Beige Hair Quotes

The Loneliness of the Military Historian Confess: it's my profession that alarms you. This is why few people ask me to dinner, though Lord knows I don't go out of my way to be scary. I wear dresses of sensible cut and unalarming shades of beige, I smell of lavender and go to the hairdresser's: no prophetess mane of mine, complete with snakes, will frighten the youngsters. If I roll my eyes and mutter, if I clutch at my heart and scream in horror like a third-rate actress chewing up a mad scene, I do it in private and nobody sees but the bathroom mirror. In general I might agree with you: women should not contemplate war, should not weigh tactics impartially, or evade the word enemy, or view both sides and denounce nothing. Women should march for peace, or hand out white feathers to arouse bravery, spit themselves on bayonets to protect their babies, whose skulls will be split anyway, or,having been raped repeatedly, hang themselves with their own hair. There are the functions that inspire general comfort. That, and the knitting of socks for the troops and a sort of moral cheerleading. Also: mourning the dead. Sons,lovers and so forth. All the killed children. Instead of this, I tell what I hope will pass as truth. A blunt thing, not lovely. The truth is seldom welcome, especially at dinner, though I am good at what I do. My trade is courage and atrocities. I look at them and do not condemn. I write things down the way they happened, as near as can be remembered. I don't ask why, because it is mostly the same. Wars happen because the ones who start them think they can win. In my dreams there is glamour. The Vikings leave their fields each year for a few months of killing and plunder, much as the boys go hunting. In real life they were farmers. The come back loaded with splendour. The Arabs ride against Crusaders with scimitars that could sever silk in the air. A swift cut to the horse's neck and a hunk of armour crashes down like a tower. Fire against metal. A poet might say: romance against banality. When awake, I know better. Despite the propaganda, there are no monsters, or none that could be finally buried. Finish one off, and circumstances and the radio create another. Believe me: whole armies have prayed fervently to God all night and meant it, and been slaughtered anyway. Brutality wins frequently, and large outcomes have turned on the invention of a mechanical device, viz. radar. True, valour sometimes counts for something, as at Thermopylae. Sometimes being right - though ultimate virtue, by agreed tradition, is decided by the winner. Sometimes men throw themselves on grenades and burst like paper bags of guts to save their comrades. I can admire that. But rats and cholera have won many wars. Those, and potatoes, or the absence of them. It's no use pinning all those medals across the chests of the dead. Impressive, but I know too much. Grand exploits merely depress me. In the interests of research I have walked on many battlefields that once were liquid with pulped men's bodies and spangled with exploded shells and splayed bone. All of them have been green again by the time I got there. Each has inspired a few good quotes in its day. Sad marble angels brood like hens over the grassy nests where nothing hatches. (The angels could just as well be described as vulgar or pitiless, depending on camera angle.) The word glory figures a lot on gateways. Of course I pick a flower or two from each, and press it in the hotel Bible for a souvenir. I'm just as human as you. But it's no use asking me for a final statement. As I say, I deal in tactics. Also statistics: for every year of peace there have been four hundred years of war.

Ichecked myself over nervously. I had never been the new kid before, and I wanted at least one friend before the day was done. One besides Josh. Girlfriends were a necessity. Plenty had eyed me up at the ball but none had been brave enough to talk to me. Not even when I danced with Josh. I smiled unintentionally, thinking about Josh. Perhaps he would be my only friend. I could live with that, couldn’t I? No. Girlfriends were a necessity. Who would I toil over Josh with? And who would I talk about Briton with? No, I needed fiends. I surveyed my gray skinny jeans, black-and-white striped three-quarter-sleeve shirt, and knee-high beige dress boots, and grinned. I looked like a city kid. Great. No one would want to hang with me. My long hair looked silky and fine, not thick and unruly like it truly was, and I had on too much makeup. Yikes.

When your personal multiplicity is printed on your face, in an almost too obviously thematic manner, in your DNA, in your hair and in the neither-this-nor-that beige of your skin - well, anyone can see you come from Dream City. In Dream City everything is doubled, everything is various. You have no choice but to cross borders and speak in tongues. That's how you get from your mother to your father, from talking to one set of folks who think you're not black enough to another who figure you insufficiently white.

A paradisiacal lagoon lay below them. The water was an unbelievable, unreal turquoise, its surface so still that every feature of the bottom could be admired in magnified detail: colorful pebbles, bright red kelp, fish as pretty and colorful as the jungle birds. A waterfall on the far side fell softly from a height of at least twenty feet. A triple rainbow graced its frothy bottom. Large boulders stuck out of the water at seemingly random intervals, black and sun-warmed and extremely inviting, like they had been placed there on purpose by some ancient giant. And on these were the mermaids. Wendy gasped at their beauty. Their tails were all colors of the rainbow, somehow managing not to look tawdry or clownish. Deep royal blue, glittery emerald green, coral red, anemone purple. Slick and wet and as beautifully real as the salmon Wendy's father had once caught on holiday in Scotland. Shining and voluptuously alive. The mermaids were rather scandalously naked except for a few who wore carefully placed shells and starfish, although their hair did afford some measure of decorum as it trailed down their torsos. Their locks were long and thick and sinuous and mostly the same shades as their tails. Some had very tightly coiled curls, some had braids. Some had decorated their tresses with limpets and bright hibiscus flowers. Their "human" skins were familiar tones: dark brown to pale white, pink and beige and golden and everything in between. Their eyes were also familiar eye colors but strangely clear and flat. Either depthless or extremely shallow depending on how one stared. They sang, they brushed their hair, they played in the water. In short, they did everything mythical and magical mermaids were supposed to do, laughing and splashing as they did. "Oh!" Wendy whispered. "They're-" And then she stopped. Tinker Bell was giving her a funny look. An unhappy funny look. The mermaids were beautiful. Indescribably, perfectly beautiful. They glowed and were radiant and seemed to suck up every ray of sun and sparkle of water; Wendy found she had no interest looking anywhere else.

Is this okay with you, Jenna? For him to stay here?" "Yeah," I said. "It's good. You have no idea what it takes for him to ask for help." I spent all evening in Alan's office, reading at his desk and keeping Cameron company. Mostly he slept, snoring lightly and once in a while murmuring unintelligible something into his pillow. I turned my chair so that I could look at him whenever I wanted, at his face or at the bare foot that stuck out from under the covers, or at his arm dangling off the side of the sofa bed. Around eleven, when I was ready for bed, Cameron woke up. I brought him broth and crackers. "Hi," I said. "Have you been here all this time?" "Most of it." Alan's beige pajamas looked small and uncomfortable on Cameron. "You don't have to," he said. "I can take care of myself." He reached for the broth. I watched him slurp straight from his bowl, everything about him becoming younger and more boyish by the second-rosy lips on the white rim of the bowl, wrists without enough pajama sleeve to cover them, cowlick hair and sleepy eyes. "I know you can. But you don't have to." "Well..." He finally looked at me. "Thanks.

Who do you think is angriest right now? In our country, I mean.” I shrugged. “African Americans?” She made a buzzing noise, a sort of you’re-out-but-we’ve-got-some-lovely-consolation-prizes-backstage kind of a sound. “Guess again.” “Gays?” “No, you dope. The straight white dude. He’s angry as shit. He feels emasculated.” “Honestly, Jacko.” “Of course he does.” Jackie pointed a purple fingernail at me. “You just wait. It’s gonna be a different world in a few years if we don’t do something to change it. Expanding Bible Belt, shit-ass representation in Congress, and a pack of power-hungry little boys who are tired of being told they gotta be more sensitive.” She laughed then, a wicked laugh that shook her whole body. “And don’t think they’ll all be men. The Becky Homeckies will be on their side.” “The who?” Jackie nodded at my sweats and bed-matted hair, at the pile of yesterday’s dishes in the sink, and finally at her own outfit. It was one of the more interesting fashion creations I’d seen on her in a while—paisley leggings, an oversized crocheted sweater that used to be beige but had now taken on the color of various other articles of clothing, and purple stiletto boots. “The Susie Homemakers. Those girls in matching skirts and sweaters and sensible shoes going for their Mrs. degrees. You think they like our sort? Think again.

He saw her as he would always see her, a slender girl in a simple beige dress, curled in a large wing chair by the white fireplace. The chair was a gaudy piece patterned in greens and purples, like tropical flowers, with a scrawl of cerise breaking the pattern. Her hair was the color of palest gold, a silvery gold, and she wore it pulled away from her face into a curl at the back of her neck. She had a fine face, nothing pretty-pretty about it, a strong face with high cheek bones and a straight nose. Her eyes were beautiful, sea blue, slanted like wings; and her mouth was a beautiful curve. Yet she wasn’t beautiful; you wouldn’t look at her in a room of pretty women, in a bar or night spot. You wouldn’t notice her; she’d be too quiet; she was a lady and she wouldn’t want to be noticed.

You look beautiful, ma'am," Ernestine said, delighted with the results of her work. She had drawn Phoebe's hair up into a coil of neatly pinned rolls and curls, winding a velvet ribbon around the base. A few loose curls had been allowed to dangle down the back of her head, which felt a bit strange: she wasn't accustomed to leaving any loose pieces in her usual hairstyles. Ernestine had finished the arrangement by pinning a small, fresh pink rose on the right side of the coil. The new coiffure was very flattering, but the formal gown had turned out to be far less inconspicuous than Phoebe had expected. It was the pale beige of unbleached linen or natural wool, but the silk had been infused with exceptionally fine metallic threads of gold and silver, giving the fabric a pearly luster. A garland of peonies, roses, and delicate green silk leaves trimmed the deeply scooped neckline, while another flower garland caught up the gossamer-thin silk and tulle layers of the skirts at one side.

1. Start with your base. Bases come in convenient stick form, but I prefer a liquid one. A sallow skin need a pinkish tone. For a ruddy complexion, beige is flattering. Smooth the base right up to the hairline (you can always wipe spots off the hair with a tissue later) and blend it around the ears, on the earlobe, and down over the neck. 2. If your face is very round, smooth a darker shade at the sides, below the cheekbone, to narrow it. If your nose is too long, put the darker shade at the tip, and at the sides of the nostrils,. There are a number of possibilities depending on your bone structure. 3. A lighter shade will bring out receding features. [...]Use pale pink just under the brow and under the brow and under the eyes to bring out deep-set eyes. I don't use white under my brows because my bone structure doesn't lend itself to that. [...] I hate to see girls with TOO much white under the brow - or too much eye makeup of any kind, for that matter. If the forehead protrudes they shouldn't use the white under the brows at all. It exaggerates it. And if they have a tendency to be puffy - and everybody has puffy days - they look worse with great white blobs under the eyes. 4. The important thing about shading and contouring is to blend so carefully that you can never see where one shade ends and the other begins. 5. So start with three shades of base for the redesigning, plus white if you need it. Add a blusher that you brush on with a large soft brush made for the purpose. I like a brownish shade. It matches my natural complexion and I brush it on under my cheekbones to accent my bone structure. But a very fair skin could use a bluish pink blusher... 5. Translucent powder goes on next. It must be translucent or your careful job of shading will be covered over. And not too much. Just light dusting of it to cover the shine... 6. After powdering, take a tissue and BLOT. Then clothes won't get soiled. 7. I put on the lipstick and smooth it over with my finger - I never rub my lips together. Then I outline the lips carefully with a lipstick pencil. I never use a brush. Then BLOT. There's nothing uglier than lipstick on the teeth.

Tom, will you let me love you in your restaurant? i will let you make me a sandwich of your invention and i will eat it and call it a carolyn sandwich. then you will kiss my lips and taste the mayonnaise and that is how you shall love me in my restaurant. Tom, will you come up to my empty beige apartment and help me set up my daybed? yes, and i will put the screws in loosely so that when we move on it, later, it will rock like a cradle and then you will know you are my baby Tom, I am sitting on my dirt bike on the deck. Will you come out from the kitchen and watch the people with me? yes, and then we will race to your bedroom. i will win and we will tangle up on your comforter while the sweat rains from your stomachs and foreheads. Tom, the stars are sitting in tonight like gumball gems in a little girl’s jewlery box. Later can we walk to the duck pond? yes, and we can even go the long way past the jungle gym. i will push you on the swing, but promise me you’ll hold tight. if you fall i might disappear. Tom, can we make a baby together? I want to be a big pregnant woman with a loved face and give you a squalling red daughter. no, but i will come inside you and you will be my daughter Tom, will you stay the night with me and sleep so close that we are one person, no, but i will lay down on your sheets and taste you. there will be feathers of you on my tongue and then I will never forget you Tom, when we are in line at the convenience store can I put my hands in your back pockets and my lips and nose in your baseball shirt and feel the crook of your shoulder blade? no, but later you can lay against me and almost touch me and when i go i will leave my shirt for you to sleep in so that always at night you will be pressed up against the thought of me. Tom, if I weep and want to wait until you need me will you promise that someday you will need me? no, but i will sit in silence while you rage. you can knock the chairs down any mountain. i will always be the same and you will always wait. Tom, will you climb on top of the dumpster and steal the sun for me? It’s just hanging there and I want it. no, it will burn my fingers. no one can have the sun: it’s on loan from god. but i will draw a picture of it and send it to you from richmond and then you can smooth out the paper and you will have a piece of me as well as the sun Tom, it’s so hot here, and I think I’m being born. Will you come back from Richmond and baptise me with sex and cool water? i will come back from richmond. i will smooth the damp spiky hairs from the back of your wet neck and then i will lick the salt off it. then i will leave Tom, Richmond is so far away. How will I know how you love me? i have left you. that is how you will know

Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.

It's Mr. Reese, the school principal. He wears the same outfit he wears every day. A beige suit, light blue shirt, red tie and hair that looks like it just went through a vacuum cleaner. He appears especially harried today, as his eyeglasses sit on his nose like they want to escape his face.

Traditionally, the needs of ethnically diverse consumers had been met by smaller companies—the equivalent, in movie terms, of independent filmmakers. In the seventies, Shindana introduced two Barbie-like fashion dolls: Malaika, taller and stouter than Barbie; and Career Girl Wanda, about three-quarters as tall as Barbie and as proportionately svelte. But in 1991, when Mattel brought out its "Shani" line—three Barbie-sized African-American dolls available with mahogany, tawny, or beige complexions— there could be no doubt that "politically correct" was profitable. "For six years, I had been preaching these demographics—showing pie charts of black kids under ten representing eighteen percent of the under-ten population and Hispanic kids representing sixteen percent—and nobody was interested," said Yla Eason, an African-American graduate of Harvard Business School who in 1985 founded Olmec Corporation, which makes dolls and action figures of color. "But when Mattel came out with those same demographics and said, 'Ethnically correct is the way,' it legitimatized our business." Some say that the toy industry's idea of "ethnically correct" doesn't go far enough, however. Ann duCille, chairman of the African-American Studies Program and an associate professor of English at Wesleyan University, is a severe critic. After studying representations of race in fashion dolls for over a year, she feels that the dolls reflect a sort of "easy pluralism." "I'm not sure I'd go so far as to say I'd rather see no black dolls than see something like Shani or Black Barbie," she told me, "but I would hope for something more—which is not about to happen." Nor is she wholly enamored of Imani and Melenik, Olmec's equivalent of Barbie and Ken. "Supposedly these are dolls for black kids to play with that look like them, when in fact they don't look like them. That's a problematic statement, of course, because there's no 'generic black kid.' But those dolls look too like Barbie for me. They have the same body type, the same long, straight hair—and I think it sends a problematic message to kids. It's about marketing, about business—so don't try to pass it off as being about the welfare of black children." Lisa Jones, an African-American writer who chronicled the introduction of Mattel's Shani dolls for the Village Voice, is less harsh. Too old to have played with Christie—Barbie's black friend, born in 1968—Jones recalls as a child having expressed annoyance with her white classmates by ripping the heads and arms off her two white Barbie dolls. Any fashion doll of color, she thinks, would have been better for her than those blondes. "Having been a little girl who grew up without the images," she told me, "I realize that however they fail to reach the Utopian mark, they're still useful.

When he entered the anteroom, two women looked up at him. One was Miss Robertson, the governor's secretary; the other he did not recognize till she smiled and said his name in a gentle voice. She was Mrs. Freeman, the wife of the bishop; he saluted her and went to Miss Robertson. 'Will you tell them I'm here?' he said. 'I'm sorry, Mr. Haffner, they don't even want me to take minutes right now.' 'Well, just go tell them I'm out of the running.' There was not so much as a flicker in her eyes. 'They locked the door,' she said, 'and besides, I don't think they'll accept your withdrawal.' 'Won't they though. Just give them my message, Miss Robertson. I'm leaving.' 'Oh, Mr. Haffner, I know they'll want to see you. It's very important.' 'They will, huh. I'll give them half an hour.' He sat down beside her to talk. It was not that he liked Miss Robertson particularly. Her soul had been for a long time smoothed out and hobbled by girdles and high heels as her body; her personality was as blank and brown as her gabardine suit; her mind was exactly good enough to take down 140 any sort of words a minute without error, without boredom, without wincing. But she could talk idly in a bare room like this well enough; he remembered that she liked science-fiction; he drew her out. Besides, she was not Mrs. Freeman. Mrs. Freeman was a good woman; that is, she did good, and did not resent those who did bad but pitied them. For example, now: she was knitting alone while the other two talked, neither trying to join them nor, as John actively knew, making them uncomfortable for not having included her; and she was waiting for the bishop, who for reasons no one understood, hated to drive at night without her. John liked good people—no, he respected them above everyone else, above the powerful or beautiful or rich, whom he knew well, the gifted or learned or even the wise; indeed, he was rather in awe of the good, but their actual sweet presence made him uncomfortable. Mrs. Freeman there: with her hair drawn back straight to a bun, she sat in a steel-tube, leatherette chair, against a beige, fire-resistant, sound-absorbent wall, knitting in that ambient, indirect light socks for the mad; he knew quite well that if he should go over beside her she would talk with him in her gentle voice about whatever he wished to talk about, that she would have firm views which, however, she would never declare harshly against his should they differ, that she would tell him, if he asked about her work with the insane, what she had accomplished and what failed to accomplish, that she would make him acutely uncomfortable. He felt himself deficient not to be living, as people like Mrs. Freeman seemed to live, in an altogether moral world, but more especially he was reluctant to come near such people because he did not want to know more than he could help knowing of their motives; he did not trust motives; he was a lawyer. Therefore, though it was all but rude of him, he sat with Miss Robertson till the door opened.

The female vampire leaped from the plank and landed beside us. She was dressed in a white shirt and beige pants. She had long, dark hair, tied behind her back. She wasn’t especially pretty — she had a hard, weathered face — but after so much time spent staring at ugly, scarred vampires, she looked like a movie star to me.

Her hair has been dyed that indeterminate colour inexplicably beloved of middle-aged women, which is neither brown nor blonde but somewhere in between. A kind of beige.

Christian, who was a tall and wide-shouldered linebacker for the Helena high school football team and who’d volunteered his home for the party because his parents were in Great Falls, rolled his eyes and lowered the volume on his iHome with a remote. He was pale-featured and wore his hair in a semi-buzz cut that looked like a beige carpet sample. A couple of other boys, who were pounding beer after beer in the kitchen and were also on the football team, howled in protest that they liked that song.

Kimberly describes herself as a twenty-five-year-old with blonde hair and a white tank top, and I tell her that I will be showing up with Lexi and that I will be wearing beige shorts and a blue top.

A chill fog had blanketed the world the night before, seeping in through every nook and cranny. Nestled under layers of quilts and down blankets, Aelin rolled over in bed and stretched a hand across the mattress, reaching lazily for the warm male body beside hers. Cold, silken sheets slid against her fingers. She opened an eye. This wasn’t Wendlyn. The luxurious bed bedecked in shades of cream and beige belonged to her apartment in Rifthold. And the other half of the bed was neatly made, its pillows and blankets undisturbed. Empty. For a moment, she could see Rowan there—that harsh, unforgiving face softened into handsomeness by sleep, his silver hair glimmering in the morning light, so stark against the tattoo stretching from his left temple down his neck, over his shoulder, all the way to his fingertips. Aelin loosed a tight breath, rubbing her eyes. Dreaming was bad enough. She would not waste energy missing him, wishing he were here to talk everything through, or to just have the comfort of waking up beside him and knowing he existed. She swallowed hard, her body too heavy as she rose from the bed. She had told herself once that it wasn’t a weakness to need Rowan’s help, to want his help, and that perhaps there was a kind of strength in acknowledging that, but … He wasn’t a crutch, and she never wanted him to become one. Still, as she downed her cold breakfast, she wished she hadn’t felt such a strong need to prove that to herself weeks ago. Especially when word arrived via urchin banging on the warehouse door that she’d been summoned to the Assassins’ Keep. Immediately.

Marcus pulled in to Jules’ drive way. His car looked like one you might see an older man driving. Beige, long, some sort of Buick. He didn’t see her waiting on the rocking chair of her screened-in porch. The motion light had no reason to be on since she had been sitting out there for some time, enjoying the crisp evening air. Shaw appeared to be fidgety and nervous. He ran his hands through his tousled hair, trying to comb it through. He checked his nose for random objects and then he grabbed a water bottle and gulped down the entire thing in a matter of seconds. When he finally exited the squeaky car, he brushed down his shirt and jeans to freshen them. It was quite amusing to watch this man. The more nervous he seemed, the more confident she became. Yup, she was going to fuck him. Hard. She was going to fuck him as if her life depended on it, and in some ways it did. Without getting back in touch with this power she had found, she was a meek little girl just following people around. She did it with her parents and then she did it with her ex-husband. Maybe the way she had come to her current power wasn’t the most conventional, but Jules was never meant to be a conventional girl. She tried to fit into the conventional role with Joey for 13 years and was never this happy or strong. 

swing it open. Tom’s standing there, smiling with a bunch of red roses in his arms. He looks good with his cropped black hair, soft brown eyes, and crooked smile. He’s dressed to impress in a navy shirt and dark beige trousers. The nurses at his hospital must be drooling over him, so why aren’t I? His eyes travel up and down my body. “You look lovely, Andi.” “Thank you,” I answer. “I brought you these.” He hands me a mixed array of pink tulips, white daises, yellow sunflowers, and red roses. “They’re

But I haven’t described Dream City. I’ll try to. It is a place of many voices, where the unified singular self is an illusion. Naturally, Obama was born there. So was I. When your personal multiplicity is printed on your face, in an almost too obviously thematic manner, in your DNA, in your hair and in the neither-this-nor-that beige of your skin—well, anyone can see you come from Dream City. In Dream City everything is doubled, everything is various. You have no choice but to cross borders and speak in tongues. That’s how you get from your mother to your father, from talking to one set of folks who think you’re not black enough to another who figure you insufficiently white.

Women in Amman are all top notch, in fact. Make-up is an everyday necessity and the hair is always blow-dried or curled. Even the women who wear headscarves are stylish.

Pink is what red looks like when it kicks off its shoes and lets its hair down. Pink is the boudoir color, the cherubic color, the color of Heaven's gates. . . . Pink is as laid back as beige, but while beige is dull and bland, pink is laid back with attitude. -The Eight-Story Kiss