“
I love New York, even though it isn't mine, the way something has to be, a tree or a street or a house, something, anyway, that belongs to me because I belong to it.
”
”
Truman Capote
“
Do you have doubts about life? Are you unsure if it's worth the trouble? Look at the sky: that is for you. Look at each person's face as you pass on the street: those faces are for you. And the street itself, and the ground under the street and the ball of fire underneath the ground: all these things are for you. They are as much for you as they are for other people. Remember this when you wake up in the morning and think you have nothing. Stand up and face the east. Now praise the sky and praise the light within each person under the sky. It's okay to be unsure. But praise, praise, praise.
”
”
Miranda July (No One Belongs Here More Than You)
“
Our street corners keep secrets, and our road signs only suggest,
never deciding for us, never knowing if the destination to which they lead is where we truely belong.
”
”
Alex Gaskarth
“
I have an idea that some men are born out of their due place. Accident has cast them amid certain surroundings, but they have always a nostalgia for a home they know not. They are strangers in their birthplace, and the leafy lanes they have known from childhood or the populous streets in which they have played, remain but a place of passage. They may spend their whole lives aliens among their kindred and remain aloof among the only scenes they have ever known. Perhaps it is this sense of strangeness that sends men far and wide in the search for something permanent, to which they may attach themselves. Perhaps some deep-rooted atavism urges the wanderer back to lands which his ancestors left in the dim beginnings of history.
”
”
W. Somerset Maugham (The Moon and Sixpence)
“
I hate this feeling. Like I'm here, but I'm not. Like someone cares. But they don't. Like I belong somewhere else, anywhere but here, and escape lies just past that snowy window, cool and crisp as the February air. I considered the streets beyond, bleak as the bleached bones of wilderness scaffolding my heart. Just a stone's throw away.
”
”
Ellen Hopkins
“
I know a few things to be true. I do not know where I am going, where I have come from is disappearing, I am unwelcome and my beauty is not beauty here. My body is burning with the shame of not belonging, my body is longing. I am the sin of memory and the absence of memory. I watch the news and my mouth becomes a sink full of blood. The lines, the forms, the people at the desks, the calling cards, the immigration officers, the looks on the street, the cold settling deep into my bones, the English classes at night, the distance I am from home. But Alhamdulilah all of this is better than the scent of a woman completely on fire, or a truckload of men, who look like my father pulling out my teeth and nails, or fourteen men between my legs, or a gun, or a promise, or a lie, or his name, or his manhood in my mouth.
”
”
Warsan Shire (Teaching My Mother How to Give Birth)
“
[She] wonders what it would be like to belong here, to walk down the street greeting people and smiling. To feel that life was happening here, in this place, and not somewhere else far away.
”
”
Sally Rooney (Normal People)
“
Not only would I never want to belong to any club that would have me for a member--if elected I would wear street shoes onto the squash court and set fire to the ballroom curtains.
”
”
Michael Chabon (Wonder Boys)
“
lf you’re going to deal with reality, you’re going to have to make one big discovery: Reality is something that belongs to you as an individual. If you wanna grow up, which most people don’t, the thing to do is take responsibility for your own reality and deal with it on your own terms. Don’t expect that because you pay some money to somebody else or take a pledge or join a club or run down the street or wear a special bunch of clothes or play a certain sport or even drink Perrier water, it’s going to take care of everything for you.
”
”
Frank Zappa
“
I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage. I could taste the peach and feel the soft air blowing from a subway grating on my legs and I could smell lilac and garbage and expensive perfume and I knew that it would cost something sooner or later—because I did not belong there, did not come from there—but when you are twenty-two or twenty-three, you figure that later you will have a high emotional balance, and be able to pay whatever it costs. I still believed in possibilities then, still had the sense, so peculiar to New York, that something extraordinary would happen any minute, any day, any month.
”
”
Joan Didion (Slouching Towards Bethlehem)
“
The stars are brilliant at this time of night
and I wander these streets like a ritual I don’t dare to break
for darling, the times are quite glorious.
I left him by the water’s edge,
still waving long after the ship was gone
and if someone would have screamed my name I wouldn’t have heard for I’ve said goodbye so many times in my short life that farewells are a muscular task and I’ve taught them well.
There’s a place by the side of the railway near the lake where I grew up and I used to go there to burry things and start anew.
I used to go there to say goodbye.
I was young and did not know many people but I had hidden things inside that I never dared to show and in silence I tried to kill them,
one way or the other,
leaving sin on my body
scrubbing tears off with salt
and I built my rituals in farewells.
Endings I still cling to.
So I go to the ocean to say goodbye.
He left that morning, the last words still echoing in my head
and though he said he’d come back one day I know a broken promise from a right one
for I have used them myself and there is no coming back.
Minds like ours are can’t be tamed and the price for freedom is the price we pay.
I turned away from the ocean
as not to fall for its plea
for it used to seduce and consume me
and there was this one night
a few years back and I was not yet accustomed to farewells
and just like now I stood waving long after the ship was gone.
But I was younger then and easily fooled
and the ocean was deep and dark and blue
and I took my shoes off to let the water freeze my bones.
I waded until I could no longer walk and it was too cold to swim but still I kept on walking at the bottom of the sea for I could not tell the difference between the ocean and the lack of someone I loved and I had not yet learned how the task of moving on is as necessary as survival.
Then days passed by and I spent them with my work
and now I’m writing letters I will never dare to send.
But there is this one day every year or so
when the burden gets too heavy
and I collect my belongings I no longer need
and make my way to the ocean to burn and drown and start anew
and it is quite wonderful, setting fire to my chains and flames on written words
and I stand there, starring deep into the heat until they’re all gone.
Nothing left to hold me back.
You kissed me that morning as if you’d never done it before and never would again and now I write another letter that I will never dare to send, collecting memories of loss
like chains wrapped around my veins,
and if you see a fire from the shore tonight
it’s my chains going up in flames.
The time of moon i quite glorious.
We could have been so glorious.
”
”
Charlotte Eriksson (You're Doing Just Fine)
“
He belonged to a walled city of the fifteenth century, a city of narrow, cobbled streets, and thin spires, where the inhabitants wore pointed shoes and worsted hose. His face was arresting, sensitive, medieval in some strange inexplicable way, and I was reminded of a portrait seen in a gallery I had forgotten where, of a certain Gentleman Unknown. Could one but rob him of his English tweeds, and put him in black, with lace at his throat and wrists, he would stare down at us in our new world from a long distant past—a past where men walked cloaked at night, and stood in the shadow of old doorways, a past of narrow stairways and dim dungeons, a past of whispers in the dark, of shimmering rapier blades, of silent, exquisite courtesy.
”
”
Daphne du Maurier (Rebecca)
“
Walk with this tomorrow night. If nothing happens, then
don’t come back. Forget about us, this place, but if you feel the
Nightwalker in you awaken, then return to where you belong.
Return to me, and the streets will run red with blood.
”
”
Keith Kekic (Chloe of the Night)
“
…quite simply, I was in love with New York. I do not mean "love" in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage. I could taste the peach and feel the soft air blowing from a subway grating on my legs and I could smell lilac and garbage and expensive perfume and I knew that it would cost something sooner or later—because I did not belong there, did not come from there
”
”
Joan Didion (Slouching Towards Bethlehem)
“
Seen from across the street, he was like someone to whom the world had long since given notice to quit but who was compelled to stay in it, no longer belonging to it, but unable to leave it.
”
”
Thomas Bernhard (Wittgenstein’s Nephew)
“
In everything that can be called art there is a quality of redemption. It may be pure tragedy, if it is high tragedy, and it may be pity and irony, and it may be the raucous laughter of the strong man. But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid.
The detective in this kind of story must be such a man. He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor -- by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world. I do not care much about his private life; he is neither a eunuch nor a satyr; I think he might seduce a duchess and I am quite sure he would not spoil a virgin; if he is a man of honor in one thing, he is that in all things.
He is a relatively poor man, or he would not be a detective at all. He is a common man or he could not go among common people. He has a sense of character, or he would not know his job. He will take no man's money dishonestly and no man's insolence without due and dispassionate revenge. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him. He talks as the man of his age talks -- that is, with rude wit, a lively sense of the grotesque, a disgust for sham, and a contempt for pettiness.
The story is the man's adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure. He has a range of awareness that startles you, but it belongs to him by right, because it belongs to the world he lives in. If there were enough like him, the world would be a very safe place to live in, without becoming too dull to be worth living in.
”
”
Raymond Chandler (The Simple Art of Murder)
“
The intellectual is called on the carpet... Don't you conceal something? You talk a language which is suspect. You don't talk like the rest of us, like the man in the street, but rather like a foreigner who does not belong here. We have to cut you down to size, expose your tricks, purge you.
”
”
Herbert Marcuse
“
A city street equipped to handle strangers, and to make a safety asset, in itself, our of the presence of strangers, as the streets of successful city neighborhoods always do, must have three main qualities:
First, there must be a clear demarcation between what is public space and what is private space. Public and private spaces cannot ooze into each other as they do typically in suburban settings or in projects.
Second, there must be eyes upon the street, eyes belonging to those we might call the natural proprietors of the street. The buildings on a street equipped to handle strangers and to insure the safety of both residents and strangers, must be oriented to the street. They cannot turn their backs or blank sides on it and leave it blind.
And third, the sidewalk must have users on it fairly continuously, both to add to the number of effective eyes on the street and to induce the people in buildings along the street to watch the sidewalks in sufficient numbers. Nobody enjoys sitting on a stoop or looking out a window at an empty street. Almost nobody does such a thing. Large numbers of people entertain themselves, off and on, by watching street activity.
”
”
Jane Jacobs (The Death and Life of Great American Cities)
“
What good does it do me, after all, if an ever-watchful authority keeps an eye out to ensure that my pleasures will be tranquil and races ahead of me to ward off all danger, sparing me the need even to think about such things, if that authority, even as it removes the smallest thorns from my path, is also absolute master of my liberty and my life; if it monopolizes vitality and existence to such a degree that when it languishes, everything around it must also languish; when it sleeps, everything must also sleep; and when it dies, everything must also perish?
There are some nations in Europe whose inhabitants think of themselves in a sense as colonists, indifferent to the fate of the place they live in. The greatest changes occur in their country without their cooperation. They are not even aware of precisely what has taken place. They suspect it; they have heard of the event by chance. More than that, they are unconcerned with the fortunes of their village, the safety of their streets, the fate of their church and its vestry. They think that such things have nothing to do with them, that they belong to a powerful stranger called “the government.” They enjoy these goods as tenants, without a sense of ownership, and never give a thought to how they might be improved. They are so divorced from their own interests that even when their own security and that of their children is finally compromised, they do not seek to avert the danger themselves but cross their arms and wait for the nation as a whole to come to their aid. Yet as utterly as they sacrifice their own free will, they are no fonder of obedience than anyone else. They submit, it is true, to the whims of a clerk, but no sooner is force removed than they are glad to defy the law as a defeated enemy. Thus one finds them ever wavering between servitude and license.
When a nation has reached this point, it must either change its laws and mores or perish, for the well of public virtue has run dry: in such a place one no longer finds citizens but only subjects.
”
”
Alexis de Tocqueville (Democracy in America)
“
These streets belong to us because we decided not to punch the time clock. We decided to see what and f*ck is going on out here when all those other people are going to sleep. So we walk from dusk until dawn and we rule.
”
”
Keith Kekic (Nightwalkers)
“
It was the day of the worms. That first almost-warm, after-the-rainy-night day in April, when you bolt from your house to find yourself in a world of worms. They were as numerous here in the East End as they had been in the West. The sidewalks, the streets. The very places where they didn't belong. Forlorn, marooned on concrete and asphalt, no place to burrow, April's orphans.
”
”
Jerry Spinelli (Maniac Magee)
“
My story—the story of the son of Jainulabdeen, who lived for over a hundred years on Mosque Street in Rameswaram island and died there; the story of a lad who sold newspapers to help his brother; the story of a pupil reared by Sivasubramania Iyer and Iyadurai Solomon; the story of a student taught by teachers like Pandalai; the story of an engineer spotted by MGK Menon and groomed by the legendary Prof. Sarabhai; the story of a scientist tested by failures and setbacks; the story of a leader supported by a large team of brilliant and dedicated professionals. This story will end with me, for I have no belongings in the worldly sense. I have acquired nothing, built nothing, possess nothing—no family, sons, daughters.
”
”
A.P.J. Abdul Kalam (Wings of Fire)
“
They were utterly fearless. I did not understand it until I looked out on the street. That was where I saw white parents pushing double-wide strollers down gentrifying Harlem boulevards in T-shirts and jogging shorts. Or I saw them lost in conversation with each other, mother and father, while their sons commanded entire sidewalks with their tricycles. The galaxy belonged to them, and as terror was communicated to our children, I saw mastery communicated to theirs.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
let me belong again to that faraway place I left so long ago, from which I am alienated, and which has forgotten me, in which I am an alien now even though it was the place where I began, let me belong again, walk those streets knowing they are mine, knowing that my story is a part of those streets, even though it isn't, it hasn't been for most of a lifetime, let it be so, let it be so
”
”
Salman Rushdie (Two Years Eight Months and Twenty-Eight Nights)
“
She walks,
on the streets,
with a face that,
doesn't belong.
It smiles more than,
many put together,
whole day long.
Her heart misfit,
a little chipped.
And she likes to,
call it once broken,
but now stitched.
”
”
Jasleen Kaur Gumber
“
If this were a proper world, beautiful faces would belong to beautiful people. Good people with kind hearts and clever minds would always have bright eyes and dazzling smiles, and bad people would have scraggly hair and warty noses. That way if you saw one of them coming, you could cross to the other side of the street and avoid them altogether.
But this is not a proper world. In our world, many bad people look quite nice, and many good people are not beautiful at all. Many good people aren't pretty or cute or even interesting-looking.
”
”
Brit Trogen (Margaret and the Moth Tree)
“
Michael, this is an order from your mistress. Tell me what you want. Now.” “I want Griffin.” The words came out immediately. She had trained him too well. “I want Griffin so much it hurts. I love him, Nora. I have never felt anything like this before. And it’s absolutely stupid because he’s rich and he’s perfect and amazing and I’m a nobody. I’m a nobody, and I’m in love with someone I can’t be with. He’s so beautiful. I can’t stop looking at him, I can’t stop thinking about him. I dream about him at night. And he’s the first thing I think about when I wake up. And I want to touch him so much. I want to touch his face and that fucking perfect hair of his. And his lips and his chest and his arms— and I think about those arms around me, and it’s humiliating how much I want that. And, God, I want to live in his bed. I want to spend the rest of my life underneath him. I want to feel him on top of me and inside me. And I want submit to him. I want to go down on my knees in front of him. I want to call him sir and wear his collar and kiss his fucking feet if he told me to. And I want to walk down the busiest street in New York with him holding hands so the entire world can see us together and know that I belong to him. I love Griffin, Nora. I’m in love with him. And I can’t be with him. But that’s… that’s it.” Michael turned his head and buried it a little deeper into the cleft of Nora’s neck and shoulder. He wanted to stay there so he wouldn’t have to look her or anyone in the eyes ever again. “You won’t tell him, will you?” “She doesn’t have to.
”
”
Tiffany Reisz (The Angel (The Original Sinners, #2))
“
A seat at the table is desired. But I'll scream from the street if I need to.
”
”
Darnell Lamont Walker
“
I realized you don’t need to belong to any fuckin’ edifice or ascribe to any dogma to have a relationship with God, to be a good person. You just have to be a good person.
”
”
Ron Perlman (Easy Street: The Hard Way)
“
Rule number five: All your orgasms belong to me.
”
”
Ella Dominguez (Grace Street (Chapter 8, #1))
“
She was nobody here. It was not just that she had no friends and family; it was rather that she was a ghost in this room, in the streets on the way to work, on the shop floor. Nothing meant anything. The rooms in the house on Friary Street belonged to her, she thought; when she moved in them she was really there. In the town, if she walked to the shop or to the Vocational School, the air, the light, the ground, it was all solid and part of her, even if she met no one familiar. Nothing here was part of her. It was false, empty, she thought. She closed her eyes and tried to think, as she had done so many times in her life, of something she was looking forward to, but there was nothing. Not the slightest thing. Not even Sunday. Nothing maybe except sleep, and she was not even certain she was looking forward to sleep. In any case, she could not sleep yet, since it was not yet nine o’clock. There was nothing she could do. It was as though she had been locked away.
”
”
Colm Tóibín (Brooklyn)
“
It have people living in London who don’t know what happening in the room next to them, far more the street, or how other people living. London is a place like that. It divide up in little worlds, and you stay in the world you belong to and you don’t know anything about what happening in the other ones except what you read in the papers.
”
”
Sam Selvon (The Lonely Londoners)
“
Nothing belongs to itself anymore.
These trees are yours because you once looked at them.
These streets are yours because you once traversed them.
These coffee shops and bookshops, these cafés and bars, their sole owner is you.
They gave themselves so willingly, surrendering to your perfume.
You sang with the birds and they stopped to listen to you.
You smiled at the sheepish stars and they fell into your hair.
The sun and moon, the sea and mountain, they have all left from heartbreak.
Nothing belongs to itself anymore.
You once spoke to Him, and then God became yours.
He sits with us in darkness now
to plot how to make you ours.” K.K.
”
”
Kamand Kojouri
“
Kitay’s Sinegard was full of wonders, completely accessible, and crammed with things that belonged to him. Kitay’s Sinegard wasn’t terrifying, because Kitay had money. If he tripped, half the shop owners on the street would help him up, hoping for a handsome tip. If his pocket were cut, he’d go home and get another purse. Kitay could afford to be victimized by the city because he had room to fail.
”
”
R.F. Kuang (The Poppy War (The Poppy War, #1))
“
Some days,' I say, 'I feel like I don't belong anywhere in that world. That world out there. 'I point to Grant. 'People walk down our street and people drive down it and people ride their bicycles down it and all of them, even the ones I know, could be from another planet. And I'm a visiting alien.'
And aliens don't belong anywhere,' Adam finishes for me, 'except in their own little corners of the universe.'
Right,' I say.
~pgs 57-58 Hattie and Adam on alienation
”
”
Ann M. Martin
“
But the address, if it ever existed, never was sent, which made me sad, there was so much I wanted to write her: that I'd sold two stories, had read where the Trawlers were countersuing for divorce, was moving out of the brownstone because it was haunted. But mostly, I wanted to tell about her cat. I had kept my promise; I had found him. It took weeks of after-work roaming through those Spanish Harlem streets, and there were many false alarms--flashes of tiger-striped fur that, upon inspection, were not him. But one day, one cold sunshiny Sunday winter afternoon, it was. Flanked by potted plants and framed by clean lace curtains, he was seated in the window of a warm-looking room: I wondered what his name was, for I was certain he had one now, certain he'd arrived somewhere he belonged. African hut or whatever, I hope Holly has, too.
”
”
Truman Capote (Breakfast at Tiffany’s and Three Stories)
“
The doors of Hell are never bolted or barred, to those who belong there.
”
”
Simon R. Green (Mean Streets)
“
Every child must eventually leave. Sometimes, it is to a house down the street. Other times, it is to somewhere very far away. But if that child ends up where they belong, and are happy and loved... that's all a parent wants."
page 304
”
”
Elise Kova (A Deal with the Elf King (Married to Magic, #1))
“
Marianne wonders what it would be like to belong here, to walk down the street greeting people and smiling. To feel that life was happening here, in this place, and not somewhere else far away.
”
”
Sally Rooney (Normal People)
“
The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face that does not exist anymore, speaks a name – Spike, Bud, Snip, Red, Rusty, Jack, Dave – which belongs to that now nonexistent face but which by some inane doddering confusion of the universe is for the moment attached to a not happily met and boring stranger. But he humors the drooling doddering confusion of the universe and continues to address politely that dull stranger by the name which properly belongs to the boy face and to the time when the boy voice called thinly across the late afternoon water or murmured by a campfire at night or in the middle of a crowded street said, “Gee, listen to this–’On Wenlock Edge the wood’s in trouble; His forest fleece the Wrekin heaves–’” The Friend of Your Youth is your friend because he does not see you anymore.
And perhaps he never saw you. What he saw was simply part of the furniture of the wonderful opening world. Friendship was something he suddenly discovered and had to give away as a recognition of and payment for the breathlessly opening world which momently divulged itself like a moonflower. It didn’t matter a damn to whom he gave it, for the fact of giving was what mattered, and if you happened to be handy you were automatically endowed with all the appropriate attributes of a friend and forever after your reality is irrelevant. The Friend of Your Youth is the only friend you will ever have, for he hasn’t the slightest concern with calculating his interest or your virtue. He doesn’t give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn’t really belong to your face), saying, “Well, Jack, damned glad you came, come on in, boy!
”
”
Robert Penn Warren (All the King's Men)
“
All my life,I've been afraid of things, as a child and a woman must be. I lied about it naturally. I fancied myself a witch and walked in dark streets to punish myself for my doubts. But I knew what it meant to be afraid.
And now, in this darkness, I fear nothing. If you were to leave me here, I would feel nothing. I would walk as I am walking now. As a man, you can't know what I mean by what I say.You can't know a woman's vulnerability. You can't know the sense of power that belongs to me now.
”
”
Anne Rice (Merrick (The Vampire Chronicles, #7))
“
Vimes shook some lather off the blade. "Hah! I bet they have. Tell me, Willikins, did you fight much when you were a kid? Were you in a gang or anything?"
"I was privileged to belong to the Shamlegger Street Rude Boys, sir," said the butler.
"Really?" said Vimes, genuinely impressed. "They were pretty tough nuts, as I recall."
"Thank you, sir," said Willikins smoothly. "I pride myself I used to give somewhat more than I got if we needed to discuss the vexed area of turf issues with the young men from Rope Street. Stevedore's hooks were their weapon of choice, as I recall."
"And yours...?" said Vimes, agog.
"A cap-brim sewn with sharpened pennies, sir. An ever-present help in times of trouble."
"Ye gods, man! You could put someone's eye out with something like that."
"With care, sir, yes," said Willikins, meticulously folding a towel.
”
”
Terry Pratchett (Thud! (Discworld, #34; City Watch, #7))
“
Everyone stares and smiles as he carries me down the street toward my apartment. “I feel like you should be wearing a white Navy uniform right now.”
“I have one of those. If you play your cards right, I’ll bust it out someday.” He shoots me a look, but I see the corner of his mouth twitch as he begins to hum, Up Where We Belong.
”
”
Leisa Rayven (Mister Romance (Masters of Love, #1))
“
My identity as Abba’s child is not an abstraction or a tap dance into religiosity. It is the core truth of my existence. Living in the wisdom of accepted tenderness profoundly affects my perception of reality, the way I respond to people and their life situations. How I treat my brothers and sisters from day to day, whether they be Caucasian, African, Asian, or Hispanic; how I react to the sin-scarred wino on the street; how I respond to interruptions from people I dislike; how I deal with ordinary people in their ordinary unbelief on an ordinary day will speak the truth of who I am more poignantly than the pro-life sticker on the bumper of my car. We are not for life simply because we are warding off death. We are sons and daughters of the Most High and maturing in tenderness to the extent that we are for others—all others—to the extent that no human flesh is strange to us, to the extent that we can touch the hand of another in love, to the extent that for us there are no “others.
”
”
Brennan Manning (Abba's Child: The Cry of the Heart for Intimate Belonging)
“
Keeping The City
"Unless the Lord keepeth the city, the watchman guardeth in vain" - John F. Kennedy's unspoken words in Dallas on November 23, 1963.
Once,
in August,
head on your chest,
I heard wings
battering up the place,
something inside trying to fly out
and I was silent
and attentive,
the watchman.
I was your small public,
your small audience
but it was you that was clapping,
it was you untying the snarls and knots,
the webs, all bloody and gluey;
you with your twelve tongues and twelve wings
beating, wresting, beating, beating
your way out of childhood,
that airless net that fastened you down.
Since then I was more silent
though you had gone miles away,
tearing down, rebuilding the fortress.
I was there
but could do nothing
but guard the city
lest it break.
I was silent.
I had a strange idea I could overhear
but that your voice, tongue, wing
belonged solely to you.
The Lord was silent too.
I did not know if he could keep you whole,
where I, miles away, yet head on your chest,
could do nothing. Not a single thing.
The wings of the watchman,
if I spoke, would hurt the bird of your soul
as he nested, bit, sucked, flapped.
I wanted him to fly, burst like a missile from your throat,
burst from the spidery-mother-web,
burst from Woman herself
where too many had laid out lights
that stuck to you and left a burn
that smarted into your middle age.
The city
of my choice
that I guard
like a butterfly, useless, useless
in her yellow costume, swirling
swirling around the gates.
The city shifts, falls, rebuilds,
and I can do nothing.
A watchman
should be on the alert,
but never cocksure.
And The Lord -
who knows what he keepeth?
”
”
Anne Sexton (45 Mercy Street)
“
The way Winny saw it, the best thing and the worst thing were the same thing: nothing lasted ... what to say and felt you didn't belong anywhere, books were a way to lead another life, a way to be someone else entirely, to be anyone at all.
”
”
Dean Koontz (77 Shadow Street)
“
I was going to up until that last entry. Reading it all just reminded me how much we felt, how much we feel, and how much a part of us it is. It doesn’t belong to anyone else and I guess I don’t want it to.
It’s ours. Our history. Our story. And in a way our future too. As much as I love her, you’re right. I can’t give that to Joss. I can’t give these to her.
”
”
Samantha Young (Until Fountain Bridge (On Dublin Street, #1.5))
“
It was during that journey to Via Orazio that I began to be made unhappy by my own alienness. I had grown up with those boys, I considered their behavior normal, their violent language was mine. But for six years now I had also been following daily a path that they were completely ignorant of and in the end I had confronted it brilliantly. With them I couldn’t use any of what I learned every day, I had to suppress myself, in some way diminish myself. What I was in school I was there obliged to put aside or use treacherously, to intimidate them. I asked myself what I was doing in that car. They were my friends, of course, my boyfriend was there, we were going to Lila’s wedding celebration. But that very celebration confirmed that Lila, the only person I still felt was essential even though our lives had diverged, no longer belonged to us and, without her, every intermediary between me and those youths, that car racing through the streets, was gone. Why then wasn’t I with Alfonso, with whom I shared both origin and flight? Why, above all, hadn’t I stopped to say to Nino, Stay, come to the reception, tell me when the magazine with my article’s coming out, let’s talk, let’s dig ourselves a cave that can protect us from Pasquale’s driving, from his vulgarity, from the violent tones of Carmela and Enzo, and also—yes, also—of Antonio?
”
”
Elena Ferrante (My Brilliant Friend (My Brilliant Friend, #1))
“
Quite simply, I was in love with New York. I do not mean “love” in any colloquial way, I mean that I was in love with the city, the way you love the first person who ever touches you and you never love anyone quite that way again. I remember walking across Sixty-second Street one twilight that first spring, or the second spring, they were all alike for a while. I was late to meet someone but I stopped at Lexington Avenue and bought a peach and stood on the corner eating it and knew that I had come out out of the West and reached the mirage. I could taste the peach and feel the soft air blowing from a subway grating on my legs and I could smell lilac and garbage and expensive perfume and I knew that it would cost something sooner or later – because I did not belong there, did not come from there – but when you are twenty-two or twenty-three, you figure that later you will have a high emotional balance, and be able to pay whatever it costs. I still believed in possibilities then, still had the sense, so peculiar to New York, that something extraordinary would happen any minute, any day, any month.
”
”
Joan Didion
“
Give me back what should already be mine. Give me the dark, the freedom of the streets, the right to walk wherever I want, unafraid of rape or assault or just being messed with. The stars belong to me as much as you. Move over. Make room on the bench.
”
”
Gail Caldwell (Bright Precious Thing: A Memoir)
“
Oh come on, smile. Lisa, Jack... being bisexual is hardly a crime. Best of both worlds, isn't it?'
And Ianto pushed her away. 'No,Gwen. No, really it's bloody not. It's the worst of any world because you don't really belong anywhere, because you are never sure of yourself ot those around you. You can't trust in anyone, their motives or their intentions. And because of that, you have, in a world that likes its shiny labels, no true identity.
”
”
Gary Russell (The Twilight Streets (Torchwood, #6))
“
And with a relentlessness that comes from the world's depths, with a persistence that strikes the keys metaphysically, the scales of a piano student keep playing over and over, up and down the physical backbone of my memory. It's the old streets with other people, the same streets that today are different; it's dead people speaking to me through the transparency of their absence; it's remorse for what I did or didn't do; it's the rippling of streams in the night, noises from below in the quiet building.
I feel like screaming inside my head. I want to stop, to break, to smash this impossible phonograph record that keeps playing inside me, where it doesn't belong, an intangible torturer. I want my soul, a vehicle taken over by others, to let me off and go on without me. I'm going crazy from having to hear. And in the end it is I – in my odiously impressionable brain, in my thin skin, in my hypersensitive nerves – who am the keys played in scales, O horrible and personal piano of our memory.
”
”
Fernando Pessoa (The Book of Disquiet)
“
What do you think? This ought to be the right kind of place for tough guy like you. Garbage cans. Rats galore. Plenty of cat-bums to gang around with. So scram,’ she said, dropping him…
'...I told you. We just met by the river one day: that’s all. Independents, both of us. We never made each other any promises. We never -’ she said, and her voice collapsed, a tic, an invalid whiteness seized her face. The car had paused for a traffic light. Then she had the door open, she was running down the street; and I ran after her.
...she shuddered, she had to grip my arm to stand up: ‘Oh, Jesus God. We did belong to each other. He was mine.’ Then I made her a promise, I said I’d come back and find her cat. ‘I’ll take care of him, too. I promise.’
She smiled: that cheerless new pinch of a smile. ‘But what about me?’ she said, whispered, and shivered again. ‘I’m very scared, Buster. Yes, at last. Because it could go on forever. Not knowing what’s yours until you’re thrown it away. The mean reds, they’re nothing...
”
”
Truman Capote (Breakfast at Tiffany’s and Three Stories)
“
FORKED BRANCHES
We grew up on the same street,
You and me.
We went to the same schools,
Rode the same bus,
Had the same friends,
And even shared spaghetti
With each other's families.
And though our roots belong to
The same tree,
Our branches have grown
In different directions.
Our tree,
Now resembles a thousand
Other trees
In a sea of a trillion
Other trees
With parallel destinies
And similar dreams.
You cannot envy the branch
That grows bigger
From the same seed,
And you cannot
Blame it on the sun's direction.
But you still compare us,
As if we're still those two
Kids at the park
Slurping down slushies and
Eating ice cream.
Suzy Kassem, Rise Up and Salute the Sun (2010)
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
My body never belonged to me. You must have felt that too. If someone wanted to beat me, they could beat me. If someone wanted to lock me in the closet, they could. Childhood is such a perverse injustice, I don't know how anyone survives it without going crazy. But I have a chance to turn the tables. I have a chance to run the streets and be a wealthy woman. No one is ever, ever, ever going to treat me with disrespect again.
”
”
Heather O'Neill (The Lonely Hearts Hotel)
“
A man of the present day, whether he believes in the divinity of Christ or not, cannot fail to see that to assist in the capacity of tzar, minister, governor, or commissioner in taking from a poor family its last cow for taxes to be spent on cannons, or on the pay and pensions of idle officials, who live in luxury and are worse than useless; or in putting into prison some man we have ourselves corrupted, and throwing his family on the streets; or in plundering and butchering in war; or in inculcating savage and idolatrous superstitious in the place of the law of Christ; or in impounding the cow found on one's land, though it belongs to a man who has no land; or to cheat the workman in a factory, by imposing fines for accidentally spoiled articles; or making a poor man pay double the value for anything simply because he is in the direst poverty;--not a man of the present day can fail to know that all these actions are base and disgraceful, and that they need not do them. They all know it.
”
”
Leo Tolstoy (The Kingdom of God Is Within You)
“
Yesterday's rain had left a bitter, springlike smell in the air; the vehemence that beat against her in the street and hummed above her had something a little wistful in it tonight, like a plaintive hand-organ tune. All the lovely things in the shop windows, the furs and jewels, roses and orchids, seemed to belong to her as she passed them. Not to have wrapped up and sent home, certainly; where would she put them? But they were hers to live among.
”
”
Willa Cather (Lucy Gayheart)
“
Where will I find you now that my heart is yours?
Where should I search? I don’t know where to look.
You fill my heart with desire and love,
The perfume of the lotus, the grace of a dove.
But then the dove flies far, far away,
All that is left is a song for my harp strings to play.
A voice in my memories like an angel of grace,
Where can I find you? Do you know how I pray?
Where will I find you now that my love belongs to you?
Wherever your heart beats, I’m dreaming of you.
Now and forever my love belongs to you…
Now and forever my love belongs to you…
”
”
Bjorn Street (Secret of the Mummy (Secret of the Mummy #1))
“
A friend once told me that what she fears most about growing old is becoming irrelevant, turning into a nostalgic old woman who cannot understand the world around her, or contribute much to it. This is what we fear collectively, as a species, when we hear of superhumans. We sense that in such a world, our identity, our dreams and even our fears will be irrelevant, and we will have nothing more to contribute. Whatever you are today – be it a devout Hindu cricket player or an aspiring lesbian journalist – in an upgraded world you will feel like a Neanderthal hunter in Wall Street. You won’t belong.
”
”
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
“
The vision that accompanied me on my drive was a girl, a lady actually. We had the same hair but she didn't look like me. She was in a camel coat and ankle boots. A dress under the coat was belted high on her waist. She carried various shopping bags from specialty stores and as she was walking, pausing at certain windows, her coat would fly back in the wind. Her boot heels tapped on the cobblestones. She had lovers and breakups, an analyst, a library, acquaintances she ran into on the street whose names she couldn't call to mind. She belonged to herself only. She had edges, boundaries, tastes, definition down to her eyelashes. And when she walked it was clear she knew where she was going.
”
”
Stephanie Danler (Sweetbitter)
“
I had kept my promise; I had found him. It took weeks of after-work roaming through those Spanish Harlem streets, and there were many false alarms—flashes of tiger-striped fur that, upon inspection, were not him. But one day, one cold sunshiny Sunday winter afternoon, it was. Flanked by potted plants and framed by clean lace curtains, he was seated in the window of a warm-looking room: I wondered what his name was, for I was certain he had one now, certain he’d arrived somewhere he belonged. African hut or whatever, I hope Holly has, too.
”
”
Truman Capote (Breakfast at Tiffany's and Three Stories: House of Flowers, A Diamond Guitar, and A Christmas Memory)
“
Gradually, like the emigration of an insidious, phantom population, Leningrad belonged more to the dead than to the living. The dead watched over streets and sat in snow-swamped buses. Whole apartment buildings were tenanted by them, where in broken rooms, dead families sat waiting at tables. Their dominion spread room by room, like lights going out in evening.
”
”
M.T. Anderson (Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad)
“
The other one, the one called Borges, is the one things happen to. I walk through the streets of Buenos Aires and stop for a moment, perhaps mechanically now, to look at the arch of an entrance hall and the grillwork on the gate. I know of Borges from the mail and see his name on a list of professors or in a biographical dictionary. I like hourglasses, maps, eighteenth-century typography, the taste of coffee and the prose of Stevenson; he shares these preferences, but in a vain way that turns them into the attributes of an actor. It would be an exaggeration to say that ours is a hostile relationship. I live, let myself go on living, so that Borges may contrive his literature, and this literature justifies me. It is no effort for me to confess that he has achieved some valid pages, but those pages cannot save me, perhaps because what is good belongs to no one, not even to him, but rather to the language and to tradition. Besides I am destined to perish, definitively, and only some instant of myself can survive in him. Little by little, I am giving over everything to him, though I am quite aware of his perverse custom of falsifying and magnifying things. Spinoza knew that all things long to persist in their being; the stone eternally wants to be a stone, and the tiger a tiger. I shall remain in Borges, not in myself (if it is true that I am someone), but I recognize myself less in his books than in many others or in the laborious strumming of a guitar. Years ago I tried to free myself from him and went from the mythologies of the suburbs to the games with time and infinity, but those games belong to Borges now and I shall have to imagine other things. Thus my life is a flight and I lose everything and everything belongs to oblivion, or to him.
I do not know which of us has written this page.
”
”
Jorge Luis Borges (Labyrinths: Selected Stories & Other Writings)
“
There’s a big difference between merely carrying the world inside you and knowing that you do! A madman can produce ideas that resemble Plato’s, and a pious little schoolboy in a Herrnhut institute can creatively reconstruct profound mythological associations in his mind, ideas to be found in the Gnostics or Zoroaster. But he doesn’t know he’s doing it! He’s a tree or a stone, at best an animal, just as long as he doesn’t know that. But when the first spark of that knowledge glimmers, he becomes a human being. You certainly don’t consider all the bipeds running around the street to be human beings merely because they walk upright and carry their young for nine months? After all, you see how many of them are fish or sheep, worms or leeches, how many are ants, how many are bees! Now, each one of them has the potentiality of becoming a human being, but only when he senses that potential, when he even learns to be conscious of it to some degree, does that potential belong to him.
”
”
Hermann Hesse (Demian)
“
while the excluded begin to realize, having endured everything, that they can endure everything. They do not know the precise shape of the future, but they know that the future belongs to them. They realize this—paradoxically—by the failure of the moral energy of their oppressors and begin, almost instinctively, to forge a new morality, to create the principles on which a new world will be built.
”
”
James Baldwin (No Name in the Street)
“
as we watched seaward-moving ships pass between the cliffs of burning skyline, she said: 'years from now, years and years, one of those ships will bring me back, me and my nine Brazillian brats, because yes, they must see this, these lights, the river-- I love New York, even though it isn't mine, the way something has to be, a tree or a street or a house, something anyway, that belongs to me because I belong to it.' And I said: 'Do shut up,' for I felt infuriatingly left out-- a tugboat in a dry-dock while she, glittery voyager of secure destination steamed down the harbor with whistles whistling and confetti in the air.
”
”
Truman Capote
“
The gangs filled a void in society, and the void was the absence of family life. The gang became a family. For some of those guys in the gang that was the only family they knew, because when their mothers had them they were too busy having children for other men. Some of them never knew their daddies. Their daddies never look back after they got their mothers pregnant, and those guys just grew up and they couldn’t relate to nobody.
When they had their problems, who could they have talked to? Nobody would listen, so they gravitated together and form a gang. George Mackey, the former representative for the historic Fox Hill community in The Bahamas.
”
”
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
“
The fire-eater? The swordsman? The gentleman who nearly drowns each night… do you believe they’d be welcomed into the circles you belong to?” He shook his head. “Society scorned them, turned them into freak shows and curiosities, and now they are only interested in cheering because of the glamour of those velvet curtains. The allure of magic and mysticism. Should they encounter those same performers on the street, they would not be so kind or accepting. It is a sad truth that we do not live in a world where differences are accepted. And until such a time, Miss Wadsworth, I will provide a home to the misfits and unwanteds, even if it means losing bits of my soul to that hungry, unsatisfied beast Mr. Barnum has called show business.
”
”
Kerri Maniscalco (Escaping from Houdini (Stalking Jack the Ripper #3))
“
What's given, in fact, always depends on the person or thing it's given to. A minor incident in the street brings the cook to the door and entertains him more than I would be entertained by contemplating the most original idea, by reading the greatest book, or by having the most gratifying of useless dreams. If life is basically monotony, he has escaped it more than I. And he escapes it more easily than I. The truth isn't with him or with me, because it isn't with anyone, but happiness does belong to him.
”
”
Fernando Pessoa
“
To belong to a clan, to a tight group of people allied by blood and loyalties and the mutual ownership of closeted skeletons. To see the family vices and virtues in a dozen avatars instead of in two or three. To know always, whether you were in Little Rock or Menton, that there was one place to which you belonged and to which you would return. To have that rush of sentimental loyalty at the sound of a name, to love and know a single place, from the newest baby-squall on the street to the blunt cuneiform of the burial ground . . .
Those were the things that not only his family, but thousands of Americans had missed. The whole nation had been footloose too long, Heaven had been just over the next range for too many generations. Why remain in one dull plot of earth when Heaven was reachable, was touchable, was just over there? The whole race was like the fir tree in the fairy-tale which wanted to be cut sown and dressed up with lights and bangles and colored paper, and see the world and be a Christmas tree.
Well, he said, thinking of the closed banks, the crashed market that had ruined thousands and cut his father’s savings in half, the breadlines in the cities, the political jawing and the passing of the buck. Well, we’ve been a Christmas tree, and now we’re in the back yard and how do we like it?
”
”
Wallace Stegner
“
We grew up on the same street,
You and me.
We went to the same schools,
Rode the same bus,
Had the same friends,
And even shared spaghetti
With each other's families.
And though our roots belong to
The same tree,
Our branches have grown
In different directions.
Our tree,
Now resembles a thousand
Other trees
In a sea of a trillion
Other trees
With parallel destinies
And similar dreams.
You cannot envy the branch
That grows bigger
From the same seed,
And you cannot
Blame it on the sun's direction.
But you still compare us,
As if we're still those two
Kids at the park
Slurping down slushies and
Eating ice cream.
Suzy Kassem, Rise Up and Salute the Sun (2010)
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
Ohhhhh."
A lush-bodied girl in the prime of her physical beauty. In an ivory georgette-crepe sundress with a halter top that gathers her breasts up in soft undulating folds of the fabric. She's standing with bare legs apart on a New York subway grating. Her blond head is thrown rapturously back as an updraft lifts her full, flaring skirt, exposing white cotton panties. White cotton! The ivory-crepe sundress is floating and filmy as magic. The dress is magic. Without the dress the girl would be female meat, raw and exposed.
She's not thinking such a thought! Not her.
She's an American girl healthy and clean as a Band-Aid. She's never had a soiled or a sulky thought. She's never had a melancholy thought. She's never had a savage thought. She's never had a desperate thought. She's never had an un-American thought. In the papery-thin sundress she's a nurse with tender hands. A nurse with luscious mouth. Sturdy thighs, bountiful breasts, tiny folds of baby fat at her armpits. She's laughing and squealing like a four year-old as another updraft lifts her skirt. Dimpled knees, a dancer's strong legs. This husky healthy girl. The shoulders, arms, breasts belong to a fully mature woman but the face is a girl's face. Shivering in New York City mid-summer as subway steam lifts her skirt like a lover's quickened breath.
"Oh! Ohhhhh."
It's nighttime in Manhattan, Lexington Avenue at 51st Street. Yet the white-white lights exude the heat of midday. The goddess of love has been standing like this, legs apart, in spike-heeled white sandals so steep and so tight they've permanently disfigured her smallest toes, for hours. She's been squealing and laughing, her mouth aches. There's a gathering pool of darkness at the back of her head like tarry water. Her scalp and her pubis burn from the morning's peroxide applications. The Girl with No Name. The glaring-white lights focus upon her, upon her alone, blond squealing, blond laughter, blond Venus, blond insomnia, blond smooth-shaven legs apart and blond hands fluttering in a futile effort to keep her skirt from lifting to reveal white cotton American-girl panties and the shadow, just the shadow, of the bleached crotch.
"Ohhhhhh."
Now she's hugging herself beneath her big bountiful breasts. Her eyelids fluttering. Between the legs, you can trust she's clean. She's not a dirty girl, nothing foreign or exotic. She's an American slash in the flesh. That emptiness. Guaranteed. She's been scooped out, drained clean, no scar tissue to interfere with your pleasure, and no odor. Especially no odor. The Girl with No Name, the girl with no memory. She has not lived long and she will not live long.
”
”
Joyce Carol Oates (Blonde)
“
This is a formula for a nation’s or a kingdom’s decline, for no kingdom can maintain itself by force alone. Force does not work the way its advocates seem to think it does. It does not, for example, reveal to the victim the strength of his adversary. On the contrary, it reveals the weakness, even the panic of his adversary, and this revelation invests the victim with patience. Furthermore, it is ultimately fatal to create too many victims. The victor can do nothing with these victims, for they do not belong to him, but—to the victims. They belong to the people he is fighting. The people know this, and as inexorably as the roll call—the honor roll—of victims expands, so does their will become inexorable: they resolve that these dead, their brethren, shall not have died in vain. When this point is reached, however long the battle may go on, the victor can never be the victor: on the contrary, all his energies, his entire life, are bound up in a terror he cannot articulate, a mystery he cannot read, a battle he cannot win—he has simply become the prisoner of the people he thought to cow, chain, or murder into submission.
”
”
James Baldwin (No Name in the Street)
“
I passed people shopping or walking their dogs, and young people, university students maybe, busy about their lives, so that the streets I walked seemed vibrant to me, more vibrant than my own. But then almost everywhere I went I imagined a place more accommodating of the life I wanted, as if happiness were a matter of streets or parks, as maybe to a point it is; and with R. away for so long I was accustomed to thinking of my real life existing in some distant place or future time, projecting forward in a way that I was afraid might keep me from living fully where I was.
”
”
Garth Greenwell (What Belongs to You)
“
As I've looked into the eyes of street children in Afghanistan desperate for a future other than terrorism, or children in Rwanda hungry for something greater than genocide, I've reached one big conclusion: we belong to one another. And children across the Earth deserve the same hopes and opportunities we give our children here."-->Bernard Amadei, civil engineering professor at the University of Colorado and founder of Engineers Without Borders
”
”
Bernard Amadei
“
He doesn't know what the world is like today." The thought that his own conception of the world was so different from his father's was like a protecting wall around his entire being. When his father went out into the street he had only the mosque, the Koran, the other old men in his mind. It was the immutable world of law, the written word, unchanging beneficence, but it was in some way wrinkled and dried up. Whereas when Amar stepped out the door there was the whole vast earth waiting, the live mysterious earth, that belonged to him in a way it could belong to no one else, and where anything at all might happen.
”
”
Paul Bowles (The Spider's House)
“
Just as there’s usually a space or interval between people passing on the street, even if it sometimes seems very small, a space also exists between thoughts. In your meditation, see if you can perceive this gap between thoughts. What is it, and does it belong to the realm of time? If it does not, then it’s unborn and undying, beyond all conditioning, which is a psychological carry-over from the past to the present.
Whatever thoughts or internal conflicts come up—do nothing. Do not try to force them to cease or change. And don’t “do nothing” to still the mind, quiet fears, or resolve conflicts—all of this is doing something. It only leads to more struggling and prevents you from seeing the actual nature of thought and internal conflict. Genuine attention has no motive.
This observation or listening doesn’t involve effort. Effort merely distracts you from what’s taking place in the instant. A kind of concentration exists that’s not forced. We’ve all experienced listening or paying attention to something we truly enjoyed. At that moment, was effort required for concentration to take place?
”
”
H.E. Davey (Japanese Yoga: The Way of Dynamic Meditation)
“
He remembered the night in Arlington when the news came: secession. He remembered a paneled wall and firelight. When we heard the news we went into mourning. But outside there was cheering in the streets, bonfires of joy. They had their war at last. But where was there ever any choice? The sight of fire against wood paneling, a bonfire seen far off at night through a window, soft and sparky glows always to remind him of that embedded night when he found that he had no choice. The war had come. He was a member of the army that would march against his home, his sons. He was not only to serve in it but actually to lead it, to make the plans and issue the orders to kill and burn and ruin. He could not do that. Each man would make his own decision, but Lee could not raise his hand against his own. And so what then? To stand by and watch, observer at the death? To do nothing? To wait until the war was over? And if so, from what vantage point and what distance? How far do you stand from the attack on your home, whatever the cause, so that you can bear it? It had nothing to do with causes; it was no longer a matter of vows.
When Virginia left the Union she bore his home away as surely as if she were a ship setting out to sea, and what was left behind on the shore was not his any more. So it was no cause and no country he fought for, no ideal and no justice. He fought for his people, for the children and the kin, and not even the land, because not even the land was worth the war, but the people were, wrong as they were, insane even as many of them were, they were his own, he belonged with his own. And so he took up arms willfully, knowingly, in perhaps the wrong cause against his own sacred oath and stood now upon alien ground he had once sworn to defend, sworn in honor, and he had arrived there really in the hands of God, without any choice at all; there had never been an alternative except to run away, and he could not do that. But Longstreet was right, of course: he had broken the vow. And he would pay. He knew that and accepted it. He had already paid. He closed his eyes. Dear God, let it end soon.
”
”
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
“
She was decidedly attractive, he saw, but in an ill-natured, ungracious way. Because of his connection with Fitzgerald, Carstairs & Scott, Johnnie had an extensive knowledge of the external appearance and different modes of behavior of a great variety of attractive women: they came up to the office in shoals, with their nails dipped in blood and their faces covered with pale cocoa. And some were charming and simple beneath their masks, and some were complex and arrogant. This girl belonged to the latter type, the type which would ignore or stare surlily at him if he spoke to them, until they learned that the actual money came through him, when their manner sweetened wonderfully. This girl wore her attractiveness not as a girl should, simply, consciously, as a happy crown of pleasure, but rather as a murderous utensil with which she might wound indiscriminately right and left, and which she would only employ to please when it suited her purpose. They were like bad-tempered street-walkers, without walking the street.
”
”
Patrick Hamilton (Hangover Square)
“
I've always preferred the city at night. I believe that San Judas, or any city, belongs to the people who sleep there. Or maybe they don't sleep - some don't - but they live there. Everybody else is just a tourist.
Venice, Italy, for instance, pulls in a millions tourists for their own Carnival season but the actual local population is only a couple of hundred thousand. Lots of empty canals and streets at night, especially when you get away from the big hotels, and the residents pretty much have it to themselves when tourist season slows during the winter.
Jude has character - everybody agrees on that. It also has that thing I like best about a city: You can never own it, but it you treat it with respect it will eventually invite you in and make you one of its true citizens. But like I said, you've got to live there. If you're never around after the bars close, or at the other end of the night as the early workers get up to start another day and the coffee shops and news agents raise their security gates, then you don't really know the place, do you?
”
”
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))
“
They were different colors: the right one blue, the left green. And her face in the light of the candle on the table startled me at first, just as it had in the icy night air. After seeing it on the street, I was afraid I had only imagined it: a still, luminous face with a silvery sheen. Finely hewn, with a long, straight nose and a wide mouth, it was nearly identical to another face, which I had photographed years before. Not on a person, bu on the fragment of a frieze I found in some ruins near Verona, The frieze, which depicted a band of musicians, had once been shadowed beneath a cornice high on the temple of Mercury, god of magic. Belonging to one of the musicians, it was a riveting face - like a puzzle that could not be solved - which I had never found, or expected to find, on a living woman.
”
”
Nicholas Christopher (Veronica)
“
[H]alf blinded you embraced your own body, and with the warmth still under your jacket, you walked up the pavement along the square, moving through the grey light, and let your thoughts seep softly in, undisturbed, on the way up to the station, but also walking as one of many in the chill of December. I liked the feeling being a we, being more than myself, being larger than myself, being surrounded by others in a way I had never experienced before, of belonging, and it made no difference if those who walked to the left or the right of me, in front or behind me on this street, did not share the same feeling.
”
”
Per Petterson (I Curse the River of Time)
“
I need but say that my most vivid impression in that respect was a mere trifle: one day, on Million Street in St. Petersburg, a truck packed with jolly rioters made a clumsy but accurate swerve so as to deliberately squash a passing cat which remained lying there, as a perfectly flat, neatly ironed, black rag (only the tail still belonged to a cat -- it stood upright, and the tip, I think, still moved). At the time this struck me with some deep occult meaning, but I have since have occasion to see a bus, in a bucolic Spanish village, flatten by exactly the same method an exactly similar cat, so I have become disenchanted with hidden meanings.
”
”
Vladimir Nabokov
“
Some days I would take the train into Manhattan. There was so much money everywhere, money flowing out of bistros and cafes, money pushing the people, at incredible speeds, up the wide avenues, money drawing intergalactic traffic through Times Square, money in the limestones and brownstones, money out on West Broadway where white people spilled out of wine bars with sloshing glasses and without police. I would see these people at the club, drunken, laughing, challenging breakdancers to battles. They would be destroyed and humiliated in these battles. But afterward they would give dap, laugh, order more beers. They were utterly fearless. I did not understand it until I looked out on the street. That was where I saw white parents pushing double-wide strollers down gentrifying Harlem boulevards in T-shirts and jogging shorts. Or I saw them lost in conversation with each other, mother and father, while their sons commanded entire sidewalks with their tricycles. The galaxy belonged to them, and as terror was communicated to our children, I saw mastery communicated to theirs.
”
”
Ta-Nehisi Coates (Between the World and Me)
“
The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face which does not exist anymore, speaks a name—Spike, Bud, Snip, Red, Rusty, Jack, Dave—which belongs to that now nonexistent face but which by some inane and doddering confusion of the universe is for the moment attached to a not too happily met and boring stranger. But he humors the drooling doddering confusion of the universe and continues to address politely that dull stranger by the name which properly belongs to the boy face and to the time when the boy voice called thinly across the late afternoon water or murmured by a campfire at night or in the middle of a crowded street said, “Gee, listen to this—‘On Wenlock Edge the wood’s in trouble; His forest fleece the Wrekin heaves—’” The Friend of Your Youth is your friend because he does not
”
”
Robert Penn Warren (All The King's Men)
“
War thoughts again. I think back to the business cards from that health shop earlier on. I think about miniature wars that individuals fight all the time. They fight against cellulite, or negative emotions, or addictions, or stress. I think about how we can now hire all different sorts of mercenaries to help us fight against ourselves…Therapists, manicurists, hairdressers, personal trainers, life coaches. But what’s it all for? What do all these little wars achieve? Although it is a part of my life too, and I want to be thin and pretty and not laughed at in the street and not so stressed and mad that I start screaming on the tube, it suddenly seems a little bit ridiculous. All the time we do these things we are trying to enlist ourselves into a bigger war. We are trying to join up, constantly, with the enemy.
-
Hitler tried to impose his shiny, blonde, neat, sparkling world on us all and we resisted. So how is it that when McDonald’s and Disney and The Gap and L’Oreal and all the others try to do the same thing we all just say, ‘OK’? Hitler needed marketing, that’s all. His propaganda was, of course, brilliant for its time, everyone knows that. What a great idea, to make people feel that they belong to something, that their identity makes them special. If Hilter had bee able to enlist a twenty-first-century marketing department, would he have been able to sell Nazism to everyone? Why not? You can just see a beautiful, thin woman with her long blonde hair moving softly in the breezes, and the tagline ‘Because I’m worth it’.
”
”
Scarlett Thomas (PopCo)
“
When the post-bailout debate was still at its highest pitch, Jamie Dimon sent Hank Paulson a note with a quote from a speech that President Theodore Roosevelt delivered at the Sorbonne in April 1910 entitled “Citizenship in a Republic.” It reads: It is not the critic who counts: not the man who points out how the strong man stumbles or where the doer of deeds could have done better. The credit belongs to the man who is actually in the arena, whose face is marred by dust and sweat and blood, who strives valiantly, who errs and comes up short again and again, because there is no effort without error or shortcoming, but who knows the great enthusiasms, the great devotions, who spends himself for a worthy cause; who, at the best, knows, in the end, the triumph of high achievement, and who, at the worst, if he fails, at least he fails while daring greatly, so that his place shall never be with those cold and timid souls who knew neither victory nor defeat.
”
”
Andrew Ross Sorkin (Too Big to Fail: The Inside Story of How Wall Street and Washington Fought to Save the Financial System from Crisis — and Themselves)
“
One day, soon after her disappearance, an attack of abominable nausea forced me to pull up on the ghost of an old mountain road that now accompanied, now traversed a brand new highway, with its population of asters bathing in the detached warmth of a pale-blue afternoon in late summer. After coughing myself inside out I rested a while on a boulder and then thinking the sweet air might do me good, walked a little way toward a low stone parapet on the precipice side of the highway. Small grasshoppers spurted out of the withered roadside weeds. A very light cloud was opening its arms and moving toward a slightly more substantial one belonging to another, more sluggish, heavenlogged system. As I approached the friendly abyss, I grew aware of a melodious unity of sounds rising like vapor from a small mining town that lay at my feet, in a fold of the valley. One could make out the geometry of the streets between blocks of red and gray roofs, and green puffs of trees, and a serpentine stream, and the rich, ore-like glitter of the city dump, and beyond the town, roads crisscrossing the crazy quilt of dark and pale fields, and behind it all, great timbered mountains. But even brighter than those quietly rejoicing colors - for there are colors and shades that seem to enjoy themselves in good company - both brighter and dreamier to the ear than they were to the eye, was that vapory vibration of accumulated sounds that never ceased for a moment, as it rose to the lip of granite where I stood wiping my foul mouth. And soon I realized that all these sounds were of one nature, that no other sounds but these came from the streets of the transparent town, with the women at home and the men away. Reader! What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic - one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita's absence from my side, but the absence of her voice from that concord.
”
”
Vladimir Nabokov (Lolita)
“
But this latter knowledge was based more on his reading of The Sun Also Rises in high school than in his real-life venturings into the district, which had mostly been lonely and footsore. He had admired the ancient delicacy of the buildings and the way the street lamps made soft explosions of light green in the trees at night, and the way each long, bright café awning would prove to reveal a sea of intelligently walking faces as he passed; but the white wine gave him a headache and the talking faces all seemed, on closer inspection, to belong either to intimidating men with beards or to women whose eyes could sum him up and dismiss him in less than a second. The place had filled him with a sense of wisdom hovering just out of reach, of unspeakable grace prepared and waiting just around the corner, but he’d walked himself weak down its endless blue streets and all the people who knew how to live had kept their tantalizing secret to themselves, and time after time he had ended up drunk and puking over the tailgate of the truck that bore him jolting back into the army. Je suis, he practiced to himself
”
”
Richard Yates (Revolutionary Road)
“
The worst fear of the race yes, the world suddenly transformed into a senseless nightmare, horrible dissolution of things. Nothing compares, even oblivion is a sweet dream. You understand why, of course. Why this peculiar threat. These brooding psyches, all the busy minds everywhere. I hear them buzzing like flies in the blackness. I see them as glow worms flitting in the blackness. They are struggling, straining every second to keep the sky above them, to keep the sun in the sky, to keep the dead in the earth-to keep all things, so to speak, where they belong. What an undertaking! What a crushing task! Is it any wonder that they are all tempted by a universal vice, that in some dark street of the mind a single voice whispers to one and all, softly hissing, and says: 'Lay down your burden.' Then thoughts begin to drift, a mystical magnetism pulls them this way and that, faces start to change, shadows speak... sooner or later the sky comes down, melting like wax. But as you know, everything has not yet been lost: absolute terror has proved its security against this fate. Is it any wonder that these beings carry on the struggle at whatever cost?
”
”
Thomas Ligotti (Grimscribe: His Lives and Works)
“
The dormitory had been carved out of those grand rooms once polluted by aristocrats and rich people.
Beatrice had disappeared from my world.
I was in Prague. Caught among buildings that were dark: a square of buildings. The poet of those buildings, Pierre, and I, lovers for many years, were fucking on a tattered red carpet in a hotel. I had to find my hotel.
Pierre pointed to an old, as if marbled, red column that rose above the city, so far that I couldn't see its top. He explained to me that this is his family's home: the column runs through the sky horizontally over the whole city.
I ascertained that Pierre's parents are wealthy. I had never known this before.
Pierre left me.
The dark square of buildings, named 'The Dormitory,' in which I was standing lies in the upper right quadrant of the city. A long, narrow, black plank or street connected this square to its twin that occupied the city's upper left quarter. I had to reach the second square so that I wouldn't be murdered.
As I started walking the black plank, the sky above the black was yellow.
Now I was in the second square, standing in a hotel, which was Pierre's hotel. So it must belong to Pierre. Since I hadn't wanted to be in his hotel, I had to be lost.
I was lost in a foreign city, as I've been time and time again.
”
”
Kathy Acker (My Mother: Demonology)
“
After a week's worth of failed fairy tales—stories that made my eyelids flutter open and not shut—my father tried telling me stories that belonged only to him. Thomas told me of an island off the coast of a different world. On this island, there stood a city whose buildings were made of glass. He told me that at the heart of this city was a forest with trees, ponds and a lake, swans and horses, and even a small castle. He told me that the streets of the city were filled with bright yellow cars that you hopped in and out of at will and that would take you wherever you wanted to go. In this city, there were sidewalks overflowing with people from the whole world over who wanted so much to be there. He told me of its neighborhoods, with names like Greenwich Village and Harlem and Chinatown. At the nucleus of these stories was my father, and spinning around him was the city of New York. Long before I would see them in photographs or in real life, my father had given me the white crown lights of the Chrysler Building and the shining needle of the Empire State.
”
”
Monique Truong (Bitter in the Mouth)
“
By shutting her eyes, by losing consciousness, Albertine had stripped off, one after another, the different human personalities with which we had deceived me ever since the day when I had first made her acquaintance. She was animated now only by the unconscious life of plants, of trees, a life more different from my own, more alien, and yet one that belonged more to me. Her psonality was not constantly escaping, as when we talked, by the outlets of her unacknowledged thoughts and of her eyes. She had called back into herself everything of her that lay outside, had withdrawn, enclosed, reabsorbed herself into her body. In keeping her in front of my eyes, in my hands, I had an impression of possessing her entirely which I never had when she was awake. Her life was submitted to me, exhaled towards me its gentle breath.
I listened to this murmuring, mysterious emanation, soft as a sea breeze, magical as a gleam of moonlight, that was her sleep. So long as it lasted, I was free to dream about her and yet at the same time to look at her, and when that sleep grew deeper, to touch, to kiss her. What I felt then was a love as pure, as immaterial, as mysterious, as if I had been in the presence of those inanimate creatures which are the beauties of nature. And indeed, as soon as her sleep became at all deep, she ceased to be merely the plant that she had been; her sleep,on the margin of which I remained musing, with a fresh delight of which I never tired, which I could have gone on enjoying indefinitely, was to me a whole lanscape. Her sleep brought within my reach something as serene, as sensually delicious as those nights of full moon on the bay of Balbec, calm as a lake over which the branches barely stir, where, stretched out upon the stand, one could listen for hours on end to the surf breaking and receding.
On entering the room, I would remain standing in the doorway, not venturing to make a sound, and hearing none but that of her breath rising to expire upon her lips at regular intervals, like the reflux of the sea, but drowsier and softer. And at the moment when my ear absorbed that divine sound, I felt that there was condensed in it the whole person, the whole life of the charming captive outstretched there before my eyes. Carriages went rattling past in the street, but her brow remained as smooth and untroubled, her breath as light, reduced to the simple expulsion of the necessary quantity of air. Then, seeing that her sleep would not be disturbed, I would advance cautiously, sit down on the chair that stood by the bedside, then on the bed itself.
”
”
Marcel Proust (The Captive / The Fugitive (In Search of Lost Time, #5-6))
“
How happily we explored our shiny new world! We lived like characters from the great books I curled up with in the big Draylon armchair. Like Jack Kerouak, like Gatsby, we created ourselves as we went along, a raggle-taggle of gypsies in old army overcoats and bell-bottoms, straggling through the fields that surrounded our granite farmhouse in search of firewood, which we dragged home and stacked in the living room. Ignorant and innocent, we acted as if the world belonged to us, as though we would ever have taken the time to hang the regency wallpaper we damaged so casually with half-rotten firewood, or would have known how to hang it straight, or smooth the seams. We broke logs against the massive tiled hearth and piled them against the sooty fire back, like the logs were tradition and we were burning it, like chimney fires could never happen, like the house didn't really belong to the poor divorcee who paid the rates and mortgage even as we sat around the flames like hunter gatherers, smoking Lebanese gold, chanting and playing the drums, dancing to the tortured music of Luke's guitar. Impelled by the rhythm, fortified by poorly digested scraps of Lao Tzu, we got up to dance, regardless of the coffee we knocked over onto the shag carpet. We sopped it up carelessly, or let it sit there as it would; later was time enough. We were committed to the moment.
Everything was easy and beautiful if you looked at it right. If someone was angry, we walked down the other side of the street, sorry and amused at their loss of cool. We avoided newspapers and television. They were full of lies, and we knew all the stuff we needed. We spent our government grants on books, dope, acid, jug wine, and cheap food from the supermarket--variegated cheese scraps bundled roughly together, white cabbage and bacon ends, dented tins of tomatoes from the bargain bin. Everything was beautiful, the stars and the sunsets, the mold that someone discovered at the back of the fridge, the cows in the fields that kicked their giddy heels up in the air and fled as we ranged through the Yorkshire woods decked in daisy chains, necklaces made of melon seeds and tie-dye T-shirts whose colors stained the bath tub forever--an eternal reminder of the rainbow generation. [81-82]
”
”
Claire Robson (Love in Good Time: A Memoir)
“
But down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid. The detective in this kind of story must be such a man. He is the hero; he is everything. He must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor—by instinct, by inevitability, without thought of it, and certainly without saying it. He must be the best man in his world and a good enough man for any world. I do not care much about his private life; he is neither a eunuch nor a satyr; I think he might seduce a duchess and I am quite sure he would not spoil a virgin; if he is a man of honor in one thing, he is that in all things. He is a relatively poor man, or he would not be a detective at all. He is a common man or he could not go among common people. He has a sense of character, or he would not know his job. He will take no man’s money dishonestly and no man’s insolence without a due and dispassionate revenge. He is a lonely man and his pride is that you will treat him as a proud man or be very sorry you ever saw him. He talks as the man of his age talks—that is, with rude wit, a lively sense of the grotesque, a disgust for sham, and a contempt for pettiness. The story is this man’s adventure in search of a hidden truth, and it would be no adventure if it did not happen to a man fit for adventure. He has a range of awareness that startles you, but it belongs to him by right, because it belongs to the world he lives in. If there were enough like him, the world would be a very safe place to live in, without becoming too dull to be worth living in.
”
”
Raymond Chandler (The Simple Art of Murder)
“
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth [...]
”
”
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
“
I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf.
It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe.
Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era.
The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats.
It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains.
About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.
”
”
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
“
The consequences of the regulation regarding the use of footpaths were rather serious for me. I always went out for a walk through President Street to an open plain. President Kruger’s house was in this street – a very modest, unostentatious building, without a garden and not distinguishable from other houses in its neighbourhood. The houses of many of the millionaires in Pretoria were far more pretentious, and were surrounded by gardens. Indeed President Kruger’s simplicity was proverbial. Only the presence of a police patrol before the house indicated that it belonged to some official. I nearly always went along the footpaths past this patrol without the slightest hitch or hindrance.
Now the man on duty used to be changed from time to time. Once one of these men, without giving me the slightest warning, without even asking me to leave the footpath, pushed and kicked me into the street. I was dismayed. Before I could question him as to his behaviour, Mr Coates, who happened to be passing the spot on horseback, hailed me and said:
‘Gandhi, I have seen everything. I shall gladly be your witness in court if you proceed against the man. I am very sorry you have been so rudely assaulted.’
‘You need not be sorry,’ I said. ‘What does the poor man know? All coloured people are the same to him. He no doubt treats Negroes just as he has treated me. I have made it a rule not to go to court in respect of any personal grievance. So I do not intend to proceed against him.’
‘That is just like you,’ said Mr Coates, ‘but do think it over again. We must teach such men a lesson.’ He then spoke to the policeman and reprimanded him. I could not follow their talk, as it was in Dutch, the policeman being a Boer. But he apologized to me, for which there was no need. I had already forgiven him.
But I never again went through this street. There would be other men coming in this man’s place and, ignorant of the incident, they would behave likewise. Why should I unnecessarily court another kick? I therefore selected a different walk.
The incident deepened my feeling for the Indian settlers. I discussed with them the advisability of making a test case, if it were found necessary to do so, after having seen the British Agent in the matter of these regulations.
I thus made an intimate study of the hard condition of the Indian settlers, not only by reading and hearing about it, but by personal experience. I saw that South Africa was no country for a self-respecting Indian, and my mind became more and more occupied with the question as to how this state of things might be improved.
”
”
Mahatma Gandhi (Gandhi: An Autobiography)
“
Entering the office, Evie found Sebastian and Cam on opposite sides of the desk. They both mulled over account ledgers, scratching out some entries with freshly inked pens, and making notations beside the long columns. Both men looked up as she crossed the threshold. Evie met Sebastian’s gaze only briefly; she found it hard to maintain her composure around him after the intimacy of the previous night. He paused in mid-sentence as he stared at her, seeming to forget what he had been saying to Cam. It seemed that neither of them was yet comfortable with feelings that were still too new and powerful. Murmuring good morning to them both, she bid them to remain seated, and she went to stand beside Sebastian’s chair.
“Have you breakfasted yet, my lord?” she asked.
Sebastian shook his head, a smile glinting in his eyes. “Not yet.”
“I’ll go to the kitchen and see what is to be had.”
“Stay a moment,” he urged. “We’re almost finished.”
As the two men discussed a few last points of business, which pertained to a potential investment in a proposed shopping bazaar to be constructed on St. James Street, Sebastian picked up Evie’s hand, which was resting on the desk. Absently he drew the backs of her fingers against the edge of his jaw and his ear while contemplating the written proposal on the desk before him. Although Sebastian was not aware of what the casual familiarity of the gesture revealed, Evie felt her color rise as she met Cam’s gaze over her husband’s downbent head. The boy sent her a glance of mock reproof, like that of a nursemaid who had caught two children playing a kissing game, and he grinned as her blush heightened further.
Oblivious to the byplay, Sebastian handed the proposal to Cam, who sobered instantly. “I don’t like the looks of this,” Sebastian commented. “It’s doubtful there will be enough business in the area to sustain an entire bazaar, especially at those rents. I suspect within a year it will turn into a white elephant.”
“White elephant?” Evie asked.
A new voice came from the doorway, belonging to Lord Westcliff. “A white elephant is a rare animal,” the earl replied, smiling, “that is not only expensive but difficult to maintain. Historically, when an ancient king wished to ruin someone he would gift him with a white elephant.” Stepping into the office, Westcliff bowed over Evie’s hand and spoke to Sebastian. “Your assessment of the proposed bazaar is correct, in my opinion. I was approached with the same investment opportunity not long ago, and I rejected it on the same grounds.”
“No doubt we’ll both be proven wrong,” Sebastian said wryly. “One should never try to predict anything regarding women and their shopping.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
I'm going to throw some suggestions at you now in rapid succession, assuming you are a father of one or more boys. Here we go: If you speak disparagingly of the opposite sex, or if you refer to females as sex objects, those attitudes will translate directly into dating and marital relationships later on. Remember that your goal is to prepare a boy to lead a family when he's grown and to show him how to earn the respect of those he serves. Tell him it is great to laugh and have fun with his friends, but advise him not to
be "goofy." Guys who are goofy are not respected, and people, especially girls and women, do not follow boys and men whom they disrespect. Also, tell your son that he is never to hit a girl under any circumstances. Remind him that she is not as strong as he is and that she is deserving of his respect. Not only should he not hurt her, but he should protect her if she is threatened. When he is strolling along with a girl on the street, he should walk on the outside, nearer the cars. That is symbolic of his responsibility to take care of her. When he is on a date, he should pay for her food and entertainment. Also (and this is simply my opinion), girls should not call boys on the telephone-at least not until a committed relationship has developed. Guys must be the initiators, planning the dates and asking for the girl's company. Teach your son to open doors for girls and to help them with their coats or their chairs in a restaurant. When a guy goes to her house to pick up his date, tell him to get out of the car and knock on the door. Never honk. Teach him to stand, in formal situations, when a woman leaves the room or a table or when she returns. This is a way of showing respect for her. If he treats her like a lady, she will treat him like a man. It's a great plan.
Make a concerted effort to teach sexual abstinence to your teenagers, just as you teach them to abstain from drug and alcohol usage and other harmful behavior. Of course you can do it! Young people are fully capable of understanding that irresponsible sex is not in their best interest and that it leads to disease, unwanted pregnancy, rejection, etc. In many cases today, no one is sharing this truth with teenagers. Parents are embarrassed to talk about sex, and, it disturbs me to say, churches are often unwilling to address the issue. That creates a vacuum into which liberal sex counselors have intruded to say, "We know you're going to have sex anyway, so why not do it right?" What a damning message that is. It is why herpes and other sexually transmitted diseases are spreading exponentially through the population and why unwanted pregnancies stalk school campuses. Despite these terrible social consequences, very little support is provided even for young people who are desperately looking for a valid reason to say no. They're told that "safe sex" is fine if they just use the right equipment. You as a father must counterbalance those messages at home. Tell your sons that there is no safety-no place to hide-when one lives in contradiction to the laws of God! Remind them repeatedly and emphatically of the biblical teaching about sexual immorality-and why someone who violates those laws not only hurts himself, but also wounds the girl and cheats the man she will eventually marry. Tell them not to take anything that doesn't belong to them-especially the moral purity of a woman.
”
”
James C. Dobson (Bringing Up Boys: Practical Advice and Encouragement for Those Shaping the Next Generation of Men)