Benedick And Beatrice Quotes

What, my dear Lady Disdain! are you yet living? Beatrice: Is it possible disdain should die while she hath such meet food to feed it as Signior Benedick?

A miracle. Here's our own hands against our hearts. Come, I will have thee, but by this light I take thee for pity. Beatrice: I would not deny you, but by this good day, I yield upon great persuasion, and partly to save your life, for I was told you were in a consumption. Benedick: Peace. I will stop your mouth.

Against my will I am sent to bid you come in to dinner. BENEDICK Fair Beatrice, I thank you for your pains. BEATRICE I took no more pains for those thanks than you take pains to thank me: if it had been painful, I would not have come. BENEDICK You take pleasure then in the message? BEATRICE Yea, just so much as you may take upon a knife's point ... You have no stomach, signior: fare you well. Exit BENEDICK Ha! 'Against my will I am sent to bid you come in to dinner;' there's a double meaning in that...

Come, lady, come; you have lost the heart of Signior Benedick. BEATRICE Indeed, my lord, he lent it me awhile; and I gave him use for it, a double heart for his single one: marry, once before he won it of me with false dice, therefore your grace may well say I have lost it. DON PEDRO You have put him down, lady, you have put him down. BEATRICE So I would not he should do me, my lord, lest I should prove the mother of fools.

Sweet Beatrice, wouldst thou come when I called thee? BEATRICE Yea, signior, and depart when you bid me. BENEDICK O, stay but till then! BEATRICE 'Then' is spoken; fare you well now... (Much Ado About Nothing)

It was wonderful flirting with him, all the razor-edged literary banter, like Beatrice and Benedick in Much Ado About Nothing. A battle of wit, and a test, too.

I do love nothing in the world so well as you: is not that strange? BEATRICE As strange as the thing I know not. It were as possible for me to say I loved nothing so well as you: but believe me not; and yet I lie not; I confess nothing, nor I deny nothing. I am sorry for my cousin. BENEDICK By my sword, Beatrice, thou lovest me. BEATRICE Do not swear, and eat it. BENEDICK I will swear by it that you love me; and I will make him eat it that says I love not you. BEATRICE Will you not eat your word? BENEDICK With no sauce that can be devised to it. I protest I love thee. BEATRICE Why, then, God forgive me! BENEDICK What offence, sweet Beatrice? BEATRICE You have stayed me in a happy hour: I was about to protest I loved you. BENEDICK And do it with all thy heart. BEATRICE I love you with so much of my heart that none is left to protest. BENEDICK Come, bid me do any thing for thee.

You misunderstand me. They set us up … to live out the story of Benedick and Beatrice. To fall for one another or some such nonsense. Hazem admitted it moments ago.

Can I make you a cup of coffee, Mr Scott?" "That would be lovely," Mr Scott said as she stood. Benedick looked at her: "How domestic; you know how to make coffee?" She raised an eyebrow back: "Not well; drink it with caution when it comes." Benedick was so sure he'd read her correctly, so sure she'd read him correctly, he was at once stunned and disgusted. Her expression showed a similar sentiment; then she hurried out of the room.

Besides, he was suitably impressed that we chose Scotland. Puts it down to research for the role." Lainie halted in her sneaky exploration of the small of his back. "I hope not. I don't really see us as the Macbeths." "No. They got on fairly well until the regicide." "Beatrice and Benedick, maybe. With more bickering. And fewer rhyming couplets.

Benedick came into the room, and Mr Scott turned. "Hello son. Is Miss Clark here one of your acquaintances?" Benedick caught himself about to say"unfortunately" and instead said, "A very recent one.

Benedick: A miracle. Here's our own hands against our hearts. Come, I will have thee, but by this light I take thee for pity. Beatrice: I would not deny you, but by this good day, I yield upon great persuasion, and partly to save your life, for I was told you were in a consumption.

Benedick sat down on a bench. He would write a love poem to Beatrice. The god of love… He made up a melody for his first line and hummed it. That sits above… He tried to develop the tune. And knows me… Hmmm. And knows me… How pitiful I deserve… He laughed to himself and gave up. How pitiful he deserved in singing, he meant. As for loving, well… Leander, who swam the Hellispont for love, Troilus, who used a go-between, and all the other famous lovers who fill the pages of poetry, were never as smitten by love as he had been. No, he couldn’t express it in verse. He had tried, but he couldn’t find a word that rhymed with ‘lady’, except ‘baby’, which was a silly rhyme. For ‘scorn’, ‘horn’. He laughed. That was a hard rhyme! For ‘school’, ‘fool’: that was a nonsense rhyme. Very bad rhyming. No, he wasn’t born under a rhyming star. He couldn’t woo with poetry.

Listening to him, Beatrice experienced the afternoon all over again, but this time there was no real danger. There was a boy who'd had a terrific idea that went a little off the rails and a girl who was a good sport and just the kind of sidekick you'd like to have along. Beatrice heard herself laugh when Benedick described her shooting off a man's hat, but it hadn't seemed that funny when it actually happened. There was a sunniness in his words that somehow even disguised his appearance, erasing the boy shaking with exhaustion, flattening all his mercurial layers into one outfit of razzle-dazzle. But the razzle-dazzle was also real. That was the most baffling part of all. He was this, too. She let him do it, not only because she came out looking all right in his story, not a clock-throwing ruin of a girl, but also because Benedick's talking about her as if she were already one of them made her one of them. Words. What a tricky, tangled science.

He strode forward, heedless of the murmuring that began among the women when they saw him. Then Sara turned, and her gaze met his. Instantly a guilty blush spread over her cheeks that told him all he needed to know about her intent. “Good afternoon, ladies,” he said in steely tones. “Class is over for today. Why don’t you all go up on deck and get a little fresh air?” When the women looked at Sara, she folded her hands primly in front of her and stared at him. “You have no right to dismiss my class, Captain Horn. Besides, we aren’t finished yet. I was telling them a story—” “I know. You were recounting Lysistrata.” Surprise flickered briefly in her eyes, but then turned smug and looked down her aristocratic little nose at him. “Yes, Lysistrata,” she said in a sweet voice that didn’t fool him for one minute. “Surely you have no objection to my educating the women on the great works of literature, Captain Horn.” “None at all.” He set his hands on his hips. “But I question your choice of material. Don’t you think Aristophanes is a bit beyond the abilities of your pupils?” He took great pleasure in the shock that passed over Sara’s face before she caught herself. Ignoring the rustle of whispers among the women, she stood a little straighter. “As if you know anything at all about Aristophanes.” “I don’t have to be an English lordling to know literature, Sara. I know all the blasted writers you English make so much of. Any one of them would have been a better choice for your charges than Aristophanes.” As she continued to glower at him unconvinced, he scoured his memory, searching through the hundreds of verse passages his English father had literally pounded into him. “You might have chosen Shakespeare’s The Taming of the Shrew, for example—‘fie, fie! Unknit that threatening unkind brow. / And dart not scornful glances from those eyes / to wound thy lord, thy king, thy governor.’” It had been a long time since he’d recited his father’s favorite passages of Shakespeare, but the words were as fresh as if he’d learned them only yesterday. And if anyone knew how to use literature as a weapon, he did. His father had delighted in tormenting him with quotes about unrepentant children. Sara gaped at him as the other women looked from him to her in confusion. “How . . . I mean . . . when could you possibly—” “Never mind that. The point us, you’re telling them the tale of Lysistrata when what you should be telling them is ‘thy husband is thy lord, thy life, thy keeper. /thy head, thy sovereign; one that cares for thee / and for thy maintenance commits his body / to painful labour by both sea and land.’” Her surprise at this knowledge of Shakespeare seemed to vanish as she recognized the passage he was quoting—the scene where Katherine accepts Petruchio as her lord and master before all her father’s guests. Sara’s eyes glittered as she stepped from among the women and came nearer to him. “We are not your wives yet. And Shakespeare also said ‘sigh no more, ladies, sigh no more / men were deceivers ever / one foot on sea and one on shore / to one thing constant never.’” “Ah, yes. Much Ado About Nothing. But even Beatrice changes her tune in the end, doesn’t she? I believe it’s Beatrice who says, ‘contempt, farewell! And maiden pride, adieu! / no glory lives behind the back of such./ and Benedick, love on, I will requite thee, / taming my wild heart to thy loving hand.’” “She was tricked into saying that! She was forced to acknowledge him as surely as you are forcing us!” “Forcing you?” he shouted. “You don’t know the meaning of force! I swear, if you—” He broke off when he realized that the women were staring at him with eyes round and fearful. Sara was twisting his words to make him sound like a monster. And succeeding, too, confound her.

I protest I love thee. Beatrice: Why, then, God forgive me! Benedick: What offence, sweet Beatrice? Beatrice: You have stayed me in a happy hour: I was about to protest I loved you. Benedick: And do it with all thy heart. Beatrice: I love you with so much of my heart that none is left to protest.

I had always been clever, I had always been outspoken. I had always been well read; I just had to be that. My plan was simple. My notion was that no man wanted a wife who was cleverer than him, and spoke boldly enough to show the world that was.

Benedick was about to lose his ally. He asked, "What was it again you needed me to do?" Prince considered and said, "Favor Beatrice with your company?" "I hate you," Benedick thought. Prince smiled as if he'd heard him.

Meeting the Marches *Hector March, the Earl March (b.1817) His beloved wife, Charlotte, is deceased. He divides his time between his Sussex estate, Bellmont Abbey, and his London home where he is active in Parliamentary debate, particularly over the question of Irish Home Rule. His hobbies are Shakespearean studies and quarrelling with his hermit. His children are: Frederick, Viscount Bellmont “Monty” (b. 1846) Married to Adelaide Walsingham. Resides in London. Represents Blessingstoke as a Member of Parliament. Lady Olivia Peverell (b.1847) Married to Sir Hastings Peverell. Resides in London where she is a prominent political hostess. Hon. Benedick March (b.1848) Married to Elizabeth Pritchett. Manages the Home Farm at Bellmont Abbey and is acknowledged to be Julia’s favourite brother. His two eldest children, Tarquin and Perdita, make an appearance in two of Lady Julia’s adventures. Lady Beatrice “Bee” Baddesley (b. 1850) Married to Sir Arthur Baddesley, noted Arthurian scholar. Resides in Cornwall. Lady Rupert “Nerissa” Haverford (b.1851) Married to Lord Rupert Haverford, third son of the Duke of Lincoln. Divides her time between London and her father-in-law’s estate near Nottingham. Lady Bettiscombe “Portia” (b.1853) Widow. Mother to Jane the Younger. Resides in London. Hon. Eglamour March (b.1854) Known as Plum to the family. Unmarried. A gifted artist, he resides in London where he engages in a bit of private enquiry work for Nicholas Brisbane. Hon. Lysander March (b.1855) Married to Violanthe, his turbulent Neapolitan bride. He is a composer. Lady Julia Brisbane (b.1856) Widow of Sir Edward Grey. Married to Nicholas Brisbane. Her husband permits her to join him in his work as a private enquiry agent against his better judgment. Hon. Valerius March (b.1862) Unmarried. His desire to qualify as a physician has led to numerous arguments with his father. He pursues his studies in London. *Note regarding titles: as the daughters of an earl, the March sisters are styled “Lady”. This title is retained when one of them marries a baronet, knight, or plain gentleman, as is the case with Olivia, Beatrice, and Julia. As Portia wed a peer, she takes her husband’s title, and as Nerissa married into a ducal family, she takes the style of her husband and is addressed as Lady Rupert. Their eldest brother, Frederick, takes his father’s subsidiary title of Viscount Bellmont as a courtesy title until he succeeds to the earldom. (It should be noted his presence in Parliament is not a perk of this title. Unlike his father who sits in the House of Lords, Bellmont sits in the House of Commons as an elected member.) The younger brothers are given the honorific “The Honourable”, a courtesy which is written but not spoken aloud.

The world must be peopled!” Benedick so helpfully observed in Much Ado About Nothing. It remains my favorite Shakespeare play for that line alone, though the rest of his monologue about Beatrice’s virtues doesn’t hurt.