Belong To Each Other Quotes

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If we have no peace, it is because we have forgotten that we belong to each other.
Mother Teresa
we don't belong to each other: he's an independent, and so am I.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
You always feel like you are the only one in the world, like everyone else is crazy for each other, but it's not true. Generally, people don't like each other very much. And that goes for friends, too.
Miranda July (No One Belongs Here More Than You)
She closes her eyes. He probably won’t come back, she thinks. Or he will, differently. What they have now they can never have back again. But for her the pain of loneliness will be nothing to the pain that she used to feel, of being unworthy. He brought her goodness like a gift and now it belongs to her. Meanwhile his life opens out before him in all directions at once. They’ve done a lot of good for each other. Really, she thinks, really. People can really change one another. You should go, she says. I’ll always be here. You know that.
Sally Rooney (Normal People)
I want to wake up with you every morning and fall asleep beside you each night,” Patch told me gravely. “I want to take care of you, cherish you, and love you in a way no other man ever could. I want to spoil you — every kiss, every touch, every thought, they all belong to you. I’ll make you happy. Every day, I’ll make you happy.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
We belonged to each other, but had lived so far apart that we belonged to others now.
André Aciman (Call Me by Your Name)
Female friendships that work are relationships in which women help each other belong to themselves.
Louise Bernikow
He said that we belonged together because he was born with a flower and I was born with a butterfly and that flowers and butterflies need each other for survival.
Gemma Malley (The Declaration (The Declaration, #1))
Let’s get to know each other. My name’s William, William More, but you can call me Willy. I’m an engineer-chemist who graduated from MIT. So . . . but you’re all alike to me . . . of course, you would be . . . you’re robots. And all your names are that sort of, um . . . codes, technical numbers . . . I need some marker where I can pick you out. Well, well, to you I’ll call . . .,” and Willy pondered for a moment, “Gumball, yes, Gumball! Do you mind?” “No, sir, actually no,” CSE-TR-03 said, agreeing with its new given name. “Ah, that’s wonderful. And then you’re Darwin,” Willy said, accosting the second robot. “Look what a nice name—Darwin! What do you say, eh?” “What can I say, sir? I like it,” CSE-TR-02 agreed too. “Yes, a human name with a past . . . You and Gumball . . . are from the same family, the Methanesons!” “It turns out thus, sir,” Darwin confirmed its family belonging. “And you’re like Larry. You’re Larry. Do you know that?” More addressed the next robot in line. “Yes, sir, just now I learned that,” the third robot said, accepted its name as well.
Todor Bombov (Homo Cosmicus 2: Titan: A Science Fiction Novel)
Fire and ice, somehow existing together without destroying each other. More proof that I belonged with him.
Stephenie Meyer (Breaking Dawn (The Twilight Saga, #4))
People belong to each other only as long as they both believe. He stopped believing.
Paula McLain (The Paris Wife)
The voice so filled with nostalgia that you could almost see the memories floating through the blue smoke, memories not only of music and joy and youth, but perhaps, of dreams. They listened to the music, each hearing it in his own way, feeling relaxed and a part of the music, a part of each other, and almost a part of the world.
Hubert Selby Jr. (Requiem for a Dream)
The one thing I know for sure is that feelings are rarely mutual, so when they are, drop everything, forget belongings and expectations, forget the games, the two days between texts, the hard to gets because this is it, this is what the entire world is after and you’ve stumbled upon it by chance, by accident––so take a deep breath, take a step forward, now run, collide like planets in the system of a dying sun, embrace each other with both arms and let all the rules, the opinions and common sense crash down around you. Because this is love kid, and it’s all yours. Believe me, you're in for one hell of a ride, after all––this is the one thing I know for sure.
Beau Taplin
Do you have doubts about life? Are you unsure if it's worth the trouble? Look at the sky: that is for you. Look at each person's face as you pass on the street: those faces are for you. And the street itself, and the ground under the street and the ball of fire underneath the ground: all these things are for you. They are as much for you as they are for other people. Remember this when you wake up in the morning and think you have nothing. Stand up and face the east. Now praise the sky and praise the light within each person under the sky. It's okay to be unsure. But praise, praise, praise.
Miranda July (No One Belongs Here More Than You)
But isn't that what love is, Clarissa? Ownership? 'I am my beloved's and my beloved is mine,' as the Song of Songs goes." "No. And don't quote the Bible at me. I don't think you get it...It's not just that someone belongs to you, it's that you give yourself to them. I doubt you've ever given anything to anyone. Except maybe nightmares." "To give yourself to someone?" The thin smile didn't waver. "As you've given yourself to Jonathan?" "What?" "You think I haven't seen the way you two look at each other? The way he says your name? You may not think I can feel, but that doesn't mean I can't see feelings in others.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
They belonged to each other totally, and always would, and that was that. But maybe everyone felt that way? Until the moment they realized they were just like everyone else, and everything they'd thought was real shattered apart.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
She was still hugging the cat. "Poor slob," she said, tickling his head, "poor slob without a name. It's a little inconvenient, his not having a name. But I haven't any right to give him one: he'll have to wait until he belongs to somebody. We just sort of took up by the river one day, we don't belong to each other: he's an independent, and so am I. I don't want to own anything until I know I've found the place where me and things belong together. I'm not quite sure where that is just yet. But I know what it's like." She smiled, and let the cat drop to the floor. "It's like Tiffany's," she said. [...] It calms me down right away, the quietness and the proud look of it; nothing very bad could happen to you there, not with those kind men in their nice suits, and that lovely smell of silver and alligator wallets. If I could find a real-life place that made me feel like Tiffany's, then I'd buy some furniture and give the cat a name.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
Before we belonged to anyone else, we were each other's.
Elizabeth Noble (The Way We Were)
HOW do you define a word without concrete meaning? To each his own, the saying goes, so WHY push to attain an ideal state of being that no two random people will agree is WHERE you want to be? Faultless. Finished. Incomparable. People can never be these, and anyway, WHEN did creating a flawless facade become a more vital goal than learning to love the person WHO lives inside your skin? The outside belongs to others. Only you should decide for you - WHAT is perfect.
Ellen Hopkins (Perfect (Impulse, #2))
Oh Jesus God we did belong to each other. He was mine.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
I want to court your son.” “What does that mean?” she asked. “It means I want to provide for him to prove my worth,” Joe said. “And then, once he agrees to be mine, I’ll mount him and then bite him and everyone will see that we belong to each other.” I
T.J. Klune (Wolfsong (Green Creek, #1))
Yes, it's beautiful,' said Gilbert, looking steadily down into Anne's uplifted face, 'but wouldn't it have been more beautiful still, Anne, if there had been no separation or misunderstanding . . . if they had come hand in hand all the way through life, with no memories behind them but those which belonged to each other?
L.M. Montgomery (Anne of Avonlea (Anne of Green Gables, #2))
People in love feel that way all the time, like they don't know what they've done to deserve each other.
Marisa de los Santos (Belong to Me (Love Walked In, #2))
They wordlessly excused each other for not loving each other as much as they had planned to. There were empty rooms in the house where they had meant to put their love, and they worked together to fill these rooms with midcentury modern furniture. ("Birthmark").
Miranda July (No One Belongs Here More Than You)
How joyful to be together, alone as when we first were joined in our little house by the river long ago, except that now we know each other, as we did not then; and now instead of two stories fumbling to meet, we belong to one story that the two, joining, made. And now we touch each other with the tenderness of mortals, who know themselves
Wendell Berry (Entries)
Who do we belong with but each other?
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
I’ve never had someone who was just mine, body and soul – mine to protect and hold and love. And that’s what Sarah is…she belongs to me now. We belong to each other.
Emma Chase (Royally Matched (Royally, #2))
Well, if you don’t belong to a place, perhaps we belong to each other? We who belong nowhere?” Sorasa offered. Her copper eyes glimmered, dancing with the light off the river.
Victoria Aveyard (Realm Breaker (Realm Breaker, #1))
You can have a pet zebra and put that zebra into a small cage every day and tell the zebra that you love it, but no matter how you and the zebra love each other, the fact remains, that the zebra should be let out of that cage and should belong to someone who can treat it better, the way it should be treated, someone who can make it happy.
C. JoyBell C.
You know what's wrong with you, Miss Whoever-You-Are? You're chicken, you've got no guts. You're afraid to stick out your chin and say, "Okay, life's a fact, people do fall in love, people do belong to each other, because that's the only chance anybody's got for real happiness." You call yourself a free spirit, a wild thing, and you're terrified somebody's going to stick you in a cage. Well, baby, you're already in that cage. You built it yourself. And it's not bounded in the west by Tulip, Texas, or in the east by Somaliland. It's wherever you go. Because no matter where you run, you just end up running into yourself.
George Axelrod
She knew how breakups went from hearing other girls complain about them. First the pulling away, the gradual refusal to return notes or phone calls. The vague messages saying nothing was wrong, that the other person just needed a little space. Then the speech about how "It's not you, it's me." Then the crying part. She'd never thought any of that would apply to her and Jace. What they had wasn't ordinary, or subject to the ordinary rules of relationships and breakups. They belonged to each other totally, and always will, and that was that. But maybe everyone felt that way? Until the moment they realized they were just like everyone else, and everyone they'd thought was real shattered apart.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
Jules: Do you knwo why I'm sure? Because when this universe was born, when it blasted into existence in fire and glory, everything that would ever exist was created. Our souls are mad of that fire and glory, of the atoms of it, the fragments of stars. Everyone's are, but I believe ours, yours and mine, are made from the dust of the same star. That's why we've always been drawn to each other like magnets, all our lives. All the pieces of us belong together. Your name, Ema, means universe, you know. Doesn't that prove I'm right?
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
when two aliebns find each other in a strange place, it feels a little more like home.
Jomny Sun (Everyone's a Aliebn When Ur a Aliebn Too)
I have been to many religious services over the years. Each one I go to only reinforces my general impression that religions have much, much more in common than they like to admit. The beliefs are almost always the same; it's just that the histories are different. Everybody wants to believe in a higher power. Everybody wants to belong to something bigger than themselves, and everybody wants company in doing that. They want there to be a force of good on earth, and they want an incentive to be a part of that force. They want to be able to prove their belief and their belonging, through rituals and devotion. They want to touch the enormity. It's only in the finer points that it gets complicated and contentious, the inability to realize that no matter what our religion or gender or race or geographic background, we all have about 98 percent in common with each other. yes, the differences between male and female are biological, but if you look at the biology as a matter of percentage, there aren't a whole lot of things that are different. Race is different purely as a social construction, not as an inherent difference. And religion--whether you believe in God or Yahweh or Allah or something else, odds are that at heart you want the same things. For whatever reason, we like to focus on the 2 percent that's different, and most of the conflict in the world comes from that.
David Levithan (Every Day (Every Day, #1))
He kissed me wildly, overwhelming me like a giant wave rushing to shore. I was soon lost in the turbulent grasp of his embrace and yet…I knew I was safe. His wild kiss drove me, pushed me, asked me questions I was unwilling to consider. But I was cherished by this dark Poseidon, and though he had the power to crush me utterly, to drown me in the purple depths of his wake, he held me aloft, separate. His passionate kiss changed. It gentled and soothed and entreated. Together we drifted towards a safe harbor. The god of the sea set me down securely on a sandy beach and steadied me as I trembled. Effervescent tingles shot through my limbs delighting me with surges of sparkling sensation like sandy toes tickled by bubbly waves. Finally, the waves moved away and I felt my Poseidon watching me from a distance. We looked at each other knowing we were forever changed by the experience. We both knew that I would always belong to the sea and that I would never be able to part from it and be whole again.
Colleen Houck
On Writing: Aphorisms and Ten-Second Essays 1. A beginning ends what an end begins. 2. The despair of the blank page: it is so full. 3. In the head Art’s not democratic. I wait a long time to be a writer good enough even for myself. 4. The best time is stolen time. 5. All work is the avoidance of harder work. 6. When I am trying to write I turn on music so I can hear what is keeping me from hearing. 7. I envy music for being beyond words. But then, every word is beyond music. 8. Why would we write if we’d already heard what we wanted to hear? 9. The poem in the quarterly is sure to fail within two lines: flaccid, rhythmless, hopelessly dutiful. But I read poets from strange languages with freedom and pleasure because I can believe in all that has been lost in translation. Though all works, all acts, all languages are already translation. 10. Writer: how books read each other. 11. Idolaters of the great need to believe that what they love cannot fail them, adorers of camp, kitsch, trash that they cannot fail what they love. 12. If I didn’t spend so much time writing, I’d know a lot more. But I wouldn’t know anything. 13. If you’re Larkin or Bishop, one book a decade is enough. If you’re not? More than enough. 14. Writing is like washing windows in the sun. With every attempt to perfect clarity you make a new smear. 15. There are silences harder to take back than words. 16. Opacity gives way. Transparency is the mystery. 17. I need a much greater vocabulary to talk to you than to talk to myself. 18. Only half of writing is saying what you mean. The other half is preventing people from reading what they expected you to mean. 19. Believe stupid praise, deserve stupid criticism. 20. Writing a book is like doing a huge jigsaw puzzle, unendurably slow at first, almost self-propelled at the end. Actually, it’s more like doing a puzzle from a box in which several puzzles have been mixed. Starting out, you can’t tell whether a piece belongs to the puzzle at hand, or one you’ve already done, or will do in ten years, or will never do. 21. Minds go from intuition to articulation to self-defense, which is what they die of. 22. The dead are still writing. Every morning, somewhere, is a line, a passage, a whole book you are sure wasn’t there yesterday. 23. To feel an end is to discover that there had been a beginning. A parenthesis closes that we hadn’t realized was open). 24. There, all along, was what you wanted to say. But this is not what you wanted, is it, to have said it?
James Richardson
I looked at other couples and wondered how they could be so calm about it. They held hands as if they weren't even holding hands. When Steve and I held hands, I had to keep looking down to marvel at it. There was my hand, the same hand I've always had - oh, but look! What is it holding? It's holding Steve's hand! Who is Steve? My three-dimensional boyfriend. Each day I wondered what would happen next. What happens when you stop wanting, when you are happy. I supposed I would go on being happy forever. I knew I would not mess things up by growing bored. I had done that once before.
Miranda July (No One Belongs Here More Than You)
To me, merely and pretty were words that had nothing to do with each other. Pretty went with miraculously, and merely belonged in another paragraph entirely.
Gail Carson Levine (Fairest)
The fog was where I wanted to be. Halfway down the path you can’t see this house. You’d never know it was here. Or any of the other places down the avenue. I couldn’t see but a few feet ahead. I didn’t meet a soul. Everything looked and sounded unreal. Nothing was what it is. That’s what I wanted—to be alone with myself in another world where truth is untrue and life can hide from itself. Out beyond the harbor, where the road runs along the beach, I even lost the feeling of being on land. The fog and the sea seemed part of each other. It was like walking on the bottom of the sea. As if I had drowned long ago. As if I was the ghost belonging to the fog, and the fog was the ghost of the sea. It felt damned peaceful to be nothing more than a ghost within a ghost.
Eugene O'Neill (Long Day’s Journey into Night)
The society to which we belong seems to be dying or is already dead. I don't mean to sound dramatic, but clearly the dark side is rising. Things could not have been more odd and frightening in the Middle Ages. But the tradition of artists will continue no matter what form the society takes. And this is another reason to write: people need us, to mirror for them and for each other without distortion-not to look around and say, 'Look at yourselves, you idiots!,' but to say, 'This is who we are.
Anne Lamott (Bird by Bird)
Poor slob without a name. It's a little inconvenient, his not having a name. But I haven't the right to give him one: he'll have to wait until he belongs to somebody. We just sort of took up by the river one day, we don't belong to each other: he's an independent, and so am I. I don't want to own anything until I know I've found the place where me and things belong together.
Truman Capote (Breakfast at Tiffany’s and Three Stories)
We really wanted to know all the unknowable things about each other and how we were the same and how we were different, if we even were, maybe nobody is.
Miranda July (No One Belongs Here More Than You)
My sister and I are so close that we finish each other’s sentences and often wonder who’s memories belong to whom.
Shannon Celebi
You left me, ripped out my heart, and then came back acting like a robot, and you know what? We made it through. You and I, good or bad, belong together. We make each other whole.
Jessica Sorensen (The Forever of Ella and Micha (The Secret, #2))
Each member of the family in his own cell of consciousness, each making his own patchwork quilt of reality - collecting fragments of experience here, pieces of information there. From the tiny impressions gleaned from one another, they created a sense of belonging and tried to make do with the way they found each other.
Toni Morrison (The Bluest Eye)
What is it which makes a man and a woman know that they, of all other men and women in the world, belong to each other? Is it no more than chance and meeting? no more than being alive together in the world at the same time? Is it only a curve of the throat, a line of the chin, the way the eyes are set, a way of speaking? Or is it something deeper and stranger, something beyond meeting, something beyond chance and fortune? Are there others, in other times of the world, whom we should have loved, who would have loved us? Is there, perhaps, one soul among all others--among all who have lived, the endless generations, from world's end to world's end--who must love us or die? And whom we must love, in turn--whom we must seek all our lives long--headlong and homesick--until the end?
Robert Nathan (Portrait of Jennie)
Love is not leaning on each other, adjusting to fit a different size. Love is simply two hands reached out in the darkness, saying; I’ll be your light, if you’ll be mine.
Charlotte Eriksson
True love comes when you lose where you end and they begin and the atoms in your souls forget where they belong and slowly you become pieces of each other too close now to ever be apart
Atticus . (Love Her Wild)
They are so caught up in their happiness that they don't realize I'm not really a part of it. I am wandering along the periphery. I am like the people in the Winslow Homer paintings, sharing the same room with them but not really there. I am like the fish in the aquarium, thinking in a different language, adapting to a life that's not my natural habitat. I am the people in the other cars, each with his or her own story, but passing too quickly to be noticed or understood. . . . There are moments I just sit in my frame, float in my tank, ride in my car and say nothing, think nothing that connects me to anything at all.
David Levithan (Every Day (Every Day, #1))
It was likely that no one had been surprised, however, as it was clear that Aline and McKenna belonged together. There was something invisible and yet irrefutable that made them a couple. Perhaps it was the way both of them stole quick glances at each other when one though the other wasn't looking... glances of wonder and hunger.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
On the day of the universe's Last Judgment, two humans and a robot belonging to the Earth and Trisolaran civilizations embraced each other in ecstasy.
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
If America is a melting-pot, then to me India is a thali, a selection of sumptuous dishes in different bowls. Each tastes different, and does not necessarily mix with the next, but they belong together on the same plate, and they complement each other in making the meal a satisfying repast.
Shashi Tharoor (Bookless in Baghdad: Reflections on Writing and Writers)
You. Are. Mine … I don’t care how wrong we are for each other. I don’t care that I’ll never be good enough for you or that we’re risking everything to be together. Your mother would never approve. Whatever. Fuck it all. You are fucking mine. And I’m yours. And we belong together.
Linda Kage (To Professor, with Love (Forbidden Men, #2))
People will typically be more enthusiastic where they feel a sense of belonging and see themselves as part of a community than they will in a workplace in which each person is left to his own devices
Alfie Kohn (Punished by Rewards: The Trouble with Gold Stars, Incentive Plans, A's, Praise and Other Bribes)
After meeting someone by chance and throwing off a few sparks, can there be any substance to the feeling that you've known each other your whole lives? After those first few hours of conversation, can you really be sure that your connection is so uncommon that it belongs outside the bounds of time and convention?
Amor Towles (Rules of Civility)
GLINDA: Well,I'm a public figure now! People expect me to-- ELPHABA: Lie? GLINDA: (fiercely) Be encouraging! And what exactly have you been doing? Besides riding on around on that filthy thing! ELPHABA: Well, we can't all come and go by bubble. Whose invention was that, the Wizard's? Of course, even if it wasn't, I'm sure he'd still take credit for it. GLINDA: Yes, well, a lot of us are taking things that don't belong to us, aren't we? Uh oh! The two stare daggers at each other, then... ELPHABA: Now, wait just a clock-tick. I know it's difficult for that blissful blonde brain of yours to comprehend that someone like him could actually choose someone like me!But it's happened. It's real. And you can wave that ridiculous wand all you want, you can't change it! He never belonged to you -- he doesn't love you, he never did! He loves me!
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
Perfect? How do you define a word without concrete meaning? To each his own, the saying goes, so why push to attain an ideal state of being that no two random people will agree is where you want to be? Faultless. Finished. Incomparable. People can never be these, and anyway, when did creating a flawless facade become a more vital goal than learning to love the person who lives inside your skin? The outside belongs to others. Only you should decide for you--- what is perfect
Ellen Hopkins (Perfect (Impulse, #2))
But it was a happy and beautiful bride who came down the old, homespun- carpeted stairs that September noon - the first bride of Green Gables, slender and shining-eyed, in the mist of her maiden veil, with her arms full of roses. Gilbert, waiting for her in the hall below, looked up at her with adoring eyes. She was his at last, this evasive, long-sought Anne, won after years of patient waiting. It was to him she was coming in the sweet surrender of the bride. Was he worthy of her? Could he make her as happy as he hoped? If he failed her - if he could not measure up to her standard of manhood - then, as she held out her hand, their eyes met and all doubt was swept away in a glad certainty. They belonged to each other; and, no matter what life might hold for them, it could never alter that. Their happiness was in each other’s keeping and both were unafraid.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
You know what he said? He said that being away from me is less like being away from a person than being away from other people is. I don't know anyone else who would say something like that. And he was right. When we were apart, I missed him all the time, but he didn't feel faraway. He felt closer than the kids at school."... Certain people are like that, I guess. They're together no matter where they are. They just belong to each other.
Marisa de los Santos (Belong to Me (Love Walked In, #2))
I envy the music lovers hear. I see them walking hand in hand, standing close to each other in a queue at a theater or subway station, heads touching while they sit on a park bench, and I ache to hear the song that plays between them: The stirring chords of romance's first bloom, the stately airs that whisper between a couple long in love. You can see it in the way they look at each other... you can almost hear it. Almost, but not quite, because the music belongs to them and all you can have of it is a vague echo that rises up from the bittersweet murmur and shuffle of your own memories.
Charles de Lint (Moonlight and Vines (Newford, #6))
Some things cannot be fixed; they can only be carried. Grief like yours, love like yours, can only be carried. Survival in grief, even eventually building a new life alongside grief, comes with the willingness to bear witness, both to yourself and to the others who find themselves inside this life they didn’t see coming. Together, we create real hope for ourselves, and for one another. We need each other to survive. I wish this for you: to find the people you belong with, the ones who will see your pain, companion you, hold you close, even as the heavy lifting of grief is yours alone. As hard as they may seem to find at times, your community is out there. Look for them. Collect them. Knit them into a vast flotilla of light that can hold you.
Megan Devine (It's OK That You're Not OK)
Anyway, you can't leave her like that. You can't do that to the woman. She doesn't deserve it; nobody does. You don't belong to her and she doesn't belong to you, but you're both part of each other; if she got up and left now and walked away and you never saw each other again for the rest of your lives, and you lived an ordinary waking life for another fifty years, even so on your deathbed you would still know she was part of you.
Iain Banks
i am of the earth and to the earth I shall return once more life and death are old friends and I am the conversation between them i am their late-night chatter their laughter and tears what is there to be afraid of if I am the gift they give to each other this place never belonged to me anyway i have always been theirs
Rupi Kaur (The Sun and Her Flowers)
Once the world was full of wonders, but it belongs to humans now. We creatures have all but disappeared; daemons, vampires and witches. Hiding in plain sight, fearful of discovery, ill at ease even with each other. But as my father used to say: In every ending, there is a new beginning.
Deborah Harkness (A Discovery of Witches (All Souls, #1))
And here I thought you were actually going to behave yourself," he said. "It's going to get worse if they don't keep their hands off you." "I suppose you're going to tell me now that only you have the right to touch me." "I see we understand each other.
Johanna Lindsey (You Belong to Me (Cardinia's Royal Family, #2))
Next to it on the wall was a framed postcard of Monet's berm. I recognized it immediately. 'It used to be mine, but you've owned it far, far longer than I have.' We belonged to each other, but had lived so far apart that we belonged to others now. Squatters, and only squatters, were the true claimants to our lives.
André Aciman (Call Me by Your Name)
When you have lived as long as I, you will see that every human being has his shell, and that you must take the shell into acount. By the shell I mean the whole envelope of circumstances. There is no such thing as an isolated man or woman; we are each of us made up of a cluster of apurtenances. What do you call one's self? Where does it begin? Where does it end? It overflows into everythng tht belongs to us - and then flows back again. (...) One's self - for other people - is one's expression of one's self; and one's house, one's clothes, the books one reads, the company one keeps - these things are all expressive.
Henry James (The Portrait of a Lady)
And such is your definition of matrimony and dancing. Taken in that light, certainly their resemblance is not striking; but I think I could place them in such a view. You will allow that in both man has the advantage of choice, woman only the power of refusal; that in both it is an engagement between man and woman, formed for the advantage of each; and that when once entered into, they belong exclusively to each other till the moment of its dissolution; that it is their duty each to endeavor to give the other no cause for wishing that he or she had bestowed themselves elsewhere, and their best interest to keep their own imaginations from wandering towards the perfections of their neighbors, or fancying that they should have been better off with any one else.
Jane Austen (Northanger Abbey)
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..." "It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself." "The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.” “You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.” “If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.” “If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.” "Certain things in life simply have to be experienced -and never explained. Love is such a thing." "There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark." "But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'” "When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.” “There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
Paulo Coelho (Maktub)
You haven't gotten the dynamics of our relationship down yet, have you? Let me explain it to you: we're involved, very involved. You're mine, and your problems are also mine. No one messes with what belongs to me. Don't fight me on that, because you'll lose baby. and be aware next time you hide something like that from me, I'll turn you over my knee and spank your ass red. Do we understand each other?
Elle Aycart (More than Meets the Ink (Bowen Boys, #1))
I had to stop linking every single thing that happened to me with Kennedy. Realization dawned then, that he was still my default. Over the past three years, we’d become each other’s habit. And though he’d broken his habit of me when he walked away, I’d not broken my habit of him. I was still tethering him to my present, to my future. The truth was, he now belonged only to my past, and it was time I began to accept it, as much as it hurt to do so.
Tammara Webber (Easy (Contours of the Heart, #1))
My “Best Woman” speech Good evening everyone, my name is Rosie and as you can see Alex has decided to go down the non-traditional route of asking me to be his best woman for the day. Except we all know that today that title does not belong to me. It belongs to Sally, for she is clearly his best woman. I could call myself the “best friend” but I think we all know that today that title no longer refers to me either. That title too belongs to Sally. But what doesn’t belong to Sally is a lifetime of memories of Alex the child, Alex the teenager, and Alex the almost-a-man that I’m sure he would rather forget but that I will now fill you all in on. (Hopefully they all will laugh.) I have known Alex since he was five years old. I arrived on my first day of school teary-eyed and red-nosed and a half an hour late. (I am almost sure Alex will shout out “What’s new?”) I was ordered to sit down at the back of the class beside a smelly, snotty-nosed, messy-haired little boy who had the biggest sulk on his face and who refused to look at me or talk to me. I hated this little boy. I know that he hated me too, him kicking me in the shins under the table and telling the teacher that I was copying his schoolwork was a telltale sign. We sat beside each other every day for twelve years moaning about school, moaning about girlfriends and boyfriends, wishing we were older and wiser and out of school, dreaming for a life where we wouldn’t have double maths on a Monday morning. Now Alex has that life and I’m so proud of him. I’m so happy that he’s found his best woman and his best friend in perfect little brainy and annoying Sally. I ask you all to raise your glasses and toast my best friend Alex and his new best friend, best woman, and wife, Sally, and to wish them luck and happiness and divorce in the future. To Alex and Sally!
Cecelia Ahern (Love, Rosie)
They must live outside class, without relations or money; they must work and stick to each other till death. But England belonged to them. That, besides companionship, was their reward. Her air and sky were theirs, not the timorous millions' who own stuffy little boxes, but never their own souls.
E.M. Forster (Maurice)
Because when this universe was born, when it blasted into existence in fire and glory, everything that would ever exist was created. Our souls are made of that fire and glory, of the atoms of it, the fragments of stars. Everyone’s are, but I believe ours, yours and mine, are made from the dust of the same star. That’s why we’ve always been drawn to each other like magnets, all our lives. All the pieces of us belong together.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
Anam is the Irish word for “soul” and Ċara is the word for “friend.” In the Anam-Ċara friendship, you were joined in an ancient way with the friend of your soul. This was a bond that neither space nor time could damage. The friendship awakened an eternal echo in the hearts of the friends; they entered into a circle of intimate belonging with each other. The Anam-Ċara friendship afforded a spiritual space to all the other longings of the human heart.
John O'Donohue (Eternal Echoes: Celtic Reflections on Our Yearning to Belong)
It's okay. Don't feel bad. Stop beating yourself up. Nothing lasts forever. People come and people go. We cross paths, sometimes even travel together for a bit- to learn from each other. Stop trying to hold onto what is no longer meant to be. Yes, sometimes we need to stay even when it doesn't feel good because we still have something to learn, something to do there. But our souls will die if they stay in places they don't belong. You know the difference. Listen to your heart. If you stay when you've been told to go, you'll stop growing! Go! Give yourself permission to outgrow people and places. It's okay.
Brooke Hampton
A city street equipped to handle strangers, and to make a safety asset, in itself, our of the presence of strangers, as the streets of successful city neighborhoods always do, must have three main qualities: First, there must be a clear demarcation between what is public space and what is private space. Public and private spaces cannot ooze into each other as they do typically in suburban settings or in projects. Second, there must be eyes upon the street, eyes belonging to those we might call the natural proprietors of the street. The buildings on a street equipped to handle strangers and to insure the safety of both residents and strangers, must be oriented to the street. They cannot turn their backs or blank sides on it and leave it blind. And third, the sidewalk must have users on it fairly continuously, both to add to the number of effective eyes on the street and to induce the people in buildings along the street to watch the sidewalks in sufficient numbers. Nobody enjoys sitting on a stoop or looking out a window at an empty street. Almost nobody does such a thing. Large numbers of people entertain themselves, off and on, by watching street activity.
Jane Jacobs (The Death and Life of Great American Cities)
Every atom you possess has almost certainly passed through several stars and been part of millions of organisms on its way to becoming you. We are each so atomically numerous and so vigorously recycled at death that a significant number of our atoms - up to a billion for each of us, it has been suggested - probably once belonged to Shakespeare. A billion more each came from Buddha and Genghis Khan and Beethoven, and any other historical figure you care to name. So we are all reincarnations - though short-lived ones. When we die, our atoms will disassemble and move off to find new uses elsewhere - as part of a leaf or other human being or drop of dew.
Bill Bryson (A Short History of Nearly Everything)
For the first time, the very very first time, I really believed them. That my relationship status did not change me. And that even if other people didn't agree, every single person in this room had my back without hesitation. I was with them and they were with me and we were with each other. A community within a community within a community. No questions asked. No proof needed. No valid form of identification required. We just belonged because we belonged.
Sophie Gonzales (Perfect on Paper)
Christians should put survival of the planet ahead of national security...Here is the mystery of our global responsibility: that we are in communion with Christ- and we are in communion with all people...The fact that the people of Nicaragua, Guatemala, El Salvador, Russia, Afghanistan, and Ethiopia are our brothers and sisters is not obvious. People kill each other by the thousands and do not see themselves as brothers and sisters. If we want to be real peace-makers, national security cannot be our primary concern. Our primary concern should be survival of humanity, the survival of the planet, and the health of all people. Whether we are Russians, Iraqis, Ethiopians, or North Americans, we belong to the same human family that God loves. And we have to start taking some risks- not just individually, but risks of a more global quality, risks to let other people develop their own independence, risks to share our wealth with others and invite refugees to our country, risks to offer sanctuary- because we are people of God
Henri J.M. Nouwen
There are things that don’t make sense about me. I don’t know if I belong here. How can that be possible, to feel estranged from a place where everyone loves you? To owe your life to a place and still want to run? I’ve been trying and trying to figure out what it is about me that makes me feel this way and why it feels so deep and so big that it must be most of me, the skin stretching between my knuckles and across my shoulders and then the bones under them too. Knowing that I couldn’t have you if I wanted to—that stings almost the same. It’s almost the same feeling. They’re right beside each other. What do they have in common?
Casey McQuiston (I Kissed Shara Wheeler)
Marriage, in what is evidently its most popular version, is now on the one hand an intimate 'relationship' involving (ideally) two successful careerists in the same bed, and on the other hand a sort of private political system in which rights and interests must be constantly asserted and defended. Marriage, in other words, has now taken the form of divorce: a prolonged and impassioned negotiation as to how things shall be divided. During their understandably temporary association, the 'married' couple will typically consume a large quantity of merchandise and a large portion of each other. The modern household is the place where the consumptive couple do their consuming. Nothing productive is done there. Such work as is done there is done at the expense of the resident couple or family, and to the profit of suppliers of energy and household technology. For entertainment, the inmates consume television or purchase other consumable diversion elsewhere. There are, however, still some married couples who understand themselves as belonging to their marriage, to each other, and to their children. What they have they have in common, and so, to them, helping each other does not seem merely to damage their ability to compete against each other. To them, 'mine' is not so powerful or necessary a pronoun as 'ours.' This sort of marriage usually has at its heart a household that is to some extent productive. The couple, that is, makes around itself a household economy that involves the work of both wife and husband, that gives them a measure of economic independence and self-employment, a measure of freedom, as well as a common ground and a common satisfaction. (From "Feminism, the Body, and the Machine")
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
What does it mean to love somebody? It is always to seize that person in a mass, extract him or her from a group, however small, in which he or she participates, whether it be through the family only or through something else; then to find that person's own packs, the multiplicities he or she encloses within himself or herself which may be of an entirely different nature. To join them to mine, to make them penetrate mine, and for me to penetrate the other person's. Heavenly nuptials, multiplicities of multiplicities. Every love is an exercise in depersonalization on a body without organs yet to be formed, and it is at the highest point of this depersonalization that some- one can be named, receives his or her family name or first name, acquires the most intense discernibility in the instantaneous apprehension of the multiplicities belonging to him or her, and to which he or she belongs. A pack of freckles on a face, a pack of boys speaking through the voice of a woman, a clutch of girls in Charlus's voice, a horde of wolves in somebody's throat, a multiplicity of anuses in the anus, mouth, or eye one is intent upon. We each go through so many bodies in each other.
Gilles Deleuze (A Thousand Plateaus: Capitalism and Schizophrenia)
Soon you’ll be ashes, or bones. A mere name, at most—and even that is just a sound, an echo. The things we want in life are empty, stale, and trivial. Dogs snarling at each other. Quarreling children—laughing and then bursting into tears a moment later. Trust, shame, justice, truth—“gone from the earth and only found in heaven.” Why are you still here? Sensory objects are shifting and unstable; our senses dim and easily deceived; the soul itself a decoction of the blood; fame in a world like this is worthless. —And so? Wait for it patiently—annihilation or metamorphosis. —And until that time comes—what? Honor and revere the gods, treat human beings as they deserve, be tolerant with others and strict with yourself. Remember, nothing belongs to you but your flesh and blood—and nothing else is under your control.
Marcus Aurelius (Meditations)
For Abby, "friend" is a word whose sharp corners have been worn smooth by overuse. "I'm friends with the guys in IT," she might say, or "I'm meeting some friends after work." But she remembers when the word "friend" could draw blood. She and Gretchen spent hours ranking their friendships, trying to determine who was a best friend and who was an everyday friend, debating whether anyone could have two best friends at the same time, writing each other's names over and over in purple ink, buzzed on the dopamine high of belonging to someone else, having a total stranger choose you, someone who wanted to know you, another person who cared that you were alive.
Grady Hendrix (My Best Friend's Exorcism)
Just as life is made up of day and night, and song is made up of music and silence, friendships, because they are of this world, are also made up of times of being in touch and spaces in-between. Being human, we sometimes fill these spaces with worry, or we imagine the silence is some form of punishment, or we internalize the time we are not in touch with a loved one as some unexpressed change of heart. Our minds work very hard to make something out of nothing. We can perceive silence as rejection in an instant, and then build a cold castle on that tiny imagined brick. The only release from the tensions we weave around nothing is to remain a creature of the heart. By giving voice to the river of feelings as they flow through and through, we can stay clear and open. In daily terms, we call this checking in with each other, though most of us reduce this to a grocery list: How are you today? Do you need any milk? Eggs? Juice? Toilet paper? Though we can help each other survive with such outer kindnesses, we help each other thrive when the checking in with each other comes from a list of inner kindnesses: How are you today? Do you need any affirmation? Clarity? Support? Understanding? When we ask these deeper questions directly, we wipe the mind clean of its misperceptions. Just as we must dust our belongings from time to time, we must wipe away what covers us when we are apart.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
Facts are but the Play-things of lawyers,-- Tops and Hoops, forever a-spin... Alas, the Historian may indulge no such idle Rotating. History is not Chronology, for that is left to Lawyers,-- nor is it Remembrance, for Remembrance belongs to the People. History can as little pretend to the Veracity of the one, as claim the Power of the other,-- her Practitioners, to survive, must soon learn the arts of the quidnunc, spy, and Taproom Wit,-- that there may ever continue more than one life-line back into a Past we risk, each day, losing our forebears in forever,-- not a Chain of single Links, for one broken Link could lose us All,-- rather, a great disorderly Tangle of Lines, long and short, weak and strong, vanishing into the Mnemonick Deep, with only their Destination in common.
Thomas Pynchon (Mason & Dixon)
There is great beauty in the notion of desire. Each of us is a child of the desire of our parents for each other. We are creatures of desire because we are creations of desire. The human heart discovers its most touching music when desire and love inform each other. When we love, we leave our separate solitudes and come toward union, where we complement each other. It is this ancient desire in every heart to discover and come home to its lost other half that awakens and activates its capacity for love and belonging. There are certain things that can happen to us only in solitude, and every life needs a rhythm of solitude in order to experience this. However, the experience of self-discovery, psychological integration, and spiritual growth can happen to us only when our desire draws us out of our shells and toward the precarious and life-giving sanctuary of another heart.
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
Let this variety of ideas be set before him; he will choose if he can; if not, he will remain in doubt. Only the fools are certain and assured. For if he embraces Xenophon's and Plato's opinions by his own reasoning, they will no longer be theirs, they will be his. He who follows another follows nothing. He finds nothing; indeed he seeks nothing. We are not under a king; let each one claim his own freedom [Seneca]. Let him know that he knows, at least. He must imbibe their ways of thinking, not learn their precepts. And let him boldly forget, if he wants, where he got them, but let him know how to make them his own. Truth and reason are common to everyone, and no more belong to the man who first spoke them than to the man who says them later. It is no more according to Plato than according to me, since he and I understand and see it the same way. The bees plunder the flowers here and there, but afterward they make of them honey, which is all theirs; it is no longer thyme or marjoram. Even so with the pieces borrowed from others; he will transform and blend them to make a work of his own, to wit, his judgment. His education, work, and study aim only at forming this.
Michel de Montaigne
Mac draws up short to keep from slamming into Barrons and her blonde hair swings back over her shoulder, brushing his face as it goes and my hearing is so good I catch the rasp of it chafing the shadow stubble on his jaw, then one of his hands grazes her breast and his eyes narrow when he looks at what he touched in a hungry way I want a man to look at me like one day and, as they continue to recover from the near-collision, their bodies move in a graceful dance of impeccable awareness of precisely where the other is at all times that is unity, symbiosis, partnership I only dream of, wolves that chose to pack up and hunt together, soldiers who will always have each other’s back no matter what, no sin, no transgression too great, ‘cause don’t we all transgress sometimes and it fecking slays me, because once I got a little taste of what that was like and it was heaven and they’re so beautiful standing there, the best of the best, the strongest of the strong that they practically glow to me, on fire with all I ever wanted in my life—a place to belong and someone to belong there with.
Karen Marie Moning (Burned (Fever, #7))
We stared at each other for a long moment. His hand smoldered against my skin. In my face, I knew there was nothing but wistful sadness―I didn't want to have to say goodbye now, no matter for how short a time. At first his face reflected mine, but then, as neither of us looked away, his expression changed. He released me, lifting his other hand to brush his fingertips along my cheek, trailing them down to my jaw. I could feel his fingers tremble―not with anger this time. He pressed his palm against my cheek, so that my face was trapped between his burning hands. "Bella," he whispered. I was frozen. No! I hadn't made this decision yet. I didn't know if I could do this, and now I was out of time to think. But I would have been a fool if I thought rejecting him now would have no consequences. I stared back at him. He was not my Jacob, but he could be. His face was familiar and beloved. in so many real ways, I did love him. He was my comfort, my safe harbor. Right now, I could choose to have him belong to me. Alice was back for the moment, but that changed nothing. True love was forever lost. The prince was never coming back to kiss me awake from my enchanted sleep. I was not a princess, after all. So what was the fairy-tale protocol for other kisses? The mundane kind that didn't break any spells? Maybe it would be easy―like holding his hand or having his arms around me. Maybe it would feel nice. Maybe it wouldn't feel like betrayal. Besides, who was I betraying, anyway? Just myself. Keeping his eyes on mine, Jacob began to bend his face toward me. And I was still absolutely undecided.
Stephenie Meyer (New Moon (The Twilight Saga, #2))
Shall I tell you a story? A new and terrible one? A ghost story?" The voice, a faint echo in the cave, belongs to Felicity. She turns around on the rock, faces us, wraps her arms across bent knees, hugging them close. "Are you ready? Shall I begin? Once upon a time there were four girls. One was pretty. One was clever. One charming, and one..." She glances at me. "One was mysterious. But they were all damaged, you see. Something not right about the lot of them. Bad blood. Big dreams. Oh, I left that part out. Sorry, that should have come before. They were all dreamers, these girls." Felicity...," I start, because it's her and not the story that's beginning to frighten me. You wanted a story, and I'm going to give you one." Lightning shoots across the cave walls, bathing half her face in light, the other in shadows. "One by one, night after night, the girls came together. And they sinned. Do you know what that sin was? No one? Pippa? Ann?" Felicity." Pippa sounds anxious. "Let's go back and have a nice cup of tea. It's too cold out here." Felicity's voice expands, fills the space around us, a bell tolling. "Their sin was that they believed. Believed they could be different. Special. They believed they could change what they were--damaged, unloved. Cast-off things. They would be alive, adored, needed. Necessary. But it wasn't true. This is a ghost story, remember? A tragedy." The lightning's back, a big one, two, three of light that lets me see Felicity's face, slick with tears, nose running. "They were mislead. Betrayed by their own stupid hopes. Things couldn't be different for them, because they weren't special after all. So life took them, led them, and they went along, you see? They faded before their own eyes, till they were nothing more than living ghosts, haunting each other with what could be. What can't be.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
I desire you and love you, Cristina, and so does Mark. Stay with us.” Cristina couldn’t move. She thought again of the first time she’d seen Mark and Kieran together. The desire she’d felt. She’d thought at the time she wanted something like what they had: that she wanted that passion for herself and some unnamed boy whose face she didn’t know. But it had been a long time since any face in her dreams had not been either Mark’s or Kieran’s. Since she had imagined any eyes looking into hers that were both the same color. She had not wanted some vague approximation of what they had: She had wanted them. She looked at Mark, who seemed pinned between hope and terror. “Kieran,” he said. His voice shook. “How can you ask her that? She’s not a faerie, she’ll never talk to us again—” “But you will leave me,” she said, hearing her own voice as if it were a stranger’s. “You love each other and belong together. You will leave me and go back to Faerie.” They looked at her with expressions of identical shock. “We will never leave you,” said Mark. “We will stay as close to you as the tide to the shore,” said Kieran. “Neither of us wishes for anything else.” He reached out a hand. “Please believe us, Lady of Roses.
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
Woman's fear of the female Self, of the experience of the numinous archetypal Feminine, becomes comprehensible when we get a glimpse - or even only a hint – of the profound otherness of female selfhood as contrasted to male selfhood. Precisely that element which, in his fear of the Feminine, the male experiences as the hole, abyss, void, and nothingness turns into something positive for the woman without, however, losing these same characteristics. Here the archetypal Feminine is experienced not as illusion and as maya but rather as unfathomable reality and as life in which above and below, spiritual and physical, are not pitted against each other; reality as eternity is creative and, at the same time, is grounded in primeval nothingness. Hence as daughter the woman experiences herself as belonging to the female spiritual figure Sophia, the highest wisdom, while at the same time she is actualizing her connection with the musty, sultry, bloody depths of swamp-mother Earth. However, in this sort of Self-discovery woman necessarily comes to see herself as different from what presents itself to men -as, for example, spirit and father, but often also as the patriarchal godhead and his ethics. The basic phenomenon - that the human being is born of woman and reared by her during the crucial developmental phases - is expressed in woman as a sense of connectedness with all living things, a sense not yet sufficiently realized, and one that men, and especially the patriarchal male, absolutely lack to the extent women have it. To experience herself as so fundamentally different from the dominant patriarchal values understandably fills the woman with fear until she arrives at that point in her own development where, through experience and love that binds the opposites, she can clearly see the totality of humanity as a unity of masculine and feminine aspects of the Self.
Erich Neumann (The Fear of the Feminine and Other Essays on Feminine Psychology)
Let the tutor make his charge pass everything through a sieve and lodge nothing in his head on mere authority and trust: let not Aristotle's principles be principles to him any more than those of the Stoics or Epicureans. Let this variety of ideas be set before him; he will choose if he can; if not, he will remain in doubt. Only the fools are certain and assured. For if he embraces Xenophon's and Plato's opinions by his own reasoning, they will no longer be theirs, they will be his. He who follows another follows nothing. He finds nothing; indeed he seeks nothing. We are not under a king; let each one claim his own freedom. Let him know that he knows, at least. He must imbibe their ways of thinking, not learn their precepts. And let him boldly forget, if he wants, where he got them, but let him know how to make them his own. Truth and reason are common to everyone, and no more belong to the man who first spoke them than to the man who says them later. It is no more according to Plato than according to me, since he and I understand and see it the same way. The bees plunder the flowers here and there, but afterward they make of them honey, which is all theirs; it is no longer thyme or marjoram. Even so with the pieces borrowed from others; he will transform and blend them to make a work of his own, to wit, his judgment. His education, work, and study aim only at forming this.
Michel de Montaigne (The Complete Works: Essays, Travel Journal, Letters)
Anyhow, he asks himself, what is an intimate secret? Is that where we hide what's most mysterious, most singular, most original about a human being? Are her intimate secrets what make Chantal the unique being he loves? No. What people keep secret is the most common, the most ordinary, the most prevalent thing, the same thing everybody has: the body and its needs, it maladies, its manias - constipation, for instance, or menstruation. We ashamedly conceal these intimate matters not because they are so personal but because, on the contrary, they are so lamentably impersonal. How can he resent Chantal, for belonging to her sex, for resembling other women, for wearing a brassiere and along with it the brassiere psychology? s if he didn't himself belong to some eternal masculine idiocy! They both of them got their start in that putterer's workshop where their eyes were botched with the disjointed action of the eyelid and where a reeking little factory was installed in their bellies. They both of them have bodies where their poor souls have almost no room. Shouldn't they forgive that in each other? Shouldn't they move beyond the little weaknesses they're hiding at the bottom of drawers? He was gripped by an enormous compassion, and to draw a final lune under that whole story, he decided to write her one last letter.
Milan Kundera (Identity)
FOR THE DYING May death come gently toward you, Leaving you time to make your way Through the cold embrace of fear To the place of inner tranquillity. May death arrive only after a long life To find you at home among your own With every comfort and care you require. May your leave-taking be gracious, Enabling you to hold dignity Through awkwardness and illness. May you see the reflection Of your life’s kindness and beauty In all the tears that fall for you. As your eyes focus on each face, May your soul take its imprint, Drawing each image within As companions for the journey. May you find for each one you love A different locket of jeweled words To be worn around the heart To warm your absence. May someone who knows and loves The complex village of your heart Be there to echo you back to yourself And create a sure word-raft To carry you to the further shore. May your spirit feel The surge of true delight When the veil of the visible Is raised, and you glimpse again The living faces Of departed family and friends. May there be some beautiful surprise Waiting for you inside death, Something you never knew or felt, Which with one simple touch, Absolves you of all loneliness and loss, As you quicken within the embrace For which your soul was eternally made. May your heart be speechless At the sight of the truth Of all belief had hoped, Your heart breathless In the light and lightness Where each and everything Is at last its true self Within that serene belonging That dwells beside us On the other side Of what we see.
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
I believe that the most important thing for a couple of any sort, to realize in their relationship with each other (and please allow me to share this with you), is that neither are a limited source. You see, the idea of the soul is that it is eternal and that it continually receives from an Eternal Source. So the idea in any relationship is never really what you can get from it; but the idea is what you can give to the other, what you can put into it. Withdrawing from eternity— and depositing into the physical realm. Of course, as you both give, you are also both receiving from one another, thus a beautiful relationship is formed and maintained. It's that certain flow that needs to be encouraged and allowed. I say "allowed" because it's natural, however, it's usually not "allowed" because our human faculties are taught and bombarded by stupid ideas in magazines that relationships are all about what one can get from it; it's never about giving! So in a nutshell, the idea is to give because you know that you are receiving from an Everlasting Source, but to also remain graceful and eager enough to also receive gratefully from the other. And this is how eternal relationships are born. We are all conduits of eternity and we happen to meet another conduit whom we feel we belong with, then we share what we receive from eternity and receive what the other has to share.
C. JoyBell C.
Open Letter to Neil Armstrong" Dear Neil Armstrong, I write this to you as she sleeps down the hall. I need answers I think only you might have. When you were a boy, and space was simple science fiction, when flying was merely a daydream between periods of History and Physics, when gifts of moon dust to the one you loved could only be wrapped in your imagination.. Before the world knew your name; before it was a destination in the sky.. What was the moon like from your back yard? Your arm, strong warm and wrapped under her hair both of you gazing up from your back porch summers before your distant journey. But upon landing on the moon, as the earth rose over the sea of tranquility, did you look for her? What was it like to see our planet, and know that everything, all you could be, all you could ever love and long for.. was just floating before you. Did you write her name in the dirt when the cameras weren't looking? Surrounding both your initials with a heart for alien life to study millions of years from now? What was it like to love something so distant? What words did you use to bring the moon back to her? And what did you promise in the moons ear, about that girl back home? Can you, teach me, how to fall from the sky? I ask you this, not because I doubt your feat, I just want to know what it's like to go somewhere no man had ever been, just to find that she wasn't there. To realize your moon walk could never compare to the steps that led to her. I now know that the flight home means more. Every July I think of you. I imagine the summer of 1969, how lonely she must have felt while you were gone.. You never went back to the moon. And I believe that's because it dosen't take rockets to get you where you belong. I see that in this woman down the hall, sometimes she seems so much further. But I'm ready for whatever steps I must take to get to her.I have seem SO MANY skies.. but the moon, well, it always looks the same. So I gotta say, Neil, that rock you landed on, has got NOTHING on the rock she's landed on. You walked around, took samples and left.. She's built a fire cleaned up the place and I hope she decides to stay.. because on this rock.. we can breath. Mr. Armstrong, I don't have much, many times have I been upside down with trauma, but with these empty hands, comes a heart that is often more full than the moon. She's becoming my world, pulling me into orbit, and I now know that I may never find life outside of hers. I want to give her EVERYTHING I don't have yet.. So YES, for her, I would go to the moon and back.... But not without her. We'd claim the moon for each other, with flags made from sheets down the hall. And I'd risk it ALL to kiss her under the light of the earth, the brightness of home... but I can do all of that and more right here, where she is..And when we gaze up, her arms around ME, I will NOT promise her gifts of moon dust, or flights of fancy. Instead I will gladly give her all the earth she wants, in return for all the earth she is. The sound of her heart beat and laughter, and all the time it takes to return to fall from the sky,down the hall, and right into love. God, I'd do it every day, if I could just land next to her. One small step for man, but she's one giant leap for my kind.
Mike McGee
Her partner now drew near, and said, "That gentleman would have put me out of patience, had he stayed with you half a minute longer. He has no business to withdraw the attention of my partner from me. We have entered into a contract of mutual agreeableness for the space of an evening, and all our agreeableness belongs solely to each other for that time. Nobody can fasten themselves on the notice of one, without injuring the rights of the other. I consider a country-dance as an emblem of marriage. Fidelity and complaisance are the principal duties of both; and those men who do not choose to dance or marry themselves, have no business with the partners or wives of their neighbours." But they are such very different things!" -- That you think they cannot be compared together." To be sure not. People that marry can never part, but must go and keep house together. People that dance only stand opposite each other in a long room for half an hour." And such is your definition of matrimony and dancing. Taken in that light certainly, their resemblance is not striking; but I think I could place them in such a view. You will allow, that in both, man has the advantage of choice, woman only the power of refusal; that in both, it is an engagement between man and woman, formed for the advantage of each; and that when once entered into, they belong exclusively to each other till the moment of its dissolution; that it is their duty, each to endeavour to give the other no cause for wishing that he or she had bestowed themselves elsewhere, and their best interest to keep their own imaginations from wandering towards the perfections of their neighbours, or fancying that they should have been better off with anyone else. You will allow all this?" Yes, to be sure, as you state it, all this sounds very well; but still they are so very different. I cannot look upon them at all in the same light, nor think the same duties belong to them." In one respect, there certainly is a difference. In marriage, the man is supposed to provide for the support of the woman, the woman to make the home agreeable to the man; he is to purvey, and she is to smile. But in dancing, their duties are exactly changed; the agreeableness, the compliance are expected from him, while she furnishes the fan and the lavender water. That, I suppose, was the difference of duties which struck you, as rendering the conditions incapable of comparison." No, indeed, I never thought of that." Then I am quite at a loss. One thing, however, I must observe. This disposition on your side is rather alarming. You totally disallow any similarity in the obligations; and may I not thence infer that your notions of the duties of the dancing state are not so strict as your partner might wish? Have I not reason to fear that if the gentleman who spoke to you just now were to return, or if any other gentleman were to address you, there would be nothing to restrain you from conversing with him as long as you chose?" Mr. Thorpe is such a very particular friend of my brother's, that if he talks to me, I must talk to him again; but there are hardly three young men in the room besides him that I have any acquaintance with." And is that to be my only security? Alas, alas!" Nay, I am sure you cannot have a better; for if I do not know anybody, it is impossible for me to talk to them; and, besides, I do not want to talk to anybody." Now you have given me a security worth having; and I shall proceed with courage.
Jane Austen (Northanger Abbey)