“
The tattoo is just setting below his hp bone.
H e l l i s e m p t y
a n d a l l t h e d e v i l s a r e h e r e
I kiss my way across the words.
Kissing away the devils.
Kissing away the pain.
”
”
Tahereh Mafi (Ignite Me (Shatter Me, #3))
“
Percy, let me go" she croaked. "You can't pull me up."
His face was white with effort. She could see in his eyes that he knew it was hopeless.
"Never," he said. He looked up at Nico, fifteen feet above.
"The other side, Nico! We'll see you there. Understand?"
Nico's eyes widened. "But-"
"Lead them!" Percy shouted. "Promise me!"
"I-I will."
Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess.
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never looked more handsome.
"We're staying together," he promised. "You're not getting away from me. Never again."
Only then did she understand what would happen. A one-way trip. A very hard fall.
"As long as we're together," she said.
She heard Nico and Hazel still screaming for help. She saw sunlight far, far above- maybe the last sunlight she would ever see.
Then Percy let go of his ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
I tried to tell you. You said you didn't care, remember?"
A muscle ticked below his eye. "You should have told me anyway."
"While you had barbells within your reach? Please. I'm Disease, not Stupid.
”
”
Gena Showalter (The Darkest Night (Lords of the Underworld, #1))
“
I'm what I need to be at any moment to stay above the ground but below the radar. The only sentence that begins with 'I' that's true of me is 'I'm full of shit.
”
”
John Green (An Abundance of Katherines)
“
I almost did not come, because I did not want to leave it."
He smiled. "Now I know how to make you follow me everywhere."
The sun sank below Pelion's ridges, and we were happy.
”
”
Madeline Miller (The Song of Achilles)
“
I grew up below the poverty line; I didn't have as much as other people did. I think it made me stronger as a person, it built my character. Now I have a 4.0 grade point average and I want to go to college, and just become a better person.
”
”
Justin Bieber
“
Ash!" I called. "What are you doing? Come on!"
"Meghan." Ash's voice despite the pain below the surface, was calm. "I hope you find your brother. If you see Puck again tell him I regret having to step out of our duel."
"Ash, no! Don't do this!"
I felt him smile. "You made me feel alive again," he murmured.
Screeching, the greemlins attacked.
”
”
Julie Kagawa (The Iron King (The Iron Fey, #1))
“
Why am I so drawn to you?" He muttered, almost to himself. "Why is it so hard to let go? I thought... at first... it was Ariella, that you remind me of so much. But it's not." Though he didn't smile, his eyes lightened a shade. "You're far more stubborn than she ever was."
I sniffed. "That's like the pot calling the kettle black," I whispered, and a faint, tiny grin finally crossed his face, before his expression clouded and he lowered his head, touching his forehead to mine. "What do you want of me, Meghan?" he asked, a low thread of anguish flickering below the surface.
Tears blurred my vision, all the fear and heartache of the past few days rising to the surface. "Just you," I whispered. "I just want you."
-Ash and Meghan
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
She said she knew we were safe with you, and always would be, because once, when she asked you to, you'd given up the thing you most wanted."
Archer received this strange communication in silence. His eyes remained unseeingly fixed on the thronged sunlit square below the window. At length he said in a low voice: "She never asked me.
”
”
Edith Wharton (The Age of Innocence)
“
The shout came from far below, and it took a moment for Jesper to realize it was Wylan calling to him. He tried to ignore him, taking aim again.
“Jesper!”
I’m going to kill that little idiot. “What do you want?” he shouted down.
“Close your eyes!”
“You can’t kiss me from down there, Wylan.”
“Just do it!”
“This better be good!” He shut his eyes.
“Are they closed?”
“Damn it, Wylan, yes, they’re—”
There was a shrill, shrieking howl, and then bright light bloomed behind Jesper’s lids.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
Kaz turned to Jesper. “Fit Helvar with some shackles to keep him honest,” he said as he headed below. “And get me clean clothes and fresh water.”
“Since when am I your valet?”
“Man with a knife, remember?” he said over his shoulder.
“Man with a gun!” Jesper called after him.
”
”
Leigh Bardugo (Six of Crows (Six of Crows, #1))
“
With the weight of his body, he pressed her back against the wall, and licked the soft spot below her earlobe. "Tell me how much you f***ing want me," he breathed.
”
”
Gail McHugh (Collide (Collide, #1))
“
While an elderly man in his mid-eighties looks curiously at a porno site, his grandson asks him from afar, “‘What are you reading, grandpa?’” “‘It’s history, my boy.’” “The grandson comes nearer and exclaims, “‘But this is a porno site, grandpa, naked chicks, sex . . . a lot of sex!’” “‘Well, it’s sex for you, my son, but for me it’s history,’ the old man says with a sigh.” All of people in the cabin burst into laughter. “A stale joke, but a cool one,” added William More, the man who just told the joke. The navigator skillfully guided the flying disc among the dense orange-yellow blanket of clouds in the upper atmosphere that they had just entered. Some of the clouds were touched with a brownish hue at the edges. The rest of the pilots gazed curiously and intently outwards while taking their seats. The flying saucer descended slowly, the navigator’s actions exhibiting confidence. He glanced over at the readings on the monitors below the transparent console: Atmosphere: Dense, 370 miles thick, 98.4% nitrogen, 1.4% methane Temperature on the surface: ‒179°C / ‒290°F Density: 1.88 g/cm³ Gravity: 86% of Earth’s Diameter of the cosmic body: 3200 miles / 5150 km.
”
”
Todor Bombov (Homo Cosmicus 2: Titan: A Science Fiction Novel)
“
I'm falling apart, one part after another. Falling down on the world like snow. Half of me is already on the ground, watching from below.
”
”
Ashly Lorenzana
“
Let me tell you about the very rich. They are different from you and me. They possess and enjoy early, and it does something to them, makes them soft where we are hard, and cynical where we are trustful, in a way that, unless you were born rich, it is very difficult to understand. They think, deep in their hearts, that they are better than we are because we had to discover the compensations and refuges of life for ourselves. Even when they enter deep into our world or sink below us, they still think that they are better than we
are. They are different.
”
”
F. Scott Fitzgerald
“
Ash brushed my cheek with the back of his hand, catching a loose strand of hair between his fingers. "I've seen thousands of mortal girls," he said softly, "more than you could ever count, from all corners of your world. To me, they're all the same." His finger slid below my chin, tilting my head up. "They only see this outer shell, not who I really am, beneath. You have. You've seen me without the glamour and illusions, even the ones I show my family, the farce I maintain just to survive. You've seen who I really am, and yet, you're still here." He brushed his thumb over my skin, leaving a trail of icy heat. "You're here, and the only dance I want is this one.
”
”
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
“
So, imagine we’re all born with a set of feelings. Some are broader or deeper than others, but for everyone, there’s that ground floor, a bottom crust of the pie. That’s the maximum depth of feeling you’ve ever experienced. And then, the worst thing happens to you. The very worst thing that could have happened. The thing you had nightmares about as a child, and you thought, it’s all right because that thing will happen to me when I’m older and wiser, and I’ll have felt so many feelings by then that this one worst feeling, the worst possible feeling, won’t seem so terrible.
“But it happens to you when you’re young. It happens when your brain isn’t even fully done cooking—when you’ve barely experienced anything, really. The worst thing is one of the first big things that ever happens to you in your life. It happens to you, and it goes all the way down to the bottom of what you know how to feel, and it rips it open and carves out this chasm down below to make room. And because you were so young, and because it was one of the first big things to happen in your life, you’ll always carry it inside you. Every time something terrible happens to you from then on, it doesn’t just stop at the bottom —it goes all the way down.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
I need to get back to work,” Patch said. He gave me a once-over that lingered a bit below the hips. “Killer skirt. Deadly legs.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
Air above me, earth below me, fire within me, water surround me…
”
”
Brittainy C. Cherry (The Gravity of Us (Elements, #4))
“
I love you."
lightning. Once it has forked, hot-white, from sky to earth, there is no going back.
It's time. I feel it, I know it. My eyes on him, his on me, and both of us breathing, watching, tired of of waiting. Ky close his eyes, but mine are still open. what will it feel like, his lips on mine? Like a secret told, a promise kept? Like that line in the poem-a shower of all my days- silvery rain falling all around me, where the lighting meets the earth?
The whistle blows below us and the moment breaks. We are safe.
For now.
”
”
Ally Condie (Matched (Matched, #1))
“
Lines
I die but when the grave shall press
The heart so long endeared to thee
When earthy cares no more distress
And earthy joys are nought to me.
Weep not, but think that I have past
Before thee o'er the sea of gloom.
Have anchored safe and rest at last
Where tears and mouring can not come.
'Tis I should weep to leave thee here
On that dark ocean sailing drear
With storms around and fears before
And no kind light to point the shore.
But long or short though life may be
'Tis nothing to eternity.
We part below to meet on high
Where blissful ages never die.
”
”
Emily Brontë
“
The truth sometimes reminds me of a city buried in sand. As time passes, the sand piles up even thicker, and occasionally it's blown away and what's below is revealed.
”
”
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
“
It would be too much for me to deal with to be sitting up there next to God, Bon Scott, Sid Vicious, and Jimi Hendrix, and hear somebody read my obituary from below:
NIKKI SIXX DIED TODAY...FUCKING GOLFING
”
”
Nikki Sixx (The Heroin Diaries: A Year in the Life of a Shattered Rock Star)
“
Gansey stepped in then, putting his phone neatly into his pocket, fetching out his keys instead. There was still something stretched thin about his expression. He looked, in fact, like he had in the cave, his face streaked and unfamiliar. It was so strange to see him without his Richard Campbell Gansey III guise on in public that Blue couldn't stop staring at his face. No — it wasn't his face. It was the way he stood, his shoulder shrugged, chin ducked, gaze from below uncertain eyebrows.
"SHE WAS ALL RIGHT," Jesse assured him.
"My head knew that," Gansey said. "But the rest of me didn't.
”
”
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
“
Dear to me is sleep: still more, being made of stone,
While pain and guilt still linger here below,
Blindness and numbness--these please me alone;
Then do not wake me, keep your voices low.
”
”
Michelangelo Buonarroti
“
There are many things from which I might have derived good, by which I have not profited, I dare say,' returned the nephew. 'Christmas among the rest. But I am sure I have always thought of Christmas time, when it has come round—apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that—as a good time; a kind, forgiving, charitable, pleasant time; the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys. And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it!
”
”
Charles Dickens (A Christmas Carol)
“
At first, she bucked like a wild stag beneath me, and she tried to scream, but the pillow did a good job of muffling her voice. Before long, the bucking stopped, and my wife’s corpse, blue without oxygen, appeared below me like a hideous phantom.
”
”
Harvey Havel (The Odd and The Strange: A Collection of Very Short Fiction)
“
Trust me Dani. You don’t want’a miss this. I’m not exaggeratin’ when I say the journey of a lifetime, of a hundred lifetimes, is just below us!
”
”
Steven Decker (Time Chain)
“
Tell me when it's over " Thalia said. Her eyes were shut tight. The statue was holding on to us so we couldn't fall but still Thalia clutched his arm like it was the most important thing in the world.
"Everything's fine " I promised.
"Are... are we very high "
I looked down. Below us a range of snowy mountains zipped by. I stretched out my foot and kicked snow off one of the peaks.
"Nah " I said. "Not that high.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
There's only one of him, she thought, and he's right here.
He knows I'll like a song before I've heard it. He laughs before I even get to the punch line. There's a place on his chest, just below his throat, that makes me want to let him open doors for me.
There's only one of him.
”
”
Rainbow Rowell (Eleanor & Park)
“
If anyone asks you if you’re taken,” I said, “the answer is yes.”
“I think I can live with that,” he promised.
“Good,” I said. “Because you don’t want to see me be cross.”
“Too late.”
“Shut up and dance, Walt.”
“Shut up and dance, Walt.”
We did—with the music of a psychotic griffin screaming behind us, and the sirens and horns of Brooklyn wailing below. It was quite romantic.
”
”
Rick Riordan (The Serpent's Shadow (The Kane Chronicles, #3))
“
And he thought, There is no magic above or below that will ever steal this from me again.
”
”
Rebecca Ross (Ruthless Vows (Letters of Enchantment, #2))
“
He immediately started charming my mom until she was nothing but a gooey puddle in the middle of the foyer.
He loved her new haircut.She got one?I guessed her hair did look different.Like she’d washed it or something.Daemon told her that the diamond earrings were beautiful.The rug below the steps was really nice.And that leftover scent of mystery dinner—because I still hadn’t figured out what she fed me—smelled divine.He admired nurses worldwide,and by that point,I couldn’t keep my eye rolls to a minimum.
Daemon was ridiculous.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
Whoa,” a stunned voice said, whistling a row below me. “You’re the girl Jude Ryder’s going to marry and make baby superheroes with?
”
”
Nicole Williams (Clash (Crash, #2))
“
Last Night the Rain Spoke to Me"
Last night
the rain
spoke to me
slowly, saying,
what joy
to come falling
out of the brisk cloud,
to be happy again
in a new way
on the earth!
That’s what it said
as it dropped,
smelling of iron,
and vanished
like a dream of the ocean
into the branches
and the grass below.
Then it was over.
The sky cleared.
I was standing
under a tree.
The tree was a tree
with happy leaves,
and I was myself,
and there were stars in the sky
that were also themselves
at the moment,
at which moment
my right hand
was holding my left hand
which was holding the tree
which was filled with stars
and the soft rain—
imagine! imagine!
the wild and wondrous journeys
still to be ours.
”
”
Mary Oliver (What Do We Know)
“
He..." Richard began. "The marquis. Well, you know, to be honest, he seems a little bit dodgy to me."
Door stopped. The steps dead-ended in a rough brick wall. "Mm," she agreed. "He's a little bit dodgy in the same way that rats are a little bit covered in fur.
”
”
Neil Gaiman (Neverwhere (London Below, #1))
“
I don’t know how they do it. I don’t know how anybody
does it, waking up every morning and eating and moving
from the bus to the assembly line, where the teacherbots
inject us with Subject A and Subject B, and passing
every test they give us. Our parents provide the list of
ingredients and remind us to make healthy choices: one
sport, two clubs, one artistic goal, community service, no
grades below a B, because really, nobody’s average, not
around here. It’s a dance with complicated footwork and
a changing tempo.
I’m the girl who trips on the dance floor and can’t find
her way to the exit. All eyes on me.
”
”
Laurie Halse Anderson (Wintergirls)
“
Royce looked back down at the stream below. "She doesn't even know me. What if she doesn't like me? Few people do."
"She might not at first. Maribor knows I didn't. But you have a way of growing on a person." He smiled. "You know, like lichen or mold.
”
”
Michael J. Sullivan (Percepliquis (The Riyria Revelations, #6))
“
Below me Rontu was running along the cliffs barking at the screaming gulls. Pelicans were chattering as they finished the blue water. But suddenly I thought of Tutok, and the island seemed very quiet.
”
”
Scott O'Dell (Island of the Blue Dolphins)
“
(It starts with)
One thing, I don’t know why
It doesn’t even matter how hard you try
Keep that in mind, I designed this rhyme
To explain in due time
All I know
time is a valuable thing
Watch it fly by as the pendulum swings
Watch it count down to the end of the day
The clock ticks life away
It’s so unreal
Didn’t look out below
Watch the time go right out the window
Trying to hold on but didn’t even know
Wasted it all just to
Watch you go
I kept everything inside and even though I tried, it all fell apart
What it meant to me will eventually be a memory of a time when I tried so hard
And got so far
But in the end
It doesn't even matter
I had to fall
To lose it all
But in the end
It doesn't even matter
”
”
Linkin Park
“
I know the sky falls down every day.
The sun drops into the ocean and splashes browns and reds and yellows and oranges into the world outside my window. A million leaves from a hundred different branches dip in the wind, fluttering with the false promise of flight. The gust catches their withered wings only to force them downward, forgotten, left to be trampled by the soldiers stationed just below.
”
”
Tahereh Mafi (Shatter Me (Shatter Me, #1))
“
It doesn't eat meat." I said. "It's a herbivore. It's like a big cow."
Denna looked at me and started to laugh. Not hysterical laughter, but the helpless laughter of someone who's just heard something so funny they can't help but bubble over with it. She put her hands over her mouth and shook with it, the only sound was a low huffing that escaped through her fingers.
There was another flash of blue fire from below. Denna froze midlaugh, then took her hands away from her mouth. She looked at me, her eyes wide, and spoke softly with a slight quaver in her voice, "Mooooo.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
When the spent sun throws up its rays on cloud
And goes down burning into the gulf below,
No voice in nature is heard to cry aloud
At what has happened. Birds, at least must know
It is the change to darkness in the sky.
Murmuring something quiet in her breast,
One bird begins to close a faded eye;
Or overtaken too far from his nest,
Hurrying low above the grove, some waif
Swoops just in time to his remembered tree.
At most he thinks or twitters softly, 'Safe!
Now let the night be dark for all of me.
Let the night be too dark for me to see
Into the future. Let what will be, be.
”
”
Robert Frost
“
As the sun shines low and red across the water, I wade into the ocean. The water is still high and brown and murky with the memory of the storm, so if there’s something below it, I won’t know it. But that’s part of this, the not knowing. The surrender to the possibilities beneath the surface. It wasn’t the ocean that killed my father, in the end. The water is so cold that my feet go numb almost at once. I stretch my arms out to either side of me and close my eyes. I listen to the sound of water hitting water. The raucous cries of the terns and the guillemots in the rocks of the shore, the piercing, hoarse questions of the gulls above me. I smell seaweed and fish and the dusky scent of the nesting birds onshore. Salt coats my lips, crusts my eyelashes. I feel the cold press against my body. The sand shifts and sucks out from under my feet in the tide. I’m perfectly still. The sun is red behind my eyelids. The ocean will not shift me and the cold will not take me.
”
”
Maggie Stiefvater (The Scorpio Races)
“
Her eyes narrowed, and then her hand snaked out again. I forced myself to stand still and let her feel me up, because seriously, she didn't appear like she was going to stop until she did. She cupped my cheek and placed her other hand below my breasts, between my rips.
"Umm..." I was really starting to feel wigged out. "I really hope this has a point, because half the guys are staring at us like they're hoping we're going to make-out."
Aiden coughed.
”
”
Jennifer L. Armentrout (Sentinel (Covenant, #5))
“
But very quickly I discovered that passing didn't just mean slipping below the surface, it meant being buried alive. I was still me on the inside, trapped in there with all my wounds and fears. But I was no longer me on the outside.
”
”
Leslie Feinberg (Stone Butch Blues)
“
it is clear to me that things are starting to regenerate. There is a gentle tingling in my face, centered below the cheekbones that occurs from time to time throughout the day. At night there is a subtle throbbing in my throat that is accompanied by a noise that varies from a churning sound to something akin to slowly letting air out of a balloon. It is fascinating that I’m literally hearing those long dormant cells struggling to come back to life.
”
”
Traci Medford-Rosow (Unblinded: One Man's Courageous Journey Through Darkness to Sight)
“
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
”
”
James Patterson (Maximum Ride Five-Book Set)
“
Fuck You Poem #45
Fuck you in slang and conventional English.
Fuck you in lost and neglected lingoes.
Fuck you hungry and sated; faded, pock marked, and defaced.
Fuck you with orange rind, fennel and anchovy paste.
Fuck you with rosemary and thyme, and fried green olives on the side.
Fuck you humidly and icily.
Fuck you farsightedly and blindly.
Fuck you nude and draped in stolen finery.
Fuck you while cells divide wildly and birds trill.
Thank you for barring me from his bedside while he was ill.
Fuck you puce and chartreuse.
Fuck you postmodern and prehistoric.
Fuck you under the influence of opiun, codeine, laudanum, and paregoric.
Fuck every real and imagined country you fancied yourself princess of.
Fuck you on feast days and fast days, below and above.
Fuck you sleepless and shaking for nineteen nights running.
Fuck you ugly and fuck you stunning.
Fuck you shipwrecked on the barren island of your bed.
Fuck you marching in lockstep in the ranks of the dead.
Fuck you at low and high tide.
And fuck you astride
anyone who has the bad luck to fuck you, in dank hallways,
bathrooms, or kitchens.
Fuck you in gasps and whispered benedictions.
And fuck these curses, however heartfelt and true,
that bind me, till I forgive you, to you.
”
”
Amy Gerstler (Ghost Girl)
“
My life is like an autumn leaf
I lie around unclaimed.
The breeze blows me around,
To be trampled under the feet of men.
Natures cruel feast has bestowed me with pain,
Pain of being a part,
Just a part of someone.
Pain of departing,
Departing from that one.
Pick me up like a rose,
And hold me to your heart.
Keep me there till he does not come.
And when he comes do a good deed,
Dig the earth below,
And bury me deep
For I don't want to lie around,
Unclaimed, unloved.
”
”
Amit Abraham
“
Far below, I heard Cacus bellowing as millions, maybe even thousands of filthy gallons of water slammed into him. Meanwhile, Annabeth alternately shouted, gagged, hit me, called me endearing pet names like, "Idiot! Stupid--dirty--moron--" and topped it all off with "Kill you!
”
”
Rick Riordan (The Demigod Diaries (The Heroes of Olympus))
“
If someone called me chubby, it would no longer be something that kept me up late at night. Being called fat is not like being called stupid or unfunny, which is the worst thing you could ever say to me. Do I envy Jennifer Hudson for being able to lose all that weight and look smokin’ hot? Of course, yes. Do I sometimes look at Gisele Bundchen and wonder how awesome life would be if I never had to wear Spanx? Duh, of course. That’s kind of the point of Gisele Bundchen. And maybe I will, once or twice, for a very short period of time. But on the list of things I want to do in my lifetime, that’s not near the top. I mean, it’s not near the bottom either. I’d say it’s right above “Learn to drive a vespa,” but several notches below “film a chase scene for a movie.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
Through me is the way to the city of woe.
Through me is the way to sorrow eternal.
Through me is the way to the lost below. Justice moved my architect supernal.
I was constructed by divine power,
supreme wisdom, and love primordial.
Before me no created things were.
Save those eternal, and eternal I abide.
Abandon all hope, you who enter.
”
”
Dante Alighieri (Inferno)
“
To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—"
And then my right eye, and then my ears, and shall we get on with it?" the Prince said.
Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears.
”
”
William Goldman (The Princess Bride)
“
He dipped his head, placing his mouth to the space below her ear. He nipped her there, just a tiny bite that sent a wave of heat through her veins. And then his lips moved lower, leaving a hot trail behind. “You drive me insane, absolutely freaking insane. Do you know that? I bet you do.
”
”
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
“
So many humans. So many colours. They keep triggering inside me. They harass my memory. I see them tall in their heaps, all mounted on top of each other. There is air like plastic, a horizon like setting glue. There are skies manufactured by people, punctured and leaking, and there are soft, coal-coloured clouds, beating, like black hearts. And then. There is death. Making his way through all of it. On the surface: unflappable, unwavering. Below: unnerved, untied, and undone.
”
”
Markus Zusak (The Book Thief)
“
. . . There are many type of humans. Look here.” She steeples her hands and puts her chin on top of it. “On top is white man. White man culture, very good.” She slides her chin down to her wrist. “Second comes Yellow man culture. Yellow also good.” She lifts her head and serves me a pitiful glance. “Sorry to tell you, Kumar. Other species comes only below.
”
”
Merlin Franco (Saint Richard Parker)
“
Suicide is just a moment, Lexy told me. This is how she described it to me. For just a moment, it doesn't matter that you've got people who love you and the sun is shining and there's a movie coming out this weekend that you've been dying to see. It hits you all of a sudden that nothing is ever going to be okay, ever, and you kind of dare yourself. You pick up a knife and press it gently to your skin, you look out a nineteenth-story window and you think, I could just do it. I could just do it. And most of the time, you look at the height and you get scared, or you think about the poor people on the sidewalk below - what if there are kids coming home from school and they have to spend the rest of their lives trying to forget this terrible thing you're going to make them see? And the moment's over. You think about how sad it would've been if you never got to see that movie, and you look at your dog and wonder who would've taken care of her if you had gone. And you go back to normal. But you keep it there in your mind. Even if you never take yourself up on it, it gives you a kind of comfort to know that the day is yours to choose. You tuck it away in your brain like sour candy tucked in your cheek, and the puckering memory it leaves behind, the rough pleasure of running your tongue over its strange terrain, is exactly the same.... The day was hers to choose, and perhaps in that treetop moment when she looked down and saw the yard, the world, her life, spread out below her, perhaps she chose to plunge toward it headlong. Perhaps she saw before her a lifetime of walking on the ruined earth and chose instead a single moment in the air
”
”
Carolyn Parkhurst (The Dogs of Babel)
“
What chilled my blood was a felt marker outline of a woman on the wall. Hands above the head, where there was a hook, then below the shape of the head, a neck strap. Then a waist strap, and two ankle clamps. The silhouette gave me no doubt that Gina had been confined here. But where was she now?
”
”
Grahame Shannon (Tiger and the Robot (Chandler Gray, #1))
“
I’m going to tell you something once and then whether you die is strictly up to you," Westley said, lying pleasantly on the bed. "What I’m going to tell you is this: drop your sword, and if you do, then I will leave with this baggage here"—he glanced at Buttercup—"and you will be tied up but not fatally, and will be free to go about your business. And if you choose to fight, well, then, we will not both leave alive."
You are only alive now because you said 'to the pain.' I want that phrase explained."
My pleasure. To the pain means this: if we duel and you win, death for me. If we duel and I win, life for you. But life on my terms. The first thing you lose will be your feet. Below the ankle. You will have stumps available to use within six months. Then your hands, at the wrists. They heal somewhat quicker. Five months is a fair average. Next your nose. No smell of dawn for you. Followed by your tongue. Deeply cut away. Not even a stump left. And then your left eye—"
And then my right eye, and then my ears, and shall we get on with it?" the Prince said.
Wrong!" Westley’s voice rang across the room. "Your ears you keep, so that every shriek of every child shall be yours to cherish—every babe that weeps in fear at your approach, every woman that cries 'Dear God, what is that thing?' will reverberate forever with your perfect ears. That is what 'to the pain' means. It means that I leave you in anguish, in humiliation, in freakish misery until you can stand it no more; so there you have it, pig, there you know, you miserable vomitous mass, and I say this now, and live or die, it’s up to you: Drop your sword!"
The sword crashed to the floor.
”
”
William Goldman (The Princess Bride)
“
I didn't have any more time. Directly below the window was a thickly leafed bush of some sort. I couldn't see it clearly and only hoped it wasn't a rosebush or something equally sharp. A second floor drop wouldn't kill me, though. Probably wouldn't even hurt—much.
I climbed over the ledge, briefly meeting Dimitri's gaze as the other Strigoi moved in on him. The words came to me again: Don't hesitate. Dimitri's important lesson. But it hadn't been his first one. His first had been about what to do if I was outnumbered and out of options: Run.
Time for me to run.
I leapt out the window.
I think the profanities that came out of my mouth when I hit the ground would have been understandable in any language. It hurt.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
I so desperately wanted to be his gravity, to hold him on this earth and keep him from leaving me.
”
”
Whitney Barbetti (Ten Below Zero)
“
The Night Is Darkening Round M
The night is darkening round me,
The wild winds coldly blow;
But a tyrant spell has bound me,
And I cannot, cannot go.
The giant trees are bending
Their bare boughs weighed with snow;
The storm is fast descending,
And yet I cannot go.
Clouds beyond clouds above me,
Wastes beyond wastes below;
But nothing drear can move me;
I will not, cannot go.
”
”
Emily Brontë
“
We have to get the... the thing I got... to the Angel. And then he'll tell Door about her family, and he'll tell me how to get home."
Lamia looked at Hunter with delight. "And he can give you brains," she said, cheerfully, "and me a heart.
”
”
Neil Gaiman (Neverwhere (London Below, #1))
“
The worst thing is not that the world is unfree, but that people have unlearned their liberty.
The more indifferent people are to politics, to the interests of others, the more obsessed they become with their own faces. The individualism of our time.
Not being able to fall asleep and not allowing oneself to move: the marital bed.
If high culture is coming to an end, it is also the end of you and your paradoxical ideas, because paradox as such belongs to high culture and not to childish prattle. You remind me of the young men who supported the Nazis or communists not out of cowardice or out of opportunism but out of an excess of intelligence. For nothing requires a greater effort of thought than arguments to justify the rule of nonthought… You are the brilliant ally of your own gravediggers.
In the world of highways, a beautiful landscape means: an island of beauty connected by a long line with other islands of beauty.
How to live in a world with which you disagree? How to live with people when you neither share their suffering nor their joys? When you know that you don’t belong among them?... our century refuses to acknowledge anyone’s right to disagree with the world…All that remains of such a place is the memory, the ideal of a cloister, the dream of a cloister…
Humor can only exist when people are still capable of recognizing some border between the important and the unimportant. And nowadays this border has become unrecognizable.
The majority of people lead their existence within a small idyllic circle bounded by their family, their home, and their work... They live in a secure realm somewhere between good and evil. They are sincerely horrified by the sight of a killer. And yet all you have to do is remove them from this peaceful circle and they, too, turn into murderers, without quite knowing how it happened.
The longing for order is at the same time a longing for death, because life is an incessant disruption of order. Or to put it the other way around: the desire for order is a virtuous pretext, an excuse for virulent misanthropy.
A long time a go a certain Cynic philosopher proudly paraded around Athens in a moth-eaten coat, hoping that everyone would admire his contempt for convention. When Socrates met him, he said: Through the hole in your coat I see your vanity. Your dirt, too, dear sir, is self-indulgent and your self-indulgence is dirty.
You are always living below the level of true existence, you bitter weed, you anthropomorphized vat of vinegar! You’re full of acid, which bubbles inside you like an alchemist’s brew. Your highest wish is to be able to see all around you the same ugliness as you carry inside yourself. That’s the only way you can feel for a few moments some kind of peace between yourself and the world. That’s because the world, which is beautiful, seems horrible to you, torments you and excludes you.
If the novel is successful, it must necessarily be wiser than its author. This is why many excellent French intellectuals write mediocre novels. They are always more intelligent than their books.
By a certain age, coincidences lose their magic, no longer surprise, become run-of-the-mill.
Any new possibility that existence acquires, even the least likely, transforms everything about existence.
”
”
Milan Kundera
“
God knows; I won't be an Oxford don anyhow. I'll be a poet, a writer, a dramatist. Somehow or other I'll be famous, and if not famous, I'll be notorious. Or perhaps I'll lead the life of pleasure for a time and then—who knows?—rest and do nothing. What does Plato say is the highest end that man can attain here below? To sit down and contemplate the good. Perhaps that will be the end of me too.
”
”
Oscar Wilde (Lady Windermere's Fan)
“
A lie is when you say something happened which didn't happen. But there is only ever one thing which happened at a particular time and a particular place. And there are an infinite number of things which didn't happen at that time and that place. And if I think about something which didn't happen I start thinking about all the other things which didn't happen.
For example, this morning for breakfast I had Ready Brek and some hot raspberry milkshake. But if I say that I actually had Shreddies and a mug of tea I start thinking about Coco-Pops and lemonade and Porridge and Dr Pepper and how I wasn't eating my breakfast in Egypt and there wasn't a rhinoceros in the room and Father wasn't wearing a diving suit and so on and even writing this makes me feel shaky and scared, like I do when I'm standing on the top of a very tall building and there are thousands of houses and cars and people below me and my head is so full of all these things that I'm afraid that I'm going to forget to stand up straight and hang onto the rail and I'm going to fall over and be killed.
This is another reason why I don't like proper novels, because they are lies about things which didn't happen and they make me feel shaky and scared.
And this is why everything I have written here is true.
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
I like your…outfit.” His eyes took in the naked flesh that was visible below the edge of the shirttail.
“I like your outfit too. You’re looking awfully casual this morning, Professor.”
He leaned forward and gave her a heated look. “Miss Mitchell, you’re lucky I decided to put on any clothes at all.” He chuckled at her fierce blush and disappeared into the kitchen.
Oh, gods of all virgins who are planning to have sex with their sex-god (no blasphemy intended) boyfriends, please don’t let me spontaneously combust when he finally takes me to bed. I really need a Gabriel-induced orgasm, especially after last night. Please. Please. Pretty please…
”
”
Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
“
But then in middle school science, Mr. Martinez asked who among us had ever fantasized about living in the clouds, and everyone raised their hand. Then Mr. Martinez told us that up in the clouds the wind blew one hundred and fifty miles an hour and the temperature was thirty below zero and there was no oxygen and we’d all die within seconds.”
“Sounds like a nice guy.”
“He specialized in the murder of dreams, Hazel Grace.let me tell you. You think volcanoes are awesome? Tell that to the ten thousand screaming corpses at Pompeii. You still secretly believe that there is an element of magic to this world? It’s all just soulless molecules bouncing against each other randomly. Do you worry about who will take care of you if your parents die? As well you should, because they will be worm food in the fullness of time.
”
”
John Green (The Fault in Our Stars)
“
To me those hours spent at that round wooden table in our garden with the large umbrella imperfectly shading my papers, the chinking of our iced lemonades, the sound of the not-too-distant surf gently lapping the giant rocks below, and in the background, from some neighboring house, the muffled crackle of the hit parade medley on perpetual replay—all these are forever impressed on those mornings when all I prayed for was for time to stop. Let summer never end, let him never go away, let the music on perpetual replay play forever, I’m asking for very little, and I swear I’ll ask for nothing more.
”
”
André Aciman (Call Me by Your Name)
“
How dare you suppose that I don't know who you are or what you are? That I don't understand what I see? Do you take me for some kind of besotted schoolboy? It is unspeakable! You could weigh as much as a hippopotamus and shave your head and wear a wig and it wouldn't make a difference to me. I never said you were beautiful. I never thought it. I said that you were you.
”
”
Eva Ibbotson (A Countess Below Stairs)
“
What are the dead, anyway, but waves and energy? Light shining from a dead star?
That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star…
Which reminds me, by the way, of a dream I had a couple of weeks ago.
I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.
I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below.
I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon.
History passing beneath my very eyes, changing every moment.
'I thought I'd find you here,' said a voice at my elbow.
It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple.
I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.'
He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.'
'What?'
He cleared his throat. 'My movements are restricted,' he said.
'I no longer have the ability to travel as freely as I would like.'
Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him.
'That information is classified, I'm afraid.'
1 looked around curiously. It seemed that I was the only visitor.
'Is it open to the public?' I said.
'Not generally, no.'
I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point.
'Are you happy here?' I said at last.
He considered this for a moment. 'Not particularly,' he said.
'But you're not very happy where you are, either.'
St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.
'I hope you'll excuse me,' he said, 'but I'm late for an appointment.'
He turned from me and walked away. I watched his back receding down the long, gleaming hall.
”
”
Donna Tartt (The Secret History)
“
Not cry. Fly.
“I can’t fly,” Bran said. “I can’t, I can’t…”
How do you know? Have you ever tried?
The voice was high and thin. Bran looked around to see where it was coming from. A crow was spiraling down with him, just out of touch, following him as he fell. “Help me,” he said.
I’m trying, the crow replied…
The crow took to the air and flapped around Bran’s hand.
“You have wings,” Bran pointed out.
Maybe you do too.
Bran felt along his shoulders, groping for feathers.
There are different kinds of wings, the crow said…
Bran was falling faster than ever. The grey mists howled around him as he plunged toward the earth below. “What are you doing to me?” he asked the crow, tearful.
Teaching you how to fly.
“I can’t fly!”
You’re flying right now.
“I’m falling!”
Every flight begins with a fall, the crow said. Look down.
”
”
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
“
I Am!
I am—yet what I am none cares or knows;
My friends forsake me like a memory lost:
I am the self-consumer of my woes—
They rise and vanish in oblivious host,
Like shadows in love’s frenzied stifled throes
And yet I am, and live—like vapours tossed
Into the nothingness of scorn and noise,
Into the living sea of waking dreams,
Where there is neither sense of life or joys,
But the vast shipwreck of my life’s esteems;
Even the dearest that I loved the best
Are strange—nay, rather, stranger than the rest.
I long for scenes where man hath never trod
A place where woman never smiled or wept
There to abide with my Creator, God,
And sleep as I in childhood sweetly slept,
Untroubling and untroubled where I lie
The grass below—above the vaulted sky.
”
”
John Clare ("I Am": The Selected Poetry of John Clare)
“
Do I, then, belong to the heavens?
Why, if not so, should the heavens
Fix me thus with their ceaseless blue stare,
Luring me on, and my mind, higher
Ever higher, up into the sky,
Drawing me ceaselessly up
To heights far, far above the human?
Why, when balance has been strictly studied
And flight calculated with the best of reason
Till no aberrant element should, by rights, remain-
Why, still, should the lust for ascension
Seem, in itself, so close to madness?
Nothing is that can satify me;
Earthly novelty is too soon dulled;
I am drawn higher and higher, more unstable,
Closer and closer to the sun's effulgence.
Why do these rays of reason destroy me?
Villages below and meandering streams
Grow tolerable as our distance grows.
Why do they plead, approve, lure me
With promise that I may love the human
If only it is seen, thus, from afar-
Although the goal could never have been love,
Nor, had it been, could I ever have
Belonged to the heavens?
I have not envied the bird its freedom
Nor have I longed for the ease of Nature,
Driven by naught save this strange yearning
For the higher, and the closer, to plunge myself
Into the deep sky's blue, so contrary
To all organic joys, so far
From pleasures of superiority
But higher, and higher,
Dazzled, perhaps, by the dizzy incandescence
Of waxen wings.
Or do I then
Belong, after all, to the earth?
Why, if not so, should the earth
Show such swiftness to encompass my fall?
Granting no space to think or feel,
Why did the soft, indolent earth thus
Greet me with the shock of steel plate?
Did the soft earth thus turn to steel
Only to show me my own softness?
That Nature might bring home to me
That to fall, not to fly, is in the order of things,
More natural by far than that improbable passion?
Is the blue of the sky then a dream?
Was it devised by the earth, to which I belonged,
On account of the fleeting, white-hot intoxication
Achieved for a moment by waxen wings?
And did the heavens abet the plan to punish me?
To punish me for not believing in myself
Or for believing too much;
Too earger to know where lay my allegiance
Or vainly assuming that already I knew all;
For wanting to fly off
To the unknown
Or the known:
Both of them a single, blue speck of an idea?
”
”
Yukio Mishima (Sun & Steel)
“
I’m crazy about this City.
Daylight slants like a razor cutting the buildings in half. In the top half I see looking faces and it’s not easy to tell which are people, which the work of stonemasons. Below is shadow where any blasé thing takes place: clarinets and lovemaking, fists and the voices of sorrowful women. A city like this one makes me dream tall and feel in on things. Hep. It’s the bright steel rocking above the shade below that does it. When I look over strips of green grass lining the river, at church steeples and into the cream-and-copper halls of apartment buildings, I’m strong. Alone, yes, but top-notch and indestructible-like the City in 1926 when all the wars are over and there will never be another one. The people down there in the shadow are happy about that. At last, at last, everything’s ahead. The smart ones say so and people listening to them and reading what they write down agree: Here comes the new. Look out.
”
”
Toni Morrison (Jazz)
“
Love Forever
If I were the trees ...
I would turn my leaves to gold and scatter them toward the sky so they would circle about your head and fall in piles at your feet...
so you might know wonder.
If I were the mountains ...
I would crumble down and lift you up so you could see all of my secret places, where the rivers flow and the animals run wild ...
so you might know freedom.
If I were the ocean ...
I would raise you onto my gentle waves and carry you across the seas to swim with the whales and the dolphins in the moonlit waters,
so you might know peace.
If I were the stars ...
I would sparkle like never before and fall from the sky as gentle rain,
so that you would always look towards heaven and know that you can reach the stars.
If I were the moon ...
I would scoop you up and sail you through the sky and show you the Earth below in all its wonder and beauty,
so you might know that all the Earth is at your command.
If I were the sun ...
I would warm and glow like never before and light the sky with orange and pink,
so you would gaze upward and always know the glory of heaven.
But I am me ...
and since I am the one who loves you, I will wrap you in my arms and kiss you and love you with all of my heart,
and this I will do until ...
the mountains crumble down ...
and the oceans dry up ...
and the stars fall from the sky ...
and the sun and moon burn out ...
And that is forever.
”
”
Camron Wright (The Rent Collector)
“
I slipped in and out of consciousness as time stretched and flowed around me. Dreams and reality blurred, but I liked the dreams better. Noah was in them.
I dreamed of us, walking hand in hand down a crowded street in the middle of the day. We were in New York. I was in no rush—I could walk with him forever—but Noah was. He pulled me alongside him, strong and determined and not smiling. Not today.
We wove among the people, somehow not touching a single one. The trees were green and blossoming. It was spring, almost summer. A strong wind shook a few steadfast flowers off of the branches and into our path. We ignored them.
Noah led me into Central Park. It was teeming with human life. Bright colored picnic blankets burst across the lawn, the pale, outstretched forms of people wriggling over them like worms in fruit. We passed the reservoir, the sun reflecting off its surface, and then the crowd began to thicken.
They funneled into a throbbing mass as we strode up a hill, over and through. Until we could see them all below us, angry and electric. Noah reached into his bag. He pulled out the little cloth doll, my grandmother’s. The one we burned.
”
”
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
“
The law presides over things of this world, finally. The world where shadow is shadow and light is light, yin is yin and yang is yang, I'm me and he's him. 'I am me and / He is him/ Autumn eve.' But you don't belong to that world, sonny. The world you belong to is above that or below that."
Which is better?" I asked, out of simple curiosity. "Above or below?"
It's not that either one is better," he said. After a brief coughing fit, he spat a glob of phlegm onto a tissue and studied it closely before crumpling the tissue and throwing it into a wastebasket. "It's not a question of better or worse. The point is, not to resist the flow. You go up when you're supposed to go up and down when you're supposed to go down. When you're supposed to go up, find the highest tower and climb to the top. When you're supposed to go down, find the deepest well and go down to the bottom. When there is no flow, stay still. If you resist the flow, everything dries up. If everything dries up, the world is darkness. 'I am he and/ He is me:/ Spring nightfall.' Abandon the self, and there you are.
”
”
Haruki Murakami (The Wind-Up Bird Chronicle)
“
More than a catbird hates a cat,
Or a criminal hates a clue,
Or the Axis hates the United States,
That's how much I love you.
I love you more than a duck can swim,
And more than a grapefruit squirts,
I love you more than a gin rummy is a bore,
And more than a toothache hurts.
As a shipwrecked sailor hates the sea,
Or a juggler hates a shove,
As a hostess detests unexpected guests,
That's how much you I love.
I love you more than a wasp can sting,
And more than the subway jerks,
I love you as much as a beggar needs a crutch,
And more than a hangnail irks.
I swear to you by the stars above,
And below, if such there be,
As the High Court loathes perjurious oathes,
That's how you're loved by me.
”
”
Ogden Nash
“
God what an outfield,' he says. 'What a left field.' He looks up at me, and I look down at him. 'This must be heaven,' he says.
No. It's Iowa,' I reply automatically. But then I feel the night rubbing softly against my face like cherry blossoms; look at the sleeping girl-child in my arms, her small hand curled around one of my fingers; think of the fierce warmth of the woman waiting for me in the house; inhale the fresh-cut grass small that seems locked in the air like permanent incense; and listen to the drone of the crowd, as below me Shoelss Joe Jackson tenses, watching the angle of the distant bat for a clue as to where the ball will be hit.
I think you're right, Joe,' I say, but softly enough not to disturb his concentration.
”
”
W.P. Kinsella (Shoeless Joe)
“
Make sure the seaweed lies flat.'
'Okay.'
'Leave an inch below the knee.'
'Okay.'
'It's got to be loose enough to put a finger in the top.'
'Sean Kendrick.' I say it emphatically enough that the stallion's ears prick toward me. (...)
Sean doesn't appear to be at all apologetic. 'I think you'd better let me do that after all.'
'You're the one who had me in here in the first place.' I say. 'Now I think it's you who doesn't trust me.'
'It's not just you,' He replies.
I glower at him. 'Well, I'll tell you what. I'll hold him and you wrap. That way, when it's done wrong, there's only yourself to slap. And take your jacket. I'm tired of holding it.
”
”
Maggie Stiefvater (The Scorpio Races)
“
I want to love somebody because I want to be loved. In a rabbit-fear I may hurl myself under the wheels of the car because the lights terrify me, and under the dark blind death of the wheels I will be safe. I am very tired, very banal, very confused. I do not know who I am tonight. I wanted to walk until I dropped and not complete the inevitable circle of coming home. I have lived in boxes above, below, and down the hall from girls who think hard, feel similarly, and long companionably, and I have not bothered to cultivate them because I did not want to, could not, sacrifice the time. People know who I am, and the harder I try to know who they are, the more I forget their names - I want to be alone, and yet there are times when the liquid eye and the cognizant grin of a small monkey would send me into a crying fit of brotherly love. I work and think alone. I live with people, and act. I love and cherish both. If I knew now what I wanted I would know when I saw it, who he was.
”
”
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
“
Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;
The children were nestled all snug in their beds;
While visions of sugar-plums danced in their heads;
And mamma in her 'kerchief, and I in my cap,
Had just settled our brains for a long winter's nap,
When out on the lawn there arose such a clatter,
I sprang from my bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.
The moon on the breast of the new-fallen snow,
Gave a lustre of midday to objects below,
When what to my wondering eyes did appear,
But a miniature sleigh and eight tiny rein-deer,
With a little old driver so lively and quick,
I knew in a moment he must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name:
"Now, Dasher! now, Dancer! now Prancer and Vixen!
On, Comet! on, Cupid! on, Donder and Blixen!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!"
As leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky;
So up to the housetop the coursers they flew
With the sleigh full of toys, and St. Nicholas too—
And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my head, and was turning around,
Down the chimney St. Nicholas came with a bound.
He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a pedler just opening his pack.
His eyes—how they twinkled! his dimples, how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard on his chin was as white as the snow;
The stump of a pipe he held tight in his teeth,
And the smoke, it encircled his head like a wreath;
He had a broad face and a little round belly
That shook when he laughed, like a bowl full of jelly.
He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head
Soon gave me to know I had nothing to dread;
He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;
He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight—
“Happy Christmas to all, and to all a good night!
”
”
Clement Clarke Moore (The Night Before Christmas)
“
My Selection wasn’t a farce, but it wasn’t that far off. My father chose all the
contestants by hand, picking young women with political alliances, influential families, or enough
charm to make the entire country worship the ground they walked on. He knew he had to make it
varied enough to seem legit, so there were three Fives thrown into the mix but nothing below that.
The Fives were meant to be little more than throwaways to keep anyone from being suspicious.”
I realized my mouth was gaping open and shut it immediately. “Mom?”
“Was meant to be gone almost immediately. Truth be told, she barely made it past my father ’s
attempts to sway my opinion or remove her himself. And look at her now.” His whole face changed.
“Though it was hard for me to imagine, she is even more beloved as queen than my mother. She has
made four beautiful, intelligent, strong children. And she has been the source of every happiness in
my life.
”
”
Kiera Cass (The Heir (The Selection, #4))
“
The individual who rebels against the arrangements of society is ostracized, branded, stoned. So be it. I am willing to take the risk; my principles are very pagan. I will live my own life as it pleases me. I am willing to do without your hypocritical respect; I prefer to be happy.
The inventors of the Christian marriage have done well, simultaneously to invent immortality. I, however, have no wish to live eternally. When with my last breath everything as far as Wanda von Dunajew is concerned comes to an end here below, what does it profit me whether my pure spirit joins the choirs of angels, or whether my dust goes into the formation of new beings?
Shall I belong to one man whom I don't love, merely because I have once loved him? No, I do not renounce; I love everyone who pleases me, and give happiness to everyone who loves me.
Is that ugly? No, it is more beautiful by far.
”
”
Leopold von Sacher-Masoch (Venus in Furs)
“
Blitz and Hearth were almost at the shore when Alex stopped abruptly.
I didn't have any energy left either, but I thought I should try to sound encouraging. "We - we have to k-keep going." I looked over. We were nose-to-nose under the blankets. Her eyes glinted, amber and brown. Her scarf had dipped below her chin. Her breath was like limes.
Then, before I even knew what was happening, she kissed me. She could have bitten off my mouth and I would have been less surprised. Her lips were cracked and rough from the cold. Her nose fitted perfectly next to mine. Our faces aligned, our breath mixed. Then she pulled away.
"I wasn't going to die without doing that," she said.
The world of primordial ice must not have frozen me completely, because my chest burned like a coal furnace.
"Well?" She frowned. "Stop gaping and let's move."
We trudged towards the shore. My mind wasn't working properly. I wondered if Alex had kissed me just to inspire me to keep going, or to distract me from our imminent deaths. It didn't seem possible she'd actually wanted to kiss me. Whatever the case, that kiss was the only reason I made it to shore.
”
”
Rick Riordan (The Ship of the Dead (Magnus Chase and the Gods of Asgard, #3))
“
Nico leaned over the edge o the chasm, thrusting out his hand, but he was much too far away to help. Hazel was yelling for the others, but even if they heard her over the chaos, they'd never make it in time.
Annabeth's leg felt like it was pulling free of her body. Pain washed everything in red. The force of the Underworld tugged at her like dark gravity. She didn't have the strength to fight. She knew she was too far down to be saved.
"Percy, let me go," she croaked. "You can't pull me up."
His face was white with effort. She could see in his eyes that he knew it was hopeless.
"Never," he said. He looked up at Nico, fifteen feet above. "The other side, Nico We'll see you there. Understand?"
Nico's eyes widened. "But-"
"Lead them there!" Percy shouted. "Promise me!"
"I- will."
Below them, the voice laughed in the darkness. Sacrifices. Beautiful sacrifices to wake the goddess.
Percy tightened his grip on Annabeth's wrist. His face was gaunt, scraped and bloody, his hair dusted with cobwebs, but when he locked eyes with her, she thought he had never been more handsome.
"We're staying together," he promised. "You're not getting away from me. Never again."
Only then did she understand what would happen. A oneway trip. A very hard fall.
"As long as we're together," she said.
She heard Nico and Hazel still screaming for help. She saw the sunlight far, far above- maybe the last sunlight she would ever see.
Then Percy let go of his tiny ledge, and together, holding hands, he and Annabeth fell into the endless darkness.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
It made me shiver. And I about made up my mind to pray, and see if I couldn't try to quit being the kind of a boy I was and be better. So I kneeled down. But the words wouldn't come. Why wouldn't they? It warn't no use to try and hide it from Him. Nor from ME, neither. I knowed very well why they wouldn't come. It was because my heart warn't right; it was because I warn't square; it was because I was playing double. I was letting ON to give up sin, but away inside of me I was holding on to the biggest one of all. I was trying to make my mouth SAY I would do the right thing and the clean thing, and go and write to that nigger's owner and tell where he was; but deep down in me I knowed it was a lie, and He knowed it. You can't pray a lie--I found that out.
So I was full of trouble, full as I could be; and didn't know what to do. At last I had an idea; and I says, I'll go and write the letter--and then see if I can pray. Why, it was astonishing, the way I felt as light as a feather right straight off, and my troubles all gone. So I got a piece of paper and a pencil, all glad and excited, and set down and wrote:
Miss Watson, your runaway nigger Jim is down here two mile below Pikesville, and Mr. Phelps has got him and he will give him up for the reward if you send.
HUCK FINN.
I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn't do it straight off, but laid the paper down and set there thinking--thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn't seem to strike no places to harden me against him, but only the other kind. I'd see him standing my watch on top of his'n, 'stead of calling me, so I could go on sleeping; and see him how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey, and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had small-pox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world, and the ONLY one he's got now; and then I happened to look around and see that paper.
It was a close place. I took it up, and held it in my hand. I was a-trembling, because I'd got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself:
"All right, then, I'll GO to hell"--and tore it up.
”
”
Mark Twain (The Adventures of Huckleberry Finn)
“
Is there an infinite outside of us? Is this infinite, one, immanent, permanent; necessarily substantial, since it is infinite, and because, if matter were lacking in it, it would in that respect be limited; necessarily intelligent, because it is infinite, and since if it lacked intelligence it would be to that extent, finite? Does this finite awaken in us the idea of essence, while we are able to attribute to ourselves the idea of existence only? In other words, it is not the absolute of which we are the relative? At the same time, while there is an infinite outside of us, is there not an infinite within us? These two infinities, do they not rest superimposed on one another? Does the second infinite not underlie the first, so to speak? It is not the mirror, the reflection, the echo of the first, an abyss concentric with another abyss? Is this second infinite intelligent, also? Does it think? Does it love? Does it will? If the two infinities are intelligent, each one of them has a principle of will, and there is a "me" in the infinite above, as there is a "me" in the infinite below. The "me" below is the soul; the "me" above is God.
”
”
Victor Hugo (Les Misérables)
“
If you choose to believe me, good. Now I will tell you how Octavia, the spider-web city, is made. There is a precipice between two steep mountains: the city is over the void, bound to the two crests with ropes and chains and catwalks. You walk on the little wooden ties, careful not to set your foot in the open spaces, or you cling to the hempen strands. Below there is nothing for hundreds and hundreds of feet: a few clouds glide past; farther down you can glimpse the chasm's bed.
This is the foundation of the city: a net which serves as passage and as support. All the rest, instead of rising up, is hung below: rope ladders, hammocks, houses made like sacks, clothes hangers, terraces like gondolas, skins of water, gas jets, spits, baskets on strings, dumb-waiters, showers, trapezes and rings for children's games, cable cars, chandeliers, pots with trailing plants.
Suspended over the abyss, the life of Octavia's inhabitants is less uncertain than in other cities. They know the net will only last so long.
”
”
Italo Calvino (Invisible Cities)
“
You can never rouse Harris. There is no poetry about Harris- no wild yearning for the unattainable. Harris never "weeps, he knows not why." If Harris's eyes fill with tears, you can bet it is because Harris has been eating raw onions, or has put too much Worcester over his chop.
If you were to stand at night by the sea-shore with Harris, and say:
"Hark! do you not hear? Is it but the mermaids singing deep below the waving waters; or sad spirits, chanting dirges for white corpses held by seaweed?" Harris would take you by the arm, and say:
"I know what it is, old man; you've got a chill. Now you come along with me. I know a place round the corner here, where you can get a drop of the finest Scotch whisky you ever tasted- put you right in less than no time."
Harris always does know a place round the corner where you can get something brilliant in the drinking line. I believe that if you met Harris up in Paradise (supposing such a thing likely), he would immediately greet you with:
"So glad you've come, old fellow; I've found a nice place round the corner here, where you can get some really first-class nectar.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
I bent down over my neighborhood, taking in the people there. At first, they'd just seemed arranged the same way they were everywhere else: in random formations, some in groups, some alone. Then, though, I saw the single figure at the back of my house, walking away from the back door. And another person, a girl, running through the side yard, where the hedge would have been, while someone else, with a badge and flashlight followed. There were three people under the basketball goal, one lying prone on the ground.
I took a breath, then moved in closer. Two people were seated on the curb between Dave's and my houses: a few inches away two more walked up the narrow alley to Luna Blu's back door. A couple stood in the driveway, facing each other. And in that empty building, the old hotel, a tiny set of cellar doors had been added, flung open, a figure standing before them. Whether they were about to go down, or just coming up, was unclear, and the cellar itself was a dark square. But I knew what was down below.
He'd put me everywhere. Every single place I'd been, with him or without, from the first time we'd met to the last conversation. It was all there, laid out as carefully, as real as the buildings and streets around it. I swallowed, hard, then reached forward, touching the girl running through the hedge. Not Liz Sweet. Not anyone, at that moment, not yet. But on her way to someone. To me.
”
”
Sarah Dessen (What Happened to Goodbye)
“
These are the voices which we hear in solitude, but they grow faint and inaudible as we enter into the world. Society everywhere is in conspiracy against the manhood of every one of its members. Society is a joint stock company in which the members agree for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater. The virtue in most request is conformity. Self-reliance is its aversion. It [That is, conformity.] loves not realities and creators, but names and customs.
"Whoso would be a man must be a nonconformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of our own mind. Absolve you to yourself, and you shall have the suffrage of the world. I remember an answer which when quite young I was prompted to make to a valued adviser who was wont to importune me with the dear old doctrines of the church. On my saying, What have I to do with the sacredness of traditions, if I live wholly from within? my friend suggested--'But these impulses may be from below, not from above.' I replied, 'They do not seem to me to be such; but if I am the devil's child, I will live them from the devil.' No law can be sacred to me but that of my nature. Good and bad are but names very readily transferable to that or this; the only right is what is after my constitution, the only wrong what is against it. A man is to carry himself in the presence of all opposition as if everything were titular and ephemeral but he. I am ashamed to think how easily we capitulate to badges and names, to large societies and dead institutions. Every decent an well-spoken individual affects and sways me more than is right. I ought to go upright and vital, and speak the rude truth in all ways.
”
”
Ralph Waldo Emerson
“
Sometimes when I get up and emerge from the mists of slumber, my whole room hurts, my whole bedroom, the view from the window hurts, kids go to school, people go shopping, everybody knows where to go, only I don't know where I want to go, I get dressed, blearily, stumbling, hopping about to pull on my trousers, I go and shave with my electric razor - for years now, whenever I shave, I've avoided looking at myself in the mirror, I shave in the dark or round the corner, sitting on a chair in the passage, with the socket in the bathroom, I don't like looking at myself any more, I'm scared by my own face in the bathroom, I'm hurt even by my own appearance, I see yesterday's drunkenness in my eyes, I don't even have breakfast any more, or if I do, only coffee and a cigarette, I sit at the table, sometimes my hands give way under me and several times I repeat to myself, Hrabal, Hrabal, Bohumil Hrabal, you've victoried yourself away, you've reached the peak of emptiness, as my Lao Tzu taught me, I've reached the peak of emptiness and everything hurts, even the walk to the bus-stop hurts, and the whole bus hurts as well, I lower my guilty-looking eyes, I'm afraid of looking people in the eye, sometimes I cross my palms and extend my wrists, I hold out my hands so that people can arrest me and hand me over to the cops, because I feel guilty even about this once too loud a solitude which isn't loud any longer, because I'm hurt not only by the escalator which takes me down to the infernal regions below, I'm hurt even by the looks of the people travelling up, each of them has somewhere to go, while I've reached the peak of emptiness and don't know where I want to go.
”
”
Bohumil Hrabal (Total Fears: Selected Letters to Dubenka)
“
Uphill? There's nothing up the hill," Colly said, trying desperately to work out where this conversation was going.
"As a matter of fact, there is. There's a bluff about twelve meters high, with a river running below it. The water's deep, so it'll be quite safe for you to jump." In his brief glimpse of the river, Halt had noticed that the fast-flowing water cut under the bluff in a sharp curve. That should mean that the bottom had been scoured out over the years. A thought struck him. "You can swim, I assume?"
"Yes. I can swim," Colly said. "But I'm going jumping off some bluff just because you say to!"
"No, no. Of course not. That'd be asking far too much of you. You'll jump off because if you don't, I'll shoot you. It'll be the same effect, really. If I have to shoot you, you'll fall off. But I thought I'd give you a chance to survive." Halt paused, then added, "Oh, and if you decide to run downhill, I'll also shoot you with an arrow. Uphill and off is really your only chance of survival."
"You can't be serious!" Colly said. "Do you really-"
But he got no further. Halt leaned forward, putting a hand up to stop the outburst.
"Colly, take a good, long look into my eyes and tell me if you see anything, anything at all, that says I'm not deadly serious."
His eyes were deep brown, almost black. They were steady and unwavering and there was no sign of anything there but utter determination. Colly looked at them and after a few second, his eyes dropped away. halt nodded as the other man's gaze slid away from his.
"Good. Now we've got that settled, you should try to get some sleep. You have a big day ahead of you tomorrow.
”
”
John Flanagan (The Kings of Clonmel (Ranger's Apprentice, #8))
“
At last, Sturmhond straightened the lapels of his teal frock coat and said, “Well, Brekker, it’s obvious you only deal in half-truths and outright lies, so you’re clearly the man for the job.”
“There’s just one thing,” said Kaz, studying the privateer’s broken nose and ruddy hair. “Before we join hands and jump off a cliff together, I want to know exactly who I’m running with.”
Sturmhond lifted a brow. “We haven’t been on a road trip or exchanged clothes, but I think our introductions were civilized enough.”
“Who are you really, privateer?”
“Is this an existential question?”
“No proper thief talks the way you do.”
“How narrow-minded of you.”
“I know the look of a rich man’s son, and I don’t believe a king would send an ordinary privateer to handle business this sensitive.”
“Ordinary,” scoffed Sturmhond. “Are you so schooled in politics?”
“I know my way around a deal. Who are you? We get the truth or my crew walks.”
“Are you so sure that would be possible, Brekker? I know your plans now. I’m accompanied by two of the world’s most legendary Grisha, and I’m not too bad in a fight either.”
“And I’m the canal rat who brought Kuwei Yul-Bo out of the Ice Court alive. Let me know how you like your chances.” His crew didn’t have clothes or titles to rival the Ravkans, but Kaz knew where he’d put his money if he had any left.
Sturmhond clasped his hands behind his back, and Kaz saw the barest shift in his demeanor. His eyes lost their bemused gleam and took on a surprising weight. No ordinary privateer at all.
“Let us say,” said Sturmhond, gaze trained on the Ketterdam street below, “hypothetically, of course, that the Ravkan king has intelligence networks that reach deep within Kerch, Fjerda, and the Shu Han, and that he knows exactly how important Kuwei Yul-Bo could be to the future of his country. Let us say that king would trust no one to negotiate such matters but himself, but that he also knows just how dangerous it is to travel under his own name when his country is in turmoil, when he has no heir and the Lantsov succession is in no way secured.”
“So hypothetically,” Kaz said, “you might be addressed as Your Highness.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
1.
WE'VE LEFT SHORE SOMEHOW
BECOME THE FRIENDS
OF EARLY THEORY
CLOSE ENOUGH TO SPEAK
DESIRE AND PAIN OF ABSENCE
OF MISTAKES WE'D MAKE
GIVEN THE CHANCE.
EACH SMILE RETURNED
MAKES HARDER AVOIDING
DREAMS THAT SEE US
LYING IN EARLY EVENING
CURTAIN SHADOWS, SKIN
SAFE AGAINST SKIN.
BLOOM OF COMPASSION
RESPECT FOR MOMENTS
EYES LOCK TURNS
FOREVER INTO ONE MORE
VEIL THAT FALLS AWAY.
2.
THIS AFTER SEEING YOU
LAST NIGHT, FIRST TIME
SMELLING YOU WITH
PERMISSION: SHOULDERS TO
WONDER OPENLY AT
AS CAREFULLY KISSED
AS THOSE ARMS
WAITED IMPOSSIBLY ON.
THEY'VE HELD ME NOW
AND YOUR BREATH
DOWN MY BACK
SENT AWAY NIGHT AIR
THAT HAD ME SHAKING
IN THE UNLIT ANGLICAN
DOORWAY.
3.
ARE WE RUINED FOR
FINDING OUR FACES FIT
AND WANT TO KNOW MORE
ABOUT MORNING? IS
FRIENDSHIP CANCELLED
IF WE CAN'T CALL
EACH OTHER ANYMORE
IN AMNESIA, INVITE
OURSELVES TO LAST GLANCES
UNDER SUSPICIOUS CLOCKS
TELLING US WHEN WE'VE
HAD ENOUGH?
4.
YOUR STEADY HANDS
CRADLING MY GRATEFUL
SKULL: WERE YOU TAKING
IN MY FACE TO
SAVE AN IMAGE
YOU'VE RARELY ALLOWED
YOURSELF AFTER LEAVING
THAT COLD ALCOVE?
AM I A PHOTOGRAPH
YOU GAZE AT IN
MOMENTS OF WEAKNESS?
YOU ORDERED ME
OFF MY KNEES
INTO YOUR ARMS.
WASN'T TO BEG
THAT I KNELT; ONLY
TO SEE YOU ONCE
FROM BELOW.
TRIED TO SAY SOMETHING
THAT FILLED MY MOUTH
AND LONGED TO REST
IN YOUR EAR.
DON'T DARE WRITE
IT DOWN FOR FEAR IT'LL
BECOME WORDS, JUST
WORDS.
”
”
Viggo Mortensen (Coincidence of Memory)
“
Louis XI (1423-1483), the great Spider King of France, had a weakness for astrology. He kept a court astrologer whom he admired, until one day the man predicted that a lady of the court would die within eight days. When the prophecy came true, Louis was terrified, thinking that either the man had murdered the woman to prove his accuracy or that he was so versed in his science that his powers threatened Louis himself. In either case he had to be killed. One evening Louis summoned the astrologer to his room, high in the castle. Before the man arrived, the king told his servants that when he gave the signal they were to pick the astrologer up, carry him to the window, and hurl him to the ground, hundreds of feet below. The astrologer soon arrived, but before giving the signal, Louis decided to ask him one last question: “You claim to understand astrology and to know the fate of others, so tell me what your fate will be and how long you have to live.” “I shall die just three days before Your Majesty,” the astrologer replied. The king’s signal was never given. The man’s life was spared. The Spider King not only protected his astrologer for as long as he was alive, he lavished him with gifts and had him tended by the finest court doctors. The astrologer survived Louis by several years, disproving his power of prophecy but proving his mastery of power.
”
”
Robert Greene (The 48 Laws of Power)
“
There was nothing left for me to do, but go.
Though the things of the world were strong with me still.
Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain.
Pearls, rags, buttons, rug-tuft, beer-froth.
Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease.
A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse.
Geese above, clover below, the sound of one’s own breath when winded.
The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger.
Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead.
Goodbye, I must now say goodbye to all of it.
Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day.
Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left.
Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac.
None of it was real; nothing was real.
Everything was real; inconceivably real, infinitely dear.
These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth.
And now we must lose them.
I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant.
Goodbye goodbye good-
”
”
George Saunders (Lincoln in the Bardo)