“
Y si, digo que me parecería de lo más bonito del mundo tomarnos de la mano y besarnos frente a los demás. Y comer fresas con crema de tu boca o de tus piernas en mi casa de campo mientras preparo chocolate caliente y tu enciendes la calefacción. Y estar cada noche en la azotea viendo constelaciones mientras te hago dibujos en la espalda de las mismas. Y decirte que me encantaría pasar horas dando vueltas en la cama mirandote y jugando contigo a que somos gatos que no quieren dormirse y quieren jugar hasta que se vaya la luna. Y quisiera despertar todos los días viendote despertar. Hacerte el desayuno, el amor. Compartirte mi vida. Decir que no hay peor ciego que el que no te quiera ver, y que la verdad el mundo sería bastante aburrido sin tu existencia. Y que me ha gustado un montón haberte encontrado. Y que sólo me sentiría perdido si te suelto de la cintura cuando bailemos. Que sólo en tus labios es que puedo calmar mi sed de verdad, y en tus ojos es que puedo disfrutar de un próspero amanecer. Que con nuestros cuerpos rozados uno al otro mi corazón da latidos de fuego artificial. Que la vida sin ti es un desperdicio, y que no me importa el tiempo que tenga que pasar esperandote por que te vistas a la hora de salir. Que no me importaría llegar tarde al trabajo si cada mañana despertamos, te hago el café comemos y hacemos el amor antes de despedirnos. Que sonreír es mucho más bonito cuando lo hago porque lo haces tú. Que me encantas con pijama, sin pijama, con lo que sea. Que eres tan bella que no dejas que nadie más para mí lo sea. Corretear por la cocina desnudos por estar jugando a las escondidas, aparecerme en la ducha cuando tu lo estás, abrazarte y besarte haciendote saber que eres la mejor persona del mundo y que ser feliz es sinónimo de estar contigo.
Y besar tu cuello y acariciar tu vientre mientras digo que soy capaz de darle la vuelta al mundo para abrazarte por la espalda. Así te quedaría claro que eres amada por mí.
”
”
J. Porcupine (La vuelta al mundo para abrazarte por la espalda)
“
You’ll never be happy with what you want until you
can be happy with what you’ve got.
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
And if you don't believe memories are worth more than money, then perhaps you've not made the right kind of memories.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
..."books were alive in a special way. Between the covers, characters are living their lives, enacting their dramas, falling in and out of love...Even sitting closed on a shelf, a book had a life of its own. When someone opened the book, that was when the magic happened.
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
My really smart mom used to say there'd be things in life I don't like, but's that no reason to stop liking life.
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
Feed your friends, and their mouths will be too full to gossip, Bubbie used to say. Feed your enemies, and they’ll become your friends.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
A strange lightness enveloped her as she drove to her apartment, past the shady village green, the trendy shops and cafés and galleries and tasting rooms. Her favorite spot in town was the White Rabbit Bookstore with a sign over the door----FEED YOUR HEAD.
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
Nobody can fix another person. But everybody tries.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
You can't rewind life or undo things.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
Sometimes the true value of the piece is how much a person loves it.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles #1))
“
She loved him so much that it hurt. Maybe that was how love worked. If you could handle the pain, you’d find the sweetness.
”
”
Susan Wiggs (Sugar and Salt (Bella Vista Chronicles, #4))
“
Dreams changed a person, and there was a little danger in that, because having a powerful dream made you vulnerable to failure and disappointment.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
the best ideas are big ideas that come straight from your gut, not your head. Ideas that give you big feelings.
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
Di solito nei nostri muri trasparenti, che sembrano tessuti d’aria scintillante, noi viviamo sempre in bella vista, eternamente lavati dalla luce. Non abbiamo da nasconderci nulla l’un l’altro.
”
”
Yevgeny Zamyatin (Noi)
“
When she was very small, her mother used to tell her that books were alive in a special way. Between the covers, characters were living their lives, enacting their dramas, falling in and out of love, finding trouble, working out their problems. Even sitting closed on a shelf, a book had a life of its own. When someone opened the book, that was when the magic happened.
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
DESPEDIDA DE UN PAISAJE
No le reprocho a la primavera
que llegue de nuevo.
No me quejo de que cumpla
como todos los años
con sus obligaciones.
Comprendo que mi tristeza
no frenara la hierba.
Si los tallos vacilan
será sólo por el viento.
No me causa dolor
que los sotos de alisos
recuperen su murmullo.
Me doy por enterada
de que, como si vivieras,
la orilla de cierto lago
es tan bella como era.
No le guardo rencor
a la vista por la vista
de una bahía deslumbrante.
Puedo incluso imaginarme
que otros, no nosotros,
están sentados ahora mismo
sobre el abedul derribado.
Respeto su derecho
a reír, a susurrar
y a quedarse felices en silencio.
Supongo incluso
que los une el amor
y que él la abraza a ella
con brazos llenos de vida.
Algo nuevo, como un trino,
comienza a gorgotear entre los juncos.
De veras los deseo
que lo oigan.
No exijo ningún cambio
de las olas a la orilla,
ligeras o perezosas,
pero no obedientes.
Nada le pido
a las aguas junto al bosque,
a veces esmeralda,
a veces zafiro,
a veces negras.
Una cosa no acepto.
Volver a ese lugar.
Renuncio al privilegio
de la presencia.
”
”
Wisława Szymborska (El gran número, Fin y principio y otros poemas)
“
When she returned to Bella Vista, she discovered Isabel in her manic-baking mode. The kitchen was filled with the aromas of butter, vanilla and cinnamon. She'd created Danishes and rugelach and crispy twisty things that promised to glue themselves promptly to Tess's hips.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
What a joy life is when you have made a close working partnership with Nature, helping her to produce for the benefit of mankind new forms, colors, and perfumes in flowers which were never known before; fruits in form, size, and flavor never before seen on this globe." -Luther Burbank.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
She was starting to see that there was nothing wrong with sometimes letting the day unfold according to its own rhythm.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles #1))
“
Falling for him was too easy. Falling in general was easy. It was the landing you had to watch out for.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles #1))
“
He was the worst kind of liar, the kind who took hearts as hostages and broke them with impunity.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles #1))
“
Why do we remember the bad stuff and not the good?
”
”
Susan Wiggs (Sugar and Salt (Bella Vista Chronicles, #4))
“
Autumn was San Francisco's summer. The days were bright and warm, scented with drying leaves and fading flowers and the ever-present salt air.
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
Seeing him amid the yellow leaves and berry-colored hips of the spent roses, and the fading hollyhocks gone to seed along the garden wall, filled her heart.
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
Sometimes you have to let the right book find you
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
Survival was a powerful driving force, stronger than hatred and love combined.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles #1))
“
Try to be conspicuously accurate in everything, pictures as well as text. Truth is not only stranger than fiction, it is more interesting. -William Randolph Hearst
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
They spent the day with Lucia, who promised that the following day she would take them up to Scala, an even tinier, loftier town where her parents now lived. That evening, Mac took her to a restaurant called Il Flauto di Pan- Pan's Flute- perched at the Villa Cimbrone among the gardens and crumbling walls. It was probably the most beautiful restaurant she'd ever seen. The centuries-old villa was embellished with incredible gardens of fuchsia bougainvillea, lemon and cypress trees and flowering herbs that scented the air. Their veranda table had an impossibly gorgeous view of the sea.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
Memories are like a series of locked doors, and once you manage to get one open, it leads to another, and then another and so on. The hard part is finding the key to that first lock and getting through it.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles #2))
“
The moon garden of the mansion was famous, having been designed with night-blooming flowers lining the pathways and hillocks of the landscape. They stepped through open doors, went down the wide stone steps, and were greeted by the heady perfume of late-blooming autumn flowers. The pale blossoms were lit from below, setting a mood of mystery. A fountain of natural stone rose up out of a pond surrounded by terra-cotta sculptures.
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
I'm heading over to visit Tess for some tea and sympathy."
"I don't like tea," Ollie said. "What's sympathy taste like?"
Natalie laughed and ruffled his hair, then got back in the car. "Like a melted marshmallow with chocolate sauce.
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
Here, he felt like a stranger in a strange- and extremely seductive- land. In contrast to the places of his past, Bella Vista seemed weighted by a sense of permanence- the old country house with its courtyard and patios, the rustic stone barn and machine shop, outbuildings and weathered work sheds, the acres of age-gnarled apple trees, now covered in springtime blooms. He wondered what it would be like to watch the seasons change all in one place, year after year.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
There is more real wealth in a pound of honey, or a load of manure for that matter, than all the currency in the world. We often destroy the world’s real wealth to create an illusion of wealth, confusing symbol and substance.” —William Longgood, The Queen Must Die
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
Is she pretty?”
That would be a hell yes. Big soft eyes, full pink lips. Legs and tight skirts. And those damn cowboy boots. And the yoga pants and bra top she wore sailing. Long blond hair—-at least he thought it was long; she always kept it wound up and clipped in a messy bun. He’d dated white girls before, a time or two. But never someone that white, from Texas. Or that young. She was what, fifteen years younger, at least. An itty-bitty thing who could throw a grown man to the ground.
“Yeah,” he said. “She’s real pretty.
”
”
Susan Wiggs (Sugar and Salt (Bella Vista Chronicles, #4))
“
This time of year, the purple blooms were busy with life- not just the bees, but butterflies and ladybugs, skippers and emerald-toned beetles, flitting hummingbirds and sapphire dragonflies. The sun-warmed sweet haze of the blossoms filled the air.
"When I was a kid," said Isabel, "I used to capture butterflies, but I was afraid of the bees. I'm getting over that, though." The bees softly rose and hovered over the flowers, their steady hum oddly soothing. The quiet buzzing was the soundtrack of her girlhood summers. Even now, she could close her eyes and remember her walks with Bubbie, and how they would net a monarch or swallowtail butterfly, studying the creature in a big clear jar before setting it free again. They always set them free.
As she watched the activity in the hedge, a memory floated up from the past- Bubbie, gently explaining to Isabel why they needed to open the jar. "No creature should ever be trapped against its will," she used to say. "It will ruin itself, just trying to escape." As a survivor of a concentration camp, Bubbie only ever spoke of the experience in the most oblique of terms.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
I like the organza tiebacks. They're pretty and ethereal."
"Lovely. I think those are the ones."
"Me, too. And hey, can we invent a signature cocktail for the wedding, using honey?"
"I'm working on one made with honey syrup, apple juice and calvados. Garnished with an apple slice, of course.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
What a joy life is when you have made a close working partnership with Nature, helping her to produce for the benefit of mankind new forms, colors, and perfumes in flowers which were never known before; fruits in form, size, and flavor never before seen on this globe.”—Luther Burbank. “It’s the
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
El punto de vista oficial del estoicismo es que, en la naturaleza, existe un principio racional responsable de su orden y de su movimiento. A este principio lo llaman «Dios» (Zeus). Pero este dios no es una persona ni algo sobrenatural, sino simplemente naturaleza. La naturaleza no es ciega ni caótica, sino bella y ordenada,
”
”
John Sellars (Lecciones de estoicismo (Spanish Edition))
“
For the bee, honey is the ultimate reality. It represents the fulfillment of her life mission, the triumph over her enemies, the continuity of the hive, the justification for working herself to death. Honey is to bees what money in the bank is to people—a measure of prosperity and well-being. But there is nothing abstract or symbolic about honey, as there is about money, which has no intrinsic value. There is more real wealth in a pound of honey, or a load of manure for that matter, than all the currency in the world. We often destroy the world’s real wealth to create an illusion of wealth, confusing symbol and substance.” —William Longgood, The Queen Must Die
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles #2))
“
They just started throwing these canisters. One of them hit me so I lobbed it back.”
“Nothing at all would have hit you if you’d been minding your business.”
“And nothing will change if nobody takes action against injustice. Remember when you and Mama took me to hear Dr. King speak? Remember what he said? ‘We die when we refuse to stand up for justice.
”
”
Susan Wiggs (Sugar and Salt (Bella Vista Chronicles, #4))
“
The garden flourished that summer because Magnus's mother was determined to feed her family despite the depredations of the distant war. In the fall, there were beans and tomatoes and pickles to can, and jar after jar of applesauce. Mama's hives yielded fresh honey, and then willow skeps were winterized. The bees would not come out until the air warmed and the sun appeared.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
The last dress in the wardrobe was loosely wrapped in thin tissue paper that tore away at the slightest touch. Isabel was intrigued by this one, a cocktail dress in peach-colored silk, embellished with a line of crystal bugle beads around the neckline, a fitted bodice and flaring skirt. In the glow of the bedside lamp, the dress was luminous and shimmering with a life of its own.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
Jūtarō si chiese perché Sayama e Otoki avessero deciso di morire proprio lì. Avrebbero potuto trovare un posto migliore. Due innamorati prossimi al suicidio dovrebbero scegliere con cura il luogo in cui morire. Vicino a una fonte termale, per esempio, o in una località rinomata per la sua bellezza. Certo, anche lì la vista era bella, ma perché proprio su quelle rocce dure e non su un morbido prato?
”
”
Seichō Matsumoto (Tokyo Express)
“
There, a simple headstone marked the grave of Eva Saloman Johansen, "beloved wife and grandmother." Tess was intrigued to see a phrase in Hebrew characters. Her paternal grandmother had apparently been Jewish. Beside that was a marker for Erik Karl Johansen, inscribed, 'Measure his life not by its length but by the depths of joy he brought us. He jumped into life and never touched bottom. We will never laugh the same again.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
El punto de vista oficial del estoicismo es que, en la naturaleza, existe un principio racional responsable de su orden y de su movimiento. A este principio lo llaman «Dios» (Zeus). Pero este dios no es una persona ni algo sobrenatural, sino simplemente naturaleza. La naturaleza no es ciega ni caótica, sino bella y ordenada, con sus propios ritmos y patrones. No está formada por materia muerta; es un solo organismo vivo del que todos nosotros formamos parte.
”
”
John Sellars (Lecciones de estoicismo (Spanish Edition))
“
She loved old things. The brown-brick place was a survivor of the 1907 earthquake and fire, and proudly bore a plaque from the historical society. The building had a haunted history- it was the site of a crime of passion- but Tess didn't mind. She'd never been superstitious.
The apartment was filled with items she'd collected through the years, simply because she liked them or was intrigued by them. There was a balance between heirloom and kitsch. The common thread seemed to be that each object had a story, like a pottery jug with a bas-relief love story told in pictures, in which she'd found a note reading, "Long may we run. -Gilbert." Or the antique clock on the living room wall, each of its carved figures modeled after one of the clockmaker's twelve children. She favored the unusual, so long as it appeared to have been treasured by someone, once upon a time. Her mail spilled from an antique box containing a pigeon-racing counter with a brass plate engraved from a father to a son. She hung her huge handbag on a wrought iron finial from a town library that had burned and been rebuilt in a matter of weeks by an entire community.
Other people's treasures captivated her. They always had, steeped in hidden history, bearing the nicks and gouges and fingerprints of previous owners. She'd probably developed the affinity from spending so much of her childhood in her grandmother's antique shop.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
Blythe's favorite shelf near the coffee area. She'd labeled it W.O.W. (WORDS OF WISDOM) and it was stocked with her perennial favorites with bookmarked passages.
Natalie used to love browsing that shelf. A book would never betray you or change its mind or make you feel stupid. She took down The Once and Future King and found a marked passage: "The best thing for being sad," replied Merlyn, beginning to puff and blow, "is to learn something. That is the only thing that never fails."
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
[Sonetto XVI]
Vede perfettamente onne salute
chi la mia donna tra le donne vede;
quelle che vanno con lei son tenute
di bella grazia a Dio render merzede.
E sua bieltate è di tanta vertute,
che nulla invidia a l’altre ne procede,
anzi la face andar seco vestute
di gentilezza, d’amore e di fede.
La vista sua fa onne cosa umile;
e non fa sola sé parer piacente,
ma ciascuna per lei riceve onore.
Ed è ne li atti suoi tanto gentile,
che nessun la si può recare a mente,
che non sospiri in dolcezza d’amore.
”
”
Dante Alighieri
“
[Sonetto VIII]
Ciò che m’incontra, ne la mente more,
quand’i’ vegno a veder voi, bella gioia;
e quand’io vi son presso, i’ sento Amore
che dice: "Fuggi, se ’l perir t’è noia".
Lo viso mostra lo color del core,
che, tramortendo, ovunque pò s’appoia;
e per la ebrietà del gran tremore
le pietre par che gridin: Moia, moia.
Peccato face chi allora mi vide,
se l’alma sbigottita non conforta,
sol dimostrando che di me li doglia,
per la pietà, che ’l vostro gabbo ancide,
la qual si cria ne la vista morta
de li occhi, c’hanno di lor morte voglia.
”
”
Dante Alighieri
“
If you like cool, funny entertainment, you might like this one. It's a first novel by a local author." She handed him a copy of Practical Demonkeeping. "A very different kind of buddy novel. I thought it was hilarious."
"You're reading me like a book." The guy shook his head as if embarrassed by his own lame joke. Then he looked over at Blythe. Natalie saw his gaze move swiftly over her mother's red V-neck sweater and short skirt. "How can you tell that's exactly what would make me happy?" he asked.
Oh boy. He was flirting. Guys did that a lot with her mom. She was super pretty, and Natalie knew it wasn't only because Mom was her mom and all kids thought their moms were pretty. Even her snottiest friends like Kayla said Blythe looked like a model. Like Julia Roberts. Plus, her mom had a knack for dressing cool and being social---she could talk to anyone and make them like her.
Also, she had a superpower, which was on full display right now. She had the ability to see a person for the first time and almost instantly know what book to recommend. She was really smart and had also read every book ever written, or so it seemed to Natalie. She could talk to high school kids about Ivanhoe and Silas Marner. She ran a mystery discussion group. She could tell people the exact day the new Mary Higgins Clark novel would come out. She knew which kids would only ever read Goosebumps books, no matter what, and she knew which kids would try something else, like Edward Eager or Philip Pullman.
Sometimes people didn't know anything about the book they were searching for except "It's blue with gold page edges" and her mom would somehow figure it out.
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
Servers moved among the guests with trays of hors d'oeuvres and the signature cocktail, champagne with a honey infused liqueur and a delicate spiral twist of lemon.
The banquet was bursting with color and flavor- flower-sprinkled salads, savory chili roasted salmon, honey glazed ribs, just-harvested sweet corn, lush tomatoes and berries, artisan cheeses. Everything had been harvested within a fifty-mile radius of Bella Vista.
The cake was exactly what Tess had requested, a gorgeous tower of sweetness. Tess offered a gracious speech as she and Dominic cut the first slices. "I've come a long way from the city girl who subsisted on Red Bull and microwave burritos," she said. "There's quite a list of people to thank for that- my wonderful mother, my grandfather and my beautiful sister who created this place of celebration. Most of all, I'm grateful to Dominic." She turned to him, offering the first piece on a yellow china plate. "You're my heart, and there is no sweeter feeling than the love we share. Not even this cake. Wait, that might be overstating it. Everyone, be sure you taste this cake. It's one of Isabel's best recipes.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
Of course his name would be Dominic. It meant "gift from God." AKA a life-support system for an ego. Still, that didn't mean he wasn't fun to stare at. Dominic Rossi looked like a dream, the kind of dream no woman in her right mind would want to wake from.
She had always been susceptible to male beauty, ever since the age of ten, when her mother had taken her to see Michelangelo's David in Florence. She recalled staring at that huge stone behemoth, all lithe muscles and gorgeous symmetry, indifferent about his nudity, his member inspiring a dozen questions her mother brushed aside.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
Grandfather, is it all right if we join you for a bit?"
"Of course. Particularly since you've brought sustenance." He eyed the tray of food.
It looked like a food magazine layout, featuring a variety of cheeses with fresh berries on brightly painted Italian pottery, and a tiny glass container of honey with the smallest spoon he'd ever seen.
Isabel laced a thread of honey across the cheeses. "These are my favorite honey and cheese pairings. Comte, Appenzeller and ricotta. I had my first honey harvest last summer- a small one. That's when I realized I needed extra help with my beekeeping."
"Sorry I wasn't your guy," said Mac.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
Cleo was like those little bluebirds of happiness in Cinderella, flitting around until Natalie had been transformed into a princess. A fraudulent one, to be sure, but a princess nonetheless.
The silk dress from her mother's closet had been transformed into a couture masterpiece by the sartorial skills of Cleo's talented aunt. The sheath now fit like an extremely flattering glove. Its color, and the bright handwork accents, echoed the colors of the precious vase---jade green, turquoise, marigold, and fuchsia with veins of cobalt blue. She paired it with the gold-heeled sandals, the vintage watch, and a gold snake belt borrowed from Cleo.
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
The proper balance of sugar and salt was the key to perfect barbecue sauce. Of course, when it came to barbecue sauce, everybody had an opinion about the combination of acid, aromatics, fruit, and flavorings---the ineffable umami---that made each bite so satisfying.
But Margot Salton knew with utter certainty that it all started with sugar and salt. She'd even named her signature product after it: sugar+salt. This sauce was her superpower. Her secret. Her stock-in-trade. When she'd had nothing---no home, no education, no family, no means of support---she had created the powerful alchemy of flavors that made grown men moan with pleasure, cautious women ignore their diets, and skeptical foodies beg for more.
”
”
Susan Wiggs (Sugar and Salt (Bella Vista Chronicles, #4))
“
Books were alive in a special way. Between the covers, characters were living their lives, enacting their dramas, falling in and out of love, finding trouble, working out their problems. Even sitting closed on a shelf, a book had a life of its own. When someone opened a book, that was when the magic happened.
The bookshop cat, curled into a marmalade-colored ball.
The sun shone with the kind of golden clarity that made people fall in love with San Francisco autumn.
The way you spend your day is the way you spend your life.
Unlike men, books were easy. They filled you with all the emotions in the world - joy, dread, fear, hurt, gratification - and then they came to an end. People were different. Unpredictable. Impossible to manage.
”
”
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
“
Con estas cartas he iniciado mi aproximación a Rilke. No cabe duda de que el checo respiraba y exhalaba poesía. Para ilustrarlo, unas breves citas que no necesitan mayor explicación, sólo hay que gozarlas.
“Y aun permaneciendo en mi tristeza, soy feliz sintiendo que es usted, Bella; soy feliz por haberme entregado sin miedo a su belleza como un pájaro se entrega al espacio; feliz, Querida, por haber caminado como un verdadero creyente sobre las aguas de nuestra incertidumbre hasta la isla de su corazón donde florecen dolores. En fin: feliz.”
"El trabajo del artista debe ser como la muerte; hay que entrar por entero en él, sin reserva alguna, solo, sin poseer nada salvo esta moneda que se ponía en la boca de los muertos para asegurarles el trayecto de ese río trágico que les separaba para siempre de sus amigos. ¿Sentirá usted, al menos, mi alma que volteará a menudo a su alrededor y al de nuestros queridos recuerdos?"
"Estará usted aquí, se lo digo a mi habitación, sobre todo al gran sillón al que le gusta hacerse más vasto a su alrededor y que está infinitamente orgulloso de ser casi tocado por un Alma; pues sabe que sólo un poco de delicioso cuerpo lo separa de la suya. Hasta la vista, Querida, has muy pronto."
"Mi estado, tal como lo vio, seguía empeorando; no he escrito ni una sola línea durante esos largos meses y ni siquiera la primavera ha sabido, esta vez, aliviarme; aumentaba, pero yo estaba separado de ella por todos mis sentidos que permanecían cerrados y opacos. Ése debe de ser (cuántas veces lo habré pensado) el estado de un tallo roto que una brizna de corteza sujeta todavía a su árbol, pero que, interiormente, no corresponde ya a la feliz savia con la que se embriagan todas las ramas a su alrededor.
”
”
Rainer Maria Rilke
“
En un libro de Alfonso Karr, titulado "Am Rauchem", hay un hombre que sigue por la noche a una mujer muy elegante, de quien se ha enamorado a primera vista, tan bella es. Por besar la mano de esta mujer, se halla con fuerzas para emprenderlo todo, con voluntad para conquistarlo todo, con coraje para efectuarlo todo. No se atreve casi a mirar el tobillo coqueto que descubre ella a fin de no manchar su vestido al contacto del polvo. Mientras él sueña en todo lo que haría para poseer a esa mujer, ella le para en la esquina de una calle y le invita a subir con ella. Desvía él la cabeza, cruza la calle y vuelve muy triste a su casa. Recordé este estudio psicológico, y yo, que habría desea sufrir por aquella mujer, temía que me aceptara ella de buenas a primeras y me otorgara demasiado pronto un amor que, por mi parte, habría querido pagar con una larga espera o con un gran sacrificio.
”
”
Alexandre Dumas fils (La Dama de Las Camelias)
“
BACKYARD GARDEN SALAD In wartime, patriotic families cultivated “Victory Gardens” to promote self-sufficiency and help the war effort. 4 cups mixed greens 1/4 cup fresh sprigs of dill 1/4 cup fresh flat-leaf parsley leaves 4 large basil leaves, rolled up and thinly sliced crosswise 1 large lemon, halved 1/4 cup fruity olive oil pinch of salt fresh ground black pepper to taste 1 cup toasted walnuts 3/4 cup crumbled feta cheese 1 cup fresh edible flowers; choose from bachelor’s buttons, borage, calendulas, carnations, herb flowers (basil, chives, rosemary, thyme), nasturtiums, violas, including pansies and Johnny-jump-ups, stock Toss salad greens and herbs in a large bowl. Squeeze lemon juice (without the seeds) over the greens and season with olive oil, salt and pepper. Toss again. Add walnuts and feta and toss well. Divide salad and pansies among four serving plates and serve. (Source: Adapted from California Bountiful)
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
Language, Sweet," said Magnus's mother, arriving with a plate full of homemade biscuits. She didn't scold him too harshly about his talk these days. Magnus suspected this was because Mama shared Uncle Sweet's opinion about the Nazis. Yet despite the shortages and rationing, she had managed to turn out the most delicious biscuits Magnus had ever tasted. They were redolent of butter, which Mrs. Gundersen up the hill traded for apples from the family orchard.
Uncle Sweet made a great show of fanning himself and swooning as he ate a biscuit. "Language," he said, "is nothing but a bunch of words, and there are no words to express how wonderful this cookie is. I swear, if you were not already married, I would have you locked in a workroom like Rumpelstiltskin's daughter, forced to bake for me all day." He stole another biscuit from the platter and headed for the basement, lighting his way with an oil lamp. No one ever asked where his photographic chemicals came from- no one wanted to hold the answer like a piece of stolen fruit.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
It was a gorgeous evening, with a breeze shimmering through the trees, people strolling hand in hand through the quaint streets and the plaza. The shops, bistros and restaurants were abuzz with patrons. She showed him where the farmer's market took place every Saturday, and pointed out her favorite spots- the town library, a tasting room co-op run by the area vintners, the Brew Ha-Ha and the Rose, a vintage community theater. On a night like this, she took a special pride in Archangel, with its cheerful spirit and colorful sights. She refused to let the Calvin sighting drag her down. He had ruined many things for her, but he was not going to ruin the way she felt about her hometown.
After some deliberation, she chose Andaluz, her favorite spot for Spanish-style wines and tapas. The bar spilled out onto the sidewalk, brightened by twinkling lights strung under the big canvas umbrellas. The tables were small, encouraging quiet intimacy and insuring that their knees would bump as they scooted their chairs close. She ordered a carafe of local Mataro, a deep, strong red from some of the oldest vines in the county, and a plancha of tapas- deviled dates, warm, marinated olives, a spicy seared tuna with smoked paprika. Across the way in the plaza garden, the musician strummed a few chords on his guitar.
The food was delicious, the wine even better, as elemental and earthy as the wild hills where the grapes grew. They finished with sips of chocolate-infused port and cinnamon churros. The guitar player was singing "The Keeper," his gentle voice seeming to float with the breeze.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
Donna pietosa e di novella etate,
adorna assai di gentilezze umane,
ch’era là ’v’io chiamava spesso morte,
veggendo li occhi miei pien di pietate,
e ascoltando le parole vane,
si mosse con paura a pianger forte.
e altre donne, che si fuoro accorte
di me per quella che meco piangía,
fecer lei partir via,
e approssimâsi per farmi sentire.
Qual dicea: "Non dormire",
e qual dicea: "Perché sì ti sconforte?"
Allor lassai la nova fantasia,
chiamando il nome de la donna mia.
Era la voce mia sì dolorosa
e rotta sì da l’angoscia del pianto,
ch’io solo intesi il nome nel mio core;
e con tutta la vista vergognosa
ch’era nel viso mio giunta cotanto,
mi fece verso lor volgere Amore.
Elli era tale a veder mio colore,
che facea ragionar di morte altrui:
"Deh, consoliam costui"
pregava l’una l’altra umilemente;
e dicevan sovente:
"Che vedestù, che tu non hai valore?"
E quando un poco confortato fui,
io dissi: "Donne, dicerollo a vui.
Mentr’io pensava la mia frale vita,
e vedea ’l suo durar com’è leggiero,
piansemi Amor nel core, ove dimora;
per che l’anima mia fu sì smarrita,
che sospirando dicea nel pensero:
- Ben converrà che la mia donna mora -.
Io presi tanto smarrimento allora,
ch’io chiusi li occhi vilmente gravati,
e furon sì smagati
li spirti miei, che ciascun giva errando;
e poscia imaginando,
di caunoscenza e di verità fora,
visi di donne m’apparver crucciati,
che mi dicean: - pur morràti, morràti -.
Poi vidi cose dubitose molte,
nel vano imaginare ov’io entrai;
ed esser mi parea non so in qual loco,
e veder donne andar per via disciolte,
qual lagrimando, e qual traendo guai,
che di tristizia saettavan foco.
Poi mi parve vedere a poco a poco
turbar lo sole e apparir la stella,
e pianger elli ed ella;
cader li augelli volando per l’âre,
e la terra tremare;
ed omo apparve scolorito e fioco,
dicendomi: - Che fai? non sai novella?
Morta è la donna tua, ch’era sì bella -.
Levava li occhi miei bagnati in pianti,
e vedea (che parean pioggia di manna),
li angeli che tornavan suso in cielo,
e una nuvoletta avean davanti,
dopo la qual gridavan tutti: -"Osanna"-
e s’altro avesser detto, a voi dirèlo.
Allor diceva Amor: - Più nol ti celo;
vieni a veder nostra donna che giace -.
Lo imaginar fallace
mi condusse a veder madonna morta;
e quand’io l’ebbi scorta,
vedea che donne la covrían d’un velo;
ed avea seco umiltà verace,
che parea che dicesse: - Io sono in pace -.
Io divenia nel dolor sì umile,
veggendo in lei tanta umiltà formata,
ch’io dicea: - Morte, assai dolce ti tegno;
tu dei omai esser cosa gentile,
poi che tu se’ ne la mia donna stata,
e dèi aver pietate e non disdegno.
Vedi che sì desideroso vegno
d’esser de’ tuoi, ch’io ti somiglio in fede.
Vieni, ché ’l cor te chiede -.
Poi mi partia, consumato ogne duolo;
e quand’io era solo,
dicea, guardando verso l’alto regno:
- Beato, anima bella, chi te vede! -
Voi mi chiamaste allor, vostra mercede".
”
”
Dante Alighieri
“
[Canzone II]
Donna pietosa e di novella etate,
adorna assai di gentilezze umane,
ch’era là ’v’io chiamava spesso morte,
veggendo li occhi miei pien di pietate,
e ascoltando le parole vane,
si mosse con paura a pianger forte.
e altre donne, che si fuoro accorte
di me per quella che meco piangía,
fecer lei partir via,
e approssimâsi per farmi sentire.
Qual dicea: "Non dormire",
e qual dicea: "Perché sì ti sconforte?"
Allor lassai la nova fantasia,
chiamando il nome de la donna mia.
Era la voce mia sì dolorosa
e rotta sì da l’angoscia del pianto,
ch’io solo intesi il nome nel mio core;
e con tutta la vista vergognosa
ch’era nel viso mio giunta cotanto,
mi fece verso lor volgere Amore.
Elli era tale a veder mio colore,
che facea ragionar di morte altrui:
"Deh, consoliam costui"
pregava l’una l’altra umilemente;
e dicevan sovente:
"Che vedestù, che tu non hai valore?"
E quando un poco confortato fui,
io dissi: "Donne, dicerollo a vui.
Mentr’io pensava la mia frale vita,
e vedea ’l suo durar com’è leggiero,
piansemi Amor nel core, ove dimora;
per che l’anima mia fu sì smarrita,
che sospirando dicea nel pensero:
- Ben converrà che la mia donna mora -.
Io presi tanto smarrimento allora,
ch’io chiusi li occhi vilmente gravati,
e furon sì smagati
li spirti miei, che ciascun giva errando;
e poscia imaginando,
di caunoscenza e di verità fora,
visi di donne m’apparver crucciati,
che mi dicean: - pur morràti, morràti -.
Poi vidi cose dubitose molte,
nel vano imaginare ov’io entrai;
ed esser mi parea non so in qual loco,
e veder donne andar per via disciolte,
qual lagrimando, e qual traendo guai,
che di tristizia saettavan foco.
Poi mi parve vedere a poco a poco
turbar lo sole e apparir la stella,
e pianger elli ed ella;
cader li augelli volando per l’âre,
e la terra tremare;
ed omo apparve scolorito e fioco,
dicendomi: - Che fai? non sai novella?
Morta è la donna tua, ch’era sì bella -.
Levava li occhi miei bagnati in pianti,
e vedea (che parean pioggia di manna),
li angeli che tornavan suso in cielo,
e una nuvoletta avean davanti,
dopo la qual gridavan tutti: -"Osanna"-
e s’altro avesser detto, a voi dirèlo.
Allor diceva Amor: - Più nol ti celo;
vieni a veder nostra donna che giace -.
Lo imaginar fallace
mi condusse a veder madonna morta;
e quand’io l’ebbi scorta,
vedea che donne la covrían d’un velo;
ed avea seco umiltà verace,
che parea che dicesse: - Io sono in pace -.
Io divenia nel dolor sì umile,
veggendo in lei tanta umiltà formata,
ch’io dicea: - Morte, assai dolce ti tegno;
tu dei omai esser cosa gentile,
poi che tu se’ ne la mia donna stata,
e dèi aver pietate e non disdegno.
Vedi che sì desideroso vegno
d’esser de’ tuoi, ch’io ti somiglio in fede.
Vieni, ché ’l cor te chiede -.
Poi mi partia, consumato ogne duolo;
e quand’io era solo,
dicea, guardando verso l’alto regno:
- Beato, anima bella, chi te vede! -
Voi mi chiamaste allor, vostra mercede".
”
”
Dante Alighieri
“
My mother used to always tell me to embrace my dreams. If I can give you a chance to do so, then it’s a gift to me, as well.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles #1))
“
Time and circumstances could batter away at it, like waves on a rocky shore, but for some people, love never died.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles #1))
“
Maybe the lesson to be learned here was that the price of letting someone into her heart was the pain of letting go. Or maybe the even harder work of holding on, no matter what the risk.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles #1))
“
Everyone had pain. But not everyone had to stay hidden behind it.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles #2))
“
we can move past our history, but we can never truly erase it.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles #2))
“
Sometimes desperation can look a lot like bravery,
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles #2))
“
Passion for a pursuit was the best feeling.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles #2))
“
Often, the most important part of a conversation was the waiting.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles #2))
“
Things happen as they are meant to happen. There is no grand plan, just flawed human beings bumbling through life.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles #2))
“
The human spirit could brave anything so long as there was some better future to believe in.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles #2))
“
life had taught him long ago that fear and happiness could not coexist.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles #1))
“
The undulating terrain was cloaked in lush abundance, the vineyards like garlands of deep green and yellow, orchards and farms sprouting here and there, hillocks of dry golden grass crowned by beautiful sun-gilt houses, barns and silos. And overhead was the bluest sky she'd ever seen, as bright and hard polished as marble.
There was something about the landscape that caught at her emotions. It was both lush and intimidating, its beauty so abundant. Far from the bustle of the city, she was a complete stranger here, like Dorothy stepping out of her whirling house into the land of Oz. Farm stands overflowing with local produce marked the long driveways into farms with whimsical names- Almost Paradise, One Bad Apple, Toad Hollow. Boxes and bushels were displayed on long, weathered tables. Between the farms, brushy tangles of berries and towering old oak trees lined the roadway.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
They basked in the sweet-scented breeze, and felt the sunshine warming their bare heads. Petals drifted from the gnarled apple and cherry trees, creating a pretty storm, like confetti. They lay together in the grass, watching a beetle trundling through the blades, its clumsy movements reminiscent of the soldiers' giant transport trucks. Birdsong filled the air, horse buses clopped through the street, and somewhere along the city docks, a ship's whistle blew. When it was time to go home, they packed everything into the basket and walked together, their clasped hands swinging between them. Annalise loved these perfect days with her mother, when the air was warm and the tulips and daffodils were coming up.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
In the wake of the storm, sunset lay in a pink-and-amber swath over the rolling landscape, the trees in the orchard casting elongated shadows on the hillside. To the other side of the slope were Dominic's vineyards. The vines were heavy with fruit, the dense bunches of grapes nearly black in the deepening light.
They held hands like a couple of teenagers. It felt ridiculously good to hold hands with this man. His touch was both safe and sexy at once. He walked with her through the vineyards, pointing out the different grape varieties, planting dates, grafting techniques. And always, like a song playing in the background, was the sense that they were moving together toward something, and she was scared and eager all at once.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
Isabel felt soft and yielding; her blouse felt soft. Everything about her seemed soft, and she smelled of dried flowers, rosemary, fresh baked bread. This whole kitchen seemed alive with a peculiar energy; in the old fixtures and furniture, Tess sensed a place where cooking and eating had happened for decades, where people gathered to sample life's sweetest pleasures.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
In this life, I had all I ever wanted. Losing Erik was a sadness that knit itself into my soul, but that sadness was balanced out by all that came after. The years with you, my little girl, and with your grandfather and all the people of Bella Vista. It has been a life of abundance, and I will always be grateful for that.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
The estate looked vast and prosperous- on the surface, at least. Bella Vista was stunningly lovely, the orchards well tended and clearly productive. If there was a place in the world that was closer to heaven, she wasn't aware of it. Bella Vista- Beautiful View. A panorama view of the orchards, herb and flower fields radiated outward from the patio. The scents of ripe apples, lavender and roses rode the breeze, mingling with the mind-melting aroma of Isabel's fresh-baked croissants.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
To tell you the truth, I'm curious about this place now. I wouldn't mind exploring. What do you know about it?"
"I haven't been in here in years," he said. "I liked coming here as a kid. There was always something to eat, always something interesting to look at, like a puzzle of bent nails or one of Magnus's boxes, things made of beeswax from the local hives."
"Isabel said her grandmother used to be in charge of the shop." Gratefully she buried her nose in the fleecy lining of his jacket. 'I'm such a goner,' she thought, lost in the scent of him.
"During the harvest season, it was a busy place. Eva sold produce from the orchards, local honey, baked goods, freshly pressed cider.... Man, I'll never forget her cider and homemade donuts.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
Magnus had caught it gingerly, half expecting it to blow in his face.
The Teacher chuckled. "Don't worry, it can't do anything without fire."
The thing looked and felt pretty innocuous, actually. It was shorter and fatter than a candlestick, and not colored red like it was in the comic books or the new Technicolor cartoons that still ran at the cinema every Saturday afternoon. Magnus had no money for such things anymore, but sometimes he and Kiki- another boy who worked for the Resistance- sneaked into the theater through an unlocked window.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
Let's grab something for you from the kitchen, and then we'll go find Magnus."
The "something" turned out to be a wedge of the most amazing cake he'd ever tasted. It had cream in the middle, a crust of honey and almonds on top. He crammed half a wedge into his mouth and moaned aloud. "Damn, that's good," he said around the mouthful. "Damn."
"I already ordered it for my wedding breakfast," said Tess.
"It's called Bienenstich- bee sting cake," said Isabel, coming into the kitchen. "Appropriate, under the circumstances."
He turned to face her, his cheeks stuffed with food like a chipmunk's. Then he swallowed the bite of food. "It's delicious. Did you make it?" he asked, not taking his eyes off her. While Tess had red hair and freckles, Isabel had olive-toned skin, dark eyes and full lips, like a flamenco dancer or maybe an Italian film star swathed in veils.
"I did," she said. "It's a German tradition.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
Isabel was a surprise. There were depths to her he wanted to understand, and maybe, just maybe, she would let him. She was skittish, though, not exactly distrustful, but protective of herself. At the mountaintop, she'd given him a glimpse of that girl she'd been, growing up in a lush and sheltered place. At the hot springs, he'd had a glimpse of her that was going to haunt his dreams. Yes, he'd looked. Of course he'd looked. He was only human. Under that long, printed dress, which she seemed to wear as body armor, was a figure that nearly made him groan aloud, just remembering.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
Isabel had always enjoyed a house full of people. 'Feed your friends, and their mouths will be too full to gossip,' Bubbie used to say. 'Feed your enemies, and they'll become your friends.' Throughout Isabel's childhood, the Johansen household had been full of people coming over, sitting down for a glass of wine or a slice of pie, staying up late, talking and laughing. Bubbie and Grandfather had been determined that she should never feel like an orphan.
Except that, despite their efforts, sometimes she had. It wasn't their fault, she reflected as she placed wedges of quiche on plates. There was just something inside her- an urge, a yearning- that made her long to be someone's daughter, not the granddaughter. She never said so, though, not aloud. Yet somehow, they heard her. Somehow, they knew.
Perhaps, in the aftermath of Bubbie's final illness and passing, that was why Isabel had become so bound to Bella Vista. Now she couldn't imagine being anywhere else. Her heart resided here, her soul. She still loved having people over, creating beautiful food, watching the passing of the seasons. Even now, with all the trouble afoot and secrets being revealed like the layers of a peeled onion, she found the rhythm of the kitchen soothing.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
Life could be very distracting, thought Isabel. And that was a good thing. It kept her from focusing on things that couldn't be changed, such as the fact that she'd never finished culinary school, or that she'd allowed one failed relationship to keep her closed up tight inside a hard, protective shell. Now she had a new project that consumed her every waking moment- the cooking school. It was true that she didn't have the official certification from a prestigious institute, but she had something that couldn't be taught- a God-given talent in the kitchen.
She clung to that gift, grateful to let the passion consume her and fill her days with a joyous pursuit. She believed living and feeling well came from eating well, appreciating the simple things in life and spending time in the company of family and friends, and that was the mission of the Bella Vista Cooking School.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
She shrugged her shoulders, then shifted her attention to the hand-labeled glass jars of honey. "Which one do you want to use?"
"Something mild to go with the cheese."
"The milkweed blossom?"
Isabel nodded. "We're probably the only ones who'll notice."
"The different flavors of honey have always been obvious to me," Jamie said.
"Not to me. I've had to train my palate. Same with wines. But I'm not a natural, but I love the alchemy of pairing flowers. If you were twenty-one and not pregnant, I'd give you a taste of this nice new sauvignon blanc from Angel Creek. It's going to go perfectly with the appetizers." She turned off the heat under the fried marcona almonds and gave the pan a shake.
"One sip," Jamie insisted, nibbling a bit of the goat cheese and honey on a cracker.
"One, young lady." Isabel poured a bit of the chilled white wine in a goblet and held it out to her.
Jamie savored a tiny sip, and smiled blissfully. "You're right. It's delicious."
Isabel took back the goblet. "Look at me, corrupting a minor.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
Returning to the buffet, she helped herself to another piece of focaccia bread, the top glistening with a sheen of olive oil and sprinkled with big crystals of salt, fronds of rosemary and tiny curls of thinly sliced garlic. She tasted the bread and made a sound of pleasure that would have embarrassed her if anyone had heard.
"It's even better with this Cabernet." Dominic Rossi stood there with two full glasses of red wine.
Tess felt her face heat with a blush. Okay, so he'd heard.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
They shared a look, and Tess felt a wave of emotion. How quickly she'd found an affinity with Isabel, a woman so unlike her, they might have been from different species. Only a short time ago they had been strangers. Now she couldn't imagine not knowing Isabel, her guileless and fragile sister. They shared a birthday, they shared their father's DNA, but the bond now ran deeper than that; it ran as deep as blood and secrets.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
Is there anything I can do?"
He gave her a tired grin. "Crawl in bed with me."
She glared at him, then got up and tossed him a terry-cloth robe she found hanging on the back of the bathroom door. "Meet me in the kitchen. I'll make you a sandwich."
"You don't need to make me a sandwich."
"But I'm going to." She left the room before he could protest further. In the kitchen, she layered grilled pancetta, tomato and lettuce on toasted thick slabs of sourdough. She added some chopped cornichons, Dijon mustard and fresh snipped tarragon to the mayo, just to show off. Around Bella Vista, her PLT's were legendary.
Mac wasn't wearing the robe when he came downstairs. He'd thrown on a pair of lived-in cutoffs, faded in all the right places, and a rumpled but clean T-shirt with a logo from a kiteboarding resort in Australia.
She cut the sandwich into quarters and set it on a pottery plate, along with a side of grapes and parmesan chips, and a beer in a frosty mug.
He regarded the small feast on the table. "I hope you don't mind if I moan in ecstasy while I eat this."
"I'd rather you didn't," she said, helping herself to a quarter of the sandwich. "Cook's tax," she explained.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
Antonio was fascinated by Isabel's razor-sharp knives from Japan. He made 'kia' sounds like a karate expert as he sliced the tomatoes and added them to the pan. there were some unexpected ingredients, things Tess would never dream of putting in tomato sauce- whole star anise, a vanilla bean split down the middle, a sprinkling of sugar, a sprig of thyme and bay leaves from the herb garden.
”
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Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
Time for lunch. Take me somewhere good. Somewhere Italian."
She chose Vine, one of the cafes on the main plaza, and ordered a burrata and squash blossom pizza. The fluffy soft cheese, drizzled with fruity olive oil, paired beautifully with the crisp blossoms and homemade crust. Eaten with chilled elderflower soda, it was exactly what she'd been craving.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
Setting out some honey shortbread cookies to go with the lemonade, she flashed on memories of her grandmother, offering refreshments to anyone who was lucky enough to come through the kitchen door. As a working farm, Bella Vista was always busy with workers, some seasonal and others permanent. 'In my kitchen, everyone is family,' Bubbie used to say, beaming as the orchard workers, mechanics or gardeners gladly wolfed down her baked goods.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
She kept sneaking looks at him. He had strong, chiseled features, his jaw softened by a day or two's growth of beard. And those shoulders. She'd always been a sucker for a guy's strong shoulders. Big square hands that looked as if they did harder work than writing biographies.
No wedding band. At thirty, Isabel couldn't help noticing a detail like that.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
In contrast, Bella Vista was lush and seductive, the landscape filled with colors from deep-green to submerged-gold. Gardeners, construction workers and farm workers swarmed the property. Isabel Johansen was in charge; that had been clear from the start. Yet when she'd shown him to Erik's room, she'd seemed vulnerable, uncertain. Some might regard the room as a mausoleum, filled with the depressing weight of things left behind by the departed. To Mac, it was a treasure trove. He was here to learn the story of this place, this family, and every detail, from the baseball card collection to the dog-eared books about faro places, would turn into clues for him.
And holy crap, had Isabel looked different when she'd given him the nickel tour. Unlike the virago in the beekeeper's getup, the cleaned-up Isabel was a Roman goddess in a flowy outfit, sandals and curly dark hair.
”
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Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
They each took a plate and helped themselves to a feast that looked as if it had been prepared for a magazine layout. There was a salad sprinkled with fresh flowers- Isabel said they were baby pansies, nasturtium and angelica. The spread included plates of artisan cheeses and raw and grilled vegetables, big chafing dishes of fragrant casseroles, berries and apples with a variety of sauces, an array of local wines and water from Calistoga. The abundance was almost overwhelming to Tess.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
“
When Tess had told him about the book project, she hadn't mentioned hostile women and swarms of bees. In fact, she'd characterized it as a working vacation of sorts, a way for him to recover from his bum knee by soaking up the charms of Sonoma County.
In contrast, Bella Vista was lush and seductive, the landscape filled with colors from deep green to sunburned-gold. Gardeners, construction workers swarmed the property. Isabel Johansen was in charge, that had been clear from the start. Yet when she'd shown him to Erik's room, she'd seen vulnerable, uncertain. Some might regard the room as a mausoleum, filled with the depressing weight of things left behind by the departed. To Mac, it was a treasure trove. He was here to learn the story of this place, this family, and every detail, from the baseball card collection to the dog-eared books about far-off places, would turn into clues for him.
And holy crap, had Isabel looked different when she'd given him the nickel tour. Unlike the virago in the beekeeper's getup, the cleaned-up Isabel was a Roman goddess in a flowy outfit, sandals and curly dark hair.
”
”
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
Lately, she'd been waking up early every day, too excited to sleep. She was working on the biggest project she'd ever dared to undertake- transforming her family home into a destination cooking school. The work was nearing completion, and if everything went according to schedule, she would welcome the first guests of the Bella Vista Cooking School at harvest time.
The big rambling mission-style hacienda, with its working apple orchard and kitchen gardens, was the perfect venue for the project. The place had long been just too much for just her and her grandfather, and Isabel's dreams had always been too big for her budget. She was passionate about cooking and in love with the idea of creating a place for other dreamers to come and learn the culinary arts.
”
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Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
He couldn't stop himself from checking her out from behind. He kind of wished she wasn't wearing all that flowy stuff because he suspected there was something much more interesting underneath.
Pretty women were one of his several weaknesses. There was something about long hair, shapely legs, tanned skin, smooth and soft... He couldn't remember the last time he'd held a woman, inhaled the scent of her hair, pressed his lips to the pulse in her neck. He nearly stumbled over a tree root as he imagined what Isabel Johansen smelled and tasted like.
”
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Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
“
The woman at the other end of the room stood unmoving, her posture a slender question mark, silhouetted against the light from the window. She had large dark eyes surrounded by thick lashes that appeared damp from crying. Her sable-brown hair was looped into a careless braid down her back, and she wore a gauzy skirt and blouse, an apron, a pair of oven mitts and espadrilles tied at the ankles.
The two of them stared at one another. The stranger shifted, stepping into a shaft of light through the open window. She had the face of an old Hollywood movie star, with an aquiline nose and full lips. She wore little or no makeup; her olive-toned skin gave her an air of unstudied elegance, needing no embellishment.
”
”
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))