Belgian Writers Quotes

Passion such as hers is all consent, asking little in return. I had merely to enter a room where she was to see her face take on that peaceful expression of one who is resting in bed. If I touched her, I had the impression that all the blood in her veins was turning to honey.

Dueling was accepted in artistic circles as well with the young Marcel Proust challenging a critic of his work while Claude Debussy drew a challenge from the Belgian writer Maurice Maeterlinck for not casting his mistress in Debussy’s opera Pelléas et Mélisande, for which Maeterlinck had written the libretto.14 In Germany Kessler challenged a bureaucrat who blamed him for a scandal caused by a show of Rodin drawings of naked young men. The only European country where dueling was no longer accepted as something that gentlemen did was Great Britain. But then, as the Kaiser was fond of saying, the British were a nation of shopkeepers.

These six tapestries, dated to the late fifteenth century, hail from a region near the French-Belgian border known for tapestry-weaving. They hung in relative obscurity in the Château de Boussac until the 1840s. Writer George Sand encountered the tapestries in central France, damp and neglected. She helped to have them cleaned, subsequently writing repeatedly about their subject and craftsmanship. Sand visited the town of Boussac regularly. In 1870, she wrote of an overnight stay at the château there. The night was windy and restless, sending Sand to fetch a forgotten letter from the salon. She described studying the lady and unicorn tapestries in the remaining light from the fire. “Thin, richly and bizarrely dressed,” she wrote, “This blond, stylish lady is quite mysterious.” Her granddaughter had called her “fairy-like.