Being Dragged Down Quotes

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I can't--I can't think about anything or anyone else," he whispered. A hand drifted up, dragging back through his hair. "I can't think straight when you're around. I can't sleep. It feels like I can't breathe--I just--" "Liam, please," I begged. "You're tired. You're barely over being sick. Let's just... Can we just go back to the others?" "I love you." He turned toward me, that agonized expression still on his face. "I love you every second of everyday, and I don't understand why, or how to make it stop--" He looked wild with pain; it pinned me in place, even before what he had said registered in my mind. "I know it's wrong; I know it down to my damn bones. And I feel like I'm sick. I'm trying to be a good person, but I can't. I can't do this anymore.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
We are sometimes dragged into a pit of unhappiness by someone else’s opinion that we do not look happy.
Mokokoma Mokhonoana
Despair threatened to drag me down, but I fought it back, clinging to a single, flickering thought. Shay loves me. He would risk everything to find his way back to my side and set me free. Because that's what love is, isn't it? It has to be.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
And then," Ress was saying, his boyish face set with fiendish delight, "just as he got her into bed, stark naked as the day he was born, her father walked in"- winces and groans came from the guards, even Chaol himself-"and he dragged him out of bed by his feet, took him down the hall, and dumped him down the stairs. He was shrieking like a pig the whole time." Chaol leaned back in his seat, crossing his arms. "You would be, too, if someone were dragging your naked carcass across the ice-cold floor." He smirked as Ress tried to deny it. Chaol seemed so comfortable with the men, his body relaxed, eyes alight. And they respected him, too-always glancing at him for approval, for confirmation, for support. As Celaena's chuckle faded, Chaol looked at her, his brows high. "You're one to laugh. You moan about the cold floor more than anyone else than I know." She straightened as the guards gave hesitant smiles. "If I recall correctly, you complain about every time I wipe the floor with you when we spar." "Oho!" Ress cried, and Chaol's brows rose higher. Celaena gave him a grin. "Dangerous words," Chaol said. "Do we need to go to the training hall to see if you can back them up?" "Well, as long as your men don't object to seeing you knocked on your ass." "We certainly do not object to that," Ress crowed. Chaol shot him a look, more amused than warning. Ress quickly added, "Captain.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Bjarne Møller, my former boss, says people like me always choose the line of most resistance. It's in what he calls our 'accursed nature'. That's why we always end up on our own. I don't know. I like being alone. Perhaps I have grown to like my self-image of being a loner, too....I think you have to find something about yourself that you like in order to survive. Some people say being alone is unsociable and selfish. But you're independent and you don't drag others down with you, if that's the way you're heading. Many people are afraid of being alone. But it made me feel strong, free and invulnerable.
Jo Nesbø (Frelseren (Harry Hole, #6))
You are always dragging me down,' said I to my Body. 'Dragging _you_ down!' replied my Body. 'Well I like that! Who taught me to like tobacco and alcohol? You, of course, with your idiotic adolescent idea of being "grown up". My palate loathed both at first: but you would have your way. Who put an end to all those angry and revengeful thoughts last night? Me, of course, by insisting on going to sleep. Who does his best to keep you from talking too much and eating too much by giving you dry throats and headaches and indigestion? Eh?' 'And what about sex?' said I. 'Yes, what about it?' retorted the Body. 'If you and your wretched imagination would leave me alone I'd give you no trouble. That's Soul all over; you give me orders and then blame me for carrying them out.
C.S. Lewis
Nothing so reduces and drags down a human being as the consciousness of not being loved.
Hjalmar Söderberg (Doctor Glas)
I sprang toward him with the stake, hoping to catch him by surprise. But Dimitri was hard to catch by surprise. And he was fast. Oh, so fast. It was like he knew what I was going to do before I did it. He halted my attack with a glancing blow to the side of my head. I knew it would hurt later, but my adrenaline was running too strong for me to pay attention to it now. Distantly, I realized some other people had come to watch us. Dimitri and I were celebrities in different ways around here, and our mentoring relationship added to the drama. This was prime-time entertainment. My eyes were only on Dimitri, though. As we tested each other, attacking and blocking, I tried to remember everything he'd taught me. I also tried to remember everything I knew about him. I'd practiced with him for months. I knew him, knew his moves, just as he knew mine. I could anticipate him the same way. Once I started using that knowledge, the fight grew tricky. We were too well matched, both of us too fast. My heart thumped in my chest, and sweat coated my skin. Then Dimitri finally got through. He moved in for an attack, coming at me with the full force of his body. I blocked the worst of it, but he was so strong that I was the one who stumbled from the impact. He didn't waste the opportunity and dragged me to the ground, trying to pin me. Being trapped like that by a Strigoi would likely result in the neck being bitten or broken. I couldn't let that happen. So, although he held most of me to the ground, I managed to shove my elbow up and nail him in the face. He flinched and that was all I needed. I rolled him over and held him down. He fought to push me off, and I pushed right back while also trying to maneuver my stake. He was so strong, though. I was certain I wouldn't be able to hold him. Then, just as I thought I'd lose my hold, I got a good grip on the stake. And like that, the stake came down over his heart. It was done. Behind me, people were clapping but all I noticed was Dimitri. Our gazes were locked. I was still straddling him, my hands pressed against his chest. Both of us were sweaty and breathing heavily. His eyes looked at me with pride—and hell of a lot more. He was so close and my body yearned for him, again thinking he was a piece of me I needed in order to be complete. The air between us seemed warm and heady, and I would have given anything in that moment to lie down with him and have his arms wrap around me. His expression showed that he was thinking the same thing. The fight was finished, but remnants of the adrenaline and animal intensity remained.
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
She reached up and lay her hand on my cheek. "You have the sweetest face," she said, looking at me dreamily. "It's like the perfect kitchen." I fought not to smile. This was the delirium. She'd fade in and out of it before the profound exhaustion dragged her down into unconsciousness. If you see someone spouting nonsense to themselves in an alleyway in Tarbean, odds are they're not actually crazy, just a sweet-eater deranged by too much denner. "A kitchen?" "Yes," she said. "Everything matches and the sugar bowl is right where it should be.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Merda! Her lace panties had snagged on his ring, the signet ring he'd inherited from his father, Giacomo Casanova. His father had seduced hundred of women without any problems whatsoever, and he was having trouble with just one. This was the real reason he never used the Casanova name. He could never live up to his father's reputation. The old man was probably laughing in his grave. Nine circles of hell," Jack muttered. Hell?" Lara asked. "I thought I was the Holy Land." You're paradise. Unfortunately, I am stuck there." Her eyes widened. "Stuck?" Normally, I would love being stuck to your lovely bum, but it would look odd if we go sightseeing with my hand under your skirt. Especially in the basilica." She glanced down. "How can you be stuck?" My ring. It's caught in the lace. See?" He moved his hand down her hip, dragging her undies down a few inches. Okay, stop." She bit her lip, frowning, then suddenly giggled. "I can't believe this has happened." I assure you, as much as I had hoped to get your clothes off, this was not part of my original plan." She snorted. "No problem. Just rip yourself loose." Are you sure?" It will destroy you undies." She narrowed her eyes with a seductuve look. "Rip it." Very well." He jerked his hand away, but the panties came with him. He yanked his hand back and forth, but the lacy, latex material simply stretched with him. "Santo cielo, they are indestructible." Lara laughed. He continued to wage battle, but to no avail. "They could use this material to build spaceships.
Kerrelyn Sparks (Secret Life of a Vampire (Love at Stake, #6))
A KISS! A KISS!" the crowd chanted. (...) "I dont know," Cleo began, sickened by the thought of it. How far was she willing to go to appear agreeable? "Quite honestly, it seems like a bad--" Magnus took a tight hold of her arm and turned her around. Before she could say another word, he put his hand behind her neck, drew her closer to him, and kissed her. Every muscle in her body stiffened. It was the sensation of being a bird caught in a hinter's trap. Her wings screamed out for her to fly away as fast and as far as possible. But he held her firmly in place, his mouth against hers, soft but demanding a response. She gripped the front of his shirt. It was all too much--she wasn't sure if she was pushing him away or pulling him closer. Much like diving into deep water, she had no idea which way would find her air to breathe or which way would drag her down deeper into the depths where she would surely drown. And for a moment, just a moment, she found it didn't seem to matter. The warmth of his body against hers on such a cold day, his now-familiar scent of sandalwood, the heat of his mouth against hers...it all made her head spin, and logic fell away.
Morgan Rhodes (Rebel Spring (Falling Kingdoms, #2))
[American family court] is a system that is corrupt on his best day. It is like being tied to the back of a pickup truck and dragged down a gravel late at night. No one can hear your cries and complaints and it is not over until they say it's over.
Alec Baldwin (A Promise to Ourselves: A Journey Through Fatherhood and Divorce)
In loving him, I saw a cigarette between the fingers of a hand, smoke blowing backwards into the room and sputtering planes diving low through the clouds. In loving him, I saw men encouraging each other to lay down their arms. In loving him, I saw small-town laborers creating excavations that other men spend their lives trying to fill. In loving him, I saw moving films of stone buildings; I saw a hand in prison dragging snow in from the sill. In loving him, I saw great houses being erected that would soon slide into the waiting and stirring seas. I saw him freeing me from the silences of the interior life.
David Wojnarowicz (Close to the Knives: A Memoir of Disintegration)
I was on a mission. I had to learn to comfort myself, to see what others saw in me and believe it. I needed to discover what the hell made me happy other than being in love. Mission impossible. When did figuring out what makes you happy become work? How had I let myself get to this point, where I had to learn me..? It was embarrassing. In my college psychology class, I had studied theories of adult development and learned that our twenties are for experimenting, exploring different jobs, and discovering what fulfills us. My professor warned against graduate school, asserting, "You're not fully formed yet. You don't know if it's what you really want to do with your life because you haven't tried enough things." Oh, no, not me.." And if you rush into something you're unsure about, you might awake midlife with a crisis on your hands," he had lectured it. Hi. Try waking up a whole lot sooner with a pre-thirty predicament worm dangling from your early bird mouth. "Well to begin," Phone Therapist responded, "you have to learn to take care of yourself. To nurture and comfort that little girl inside you, to realize you are quite capable of relying on yourself. I want you to try to remember what brought you comfort when you were younger." Bowls of cereal after school, coated in a pool of orange-blossom honey. Dragging my finger along the edge of a plate of mashed potatoes. I knew I should have thought "tea" or "bath," but I didn't. Did she want me to answer aloud? "Grilled cheese?" I said hesitantly. "Okay, good. What else?" I thought of marionette shows where I'd held my mother's hand and looked at her after a funny part to see if she was delighted, of brisket sandwiches with ketchup, like my dad ordered. Sliding barn doors, baskets of brown eggs, steamed windows, doubled socks, cupcake paper, and rolled sweater collars. Cookouts where the fathers handled the meat, licking wobbly batter off wire beaters, Christmas ornaments in their boxes, peanut butter on apple slices, the sounds and light beneath an overturned canoe, the pine needle path to the ocean near my mother's house, the crunch of snow beneath my red winter boots, bedtime stories. "My parents," I said. Damn. I felt like she made me say the secret word and just won extra points on the Psychology Game Network. It always comes down to our parents in therapy.
Stephanie Klein (Straight Up and Dirty)
The brush of Death’s fingers down my face, like a calming caress. I thought I would be frightened of him and the end he’s dragging me towards. But it’s comforting in a way, being fully aware that this is the end.
Lauren Roberts (Powerful (The Powerless Trilogy, #1.5))
Look,” I began, “I get it. You don’t like me, but—” “I don’t like you?” He let out a low, flat laugh. One fell into the next, and it was awful—not at all him. He was half choking on them as he turned around, shaking his head. It almost sounded like a sob, the way his breath burst out of him. “I don’t like you,” he repeated, his face bleak. “I don’t like you?” “Liam—” I started, alarmed. “I can’t—I can’t think about anything or anyone else,” he whispered. A hand drifted up, dragging back through his hair. “I can’t think straight when you’re around. I can’t sleep. It feels like I can’t breathe—I just—” “Liam, please,” I begged. “You’re tired. You’re barely over being sick. Let’s just… Can we just go back to the others?” “I love you.” He turned toward me, that agonized expression still on his face. “I love you every second of every day, and I don’t understand why, or how to make it stop—” He looked wild with pain; it pinned me in place, even before what he had said registered in my mind. “I know it’s wrong; I know it down to my damn bones. And I feel like I’m sick. I’m trying to be a good person, but I can’t. I can’t do it anymore.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
The great drama will end, not with "saved souls" being snatched up into heaven, away from the wicked earth and the mortal bodies which have dragged them down into sin, but with the New Jerusalem coming down from heaven to earth, so that "the dwelling of God is with humans" (Revelation 21:3).
N.T. Wright (Simply Christian)
Mom says dwelling in your feelings is no way to live, that there will always be something to be upset about and the secret to a happy life is not to let yourself be dragged down into negativity. She doesn’t understand how satisfying sadness can be; hours spent rocking in the hammock with Fiona Apple in my ears make me feel better than happy.
Kate Elizabeth Russell (My Dark Vanessa)
But I'm a believer in the perfectibility of human beings. I think we can be better. I think we can be perfect or near to it. And when we become our best selves, the possibilities are endless. We can solve any problem. We can cure any disease, end hunger, everything, because we won't be dragged down by all our weaknesses, our petty secrets, our hoarding of information and knowledge. We will finally realize our potential.
Dave Eggers (The Circle (The Circle, #1))
How to change the world: • spread positivity • bring people up instead of dragging them down • treat others the way you wish to be treated
Germany Kent
Your parents were fighting machines and self-pitying machines. Your mother was programmed to bawl out your father for being a defective moneymaking machine, and your father was programmed to bawl out your mother for being a defective housekeeping machine. They were programmed to bawl each other out for being defective loving machines. Then your father was programmed to stomp out of the house and slam the door. This automatically turned your mother into a weeping machine. And your father would go down to the tavern where he would get drunk with some other drinking machines. Then all the drinking machines would go to a whorehouse and rent fucking machines. And then your father would drag himself home to become an apologizing machine. And your mother would become a very slow forgiving machine.
Kurt Vonnegut Jr. (Breakfast of Champions)
Good God!" she cried. She rolled off him, tugging down her clothing. "Are you mad?" He blinked and dragged in air. "Well, yes," He said thickly. "Lust does that to a man." "You thought we would--you would-- do...that in public?" "I wasn't thinking about where we were." He said. Her eyes widened. "I'm a man," he said with what he was sure must be, in the circumstances, saintly patience. "I can do one or the other. Lovemaking or thinking. But not both at the same time." She stared at him for a moment. Then she drew up her knees and folded her arms upon them and buried her face in her folded arms. She did not pick up the rifle and knock him on the head with it. Perhaps all was not lost. "Somewhere else then?" He said hopefully.
Loretta Chase (Mr. Impossible (Carsington Brothers, #2))
He pleaded with his eyes to remain there. The driver was perplexed. His comrades talked of how a dog could break its heart through being denied the work that killed it, and recalled instances they had known, where dogs, too old for the toil, or injured, had died because they were cut out of the traces. Also, they held it a mercy, since Dave was to die anyway, that he should die in the traces, heart-easy and content. So he was harnessed in again, and proudly he pulled as of old, though more than once he cried out involuntarily from the bite of his inward hurt. Several times he fell down and was dragged in the traces, and once the sled ran upon him so that he limped thereafter in one of his hind legs.
Jack London (The Call of the Wild)
Being an absolute ruler today was not as simple as people thought. At least, it was not simple if your ambitions included being an absolute ruler tomorrow. There were subtleties. Oh, you could order men to smash down doors and drag people off the dungeons without trial, but too much of that sort of thing lacked style and anyway was bad for business, habit-forming and very, very dangerous for your health. A thinking tyrant, it seemed to Vetinari, had a much harder job than a ruler raised to power by some idiot vote-yourself-rich system like democracy. At least they could tell the people he was their fault.
Terry Pratchett (Going Postal (Discworld, #33; Moist von Lipwig, #1))
The sick woman was usurping the place of the healthy one. He was being dragged back from the memory of the sunlit down and the quick, laughing girl, back to this unhealthy, overheated room and its complaining occupant.
Aldous Huxley (Crome Yellow)
What, am I supposed to feel guilty?" I say. He looks confused. "Guilty?" "That I feel fine for once? That I'm not limping and moaning around? Dragging my leg like Briana? Lying on the floor, crying into my ears when everyone else around me rolls their eyes? I'm supposed to feel bad that I'm better now? I'm supposed to cry over a little cut. To what? To make you feel like I'm not a monster. I need to perform my little bit of pain for you so you'll know I'm human?" "Miranda, I didn't mean—" "But not too much pain, am I right? Not too much, never too much. If it was too much, you wouldn't know what to do with me, would you? Too much would make you uncomfortable. Bored. My crying would leave a bad taste. That would just be bad theater, wouldn't it? A bad show. You want a good show. They all do. A few pretty tears on my cheeks that you can brush away. Just a delicate little bit of ouch so you know there's someone in there. So you don't get too scared of me, am I right? So you know I'm still a vulnerable thing. That I can be brought down if need be.
Mona Awad (All's Well)
One of the dangers of having a lot of money is that you may be quite satisfied with the kinds of happiness money can give, and so fail to realize your need for God. If everything seems to come simply by signing checks, you may forget that you are at every moment totally dependent on God. Now, quite plainly natural gifts carry with them a similar danger. If you have sound nerves and intelligence and health and popularity and a good upbringing, you are likely to be quite satisfied with your character as it is. “Why drag God into it?” you may ask. A certain level of good conduct comes fairly easily to you. You are not one of those wretched creatures who are always being tripped up by sex or dipsomania or nervousness or bad temper. Everyone says you are a nice chap, and between ourselves, you agree with them. You are quite likely to believe that all this niceness is your own doing, and you may easily not feel the need for any better kind of goodness. Often people who have all these natural kinds of goodness cannot be brought to recognize their need for Christ at all until one day, the natural goodness lets them down, and their self-satisfaction is shattered. In other words, it is hard for those who are rich in this sense to enter the kingdom.
C.S. Lewis (Mere Christianity)
Beautiful things always intimidate me [...] More than that, they drag me down. How can that be? Is it a superstition that beauty elevates mankind?
Yukio Mishima (Forbidden Colors)
Listen, when you’re a black man in America you live with the weight of people’s low expectations on your back every day. They can crush you right down to the goddamn ground. Think about it like it’s a race. Everybody else has a head start and you dragging those low expectations behind you. Choices give you freedom from those expectations. Allows you to cut ’em loose. Because that’s what freedom is. Being able to let things go. And nothing is more important than freedom. Nothing. You hear me, boy?” Beauregard said. Javon nodded his head. “Alright
S.A. Cosby (Blacktop Wasteland)
Ben wasn’t sure when it had all started to go so wrong but it had definitely been the Lemon Puff’s fault. What a screw up. First she brains him in the head with a drawer, then she almost suffocates him, then she pins him to the floor, proving exactly what he knew already, this girl was no lightweight. Being dragged face down across the bank floor by his ankles was no picnic either.
Jane Cousins (Three For The Bank Job (By The Numbers, #3))
The Psalms show us what healthy spiritual life looks like. You name everything that's happening inside of you. You give it language and expression, You articulate exactly what the desolation feels like. If you don't drag it up and give it words, then it's buried down in your being somewhere. And it will come out in other ways. Unhealthy, destructive ways. You'll keep it bottled up. And you'll be miserable.
Rob Bell (What Is the Bible?: How an Ancient Library of Poems, Letters, and Stories Can Transform the Way You Think and Feel About Everything)
My Father, the Age I Am Now Time, which diminishes all things, increases understanding for the aging. —PLUTARCH My mother was the star: Smart and funny and warm, A patient listener and an easy laugher. My father was . . . an accountant: Not one to look up to, Ask advice from, Confide in. A man of few words. We faulted him—my mother, my sister, and I, For being this dutiful, uninspiring guy Who never missed a day of work, Or wondered what our dreams were. Just . . . an accountant. Decades later, My mother dead, my sister dead, My father, the age I am now, Planning ahead in his so-accountant way, Sent me, for my records, Copies of his will, his insurance policies, And assorted other documents, including The paid receipt for his cemetery plot, The paid receipt for his tombstone, And the words that he had chosen for his stone. And for the first time, shame on me, I saw my father: Our family’s prime provider, only provider. A barely-out-of-boyhood married man Working without a safety net through the Depression years That marked him forever, Terrified that maybe he wouldn’t make it, Terrified he would fall and drag us down with him, His only goal, his life-consuming goal, To put bread on our table, a roof over our head. With no time for anyone’s secrets, With no time for anyone’s dreams, He quietly earned the words that made me weep, The words that were carved, the following year, On his tombstone: HE TOOK CARE OF HIS FAMILY.
Judith Viorst (Nearing Ninety: And Other Comedies of Late Life (Judith Viorst's Decades))
Is it love to worship a saint in heaven, whom you dare not touch, who hovers above you like a cloud, which floats away from you even as you gaze? To love is to feel one being in the world at one with us, our equal in sin as well as in virtue. To love, for us men, is to clasp one woman with our arms, feeling that she lives and breathes just as we do, suffers as we do, thinks with us, loves with us, and, above all, sins with us. Your mock saint who stands in a niche is not a woman if she have not suffered, still less a woman if she have not sinned. Fall at the feet of your idol an you wish, but drag her down to your level after that- the only level she should ever reach, that of your heart.
Emmuska Orczy (I Will Repay)
Panic always comes to me in the same way. First, I get a knot in the pit of my stomach that turns to nausea, then a fluttery breathlessness that no amount of deep breathing can cure. But what causes my fear is different every day, I never know what will set me off. It could be a kiss from my husband, or the lingering look of sadness in his eyes when he draws back. Sometimes I know he's already grieving for me, missing me even while I'm still here. Worse yet is Marah's quiet acceptance of everything I say. I would give anything for another of our old knock-down drag-out fights. That's one of the first things I'd say to you now, Marah: Those fights were real life. You were struggling to break free of being my daughter but unsure of how to be yourself, while I was afraid to let you go. It's the circle of love. I only wish I'd recognized it then. Your grandmother told me I'd know you were sorry for those years before you did, and she was right. I know you regret some of the things you said to me, as I regret my own words. None of that matters, though. I want you to know that. I love you and I know you love me.
Kristin Hannah (Firefly Lane (Firefly Lane, #1))
Falling in love sucks. It's like being dragged into a black hole. Once you get caught in the orbit, that's it. There's no getting out. The gravity of the emotion crushes you down until you're nothing but that, (...)
C.M. Stunich (Bad Day (Hard Rock Roots, #4))
Good God!" she cried. She rolled off him, tugging down her clothing. "Are you mad?" He blinked and dragged in air. "Well, yes," he said thickly. "Lust does that to a man." "You thought we could-you would-do...that? In public? "I wasn't thinking about where we were." Her eyes widened. "I'm a man," he said with what he was sure must be, in the circumstances, saintly patience. "I can do one or the other. Lovemaking or thinking. But not both at the same time.
Loretta Chase (Mr. Impossible (Carsington Brothers, #2))
The trousers were miles too long, even when Peter cuffed the legs. The socks bagged in the ankles, and the shirt and sweater were equally large. But when Peter finally managed to get the collars to lie right and glanced at the reflection he'd carved out of the dust on James's mirror, a shock went through him. This was the face which had haunted him all his life, the one he had looked in the eye on the day he left the Darling house for the last time. The hair, messy and short, enthusiastically curling without the weight of his old braid to drag it down. The stubborn chin. The clear, sharp, sullen eyes full of everything he had never been allowed to be. Peter ran his hands over himself slowly, breathing tentatively, feeling the weight of his chest under his shirt. He had given this body up. He had thought it belonged to Wendy, to the girl he wasn't. He had let his family make him believe that the only way he would ever be a boy was to be born again in a different shape, leaving everything of his body and history behind. He breathed out and settled in the feeling of being himself, of being something whole.
Austin Chant (Peter Darling)
I'm going to tell you something that no magazine or novel or television show will ever let on. Love wears you down. We think of it as hearts and flowers and happily ever after but in real life, the things you have to do in the name of love kill you... You end up doing a thousand things in a day in the name of love that you wouldn't ask a dog to do. Sex is the most powerful weapon in your arsenal innocence is attractive in children, but it makes brittle, disappointed adults. Someone liking you is just the beginning; it always starts nicely but before you know it it's like Persephone being dragged into the Underworld. Romantic love is an illusion Hughie,. It can be manupulated, twisted, piled up like a bunch of fun-house mirrors. The very nature of it is deceptive. It promises closeness but the only thing is ever really reveals is the dreams and fears of the person with the obsessions. That's why it's so easy to control
Kathleen Tessaro (The Flirt)
If the ability to read carries the average man no higher than the gossip of his neighbours, if he asks nothing more nourishing out of books and the theatre than he gets hanging about the store, the bar and the street-corner, then culture is bound to be dragged down to him instead of his being lifted up by culture.
Edith Wharton (French Ways and Their Meaning)
The gospel of Satan is not a system of revolutionary principles, nor yet a program of anarchy. It does not promote strife and war, but aims at peace and unity. It seeks not to set the mother against her daughter nor the father against his son, but fosters the fraternal spirit whereby the human race is regarded as one great “brotherhood.” It does not seek to drag down the natural man, but to improve and uplift him. It advocates education and cultivation and appeals to “the best that is within us.” It aims to make this world such a comfortable and congenial habitat that Christ’s absence from it will not be felt and God will not be needed. It endeavors to occupy man so much with this world that he has no time or inclination to think of the world to come. It propagates the principles of self-sacrifice, charity and benevolence, and teaches us to live for the good of others, and to be kind to all. It appeals strongly to the carnal mind and is popular with the masses, because it ignores the solemn facts that by nature man is a fallen creature, alienated from the life of God, and dead in trespasses and sins, and that his only hope lies in being born again.
Arthur W. Pink (Satan and His Gospel (Arthur Pink Collection Book 47))
The thing about being barren is that you’re not allowed to get away from it. Not when you’re in your thirties. My friends were having children, friends of friends were having children, pregnancy and birth and first birthday parties were everywhere. I was asked about it all the time. My mother, our friends, colleagues at work. When was it going to be my turn? At some point our childlessness became an acceptable topic of Sunday-lunch conversation, not just between Tom and me, but more generally. What we were trying, what we should be doing, do you really think you should be having a second glass of wine? I was still young, there was still plenty of time, but failure cloaked me like a mantle, it overwhelmed me, dragged me under, and I gave up hope. At the time, I resented the fact that it was always seen as my fault, that I was the one letting the side down. But as the speed with which he managed to impregnate Anna demonstrates, there was never any problem with Tom’s virility. I was wrong to suggest that we should share the blame; it was all down to me. Lara, my best friend since university, had two children in two years: a boy first and then a girl. I didn’t like them. I didn’t want to hear anything about them. I didn’t want to be near them. Lara stopped speaking to me after a while. There was a girl at work who told me—casually, as though she were talking about an appendectomy or a wisdom-tooth extraction—that she’d recently had an abortion, a medical one, and it was so much less traumatic than the surgical one she’d had when she was at university. I couldn’t speak to her after that, I could barely look at her. Things became awkward in the office; people noticed. Tom didn’t feel the way I did. It wasn’t his failure, for starters, and in any case, he didn’t need a child like I did. He wanted to be a dad, he really did—I’m sure he daydreamed about kicking a football around in the garden with his son, or carrying his daughter on his shoulders in the park. But he thought our lives could be great without children, too. “We’re happy,” he used to say to me. “Why can’t we just go on being happy?” He became frustrated with me. He never understood that it’s possible to miss what you’ve never had, to mourn for it.
Paula Hawkins (The Girl on the Train)
As she fell, Esther wasn’t worried about being blown off course and plummeting into the rocks below. She wasn’t worried about hitting the shallows and pin diving to the ocean floor and shattering her spine. She wasn’t even worried about Cthulhu. (Okay, maybe a little.) What she worried about was Eugene’s willingness to jump. The way he glanced down at the water far below and looked at it like it was home. The way he stepped lightly from the cliff’s edge, and the way he fell through the air faster than she did, dragged down by earth’s magnetic field. The way he flickered in the sunlight as he hit the water, the same way Tyler Durden flashed on-screen four times before you saw him solidly. Foreshadowing the twist to come. Eugene was afraid of demons, and monsters, and above all the dark, but he was not afraid of death. That scared her more than anything.
Krystal Sutherland (A Semi-Definitive List of Worst Nightmares)
Perhaps we are not following Christ all the way or in the right spirit. We are likely, for example, to be a little sparing of the palms and hosannas. We are chary of wielding the scourge of small cords, lest we should offend somebody or interfere with trade. We do not furnish up our wits to disentangle knotty questions about Sunday observance and tribute money, nor hasten to sit at the feet of the doctors, both hearing them and asking them questions. We pass hastily over disquieting jests about making friends with the mammon of unrighteousness and alarming observations about bringing not peace but a sword; nor do we distinguish ourselves by the graciousness by which we sit at meat with publicans and sinners. Somehow or other, and with the best intentions, we have shown the world the typical Christian in the likeness of a crashing and rather ill-natured bore---and this in the name of the one who assuredly never bored a soul in those thirty-three years during which he passed through the world like a flame. Let us, in heaven's name, drag out the divine drama from under the dreadful accumulation of slipshod thinking and trashy sentiment heaped upon it, and set it on an open stage to startle the world into some sort of vigorous reaction. If the pious are the first to be shocked, so much worse for the pious---others will pass into the kingdom of heaven before them. If all men are offended because of Christ, let them be offended; but where is the sense of their being offended at something that is not Christ and is nothing like him? We do him singularly little honor by watering down his personality till it could not offend a fly. Surely it is not the business of the Church to adapt Christ to men, but to adapt men to Christ.
Dorothy L. Sayers (Letters to a Diminished Church: Passionate Arguments for the Relevance of Christian Doctrine)
New Rule: Just because a country elects a smart president doesn't make it a smart country. A couple of weeks ago, I was asked on CNN if I thought Sarah Palin could get elected president, and I said I hope not, but I wouldn't put anything past this stupid country. Well, the station was flooded with emails, and the twits hit the fan. And you could tell that these people were really mad, because they wrote entirely in CAPITAL LETTERS!!! Worst of all, Bill O'Reilly refuted my contention that this is a stupid country by calling me a pinhead, which (a) proves my point, and (b) is really funny coming from a doody-face like him. Now, before I go about demonstration how, sadly, easy it is to prove the dumbness that's dragging us down, let me just say that ignorance has life-and-death consequences. On the eve of the Iraq War, seventy percent of Americans thought Saddam Hussein was personally involved in 9/11. Six years later, thirty-four percent still do. Or look at the health-care debate: At a recent town hall meeting in South Carolina, a man stood up and told his congressman to "keep your government hands off my Medicare," which is kind of like driving cross-country to protest highways. This country is like a college chick after two Long Island iced teas: We can be talked into anything, like wars, and we can be talked out of anything, like health care. We should forget the town halls, and replace them with study halls. Listen to some of these stats: A majority of Americans cannot name a single branch of government, or explain what the Bill of Rights is. Twenty-four percent could not name the country America fought in the Revolutionary War. More than two-thirds of Americans don't know what's in Roe v. Wade. Two-thirds don't know what the Food and Drug Administration does. Some of this stuff you should be able to pick up simply by being alive. You know, like the way the Slumdog kid knew about cricket. Not here. Nearly half of Americans don't know that states have two senators, and more than half can't name their congressman. And among Republican governors, only three got their wife's name right on the first try. People bitch and moan about taxes and spending, but they have no idea what their government spends money on. The average voter thinks foreign aid consumes more twenty-four percent of our budget. It's actually less than one percent. A third of Republicans believe Obama is not a citizen ad a third of Democrats believe that George Bush had prior knowledge of the 9/11 attacks, which is an absurd sentence, because it contains the words "Bush" and "knowledge." Sarah Palin says she would never apologize for America. Even though a Gallup poll say eighteen percent of us think the sun revolves around the earth. No, they're not stupid. They're interplanetary mavericks. And I haven't even brought up religion. But here's one fun fact I'll leave you with: Did you know only about half of Americans are aware that Judaism is an older religion than Christianity? That's right, half of America looks at books called the Old Testament and the New Testament and cannot figure out which came first. I rest my case.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Well, now,” Mrs. Havisham said, all but purring as she leaned forward, ample cleavage on display. “You’ve grown up, haven’t you? Tell me, Gustavo. What are your thoughts on having an experienced lover?” “Not many,” Gus said. “In fact, none at all. Also? I came out when I was thirteen. You were there. As was the whole town. Pastor Tommy announced it at the Fall Harvest Festival. On stage. Into a microphone. There was apple pie afterward.” “Still?” she said with an exaggerated pout. “Yes,” Gus said, deadpan as he could make it. “Still. Funny how that works.” “Well, if you change your mind, you know where to find me,” she said, dragging a pink fingernail down his arm. “My door is always open. Like my body.” “That’s not even remotely healthy,” Gus said with a sniff. “Maybe that’s why I need your protein,” she said with a wink. “Nope,” Gus said. “Nope, nope, nope.” “You sure about that?” “Maybe you should close that door. And your legs.
T.J. Klune (How to Be a Normal Person (How to Be, #1))
You once said you would like to sit beside me while I write. Listen, in that case I could not write (I can’t do much, anyway), but in that case I could not write at all. For writing means revealing oneself to excess; that utmost of selfrevelation and surrender, in which a human being, when involved with others, would feel he was losing himself, and from which, therefore, he will always shrink as long as he is in his right mind—for everyone wants to live as long as he is alive —even that degree of selfrevelation and surrender is not enough for writing. Writing that springs from the surface of existence— when there is no other way and the deeper wells have dried up—is nothing, and collapses the moment a truer emotion makes that surface shake. This is why one can never be alone enough when one writes, why there can never be enough silence around one when one writes, why even night is not night enough. This is why there is never enough time at one’s disposal, for the roads are long and it is easy to go astray, there are even times when one becomes afraid and has the desire—even without any constraint or enticement—to run back (a desire always severely punished later on), how much more so if one were suddenly to receive a kiss from the most beloved lips! I have often thought that the best mode of life for me would be to sit in the innermost room of a spacious locked cellar with my writing things and a lamp. Food would be brought and always put down far away from my room, outside the cellar’s outermost door. The walk to my food, in my dressing gown, through the vaulted cellars, would be my only exercise. I would then return to my table, eat slowly and with deliberation, then start writing again at once. And how I would write! From what depths I would drag it up! Without effort! For extreme concentration knows no effort. The trouble is that I might not be able to keep it up for long, and at the first failure—which perhaps even in these circumstances could not be avoided—would be bound to end in a grandiose fit of madness.
Franz Kafka (Letters to Felice)
How do people get to this clandestine Archipelago? Hour by hour planes fly there, ships steer their course there, and trains thunder off to it--but all with nary a mark on them to tell of their destination. And at ticket windows or at travel bureaus for Soviet or foreign tourists the employees would be astounded if you were to ask for a ticket to go there. They know nothing and they've never heard of the Archipelago as a whole or any one of its innumerable islands. Those who go to the Archipelago to administer it get there via the training schools of the Ministry of Internal Affairs. Those who go there to be guards are conscripted via the military conscription centers. And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest. Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity? The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: "You are under arrest." If you are arrested, can anything else remain unshattered by this cataclysm? But the darkened mind is incapable of embracing these dis­placements in our universe, and both the most sophisticated and the veriest simpleton among us, drawing on all life's experience, can gasp out only: "Me? What for?" And this is a question which, though repeated millions and millions of times before, has yet to receive an answer. Arrest is an instantaneous, shattering thrust, expulsion, somer­sault from one state into another. We have been happily borne—or perhaps have unhappily dragged our weary way—down the long and crooked streets of our lives, past all kinds of walls and fences made of rotting wood, rammed earth, brick, concrete, iron railings. We have never given a thought to what lies behind them. We have never tried to pene­trate them with our vision or our understanding. But there is where the Gulag country begins, right next to us, two yards away from us. In addition, we have failed to notice an enormous num­ber of closely fitted, well-disguised doors and gates in these fences. All those gates were prepared for us, every last one! And all of a sudden the fateful gate swings quickly open, and four white male hands, unaccustomed to physical labor but none­theless strong and tenacious, grab us by the leg, arm, collar, cap, ear, and drag us in like a sack, and the gate behind us, the gate to our past life, is slammed shut once and for all. That's all there is to it! You are arrested! And you'll find nothing better to respond with than a lamblike bleat: "Me? What for?" That's what arrest is: it's a blinding flash and a blow which shifts the present instantly into the past and the impossible into omnipotent actuality. That's all. And neither for the first hour nor for the first day will you be able to grasp anything else.
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation V-VII)
You are protected, in short, by your ability to love!" said Dum-bledore loudly. "The only protection that can possibly work against the lure of power like Voldemort's! In spite of all the temptation you have endured, all the suffering, you remain pure of heart, just as pure as you were at the age of eleven, when you stared into a mir-ror that reflected your heart's desire, and it showed you only the way to thwart Lord Voldemort, and not immortality or riches. Harry, have you any idea how few wizards could have seen what you saw in that mirror? Voldemort should have known then what he was dealing with, but he did not! But he knows it now. You have flitted into Lord Voldemort's mind without damage to yourself, but he cannot possess you with-out enduring mortal agony, as he discovered in the Ministry. I do not think he understands why, Harry, but then, he was in such a hurry to mutilate his own soul, he never paused to understand the incomparable power of a soul that is untarnished and whole." "But, sir," said Harry, making valiant efforts not to sound argu-mentative, "it all comes to the same thing, doesn't it? I've got to try and kill him, or —" "Got to?" said Dumbledore. "Of course you've got to! But not because of the prophecy! Because you, yourself, will never rest until you've tried! We both know it! Imagine, please, just for a moment, that you had never heard that prophecy! How would you feel about Voldemort now? Think!" Harry watched Dumbledore striding up and down in front ol him, and thought. He thought of his mother, his father, and Sinus. He thought of Cedric Diggory. He thought of all the terrible deeds he knew Lord Voldemort had done. A flame seemed to leap inside his chest, searing his throat. "I'd want him finished," said Harry quietly. "And I'd want to do it." "Of course you would!" cried Dumbledore. "You see, the prophecy does not mean you have to do anything! But the prophecy caused Lord Voldemort to mark you as his equal. ... In other words, you are free to choose your way, quite free to turn your back on the prophecy! But Voldemort continues to set store by the prophecy. He will continue to hunt you . . . which makes it certain, really, that —" "That one of us is going to end up killing the other," said Harry. "Yes." But he understood at last what Dumbledore had been trying to tell him. It was, he thought, the difference between being dragged into the arena to face a battle to the death and walking into the arena with your head held high. Some people, perhaps, would say that there was little to choose between the two ways, but Dumble-dore knew — and so do I, thought Harry, with a rush of fierce pride, and so did my parents — that there was all the difference in the world.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
You knew I was his mate when we went. I don't see how being High Lady alters anything.' 'It does.' I put my hands on my hips, ignoring his motion to continue. 'Why?' Cassian dragged a hand through his hair. 'Because... because as his mate, you were still... his to protect. Oh, don't get that look. He's yours to protect, too. I would have laid my life down for you as his mate- and as your friend. But you were still... his.' 'And as High Lady?' Cassian loosed a rough breath. 'As High Lady, you are mine. And Azriel's, and Mor's and Amren's. You belong to all of us, and we belong to you. We would not have... put you in so much danger.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Only Merlin and her guards ever woke her in the mornings, and her guards only shouted to her through the doors. Britt picked her head off her pillow. “Merlin?” Merlin, once again standing out in the hallway, hissed through the door.“You’re still in bed.” “Yeah, so?” “It is indecent for you to allow a man into your bedchambers when you are still in bed!” Britt rolled her eyes and sat up. “What did you want?” “Get up. We’re going to mass.” “No, we’re not. You might be, but I’m not.” “Oh yes you are, you little heathen.” “It’s boring. The pastor only talks in Greek or Hebrew or whatever that language is.” “He’s the archbishop, and he conducts the service in Latin.” “Mmm, yeah that,” Britt said, falling back into her bed with a thump. “Do not lie back down you unschooled foundling!” “Too late,” Britt said. “If you want me to go to mass you’re going to have to drag me out of here. How indecent would that be?
K.M. Shea (Enchanted (King Arthur and Her Knights, #2))
You get dragged down to the bottom so many times that it just seems like that’s the safest place to be. Otherwise, people are kicking you down there. You might as well just stay down there and make a home because it’s safer here… It’s no way to live. So I guess the message in the whole record is just: Fetch the fucking bolt cutters and get yourself out of the situation you’re in, whatever it is that you don’t like. Even if you can’t do it physically.
Fiona Apple
What do you mean? What do you demand of your captain? Are you then so easily turned from your design? Did you not call this a glorious expedition? And wherefore was it glorious? Not because the way was smooth and placid as a southern sea, but because it was full of dangers and terror; because at every new incident your fortitude was to be called forth and your courage exhibited; because danger and death surrounded it, and these you were to brave and overcome. For this was it a glorious, for this was it an honourable undertaking. You were hereafter to be hailed as the benefactors of your species; your names adored as belonging to brave men who encountered death for honour and the benefit of mankind. And now, behold, with the first imagination of danger, or, if you will, the first mighty and terrific trial of your courage, you shrink away, and are content to be handed down as men who had not strength enough to endure cold and peril; and so, poor souls, they were chilly and returned to their warm firesides. Why that requires not this preparation; ye need not have come thus far, and dragged your captain to the shame of a defeat, merely to prove yourselves cowards. Oh! be men, or be more than men. Be steady to your purposes and firm as a rock. This ice is not made of such stuff as your hearts may be; it is mutable and cannot withstand you if you say that it shall not. Do not return to your families with the stigma of disgrace marked on your brows. Return as heroes who have fought and conquered, and who know not what it is to turn their backs on the foe.
Mary Wollstonecraft Shelley
So Chaol brushed away her tears, lifted her chin, and kissed her. The kiss obliterated her. It was like coming home or being born or suddenly finding an entire half of herself that had been missing. His lips were hot and soft against hers—still tentative, and after a moment, he pulled back far enough to look into her eyes. She trembled with the need to touch him everywhere at once, to feel him touching her everywhere at once. He would give up everything to go with her. She twined her arms around his neck, her mouth meeting his in a second kiss that knocked the world out from under her. She didn’t know how long they stood on that roof, tangled up in each other, mouths and hands roving until she moaned and dragged him through the greenhouse, down the stairs, and into the carriage waiting outside.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
I still felt the burden of my involuntary role as a mammal dragging me down. In the same way that a night of sleep put wrinkles in a bedsheet, just being alive took a toll. To talk to someone you had to move the flesh on your face. You bathed to get rid of the grime that built up on your skin and clipped your nails because they kept growing. I exhausted myself trying to achieve the bare minimum, but it had never been enough. My will and my body would always disengage before I got there.
Rin Usami (Idol, Burning)
Knock it off,Finn!" I tried to pull my arm from him, but physically he was still stronger than me. "Loki is right. You are my tracker. You need to stop dragging me around and telling me what to do." "Loki?" Finn stopped so he could glare suspiciously at me. "You're on a first-name basis with the Vittra prisoner who kidnapped you? And you're lecturing me on propriety?" "I'm not lecturing you on anything!" I shouted, and I finally got my arm free from him. "But if I were to lecture you, it would be about how you're being such a jerk." "Hey,maybe you should just calm-" Duncan tried to interject. He'd been standing a few feet away from us, looking sheepish and worried. "Duncan,don't you dare tell me how to do my job!" Finn stabbed a finger at him. "You are the most useless, incompetent tracker I have ever met, and first chance I get,I'm going to recommend that the Queen dismiss you. And trust me, I'm doing you a favor. She should have you banished!" Duncan's entire face crumpled, and for a horrible moment I was certain he would cry. Instead,he just gaped at us, then lowered his eyes and nodded. "Finn!" I yelled, wanting to slap him. "Duncan did nothing wrong!" Duncan turned to walk away, and I tried to stop him. "Duncan,no. You don't need to go anywhere." He kept walking, and I didn't go after him. Maybe I should have,but I wanted to yell at Finn some more. "He repeatedly left you alone with the Vittra!" Finn shouted. "I know you have a death wish, but it's Duncan's job to prevent you from acting on it." "I am finding out more about the Vittra so I can stop this ridiculous fighting!" I shot back. "So I've been interviewing a prisoner. It's not that unusual,and I've been perfectly safe." "Oh,yeah, 'interviewing,'" Finn scoffed. "You were flirting with him." "Flirting?" I repeated and rolled my eyes. "You're being a dick because you think I was flirting? I wasn't, but even if I was,that doesn't give you the right to treat me or Duncan or anybody this way." "I'm not being a dick," Finn insisted. "I am doing my job, and fraternizing with the enemy is looked down on, Princess. If he doesn't hurt you, the Vittra or Trylle will." "We were only talking,Finn!" "I saw you,Wendy," Finn snapped. "You were flirting. You even wore your hair down when you snuck off to see him." "My hair?" I touched it. "I wore it down because I had a headache from training, and I wasn't sneaking. I was...No,you know what? I don't have to explain anything to you. I didn't do anything wrong, and I don't have to answer to you." "Princess-" "No,I don't want to hear it!" I shook my head. "I really don't want to do this right now.Just go away,Finn!
Amanda Hocking (Torn (Trylle, #2))
I took a few dragging steps toward the locker-room door. 'You're doing something to me that I wouldn't do to a dog,' I mumbled. 'What you're doing to me is worse than if you were to kill me. You're locking me up in shadows for the rest of my life. You're taking my mind away from me. You're condemning me slowly but surely to madness, to being without a mind. It won't happen right away, but sooner or later, in six months or in a year - Well, I guess that's that.' I fumbled my way out of the locker room and down the passageway outside, guiding myself with one arm along the wall, and past the sergeant's desk and down the steps, and then I was out in the street. ("All At Once, No Alice")
Cornell Woolrich (Tales of Obsession: Mystery Stories of Fatal Attractions and Deadly Desires)
Lady Sarah steps in, wearing her nightclothes under a fluffy ivory robe and a chastising expression. Behind her glasses, her eyes narrow on Henry. “So this is how it’s going to be, then? Married only a few days and I already have to search the palace to drag my husband to bed?” Henry goes to Sarah, like an invisible rope is reeling him to her. “Dragging me to your bed is something you’ll never have to do, love. You can even tie me there whenever you like, and I’ll be happy to reciprocate.” He kisses her mouth, as she blushes deep and bright. She leans back. “Then why are you down here instead of up there with me?” “There was an emergency.” “What kind of an emergency?” “You’re not going to believe it.” “Try me.” “Logan and Ellie are fucking.” She automatically glances at me, and her cheeks deepen to a shade of crimson. “I’m sure there’s a more delicate way to word that, Henry.” Henry nods, soberly. “You’re right, I’m sorry. Let me try again: Logan and Ellie are humping, like insatiable randy bunnies, all over the palace.” Sarah shakes her head. “You’re hopeless.” The Prince grins broadly. “It’s part of my charm.” “What am I going to do with you?” Henry kisses her again. “Take me to bed. Obviously.
Emma Chase (Royally Endowed (Royally, #3))
once there was a beautiful young panther who had a co-wife and a husband. Her name was Lara and she was unhappy because her husband and her co-wife were really in love; being nice to her was merely a duty panther society imposed on them. They had not even wanted to take her into their marriage as co-wife, since there were already perfectly happy. But she was an "extra" female in the group and that would not do. Her husband sometimes sniffed her breath and other emanations. He even, sometimes, made love to her. but whenever this happened, the co-wife, whose name was Lala, became upset. She and the husband, Baba, would argue, then fight, snarling and biting and whipping at each other's eyes with their tails. Pretty soon they'd become sick of this and would lie clutched in each other's paws, weeping. I am supposed to make love to her, Baba would say to Lala, his heartchosen mate. She is my wife just as you are. I did not plan things this way. This is the arrangement that came down to me. I know it, dearest, said Lala, through her tears. And this pain that I feel is what has come down to me. Surely it can't be right? These two sat on a rock in the forest and were miserable enough. But Lara, the unwanted, pregnant by now and ill, was devastated. Everyone knew she was unloved, and no other female panther wanted to share her own husband with her. Days went by when the only voice she heard was her inner one. Soon, she began to listen to it. Lara, it said, sit here, where the sun may kiss you. And she did. Lara, it said, lie here, where the moon can make love to you all night long. and she did. Lara, it said, one bright morning when she knew herself to have been well kissed and well loved: sit here on this stone and look at your beautiful self in the still waters of this stream. Calmed by the guidance offered by her inner voice, Lara sat down on the stone and leaned over the water. She took in her smooth, aubergine little snout, her delicate, pointed ears, her sleek, gleeming black fur. She was beautiful! And she was well kissed by the sun and well made love to by the moon. For one whole day, Lara was content. When her co-wife asked her fearfully why she was smiling, Lara only opened her mouth wider, in a grin. The poor co-wife ran trembling off and found their husband, Baba, and dragged him back to look at Lara. When Baba saw the smiling, well kissed, well made love to Lara, of course he could hardly wait to get his paws on her! He could tell she was in love with someone else, and this aroused all his passion. While Lala wept, Baba possessed Lara, who was looking over his shoulder at the moon. Each day it seemed to Lara that the Lara in the stream was the only Lara worth having - so beautiful, so well kissed, and so well made love to. And her inner voice assured her this was true. So, one hot day when she could not tolerate the shrieks and groans of Baba and Lala as they tried to tear each other's ears off because of her, Lara, who by now was quite indifferent to them both, leaned over and kissed her own serene reflection in the water, and held the kiss all the way to the bottom of the stream.
Alice Walker
No priest, no theologian stood at the manger of Bethlehem. And yet all Christian theology has its origin in the wonder of all wonders: that God became human. Holy theology arises from knees bent before the mystery of the divine child in the stable. Without the holy night, there is no theology. “God is revealed in flesh,” the God-human Jesus Christ — that is the holy mystery that theology came into being to protect and preserve. How we fail to understand when we think that the task of theology is to solve the mystery of God, to drag it down to the flat, ordinary wisdom of human experience and reason! Its sole office is to preserve the miracle as miracle, to comprehend, defend, and glorify God’s mystery precisely as mystery. This and nothing else, therefore, is what the early church meant when, with never flagging zeal, it dealt with the mystery of the Trinity and the person of Jesus Christ…. If Christmas time cannot ignite within us again something like a love for holy theology, so that we—captured and compelled by the wonder of the manger of the son of God—must reverently reflect on the mysteries of God, then it must be that the glow of the divine mysteries has also been extinguished in our heart and has died out.
Dietrich Bonhoeffer (God Is in the Manger: Reflections on Advent and Christmas)
Fear, hydra-headed fear, which is rampant in all of us, is a hang-over from lower forms of life. We are straddling two worlds, the one from which we have emerged and the one towards which we are heading. This is the deepest meaning of the word human, that we are a link, a bridge, a promise. It is in us that the life process is being carried to fulfillment. We have a tremendous responsibility, and it is the gravity of that which awakens our fears. We know that if we do not move forward, if we do not realize our potential being, we shall relapse, sputter out, and drag the world down with us. We carry Heaven and Hell within us; we are the cosmogonic builders. We have choice—and all creation is our range. For some it a terrifying prospect. It would be better, think they, if Heaven were above and Hell below—anywhere outside, but not within. But that comfort has been knocked from under us. There are no places to go to, either for reward or punishment. The place is always here and now, in your own person and according to your own fancy. The world is exactly what you picture it to be, always, every instant. It is impossible to shift the scenery about and pretend that you will enjoy another, a different act. The setting is permanent, changing with the mind and heart, not according to the dictates of an invisible stage director. You are the author, director and actor all in one: the drama is always going to be your own life, not some one else’s. A beautiful, terrible, ineluctable drama, like a suit made of your own skin. Would you want it otherwise? Could you invent a better drama?
Henry Miller (Sexus (The Rosy Crucifixion, #1))
The worst day of our lives was the day we broke your heart.” The words strike deep and take away my ability to speak as we face-off, eye to eye, for the first time since the night that tore us apart. “If you thought we left willingly, that we would leave her willingly for the cause, you were fucking wrong. Of course, we cared, and we didn’t want to lose it, but we left,” he exhales another drag as my chest tightens unbearably, “we left willingly and gave her up temporarily because of the sacrifices you made for us, Tobias. For the years you spent doing everything for us, risking your life, for us, because that’s the type of man you taught us to be.” His voice shakes as he speaks, his eyes darting down at the gravel between us. “And we started missing your love and loyalty the minute we lost it.” He exhales a plume of smoke and lifts watery eyes back to mine. “The second worst day of our lives was the day you broke our hearts,
Kate Stewart (The Finish Line (The Ravenhood, #3))
As regularly as the new moon searched for the tide, Hagar looked for a weapon and then slipped out of her house and went to find the man for whom she believed she had been born into the world. Being five years older than he was and his cousin as well did nothing to dim her passion. In fact her maturity and blood kinship converted her passion to fever, so it was more affliction than affection. It literally knocked her down at night, and raised her up in the morning, for when she dragged herself off to bed, having spent another day without his presence, her heart beat like a gloved fist against her ribs. And in the morning, long before she was fully awake, she felt a longing so bitter and tight it yanked her out of a sleep swept clean of dreams.
Toni Morrison (Song of Solomon)
Be near me now, My tormenter, my love, be near me— At this hour when night comes down, When, having drunk from the gash of sunset, darkness comes With the balm of musk in its hands, its diamond lancets, When it comes with cries of lamentation, with laughter with songs; Its blue-gray anklets of pain clinking with every step. At this hour when hearts, deep in their hiding places, Have begun to hope once more, when they start their vigil For hands still enfolded in sleeves; When wine being poured makes the sound of inconsolable children who, though you try with all your heart, cannot be soothed. When whatever you want to do cannot be done, When nothing is of any use; —At this hour when night comes down, When night comes, dragging its long face, dressed in mourning, Be with me, My tormenter, my love, be near me.
Faiz Ahmad Faiz
So," she said. All it was was no wheels on Profane, the boy a born pedestrian. Under his own power which was also power over her. Then what was she doing: declaring herself a dependent? As if here were the heart's authentic income-tax form, tortuous enough, mucked up with enough polysyllabic words to take her all of twenty-two years to figure out. At least that long: for surely it was complicated, being a duty you could rightfully avoid with none of fancy's Feds ever to worry about tracking you down on it, but. That "but." If you did take the trouble, even any first step, it meant stacking income against output; and who knew what embarrassments, exposés of self that might drag you into? Strange the places these things can happen in. Stranger that they ever do happen. She headed for the phone. It was in use. But she could wait.
Thomas Pynchon (V.)
What is an oyster if not the perfect food? It requires no preparation or cooking. Cooking would be an affront. It provides its own sauce. It’s a living thing until seconds before disappearing down your throat, so you know – or should know – that it’s fresh. It appears on your plate as God created it: raw, unadorned. A squeeze of lemon, or maybe a little mignonette sauce (red wine vinegar, cracked black pepper, some finely chopped shallot), about as much of an insult as you might care to tender against this magnificent creature. It is food at its most primeval and glorious, untouched by time or man. A living thing, eaten for sustenance and pleasure, the same way our knuckle-dragging forefathers ate them. And they have, for me anyway, the added mystical attraction of all that sense memory – the significance of being the first food to change my life. I blame my first oyster for everything I did after: my decision to become a chef, my thrill-seeking, all my hideous screwups in pursuit of pleasure. I blame it all on that oyster. In a nice way, of course.
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
We are small worms, Zorba, very small worms on the tiniest leaf of a gigantic tree. This tiny leaf is our earth; the other leaves are the stars you see moving at night. We drag ourselves along on our tiny leaf, eagerly ferreting around in it. We smell it: it has an odor. We taste it: it can be eaten. We strike it: it resounds, shouting like a living thing. Some of us human beings, the most fearless, reach the edge of the leaf. We bend over this edge with open eyes and ears, observing chaos below. We shudder. We divine the terrible drop beneath us, occasionally hear a sound made by the gigantic tree’s other leaves, sense the sap rising from the roots, swelling our hearts. In this way, leaning over the abyss, we realize with all our body and soul that we are being overcome by terror. What begins at that moment is—” I stopped. I had wanted to say, “What begins at that moment is poetry,” but Zorba would not have understood, so I kept silent. “What begins?” asked Zorba eagerly. “Why did you stop?” “At that moment, Zorba, begins the great danger,” I replied. “Some become dazed and delirious; others, growing afraid, take great pains to discover an answer that will brace their heart. These say, ‘God.’ Still others, calmly, bravely, look down at the drop from the leaf’s edge and say, ‘I like it.’ 
Nikos Kazantzakis (Zorba the Greek)
What do they think has happened, the old fools, To make them like this ? Do they somehow suppose It's more grown-up when your mouth hangs open and drools And you keep on pissing yourself, and can't remember Who called this morning ? Or that, if they only chose, They could alter things back to when they danced all night, Or went to their wedding, or sloped arms some September ? Or do they fancy there's really been no change, And they've always behaved as if they were crippled or tight, Or sat through days of thin continuous dreaming Watching light move ? If they don't (and they can't), it's strange: Why aren't they screaming ? At death, you break up: the bits that were you Start speeding away from each other for ever With no one to see. It's only oblivion, true: We had it before, but then it was going to end, And was all the time merging with a unique endeavour To bring to bloom the million-petalled flower Of being here. Next time you can't pretend There'll be anything else. And these are the first signs: Not knowing how, not hearing who, the power Of choosing gone. Their looks show that they're for it: Ash hair, toad hands, prune face dried into lines- How can they ignore it ? Perhaps being old is having lighted rooms Inside your head, and people in them, acting. People you know, yet can't quite name; each looms Like a deep loss restored, from known doors turning, Setting down a Iamp, smiling from a stair, extracting A known book from the shelves; or sometimes only The rooms themselves, chairs and a fire burning, The blown bush at the window, or the sun' s Faint friendliness on the wall some lonely Rain-ceased midsummer evening. That is where they live: Not here and now, but where all happened once. This is why they give An air of baffled absence, trying to be there Yet being here. For the rooms grow farther, leaving Incompetent cold, the constant wear and tear Of taken breath, and them crouching below Extinction' s alp, the old fools, never perceiving How near it is. This must be what keeps them quiet. The peak that stays in view wherever we go For them is rising ground. Can they never tell What is dragging them back, and how it will end ? Not at night? Not when the strangers come ? Never, throughout The whole hideous inverted childhood? Well, We shall find out.
Philip Larkin
When Your Small Form Tumbled into Me" I lay sprawled like a big-game rug across the bed: Belly down, legs wishbone-wide. It was winter. Workaday. Your father swung his feet to the floor. The kids upstairs dragged something back and forth On shrieking wheels. I was empty, blown-through By whatever swells, swirling, and then breaks Night after night upon that room. You must have watched For what felt like forever, wanting to be What we passed back and forth between us like fire. Wanting weight, desiring desire, dying To descend into flesh, fault, the brief ecstasy of being. From what dream of world did you wriggle free? What soared — and what grieved — when you aimed your will At the yes of my body alive like that on the sheets?
Tracy K. Smith (Life on Mars: Poems)
...Hell is the home of the unreal and of the seekers for happiness. It is the only refuge from heaven, which is, as I tell you, the home of the masters of reality, and from earth, which is the home of the slaves of reality. The earth is a nursery in which men and women play at being heroes and heroines, saints and sinners; but they are dragged down from their fool’s paradise by their bodies: hunger and cold and thirst, age and decay and disease, death above all, make them slaves of reality: thrice a day meals must be eaten and digested: thrice a century a new generation must be engendered: ages of faith, of romance, and of science are all driven at last to have but one prayer, “Make me a healthy animal.” But here you escape this tyranny of the flesh; for here you are not an animal at all: you are a ghost, an appearance, an illusion, a convention, deathless, ageless: in a word, bodiless. There are no social questions here, no political questions, no religious questions, best of all, perhaps, no sanitary questions. Here you call your appearance beauty, your emotions love, your sentiments heroism, your aspirations virtue, just as you did on earth; but here there are no hard facts to contradict you, no ironic contrast of your needs with your pretensions, no human comedy, nothing but a perpetual romance, a universal melodrama. As our German friend put it in his poem, “the poetically nonsensical here is good sense; and the Eternal Feminine draws us ever upward and on...
George Bernard Shaw (Man and Superman)
A few years ago, Ed and I were exploring the dunes on Cumberland Island, one of the barrier islands between the Atlantic Ocean and the mainland of south Georgia. He was looking for the fossilized teeth of long-dead sharks. I was looking for sand spurs so that I did not step on one. This meant that neither of us was looking very far past our own feet, so the huge loggerhead turtle took us both by surprise. She was still alive but just barely, her shell hot to the touch from the noonday sun. We both knew what had happened. She had come ashore during the night to lay her eggs, and when she had finished, she had looked around for the brightest horizon to lead her back to the sea. Mistaking the distant lights on the mainland for the sky reflected on the ocean, she went the wrong way. Judging by her tracks, she had dragged herself through the sand until her flippers were buried and she could go no farther. We found her where she had given up, half cooked by the sun but still able to turn one eye up to look at us when we bent over her. I buried her in cool sand while Ed ran to the ranger station. An hour later she was on her back with tire chains around her front legs, being dragged behind a park service Jeep back toward the ocean. The dunes were so deep that her mouth filled with sand as she went. Her head bent so far underneath her that I feared her neck would break. Finally the Jeep stopped at the edge of the water. Ed and I helped the ranger unchain her and flip her back over. Then all three of us watched as she lay motionless in the surf. Every wave brought her life back to her, washing the sand from her eyes and making her shell shine again. When a particularly large one broke over her, she lifted her head and tried her back legs. The next wave made her light enough to find a foothold, and she pushed off, back into the water that was her home. Watching her swim slowly away after her nightmare ride through the dunes, I noted that it is sometimes hard to tell whether you are being killed or saved by the hands that turn your life upside down.
Barbara Brown Taylor (Learning to Walk in the Dark: Because Sometimes God Shows Up at Night)
Hey, baby,” Chelsea said in a voice that bordered on baby talk as Mike bent down to give her a quick kiss. “Miss me?” Violet almost rolled her eyes. “I thought about you all period,” he answered, his voice husky. “Did you get the note I left in your backpack?” Violet couldn’t hold back any longer; she rolled her eyes. Neither of them noticed. “I did. You’re so sweet.” The cooing verged on sickening. “Did anyone say anything about your mustache?” Mike winced, as if he suddenly remembered the patchy hair on his upper lip. “A coupla’ people,” he reluctantly responded, and Violet suspected that he’d taken his hair share of ribbing over it. Chelsea ignored the obvious distress in his voice. “Vi and I gotta run or we’ll be late.” She stretched up to kiss him and then rubbed her thumb across the hairs above his lip as if she were petting them. “See you after class.” Chelsea tugged at Violet, who was still staring at his unsightly mustache. It was like seeing a car accident…hard to look away. “So do you? Like it, I mean?” Violet asked as she was being dragged down the hallway. “The mustache?” Chelsea grimaced. “God, no. It’s hideous on him.” “Then, why?” “I told you, to see if he’d actually do it. Don’t worry. I’m gonna make him shave it this weekend.” Violet wasn’t sure whether to congratulate her friend on her training abilities or reprimand her for being so cruel. In the end, she didn’t do either, mostly because she knew it wouldn’t make any difference. Chelsea was Chelsea. Trying to convince her that what she’d done was wrong would be like banging your head against a brick wall. It would be painful to you but accomplish nothing.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Education is at present concerned with outward efficiency, and it utterly disregards, or deliberately perverts, the inward nature of man; it develops only one part of him and leaves the rest to drag along as best it can. Our inner confusion, antagonism and fear ever overcome the outer structure of society, however nobly conceived and cunningly built. When there is not the right kind of education we destroy one another, and physical security for every individual is denied. To educate the student rightly is to help him to understand the total process of himself; for it is only when there is integration of the mind and heart in everyday action that there can be intelligence and inward transformation. While offering information and technical training, education should above all encourage an integrated outlook on life; it should help the student to recognize and break down in himself all social distinctions and prejudices, and discourage the acquisitive pursuit of power and domination. It should encourage the right kind of self-observation and the experiencing of life as a whole, which is not to give significance to the part, to the "me" and the "mine", but to help the mind to go above and beyond itself to discover the real. Freedom comes into being only through self-knowledge in one's daily occupations, that is, in one's relationship with people, with things, with ideas and with nature. If the educator is helping the student to be integrated, there can be no fanatical or unreasonable emphasis on any particular phase of life. It is the understanding of the total process of existence that brings integration. When there is self-knowledge, the power of creating illusions ceases, and only then is it possible for reality or God to be. Human beings must be integrated if they are to come out of any crisis, and specially the present world crisis, without being broken; therefore, to parents and teachers who are really interested in education, the main problem is how to develop an integrated individual. To do this, the educator himself must obviously be integrated; so the right kind of education is of the highest importance, not only for the young, but also for the older generation if they are willing to learn and are not too set in their ways. What we are in ourselves is much more important than the traditional question of what to teach the child, and if we love our children we will see to it that they have the right kind of educators.
J. Krishnamurti (Education and the Significance of Life)
Sunday night is my personal weekly Halloween. I walk along slowly and drag my fingertips along the bars of chocolate. Goddamn, you sexy little squares. Dark, milk, white, I do not discriminate. I eat it all. Those fluorescent sour candies that only obnoxious little boys like. I suck candy apples clean. If an envelope seal is sweet, I’ll lick it twice. Growing up, I was that kid who would easily get lured into a van with the promise of a lollipop. Sometimes, I let the retail seduction last for twenty minutes, ignoring Marco and feeling up the merchandise, but I’m so tired of male voices. “Five bags of marshmallows,” Marco says in a resigned tone. “Wine. And a can of cat food.” “Cat food is low carb.” He makes no move to scan anything, so I scan each item myself and unroll a few notes from my tips. “Your job involves selling things. Sell them. Change, please.” “I just don’t know why you do this to yourself.” Marco looks at the register with a moral dilemma in his eyes. “Every week you come and do this.” He hesitates and looks over his shoulder where his sugar book sits under a layer of dust. He knows not to try to slip it into my bag with my purchases. “I don’t know why you care, dude. Just serve me. I don’t need your help.” He’s not entirely wrong about my being an addict. I would lick a line of icing sugar off this counter right now if no one were around. I would walk into a cane plantation and bite right in... “Give me my change or I swear to God …” I squeeze my eyes shut and try to tamp down my temper. “Just treat me like any other customer.” He gives me a few coins’ change and bags my sweet, spongy drugs.
Sally Thorne (99 Percent Mine)
In the first fright and horror of her situation, Miss Pross passed the body as far from it as she could, and ran down the stairs to call for fruitless help. Happily, she bethought herself of the consequences of what she did, in time to check herself and go back. It was dreadful to go in at the door again; but, she did go in, and even went near it, to get the bonnet and other things that she must wear. These she put on, out on the staircase, first shutting and locking the door and taking away the key. She then sat down on the stairs a few moments to breathe and to cry, and then got up and hurried away. By good fortune she had a veil on her bonnet, or she could hardly have gone along the streets without being stopped. By good fortune, too, she was naturally so peculiar in appearance as not to show disfigurement like any other woman. She needed both advantages, for the marks of gripping fingers were deep in her face, and her hair was torn, and her dress (hastily composed with unsteady hands) was clutched and dragged a hundred ways.
Charles Dickens (A Tale of Two Cities)
Those who had seen eyes like hers before understood instantly that she was a woman who had suffered, but wore it well, with dignity and grace. Rather than dragging her down into depression, her pain had lifted her into a peaceful place. She was not a Buddhist, but shared philosophies with them, in that she didn’t fight what happened to her, but instead drifted with it, allowing life to carry her from one experience to the next. It was that depth and wisdom that shone through her work. An acceptance of life as it really was, rather than trying to force it to be what one wanted, and it never could be. She was willing to let go of what she loved, which was the hardest task of all. And the more she lived and learned and studied, the humbler she was. A monk she had met in Tibet called her a holy woman, which in fact she was, although she had no particular affinity for any formal church. If she believed in anything, she believed in life, and embraced it with a gentle touch. She was a strong reed bending in the wind, beautiful and resilient.
Danielle Steel (Matters of the Heart)
To Polyakov it was as though a fierce wind from downstream was sweeping up the Volga. Several times he was knocked off his feet; he fell to the ground no longer knowing what world he lived in, whether he was old or young, what was up and what was down. But Klimov dragged him along and finally they slid to the bottom of a huge crater. Here the darkness was threefold: the darkness of night, the darkness of dust and smoke, the darkness of a deep pit. They lay there beside one another; the same soft light, the same prayer for life filled both their heads. It was the same light, the same touching hope that glows in all heads and all hearts – in those of birds and animals as well as in those of human beings.
Vasily Grossman (Life and Fate)
You might want to pop your collar." "Hey if the biker doesn't pop his, I'm not popping mine. Also? We're thirty years past that fashion faux pas." "Yeah, but it still comes in handy when you're sporting a hickey." "What?" My hands flew to my neck, and I found the tender spot. "Shit. No, that's not-- I burned it. My hair wasn't cooperating, so I dragged out the curling iron." "Gabriel has a curling iron?" "No, I meant--Damn it." I rooted through my bag for concealer. "I'm sorry. If I'd noticed, I'd have hidden it." "I know." His lips twitched. "It is kinda funny, though, watching you guys scramble with excuses. Gabriel told me you weren't answering my calls because you forgot your phone in the car. Which is about as likely as you leaving your arm behind. He dried his hair so fast the back was sticking up. And then he scarfed down half the food I brought for lunch. I've never seen him eat like that." He smiled. "But I do appreciate he's being circumspect." "He's not going to wave it in your face." "No, but we are talking about Gabriel, who never goes out of his way to cushion anyone's feelings but yours. He's being very thoughtful. It's sweet. Just don't tell him I said that." "I won't." I finished applying the concealer. "Better?" "Yep." He leaned over for a better look and then stopped. "Is that a bite on your collarbone?" "Shit! No. Damn it. Ricky laughed as I frantically applied more makeup.
Kelley Armstrong (Rituals (Cainsville, #5))
I reach out and trace the dragon relic on his back, my fingers lingering on the raised silver scars, and he stiffens. They're all short, thin lines, too precise to be a whip, no rhyme or reason to their pattern but never intersecting. 'What happened?' I whisper, holding my breath. 'You really don't want to know.' He's tense, but doesn't move away from my touch. 'I do.' They don't look accidental. Someone hurt him deliberately maliciously, and it makes me want to hunt the person down and do the same to them. His jaw flexes as he looks over his shoulder, and his eyes meet mine. I bite my lip, knowing this moment can go either way. He can shut me out like always or he can actually let me in. 'There's a lot of them,' I murmur, dragging my fingers down his spine. 'A hundred and seven.' He looks away. The number makes my stomach lurch, and then my hand pauses. A hundred and seven. That's the number Liam mentioned. 'That's how many kids under the age of majority carry the rebellion relic.' 'Yeah.' I shift so I can see his face. 'What happened, Xaden?' He brushes my hair back, and the look that passes is over his face is so close to tender that it makes my heart stutter. 'I saw the opportunity to make a deal,' he says softly. 'And I took it.' 'What kind of deal leaves you with scars like that?' Conflict rages in his eyes, but then he sighs. 'The kind where I take personal responsibility for the loyalty of the hundred and seven kids the rebellion's leaders left behind, and in return, we're allowed to fight for our lives in the Riders Quadrant instead of being put to death like our parents.' He averts his gaze. 'I chose the chance of death over the certainty.' The cruelty of the offer and the sacrifice he made to save the others hits like a physical blow. I cradle his cheek and guide his face back to mine. 'So if any of them betray Navarre...' I lift my brows. 'Then my life is forfeit. The scars are a reminder.' It's why Liam says he owes him everything. 'I'm so sorry that happened to you.' Especially when he wasn't the one who led the rebellion. He looks at me like he sees into the very depths of who I am. 'You have nothing to apologise for.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Still keeping a tight grip on my neck, Darren dragged me back into the woods, and I knew instantly he was taking me past the perimeter. I fought and kicked against him, but I had already tired myself out from the chase. Once I felt the sharp tick at the back of my head, I could tell Darren had felt it, too, and then he threw me as hard as he could into the woods, and I stumbled and rolled on the ground. I knew I only had about five seconds, and Darren wasn’t going to let me back into the safe zone. I stayed low on the ground, knowing once the volts hit me I was going to crash. Better to already be low than to fall from standing up. And then I felt it. The sharp current cut through my veins like shards of glass, and I screamed in total agony as it felt like my body was being ripped apart. I writhed in pain, thinking that my head was going to split open as my muscles and limbs convulsed under the current. It was, without a doubt, the most painful thing I had ever experienced, and my body quickly shut down, needing only a few seconds to welcome the numb blackness that claimed me.
Jay Marie (Survival (Stronger, #2))
Tomorrow is just as real a thing as yesterday. So is day after next, and the rest of them. Because you cannot see the future, it does not follow that it is not there. Your own path may vary widely, but the piece of country you are to travel is solid and real. We have been most erroneously taught not to think of the future; to live only in the present: and at the same time we have been taught to guide our lives by an ideal of the remotest possible future - a postmortem eternity. Between the contradictory ideals of this paradox, most of us drag along, forced by the exigencies of business to consider some future, but ignoring most of it. A single human life is short enough to be well within range of anybody's mind. Allow for it eighty years: if you don't have eight you are that much in - so much less to plan for. Sit down wherever you happen to be; under twenty, over fifty, anywhere on the road; lift your eyes from your footsteps, and "look before and after." Look back, see the remarkable wiggling sort of path you have made; see the places where you made no progress at all, but simply tramped up and down without taking a step. Ask yourself: "If I had thought about what I should be feeling toady, would I have behaved as I did then?" Quite probably not. But why not? Why not, in deciding on own's path and gait at a given moment, consider that inevitable advancing future? Come it will; but how it comes, what it is, depends on us. Then look ahead; not merely just before your nose, but way ahead. It is a good and wholesome thing to plan out one's whole life; as one thinks it is likely to be; as one desires it should be; and then act accordingly. Suppose you are about twenty-five. Consider a number of persons of fifty or sixty, and how they look. Do you want to look like that? What sort of a body do you want at fifty? It is in your hands to make. In health, in character, in business, in friendship, in love, in happiness; your future is very largely yours to make. Then why not make it? Suppose you are thirty, forty, fifty, sixty. So long as you have a year before you it is worth while to consider it in advance. Live as a whole, not in disconnected fractions.
Charlotte Perkins Gilman
It’s no one’s fault really,” he continued. “A big city cannot afford to have its attention distracted from the important job of being a big city by such a tiny, unimportant item as your happiness or mine.” This came out of him easily, assuredly, and I was suddenly interested. On closer inspection there was something aesthetic and scholarly about him, something faintly professorial. He knew I was with him, listening, and his grey eyes were kind with offered friendliness. He continued: “Those tall buildings there are more than monuments to the industry, thought and effort which have made this a great city; they also occasionally serve as springboards to eternity for misfits who cannot cope with the city and their own loneliness in it.” He paused and said something about one of the ducks which was quite unintelligible to me. “A great city is a battlefield,” he continued. “You need to be a fighter to live in it, not exist, mark you, live. Anybody can exist, dragging his soul around behind him like a worn-out coat; but living is different. It can be hard, but it can also be fun; there’s so much going on all the time that’s new and exciting.” I could not, nor wished to, ignore his pleasant voice, but I was in no mood for his philosophising. “If you were a negro you’d find that even existing would provide more excitement than you’d care for.” He looked at me and suddenly laughed; a laugh abandoned and gay, a laugh rich and young and indescribably infectious. I laughed with him, although I failed to see anything funny in my remark. “I wondered how long it would be before you broke down and talked to me,” he said, when his amusement had quietened down. “Talking helps, you know; if you can talk with someone you’re not lonely any more, don’t you think?” As simple as that. Soon we were chatting away unreservedly, like old friends, and I had told him everything. “Teaching,” he said presently. “That’s the thing. Why not get a job as a teacher?” “That’s rather unlikely,” I replied. “I have had no training as a teacher.” “Oh, that’s not absolutely necessary. Your degrees would be considered in lieu of training, and I feel sure that with your experience and obvious ability you could do well.” “Look here, Sir, if these people would not let me near ordinary inanimate equipment about which I understand quite a bit, is it reasonable to expect them to entrust the education of their children to me?” “Why not? They need teachers desperately.” “It is said that they also need technicians desperately.” “Ah, but that’s different. I don’t suppose educational authorities can be bothered about the colour of people’s skins, and I do believe that in that respect the London County Council is rather outstanding. Anyway, there would be no need to mention it; let it wait until they see you at the interview.” “I’ve tried that method before. It didn’t work.” “Try it again, you’ve nothing to lose. I know for a fact that there are many vacancies for teachers in the East End of London.” “Why especially the East End of London?” “From all accounts it is rather a tough area, and most teachers prefer to seek jobs elsewhere.” “And you think it would be just right for a negro, I suppose.” The vicious bitterness was creeping back; the suspicion was not so easily forgotten. “Now, just a moment, young man.” He was wonderfully patient with me, much more so than I deserved. “Don’t ever underrate the people of the East End; from those very slums and alleyways are emerging many of the new breed of professional and scientific men and quite a few of our politicians. Be careful lest you be a worse snob than the rest of us. Was this the kind of spirit in which you sought the other jobs?
E.R. Braithwaite (To Sir, With Love)
Mary Hepburn was meanwhile murdering herself up in her room, lying on her bed with the polyethylene sheath of her "Jackie dress" swapped around her head. The sheath was now all steamed up inside, and she hallucinated that she was a great land tortoise lying on its back in the hot and humid hold of a sailing ship of long ago. She pawed the air in perfect futility, just as a land tortoise on its back would have done. As she had often told her students, sailing ships bound out across the Pacific used to stop off in the Galàpagos Islands to capture defenseless tortoises, who could live on their backs without food or water for months. They were so slow and tame and huge and plentiful. The sailors would capsize them without fear of being bitten or clawed. then they would drag them down to waiting longboats on the shore, using the animals' own useless suits of armor for sleds. They would store them on their backs in the dark paying no further attention to them until it was time for them to be eaten. the beauty of the tortoises to the sailors was that they were fresh meat which did not have to be refrigerated or eaten right away.
Kurt Vonnegut Jr. (Galápagos)
The person is both a self and a body, and from the beginning there is the confusion about where "he" really "is"-in the symbolic inner self or in the physical body. Each phenomenological realm is different. The inner self represents the freedom of thought, imagination, and the infinite reach of symbolism. the body represents determinism and boundness. The child gradually learns that his freedom as a unique being is dragged back by the body and its appendages which dictate "what" he is. For this reason sexuality is as much a problem for the adult as for the child: the physical solution to the problem of who we are and why we have emerged on this planet is no help-in fact, it is a terrible threat. It doesn't tell the person what he is deep down inside, what kind of distinctive gift he is to work upon the world. This is why it is so difficult to have sex without guilt: guilt is there because the body casts a shadow on the person's inner freedom, his "real self" that-through the act of sex-is being forced into a standardized, mechanical, biological role. Even worse, the inner self is not even being called into consideration at all; the body takes over completely for the total person, and this kind of guilt makes the inner self shrink and threaten to disappear. This is why a woman asks for assurance that the man wants "me" and "not only my body"; she is painfully conscious that her own distinctive inner personality can be dispensed with in the sexual act. If it is dispensed with, it doesn't count. The fact is that the man usually does want only the body, and the woman's total personality is reduced to a mere animal role. The existential paradox vanishes, and one has no distinctive humanity to protest. One creative way of coping with this is, of course, to allow it to happen and to go with it: what the psychoanalysts call "regression in the service of the ego." The person becomes, for a time, merely his physical self and so absolves the painfulness of the existential paradox and the guilt that goes with sex. Love is one great key to this kind of sexuality because it allows the collapse of the individual into the animal dimension without fear and guilt, but instead with trust and assurance that his distinctive inner freedom will not be negated by an animal surrender.
Ernest Becker (The Denial of Death)
Elide said quietly, “Marion was my mother’s name. She died defending Aelin Galathynius from her assassin. My mother bought Aelin time to run—to get away so she could one day return to save us all. My uncle, Vernon, watched and smiled as my father, the Lord of Perranth, was executed outside our castle. Then he took my father’s title and lands and home. And for the next ten years, my uncle locked me in the highest tower of Perranth Castle, with only my nursemaid for company. When I broke my foot and ankle, he did not trust healers enough to let them treat it. He kept bars on the tower windows to keep me from killing myself, and shackled my ankles to keep me from running. I left for the first time in a decade when he shoved me into a prison wagon and dragged me down to Morath. There, he made me work as a servant—for the humiliation and terror he delights in. I planned and dreamed of escaping every day. And when the time came … I took my chance. I did not know about the ilken, had only heard rumors of fell things being bred in the mountains beyond the Keep. I have no lands, no money, no army to offer Aelin Galathynius. But I will find her—and help her in whatever way I can. If only to keep just one girl, just one, from ever enduring what I did.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Yes. Do you remember?” Once more a shrug of the shoulders. “How should I remember? We have questioned thousands—” “Questioned! Beaten into unconsciousness, kidneys crushed, bones broken, thrown into cellars like sacks, dragged up again, faces torn, testicles crushed—that was what you called questioning! The hot frightful moaning of those who were no longer able to cry—questioned! The whimpering between unconsciousness and consciousness, kicks in the belly, rubber clubs, whips—yes, all that you innocently called ‘questioning’!” “Don’t move your hands! Or I’ll shoot you down! Do you remember little Max Rosenberg who lay beside me in the cellar with his torn body and who tried to smash his head on the cement wall to keep from being questioned again—questioned, why? Because he was a democrat! And Willmann who passed blood and had no teeth and only one eye left after he had been questioned by you for two hours—questioned, why? Because he was a Catholic and did not believe your Fuehrer was the new Messiah. And Riesenfeld whose head and back looked like raw lumps of flesh and who implored us to bite open his arteries because he was toothless and no longer able to do it himself after he had been questioned by you—questioned, why? Because he was against war and did not believe that culture is most perfectly expressed by bombs and flame throwers. Questioned! Thousands have been questioned, yes—don’t move your hands, you swine! And now finally I’ve got you and we are driving to a house with thick walls and we will be all alone and I’ll question you—slowly, slowly, for days, the Rosenberg treatment
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
He drew his fingers down over her collarbones drifting closer to her breasts. “The muscles here on our women are often as developed as ours.” Judging by the heated look in his eyes, he didn’t mind at all that she had breasts instead of muscular pecs. “And here.” Her pulse picked up as he cupped her breasts. “You’re rounder here. Softer. Fuller.” He squeezed them gently and drew his thumbs across the hard, sensitive peaks. Ava sucked in a breath as sensation shot through her. “Do that again.” He brushed his thumbs across the tight buds again., toyed with them and gave an experimental pinch. Ava jerked and arched against him. “You’re sensitive here,” he murmured. “Yes.” His lips captured hers once more, tasting and tempting as he explored her breasts and ratcheted up her need. She and Jak’ri had been nearly bare with each other countless times in their dreams as they swam and cavorted in Rounaka Sea, but they had been out in the open and the dreams had felt so real that she would never have thought of doing her lustful inclinations there for fear of being discovered. Now, however, they were alone. They were free and the cave enclosing them might has well have been a Honeymoon suite at a secluded resort. So there was no reason for her to hold back. She moaned. Jak’ri certainly wasn’t holding back. The women of Purvel might not have breasts like hers, but he sure as hell knew what to do with them, teasing and tweaking and squeezing until she squirmed against him. Her breath shortening. “Jak’ri,” she whispered, tunneling the fingers of one hand through his thick hair while she slid the other down his back and rocked against the thick, hard ridge concealed by his pants. “I want you.” Nodding he trailed heated kisses down her neck. “I want you too.” One of his big hands left her breast and cupped her ass, grinding her against him. “Are you ready to release your eggs?” Sensation shot through her. “Hmmm?” “Are you ready to release your eggs so I can fertilize them?” he murmured, clutching her closer. Her eyes flew open. “Wait, what?” She leaned back. “I assume your reproduce the same way Purveli’s do,” he said, dragging his eyes up from her breasts to meet hers. “You release your eggs, then I fertilize them.” She stared at him, stunned. Release her eggs? Did he mean like a…like a fish? Her gaze shot to the barely discernable scales that coated his broad chest and handsome face. Did Purveli’s not have sex the way humans and Lasaran’s did? His lips twitched as his eyes danced with mirth. Relief filled her. “Oh my gosh,” laughing Ava shoved one of his shoulders. “You are so bad.” He laughed. “Apologies, I couldn’t resist. My scales seemed to fascinate you.
Dianne Duvall (The Purveli (Aldebarian Alliance, #3))
ANA. Thank you: I am going to heaven for happiness. I have had quite enough of reality on earth. DON JUAN. Then you must stay here; for hell is the home of the unreal and of the seekers for happiness. It is the only refuge from heaven, which is, as I tell you, the home of the masters of reality, and from earth, which is the home of the slaves of reality. The earth is a nursery in which men and women play at being heroes and heroines, saints and sinners; but they are dragged down from their fool’s paradise by their bodies: hunger and cold and thirst, age and decay and disease, death above all, make them slaves of reality: thrice a day meals must be eaten and digested: thrice a century anew generation must be engendered: ages of faith, of romance, and of science are all driven at last to have but one prayer “Make me a healthy animal.” But here you escape this tyranny of the flesh; for here you are not an animal at all: you are a ghost, an appearance, an illusion, a convention, deathless, ageless: in a word, bodiless. There are no social questions here, no political questions, no religious questions, best of all, perhaps, no sanitary questions. Here you call your appearance beauty, your emotions love, your sentiments heroism, your aspirations virtue, just as you did on earth; but here there are no hard facts to contradict you, no ironic contrast of your needs with your pretensions, no human comedy, nothing but a perpetual romance, a universal melodrama. As our German friend put it in his poem, “the poetically nonsensical here is good sense; and the Eternal Feminine draws us ever upward and on”—without getting us a step farther. And yet you want to leave this paradise!
George Bernard Shaw (Don Juan in Hell: From Man and Superman)
Imagine you live on a planet where the dominant species is far more intellectually sophisticated than human beings but often keeps humans as companion animals. They are called the Gorns. They communicate with each other via a complex combination of telepathy, eye movements & high-pitched squeaks, all completely unintelligible & unlearnable by humans, whose brains are prepared for verbal language acquisition only. Humans sometimes learn the meaning of individual sounds by repeated association with things of relevance to them. The Gorns & humans bond strongly but there are many Gorn rules that humans must try to assimilate with limited information & usually high stakes. You are one of the lucky humans who lives with the Gorns in their dwelling. Many other humans are chained to small cabanas in the yard or kept in outdoor pens of varying size. They are so socially starved they cannot control their emotions when a Gorn goes near them. The Gorns agree that they could never be House-Humans. The dwelling you share with your Gorn family is filled with water-filled porcelain bowls.Every time you try to urinate in one,nearby Gorn attack you. You learn to only use the toilet when there are no Gorns present. Sometimes they come home & stuff your head down the toilet for no apparent reason. You hate this & start sucking up to the Gorns when they come home to try & stave this off but they view this as evidence of your guilt. You are also punished for watching videos, reading books, talking to other human beings, eating pizza or cheesecake, & writing letters. These are all considered behavior problems by the Gorns. To avoid going crazy, once again you wait until they are not around to try doing anything you wish to do. While they are around, you sit quietly, staring straight ahead. Because they witness this good behavior you are so obviously capable of, they attribute to “spite” the video watching & other transgressions that occur when you are alone. Obviously you resent being left alone, they figure. You are walked several times a day and left crossword puzzle books to do. You have never used them because you hate crosswords; the Gorns think you’re ignoring them out of revenge. Worst of all, you like them. They are, after all, often nice to you. But when you smile at them, they punish you, likewise for shaking hands. If you apologize they punish you again. You have not seen another human since you were a small child. When you see one you are curious, excited & afraid. You really don’t know how to act. So, the Gorn you live with keeps you away from other humans. Your social skills never develop. Finally, you are brought to “training” school. A large part of the training consists of having your air briefly cut off by a metal chain around your neck. They are sure you understand every squeak & telepathic communication they make because sometimes you get it right. You are guessing & hate the training. You feel pretty stressed out a lot of the time. One day, you see a Gorn approaching with the training collar in hand. You have PMS, a sore neck & you just don’t feel up to the baffling coercion about to ensue. You tell them in your sternest voice to please leave you alone & go away. The Gorns are shocked by this unprovoked aggressive behavior. They thought you had a good temperament. They put you in one of their vehicles & take you for a drive. You watch the attractive planetary landscape going by & wonder where you are going. You are led into a building filled with the smell of human sweat & excrement. Humans are everywhere in small cages. Some are nervous, some depressed, most watch the goings on on from their prisons. Your Gorns, with whom you have lived your entire life, hand you over to strangers who drag you to a small room. You are terrified & yell for your Gorn family to help you. They turn & walk away.You are held down & given a lethal injection. It is, after all, the humane way to do it.
Jean Donaldson (The Culture Clash: A Revolutionary New Way to Understanding the Relationship Between Humans and Domestic Dogs)
Flying Home As this plane dragged its track of used ozone half the world long thrusts some four hundred of us toward places where actual known people live and may wait, we diminish down in our seats, disappeared into novels of lives clearer than ours, and yet we do not forget for a moment the life down there, the doorway each will soon enter: where I will meet her again and know her again, dark radiance with, and then mostly without, the stars. Very likely she has always understood what I have slowly learned, and which only now, after being away, almost as far away as one can get on this globe, almost as far as thoughts can carry - yet still in her presence, still surrounded not so much by reminders of her as by things she had already reminded me of, shadows of her cast forward and waiting - can I try to express: that love is hard, that while many good things are easy, true love is not, because love is first of all a power, its own power, which continually must make its way forward, from night into day, from transcending union always forward into difficult day. And as the plane descends, it comes to me in the space where tears stream down across the stars, tears fallen on the actual earth where their shining is what we call spirit, that once the lover recognizes the other, knows for the first time what is most to be valued in another, from then on, love is very much like courage, perhaps it is courage, and even perhaps only courage. Squashed out of old selves, smearing the darkness of expectation across experience, all of us little thinkers it brings home having similar thoughts of landing to the imponderable world, the transoceanic airliner, resting its huge weight down, comes in almost lightly, to where with sudden, tiny, white puffs and long, black, rubberish smears all its tires know the home ground.
Galway Kinnell
Neil felt a half-second from losing his mind, but then Andrew said his name and Neil's thoughts ground to a startled halt. He was belatedly aware of his hand at his ear and his fingers clenched tight around his phone. He didn't remember pulling it from his pocket or making the decision to dial out. He lowered it and tapped a button, thinking maybe he'd imagined things, but Andrew's name was on his display and the timer put the call at almost a minute already. Neil put the phone back to his ear, but he couldn't find the words for the wretched feeling that was tearing away at him. In three months championships would be over. In four months he'd be dead. In five months the Foxes would be right back here for summer practices with six new faces. Neil could count his life on one hand now. On the other hand was the future he couldn't have: vice-captain, captain, Court. Neil had no right to mourn these missed chances. He'd gotten more than he deserved this year; it was selfish to ask for more. He should be grateful for what he had, and gladder still that his death would mean something. He was going to drag his father and the Moriyamas down with him when he went, and they'd never recover from the things he said. It was justice when he'd never thought he'd get any and revenge for his mother's death. He thought he'd come to terms with it but that hollow ache was back in his chest where it had no right to be. Neil felt like he was drowning. Neil found his voice at last, but the best he had was, "Come and get me from the stadium." Andrew didn't answer, but the quiet took on a new tone. Neil checked the screen again and saw the timer flashing at seventy-two seconds. Andrew had hung up on him. Neil put his phone away and waited. It was only a couple minutes from Fox Tower to the Foxhole Court, but it took almost fifteen minutes for Andrew to turn into the parking lot. He pulled into the space a couple inches from Neil's left foot and didn't bother to kill the engine. Kevin was in the passenger seat, frowning silent judgment at Neil through the windshield. Andrew got out of the car when Neil didn't move and stood in front of Neil. Neil looked up at him, studying Andrew's bored expression and waiting for questions he knew wouldn't come. That apathy should have grated against his raw nerves but somehow it steadied him. Andrew's disinterest in his psychological well-being was what had drawn Neil to him in the first place: the realization that Andrew would never flinch away from whatever poison was eating Neil alive.
Nora Sakavic (The King's Men (All for the Game, #3))
Mr. Rohan,” she heard Beatrix ask, “are you going to marry my sister?” Amelia choked on her tea and set the cup down. She sputtered and coughed into her napkin. “Hush, Beatrix,” Win murmured. “But she’s wearing his ring—” Poppy clamped her hand over Beatrix’s mouth. “Hush!” “I might,” Cam replied. His eyes sparkled with mischief as he continued. “I find your sister a bit lacking in humor. And she doesn’t seem particularly obedient. On the other hand—” One set of French doors flew open, accompanied by the sound of breaking glass. Everyone on the back terrace looked up in startlement, the men rising from their chairs. “No,” came Win’s soft cry. Merripen stood there, having dragged himself from his sickbed. He was bandaged and disheveled, but he looked far from helpless. He looked like a maddened bull, his dark head lowered, his hands clenched into massive fists. And his stare, promising death, was firmly fixed on Cam. There was no mistaking the bloodlust of a Roma whose kinswoman had been dishonored. “Oh, God,” Amelia muttered. Cam, who stood beside her chair, glanced down at her questioningly. “Did you say something to him?” Amelia turned red as she recalled her blood-spotted nightgown and the maid’s expression. “It must have been servants’ talk.” Cam stared at the enraged giant with resignation. “You may be in luck,” he said to Amelia. “It looks as if our betrothal is going to end prematurely.” She made to stand beside him, but he pressed her back into the chair. “Stay out of this. I don’t want you hurt in the fray.” “He won’t hurt me,” Amelia said curtly. “It’s you he wants to slaughter.” Holding Merripen’s gaze, Cam moved slowly away from the table. “Is there something you’d like to discuss, chal?” he asked with admirable self-possession. Merripen replied in Romany. Although no one save Cam understood what he said, it was clearly not encouraging. “I’m going to marry her,” Cam said, as if to pacify him. “That’s even worse!” Merripen moved forward, murder in his eyes. Lord St. Vincent swiftly interceded, stepping between the pair. Like Cam, he’d had his share of putting down fights at the gambling club. He lifted his hands in a staying gesture and spoke smoothly. “Easy, large fellow. I’m sure you can find a way to resolve your differences in a reasonable fashion.” “Get out of my way,” Merripen growled, putting an end to the notion of civilized discourse. St. Vincent’s pleasant expression didn’t change. “You have a point. There’s nothing so tiresome as being reasonable. I myself avoid it whenever possible. Still, I’m afraid you can’t brawl when there are ladies present. It might give them ideas.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
The last week of shooting, we did a scene in which I drag Amanda Wyss, the sexy, blond actress who played Tina, across the ceiling of her bedroom, a sequence that ultimately became one of the most visceral from the entire Nightmare franchise. Tina’s bedroom was constructed as a revolving set, and before Tina and Freddy did their dance of death, Wes did a few POV shots of Nick Corri (aka Rod) staring at the ceiling in disbelief, then we flipped the room, and the floor became the ceiling and the ceiling became the floor and Amanda and I went to work. As was almost always the case when Freddy was chasing after a nubile young girl possessed by her nightmare, Amanda was clad only in her baby-doll nightie. Wes had a creative camera angle planned that he wanted to try, a POV shot from between Amanda’s legs. Amanda, however, wasn’t in the cameramen’s union and wouldn’t legally be allowed to operate the cemera for the shot. Fortunately, Amy Haitkin, our director of photography’s wife, was our film’s focus puller and a gifted camera operator in her own right. Being a good sport, she peeled off her jeans and volunteered to stand in for Amanda. The makeup crew dapped some fake blood onto her thighs, she lay down on the ground, Jacques handed her the camera, I grabbed her ankles, and Wes called, “Action.” After I dragged Amy across the floor/ceiling, I spontaneously blew her a kiss with my blood-covered claw; the fake blood on my blades was viscous, so that when I blew her my kiss of death, the blood webbed between my blades formed a bubble, a happy cinematic accident. The image of her pale, slender, blood-covered legs, Freddy looming over her, straddling the supine adolescent girl, knife fingers dripping, was surreal, erotic, and made for one of the most sexually charged shots of the movie. Unfortunately it got left on the cutting-room floor. If Wes had left it in, the MPAA - who always seemed to have it out for Mr. Craven - would definitely have tagged us with an X rating. You win some, you lose some.
Robert Englund (Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams)
When K & I returned to the gingerbread house after taking Nana home, I was beyond exhausted. But I couldn't sleep, not for a long time. I stayed awake. Thinking of boys, of myself, & of all the intersections in between. ... Regardless, there were times when I was at least part boy. A femme boy deep down. Shy sweater fag, my cardigan on hand to comfort me in the cold world. Bookworm queer boy at heart, K told me on more than one occasion. Certain moods & I was the most enviable of drag princesses, eyelashes all a-flutter & my fingers tickling the air with each gesture. Sometimes I was full of flirtatious swagger, but that playful swag could turn fierce snarl for defense, if need be. Never, I promised myself one line I wouldn't cross, never would I be the mean kind of boy that laughed me back inside the store's red doors when I did no good at hot afternoon sour pissing contests. Of course, there were plenty of times I was such a fairy lady that I ceased to be even part boy. Yes, Rob would have accused me of bringing the communal growl down for saying I'm part boy. And pre-Stonewall dykes would have wanted to call my game. What kind of dyke was I, anyway? Good question. Simple & complicated all at once, I wasn't a pigeon to be tucked away neatly into a hole. I didn't wear a fixed category without feeling pain. I was more, or less, or something different entirely.
Felicia Luna Lemus (Trace Elements of Random Tea Parties)
What is the most beautiful place you’ve ever seen?” Dragging his gaze from the beauty of the gardens, Ian looked down at the beauty beside him. “Any place,” he said huskily, “were you are.” He saw the becoming flush of embarrassed pleasure that pinkened her cheeks, but when she spoke her voice was rueful. “You don’t have to say such things to me, you know-I’ll keep our bargain.” “I know you will,” he said, trying not to overwhelm her with avowals of love she wouldn’t yet believe. With a grin he added, “Besides, as it turned out after our bargaining session, I’m the one who’s governed by all the conditions, not you.” Her sideways glance was filled with laughter. “You were much too lenient at times, you know. Toward the end I was asking for concessions just to see how far you’d go.” Ian, who had been multiplying his fortune for the last four years by buying shipping and import-export companies, as well as sundry others, was regarded as an extremely tough negotiator. He heard her announcement with a smile of genuine surprise. “You gave me the impression that every single concession was of paramount importance to you, and that if I didn’t agree, you might call the whole thing off.” She nodded with satisfaction. “I rather thought that was how I ought to do it. Why are you laughing?” “Because,” he admitted, chuckling, “obviously I was not in my best form yesterday. In addition to completely misreading your feelings, I managed to buy a house on Promenade Street for which I will undoubtedly pay five times its worth.” “Oh, I don’t think so,” she said, and, as if she was embarrassed and needed a way to avoid meeting his gaze, she reached up and pulled a leaf off an overhanging branch. In a voice of careful nonchalance, she explained, “In matters of bargaining, I believe in being reasonable, but my uncle would assuredly have tried to cheat you. He’s perfectly dreadful about money.” Ian nodded, remembering the fortune Julius Cameron had gouged out of him in order to sign the betrothal agreement. “And so,” she admitted, uneasily studying the azure-blue sky with feigned absorption, “I sent him a note after you left itemizing all the repairs that were needed at the house. I told him it was in poor condition and absolutely in need of complete redecoration.” “And?” “And I told him you would consider paying a fair price for the house, but not one shilling more, because it needed all that.” “And?” Ian prodded. “He has agreed to sell it for that figure.” Ian’s mirth exploded in shouts of laughter. Snatching her into his arms, he waited until he could finally catch his breath, then he tipped her face up to his. “Elizabeth,” he said tenderly, “if you change your mind about marrying me, promise me you’ll never represent the opposition at the bargaining table. I swear to God, I’d be lost.” The temptation to kiss her was almost overwhelming, but the Townsende coach with its ducal crest was in the drive, and he had no idea where their chaperones might be. Elizabeth noticed the coach, too, and started toward the house. "About the gowns," she said, stopping suddenly and looking up at him with an intensely earnest expression on her beautiful face. "I meant to thank you for your generosity as soon as you arrived, but I was so happy to-that is-" She realized she'd been about to blurt out that she was happy to see him, and she was so flustered by having admitted aloud what she hadn't admitted to herself that she completely lost her thought. "Go on," Ian invited in a husky voice. "You were so happy to see me that you-" "I forgot," she admitted lamely.
Judith McNaught (Almost Heaven (Sequels, #3))
I’m okay. I think all this isolation, and all the extra security stuff, is just starting to wear on me. I’m going a little stir-crazy being cooped up all the time.” She tried to explain her sulky mood. “Especially with Homecoming this weekend. The idea of sitting around here, while everyone else is out having fun, just sucks.” He didn’t react the way she’d expected him to react. She’d expected some more sympathy, and maybe even some suggestive comments about the two of them being left alone together. What she didn’t expect was for him to smile at her. But he did. And it was his sideways smile, which told Violet that he knew something she didn’t. “What?” she demanded adamantly. He grinned. He was definitely keeping something from her. “Tell me!” she insisted, glowering at him. “I don’t know . . .” he teased her. “I’m not sure you deserve it.” She punched him in the arm for making her beg. “Please, just tell me.” He laughed at her. “Fine. I give up. Bully.” He pretended to rub his arm where she’d hit him. “What if I were to tell you that . . .”—he dragged it out, making her lean closer in anticipation, his crooked smile lighting up his face—“. . . we’re still going to the dance?” Violet was speechless. That wasn’t at all what she’d expected him to say. “Yeah, right,” she retorted cynically. “My parents barely let me go to school, let alone go to the dance.” “You’re right, they didn’t want you to go, but we talked about it, and even your uncle Stephen helped out. The football game was definitely out of the question; there are just too many people coming and going, and there’re no restrictions for getting in. But the dance is at school, in the gym. Only students and their dates can get in, and your uncle said he was already planning to have extra security there. So, as long as I promise to keep a close eye on you . . . which I do”—his voice suggested that the last part had nothing to do with keeping her safe, and Violet felt her cheeks flushing in response—“your parents have agreed to let you go.” She glanced down at her ankle, double-wrapped in Ace bandages, and completely useless. “But I can’t dance.” She felt crestfallen. He slid his finger beneath her shin and lifted it up so that she was staring into his eyes. “I don’t care at all if we dance. I just want to take my girlfriend”—his emphasis on the word gave her goose bumps, and she smiled—“to Homecoming.” They stayed there like that, with their eyes locked and unspoken meaning passing between them, for several long, electrifying moments. Violet was the first to break the spell. “Lissie’ll be there,” she stated in a voice that was devoid of any real jealousy. Jay shook his head, still gazing at her intently. “I won’t even notice her. I won’t be able to take my eyes off you.” Violet was glad she was already sitting, because his words made her feel weak and fluttery. The corner of her mouth twitched upward with satisfaction. “Not if I have any say in it, you won’t,” she answered.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Hymn to Mercury : Continued 11. ... Seized with a sudden fancy for fresh meat, He in his sacred crib deposited The hollow lyre, and from the cavern sweet Rushed with great leaps up to the mountain's head, Revolving in his mind some subtle feat Of thievish craft, such as a swindler might Devise in the lone season of dun night. 12. Lo! the great Sun under the ocean's bed has Driven steeds and chariot—the child meanwhile strode O'er the Pierian mountains clothed in shadows, Where the immortal oxen of the God Are pastured in the flowering unmown meadows, And safely stalled in a remote abode.— The archer Argicide, elate and proud, Drove fifty from the herd, lowing aloud. 13. He drove them wandering o'er the sandy way, But, being ever mindful of his craft, Backward and forward drove he them astray, So that the tracks which seemed before, were aft; His sandals then he threw to the ocean spray, And for each foot he wrought a kind of raft Of tamarisk, and tamarisk-like sprigs, And bound them in a lump with withy twigs. 14. And on his feet he tied these sandals light, The trail of whose wide leaves might not betray His track; and then, a self-sufficing wight, Like a man hastening on some distant way, He from Pieria's mountain bent his flight; But an old man perceived the infant pass Down green Onchestus heaped like beds with grass. 15. The old man stood dressing his sunny vine: 'Halloo! old fellow with the crooked shoulder! You grub those stumps? before they will bear wine Methinks even you must grow a little older: Attend, I pray, to this advice of mine, As you would 'scape what might appal a bolder— Seeing, see not—and hearing, hear not—and— If you have understanding—understand.' 16. So saying, Hermes roused the oxen vast; O'er shadowy mountain and resounding dell, And flower-paven plains, great Hermes passed; Till the black night divine, which favouring fell Around his steps, grew gray, and morning fast Wakened the world to work, and from her cell Sea-strewn, the Pallantean Moon sublime Into her watch-tower just began to climb. 17. Now to Alpheus he had driven all The broad-foreheaded oxen of the Sun; They came unwearied to the lofty stall And to the water-troughs which ever run Through the fresh fields—and when with rushgrass tall, Lotus and all sweet herbage, every one Had pastured been, the great God made them move Towards the stall in a collected drove. 18. A mighty pile of wood the God then heaped, And having soon conceived the mystery Of fire, from two smooth laurel branches stripped The bark, and rubbed them in his palms;—on high Suddenly forth the burning vapour leaped And the divine child saw delightedly.— Mercury first found out for human weal Tinder-box, matches, fire-irons, flint and steel. 19. And fine dry logs and roots innumerous He gathered in a delve upon the ground— And kindled them—and instantaneous The strength of the fierce flame was breathed around: And whilst the might of glorious Vulcan thus Wrapped the great pile with glare and roaring sound, Hermes dragged forth two heifers, lowing loud, Close to the fire—such might was in the God. 20. And on the earth upon their backs he threw The panting beasts, and rolled them o'er and o'er, And bored their lives out. Without more ado He cut up fat and flesh, and down before The fire, on spits of wood he placed the two, Toasting their flesh and ribs, and all the gore Pursed in the bowels; and while this was done He stretched their hides over a craggy stone.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
I prop my guitar up against the nightstand. Then I turn toward the bed and fall into it face first. The mattress is soft but firm, like a sheet of steel wrapped in a cloud. I roll around, moaning loud and long. “Oh, that’s good. Really, really good. What a grand bed!” Sarah clears her throat. “Well. We should probably get to sleep, then. Big day tomorrow.” The pillow smells sweet, like candy. I can only imagine it’s from her. I wonder if I pressed my nose to the crook of her neck, would her skin smell as delicious? I brush away the thought as I watch her stiffly gather a pillow and blanket from the other side of the bed, dragging them to . . . the nook. “What are you doing?” She looks up, her doe eyes widening. “Getting ready for bed.” “You’re going to sleep there?” “Of course. The sofa’s very uncomfortable.” “Why can’t we share the bed?” She chokes . . . stutters. “I . . . I can’t sleep with you. I don’t even know you.” I throw my arms out wide. “What do you want to know? Ask me anything—I’m an open book.” “That’s not what I mean.” “You’re being ridiculous! It’s a huge bed. You could let one rip and I wouldn’t hear it.” And the blush is back. With a vengeance. “I’m not . . . I don’t . . .” “You don’t fart?” I scoff. “Really? Are you not human?” She curses under her breath, but I’d love to hear it out loud. I bet uninhibited Sarah Von Titebottum would be a stunning sight. And very entertaining. She shakes her head, pinning me with her eyes. “There’s something wrong with you.” “No.” I explain calmly, “I’m just free. Honest with myself and others. You should try it sometime.” She folds her arms, all tight, trembling indignation. It’s adorable. “I’m sleeping in the nook, Your Highness. And that’s that.” I sit up, pinning her gaze right back at her. “Henry.” “What?” “My name is not Highness, it’s fucking Henry, and I’d prefer you use it.” And she snaps. “Fine! Fucking Henry—happy?” I smile. “Yes. Yes, I am.” I flop back on the magnificent bed. “Sleep tight, Titebottum.” I think she growls at me, but it’s muffled by the sound of rustling bed linens and pillows. And then . . . there’s silence. Beautiful, blessed silence. I wiggle around, getting comfy. I turn on my side and fluff the pillow. I squeeze my eyes tight . . . but it’s hopeless. “Fucking hell!” I sit up. And Sarah springs to her feet. “What? What’s wrong?” It’s the guilt. I’ve barged into this poor girl’s room, confiscated her bed, and have forced her to sleep in a cranny in the wall. I may not be the man my father was or the gentleman my brother is, but I’m not that much of a prick. I stand up, rip my shirt over my head. and march toward the window seat. I feel Sarah’s eyes graze my bare chest, arms. and stomach, but she circles around me, keeping her distance. “You take the bloody bed,” I tell her. “I’ll sleep in the bloody nook.” “You don’t have to do that.” I push my hand through my hair. “Yes, I do.” Then I stand up straight and proper, an impersonation of Hugh Grant in one of his classic royal roles. “Please, Lady Sarah.” She blinks, her little mouth pursed. “Okay.” Then she climbs onto the bed, under the covers. And I squeeze onto the window bench, knees bent, my elbow jammed against the icy windowpane, and my neck bent at an odd angle that I’m going to be feeling tomorrow. The light is turned down to a very low dim, and for several moments all I hear is Sarah’s soft breaths. But then, in the near darkness, her delicate voice floats out on a sigh. “All right, we can sleep in the bed together.” Music to my ears. I don’t make her tell me twice—I’ve fulfilled my noble quota for the evening. I stumble from the nook and crash onto the bed. That’s better.
Emma Chase (Royally Matched (Royally, #2))
[There is] no direct relationship between IQ and economic opportunity. In the supposed interests of fairness and “social justice”, the natural relationship has been all but obliterated. Consider the first necessity of employment, filling out a job application. A generic job application does not ask for information on IQ. If such information is volunteered, this is likely to be interpreted as boastful exaggeration, narcissism, excessive entitlement, exceptionalism [...] and/or a lack of team spirit. None of these interpretations is likely to get you hired. Instead, the application contains questions about job experience and educational background, neither of which necessarily has anything to do with IQ. Universities are in business for profit; they are run like companies, seek as many paying clients as they can get, and therefore routinely accept people with lukewarm IQ’s, especially if they fill a slot in some quota system (in which case they will often be allowed to stay despite substandard performance). Regarding the quotas themselves, these may in fact turn the tables, advantaging members of groups with lower mean IQ’s than other groups [...] sometimes, people with lower IQ’s are expressly advantaged in more ways than one. These days, most decent jobs require a college education. Academia has worked relentlessly to bring this about, as it gains money and power by monopolizing the employment market across the spectrum. Because there is a glut of college-educated applicants for high-paying jobs, there is usually no need for an employer to deviate from general policy and hire an applicant with no degree. What about the civil service? While the civil service was once mostly open to people without college educations, this is no longer the case, and quotas make a very big difference in who gets hired. Back when I was in the New York job market, “minorities” (actually, worldwide majorities) were being spotted 30 (thirty) points on the civil service exam; for example, a Black person with a score as low as 70 was hired ahead of a White person with a score of 100. Obviously, any prior positive correlation between IQ and civil service employment has been reversed. Add to this the fact that many people, including employers, resent or feel threatened by intelligent people [...] and the IQ-parameterized employment function is no longer what it was once cracked up to be. If you doubt it, just look at the people running things these days. They may run a little above average, but you’d better not be expecting to find any Aristotles or Newtons among them. Intelligence has been replaced in the job market with an increasingly poor substitute, possession of a college degree, and given that education has steadily given way to indoctrination and socialization as academic priorities, it would be naive to suppose that this is not dragging down the overall efficiency of society. In short, there are presently many highly intelligent people working very “dumb” jobs, and conversely, many less intelligent people working jobs that would once have been filled by their intellectual superiors. Those sad stories about physics PhD’s flipping burgers at McDonald's are no longer so exceptional. Sorry, folks, but this is not your grandfather’s meritocracy any more.
Christopher Michael Langan
Are you sure you don't remember? Your mind seems to be working just fine to me." "You know what? Just forget it. Whatever it was, I forgive you. Give me my backpack so I can go back to the office. We're about to get busted anyway, just standing here." "If you really do forgive me, then you wouldn't still be going to the office." He tightens his hold on the strap of my backpack. "Ohmysweetgoodness, Galen, why are we even having this conversation? You don't even know me. What do you care if I change my schedule?" I know I'm being rude. The guy offered to carry my things and walk me to class. And depending on which version of the story I believe, he either asked me out on Monday already, or he did it indirectly a few seconds ago. None of it makes any sense. Why me? Without any effort, I can think of at least ten girls who beat me out in looks, personality, and darker foundation. And Galen could pull any of them. "What, you don't have a question for my question?" I ask after a few seconds. "It just seems silly for you to change your schedule over a disagreement about when the Titanic-" I throw my hands up at him. "Don't you see how weird this is for me?" "I'm trying to, Emma. I really am. But I think you've had a tough couple of weeks, and it's taking a toll on you. You said every time you're around me something bad happens. But you can't really know for sure that's true, unless you spend more time with me. You should at least acknowledge that." Something is wrong with me. Those cafeteria doors must have really worked me over. Otherwise, I wouldn't be pushing Galen away like this. Not with him pleading, not with the way he's leaning toward me, not with the way he smells. "See? You're taking it personally, when there's really nothing personal about it," I whisper. "It's personal to me, Emma. It's true, I don't know you well. But there are some things I do know about you. And I'd like to know more." A glass full of ice water wouldn't cool my cheeks. "The only thing you know about me is that I'm life threatening in flip-flops." That I won't meet his eyes obviously bothers him, because he lifts my chin with the crook of his finger. "That's not all I know," he says. "I know your biggest secret." This time, unlike at the beach, I don't swat his hand away. The electric current in my feet prove that we're really standing so close to each other that our toes touch. "I don't have any secrets," I say, mesmerized." He nods. "I finally figured that out. That you don't actually know about your secret." "You're not making any sense." Or I just can't concentrate because I accidentally looked up at his lips. Maybe he did talk me into swimming... The door to the front office swings open, and Galen grabs my arm and ushers me around the corner. He continues to drag me down the hall, toward world history. "That's it?" I say, exasperated. "You're just going to leave it at that?" He stops us in front of the door. "That depends on you," he says. "Come with me to the beach after school, and I'll tell you." He reaches for the knob, but I grab his hand. "Tell me what? I already told you that I don't have any secrets. And I don't swim." He grins and opens the door. "There's plenty to do at the beach besides swim." Then he pulls me by the hand so close I think he's going to kiss me. Instead, he whispers in my ear, "I'll tell you where your eye color comes from." As I gasp, he puts a gentle hand on the small of my back and propels me into the classroom. Then he ditches me.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth (Insurgent (Divergent, #2))