “And Marina wouldn’t have come within a hair’s breadth of killing Jessa and my baby.
Nicole Fox (Satin Princess (Stepanov Bratva, #2))
Taryn seemed well enough tonight,' he says. 'Roses in her cheeks and merriment on her lips.' 'Let's be sure she stays that way,' I say. His brows rise. 'Would you like me to seduce her away from Locke? I could certainly try. I promise nothing in the way of results, but you might find amusement in the attempt.' 'No, no absolutely not, do not do that,' I say, and do not examine the hot spike of panic his words induce. 'I just mean try to keep Locke from being his worst self when she's around, that's all.' He narrows his eyes. 'Shouldn't you encourage just the opposite?' Perhaps it would be better for Taryn to discover unhappiness with Locke as soon as possible. But she's my sister, and I never want to be the cause of her pain. I shake my head. He makes a vague gesture in the air. 'As you wish. Your sister will be wrapped in satin and sackcloth, as protected from herself as I can make her.' I stand. 'The council wants Locke to arrange some amusement to please Grimsen. If it's nice, perhaps the smith will make you a cup that never runs out of wine.' Cardan gives me a look up through his lashes that I find hard to interpret and then rises, too. He takes my hand. 'Nothing is sweeter,' he says, kissing the back of it, 'but that which is scarce.' My skin flushes, hot and uncomfortable.
Holly Black (The Wicked King (The Folk of the Air, #2))
Hate is a useless emotion, you know,” she says after a while. “It serves no purpose other than to turn you bitter and angry all the time. It hurts you way more than the person you hate. Pure poison.
Nicole Fox (Satin Sinner (Stepanov Bratva, #1))
I got there just as she lost consciousness,” I tell Lev. “She was poisoned.” Lev could ask a million questions. But, ever the pragmatist, all he says is, “Poisoned with what?” “An old-school homebrew to force a miscarriage.” He hisses, a sharp inhale. “Someone tried to kill the baby?” My hand tightens around the phone. “So it would seem. The
Nicole Fox (Satin Princess (Stepanov Bratva, #2))
I got there just as she lost consciousness,” I tell Lev. “She was poisoned.” Lev could ask a million questions. But, ever the pragmatist, all he says is, “Poisoned with what?” “An old-school homebrew to force a miscarriage.” He hisses, a sharp inhale. “Someone tried to kill the baby?
Nicole Fox (Satin Princess (Stepanov Bratva, #2))
The baby,” I say quietly. “Did I lose the baby?” His gray eyes soften. I hold my breath and wait.
Nicole Fox (Satin Princess (Stepanov Bratva, #2))
When Marina and I got married,” I begin, “I gifted her a piece of land. She asked for this one specifically.” “Fuck,” Yulian breathes. “The plot she had all the plans for. She talked about it constantly.” “It was a symbol for her future,” I say. “And I just blew it the fuck up.
Nicole Fox (Satin Princess (Stepanov Bratva, #2))
It doesn’t matter what he is,” I say with as much force as I can muster. “Because after tonight, I’m never going to see him again. I plan on collecting my paycheck and disappearing.
Nicole Fox (Satin Sinner (Stepanov Bratva, #1))
You should see the dresses in the master bedroom closet,” she says. “I can’t believe they haven’t been stolen. I’m talking yellow satin, seventies pink chiffon. Incredible.
Wendy Heard (We'll Never Tell)
She hopped off the counter, ducked her head under me to catch my gaze, and palmed my face. “No, he was angry and provoked. You took a bullet for me, Romeo.” I scowled. “Don’t be dramatic.” “Thank you.” Since I’d made no progress finding the starting point to stitch myself, I cleared my throat, stepping back. “You’re welcome. Now leave.” “I want you.” Her hand ran the length of my chest up to my shoulder. I want you, too, which is why I need you to get the hell away from here.I no longer recognize myself or my actions where you’re concerned. You’ve become a liability I cannot afford. Rather than kick her out, I set the needle and thread down. “You can ride my thigh.” “I want to ride your cock.” She teased up the short hem of her olive satin dress. “When you forced me to tag along to Le Bleu, didn’t you say you’ll fuck me if I behave? I behaved.” “I said I’ll fuck you when you’re on your period.” “I interpreted that differently.” “It’s not a Benedict de Spinoza book. It was not open to different interpretations.” “Whatever. That last time wasn’t so great anyway.” Contrary to her words, her dress inched up, flirting with the border of her lace panties. “It happened so long ago that I don’t even remember much. Was I even there? Were you?” Egging me on wouldn’t work. Sadly for her, I was more sophisticated than that. She continued, undeterred. “Oliver told me you’re a born-again virgin. You know your pee pee has other functions, right?” “Leave, Dallas.” (Chapter 55)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
I know.” I lower my forehead to his. “But I don’t want any part of anything that could hurt this.” My nose begins to tingle. “Noah, I want this. I want us.” “Baby.” His hands frame my face, his palms shaking. “I want you. Only you.” His lips throb against mine, his eyes closing, only to open, satin blue piercing mine as he whispers, “Say you swear.
Meagan Brandy (Say You Swear (Boys of Avix, #1))
Love never comes the way we think it will or how we expect it will; instead, it shows up announced as a sweet lover sliding between black satin sheets, whispering in our ear all the things that create shivers and goosebumps on our skin even if we never imagined someone would ever say them to us.
Kate Rose (You Only Fall in Love Three Times: The Secret Search for Our Twin Flame)
shoulder. “If your young man is innocent he’ll be all right. British justice is deservedly respected all the world over.” “But the p’lice, they’re something chronic; they’ll worm anything out of you,” blubbered Nellie. “Don’t get any wrong ideas about our excellent police force into your head,” Mr. Slocomb admonished her. “They are the friends of the innocent. Of course this is very unfortunate for your young man, but surely——” “There ’e is, my poor Bob, in a nasty cell! Oh, sir, d’you think they’ll let me see ’im?” “Well, really——” began Mr. Slocomb; but the conversation was interrupted by a strident call. “Nellie! Nellie! What are you about? Pull yourself together, girl! We have to dine even if...” Mrs. Bliss, the proprietress of the Frampton, flowingly clothed in black satin, paused in the doorway. “Dear me, Mr. Slocomb; you must be wondering what’s come to me, shouting all over the house like this! But really, my poor nerves are so jangled I hardly know where I am! To think of dear Miss Pongleton, always so particular, poor soul, lying there on the stairs—dear, dear, dear!” Nellie had slipped past Mrs. Bliss and scuttled back to the kitchen. Mr. Slocomb noticed that Mrs. Bliss’s black satin was unrelieved by the usual loops of gold chain and pearls, and concluded that this restraint was in token of respect to the deceased. “Yes, indeed, Mrs. Bliss, you must be distraught. Indeed a terrible affair! And this poor girl is in great distress about young Bob Thurlow, but I would advise you to keep her mind on her work, Mrs. Bliss; work is a wonderful balm for harassed nerves. A dreadful business! I only know, of course, the sparse details which I have just read in the evening Press.” “You’ve heard nothing more, Mr. Slocomb? Nellie’s Bob is a good-for-nothing, we all know”—Mrs. Bliss’s tone held sinister meaning—“but I’m sure none of us thought him capable of this!” “We must not think him so now, Mrs. Bliss, until—and unless—we are reluctantly compelled to do so,” Mr. Slocomb told her in his most pompous manner. “And Bob was always so good to poor Miss Pongleton’s Tuppy. The little creature is very restless; mark my words, he’s beginning to pine! Now I wonder, Mr. Slocomb, what I ought to do with him? What would you advise? Perhaps poor Miss Pongleton’s nephew, young Mr. Basil, would take him—though in lodgings, of course, I hardly know. There’s many a landlady would think a dog nothing but a nuisance, and little return for it, but of course what I have done for the poor dear lady I did gladly——” “Indeed, Mrs. Bliss, we have always counted you as one of Tuppy’s best friends. And as you say, Bob Thurlow was good to him, too; he took him for walks, I believe?” “He always seemed so fond of the poor little fellow; who could believe ... Well! well! And they say dogs know! What was that saying Mr. Blend was so fond of at one time—before your day, I daresay it would be: True humanity shows itself first in kindness to dumb animals. Out of one of his scrap-books. Well, the truest sayings sometimes go astray! But I must see after that girl; and cook’s not much better, she’s so flustered she’s making Nellie ten times worse. She can’t keep her tongue still a moment!” Mrs. Bliss bustled away, and Mr. Slocomb, apparently rather exasperated by her chatter, made his escape as soon as she had removed herself from the doorway. As Mrs. Bliss returned to the kitchen she thought: “Well, I’m glad he’s here; that’s some comfort; always so helpful—but goodness knows what the dinner will be like!” CHAPTER TWO THE FRUMPS DINNER at the Frampton that evening was eaten to the accompaniment of livelier conversation than usual, and now and again from one of the little tables an excited voice would rise to a pitch that dominated the surrounding talk until the owner of the voice, realizing her unseemly assertiveness on this solemn evening, would fall into lowered tones or awkward silence. The boarders discussed the murder callously. One’s
Mavis Doriel Hay (Murder Underground)
And she thought it was good to be sad. Not miserable, since she'd never felt that way because she was modest and simple but that indefinable thing as if she were romantic. Of course she was neurotic, that goes without saying. It was a neurosis that kept her going, my God, at least that: crutches. Every once in a while she wandered into the better neighborhoods and gazed at the shop windows glittering with jewels and satin clothes–just to mortify herself a bit. Because she needed to find herself and suffering a little is a way of finding.
Clarice Lispector
Baby.” His hands frame my face, his palms shaking. “I want you. Only you.” His lips throb against mine, his eyes closing, only to open, satin blue piercing mine as he whispers, “Say you swear.
Meagan Brandy (Say You Swear (Boys of Avix, #1))
That's the wonderful thing about one's thirties...Almost anything can surface. Old radical friends - and you and I can think of a number - emigrate to the suburbs, build two-car attached garages, take their daughters for lessons in bourgeois dance, and coach competitive sport. One the other hand we find the individual who decides he doesn't care what Granny or Aunt Edna thinks. He says to himself, 'There it is. I'm queer, queer as the day is long. I'm going to prance and wear satin pants until I'm eighty. I don't care.' Admirable.
Guy Vanderhaeghe (My Present Age)
He smirks when he reaches my underwear. I smile when he slides a hand over the satin fabric. “It was laundry day.” He removes the rest of the dress, and neither one of us moves. “I’ve wasted more study time than I’d like to admit wondering if you were wearing anything or not.” “That's funny,” I say. “I fantasized about stabbing you in the eye with your pen.” His touch halts. “Wait, what?” I laugh. “You don't want to know.” He
Rachel Schneider (Taking Mine (Breaking Habits #1))
I wanted to let you to know that I agree to the match and I will marry you.” He couldn’t suppress a chuckle at her regal demeanor. “Well, I should certainly hope so as our engagement is a foregone conclusion. The contracts have already been drawn up.” Ian reached to touch her silken hair, unable to resist her. Her eyes narrowed as she rose from her seat. “I would have you know, Your Grace, that it was not a ‘foregone conclusion.’ In fact, I was not going to marry you at all! I have been doing everything I can to avoid becoming leg-shackled to you and I was going to run away!” His jaw clenched. Ian had hoped to dispel her feelings that he was a monster and apparently had failed far worse than he had ever anticipated. “And just where were you planning to run to?” he asked icily, unwilling to acknowledge the pain in his heart. Angelica did not flinch at his tone. Her skirts rustled as she paced the room. “I would have used the money I made from my stories to rent a flat somewhere in the city and support myself with short stories until I finished a novel. I heard that the lady who wrote Pride and Prejudice made one hundred forty pounds.” “That would not be enough to buy your pretty gowns,” he mocked, his temper rising at her sheer ignorance and ingratitude. “Gowns can go to the devil!” she retorted, cheeks growing pink in indignation. She looked down at her pale-blue satin opera gown as if offended by the shimmering elegance adorning her exquisite form. “Besides, they are not sensible garb for an author, I should say.” The way Angelica glibly spoke of living in squalor and subjecting herself to the sordid dangers of London rather than being his duchess made him clench his fists. Did she really think he was a fate worse than death? Or was she truly that naive? “What play are we going to see?” she asked in a blatant attempt to change the subject. Ian did not intend to let her off that easily. Inspiration struck him. Oh, he would take her to a “play” for certain. A play that she would never forget. “Something pitiful and tragic,” he said with an evil smile. It was high time his bride received a taste of reality. “I think you will be quite affected.” Her eyes narrowed in suspicion at his tone but she nodded in assent, ever displaying her indomitable courage. “I will get my cape.” “Put on a sensible pair of boots as well.” Ian’s heart twisted with bitterness. He would show her a fate worse than death. ***
Brooklyn Ann (Bite Me, Your Grace (Scandals with Bite, #1))
He stopped speaking as Cassandra made her way down the stairs. Garbed in a Grecian gown of blue-green satin that matched her eyes perfectly, she looked like a goddess descending from Olympus to bestow a rare blessing. Her upswept auburn hair gleamed like burnished copper with silken tendrils framing the sculpted perfection of her face and brushing her smooth bared shoulders. The breath fled from his body. Surely he was unworthy of touching such a miraculous creature. “Rafe?” She frowned. He dragged his gaze from the curves of her breasts. “Yes?” Her frown deepened and she gave him a strange look. He realized she must have asked him a question. “I am sorry. What was that, Querida?” Vincent guffawed behind him, but fell silent as Lydia appeared in a matching gown of gold-spangled ivory. “God, Lydia…” He breathed. “You look quite smart as well, my lord,” she drawled sweetly. “Albeit a trifle overdressed for my taste.” The Lord of Cornwall eyed his wife. “I could say the same of you.” Rafe looked down at his feet and sighed. The sight of those two mooning over each other used to make his stomach roil. Now a twinge of envy gnawed at his heart. If only Cassandra would look at him with such adoration. If only they could share such suggestive, silly banter. “The
Brooklyn Ann (Bite at First Sight (Scandals with Bite, #3))
Rafe gave her a roguish smile and led her in the steps with such practiced grace that it was as if he danced every night. “You seem astonished by something, Querida.” His voice was low and teasing. “Did you assume that I could not dance?” She nodded sheepishly. “I had never seen you do so before…and with your arm…” “What about it?” He deftly whirled her and she nearly missed the right step. Her face flamed in embarrassment. “It seems I am the one who is unaccomplished.” She looked down at her feet, encased in fragile satin slippers, and laughed awkwardly. “Truly, I never was good at this sort of thing.” “Neither was I.” His hand gripped her a little more firmly and moved closer, reaching the verge of impropriety. “But if you try to relax and simply concentrate on the music, perhaps this ordeal will be less distasteful.” Her heart gave a little twinge. He thinks I do not want to dance with him. Lifting her gaze to meet his, she gave him a shy smile. “It is the fact that I am dancing with you that makes this enjoyable.” He blinked in surprise, and the sudden tenderness in his amber eyes made her belly flutter. For a moment he seemed about to say something, but then his hand squeezed hers and he merely smiled. So
Brooklyn Ann (Bite at First Sight (Scandals with Bite, #3))
Remember what I told you, Nerissa.  Spare no expense when it comes to dressing her.  I want her out of those hideous colors and fabrics she's in now, and into something that will show her coloring to greatest advantage." "Silks, satins, velvets?" "Yes, and the finest, most expensive ones Madame has."  Lucien's enigmatic black eyes had gleamed with sly delight before he'd turned away and, his forefinger tapping his lips once, twice, continued on.  "And dramatic colors only — no pastels for that girl, no more washed out yellows and wretched browns that only make her look sallow and ill.  She's no English rose and shouldn't be dressed like one.  No, I want her in blazing scarlet, brilliant turquoise, emerald green, magenta — loud, startling hues that will flatter her exotic coloring and make every man at the ball unable to take his eyes off her."  He'd given a dangerous little smile.  "Especially Charles . . ." Nerissa had returned his grin.  "Especially Charles." "Just take care, my dear, that he does not learn of the purchases you'll make for the girl at Madame Perrot's.  Let him think the shopping trip is for you, and that Amy is along as . . . as training to be a lady's maid.  Ah, yes.  That will throw him off the scent quite nicely, I think — as well as make him seriously begin to question, if he has not already, whether he wants her to be a lady's maid or his lady."  He had grinned then, as delighted with his machinations as he must've been when he'd brought Gareth and Juliet together.  "It is imperative that he is, shall we say, pleasantly surprised when he sees his little friend at Friday night's ball . . ." Even
Danelle Harmon (The Beloved One (The De Montforte Brothers, #2))
So this was passion, these intense sensations centered below her belly that made her feel boneless as satin and…and hot as… Faith, she couldn’t think what. Her knees were open and her bosom bare, and she just wanted more. More. More heat, more stroking, more… A keening began low in her throat that matched the building intensity between her legs. His fingers inside her fell into a provocative, rushing rhythm that was like…like… “That’s it, my lovely Jane,” Dom whispered against her breast. “Give yourself to the dance.” Ah, yes, like dancing. Only better. Because the music rising inside her came from her pounding heart and beating blood, from Dom’s devilish playing upon her privates, from the crescendo…of her own…quickening…gasps… Someone screamed. Her, apparently, for Dom uttered an oath seconds before he swallowed her cry with his kiss. And just like that, she vaulted out of the dance into heaven. Her body shook and her hand gripped his neck hard enough to leave marks, and it was marvelous. Every inch of her felt alive, from bones to flesh to skin. She wanted to shout, but Dom’s mouth wouldn’t leave hers. His tongue slid silkily in and out, slowing, softening, bringing her down from wherever it was she’d been. After a while, his kiss gentled to a tender sweetness that made her ache in a different way. In her heart. Her stupid, foolish heart. Regretfully, she drew her lips from his, and he let her, though his gaze didn’t leave her face. He drew up her bodice, pulled down her skirts, and lifted her until she was sitting straight up on his lap. His thing felt like a rod of iron beneath her bottom, but he made no move to have her touch it again. Which was good because at the moment, she could only sit there, limp and panting. He briefly kissed her forehead. “That, sweeting, is passion,” he said in a throttled voice. She nodded. It was all she could manage. “And if you wish to leave this room an innocent, you’d best go without delay.” That startled her. But she was grateful for the warning. Because now that their encounter was done, and she was returning to reality, she realized how mad this was. If she still meant to marry Edwin… No, she couldn’t think about that. Not right now, when she had Dom’s taste in her mouth and his scent engulfing her senses. Blushing, she rose from his lap and straightened her clothes, sure that if she came across anyone in the halls, they would guess at once what she’d been doing. Thank heaven the servants had probably already retired to their quarters. She would die if any of them saw her and guessed she’d been playing the wanton. “Dom…” she began, not sure what to say. Thank you? That was lovely? When may we do it again? Not that. If they ever did this again, she wouldn’t rest until he made her his. And she still wasn’t sure she wanted that. “It’s all right, Jane,” he said tightly, as if he could read the conflict inside her. “Get some sleep. We’ll talk tomorrow.” She bobbed her head and fled.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
That’s very trusting.” Iris watches Anke search our backpacks. “We’re saving people’s lives. We thought we could be,”Anke says. I’m more fixated on her arm in my backpack than on what she’s saying, though. That bag is nearly empty, but it’s mine. She’s messing it up. Her hands might not even be clean. When she does stop, I immediately wish she hadn’t. “Denise,” she says, “I need to search your bed next.” My gaze flicks to my pillow. “I. I. Could I.” “She doesn’t like people touching her bed.” Iris stands, guarding me. “You’re touching it,” Captain Van Zand’s brother says. Iris shoots him a withering look. “I sat at the foot, which is the only place that’s OK for even me to touch, and I’m her sister.” Anke’s sigh sounds closer to a hiss. “Look, we have more rooms to search.” I squirm. No. Not squirm. I’m rocking. Back and forth. “Wait,” I say. “You can’t—” Iris goes on. “Just ’cause she’s too precious to—” the man argues. “Wait,” I repeat, softer this time, so soft that I’m not even sure Iris hears it. “Can I, can I just, wait. I can lift the sheets and mattress myself. You can look. Right? Is that good? Right? Is that good? If I lift them?” I force my jaw shut. No one says anything for several moments. I can’t tell if Anke is thinking of a counterargument or if she really is trying to make this work. Her lips tighten. “OK. If you listen to my instructions exactly.” “You’re indulging her?” Captain Van Zand’s brother says. “She’s just being difficult. Have you ever seen an autistic kid? Trust me, they’re not the kind to take water scooters into the city like she did.” “Denise, just get it done,” Anke snaps. I don’t stand until they’re far enough away from the bed, as if they might jump at me and touch the bed themselves regardless. I blink away tears. It’s dumb, I know that—I’m treating Anke’s hands like some kind of nuclear hazard—but this is my space, mine, and too little is left that’s mine as is. I can’t even face Iris. With the way she tried to help, it feels as though I’m betraying her by offering this solution myself. I keep my head low and follow Anke’s orders one-handed. Take off both the satin and regular pillowcases, show her the pillow, shake it (although I tell her she can feel the pillow herself: that’s OK, since the pillowcases will cover it again anyway)—lift the sheets, shake them, lift the mattress long enough for her to shine her light underneath, let her feel the mattress (which is OK, too, since she’s just touching it from the bottom) . . . They tell us to stay in our room for another hour. I wash my hands, straighten the sheets, wash my hands again, and wrap the pillow in its cases. “That was a good solution,” Iris says. “Sorry,” I mutter. “For what?” Being difficult. Not letting her help me. I keep my eyes on the sheets as I make the bed and let out a small laugh.
Corinne Duyvis (On the Edge of Gone)
nothing says class like a girl in a satin bridesmaid dress swilling beer out of the bottle—
Chevy Stevens (Still Missing)
I love a lounging pajama." You also love a marabou mule slipper and a satin robe with a train. "It is elegant." It is insane. "It is sophisticated." Sure, if you're Nora Charles. It isn't 1940. "Yeah, but look at yourself." I look in the mirror. The silk and cashmere blend fabric has just the right amount of drape to conceal the lumpier parts of me without clinging, but enough weight to seem more substantial than sleepwear. The color is somewhere halfway between cream and ballerina pink, a color I would never pick, but is a lovely counterpoint to my pale skin and dark hair. All in all, I look fairly adorable for this hour, certainly good enough to warrant a little morning attention. "Told you so." Yeah, yeah. "Didn't I give you a matching robe for that?" Don't push it. "I'm just saying." Fine. I grab the matching robe. It has a wide band of gathered elastic in the back that hits right above my tush, giving me shape, even though the robe isn't tied. Made of the same fabric as the pajamas, it doesn't add bulk the way most robes do, but instead almost serves as the same elegant look a long trench provides. "HA!" You are such a bad gloater. "Too bad. You look utterly shaggable.' Well I hope so, since I'm pretty sure Brian doesn't think he is coming over for an actual meeting.
Stacey Ballis (Out to Lunch)
she would say to the children as they crowded about her bent shoulders, peering at her satin stitch or Madeira work, “my kids too: I’m not proud; well, I don’t care what happens to you kids, I’ve done my best and if that’s not satisfactory, you must try another shop.
Christina Stead (The Man Who Loved Children)
We would also like to say a few words about your bedroom wardrobe. This is no place to be grim and practical. Don't worry about whether your nightgowns will wear if you are sure that they will flatter. We can think of nothing more depressing than going to bed in a washed-out four-year-old nightgown, nothing more bolstering to the morale than going to bed all fragrant with toilet-water and wearing a luscious pink satin nightgown, well-cut and trailing.
Marjorie Hillis (Live Alone and Like It)
All those songs I used to pretend to understand, all the angsty, heartbroken songs I had heard all my life, they suddenly made so much more sense. "Well, then she probably needs a giant coffee, a huge box of your creations, and some time to nurse her feelings in private, don't you think?" Brantley Dane, local hero, saves girl from sure death brought on by sheer mortification. That'd be his headline. "Come on, sweetheart," he said, moving behind me, casually touching my hip in the process, and going behind counter. "What's your poison? Judging by the situation, I am thinking something cold, mocha or caramel filled and absolutely towering with full fat whipped cream." That was exactly what I wanted. But, broken heart aside, I knew I couldn't let myself drown in sweets. Gaining twenty pounds wasn't going to help anything. There was absolutely no enthusiasm in my voice when I said, "Ah, actually, can I have a large black coffee with one sugar please?" "Not that I'm not turned on as all fuck by a woman who appreciates black coffee," he started, making me jerk back suddenly at the bluntness of that comment and the dose of profanity I wasn't accustomed to hearing in my sleepy hometown. "But if you're only one day into a break-up, you're allowed to have some full fat chocolate concoction to indulge a bit. I promise from here on out I won't make you anything even half as food-gasm-ing as this." He leaned across the counter, getting close enough that I could see golden flecks in his warm brown eyes. "Honey, not even if you beg," he added and, if I wasn't mistaken, there was absolutely some kind of sexually-charged edge to his words. "Say yes," he added, lips tipping up at one corner. "Alright, yes," I agreed, knowing I would love every last drop of whatever he made me and likely punish myself with an extra long run for it too. "Good girl," he said as he turned away. And there was not, was absolutely not some weird fluttering feeling in my belly at that. Nope. That would be completely insane. "Okay, I got you one of everything!" my mother said, coming up beside me and pressing the box into my hands. She even tied it with her signature (and expensive, something I had tried to talk her out of many times over the years when she was struggling financially) satin bow. I smiled at her, knowing that sometimes, there was nothing liked baked goods from your mother after a hard day. I was just lucky enough to have a mother who was a pastry chef. "Thanks, Mom," I said, the words heavy. I wasn't just thanking her for the sweets, but for letting me come home, for not asking questions, for not making it seem like even the slightest inconvenience. She gave me a smile that said she knew exactly what I meant. "You have nothing to thank me for." She meant that too. Coming from a family that, when they found out she was knocked up as a teen, had kicked her out and disowned her, she made it clear all my life that she was always there, no matter what I did with my life, no matter how high I soared, or how low I crashed. Her arms, her heart, and her door were always open for me. "Alright. A large mocha frappe with full fat milk, full fat whipped cream, and both a mocha and caramel drizzle. It's practically dessert masked as coffee," Brantley said, making my attention snap to where he was pushing what was an obnoxiously large frappe with whipped cream that was towering out of the dome that the pink and sage straw stuck out of. "Don't even think about it, sweetheart," he said, shaking his head as I reached for my wallet. "Thank you," I smiled, and found that it was a genuine one as I reached for it and, in a move that was maybe not brilliant on my part, took a sip. And proceeded to let out an almost porn-star worthy groan of pure, delicious pleasure. Judging by the way Brant's smile went a little wicked, his thoughts ran along the same lines as well.
Jessica Gadziala (Peace, Love, & Macarons)
Are you sure it’s going to fit? You told me to get a double.” “I did?” She glanced at the platform. “I meant a full. That’s a little narrower, isn’t it?” “I don’t know. I hope they’re the same. Measure twice, move once.” Doubt flickered across Kenzie’s expression. “That’s not how the saying goes.” “It’ll do for now.” “Let’s just try it.” She curled her fingers around a handle and dragged it onward. Linc reached for the other one and helped her flip it down. It hollowed in the middle and hung over the edge. “I’m guessing I got suckered,” he said with annoyance. He looked at the label sewn into the side. “It isn’t a national brand--the measurement sure isn’t standard. The damn thing is about three inches wider than the platform.” “The length is correct,” Kenzie said helpfully. Linc lifted it back up again and leaned it against the opposite wall. “Yeah. Great.” “Sorry,” she offered. He bent over and ran a hand along the platform’s edge, pushing gently on the long wooden bar that kept the mattress in place. It gave at one corner. “Stapled. Not exactly quality construction.” He thumped at it with a closed fist to pry it loose and di the same thing at the other end, straightening with the bar in his hand. He handed it to her. “This can go in the closet. You get to explain to Norm.” “He won’t care. You’re a genius.” Linc hoisted the mattress and flipped it down again. “If you say so.” He grinned. “At least the bed’s flat.” Kenzie rested the bar in a corner and got busy stripping off the plastic while he watched. The luxurious satin top gleamed softly--he’d spent what she’d given him. When she was done, she had an armful of plastic that she stuffed into a bag on top of the crumpled rock-star posters. With a sigh of happiness she sat down on her new bed. “Thanks so much. You really came through.” “I like protecting you from lecherous mattress salesmen. You don’t need to thank me,” he joked. “How about a kiss instead?” Linc was taken aback. He opened his mouth, too surprised for a second to say yes. No never entered his mind.
Janet Dailey (Honor (Bannon Brothers, #2))
Thanks so much. You really came through.” “I like protecting you from lecherous mattress salesmen. You don’t need to thank me,” he joked. “How about a kiss instead?” Linc was taken aback. He opened his mouth, too surprised for a second to say yes. No never entered his mind. Kenzie’s slender arms twined around his neck and she raised herself up on her sneaker toes to make good on her offer. Linc let his hands slide over her body, stopping at the sweet curve of her jeans-clad hips. She flexed, catlike, arching her back to bring herself more tightly against him. Her moves were playful, feminine to the core, instantly arousing him. He kissed her back, gently at first, then with searching strength. She didn’t seem to want to stop. She nipped at his lower lip, then moved back a little, looking up at him with half-closed eyes as her hands moved into his hair. Linc stood his ground, enjoying the stroking caress. One hand moved down to his jawline. Soft and tender. He wasn’t used to her being this gentle. “Nice,” she said softly. He tried to remember how to talk. Too complicated. He hadn’t let go of her waist, but there was more air between them than he really needed. “And enough for now,” she added. He came to his senses. She stepped away from him, not looking at the new mattress that seemed to be the only thing in the room. Linc glanced at the expanse of tufted satin with a flash of regret. “We should think about it, you know,” she said. “We can’t just tumble into bed.” “Oh.” He didn’t need to think, he knew. He wanted her. Bad. “Kenzie…you can call the shots. Just tell me when.” Her mouth curved upward in an indescribable smile Linc would never forget. “Okay,” she said.
Janet Dailey (Honor (Bannon Brothers, #2))
I was wondering,” she began as if the argument hadn’t happened. “If I went to buy the new bedding, would you pick out the mattress? It would save time.” “Huh?” His eyebrows went up. “I don’t need to test it,” she said hastily. “Well, I’m not going to be sleeping on it.” Kenzie didn’t respond directly to his faintly mocking comment. “Let me explain. You’re a guy. You don’t know what it’s like to lie down on a mattress with a store salesman grinning at you.” Linc could see her point. It was all too easy to imagine her stretched out on a satin-topped, brand-new double. Fully clothed, of course. But even so. “It’s on Norm.” She reached into her pocket for a handful of hundreds. “Just get whatever mattress seems reasonable, so long as it’s in stock and they can deliver it today.” His arms uncrossed but he didn’t take the money. “Did I say yes to this? I don’t think I did.” “Please, Linc.” He studied her, making her wait. The room was nothing to write home about but she seemed happy here and, all of a sudden, a lot less tense, judging by her body language. He gave in. “All right.” Claws retracted, Kenzie patted his cheek. “Thank you so much.” A while later, he was tying a plastic-wrapped mattress to the top of his car.
Janet Dailey (Honor (Bannon Brothers, #2))
You call that a kiss?” “Yep.” Okay, so I’m in shock the girl put my hand on her creamy cheek. Damn, you’d think I was on drugs by the way my body reacted. She had me totally under her spell a minute ago. Then the pretty witch turned my game around so she was the one with the upper hand. She surprised me, that’s for sure. I laugh, deliberately calling attention to us because I know it’s exactly what she doesn’t want. “Shh,” Brittany says, hitting me on the shoulder to shut me up. When I laugh louder, she whacks my arm with the heavy chem book. My bad arm. I wince. “Ow!” The cut on my biceps feels like a million little bees are stinging it. ¡Cabrón me dolioǃ She bites her Bobbi Brown Sandwash Petal’d frosted bottom lip, which in my opinion looks fine on her. Though I wouldn’t mind seeing her in the Pink Blossom color, too. “Did I hurt you?” she asks. “Yes,” I say through gritted teeth as I concentrate on her lip gloss instead of the pain. “Good.” I lift my sleeve to examine my wound, which now (thanks to my chem partner) has blood trickling from one of the staples the doc at the free clinic put in it after the fight at the park with the Satin Hoods. Brittany’s got a pretty good whack for someone who probably weighs a buck ten soaking wet. She sucks in her breath and scoots away. “Oh my God! I didn’t mean to hurt you, Alex. Really, I didn’t. When you threatened to show me the scar, you lifted your left sleeve.” “I wasn’t really gonna show you,” I say. “I was fuckin’ with you. It’s okay,” I tell her. Geez, you’d think the girl never saw red blood before. Then again, her blood probably runs blue. “No, it’s not okay,” she insists while shaking her head. “Your stitches are bleeding.” “They’re staples,” I correct her, trying to lighten the mood. The girl is even whiter than she usually is. And she’s breathing heavy, almost panting. If she passes out, I swear I’m losing the bet with Lucky. If she can’t handle a little streak of my blood, how’s she gonna handle having sex with me? Unless we’re not naked, so she doesn’t have to see my various scars. Or if it’s dark, then she can pretend I’m someone white and rich. Fuck that, I want the lights on…I want to feel all of her against me and want her to know it’s me she’s with and not some other culero. “Alex, are you okay?” Brittany asks, looking totally concerned. Should I tell her I was spacing out while thinking about us having sex?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Brittany has been wary this whole week. She’s waiting for me to play a joke on her, to get her back for tossing my keys into the woods. After school, as I’m at my locker picking books to take home, she storms up to me wearing her sexy pom uniform. “Meet me in the wrestling gym,” she orders. Now I can do two things: meet her like she told me to or leave the school. I take my books and enter the small gym. Brittany is standing, holding out her keychain without keys dangling from it. “Where have my keys magically disappeared to?” she asks. “I’m going to be late for the game if you don’t tell me. Ms. Small will kick me off the squad if I’m not at the game.” “I tossed them somewhere. You know, you should really get a purse that has a zipper. You never know when someone will reach in and grab somethin’.” “Glad to know you’re a klepto. Wanna give me a hint as to where you’ve hidden them?” I lean against the wall of the wrestling gym, thinking about what people would think if they caught us in here together. “It’s in a place that’s wet. Really, really wet,” I say, giving her a clue. “The pool?” I nod. “Creative, huh?” She tries to push me into the wall. “Oh, I’m going to kill you. You better go get them.” If I didn’t know her better, I’d think she was flirting with me. I think she likes this game we have going on. “Mamacita, you should know me better than that. You’re all on your own, like I was when you left me in the library parking lot.” She cocks her head, gives me sad eyes, and pouts. I shouldn’t concentrate on her pouty lips, it’s dangerous. But I can’t help it. “Show me where they are, Alex. Please.” I let her sweat it out a minute before I give in. By now most of the school is deserted. Half of the students are on their way to the football game. The other half is glad they’re not on their way to the football game. We walk to the pool. The lights are off, but sunlight is still shining through the windows. Brittany’s keys are where I threw ‘em--in the middle of the deep end. I point to the shiny pieces of silver under the water. “There they are. Have at it.” Brittany stands with her hands on her short skirt, contemplating how she’s going to get them. She struts over to the long stick hanging on the wall that’s used to pull drowning people from the water. “Piece of cake,” she tells me. But as she sticks the pole into the water, she finds out it’s not a piece of cake. I suppress a laugh as I stand at the edge of the pool and watch her attempt the impossible. “You can always strip and go in naked. I’ll watch to make sure nobody comes in.” She walks up to me, the pole gripped firmly in her fingers. “You’d like that, wouldn’t you?” “Uh, yeah,” I say, stating the obvious. “I have to warn you, though. If you have granny undies on, you’ll blow my fantasy.” “For your information, they’re pink satin. As long as we’re sharing personal info, are you a boxers or briefs guy?” “Neither. My boys go free, if you know what I mean.” Okay, I don’t let my boys go free. She’ll just have to figure that out herself. “Gross, Alex.” “Don’t knock it till you try it,” I tell her, then walk toward the door. “You’re leaving?” “Uh…yeah.” “Aren’t you going to help me get the keys?” “Uh…nope.” If I stay, I’ll be tempted to ask her to ditch the football game to be with me. I’m definitely not ready to hear the answer to that question. Toying with her I can handle. Showing my true colors like I did the other day made me take my guard down. I’m not about to do that again. I push the door open after taking one last glance at Brittany, wondering if leaving her right now makes me an idiot, a jerk, a coward, or all of the above.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
You can always strip and go in naked. I’ll watch to make sure nobody comes in.” She walks up to me, the pole gripped firmly in her fingers. “You’d like that, wouldn’t you?” “Uh, yeah,” I say, stating the obvious. “I have to warn you, though. If you have granny undies on, you’ll blow my fantasy.” “For your information, they’re pink satin. As long as we’re sharing personal info, are you a boxers or briefs guy?” “Neither. My boys go free, if you know what I mean.” Okay, I don’t let my boys go free. She’ll just have to figure that out herself. “Gross, Alex.” “Don’t knock it till you try it,” I tell her, then walk toward the door.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Did I interrupt something? A sordid little tryst, perhaps?” “You must be joking.” Cass was in no mood for humor. Besides, the closest she’d ever been to a tryst was when he’d fallen on top of her in the street earlier that day. “Always. Sadly, you don’t seem like the type of girl who would be up for a midnight…encounter.” Falco’s eyes drifted downward. “Too bad.” Cass realized her cloak had fallen open, exposing the white nightgown she wore underneath. She pulled the velvet fabric tight around her body. Then the shrubbery rippled once more with unfamiliar movement. Cass’s heart froze. “We should get out of here,” she said. “It’s not safe.” “Not safe?” Falco raised an eyebrow. “Why? Because it’s dark and you might accidentally trip over your own two feet? I feel quite safe. In fact, I was just settling in to do some reading.” Cass furrowed her brow. “Reading?” Falco wagged her journal in front of her. “This is yours, I presume.” A slow smile spread across his face. “Let’s find out exactly what you’ve been doing, shall we?” “Give it back!” Cass reached for the journal, but Falco easily dodged her. He opened the leather-bound book to a random page and cleared his throat. Clutching a hand to his chest, he pretended to read aloud in a high-pitched voice. “Oh, how I love the way his fingers explore my soft flesh. The way his eyes see into my very soul.” This time, Cass managed to snatch the book out of his hands. “That is not what it says.” “I guess that means you won’t be keeping me warm tonight?” Falco quirked an eyebrow. Before she could muster up a response, he laughed. “Then again, the accommodations probably wouldn’t meet your standards. You’ve probably never slept on anything but the finest satins, have you?” Cass hoped the darkness camouflaged her scarlet cheeks. Who was this boy to talk to her the way he did? “Is that why you’re here? Looking for a date?” Cass gestured toward a row of pointed headstones. “I do believe you’re in luck. I see some ladies who won’t be able to refuse you.” The words flew out of her mouth before she could rethink them. “Funny. And correct. Sort of. I was actually just looking for a place to get a little rest.” For a second, the smile dropped from his face, and an expression passed across it that Cass couldn’t identify. “Sleep in a graveyard?” Cass frowned. “You can’t be serious.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
For long seconds, neither of them moved. The only sound in the forest was the wind luffing through the trees, their labored breathing, and the soft thud of their heartbeats. Then Call muttered something beneath his breath. Gathering his long limbs, he lifted himself away from her and regained his feet. His shaft was still hard, big and thick and jutting forward through his open fly as if they hadn’t just made wildly passionate love. Call rid himself of the condom, zipped his faded jeans, and turned to find her groping for her sweater, pulling it on to cover her naked breasts. Swearing, he reached down and snatched up her jeans and pink satin panties, which were tangled together and refused to come apart. “Here.” She blushed as he unwound the fabric, handing her first the panties, then the jeans, which she hurriedly pulled on. She didn’t look at him. Her cheeks were hot and her lacy pink bra still lay embarrassingly on the ground. She snatched it up and stuffed it into the pocket of her jeans. Charity swallowed, made herself turn and face him, tried to muster some sort of smile. “I…um…I don’t suppose we can blame this on your relief at finding me alive and safe.” He shook his head, his eyes still fixed on her face. “I don’t think so.” “Just lust then, I suppose.” He shrugged those wide shoulders and she wished he would put his shirt back on so she didn’t have to remember all that smooth muscle moving beneath her hands. “So it’s just a one-night stand.” His head came up. Eyes as blue as the sky bored into her. “In case you haven’t noticed, the sun is still up.” “The sun is always up in this place. What does that have to do with anything?” He pulled on his shirt and she suddenly wished he were bare-chested again. “It has to do with the fact that the night hasn’t even begun.” Her eyebrows shot up. “You’re not…you’re not saying what I think you are.” “I’m saying exactly what you think I am. If you believe what just happened is anything besides a warm-up, sugar, you had better think again. If I wasn’t worried that Maude might sent the Mounties up here to find us if we don’t get back soon, we’d start over again right here.” “B-but you said…we both said--” “I know exactly what we said. It’s a little late to be worrying about that now.” He looked at her and his deep voice softened. “Besides, I never really believed one night with you would be enough.” Relief trickled through her. Whatever was happening between them, it wasn’t over yet. She gave him a reluctant smile. “I never believed it either.” “Come on.” Call reached out and caught her hand. “It’s Friday. We’ve got the whole weekend ahead of us. Maybe by Monday, we’ll have had enough of each other.” “Maybe,” she said. But Charity didn’t really believe it and from the burning glance Call gave her, she didn’t think he did either.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
Tell her what you want to tell her then, Cass.” Cass gave Siena a quick summary of what she and Falco had discovered at the graveyard. The maid’s eyes got bigger and bigger as Cass relayed finding the open crypt door and the body, and then receiving the note. “But Signorina Cass, you might be in danger!” “That’s why we’re going to figure out who’s responsible,” Cass said, with more confidence than she felt. “Speaking of which…” Falco nodded at the costume bag, which Cass had completely forgotten. A silky garment, trimmed with lace and beaded elaborately, had fallen out during the scuffle. Siena looked down, and even in the flickering light, Cass could see that her pale skin went bright pink. The lady’s maid knelt to retrieve the outfit, a low-cut satin chemise. She pressed the clothing into Cass’s hands without meeting her eyes. Cass felt her own face get red. “It’s--it’s just a costume. We’re going to try to locate some of the dead girl’s patrons.” “You mean you’re going to masquerade as a…” The shy maid couldn’t choke out the rest. “Hired woman,” Cass confirmed, wondering if it would have been easier just to let Siena believe that she and Falco had met up for a tryst. She wasn’t sure which would have been more scandalizing. “I know it’s dangerous, but it’s more dangerous to do nothing while a madman plots against me. And Falco will be by my side the whole time. Please don’t tell my aunt.” Siena didn’t say anything for a minute. She looked back and forth from Cass to Falco. Finally, she nodded. And then, to Cass’s amazement, her red face lit up with a huge smile. “You’ll need me to do your hair, Signorina.” “Hair?” Cass wasn’t sure she had heard correctly. “What are you talking about?” “Your hair and your makeup.” Siena reached out to stroke Cass’s thick hair. “Otherwise, no one will believe you are anything other than a noblewoman. I’ll put the sides in braids, and twist the back into a knot.” Falco nodded approvingly at Siena. “Excellent idea. We want to make sure everyone can see that beautiful face tonight.” Cass thought her skin might turn permanently red if she continued blushing.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
I wrote home to say how lovely everything was, and I used flourishing words and phrases, as if I were living life in a greeting card - the kind that has a satin ribbon on it, and quilted hearts and roses, and is expected to be so precious to the person receiving it that the manufacturer has placed a leaf of plastic on the front to protect it. Everyone I wrote to said how nice it was to hear from me, how nice it was to know I was doing well, that I was very much missed, and that they couldn't wait until the day came when I returned.
Jamaica Kincaid (Lucy)
I say, I’d always figured those toga-wearing guys hung out around the same time. His smile is soft. You always know what poets wore. I say something like, Baudelaire tweezed his nose hairs and wore the floppy black satin bow. Dickinson wore white like a virgin bride. Warren Whitbread wore Brooks Brothers shirts, button-down, oxford-cloth. Jeans and khakis. He was long of limb and lean in a blue bathrobe. He says, And Mary Karr? Black black black. Plus loads of mascara. Spike heels. He reaches among the wrappings on the floor and holds up the eye-fryingly pink sweater his mother picked up for me in Bermuda, saying, You’re not ready for this yet? Grotesque as it looks, in some ways, I want nothing more than to look right occupying
Mary Karr (Lit)