Bells And Whistles Quotes

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If we want to give oxygen and content to our life, let us bypass the flamboyant bells and whistles of shallow pursuits and take delight in the appeasement of the emotional windfalls that crop up when we encounter the ‘others’ and engage in new mental adventures. ("Transcendental journey" )
Erik Pevernagie
I'm a failure as a woman. My men expect so much of me, because of the image they've made of me—and that I've made of myself—as a sex symbol. They expect bells to ring and whistles to whistle, but my anatomy is the same as any other woman's and I can't live up to it
Marilyn Monroe (Marilyn)
You know how when a guy and girl really like each other in a book, they talk about a spark between them? With Nox there is no spark. No. He bypassed the spark. When Nox touches me, there’s nothing less than the whistling, shrieking explosions of fireworks. Big ones. The ones they save till the end of the show.
Belle Aurora (Willing Captive)
We love seeing raw truth and openness in other people, but we're afraid to let them see it in us. We're afraid that our truth isn't enough - that what we have to offer isn't enough without the bells and whistles, without editing, and impressing.
Brené Brown
Liam made a low whistling sound through the device in Zane’s ear. “Little touch and go there, lads. Who do I shoot first if things go to hell?
Abigail Roux (Touch & Geaux (Cut & Run, #7))
Not all magic is fireworks and fanfare. Sometimes magic is quiet and sneaks up on you. An illusion is what needs all the bells and whistles to make itself appear grander than it really is, which is just a trick that can be explained.
Jeff Guinn (The Autobiography of Santa Claus (The Christmas Chronicles #1))
A great commotion immobilized her in her center of gravity, planted her in her place, and her defensive will was demolished by the irresistible anxiety to discover what the orange bells and whistles and the invisible globes on the other side of death were like.
Gabriel García Márquez (One Hundred Years of Solitude)
We love seeing raw truth and openness in other people, but we’re afraid to let them see it in us. We’re afraid that our truth isn’t enough—that what we have to offer isn’t enough without the bells and whistles, without editing, and impressing. I was afraid to walk on that stage and show the audience my kitchen-table self—these people were too important, too successful, too famous. My kitchen-table self is too messy, too imperfect, too unpredictable. Here’s the crux of the struggle: I want to experience your vulnerability but I don’t want to be vulnerable.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
We love seeing raw truth and openness in other people, but we’re afraid to let them see it in us. We’re afraid that our truth isn’t enough—that what we have to offer isn’t enough without the bells and whistles, without editing, and impressing.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
These days, students struggle with conversation. What makes sense is to engage them in it. The more you think about educational technology, with all its bells and whistles, the more you circle back to the simple power of conversation.
Sherry Turkle (Reclaiming Conversation: The Power of Talk in a Digital Age)
I wanted to be with her, like all the time. Eliminate the obstacles, the people and things in our lives that were keeping us apart: Brandi, Seth, Kirsten, society, me. Me? Make that my fear. What was I afraid of, exactly? What other people would think? I guess, a little. But that wasn’t what was stopping me from acting on my feelings. It was the intensity of them. The desire for her. I knew if I gave into it, I’d have to surrender myself completely. I’d lose all control. Everything I knew, everything I was, the walls I’d built up to protect myself all these years would come crashing down. I might get lost in the rubble. Yet, she made me feel alive in a way I'd only ever imagined I could feel. Bells, whistles, music. (Chapter. 15)
Julie Anne Peters (Keeping You a Secret)
A year later we were in a coffee shop, the kind taking a last stand against Starbucks with its thrift-store chairs, vegan cookies, and over-promising teas with names like Serenity and Inner Peace. I was curled up with a stack of causes, trying to get in a few extra hours of work over the weekend, and Andrew sat with one hand gripping his mug, his nose in The New York Times; the two of us a parody of the yuppie couple of the new millennium. We sat silently that way, though there wasn't silence at all. On top of the typical coffee-shop sounds - the whir of an expresso machine, the click of the cash register, the bell above the door - Andrew was making his noises, an occasional snort at something he read in the paper, the jangle of his keys in his pocket, a sniffle since he was getting over a cold, a clearing of his throat. And as we sat there, all I could do was listen to those Andrew-specific noises, the rhythm of his breath, the in-out in-out, its low whistle. Snort. Jangle. Sniffle. Clear. Hypnotized. I wanted to buy his soundtrack. This must be what love is, I thought. Not wanting his noises to ever stop.
Julie Buxbaum (The Opposite of Love)
Loving him sneaked up on me one tentative step at a time and then a bouncing rush and I was the lucky one who got to love him. I get to love this man every day of my life. It’s an all-consuming love filling every crevice and it’s meant to be that way. I’ve discovered with every opened lock within me that I wasn’t made for half measures, or maybe I’m just not made to be half of anything with Gray. He makes me want to jump in the puddle of love with both my feet. Not only that, I craved it, hungered for the love he showered me with. Our love opened me to new feelings. Like we’ve built mansions on top of clouds with bells and whistles loud enough to drown out the world. Because in the end isn’t that what transcendent love does? It blocked out the world and lets you experience your heartbeats for the first time.
V. Theia (Manhattan Sugar (From Manhattan #1))
What was I afraid of, exactly? What other people would think? I guess, a little. But that wasn't what was stopping me from acting on my feelings. It was the intensity of them. The desire for her. I knew if I gave into it, I'd have to surrender myself completely. I'd lose all control. Everything I knew, everything I was, the walls I'd built up to protect myself all these years would come crashing down. I might get lost in the rubble. Yet, she made me feel alive in a way I'd only ever imagined I could feel. Bells, whistles, music.
Julie Anne Peters
an old man with no destiny with our never knowing who he was, or what he was like, or even if he was only a figment of the imagination, a comic tyrant who never knew where the reverse side was and where the right of this life which we loved with an insatiable passion that you never dared even to imagine out of the fear of knowing what we knew only too well that it was arduous and ephemeral but there wasn't any other, general, because we knew who we were while he was left never knowing it forever with the soft whistle of his rupture of a dead old man cut off at the roots by the slash of death, flying through the dark sound of the last frozen leaves of his autumn toward the homeland of shadows of the truth of oblivion, clinging to his fear of the rotting cloth of death's hooded cassock and alien to the clamor of the frantic crowds who took to the streets singing hymns of joy at the jubilant news of his death and alien forevermore to the music of liberation and the rockets of jubilation and the bells of glory that announced to the world the good news that the uncountable time of eternity had come to an end.
Gabriel García Márquez (The Autumn of the Patriarch)
I made myself listen to the birds singing squabbles and love songs. Occasionally I heard a war. Sharp mechanical sounds clashed with the nature music. Bells and whistles mashed together in nagging bursts. My new life was calling. I had to get on with it. Body historians, griots of the galaxy, we didn’t diddle ourselves in jungle paradises, we inhabited flesh to gather a genealogy of life. We sought the story behind all the stories.
Nalo Hopkinson (So Long Been Dreaming: Postcolonial Science Fiction & Fantasy)
A syndrome is small, portable, not weighed down by theory, episodic. You can explain something with it and then discard it. A disposable instrument of cognition. Mine is called Recurrent Detoxification Syndrome. Without the bells and whistles, its description boils down to the insistence of one’s consciousness on returning to certain images, or even the compulsive search for them. It is a variant of the Mean World Syndrome, which has been described fairly exhaustively in neuropsychological studies as a particular type of infection caused by the media. It’s quite a bourgeois ailment, I suppose. Patients spend long hours in front of the TV, thumbing at their remote controls through all the channels till they find the ones with the most horrendous news: wars, epidemics, and disasters. Then, fascinated by what they’re seeing, they can’t tear themselves away. The symptoms themselves
Olga Tokarczuk (Flights)
The other thing? You mean the invisible hand on my bells and whistle? Yeah, I don’t need anyone knowing that shit. Sir.
K.F. Breene (Chosen (The Warrior Chronicles, #1))
None of us came here for the bells and whistles. It's [for] the personnel. These meetings? Like the one where you got your ass kicked? That's what makes you a better doctor. That's all that matters.
Gato Villanueva
Let me tell you something about the beauty of destruction. There is a distinct art in boxing, because there is method, strategy, technique rules and all the bells and whistles that the general public knows. However, since the beginning of time mankind was destined to appreciate the art of combat; and that is the mortal sacrifice - you put yourself out there and display a virtual painting, an interactive canvas that portrays the nature of the human body and what it’s capable of, and as an outcome, the object of combat is not to sacrifice yourself to entertain spectators, no, but to make the other bastard sacrifice himself to entertain spectators - thus comes the art of honor. It’s not a thirst for blood, not at all - but an astonishment, an appreciation for the capabilities of a human that bares his soul naked for the art of combat using strictly his body. That’s entertainment.
Ghaleya Aldhafiri
Song of myself Now I will do nothing but listen, To accrue what I hear into this song, to let sounds contribute toward it. I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, I hear the sound I love, the sound of the human voice, I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night, Talkative young ones to those that like them, the loud laugh of work-people at their meals, The angry base of disjointed friendship, the faint tones of the sick, The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence, The heave'e'yo of stevedores unlading ships by the wharves, the refrain of the anchor-lifters, The ring of alarm-bells, the cry of fire, the whirr of swift-streaking engines and hose-carts with premonitory tinkles and color'd lights, The steam-whistle, the solid roll of the train of approaching cars, The slow march play'd at the head of the association marching two and two, (They go to guard some corpse, the flag-tops are draped with black muslin.) I hear the violoncello, ('tis the young man's heart's complaint,) I hear the key'd cornet, it glides quickly in through my ears, It shakes mad-sweet pangs through my belly and breast. I hear the chorus, it is a grand opera, Ah this indeed is music--this suits me.
Walt Whitman
Oh. My. God." he murmured as it all ended in a crescendo complete with beautiful sparks and all the bells and whistles of fantastic makeup sex. Five full minutes later he propped up on a an elbow and kissed the tip of her nose. "Can we fight again tomorrow?" She smiled up at him. "I was thinking of starting an argument right now.
Carolyn Brown (Hot Cowboy Nights (Lucky Penny Ranch, #2))
I knew if I gave into it, I’d have to surrender myself completely. I’d lose all control. Everything I knew, everything I was, the walls I’d built up to protect myself all these years would come crashing down. I might get lost in the rubble. Yet, she made me feel alive in a way I'd only ever imagined I could feel. Bells, whistles, music.
Julie Anne Peters (Keeping You a Secret)
There wasn’t just a red flag, there was a warning bell and alarms and whistles and neon lights with DON’T DO IT in all capital letters.
Kandi Steiner (A Love Letter to Whiskey: Fifth Anniversary Edition)
There had been many definitions of Man; he would make another: “The noise-producing animal.” Now there was only the nearly imperceptible murmur of his own engine. He had no need to blow the horn. There were no back-firing trucks, no snorting trains, no pounding planes overhead. In the little towns no whistles blew or bells rang or radios blared or people talked. Even if it was the peace of death, still that was a kind of peace.
George R. Stewart (Earth Abides)
Kieran stilled, his whole body going stiff. “What do you use? Your fingers, or a vibrator?” I slid my forearm across my forehead, my body pounding again. “None of your business,” I forced out, my throat tight. “Can I watch?” He glanced back, his tone teasing but his eyes on fire. “You can use both methods, and then compare them with my cock. See which one gets you off the best.” “Vibrator, easy.” I cleared my throat. “It’s got all the bells and whistles. Men just aren’t equipped to compete.” “I’m not a man.” His voice was deep and rich. “I’m a god.
K.F. Breene (Sin & Magic (Demigods of San Francisco, #2))
The dark has a eased a little. There has been a street-lamp burning, that has lit the threads of the bleached net scarf hung at the window, now it is put out. The light turns filthy pink. The pink gives way to sickly yellow. It creeps, and with it creeps sound - softly at first, then rising in a staggering crescendo: crowning cocks, whistles and bells, dogs, shrieking babies, violent calling, coughing, spitting, the tramp of feet, the endless hollow of beating hooves and the grinding of wheels. Up, up it comes, out of the throat of London. It is six or seven o'clock.
Sarah Waters (Fingersmith)
Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry, -- determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through church and state, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business. Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.
Henry David Thoreau (Walden or, Life in the Woods)
The progress of Sybilla though a market was the progress of worker bee through a bower of intently propagating blossoms. Everything stuck. From the toy stall she bought two ivory dolls, a hen whistle, a rattle and a charming set of miniature bells for a child’s skirts: all were heroically received and borne by Tom, henceforth marked by a faint, distracted jingling. From the spice booth, set with delicious traps for the fat purse, she took cinnamon, figs, cumin seed and saffron, ginger, flower of gillyflower and crocus and—an afterthought—some brazil for dyeing her new wool. These were distributed between Christian and Tom. They listened to a balladmonger, paid him for all the verses of “When Tay’s Bank,” and bought a lengthy scroll containing a brand-new ballad which Tom Erskine read briefly and then discreetly lost. “No matter,” said the Dowager cheerfully, when told. “Dangerous quantity, music. Because it spouts sweet venom in their ears and makes their minds all effeminate, you know. We can’t have that.” He was never very sure whether she was laughing at him, but rather thought not. They pursued their course purposefully, and the Dowager bought a new set of playing cards, some thread, a boxful of ox feet, a quantity of silver lace and a pair of scissors. She was dissuaded from buying a channel stone, which Tom, no curling enthusiast, refused utterly to carry, and got a toothpick in its case instead. They watched acrobats, invested sixpence for an unconvincing mermaid and finally stumbled, flattened and hot, into a tavern, where Tom forcibly commandeered a private space for the two women and brought them refreshments. “Dear, dear,” said Lady Culter, seating herself among the mute sea of her parcels, like Arion among his fishes. “I’m afraid I’ve forgotten which are the squashy ones. Never mind. If we spread them out, they can’t take much hurt, I should think. Unless the ox feet … Oh. What a pity, Tom. But I’m sure it will clean off.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
Mowgli went on with his work, but it was nearly twilight before he and the wolves had drawn the great gay skin clear of the body. 'Now we must hide this and take the buffaloes home! Help me to herd them, Akela.' The herd rounded up in the misty twilight, and when they got near the village Mowgli saw lights, and heard the conches and bells in the temple blowing and banging. Half the village seemed to be waiting for him by the gate. 'That is because I have killed Shere Khan,' he said to himself; but a shower of stones whistled about his ears, and the villagers shouted: 'Sorcerer! Wolfs brat! Jungle-demon! Go away! Get hence quickly, or the priest will turn thee into a wolf again. Shoot, Buldeo, shoot!' The old Tower musket went off with a bang, and a young buffalo bellowed in pain. 'More sorcery!' shouted the villagers. 'He can turn bullets. Buldeo, that was thy buffalo.' 'Now what is this?' said Mowgli, bewildered, as the stones flew thicker. 'They are not unlike the Pack, these brothers of thine,' said Akela, sitting down composedly. 'It is in my head that, if bullets mean anything, they would cast thee out.' 'Wolf! Wolf's cub! Go away!' shouted the priest, waving a sprig of the sacred tulsi plant. 'Again? Last time it was because I was a man. This time it is because I am a wolf. Let us go, Akela.
Rudyard Kipling (The Jungle Book (Jungle Book, #1))
On April 12, 1955, a team of scientists announced that Jonas Salk’s vaccine against polio—the disease that had killed thousands a year, paralyzed Franklin Roosevelt, and sent many children into iron lungs—was proven safe. According to Richard Carter’s history of the discovery, on that day “people observed moments of silence, rang bells, honked horns, blew factory whistles, fired salutes, . . . took the rest of the day off, closed their schools or convoked fervid assemblies therein, drank toasts, hugged children, attended church, smiled at strangers, and forgave enemies.”4 The city of New York offered to honor Salk with a ticker-tape parade, which he politely declined.
Steven Pinker (Enlightenment Now: The Case for Reason, Science, Humanism, and Progress)
Hugh Anthony, in his new nautical overcoat with brass buttons, neither knew nor cared what he looked like, but was comforted in his heated state by a whistle on a white cord. For years he had been telling his grandparents that a whistle should always accompany marine attire and now at last, just in time for the festival, this remark had sunk in. With his lovely eyes fixed on the altar and an expression of great spiritual beauty on his face he was wondering just when to blow the whistle. Should he accompany the last hymn on it or should he blow one shrill blast in the middle of the Dean's sermon? It was difficult to decide. He must, as Grandfather said one should, wait and be guided.
Elizabeth Goudge (A City of Bells (Torminster, #1))
They waited in position, bayonets fixed, on the morning of July 1st, and listened to the mines go, on schedule at 7.25 a.m. In the distant village of Fricourt, the church bell rang clamorously as the tower collapsed. The weird sound unnerved the men as they waited in their trench, as if the clanging of the bell were the terrible gabble of their own mute fear. Then the whistle went, and they surged forward, over the top into a world of noise. There was no logic that carried Perceval Lucas forth as he ran on those strong, lean legs of his; no discernible path that had taken him from his garden by the stream at Rackham Cottage to one of the bloodiest battles in human history, there on the upper reaches of the River Somme. The following morning, his company entered the village square, and kicked away, underfoot, the stone fragments of saints. The church was a smoking stump, and they saw that its bell-tower had crushed two houses as it fell. Cows wandered the streets, mad and fevered with not having been milked.
Alison MacLeod
The first fifteen years of the nineteenth century in Europe present an extraordinary movement of millions of people. Men leave their customary pursuits, hasten from one side of Europe to the other, plunder and slaughter one another, triumph and are plunged in despair, and for some years the whole course of life is altered and presents an intensive movement which first increases and then slackens. What was the cause of this movement, by what laws was it governed? asks the mind of man. The historians, replying to this question, lay before us the sayings and doings of a few dozen men in a building in the city of Paris, calling these sayings and doings “the Revolution”; then they give a detailed biography of Napoleon and of certain people favorable or hostile to him; tell of the influence some of these people had on others, and say: that is why this movement took place and those are its laws. But the mind of man not only refuses to believe this explanation, but plainly says that this method of explanation is fallacious, because in it a weaker phenomenon is taken as the cause of a stronger. The sum of human wills produced the Revolution and Napoleon, and only the sum of those wills first tolerated and then destroyed them. “But every time there have been conquests there have been conquerors; every time there has been a revolution in any state there have been great men,” says history. And, indeed, human reason replies: every time conquerors appear there have been wars, but this does not prove that the conquerors caused the wars and that it is possible to find the laws of a war in the personal activity of a single man. Whenever I look at my watch and its hands point to ten, I hear the bells of the neighboring church; but because the bells begin to ring when the hands of the clock reach ten, I have no right to assume that the movement of the bells is caused by the position of the hands of the watch. Whenever I see the movement of a locomotive I hear the whistle and see the valves opening and wheels turning; but I have no right to conclude that the whistling and the turning of wheels are the cause of the movement of the engine.
Leo Tolstoy (War and Peace)
The buzzards over Pondy Woods Achieve the blue tense altitudes Black figments that the woods release, Obscenity in form and grace, Drifting high through the pure sunshine Till the sun in gold decline. (...) By the buzzard roost Big Jim Todd Listened for hoofs on the corduroy road Or for the foul and sucking sound A man's foot makes on the marshy ground. Past midnight, when the moccasin Slipped from the log and, trailing in Its obscured waters, broke The dark algae, one lean bird spoke, (...) "[Big Jim] your breed ain't metaphysical." The buzzard coughed, His words fell In the darkness, mystic and ambrosial. "But we maintain our ancient rite, Eat the gods by day and prophesy by night. We swing against the sky and wait; You seize the hour, more passionate Than strong, and strive with time to die -- With time, the beaked tribe's astute ally. "The Jew-boy died. The Syrian vulture swung Remotely above the cross whereon he hung From dinner-time to supper-time, and all The people gathered there watched him until The lean brown chest no longer stirred, Then idly watched the slow majestic bird That in the last sun above the twilit hill Gleamed for a moment at the height and slid Down the hot wind and in the darkness hid. [Big Jim], regard the circumstance of breath: Non omnis moriar, the poet sayeth." Pedantic, the bird clacked its gray beak, With a Tennessee accent to the classic phrase; Jim understood, and was about to speak, But the buzzard drooped one wing and filmed the eyes. At dawn unto the Sabbath wheat he came, That gave to the dew its faithless yellow flame From kindly loam in recollection of The fires that in the brutal rock one strove. To the ripe wheat he came at dawn. Northward the printed smoke stood quiet above The distant cabins of Squiggtown. A train's far whistle blew and drifted away Coldly; lucid and thin the morning lay Along the farms, and here no sound Touched the sweet earth miraculously stilled. Then down the damp and sudden wood there belled The musical white-throated hound. In pondy Woods in the summer's drouth Lurk fever and the cottonmouth. And buzzards over Pondy Woods Achieve the blue tense altitudes, Drifting high in the pure sunshine Till the sun in gold decline; Then golden and hieratic through The night their eyes burn two by two.
Robert Penn Warren
All Night, All Night Rode in the train all night, in the sick light. A bird Flew parallel with a singular will. In daydream's moods and attitudes The other passengers slumped, dozed, slept, read, Waiting, and waiting for place to be displaced On the exact track of safety or the rack of accident. Looked out at the night, unable to distinguish Lights in the towns of passage from the yellow lights Numb on the ceiling. And the bird flew parallel and still As the train shot forth the straight line of its whistle, Forward on the taut tracks, piercing empty, familiar -- The bored center of this vision and condition looked and looked Down through the slick pages of the magazine (seeking The seen and the unseen) and his gaze fell down the well Of the great darkness under the slick glitter, And he was only one among eight million riders and readers. And all the while under his empty smile the shaking drum Of the long determined passage passed through him By his body mimicked and echoed. And then the train Like a suddenly storming rain, began to rush and thresh-- The silent or passive night, pressing and impressing The patients' foreheads with a tightening-like image Of the rushing engine proceeded by a shaft of light Piercing the dark, changing and transforming the silence Into a violence of foam, sound, smoke and succession. A bored child went to get a cup of water, And crushed the cup because the water too was Boring and merely boredom's struggle. The child, returning, looked over the shoulder Of a man reading until he annoyed the shoulder. A fat woman yawned and felt the liquid drops Drip down the fleece of many dinners. And the bird flew parallel and parallel flew The black pencil lines of telephone posts, crucified, At regular intervals, post after post Of thrice crossed, blue-belled, anonymous trees. And then the bird cried as if to all of us: 0 your life, your lonely life What have you ever done with it, And done with the great gift of consciousness? What will you ever do with your life before death's knife Provides the answer ultimate and appropriate? As I for my part felt in my heart as one who falls, Falls in a parachute, falls endlessly, and feel the vast Draft of the abyss sucking him down and down, An endlessly helplessly falling and appalled clown: This is the way that night passes by, this Is the overnight endless trip to the famous unfathomable abyss.
Delmore Schwartz
I knew both from personal experience and by the example of many of my comrades that fighting in a war has an irreparably destructive effect on almost any man. I knew also that the constant proximity of death, the sight of the killed, wounded, dying, hanged and shot, the great red flame in the icy air above blazing villages on a winter’s night, the carcass of a man’s horse and those auditory impressions - the alarm bell, shell explosions, the whistle of bullets, the desperate, unknown cries – none of this ever passes with impunity. I knew that the silent, almost unconscious memory of war haunts the majority of people who have gone through it, leaving something broken in them once and for all. I knew myself that the normal, human ideas regarding the value of life and the necessity for a basic moral code – not to kill, not to steal, not to rape, to show compassion – had been slowly reasserted within me after the war, but they had lost their former persuasiveness and had become merely a system of theoretical morality, with whose correctness and necessity I couldn’t, in principle, disagree. Those feelings that ought to have been inside me and that were a condition of the re-establishment of this code had been razed by war; they no longer existed, and there was nothing to take their place.
Gaito Gazdanov (Het fantoom van Alexander Wolf)
Bells Screamed all off key, wrangling together as they collided in midair, horns and whistles mingled shrilly with cries of human distress; sulphur-colored light ex-ploded through the black windowpane and flashed away in darkness. Miranda waking from a dreamless sleep asked without expecting an answer, “What is happening?” for there was a bustle of voices and footsteps in the corridor, and a sharpness in the air; the far clamour went on, a furious exasperated shrieking like a mob in revolt. The light came on, and Miss Tanner said in a furry voice, “Hear that? They’re celebrating . It’s the Armistice. The war is over, my dear.” Her hands trembled. She rattled a spoon in a cup, stopped to listen, held the cup out to Miranda. From the ward for old bedridden women down the hall floated a ragged chorus of cracked voices singing, “My country, ’tis of thee…” Sweet land… oh terrible land of this bitter world where the sound of rejoicing was a clamour of pain, where ragged tuneless old women, sitting up waiting for their evening bowl of cocoa, were singing, “Sweet land of Liberty-” “Oh, say, can you see?” their hopeless voices were asking next, the hammer strokes of metal tongues drowning them out. “The war is over,” said Miss Tanner, her underlap held firmly, her eyes blurred. Miranda said, “Please open the window, please, I smell death in here.
Katherine Anne Porter (Pale Horse, Pale Rider)
On Sunday, November 10, Kaiser Wilhelm II was dethroned, and he fled to Holland for his life. Britain’s King George V, who was his cousin, told his diary that Wilhelm was “the greatest criminal known for having plunged the world into this ghastly war,” having “utterly ruined his country and himself.” Keeping vigil at the White House, the President and First Lady learned by telephone, at three o’clock that morning, that the Germans had signed an armistice. As Edith later recalled, “We stood mute—unable to grasp the significance of the words.” From Paris, Colonel House, who had bargained for the armistice as Wilson’s envoy, wired the President, “Autocracy is dead. Long live democracy and its immortal leader. In this great hour my heart goes out to you in pride, admiration and love.” At 1:00 p.m., wearing a cutaway and gray trousers, Wilson faced a Joint Session of Congress, where he read out Germany’s surrender terms. He told the members that “this tragical war, whose consuming flames swept from one nation to another until all the world was on fire, is at an end,” and “it was the privilege of our own people to enter it at its most critical juncture.” He added that the war’s object, “upon which all free men had set their hearts,” had been achieved “with a sweeping completeness which even now we do not realize,” and Germany’s “illicit ambitions engulfed in black disaster.” This time, Senator La Follette clapped. Theodore Roosevelt and Senator Lodge complained that Wilson should have held out for unconditional German surrender. Driven down Capitol Hill, Wilson was cheered by joyous crowds on the streets. Eleanor Roosevelt recorded that Washington “went completely mad” as “bells rang, whistles blew, and people went up and down the streets throwing confetti.” Including those who had perished in theaters of conflict from influenza and other diseases, the nation’s nineteen-month intervention in the world war had levied a military death toll of more than 116,000 Americans, out of a total perhaps exceeding 8 million. There were rumors that Wilson planned to sail for France and horse-trade at the peace conference himself. No previous President had left the Americas during his term of office. The Boston Herald called this tradition “unwritten law.” Senator Key Pittman, Democrat from Nevada, told reporters that Wilson should go to Paris “because there is no man who is qualified to represent him.” The Knickerbocker Press of Albany, New York, was disturbed by the “evident desire of the President’s adulators to make this war his personal property.” The Free Press of Burlington, Vermont, said that Wilson’s presence in Paris would “not be seemly,” especially if the talks degenerated into “bitter controversies.” The Chattanooga Times called on Wilson to stay home, “where he could keep his own hand on the pulse of his own people” and “translate their wishes” into action by wireless and cable to his bargainers in Paris.
Michael R. Beschloss (Presidents of War: The Epic Story, from 1807 to Modern Times)
I. The Burial of the Dead April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. [...] (Come in under the shadow of this red rock), And I will show you something different from either Your shadow at morning striding behind you Or your shadow at evening rising to meet you, I will show you fear in a handful of dust. [...] Unreal City, Under the brown fog of a winter dawn, A crowd flowed over London Bridge, so many, I had not thought death had undone so many. [...] II. A Game of Chess [...] Under the firelight, under the brush, her hair Spread out in fiery points Glowed into words, then would be savagely still. III. The Fire Sermon [...] The river bears no empty bottles, sandwich papers, Silk handkerchiefs, cardboard boxes, cigarette ends Or other testimony of summer nights. The nymphs are departed. [...] At the violet hour, the evening hour that strives Homeward, and brings the sailor home from sea, The typist home at teatime, clears her breakfast, lights Her stove, and lays out food in tins. [...] I Tiresias, old man with dugs Perceived the scene, and foretold the rest-- I too awaited the expected guest. [...] IV. Death by Water [...] A current under sea Picked his bones in whispers. As he rose and fell He passed the stages of his age and youth Entering the whirlpool. [...] V. What the Thunder Said [...] A woman drew her long black hair out tight And fiddled whisper music on those strings And bats with baby faces in the violet light Whistled, and beat their wings And crawled head downward down a blackened wall And upside down in air were towers Tolling reminiscent bells, that kept the hours And voices singing out of empty cisterns and exhausted wells.
T.S. Eliot (The Waste Land)
cap to scratch his bald head. ‘Well, you won’t miss the veg because I’ll be bringing you some every week now. I’ve always got plenty left over and I’d rather give it to you than see it waste.’ He gave a rumbling laugh. ‘I caught that young Tommy Barton digging potatoes from Percy’s plot this mornin’. Give ’im a cuff round ’is ear but I let him take what he’d dug. Poor little bugger’s only tryin’ to keep his ma from starvin’; ain’t ’is fault ’is old man got banged up for robbin’, is it?’ Tilly Barton, her two sons Tommy and Sam and her husband, lived almost opposite the Pig & Whistle. Mulberry Lane cut across from Bell Lane and ran adjacent to Spitalfields Market, and the folk of the surrounding lanes were like a small community, almost a village in the heart of London’s busy East End. Tilly and her husband had been good customers for Peggy until he lost his job on the Docks. It had come as a shock when he’d been arrested for trying to rob a little corner post office and Peggy hadn’t seen Tilly to talk to since; she’d assumed it was because the woman was feeling ashamed of what her husband had done. ‘No, of course not.’ Peggy smiled at him. A wisp of her honey-blonde hair had fallen across her face, despite all her efforts to sweep it up under a little white cap she wore for cooking. ‘I didn’t realise Tilly Barton was in such trouble. I’ll take her a pie over later – she won’t be offended, will she?’ ‘No one in their right mind would be offended by you, Peggy love.’ ‘Thank you, Jim. Would you like a cup of coffee and a slice of apple pie?’ ‘Don’t mind a slice of that pie, but I’ll take it for my docky down the allotment if that’s all right?’ Peggy assured him it was and wrapped a generous slice of her freshly cooked pie in greaseproof paper. He took it and left with a smile and a promise to see her next week just as her husband entered the kitchen. ‘Who was that?’ Laurence asked as he saw the back of Jim walking away. ‘Jim Stillman, he brought the last of the stuff from Percy’s allotment.’ Peggy’s eyes brimmed and Laurence frowned. ‘I don’t know what you’re upset for, Peggy. Percy was well over eighty. He’d had a good life – and it wasn’t even as if he was your father…’ ‘I know. He was a lot older than Mum but…Percy was a good stepfather to me, and wonderful to Mum when she was so ill after we lost Walter.’ Peggy’s voice faltered, because it still hurt her that her younger brother had died in the Great War at the tender age of seventeen. The news had almost destroyed their mother and Peggy thought of those dark days as the worst of her
Rosie Clarke (The Girls of Mulberry Lane (Mulberry Lane #1))
And if you wish to receive of the ancient city an impression with which the modern one can no longer furnish you, climb—on the morning of some grand festival, beneath the rising sun of Easter or of Pentecost—climb upon some elevated point, whence you command the entire capital; and be present at the wakening of the chimes. Behold, at a signal given from heaven, for it is the sun which gives it, all those churches quiver simultaneously. First come scattered strokes, running from one church to another, as when musicians give warning that they are about to begin. Then, all at once, behold!—for it seems at times, as though the ear also possessed a sight of its own,—behold, rising from each bell tower, something like a column of sound, a cloud of harmony. First, the vibration of each bell mounts straight upwards, pure and, so to speak, isolated from the others, into the splendid morning sky; then, little by little, as they swell they melt together, mingle, are lost in each other, and amalgamate in a magnificent concert. It is no longer anything but a mass of sonorous vibrations incessantly sent forth from the numerous belfries; floats, undulates, bounds, whirls over the city, and prolongs far beyond the horizon the deafening circle of its oscillations. Nevertheless, this sea of harmony is not a chaos; great and profound as it is, it has not lost its transparency; you behold the windings of each group of notes which escapes from the belfries. You can follow the dialogue, by turns grave and shrill, of the treble and the bass; you can see the octaves leap from one tower to another; you watch them spring forth, winged, light, and whistling, from the silver bell, to fall, broken and limping from the bell of wood; you admire in their midst the rich gamut which incessantly ascends and re-ascends the seven bells of Saint-Eustache; you see light and rapid notes running across it, executing three or four luminous zigzags, and vanishing like flashes of lightning. Yonder is the Abbey of Saint-Martin, a shrill, cracked singer; here the gruff and gloomy voice of the Bastille; at the other end, the great tower of the Louvre, with its bass. The royal chime of the palace scatters on all sides, and without relaxation, resplendent trills, upon which fall, at regular intervals, the heavy strokes from the belfry of Notre-Dame, which makes them sparkle like the anvil under the hammer. At intervals you behold the passage of sounds of all forms which come from the triple peal of Saint-Germain-des-Prés. Then, again, from time to time, this mass of sublime noises opens and gives passage to the beats of the Ave Maria, which bursts forth and sparkles like an aigrette of stars. Below, in the very depths of the concert, you confusedly distinguish the interior chanting of the churches, which exhales through the vibrating pores of their vaulted roofs. Assuredly, this is an opera which it is worth the trouble of listening to. Ordinarily, the noise which escapes from Paris by day is the city speaking; by night, it is the city breathing; in this case, it is the city singing. Lend an ear, then, to this concert of bell towers; spread over all the murmur of half a million men, the eternal plaint of the river, the infinite breathings of the wind, the grave and distant quartette of the four forests arranged upon the hills, on the horizon, like immense stacks of organ pipes; extinguish, as in a half shade, all that is too hoarse and too shrill about the central chime, and say whether you know anything in the world more rich and joyful, more golden, more dazzling, than this tumult of bells and chimes;—than this furnace of music,—than these ten thousand brazen voices chanting simultaneously in the flutes of stone, three hundred feet high,—than this city which is no longer anything but an orchestra,—than this symphony which produces the noise of a tempest.
Victor Hugo (The Hunchback of Notre Dame)
2. Users of bells and whistles such as grapes and milk in their starter vs. flour-and-water minimalists. (Lest you reflexively award moral victory to the purists, note that the grapes side includes such heavy hitters as Nancy Silverton and the man Anthony Bourdain describes as “[God’s] personal bread baker.”) 3. Protective vs. permissive starter parents. (“The California gold rush prospectors made sourdough from whatever they had at hand. River water and whole grain flour. Maybe some old coffee. Hell, throw in some grapes. They fed it whatever they had, however often they could. None of this coddling the sourdough, giving it regular feedings, just the right amount of pablum. You ruin a good sour that way. Turns out to be weak and citified. Doesn’t have the gumption to properly raise a little pancake much less a loaf of bread. Nope.”) .
Sandor Ellix Katz (The Art of Fermentation: An In-Depth Exploration of Essential Concepts and Processes from Around the World)
Ralph swept back the yellow curtain to look out on the street. The leaves were turning red, the whole block ablaze. Across the street stood a barbershop that shared a storefront with a black bookstore. Next door, the hair salon spewed steam onto the street, the fried chicken spot, a jewelry shop with crucifixes and chains glittering on display, and the beauty supply store that blasted soca and flashed neon lights onto the sidewalk. This particular corner didn't have a view of any of the coffee shops that had opened farther east. Those had plush furniture and abstract art on the walls, stainless-steel espresso pumps. They were always crowded with young people in jeans and plaid, typing away on their laptops. There were the bars, too, with a dozen local beers on tap, and short menus that consisted mostly of nuts, pickles, cheese. Penelope could see the changes, of course, but she still recognized the neighborhood - it wasn't like Fort Greene or Williamsburg, which were no longer themselves. Strangers still said hello to her as they lounged on their stoops at sundown. She still had to ignore the whistles from the young men who stood in front of the bodega for so long each day it was clear they were dealing. Church bells rang on the hour and floors thumped with praise for Jesus in the Baptist churches, the one-room Pentecostal churches, the regal AME tabernacles, worship never ceasing in Bed-Stuy. The horizon on Bedford Avenue was just as long, the sirens of the police cars ars persistent, the wheeze of the B26 loud enough to wake her up at night.
Naima Coster (Halsey Street)
Within minutes, I received a response with punctuation I had never seen before. “Hello (((Weisman))),” wrote “CyberTrump.” Nothing more. Just that. I was sitting at my desk at work. I had some time on my hands as an editor at the Times, since my responsibilities then centered on domestic policy—economics, the environment, poverty—and with the nation consumed in this strange presidential campaign, not a lot of policy making was going on. “Care to explain?” I answered, intuiting that my last name in those triple parentheses must somehow denote my Jewish faith. “What, ho, the vaunted Ashkenazi intelligence, hahaha!” “CyberTrump” came back. “It’s a dog whistle, fool. Belling the cat for my fellow goyim.” With the cat belled, the horde followed. What I didn’t know was that I had unwittingly exposed what was known in the alt-right as “echoes,” those three parentheses that practitioners of online harassment wrapped around Jewish-sounding names on social media. Unbeknown to, well, just about everyone, alt-right anti-Semites had created a Google plug-in that could be used to search double or triple parentheses, since ordinary search engines do not pick up punctuation marks. Haters would slap these “echoes” around Jewish-sounding names of people online they wanted to target. Once a target was “belled,” the alt-right anti-Semitic mob could download the innocuous-sounding Coincidence Detector plug-in from the Google Chrome store, track down targets like heat-seeking missiles, then swarm. “You’ve all provoked us. You’ve been doing it for decades—and centuries even—and we’ve finally had enough,” declared Andrew Anglin, the creator and mastermind of the neo-Nazi website the Daily Stormer. “Challenge has been accepted.” And swarm they did.
Jonathan Weisman ((((Semitism))): Being Jewish in America in the Age of Trump)
It is a sound as integral to the scenery of the Alps in summer as the whistling of the marmot, the cry of the buzzard and the splashing of waterfalls. The gentle, tinkling music of cowbells as cattle graze in the mountain pastures, each bell unique in size, shape, and tone, becomes discernible only when it stops. 
Kathryn Adams Death in Grondère
My life as, free as it is, just isn’t as great as I thought it would be. I don’t regret my decisions, because that would mean everybody else in the world was right and I was wrong. I do wish things were different. But then I would have to admit that my life wasn’t all bells and whistles, and I just didn’t want to admit that yet.
J.D. Hollyfield (Passing Peter Parker)
Luca is going to faint when he sees you in this dress. Poor thing will spend the entire ceremony and reception counting the minutes until Siena strips you out of it for him.” Cass flinched as the bell above the shop door jangled, announcing the arrival of another patron. Balmy street air rushed into the fitting area as a masculine voice called out, “Bongiorno. Anyone here?” It was Marco, Mada’s fiancé. “We’re in here,” Madalena called. “You can come in. She’s decent.” Cass touched a hand to her face. Her skin felt warm. Suddenly, the pinned fabric felt heavy and confining. She didn’t want anyone else to see her like this. Too late. Marco slipped into the fitting room and whistled long and low as he let the door close behind him. “Signorina Cassandra, you look stunning,” he said, shaking his wavy brown hair back from his face. “I swear if I weren’t already betrothed, I might ask for your hand right this second.” Madalena gave him a dark look, and he pretended to see her for the first time. “Only joking, my goddess,” he said, moving to stand behind her. He swept her dark braids to one side and pressed his lips to her exposed neck. Signor Sesti coughed as he returned from the back room, and Marco pulled his mouth away from Mada’s skin. “Mi dispiace, Signore.” Marco straightened the golden medallion that hung around his neck. He gestured to his wife-to-be. “But can you blame me?” “Marco.” Madalena swatted at him, pretending to be angry. But it was as though his presence had made a flame come to life inside of her; she was glowing, radiating happiness and desire. For the first time, Cass understood what it was like to burn in such a manner. But all of her burning was for Falco, the boy she’d never be allowed to marry, not for Luca, her fiancé. Cass closed her eyes momentarily, remembering the surge of emotion that had coursed through her when Falco had first touched his lips to hers. She remembered the way her body had trembled, the way she felt as if she were emerging from a cold, dark tunnel into the light of day for the first time. Luca would never make her feel that way. Ever.
Fiona Paul (Venom (Secrets of the Eternal Rose, #1))
The home of the future is not as sci-fi as we imagine. Instead of whizbang gadgetry and the bells and whistles reminiscent of The Jetsons, the home of the future is all about sustainability, energy-efficient design, an expression of the individual, and a hotbed of creativity and inspiration.
Amanda Talbot (Rethink: The Way You Live)
First I asked, “How many of you struggle to be vulnerable because you think of vulnerability as weakness?” Hands shot up across the room. Then I asked, “When you watched people on this stage being vulnerable, how many of you thought it was courageous?” Again, hands shot up across the room. We love seeing raw truth and openness in other people, but we’re afraid to let them see it in us. We’re afraid that our truth isn’t enough—that what we have to offer isn’t enough without the bells and whistles, without editing, and impressing.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
Most learners can be coded up in a few hundred lines, or perhaps a few thousand if you add a lot of bells and whistles. In contrast, the programs they replace can run in the hundreds of thousands or even millions of lines, and a single learner can induce an unlimited number of different programs.
Pedro Domingos (The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World)
under it, when you come back, you can sense another more significant and more enduring vitality. It has been somewhat hammered down of late. The bell ringers and flag fondlers have been busily peddling their notion that to make America Strong, we must march in close and obedient ranks, to the sound of their little tin whistle. The life-adjustment educators, in strange alliance with the hucksters of consumer
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
For example, business continuity is not: Business as Usual. It is business in survival mode or fight for your continued existence mode. The sole goal is to maintain an acceptable level of operation to fulfill the organization’s primary mission. The bells, whistles, frills, and ribbons we all love and take for granted are not necessarily available when we are in business continuity mode.
Betty A. Kildow (A Supply Chain Management Guide to Business Continuity)
Some people say that migraines feel like bad hangovers. And some people say that migraines feel like headaches that pulse. And some people say that migraines feel like stomach flu in your head. But what migraines really feel like is being tied to a railroad track while the worlds longest, loudest, freight train thunders over you. It starts with a bright light in the corner of your vision. Very bright. Like someone is standing beside you and shining a flashlight in your eye, but you can't back a light away. Can't turn your head from it. Then you hear the train's shrill whistle, the dull angry clank of the bell, the roar of its engine. By then you're tied to the train track. Hopefully the track is your bed and not a bus stop bench or restaurant table. And you can only try to flatten yourself as the train rushes toward you. Its light flashing and horn blaring. Finally you feel the hot breath of its arrival. Feel the smoky burning exhaust fill your lungs. And then it's thundering over you. Of course the train, the noise, and the light, and the fumes is all in your head. But that's the problem. It's ALL IN YOUR HEAD! You can't escape it. You can only lie on the track, waiting for the roaring, shrieking, light splintering pain to pass. And remember, this is the world's longest train. You'll be here for hours. in this exact position. In this much pain. Lifting your head, even if you were capable of that, which you're not, results in instant decapitation. But decapitation would at least stop the pain and sometimes you wish for it.
Katherine Heiny (Games and Rituals)
I was well-accustomed to this aloneness, this want for independence having already accepted as natural law that no one could ever reach me but myself, the bells and whistles of attention that made most others seem to feel better for me more a distraction than a balm.
Blake Butler (Molly)
Boeing had sought to keep cost data out of the hands of rank-and-file engineers, to keep the information from compromising their designs; now the opposite was true. Boeing wanted them all to make decisions with the cold eye of a Jack Welch or a Harry Stonecipher. After finishing the course, engineers were meant to “understand, God, that program has to be produceable, I can’t put every bell and whistle on it,” said Boeing’s vice president of learning, Steve Mercer, the former deputy at Crotonville.
Peter Robison (Flying Blind: The 737 MAX Tragedy and the Fall of Boeing)
Suraj solar and allied industries, Wework galaxy, 43, Residency Road, Bangalore-560025. Mobile number : +91 808 850 7979 Solar street lights have emerged as a sustainable and efficient lighting solution, harnessing the power of Solar Street Light Price in Bangalore, a city known for its technological advancements and focus on sustainable practices, the adoption of solar street lights has been on the rise. This article delves into the pricing dynamics ofSolar Street Light Price in Bangalore, exploring the factors influencing costs, comparing price ranges, and providing valuable insights for individuals or organizations looking to invest in this eco-friendly lighting option. 1. Introduction to Solar Street Lights Overview of Solar Street Lighting If you've ever walked down a dark street and thought, "Wow, this could really use some more light," then solar street lights are here to save the day. These nifty lights are like your regular street lights but with a green twist – they harness the power of the sun to illuminate your path. Importance of Solar Energy in Street Lighting Solar energy is like that reliable friend who always has your back – it's renewable, sustainable, and abundant. By using solar energy in street lighting, we reduce our dependence on fossil fuels, cut down on electricity bills, and contribute to a cleaner, greener future. Plus, who doesn't love soaking up some vitamin D during the day and then basking in solar-powered light at night? 2. Benefits of Solar Street Lights Energy Efficiency and Cost Savings Picture this: solar street lights gobbling up sunlight during the day, storing it in their metaphorical bellies, and then gleefully lighting up the streets at night without a care in the world. Not only are they energy-efficient, but they also help save on electricity costs in the long run. It's like having your cake and eating it too – or in this case, having your light and saving on bills. Environmental Impact and Sustainability If the planet could talk, it would give a standing ovation to solar street lights. By opting for solar-powered lighting, we reduce carbon emissions, lower our environmental footprint, and take a step towards a more sustainable future. It's basically like hitting the eco-friendly jackpot – brighter streets, happier planet. 3. Factors Affecting Solar Street Light Prices in Bangalore Quality and Brand Reputation Just like choosing between a gourmet burger and a fast-food one, the quality of solar street lights can vary. Brands with a good reputation often come with a higher price tag, but they also offer reliability and performance that's worth the extra dough. Technology and Features From fancy motion sensors to remote-control options, the technology and features packed into solar street lights can influence their prices. It's like picking a smartphone – the more bells and whistles, the higher the cost. But hey, who doesn't love a little extra tech magic in their lighting? 4. Price Range Analysis of Solar Street Light Price in Bangalore bustling city, solar street light prices can vary based on features, quality, and brand. It's like playing a price-matching game where you can find something that still sparkles like a diamond while staying within your budget. Popular Models and Their Prices Bangalore offers a wide range of popular solar street lights at a variety of price points, ranging from sleek, contemporary designs to robust, effective models. There is a solar street light with your name on it, whether you are a tech-savvy enthusiast or a buyer with a tight budget. 5. Tips for Choosing the Right Solar Street Light Considering Your Lighting Needs Prior to entering the solar street light market, consider your lighting requirements.
Solar Street Light Price in Bangalore
I neither like nor approve of this government.” “But as you note, you are American. Which means this is your government as much as it is mine.” “This government hasn’t been mine in a long time.” One of those types. “You and I are going to have to differ on that point. I say you live here, it’s your government. All the bells and whistles. All the warts and wrinkles.
Chuck Wendig (Zeroes)
He’s here to take revenge. A third shot thunders and I dart toward the blackness of the bush, am almost to the perimeter wire when I stumble over something and go down on my knees. I feel warm flesh, long tangled hair. And blood. One of the blondes. Instantly I’m back on my feet, fleeing blindly into the night. Hear bells clang as my boot snags the perimeter wire. The next bullet comes so close I can hear it whistle past.
Tess Gerritsen (Die Again)
Stay committed to your decisions, but stay flexible in your approach.
Ian Bell (Whistling in the Dark)
{2} Neither did I but vacant seasons spend In this my scribble; nor did I intend But to divert myself in doing this From worser thoughts which make me do amiss. Thus, I set pen to paper with delight, And quickly had my thoughts in black and white. For, having now my method by the end, Still as I pulled, it came; and so I penned It down: until it came at last to be, For length and breadth, the bigness which you see. Well, when I had thus put mine ends together, I shewed them others, that I might see whether They would condemn them, or them justify: And some said, Let them live; some, Let them die; Some said, JOHN, print it; others said, Not so; Some said, It might do good; others said, No. Now was I in a strait, and did not see Which was the best thing to be done by me: At last I thought, Since you are thus divided, I print it will, and so the case decided. {3} For, thought I, some, I see, would have it done, Though others in that channel do not run: To prove, then, who advised for the best, Thus I thought fit to put it to the test. I further thought, if now I did deny Those that would have it, thus to gratify. I did not know but hinder them I might Of that which would to them be great delight. For those which were not for its coming forth, I said to them, Offend you I am loth, Yet, since your brethren pleased with it be, Forbear to judge till you do further see. If that thou wilt not read, let it alone; Some love the meat, some love to pick the bone. Yea, that I might them better palliate, I did too with them thus expostulate:-- {4} May I not write in such a style as this? In such a method, too, and yet not miss My end--thy good? Why may it not be done? Dark clouds bring waters, when the bright bring none. Yea, dark or bright, if they their silver drops Cause to descend, the earth, by yielding crops, Gives praise to both, and carpeth not at either, But treasures up the fruit they yield together; Yea, so commixes both, that in her fruit None can distinguish this from that: they suit Her well when hungry; but, if she be full, She spews out both, and makes their blessings null. You see the ways the fisherman doth take To catch the fish; what engines doth he make? Behold how he engageth all his wits; Also his snares, lines, angles, hooks, and nets; Yet fish there be, that neither hook, nor line, Nor snare, nor net, nor engine can make thine: They must be groped for, and be tickled too, Or they will not be catch'd, whate'er you do. How does the fowler seek to catch his game By divers means! all which one cannot name: His guns, his nets, his lime-twigs, light, and bell: He creeps, he goes, he stands; yea, who can tell Of all his postures? Yet there's none of these Will make him master of what fowls he please. Yea, he must pipe and whistle to catch this, Yet, if he does so, that bird he will miss. If that a pearl may in a toad's head dwell, And may be found too in an oyster-shell; If things that promise nothing do contain What better is than gold; who will disdain, That have an inkling of it, there to look, That they may find it? Now, my little book, (Though void of all these paintings that may make It with this or the other man to take) Is not without those things that do excel What do in brave but empty notions dwell.
John Bunyan (The Pilgrim's Progress from this world to that which is to come, delivered under the similitude of a dream)
Don’t be so concerned about doing things the corporate way—just get the product out there and sell. Cut back on the bells and whistles, and ensure that the core of the product is solid;
Chris LoPresti (INSIGHTS: Reflections From 101 of Yale's Most Successful Entrepreneurs)
Sometimes late at night before closing, when the store was empty and there was only the hum of the cooler and a faint buzz from the overhead fluorescent lights to disturb the silence, she would have the feeling that she was perched at the very edge of her dreams. She would stop whatever she was doing and lean on the counter, listening. A Gulf breeze rustled the leaves in the gutter; a train whistled on the outskirts of town. Possibility seemed to shiver in the air, like the electric sensation before a hurricane. Any minute now, she would tell herself, staring out the window, any minute now it would happen. It had to happen. She could feel it like a tingling beneath her skin. Any minute now, the bell would ring, the door would open, and her future would step in to greet her. He’d be wearing a suit and tie, and he’d ask in a polite, gentlemanly voice that sounded at once foreign but completely familiar, “Miss? Hello? Can you help me?
George Bishop (The Night of the Comet: A Novel)
Every breath we take from the air Takes oxygen from an insect’s lungs mid-prayer And every exhalation does loudly declare That in the currency of life, we’re millionaires. A butterfly flapped it’s wings and Rome fell A passerby’s whistle cracked the liberty bell And I dare urge the daring not to yell Lest we so bid a skyscraper a rough farewell. A snake’s tongue slithered and man did sin Let me tell you how the waves from a shark’s fin Did set the tides on D-Day and let the allies win; Chance and destiny are identical twins. A word was spoken and the earth created Another phrase and the future was dictated And so every action must be carefully weighted We just never know how things are interrelated.
Justin Wetch (Bending The Universe)
Oh, my,” she breathed. “She’s here?” he asked unnecessarily, refusing to look. Resisting temptation. “I’m assuming it must be her; I pretty much know everyone else in the room.” There was a short silence as she inspected the newcomer thoroughly. “My heavens, I didn’t realize scientists came like this. She’s simply . . . magnificent.” “There’s not one thing that’s simple about Lily Banyon.” Evelyn’s eyes were still focused on the other end of the room. “Hmm, I think I see what you mean.” A smile played over her lips. “How utterly refreshing and fascinating—you’ll have your work cut out for you. Come, Mayor McDermott, duty calls.” “I don’t need to meet her. I already know her. Too well.” Evelyn made a tsking sound. “My, my, don’t we sound like we’ve missed our afternoon nap?” she murmured as she brushed by him, assuming the role of Coral Beach’s welcome wagon, fully equipped with bells, whistles, and highlighters. His secretary had abandoned him for the enemy. How much worse could things get? A clause should be inserted into their contracts prohibiting secretaries from treating their bosses as though they were three-year-olds. Had there been dirt instead of mocha-colored industrial carpeting underfoot, he’d have kicked it. It wasn’t anyone’s business but his if he refused to rush over and blurt, Hey, Lily, long time no see! So, tell me, what’ve you been up to since Rome, when you slammed the door in my face so hard you almost broke my nose for the second time? He was the mayor. He could do as he liked. And what he most wanted, right after making Lily Banyon disappear from his life as suddenly as she’d reappeared, was an armed guard. Then maybe he could confront her and walk away in one piece. Reluctantly, Sean turned and looked. Three seconds was all he permitted himself. Lily Banyon wasn’t going to catch him staring like some hormone-crazed adolescent. Three seconds was more than enough, though. Lily’s image burned, a brilliant flame behind his retinas. She looked good. No, make that great, incredible . . . yes, magnificent. She’d chopped off her hair, about a foot and a half of it. Her wheat-blonde locks fell in a casual, tousled style, framing her face, accentuating those startling, ice-crystal blue eyes. She looked even better than he remembered, a memory hot enough to make him lie awake at night, aching.
Laura Moore (Night Swimming: A Novel)
Hey, Shell-bell," I say, leaning over her and wiping her face with a napkin. "It's the first day of school. Wish me luck." Shelley holds jerky arms out and gives me a lopsided smile. I love that smile. "You want to give me a hug?" I ask her, knowing she does. The doctors always tell us the more interaction Shelley gets, the better off she'll be. Shelley nods. I fold myself in her arms, careful to keep her hands away from my hair. When I straighten, my mom gasps. It sounds to me like a referee's whistle, halting my life. "Brit, you can't go to school like that." "Like what?" She shakes her head and sighs in frustration. "Look at your shirt." Glancing down, I see a large wet spot on the front of my white Calvin Klein shirt. Oops. Shelley's drool. One look at my sister's drawn face tells me what she can't easily put into words. Shelley is sorry. Shelley didn't mean to mess up my outfit. "It's no biggie," I tell her, although in the back of my mind I know it screws up my "perfect" look. Frowning, my mom wets a paper towel at the sink and dabs at the spot. It makes me feel like a two-year-old. "Go upstairs and change." "Mom, it was just peaches," I say, treading carefully so this doesn't turn into a full-blown yelling match. The last thing I want to do is make my sister feel bad. "Peaches stain. You don't want people thinking you don't care about your appearance." "Fine." I wish this was one of my mom's good days, the days she doesn't bug me about stuff. I give my sister a kiss on the top of her head, making sure she doesn't think her drool bothers me in the least. "I'll see ya after school," I say, attempting to keep the morning cheerful. "To finish our checker tournament.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
if you trust in the process, forget about all the bells and whistles and just put in the work, disparate things can eventually come together and become something far greater than the sum of their parts.
Claire Cook (Never Too Late: Your Roadmap to Reinvention (without getting lost along the way))
How Ma Bell Helped Us Build the Blue Box In 1955, the Bell System Technical Journal published an article entitled “In Band Signal Frequency Signaling” which described the process used for routing telephone calls over trunk lines with the signaling system at the time. It included all the information you’d need to build an interoffice telephone system, but it didn’t include the MF (multifrequency) tones you needed for accessing the system and dialing. But nine years later, in 1964, Bell revealed the other half of the equation, publishing the frequencies used for the digits needed for the actual routing codes. Now, anybody who wanted to get around Ma Bell was set. The formula was there for the taking. All you needed were these two bits of information found in these two articles. If you could build the equipment to emit the frequencies needed, you could make your own free calls, skipping Ma Bell’s billing and monitoring system completely. Famous “phone phreaks” of the early 1970s include Joe Engressia (a.k.a. Joybubbles), who was able to whistle (with his mouth) the high E tone needed to take over the line. John Draper (a.k.a. Captain Crunch) did the same with the free whistle that came inside boxes of Cap’n Crunch. A whole subculture was born. Eventually Steve Jobs (a.k.a. Oaf Tobar) and I (a.k.a. Berkeley Blue) joined the group, making and selling our own versions of the Blue Boxes. We actually made some good money at this.
Steve Wozniak (iWoz: Computer Geek to Cult Icon)
I was supposed to miss him. To miss my life. To miss the bells and whistles that I was supposed to love.
Maggie C. Gates (Dust Storm (The Griffith Brothers, #1))
The reason Bitcoin developers haven’t added extra functionality and flexibility directly into its software is that they have prioritized security over complexity. The more complex transactions become, the more vectors there are to exploit and attack these transactions, which can affect the network as a whole. With a focus on being a decentralized global currency, Bitcoin developers have decided bitcoin transactions don’t need all the bells and whistles. Instead, other developers can either find ways to build atop Bitcoin’s limited functionality, turning to Bitcoin’s blockchain as a system of record and means of security (e.g., Counterparty), or build an entirely different blockchain system (e.g., Ethereum).
Chris Burniske (Cryptoassets: The Innovative Investor's Guide to Bitcoin and Beyond)
Patty Banas, eighty, is one of the experts who made a go of a first marriage when young, divorced, and then “got it right” in her very happy second marriage. She too had one straightforward recommendation: BE SURE THAT YOU’RE really good friends. That is the most important thing. All the romance and the bells and the whistles are all very nice, but it doesn’t last. Be sure that you’re very good friends.
Karl Pillemer (30 Lessons for Living: Tried and True Advice from the Wisest Americans)
An interesting Mexican ritual involving marijuana is described in Peter Furst’s Flesh of the Gods, concerning the Tepe-hua Indians. They regard the plant as potentially dangerous (just like our solons in Washington) but control it by ritual rather than by law, dedicating it to the worship of the three most powerful local gods, Jesus, the Virgin Mary, and the sun. Praying, sometimes laughing, they get high amid song, speeches, ringing of bells, dancing, chanting and whistling. The ceremony not only allows each worshipper to confront his god directly, but is believed to cure any illnesses the children of the village might have.
Robert Anton Wilson (Sex, Drugs & Magick – A Journey Beyond Limits)
And in the pause between hymns, if one listened with care, above the pant of the horses, above the whistle of the wind, one could hear the bells of St. Michael’s ten miles away—and then the bells of St. Sofia’s even farther afield—calling one to another like flocks of geese across a pond at dusk.
Amor Towles (A Gentleman in Moscow)
Over the past two seasons, we have become teammates. Jake knows his range and when he pushes it and I call "Here" he turns and reels in without challenge. When I change direction, he races back to get out in front of me without word or whistle. I know better than to try to convince him to investigate a birdy looking spot that he's already passed through - it is barren no matter what I think. If Jake remains on point after a flush, it is no false point - there is another bird in there (and yet, I will always be unready for the rise). When he is out of sight and his brass bell goes silent, I know he will hold the bird until I can get there, at which time their tenuous connection, like a fuse, ignites and the bird breaks free. Jake freezes solid when he has a maybe-bird, except his eyes are loose and follow me worriedly and uncertainly as he waits for me to kick through the brush. Although Jake retrieved to hand the first bird ever shot over him, our compromise is that he does that only when he wants to: he finds birds dead or alive, but he's nobody's delivery boy. That fine, Jake and I understand each other.
Jeddie Smith (Afield: American Writers on Bird Dogs)
In walking the streets of Mexico City you are immersed in a symphony of sounds. From the recordings of the tamale vendors to the whistles of knife sharpeners, the camote vendor with his oven that sounds like a train, the melodies of organilleros, the sounds of birds and church bells that fill the morning air – each note adds to the beautiful chaos of the city.
Aleph Molinari
I started back around to see what she was havering at when all kinds bells and whistles went off at once across Dance's boards and all the cockpit lights went green-amber-red and 'I'm Not Ready for This'.
Rosemary Edghill (Archangel Blues (Hellflower Trilogy Book 3))
I knew it was a bad idea. There wasn’t just a red flag, there was a warning bell and alarms and whistles and neon lights with DON’T DO IT in all capital letters. But sometimes, even when we know something is bad for us, we do it anyway. Maybe for the thrill, maybe to cure our curiosity, or maybe just to lie to ourselves a little longer.
Kandi Steiner (A Love Letter to Whiskey: Fifth Anniversary Edition)
Thank goodness the machines were basic rather than those intimidating front loader types with space-age digital displays. A few years ago, when Bernice had to replace her old washing machine, she'd had a heck of a time finding something with regular, uncomplicated knobs. In her opinion, the more bells and whistles, the sooner it would break.
Talya Tate Boerner (Bernice Runs Away)
Often you’ll be in situations where trade-offs are involved. Surprisingly, many users would rather use software with some rough edges today than wait a year for the shiny, bells-and-whistles version (and in fact what they will need a year from now may be completely different anyway). Many IT departments with tight budgets would agree. Great software today is often preferable to the fantasy of perfect software tomorrow. If you give your users something to play with early, their feedback will often lead you to a better eventual solution (see Topic 12, ​Tracer Bullets​).
David Thomas (The Pragmatic Programmer: Your Journey to Mastery, 20th Anniversary Edition)
walls of the Young Adult Room were painted purple and yellow. There were swirly zebra-print rugs on the floor and a lumpy cluster of beanbag chairs. A couple of sofas were designed to look like Scrabble trays, with letter-square pillows. Akimi nudged Kyle in the ribs. “Check it out.” In the far corner stood a carnival ticket booth with a mechanical dummy seated inside. A “Fun & Games” banner hung off the booth’s striped roof. The dummy inside the glass booth? He looked like Mr. Lemoncello. He wasn’t wearing a turban, but the Mr. Lemoncello mannequin reminded Kyle of the Zoltar Speaks fortuneteller booths he’d seen in video game arcades. “That’s not really him, is it?” said Akimi, who was right behind Kyle. “No. It’s a mechanical doll.” The frozen automaton was dressed in a black top hat and a bright red ringmaster jacket. Since the booth had the “Fun & Games” banner, Kyle figured you might have to talk to the dummy to get a game. “Um, hello,” he said. “We’d like to play a board game.” Bells rang, whistles whistled, and chaser lights blinked.
Chris Grabenstein (Escape from Mr. Lemoncello's Library (Mr. Lemoncello's Library, #1))
You're your father's son; there's no doubt about it. I know your grandfather is as proud of you as I am," she said inside his head. She gave him another tight squeeze before setting him down and stepping back. The crowd whistled and cheered and the sound of music rose above it all. Oseron was once again lifted onto the men's shoulders, along with Titania and Deston, and the dancers lead the procession back to Tir na-nÓg.
M.J. Bell (Before the Full Moon Rises)
Bells-and-whistles skincare is cool and all, but sometimes you don't need a moisturizer that does your taxes and calls your grandma. Sometimes, you just want a good, lightweight, moisturizer that doesn't require a PhD to use. Behold: the No Worries lotion. It moisturizes with hyaluronic acid, rosehip, and macadamia oil, and it absorbs almost immediately, so you never feel sticky. thebeautyproreviews.com
thebeautyproreviews
There is a spurious vitality about all this noise. But under it, when you come back, you can sense another more significant and more enduring vitality. It has been somewhat hammered down of late. The bell ringers and flag fondlers have been busily peddling their notion that to make America Strong, we must march in close and obedient ranks, to the sound of their little tin whistle. The life-adjustment educators, in strange alliance with the hucksters of consumer goods, have been doing their damnedest to make us all think alike, look alike, smell alike and die alike, amidst all the pockety-queek of unserviceable home appliances, our armpits astringent, nasal passages clear, insurance program adequate, sex life satisfying, retirement assured, medical plan comprehensive, hair free of dandruff, time payments manageable, waistline firm, bowels open. But the other vitality is still there, that rancorous, sardonic, wonderful insistence on the right to dissent, to question, to object, to raise holy hell and, in direst extremity, to laugh the self-appointed squad leaders off the face of the earth with great whoops of dirty disdainful glee. Suppress friction and a machine runs fine. Suppress friction, and a society runs down.
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
To Snow Fall” became the new terminology for digital stories with lots of bells and whistles, but few of the imitators on other sites were as good.
Jill Abramson (Merchants of Truth: The Business of News and the Fight for Facts)
Time passed fast and I was coming out from the reputed engineering college at last after the same Professor had intervened with the college authority for holding the examination in spite of political troubles, prevailing during seventies in Calcutta. The sprawling complex of the university would suddenly vanish from my view. I would be missing the chirping of the birds in early morning, view of green grass of the football field right in front of our building, badly mauled by the students and pedestrians who used to cut short their journey moving across the field, whistling of steam trains passing parallel to the backside of boundary wall of our building, stentorian voice of our Professors, ever smiling and refreshing faces of the learned Professors every day. I would definitely miss the opportunity of gossiping on a bench by the lake side with other students, not to speak of your girlfriend with whom you would try to be cozy with to keep yourself warm when the chilling breeze, which put roses in girls’ cheeks but made sinuses ache, cut across you in its journey towards the open field during winter. The charm of walking along the lonely streets proscribed for outsiders and bowing occasionally when you meet the Professors of repute, music and band for the generation of ear deafening sound - both symphony and cacophony, on Saturdays and Sundays in the auditorium, rhythmic sound of machines in the workshop, hurly-burly of laughter of my friends, talks, cries at the top of  their lunges in the canteen and sudden departures of all from the canteen on hearing the ding-dong sound of the big bell hung in the administration building indicating the end of the period would no longer be there. The street fighting of two groups of students on flimsy grounds and passionate speeches of the students during debate competition would no longer be audible. Shaking of long thin pine trees violently by the storm flowing across these especially during summer, shouting and gesticulation of students’ union members while moving around the campus for better amenities or administration, getting caught with friends all around with revolvers in hand during the violent Naxalite movement, hiding in the toilet in canteen to avoid beating by police personnel, dropping of mangoes from a mango tree which spread its wings in all directions during the five years we were in the college near our building and running together by us to pick the green/ripe mangoes as fast as possible defying inclement weather and rain etc. were simply irresistible. The list was endless. I was going to miss very much the competition among us regarding number of mangoes we could collect for our few girlfriends whom we wanted to impress! I
Rabindranath Bhattacharya
The street was very narrow, cobbled with the same color tones as the faded cinnamon-brown buildings that darkened the street with their shade. It had the feel of an alleyway. Many red flags decorated the walls, spaced only a few yards apart, flapping in the wind that whistled through the narrow lane. It was crowded, and the foot traffic slowed our progress. ‘Just a little farther,’ Olivia encouraged me; I was gripping the door handle, ready to throw myself into the street as soon as she spoke the word. She drove in quick spurts and sudden stops, and the people in the crowd shook their fists at us and said angry words that I was glad I could not understand. She turned onto the little path that could not have been meant for cars; shocked people had to squeeze into doorways as we scraped by. We found another street at the end. The buildings were taller here; they leaned together overhead so that no sunlight touched the pavement- the thrashing red flags on either side nearly met. The crowd was thicker here than anywhere else. Olivia stopped the car. I had the door open before we were at a standstill. She pointed to where the street widened into a patch of bright openness. ‘There were at the southern end of the square. Run straight across, to the right of the clock tower. I'll find a way around-’ Her breath caught suddenly, and when she spoke again, her voice was a hiss. ‘They're everywhere?’ I froze in place, All the same, and all, she pushed me out of the car. ‘Forget about them. You have two minutes. Go, Bell, go!’ she shouted, climbing out of the car as she spoke. I did not pause to watch Olivia melt into the shadows. I did not stop to close my door behind me. I shoved a heavy woman out of my way and ran flat out, head down, paying little attention to anything All the same and all, the uneven stones beneath my feet.
Marcel Ray Duriez (Nevaeh Going in and Out)
The stables were dark, but she knew where to find Philippe. She stepped up to his stall and whistled a familiar note to her dear Belgian draft horse. She hadn't had reason to ride him in months. He whinnied excitedly and pressed his velvet-soft coppery nose to her outstretched hand, searching for the treat he knew she'd brought him. "Are you ready to go on a small adventure with me?" she whispered into his ear while removing the apple from her pocket and holding it to his mouth. He made a noise that could have been an agreement and made quick work of the snack. She saddled him in the dark, working from memory since she couldn't quite see what she was doing. Philippe stood patiently and waited for her to mount him. Together they left the stables. Philippe seemed to understand the need for secrecy. Belle guided him through the gardens and out to the northernmost edge of the castle grounds, where there was a small breach in the wall no one had gotten around to repair yet. "Think you can make the jump?" she asked. Philippe grunted as though the question was an insult. Her trotted over and made the jump with ease, earning a gracious scratch around his ears from Belle.
Emma Theriault (Rebel Rose (The Queen's Council, #1))
Sacré, Belle!" Marguerite had exclaimed upon entering, and though the grandeur of the room had never dulled for Belle, it was a treat to see it through Marguerite's eyes, and only made Belle more certain that opening it to the public was the right decision. "I know. It's magnificent, isn't it?" Belle replied dreamily. Marguerite ran her hands along the gilded banisters encircling the spiral staircase. "I've never seen so many books in all my life." She turned back to Belle and gave her a wry grin. "Is it true that your husband simply gave it to you during your courtship?" A blush crept up her neck. She had thought of her time in the castle as many things, but a courtship was never one of them. "Something like that," she admitted. She wondered if she would ever feel close enough to Marguerite to tell her the truth. Marguerite let out an appraising whistle. "No wonder you married him." Belle blushed as she pulled her through the stacks, pointing out favorite books along the way. She ushered Marguerite to her favorite chaise nestled in her favorite alcove. "This spot is best for a gloomy afternoon," Belle told her, pointing to a red velvet settee next to a small fireplace, framed by a window almost as tall as the room itself. "The patter of raindrops on the glass mixed with the warmth of the fire..." "It must be heavenly," said Marguerite. "It is." Marguerite spun back around, head tilted to the ceiling, before collapsing in a heap on the plush carpet and motioning for Belle to join her on the floor. Belle acquiesced, lying down beside her friend and noting the view was even more remarkable from that new vantage.
Emma Theriault (Rebel Rose (The Queen's Council, #1))
Prospects should purchase the solution for the value it provides, not its bells and whistles. There’s a reason why so many B2B solutions have large market shares in spite of terrible user experience. B2B buyers buy an ROI, not an interesting feature set.
Étienne Garbugli (Lean B2B: Build Products Businesses Want (Customer Development & Lean Startup in B2B))
After any highly stressful event, such as an automobile accident, it is normal for memories, emotions, and sensations associated with the trauma to flood involuntarily into consciousness. In most cases, people replay these memories over and over again, and this "replay" mechanism actually helps defuse their emotional content and allows people to put the experience behind them. This kind of mental processing is healthy and does not lead to long-term problems. But events that are extremely traumatic—being caught in a hurricane, attacked in a war, being the victim of an assault or a rape, or having suffered severe abuse as a child—are not effectively processed by some people. When images or memories of the event return, they are not able to think about them analytically or dispassionately, but instead they reexperience the terror all over again. These intrusive thoughts do not fade with time but are persistent, and each time they occur they are newly traumatizing. Such people are haunted by nightmares, flashbacks, and feelings of anxiety, fear, and foreboding that make them experience the trauma not as a painful event of the past but as a real, in-the-present, on-going threat. As a result, their entire stress-response system, in body and mind, becomes stuck in a state of constant alert, but the state tends to be unstable. Their emotions tend to swing from one extreme to its opposite. To cope with such emotional overload, these people organize their lives around avoiding any reminder of the trauma and the feelings it invokes. It is ultimately a futile struggle, however—like fighting an invisible enemy. The battle for control sets off a vicious cycle of intrusive thoughts that produce fear and anxiety followed by desperate attempts to achieve psychological numbing to reduce the anxiety. They progressively lose the ability to control or modulate their physiological response to any kind of stressor, and stimuli completely unrelated to the trauma may trigger intrusive memories. Lit up like a pinball machine, all their internal bells and whistles blaring, they cannot articulate how they feel because they cannot decipher the messages that their nervous system is sending them. Eventually, just having a feeling, any feeling, can seem enormously threatening.
Marilee Strong (A Bright Red Scream: Self-Mutilation and the Language of Pain)
The usual bells and whistles I need for sex to be satisfying aren’t necessary with her. In fact, they’re almost extraneous to what we’re capable of together. Just us, two people coming together in an explosion of love and desire so intense, it takes my breath away.
Marie Force (Outrageous (Quantum, #7))
In his previous career with the federal government he’d adopted false identities and traveled across the world. Fortunately, changing identities was stunningly easy to do in the computer age. A few clicks of the Dell, a server somewhere in India hummed, and from one’s fancy laser printer out popped a new you with all the official bells, whistles and available credit.
David Baldacci (The Collectors (Camel Club, #2))
In his previous career with the federal government he’d adopted false identities and traveled across the world. Fortunately, changing identities was stunningly easy to do in the computer age. A few clicks of the Dell, a server somewhere in India hummed, and from one’s fancy laser printer out popped a new you with all the official bells, whistles and available credit. Seagraves could actually buy all that he needed on an Internet site that required a carefully guarded password. It was akin to a Macy’s department store for criminals, sometimes dubbed by its felonious clientele as “EvilBay.
David Baldacci (The Collectors (Camel Club, #2))
In essence, the beauty of social media was in how you designed and implemented a campaign, not in the bells and whistles you used. It was the informal and formal dialogue you had with your community that ultimately taps into the platform’s unique possibilities.
Yu-kai Chou (Actionable Gamification: Beyond Points, Badges, and Leaderboards)
As I got increasingly used to the eco-system's variety of bugs, birds, and lizards, I grew fascinated with the subtlest of changes in the woods. Through a change in the smell of the dampness or a bird's call, I could sense that it would rain even if there wasn't a cloud in the sky, and I could tell autumn had arrived even if it was still hot. If the wind blew a certain way, the sound of the whole forest would change. And there were all sorts of rhythms and sounds: the ruffling of the leaves, the chafing and creaking of tree limbs, the fierce whistling through the gaps between trees, the warbles and cries of birds, the bugle calls of the cicadas, the bell tones of the evening bugs, the pattering of raindrops on leaves from pianissimo to a thundering forte. One could never get tired of listening to this soft and eternal recital. If I could have absorbed sustenance through my fingernails and skin the way leaves and branches do, I would have stayed there forever.
Tomoyuki Hoshino (Lonely Hearts Killer)
If you are working on a computer science programming assignment, schedule yourself to finish a week early so you can add a host of extra bells and whistles.
Cal Newport (How to Win at College: Surprising Secrets for Success from the Country's Top Students)
We’re afraid that our truth isn’t enough—that what we have to offer isn’t enough without the bells and whistles, without editing, and impressing
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
Jugaad starts with the needs of a large population, such as safe drinking water, fresh food, the ability to get from point A to B, improved personal hygiene, etc. Next jugaad looks at existing products stripped of all bells and whistles, searching for simplicity. Finally it uses basic science and two-fisted ingenuity to fashion a solution in spite of limitations—little water, no electricity, tiny incomes, distant communities, and limited infrastructure. One can argue persuasively that it was the principle of jugaad that caused Southwest Airlines to come up with the solution of a ten-minute airplane turnaround or Arrow to acquire dozens of companies without much cash.
Jason Jennings (The Reinventors: How Extraordinary Companies Pursue Radical Continuous Change)
The New Age is not one of bells and whistles and mystical special effects. It is not a fantasy state driven by the alignments of planets or the power of crystals, nor a metaphysical rising to higher plains of consciousness by virtue of chanting esoteric mantras. It will not feature the arrival of a thunderbolt-wielding god, ready to set up a final judgment by reviving hordes of old, decayed corpses. The real New Age is a simple, but stunningly profound, awareness that one’s Self and all that one encounters are two aspects of the same, singular Essence.
Thomas Daniel Nehrer (Essence of Reality: A Clear Awareness of How Life Works)
In walking the streets of Mexico City you are immersed in a symphony of sounds. From the recordings of the tamale vendors to the whistles of knife sharpeners, the camote vendor with his oven that sounds like a train, the melodies of organilleros, the sounds of birds and church bells that fill the morning air – each note adds to the beautiful chaos of the city.
Aleph Molinari, Mexico City - Assouline